@sudobility/music_types 0.13.26 → 0.13.27

package/dist/domain/instruments/gm-polyphony.d.ts

@@ -1,5 +1,28 @@
-/** No physical limit: keyboards, plucked strings, sections, synths, drums. */
-export declare const UNLIMITED_POLYPHONY: number;
+/**
+ * How many notes a General MIDI program can sound at once.
+ *
+ * General MIDI says nothing about this, so the numbers are ours. They are
+ * physical facts about the instruments rather than preferences: a trumpet
+ * player has one airstream, a guitar has six strings, a banjo five, a violinist
+ * can bow two at once (and briefly break three).
+ *
+ * They live in `gm-catalogue.ts`, one row per program, alongside that
+ * program's range and transposition — see that module for why a family default
+ * plus overrides turned out to be the wrong shape for this.
+ *
+ * This exists so the editor can refuse to write a chord nobody could play. It
+ * deliberately does NOT describe what a synthesizer patch can do — polyphony
+ * there is a setting, not a limit — so every synth family is unlimited.
+ */
+import { UNLIMITED_POLYPHONY } from "./gm-catalogue.js";
+/**
+ * `UNLIMITED_POLYPHONY` is declared in `gm-catalogue.ts` and re-exported here,
+ * so `./gm-polyphony.js` stays the module it is imported from. It was declared
+ * here, and the catalogue's rows read it while building — a cycle that threw
+ * `Cannot access 'UNLIMITED_POLYPHONY' before initialization` on any runtime
+ * that reached this module first.
+ */
+export { UNLIMITED_POLYPHONY };
 /**
  * The most notes `program` can sound simultaneously.
  *

package/dist/domain/instruments/gm-polyphony.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"gm-polyphony.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAkBA,8EAA8E;AAC9E,eAAO,MAAM,mBAAmB,QAA2B,CAAC;AAE5D;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,MAAM,GAAG,MAAM,CAEtD;AAED,yDAAyD;AACzD,wBAAgB,eAAe,CAAC,OAAO,EAAE,MAAM,EAAE,KAAK,EAAE,MAAM,GAAG,OAAO,CAEvE"}
+{"version":3,"file":"gm-polyphony.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AACH,OAAO,EAAU,mBAAmB,EAAE,MAAM,mBAAmB,CAAC;AAEhE;;;;;;GAMG;AACH,OAAO,EAAE,mBAAmB,EAAE,CAAC;AAE/B;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,MAAM,GAAG,MAAM,CAEtD;AAED,yDAAyD;AACzD,wBAAgB,eAAe,CAAC,OAAO,EAAE,MAAM,EAAE,KAAK,EAAE,MAAM,GAAG,OAAO,CAEvE"}

package/dist/domain/instruments/gm-polyphony.js

@@ -14,9 +14,15 @@
  * deliberately does NOT describe what a synthesizer patch can do — polyphony
  * there is a setting, not a limit — so every synth family is unlimited.
  */
-import { gmSpec } from "./gm-catalogue.js";
-/** No physical limit: keyboards, plucked strings, sections, synths, drums. */
-export const UNLIMITED_POLYPHONY = Number.POSITIVE_INFINITY;
+import { gmSpec, UNLIMITED_POLYPHONY } from "./gm-catalogue.js";
+/**
+ * `UNLIMITED_POLYPHONY` is declared in `gm-catalogue.ts` and re-exported here,
+ * so `./gm-polyphony.js` stays the module it is imported from. It was declared
+ * here, and the catalogue's rows read it while building — a cycle that threw
+ * `Cannot access 'UNLIMITED_POLYPHONY' before initialization` on any runtime
+ * that reached this module first.
+ */
+export { UNLIMITED_POLYPHONY };
 /**
  * The most notes `program` can sound simultaneously.
  *

package/dist/domain/instruments/gm-polyphony.js.map

@@ -1 +1 @@
-{"version":3,"file":"gm-polyphony.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AACH,OAAO,EAAE,MAAM,EAAE,MAAM,mBAAmB,CAAC;AAE3C,8EAA8E;AAC9E,MAAM,CAAC,MAAM,mBAAmB,GAAG,MAAM,CAAC,iBAAiB,CAAC;AAE5D;;;;;;GAMG;AACH,MAAM,UAAU,cAAc,CAAC,OAAe;IAC5C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,YAAY,IAAI,mBAAmB,CAAC;AAC9D,CAAC;AAED,yDAAyD;AACzD,MAAM,UAAU,eAAe,CAAC,OAAe,EAAE,KAAa;IAC5D,OAAO,KAAK,IAAI,cAAc,CAAC,OAAO,CAAC,CAAC;AAC1C,CAAC"}
+{"version":3,"file":"gm-polyphony.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AACH,OAAO,EAAE,MAAM,EAAE,mBAAmB,EAAE,MAAM,mBAAmB,CAAC;AAEhE;;;;;;GAMG;AACH,OAAO,EAAE,mBAAmB,EAAE,CAAC;AAE/B;;;;;;GAMG;AACH,MAAM,UAAU,cAAc,CAAC,OAAe;IAC5C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,YAAY,IAAI,mBAAmB,CAAC;AAC9D,CAAC;AAED,yDAAyD;AACzD,MAAM,UAAU,eAAe,CAAC,OAAe,EAAE,KAAa;IAC5D,OAAO,KAAK,IAAI,cAAc,CAAC,OAAO,CAAC,CAAC;AAC1C,CAAC"}

package/dist/domain/instruments/gm-range.d.ts

@@ -6,12 +6,16 @@
  * programs inherited a compass nobody had chosen for them — see that module's
  * doc for what that hid.
  */
-export type MidiRange = {
-    min: number;
-    max: number;
-};
-/** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
-export declare const FULL_KEYBOARD: MidiRange;
+import { FULL_KEYBOARD, type MidiRange } from "./gm-catalogue.js";
+/**
+ * `MidiRange` and `FULL_KEYBOARD` are declared in `gm-catalogue.ts` and
+ * re-exported here, so `./gm-range.js` stays the module they are imported from.
+ * They were declared here, and the rows over there read `FULL_KEYBOARD` while
+ * building — a cycle that threw a TDZ `ReferenceError` on whichever of the two
+ * a runtime happened to enter first. Declaring them beside the table they
+ * describe is what points the arrows one way.
+ */
+export { FULL_KEYBOARD, type MidiRange };
 /**
  * The practical range for `program`, or the full keyboard for an unknown one —
  * benefit of the doubt rather than edits blocked against a guess.

package/dist/domain/instruments/gm-range.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"gm-range.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAAA;;;;;;;GAOG;AACH,MAAM,MAAM,SAAS,GAAG;IAAE,GAAG,EAAE,MAAM,CAAC;IAAC,GAAG,EAAE,MAAM,CAAA;CAAE,CAAC;AAErD,+EAA+E;AAC/E,eAAO,MAAM,aAAa,EAAE,SAAiC,CAAC;AAI9D;;;GAGG;AACH,wBAAgB,iBAAiB,CAAC,OAAO,EAAE,MAAM,GAAG,SAAS,CAE5D"}
+{"version":3,"file":"gm-range.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAAA;;;;;;;GAOG;AACH,OAAO,EAAE,aAAa,EAAU,KAAK,SAAS,EAAE,MAAM,mBAAmB,CAAC;AAE1E;;;;;;;GAOG;AACH,OAAO,EAAE,aAAa,EAAE,KAAK,SAAS,EAAE,CAAC;AAEzC;;;GAGG;AACH,wBAAgB,iBAAiB,CAAC,OAAO,EAAE,MAAM,GAAG,SAAS,CAE5D"}

package/dist/domain/instruments/gm-range.js

@@ -1,6 +1,21 @@
-/** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
-export const FULL_KEYBOARD = { min: 21, max: 108 };
-import { gmSpec } from "./gm-catalogue.js";
+/**
+ * An instrument's compass.
+ *
+ * The numbers themselves live in `gm-catalogue.ts`, one row per program. They
+ * used to live here as a family default plus 38 overrides, which meant 90
+ * programs inherited a compass nobody had chosen for them — see that module's
+ * doc for what that hid.
+ */
+import { FULL_KEYBOARD, gmSpec } from "./gm-catalogue.js";
+/**
+ * `MidiRange` and `FULL_KEYBOARD` are declared in `gm-catalogue.ts` and
+ * re-exported here, so `./gm-range.js` stays the module they are imported from.
+ * They were declared here, and the rows over there read `FULL_KEYBOARD` while
+ * building — a cycle that threw a TDZ `ReferenceError` on whichever of the two
+ * a runtime happened to enter first. Declaring them beside the table they
+ * describe is what points the arrows one way.
+ */
+export { FULL_KEYBOARD };
 /**
  * The practical range for `program`, or the full keyboard for an unknown one —
  * benefit of the doubt rather than edits blocked against a guess.

package/dist/domain/instruments/gm-range.js.map

@@ -1 +1 @@
-{"version":3,"file":"gm-range.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAUA,+EAA+E;AAC/E,MAAM,CAAC,MAAM,aAAa,GAAc,EAAE,GAAG,EAAE,EAAE,EAAE,GAAG,EAAE,GAAG,EAAE,CAAC;AAE9D,OAAO,EAAE,MAAM,EAAE,MAAM,mBAAmB,CAAC;AAE3C;;;GAGG;AACH,MAAM,UAAU,iBAAiB,CAAC,OAAe;IAC/C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,KAAK,IAAI,aAAa,CAAC;AACjD,CAAC"}
+{"version":3,"file":"gm-range.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAAA;;;;;;;GAOG;AACH,OAAO,EAAE,aAAa,EAAE,MAAM,EAAkB,MAAM,mBAAmB,CAAC;AAE1E;;;;;;;GAOG;AACH,OAAO,EAAE,aAAa,EAAkB,CAAC;AAEzC;;;GAGG;AACH,MAAM,UAAU,iBAAiB,CAAC,OAAe;IAC/C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,KAAK,IAAI,aAAa,CAAC;AACjD,CAAC"}

package/dist/domain/instruments/out-of-range.d.ts

@@ -0,0 +1,70 @@
+/**
+ * Notes an instrument cannot play, found in a score that already holds them.
+ *
+ * Here, beside `trackRangeIsBinding`, because two apps draw this score and its
+ * inspector, and "which notes are out of range, and why" having two answers is
+ * how the native app came to light nothing at all during playback. It is a pure
+ * question about the model — no geometry and no colour — so it belongs with the
+ * compass it reads rather than with the renderer that colours the answer.
+ *
+ * The compass lives in one place — `gm-catalogue.ts`, reached through
+ * `trackKeyboardRange` — and three of the four surfaces that care already read
+ * it: the keyboard shows exactly that span, generation now states it in the
+ * prompt, and `inspect.ts` judges a generated part against it. The notation is
+ * the exception, by design: it draws what the score holds, because a score is
+ * not only ever a generated one.
+ *
+ * That is the disagreement a reader actually meets. A timpani part written a
+ * fifth below its lowest drum draws perfectly well on the stave and cannot
+ * light a single key on the keyboard — measured on one project, 482 of 1,067
+ * notes. Nothing here rewrites those notes: they are marked, and moving them
+ * by an octave is a musical decision that belongs to the person reading, not
+ * to a scan.
+ *
+ * Gated on `trackRangeIsBinding`, the same condition the server applies, so the
+ * page and the server cannot disagree about what counts as out of range. A
+ * compass nobody verified marks nothing.
+ *
+ * ## Sounding pitch, and so the STORED score
+ *
+ * Every number in `gm-catalogue.ts` is sounding pitch, and `midiIsInRange` is
+ * documented as taking one. The score this package *draws* is not: the app
+ * hands `render` a `displayScore(score, pitchDisplay)`, which in written mode
+ * has moved a B-flat clarinet up a tone and, in every mode, has moved an
+ * `8va`'s noteheads down an octave. Scanning that would place a clarinet's
+ * whole part a tone above where it sounds and mark the top of it wrongly.
+ *
+ * So this takes the **stored** score — the one the app holds, before the
+ * lenses — and the result stays correct in either display mode because it is
+ * expressed as event **ids**, which both lenses preserve: `transposeEvents`
+ * and `ottavaScore` spread `...event` and replace only `pitch`. The renderer
+ * colours by id, so "which notes" survives a transposition that changes what
+ * those notes look like. `out-of-range.test.ts` pins that with a clarinet.
+ */
+import { type Score } from "../../model/score.js";
+import type { MidiRange } from "./gm-range.js";
+export type OutOfRangeTrack = {
+    trackId: string;
+    name: string;
+    /** What the instrument can play. */
+    compass: MidiRange;
+    /** How many notes fall outside it. */
+    count: number;
+    /** The distinct pitches that do, lowest first. */
+    midis: number[];
+};
+export type OutOfRangeScan = {
+    /** Every offending note id, for the notation's colours. */
+    ids: string[];
+    /** One entry per track that has any, for the inspector's sentence. */
+    byTrack: OutOfRangeTrack[];
+};
+/**
+ * Every note `score` holds that its own instrument cannot play.
+ *
+ * `score` is the **stored** score — sounding pitch, before `displayScore`. Do
+ * not pass the score handed to `render`; see this module's doc for why, and
+ * why the ids come back usable in either display mode anyway.
+ */
+export declare function outOfRangeNoteIds(score: Score | null): OutOfRangeScan;
+//# sourceMappingURL=out-of-range.d.ts.map

package/dist/domain/instruments/out-of-range.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"out-of-range.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/out-of-range.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;GA0CG;AACH,OAAO,EAAe,KAAK,KAAK,EAAE,MAAM,sBAAsB,CAAC;AAE/D,OAAO,KAAK,EAAE,SAAS,EAAE,MAAM,eAAe,CAAC;AAI/C,MAAM,MAAM,eAAe,GAAG;IAC5B,OAAO,EAAE,MAAM,CAAC;IAChB,IAAI,EAAE,MAAM,CAAC;IACb,oCAAoC;IACpC,OAAO,EAAE,SAAS,CAAC;IACnB,sCAAsC;IACtC,KAAK,EAAE,MAAM,CAAC;IACd,kDAAkD;IAClD,KAAK,EAAE,MAAM,EAAE,CAAC;CACjB,CAAC;AAEF,MAAM,MAAM,cAAc,GAAG;IAC3B,2DAA2D;IAC3D,GAAG,EAAE,MAAM,EAAE,CAAC;IACd,sEAAsE;IACtE,OAAO,EAAE,eAAe,EAAE,CAAC;CAC5B,CAAC;AAIF;;;;;;GAMG;AACH,wBAAgB,iBAAiB,CAAC,KAAK,EAAE,KAAK,GAAG,IAAI,GAAG,cAAc,CAiDrE"}

package/dist/domain/instruments/out-of-range.js

@@ -0,0 +1,106 @@
+/**
+ * Notes an instrument cannot play, found in a score that already holds them.
+ *
+ * Here, beside `trackRangeIsBinding`, because two apps draw this score and its
+ * inspector, and "which notes are out of range, and why" having two answers is
+ * how the native app came to light nothing at all during playback. It is a pure
+ * question about the model — no geometry and no colour — so it belongs with the
+ * compass it reads rather than with the renderer that colours the answer.
+ *
+ * The compass lives in one place — `gm-catalogue.ts`, reached through
+ * `trackKeyboardRange` — and three of the four surfaces that care already read
+ * it: the keyboard shows exactly that span, generation now states it in the
+ * prompt, and `inspect.ts` judges a generated part against it. The notation is
+ * the exception, by design: it draws what the score holds, because a score is
+ * not only ever a generated one.
+ *
+ * That is the disagreement a reader actually meets. A timpani part written a
+ * fifth below its lowest drum draws perfectly well on the stave and cannot
+ * light a single key on the keyboard — measured on one project, 482 of 1,067
+ * notes. Nothing here rewrites those notes: they are marked, and moving them
+ * by an octave is a musical decision that belongs to the person reading, not
+ * to a scan.
+ *
+ * Gated on `trackRangeIsBinding`, the same condition the server applies, so the
+ * page and the server cannot disagree about what counts as out of range. A
+ * compass nobody verified marks nothing.
+ *
+ * ## Sounding pitch, and so the STORED score
+ *
+ * Every number in `gm-catalogue.ts` is sounding pitch, and `midiIsInRange` is
+ * documented as taking one. The score this package *draws* is not: the app
+ * hands `render` a `displayScore(score, pitchDisplay)`, which in written mode
+ * has moved a B-flat clarinet up a tone and, in every mode, has moved an
+ * `8va`'s noteheads down an octave. Scanning that would place a clarinet's
+ * whole part a tone above where it sounds and mark the top of it wrongly.
+ *
+ * So this takes the **stored** score — the one the app holds, before the
+ * lenses — and the result stays correct in either display mode because it is
+ * expressed as event **ids**, which both lenses preserve: `transposeEvents`
+ * and `ottavaScore` spread `...event` and replace only `pitch`. The renderer
+ * colours by id, so "which notes" survives a transposition that changes what
+ * those notes look like. `out-of-range.test.ts` pins that with a clarinet.
+ */
+import { isNoteEvent } from "../../model/score.js";
+import { pitchToMidi } from "../pitch/pitch.js";
+import { midiIsInRange, trackRangeIsBinding } from "./range-fit.js";
+import { isPercussionTrack, trackKeyboardRange } from "./track-instrument.js";
+const EMPTY = { ids: [], byTrack: [] };
+/**
+ * Every note `score` holds that its own instrument cannot play.
+ *
+ * `score` is the **stored** score — sounding pitch, before `displayScore`. Do
+ * not pass the score handed to `render`; see this module's doc for why, and
+ * why the ids come back usable in either display mode anyway.
+ */
+export function outOfRangeNoteIds(score) {
+    if (!score)
+        return EMPTY;
+    const ids = [];
+    const byTrack = [];
+    for (const track of score.tracks) {
+        /*
+         * A drum pitch names a drum rather than a place in a compass, so this test
+         * comes FIRST and is not folded into the gate below it.
+         *
+         * `trackRangeIsBinding` answers **true** for percussion on purpose — a kit
+         * has the pieces it has, which is the right answer for note entry and for
+         * generation, where refusing an address no drum sits at is a service. It is
+         * the wrong answer here: `percussion.ts` already handles a drum outside
+         * `GM_PERCUSSION_RANGE` by parking it on the middle line as `UNMAPPED`, and
+         * colouring it as well would be two marks for one fact.
+         */
+        if (isPercussionTrack(track))
+            continue;
+        if (!trackRangeIsBinding(track))
+            continue;
+        const compass = trackKeyboardRange(track);
+        const midis = new Set();
+        let count = 0;
+        for (const measure of track.measures) {
+            for (const voice of measure.voices) {
+                for (const event of voice.events) {
+                    if (!isNoteEvent(event))
+                        continue;
+                    const midi = pitchToMidi(event.pitch);
+                    if (midiIsInRange(midi, compass))
+                        continue;
+                    ids.push(event.id);
+                    midis.add(midi);
+                    count += 1;
+                }
+            }
+        }
+        if (count > 0) {
+            byTrack.push({
+                trackId: track.id,
+                name: track.name,
+                compass,
+                count,
+                midis: [...midis].sort((a, b) => a - b),
+            });
+        }
+    }
+    return ids.length > 0 ? { ids, byTrack } : EMPTY;
+}
+//# sourceMappingURL=out-of-range.js.map

package/dist/domain/instruments/out-of-range.js.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/track-instrument.d.ts

@@ -24,6 +24,29 @@ import { type MidiRange } from "./gm-range.js";
 import type { InstrumentIconArt } from "./icon-art.js";
 /** Whether `track`'s `midiProgram` addresses a drum kit rather than an instrument. */
 export declare function isPercussionTrack(track: Pick<Track, "clef">): boolean;
+/**
+ * What pressing a key on `track`'s keyboard should sound: a program, and
+ * whether it goes to the drum channel.
+ *
+ * Both keyboards built this inline — `track?.midiProgram ?? 0` beside
+ * `track?.clef === 'percussion'` — and both halves are needed, because on a
+ * percussion track `midiProgram` names a kit: program 40 is Brush there and
+ * Violin anywhere else, and only the flag tells a player which. Two call sites
+ * spelling the same pair agree right up until one of them learns a rule the
+ * other has not. A percussion address GM defines no kit at is resolved to the
+ * kit whose region contains it (`gmKitAt`), which is what playback does, so a
+ * key and the part it belongs to cannot sound like different kits.
+ *
+ * No track — an empty score, or a keyboard shown before a part is chosen —
+ * auditions a piano, program 0, which is what both keyboards fell back to.
+ * The instrument's *name* is deliberately not here: the player resolves that
+ * from the program itself, and a name read off the track would be the one
+ * field free to disagree with it.
+ */
+export declare function auditionVoiceFor(track: Pick<Track, "clef" | "midiProgram"> | null | undefined): {
+    program: number;
+    isPercussion: boolean;
+};
 /**
  * The notes worth showing for `track` — General MIDI's drum range on a
  * percussion track, the instrument's compass otherwise.

package/dist/domain/instruments/track-instrument.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"track-instrument.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/track-instrument.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;GAoBG;AACH,OAAO,KAAK,EACV,yBAAyB,EACzB,KAAK,EACL,KAAK,EACN,MAAM,gBAAgB,CAAC;AACxB,OAAO,EAAqB,KAAK,SAAS,EAAE,MAAM,eAAe,CAAC;AAMlE,OAAO,KAAK,EAAE,iBAAiB,EAAE,MAAM,eAAe,CAAC;AAGvD,sFAAsF;AACtF,wBAAgB,iBAAiB,CAAC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,CAAC,GAAG,OAAO,CAErE;AAED;;;GAGG;AACH,wBAAgB,kBAAkB,CAChC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,SAAS,CAGX;AAED;;;;;;;GAOG;AACH,wBAAgB,iBAAiB,CAC/B,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;GAMG;AACH,wBAAgB,yBAAyB,CACvC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;;GAOG;AACH,wBAAgB,mBAAmB,CACjC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAIR;AAED,0FAA0F;AAC1F,wBAAgB,mBAAmB,CACjC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,iBAAiB,CAInB;AAED,sGAAsG;AACtG,wBAAgB,oBAAoB,CAClC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;;;;;;;;;;;GAgBG;AACH,wBAAgB,qBAAqB,CAAC,KAAK,EAAE,KAAK,GAAG,KAAK,CAezD;AAED;;;;;;;;;;;;;;;;;;;;;;GAsBG;AACH,wBAAgB,0BAA0B,CACxC,KAAK,EAAE,KAAK,GACX,yBAAyB,CAgB3B"}
+{"version":3,"file":"track-instrument.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/track-instrument.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;GAoBG;AACH,OAAO,KAAK,EACV,yBAAyB,EACzB,KAAK,EACL,KAAK,EACN,MAAM,gBAAgB,CAAC;AACxB,OAAO,EAAqB,KAAK,SAAS,EAAE,MAAM,eAAe,CAAC;AAMlE,OAAO,KAAK,EAAE,iBAAiB,EAAE,MAAM,eAAe,CAAC;AAGvD,sFAAsF;AACtF,wBAAgB,iBAAiB,CAAC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,CAAC,GAAG,OAAO,CAErE;AAED;;;;;;;;;;;;;;;;;;GAkBG;AACH,wBAAgB,gBAAgB,CAC9B,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GAAG,IAAI,GAAG,SAAS,GAC5D;IAAE,OAAO,EAAE,MAAM,CAAC;IAAC,YAAY,EAAE,OAAO,CAAA;CAAE,CAK5C;AAED;;;GAGG;AACH,wBAAgB,kBAAkB,CAChC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,SAAS,CAGX;AAED;;;;;;;GAOG;AACH,wBAAgB,iBAAiB,CAC/B,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;GAMG;AACH,wBAAgB,yBAAyB,CACvC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;;GAOG;AACH,wBAAgB,mBAAmB,CACjC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAIR;AAED,0FAA0F;AAC1F,wBAAgB,mBAAmB,CACjC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,iBAAiB,CAInB;AAED,sGAAsG;AACtG,wBAAgB,oBAAoB,CAClC,KAAK,EAAE,IAAI,CAAC,KAAK,EAAE,MAAM,GAAG,aAAa,CAAC,GACzC,MAAM,CAGR;AAED;;;;;;;;;;;;;;;;GAgBG;AACH,wBAAgB,qBAAqB,CAAC,KAAK,EAAE,KAAK,GAAG,KAAK,CAezD;AAED;;;;;;;;;;;;;;;;;;;;;;GAsBG;AACH,wBAAgB,0BAA0B,CACxC,KAAK,EAAE,KAAK,GACX,yBAAyB,CAgB3B"}

package/dist/domain/instruments/track-instrument.js

@@ -9,6 +9,32 @@ import { gmInstrument } from "./gm.js";
 export function isPercussionTrack(track) {
     return track.clef === "percussion";
 }
+/**
+ * What pressing a key on `track`'s keyboard should sound: a program, and
+ * whether it goes to the drum channel.
+ *
+ * Both keyboards built this inline — `track?.midiProgram ?? 0` beside
+ * `track?.clef === 'percussion'` — and both halves are needed, because on a
+ * percussion track `midiProgram` names a kit: program 40 is Brush there and
+ * Violin anywhere else, and only the flag tells a player which. Two call sites
+ * spelling the same pair agree right up until one of them learns a rule the
+ * other has not. A percussion address GM defines no kit at is resolved to the
+ * kit whose region contains it (`gmKitAt`), which is what playback does, so a
+ * key and the part it belongs to cannot sound like different kits.
+ *
+ * No track — an empty score, or a keyboard shown before a part is chosen —
+ * auditions a piano, program 0, which is what both keyboards fell back to.
+ * The instrument's *name* is deliberately not here: the player resolves that
+ * from the program itself, and a name read off the track would be the one
+ * field free to disagree with it.
+ */
+export function auditionVoiceFor(track) {
+    if (!track)
+        return { program: 0, isPercussion: false };
+    if (isPercussionTrack(track))
+        return { program: gmKitAt(track.midiProgram).program, isPercussion: true };
+    return { program: track.midiProgram, isPercussion: false };
+}
 /**
  * The notes worth showing for `track` — General MIDI's drum range on a
  * percussion track, the instrument's compass otherwise.

package/dist/domain/instruments/track-instrument.js.map

@@ -1 +1 @@
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package/dist/domain/notation/music-vocabulary.d.ts

@@ -96,6 +96,23 @@ export declare function formatBarBeat(at: BarBeat | null): string;
  * "beat 9" in 4/4 means the end of the bar rather than an error.
  */
 export declare function tickForBarBeat(score: Score, bar: number, beat: number): number | null;
+/**
+ * What a bar/beat field should commit when it is left: a tick, or `null` for
+ * "nothing to do".
+ *
+ * A position is said in two numbers and typed into two boxes, so every rule
+ * about leaving them is about the pair: a cleared box is "no change" and never
+ * bar 0 (`Number("")` is 0), a bar the score does not have is nothing to
+ * commit, and the tick the note already sits on is not a move. Both inspectors
+ * had that sequence written out — two `parseNumericDraft`s, `tickForBarBeat`,
+ * and the same "unchanged?" comparison — and it is arithmetic about a score
+ * rather than about either panel.
+ *
+ * A beat past the end of its bar is clamped by `tickForBarBeat` rather than
+ * refused, which is why this can answer the note's own tick: typing "beat 9" in
+ * 4/4 on a note already at the end of the bar commits nothing.
+ */
+export declare function barBeatCommitTick(score: Score, barText: string, beatText: string, currentTick: number): number | null;
 /**
  * The pitch at a staff position, counted in half-spaces below the top line.
  *

package/dist/domain/notation/music-vocabulary.d.ts.map

@@ -1 +1 @@
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package/dist/domain/notation/music-vocabulary.js

@@ -1,7 +1,7 @@
 import { DURATIONS, beatDurationTicks } from "../time/ticks.js";
 import { barNumberAt, indexOfBarNumber } from "../score/bar-numbers.js";
 import { shiftDiatonic } from "../pitch/transpose.js";
-import { clampVolume } from "./field-values.js";
+import { clampVolume, parseNumericDraft } from "./field-values.js";
 // ---- durations -------------------------------------------------------------
 /** Every duration name, longest first, so a picker reads top to bottom. */
 export const DURATION_NAMES = Object.keys(DURATIONS);
@@ -177,6 +177,30 @@ export function tickForBarBeat(score, bar, beat) {
     const offset = Math.max(0, (beat - 1) * beatTicks);
     return measure.startTick + Math.min(offset, measure.durationTicks - 1);
 }
+/**
+ * What a bar/beat field should commit when it is left: a tick, or `null` for
+ * "nothing to do".
+ *
+ * A position is said in two numbers and typed into two boxes, so every rule
+ * about leaving them is about the pair: a cleared box is "no change" and never
+ * bar 0 (`Number("")` is 0), a bar the score does not have is nothing to
+ * commit, and the tick the note already sits on is not a move. Both inspectors
+ * had that sequence written out — two `parseNumericDraft`s, `tickForBarBeat`,
+ * and the same "unchanged?" comparison — and it is arithmetic about a score
+ * rather than about either panel.
+ *
+ * A beat past the end of its bar is clamped by `tickForBarBeat` rather than
+ * refused, which is why this can answer the note's own tick: typing "beat 9" in
+ * 4/4 on a note already at the end of the bar commits nothing.
+ */
+export function barBeatCommitTick(score, barText, beatText, currentTick) {
+    const bar = parseNumericDraft(barText);
+    const beat = parseNumericDraft(beatText);
+    if (bar === null || beat === null)
+        return null;
+    const tick = tickForBarBeat(score, bar, beat);
+    return tick === null || tick === currentTick ? null : tick;
+}
 // ---- staff positions -------------------------------------------------------
 /**
  * The pitch printed on each clef's top staff line.

package/dist/domain/notation/music-vocabulary.js.map

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package/dist/domain/notation/picker-options.d.ts

@@ -1,4 +1,4 @@
-import type { Accidental, Articulation, BarlineStyle, DurationName, Dynamic, KeySignature, Ornament } from "../../index.js";
+import type { Accidental, Articulation, BarlineStyle, Clef, DurationName, Dynamic, KeySignature, Ornament } from "../../model/score.js";
 /** "No marking here", distinct from a marking that happens to be quiet. */
 export declare const NO_MARK = "none";
 /** An entry in a picker: the value it sets, and the key naming it. */
@@ -25,8 +25,26 @@ export declare const ARTICULATION_OPTIONS: ReadonlyArray<PickerOption<Articulati
 export declare const ORNAMENT_OPTIONS: ReadonlyArray<PickerOption<Ornament | typeof NO_MARK>>;
 /** Accidentals, keyed `accidental.<fifths>` — `accidental.-1` is Flat. */
 export declare const ACCIDENTAL_OPTIONS: ReadonlyArray<PickerOption<Accidental>>;
+/**
+ * An entry in the dynamic picker.
+ *
+ * Only "no dynamic" carries a key. A marking is its own label — `pp` is `pp`
+ * in every language, the way a note name or a General MIDI program name is —
+ * so both apps print the value itself. The list used to hand every marking a
+ * `dynamic.<member>` key regardless, which neither app defined and neither
+ * could usefully fill: a translator has nothing to write for `mf`, and a
+ * published key nobody answers is a key some future picker prints raw. Leaving
+ * it off the type makes "label a marking by its value" something the compiler
+ * says rather than something each host has to know.
+ */
+export type DynamicOption = {
+    value: typeof NO_MARK;
+    labelKey: string;
+} | {
+    value: Dynamic;
+};
 /** Dynamics, with "no dynamic" first. A level is not a loudness of zero. */
-export declare const DYNAMIC_OPTIONS: ReadonlyArray<PickerOption<Dynamic | typeof NO_MARK>>;
+export declare const DYNAMIC_OPTIONS: ReadonlyArray<DynamicOption>;
 /**
  * The grids a MIDI import may be quantized onto, coarsest first.
  *
@@ -66,4 +84,26 @@ export declare const BARLINE_OPTIONS: ReadonlyArray<PickerOption<BarlineStyle |
  * which is how a Chinese reader came to choose a mode in English.
  */
 export declare const KEY_MODE_OPTIONS: ReadonlyArray<PickerOption<KeySignature["mode"]>>;
+/**
+ * The word for each clef.
+ *
+ * Every clef picker used to print the model's own token — `treble`, `bass` — so
+ * a reader chose a clef in lower-case English whatever their language. Both
+ * apps then fixed that the same way and each kept its own copy of this table,
+ * which is exactly the drift this file exists to prevent: a `Record`, so a
+ * sixth clef fails to compile here rather than printing its token in somebody's
+ * picker.
+ *
+ * Published as the record *and* as the options below, because both shapes are
+ * in use: the Bar tab names the clef *in force* ("carry on with Treble"), which
+ * is one lookup rather than a list.
+ */
+export declare const CLEF_LABEL_KEY: Record<Clef, string>;
+/**
+ * Every clef, in the model's order.
+ *
+ * There is no "none" here: a stave always has a clef, so the absence a *bar*
+ * can express is `INHERIT_CLEF`, which the Bar tab prepends itself.
+ */
+export declare const CLEF_OPTIONS: ReadonlyArray<PickerOption<Clef>>;
 //# sourceMappingURL=picker-options.d.ts.map

package/dist/domain/notation/picker-options.d.ts.map

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