@sudobility/music_types 0.13.17 → 0.13.19

package/dist/domain/generation/style-presets.js

@@ -0,0 +1,274 @@
+import { measuresForSeconds, SONG_SECONDS, } from "../notation/music-vocabulary.js";
+/**
+ * The keyword values the generation prompt parser branches on.
+ *
+ * These are shared product data: the app offers them, and the backend needs to
+ * know that every offered prompt phrase has genre mechanics.
+ */
+const GENERATE_SCORE_STYLE_KEYS = [
+    "waltz",
+    "jazz",
+    "pop",
+    "cinematic",
+    "ambient",
+    "battle",
+    "rock",
+    "punk",
+    "heavyMetal",
+    "blues",
+    "country",
+    "bluegrass",
+    "funk",
+    "soul",
+    "ragtime",
+    "swing",
+    "bossaNova",
+    "samba",
+    "salsa",
+    "tango",
+    "reggae",
+    "hipHop",
+    "trap",
+    "lofi",
+    "house",
+    "techno",
+    "trance",
+    "edm",
+    "electroSwing",
+    "disco",
+    "classical",
+    "baroque",
+    "march",
+];
+export const GENERATE_SCORE_STYLE_OPTIONS = GENERATE_SCORE_STYLE_KEYS;
+const KIT = "kit:0";
+const STYLE_PRESET_SOURCE = {
+    waltz: {
+        prompt: 'waltz — a lilting three-four with the weight on beat one and a light "oom-pah-pah" accompaniment',
+        instruments: ["0", "48", "43"],
+        tempo: 160,
+        timeSignature: "3/4",
+    },
+    jazz: {
+        prompt: "jazz — swung eighth notes, walking bass, extended chords, and a melody that phrases across the barline rather than sitting on the beat",
+        instruments: ["66", "0", "32", KIT],
+        tempo: 132,
+        timeSignature: "4/4",
+    },
+    pop: {
+        prompt: "pop — a clear singable hook, four-bar phrases, a backbeat on two and four, and space between the phrases",
+        instruments: ["0", "27", "33", KIT],
+        tempo: 120,
+        timeSignature: "4/4",
+    },
+    cinematic: {
+        prompt: "cinematic orchestral — long sustained lines that build, a rising dynamic arc, and rhythm that serves the swell rather than a groove",
+        instruments: ["48", "40", "42", "60", "47"],
+        tempo: 90,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    ambient: {
+        prompt: "ambient — slow evolving pads, very long note values, no strong pulse, and silence used as a voice",
+        instruments: ["89", "0", "48"],
+        tempo: 70,
+        timeSignature: "4/4",
+    },
+    battle: {
+        prompt: "driving battle music — insistent ostinato, hard accents, brass stabs against a relentless low pulse",
+        instruments: ["61", "48", "47", KIT],
+        tempo: 150,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    rock: {
+        prompt: "rock — a hard backbeat on two and four, power-chord riffing, and a bass locked to the kick",
+        instruments: ["29", "27", "33", KIT],
+        tempo: 128,
+        timeSignature: "4/4",
+    },
+    punk: {
+        prompt: "punk — fast straight eighths on downstrokes, three chords, no ornament, and a snare driving every backbeat. The guitar figure repeats unchanged through a section; the energy comes from the tempo and the drive, never from varying the part.",
+        instruments: ["30", "29", "34", KIT],
+        tempo: 180,
+        timeSignature: "4/4",
+    },
+    heavyMetal: {
+        prompt: "heavy metal — built on ONE palm-muted galloping low riff, repeated bar after bar through a section rather than rewritten each bar; minor and modal, double-kick drive underneath, and long held high notes over the top. The riff is the song: keep it the same and let the drums and the held lead supply the variation. ONE riff means one FIGURE, not one note - the riff moves between several pitches (root, flat-7, flat-6 and back is the classic shape), and a bar of the same pitch struck eight times is a pedal, not a riff.",
+        instruments: ["30", "29", "34", KIT],
+        tempo: 152,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    blues: {
+        formBars: 12,
+        prompt: "twelve-bar blues — shuffle feel, blue notes and bends, call-and-response between a voice-like melody and answering fills, dominant seventh chords",
+        instruments: ["27", "22", "33", KIT],
+        tempo: 88,
+        timeSignature: "4/4",
+    },
+    country: {
+        prompt: 'country — a two-beat "boom-chick" bass and guitar, bright major harmony, fiddle and steel fills answering the melody',
+        instruments: ["25", "110", "27", "32", KIT],
+        tempo: 118,
+        timeSignature: "4/4",
+    },
+    bluegrass: {
+        prompt: "bluegrass — fast acoustic picking, banjo rolls in constant eighths under a syncopated fiddle melody, driving upright bass on one and three",
+        instruments: ["105", "110", "25", "32"],
+        tempo: 160,
+        timeSignature: "4/4",
+    },
+    funk: {
+        prompt: "funk — heavily syncopated sixteenth-note groove, everything locked to a hard downbeat on the one, staccato stabs and plenty of rests",
+        instruments: ["36", "28", "61", "4", KIT],
+        tempo: 104,
+        timeSignature: "4/4",
+    },
+    soul: {
+        prompt: "soul — a laid-back backbeat sitting slightly behind the beat, gospel-tinged chords, horn stabs answering a vocal-style melody",
+        instruments: ["16", "4", "33", "61", KIT],
+        tempo: 96,
+        timeSignature: "4/4",
+    },
+    ragtime: {
+        formBars: 16,
+        prompt: "ragtime — a syncopated right-hand melody against a steady striding left-hand bass in two, cheerful and precise",
+        instruments: ["0"],
+        tempo: 96,
+        timeSignature: "2/4",
+    },
+    swing: {
+        prompt: "big-band swing — swung eighth notes, brass and reed sections trading riffs, walking bass, ride-cymbal pulse with accents on two and four",
+        instruments: ["56", "66", "57", "0", "32", KIT],
+        tempo: 168,
+        timeSignature: "4/4",
+    },
+    bossaNova: {
+        prompt: "bossa nova — a gentle syncopated guitar pattern, soft brushed drums, a lyrical melody sitting behind the beat, rich seventh and ninth chords",
+        instruments: ["24", "0", "32", KIT],
+        tempo: 132,
+        timeSignature: "4/4",
+    },
+    samba: {
+        prompt: "samba — fast two-beat percussion-driven groove, heavy syncopation on the offbeats, surdo pulse landing on beat two",
+        instruments: ["24", "61", "32", KIT],
+        tempo: 100,
+        timeSignature: "2/4",
+    },
+    salsa: {
+        prompt: "salsa — clave-driven, a montuno piano ostinato, syncopated brass hits, busy percussion, bass playing the tumbao rather than the downbeat",
+        instruments: ["0", "56", "57", "32", KIT],
+        tempo: 190,
+        timeSignature: "4/4",
+    },
+    tango: {
+        prompt: "tango — sharp dotted rhythms and dramatic accents, minor key, sudden stops and rubato pulls against a strict pulse",
+        instruments: ["23", "40", "0", "43"],
+        tempo: 120,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    reggae: {
+        prompt: "reggae — one-drop: the kick lands on beat three, not one; guitar and organ chop the offbeat eighths; bass plays a heavy melodic line, low and sparse",
+        instruments: ["28", "18", "33", KIT],
+        tempo: 78,
+        timeSignature: "4/4",
+    },
+    hipHop: {
+        prompt: "hip-hop — a hard boom-bap drum pattern with swung sixteenths, a deep sustained sub bass, sparse looping keys, and space left for a vocal",
+        instruments: ["39", "4", "48", KIT],
+        tempo: 90,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    trap: {
+        prompt: "trap — half-time: the snare lands on beat three alone, an 808 sub bass slides between long tuned notes, and hi-hats roll in fast subdivisions over large gaps",
+        instruments: ["38", "11", "89", KIT],
+        tempo: 140,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    lofi: {
+        prompt: "lo-fi hip-hop — slow swung drums slightly off the grid, warm jazzy minor seventh chords, a sparse melody, unhurried and repetitive",
+        instruments: ["4", "33", "89", KIT],
+        tempo: 74,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    house: {
+        prompt: "house — four-on-the-floor kick, offbeat open hats, a repetitive synth riff, and a bassline locked to the eighths between the kicks",
+        instruments: ["81", "38", "89", KIT],
+        tempo: 126,
+        timeSignature: "4/4",
+    },
+    techno: {
+        prompt: "techno — machine-like and loop-based: four-on-the-floor kick, sixteenth-note hats, one short synth-bass cell repeated, and timbre rather than chord changes carrying the track",
+        instruments: ["38", "81", "89", KIT],
+        tempo: 132,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    trance: {
+        prompt: "trance — four-on-the-floor with an offbeat synth bass after every kick, supersaw arpeggios, and long builds and releases in sixteen-bar blocks",
+        instruments: ["81", "38", "89", KIT],
+        tempo: 138,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    edm: {
+        prompt: "edm — electronic dance built on a clear build, drop and breakdown in eight-bar blocks, four-on-the-floor underneath and a big repeated lead hook through the drop",
+        instruments: ["81", "38", "89", KIT],
+        tempo: 128,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    electroSwing: {
+        prompt: "electro swing — vintage swing horns over a modern four-on-the-floor electronic beat, minor and bluesy in a gypsy-jazz vein; hard-swung eighths, syncopated and playful, with clarinet and trumpet riffs answering each other",
+        instruments: ["56", "71", "38", KIT],
+        tempo: 122,
+        timeSignature: "4/4",
+        mode: "minor",
+    },
+    disco: {
+        prompt: "disco — four-on-the-floor kick, offbeat hi-hats, an octave-jumping bassline, and string and guitar figures on the sixteenths",
+        instruments: ["48", "28", "33", KIT],
+        tempo: 120,
+        timeSignature: "4/4",
+    },
+    classical: {
+        prompt: "classical — balanced four-bar phrases answering each other, an Alberti or broken-chord accompaniment under a clear diatonic melody, and a cadence every four or eight bars",
+        instruments: ["0", "40", "42"],
+        tempo: 108,
+        timeSignature: "4/4",
+    },
+    baroque: {
+        prompt: "baroque — a steady walking bass, contrapuntal interweaving voices, sequences and ornamented melodic lines, terraced dynamics",
+        instruments: ["6", "40", "42"],
+        tempo: 100,
+        timeSignature: "4/4",
+    },
+    march: {
+        prompt: "march — a firm two-beat pulse, dotted fanfare rhythms, a brass melody over a low oom-pah, crisp snare figures",
+        instruments: ["56", "57", "58", KIT],
+        tempo: 116,
+        timeSignature: "2/4",
+    },
+};
+/**
+ * The styles, each with the bars its own tempo and meter need for a song.
+ */
+export const GENERATE_SCORE_STYLE_PRESETS = Object.fromEntries(Object.entries(STYLE_PRESET_SOURCE).map(([style, preset]) => [
+    style,
+    {
+        ...preset,
+        measures: measuresForSeconds(preset.seconds ?? SONG_SECONDS.typical, preset.tempo, beatsPerBarOf(preset.timeSignature), preset.formBars),
+    },
+]));
+/** Beats in a bar, from a picker value like "6/8". */
+function beatsPerBarOf(timeSignature) {
+    const [numerator] = timeSignature.split("/");
+    const beats = Number(numerator);
+    return Number.isFinite(beats) && beats > 0 ? beats : 4;
+}
+//# sourceMappingURL=style-presets.js.map

package/dist/domain/generation/style-presets.js.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/arrangement-order.d.ts

@@ -5,6 +5,19 @@ export type RankableTrack = {
     midiProgram: number;
     clef?: string | undefined;
 };
+/** Whether this program is a sung part rather than an instrument. */
+export declare function isVocalProgram(midiProgram: number): boolean;
+/**
+ * A voice carries the tune, and the ambiguity is resolved in its favour.
+ *
+ * Choir Aahs held under a chorus is genuinely harmony, and nothing in a program
+ * number can tell that from a sung melody -- so this is a judgement about which
+ * mistake costs more. Read as harmony, a vocal part is written as filler around
+ * a tune chosen without it, and -- worse -- `mustBreathe` covers `lead` alone,
+ * so the one part that physically CANNOT run sixteen unbroken bars was the one
+ * part never asked to rest. Read as lead, a choir pad collects a finding asking
+ * it to breathe, which costs one retry and is not even wrong.
+ */
 export declare function roleOf(track: RankableTrack): ArrangementRole;
 /** The role order this style is arranged in. */
 export declare function roleOrderForStyle(style: string | undefined): readonly ArrangementRole[];

package/dist/domain/instruments/arrangement-order.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"arrangement-order.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/arrangement-order.ts"],"names":[],"mappings":"AA2BA,oFAAoF;AACpF,MAAM,MAAM,eAAe,GAAG,MAAM,GAAG,SAAS,GAAG,MAAM,GAAG,OAAO,CAAC;AAEpE,qFAAqF;AACrF,MAAM,MAAM,aAAa,GAAG;IAC1B,WAAW,EAAE,MAAM,CAAC;IACpB,IAAI,CAAC,EAAE,MAAM,GAAG,SAAS,CAAC;CAC3B,CAAC;AAiCF,qEAAqE;AACrE,wBAAgB,cAAc,CAAC,WAAW,EAAE,MAAM,GAAG,OAAO,CAE3D;AAED;;;;;;;;;;GAUG;AACH,wBAAgB,MAAM,CAAC,KAAK,EAAE,aAAa,GAAG,eAAe,CAO5D;AAqDD,gDAAgD;AAChD,wBAAgB,iBAAiB,CAC/B,KAAK,EAAE,MAAM,GAAG,SAAS,GACxB,SAAS,eAAe,EAAE,CAO5B;AAED;;;;;;;GAOG;AACH,wBAAgB,uBAAuB,CACrC,MAAM,EAAE,SAAS,aAAa,EAAE,EAChC,KAAK,CAAC,EAAE,MAAM,GACb,MAAM,EAAE,CAwBV"}

package/dist/domain/instruments/arrangement-order.js

@@ -35,9 +35,43 @@ const HARMONY_FAMILIES = new Set([
     "ensemble",
     "organ",
 ]);
+/**
+ * The three General MIDI programs that are a human voice.
+ *
+ * GM files them under `ensemble`, beside String Ensemble and Orchestra Hit --
+ * which is a fair description of Choir Aahs used as a wash, and the wrong one
+ * for the part carrying the song. Named here rather than moved to another
+ * family because the family is GM's and is right about everything else in it.
+ *
+ * `Pad 4 (choir)` (91) is deliberately absent: it says pad in its name and is
+ * one. `Lead 6 (voice)` (85) is absent too, already reaching `lead` through
+ * `synth-lead`.
+ */
+const VOICE_PROGRAMS = new Set([
+    52, // Choir Aahs
+    53, // Voice Oohs
+    54, // Synth Voice
+]);
+/** Whether this program is a sung part rather than an instrument. */
+export function isVocalProgram(midiProgram) {
+    return VOICE_PROGRAMS.has(midiProgram);
+}
+/**
+ * A voice carries the tune, and the ambiguity is resolved in its favour.
+ *
+ * Choir Aahs held under a chorus is genuinely harmony, and nothing in a program
+ * number can tell that from a sung melody -- so this is a judgement about which
+ * mistake costs more. Read as harmony, a vocal part is written as filler around
+ * a tune chosen without it, and -- worse -- `mustBreathe` covers `lead` alone,
+ * so the one part that physically CANNOT run sixteen unbroken bars was the one
+ * part never asked to rest. Read as lead, a choir pad collects a finding asking
+ * it to breathe, which costs one retry and is not even wrong.
+ */
 export function roleOf(track) {
     if (track.clef === "percussion")
         return "drums";
+    if (isVocalProgram(track.midiProgram))
+        return "lead";
     const family = gmFamilyOf(track.midiProgram);
     if (family === "bass")
         return "bass";
@@ -67,9 +101,9 @@ const DEFAULT_ORDER = [
  *
  * In reggae the bassline *is* the tune — the "riddim" is named and reused
  * across songs while melodies come and go — and the same is true of funk, hip
- * hop, house and disco, where the groove is the material and the melody
- * decorates it. Writing a melody first in those styles produces a bass that is
- * following a tune instead of stating the hook.
+ * hop, trap, house, techno, trance, EDM and disco, where the groove is the
+ * material and the melody decorates it. Writing a melody first in those styles
+ * produces a bass that is following a tune instead of stating the hook.
  */
 const GROOVE_FIRST = [
     "bass",
@@ -77,7 +111,7 @@ const GROOVE_FIRST = [
     "harmony",
     "lead",
 ];
-const GROOVE_LED = /\b(reggae|ska|dub|funk|disco|house|hip hop|hip-hop|lofi|lo-fi|soul|samba|salsa|bossa|tango|afrobeat)\b/i;
+const GROOVE_LED = /\b(reggae|ska|dub|funk|disco|house|techno|trance|edm|electronic dance|hip hop|hip-hop|trap|lofi|lo-fi|soul|samba|salsa|bossa|tango|afrobeat)\b/i;
 /**
  * Genres built on a riff, where the riff is a lead part and goes first anyway —
  * but the kit is promoted above the harmony, because in these styles the drums
@@ -118,9 +152,20 @@ export function rankTracksForGeneration(tracks, style) {
         // answers -1, and -1 in front of "lead" would silently promote it.
         return index === -1 ? order.length : index;
     };
+    /*
+      Among leads, the singer goes first.
+  
+      Two parts can both be leads — a vocal and a guitar — and then role alone
+      leaves the order to however the roster happened to be typed. In a song the
+      answer is not arbitrary: the words and the tune ARE the song, and the parts
+      behind them are written to fit. Ranked by index instead, a guitar listed
+      first got composed with no melody to sit under, and the singer then had to
+      bend around it.
+    */
+    const voiceFirst = (track) => isVocalProgram(track.midiProgram) && track.clef !== "percussion" ? 0 : 1;
     return tracks
-        .map((track, index) => ({ index, rank: rankOf(track) }))
-        .sort((a, b) => a.rank - b.rank || a.index - b.index)
+        .map((track, index) => ({ index, rank: rankOf(track), voice: voiceFirst(track) }))
+        .sort((a, b) => a.rank - b.rank || a.voice - b.voice || a.index - b.index)
         .map((entry) => entry.index);
 }
 //# sourceMappingURL=arrangement-order.js.map

package/dist/domain/instruments/arrangement-order.js.map

@@ -1 +1 @@
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package/dist/domain/notation/music-vocabulary.d.ts

@@ -102,4 +102,40 @@ export declare function pitchAtStavePosition(clef: Clef, positionsBelowTopLine:
  * moment to stop transcribing.
  */
 export declare function panReadout(value: number): string;
+/**
+ * How long a song should be, in seconds.
+ *
+ * A generated piece was 16 bars — about thirty seconds at an ordinary tempo,
+ * and a fragment rather than a song. These are the lengths a listener expects
+ * of one: under three minutes reads as a demo, over five outstays a verse-chorus
+ * form unless something else is happening.
+ *
+ * Stated in SECONDS rather than bars because a bar is not a unit of time: 16
+ * bars is 31 seconds of metal at 152bpm and 46 seconds of ballad at 84, so a
+ * bar count fixed across styles produces a different piece of music every time
+ * the tempo changes. The bar count is derived — see `measuresForSeconds`.
+ */
+export declare const SONG_SECONDS: {
+    readonly min: 180;
+    readonly typical: 210;
+    readonly max: 300;
+};
+/**
+ * Bars needed to fill `seconds` at this tempo and meter.
+ *
+ * The inverse of the arithmetic that made a 32-bar "song" last 1:31 — 32 bars
+ * of 4 beats at 84bpm. Rounded to a whole number of FOUR-bar groups, because
+ * musical form is built in fours and a 63-bar song has a bar of nowhere in it;
+ * and never less than one group, so a very slow piece still gets a phrase.
+ */
+export declare function measuresForSeconds(seconds: number, bpm: number, beatsPerBar: number, 
+/**
+ * The genre's form, in bars, that the length must be a whole number of.
+ *
+ * Four by default, because musical form is built in fours and a 63-bar song
+ * has a bar of nowhere in it. Some genres ARE a length: a blues is twelve
+ * bars and a rag sixteen, so a blues rounded to fours comes out at 76 — six
+ * choruses and a third of one, which is not a blues.
+ */
+groupBars?: number): number;
 //# sourceMappingURL=music-vocabulary.d.ts.map

package/dist/domain/notation/music-vocabulary.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"music-vocabulary.d.ts","sourceRoot":"","sources":["../../../src/domain/notation/music-vocabulary.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AACH,OAAO,KAAK,EACV,IAAI,EACJ,YAAY,EACZ,YAAY,EACZ,KAAK,EACL,KAAK,EAEN,MAAM,gBAAgB,CAAC;AAOxB,2EAA2E;AAC3E,eAAO,MAAM,cAAc,EAA6B,YAAY,EAAE,CAAC;AAuBvE,uCAAuC;AACvC,wBAAgB,aAAa,CAAC,IAAI,EAAE,YAAY,GAAG,MAAM,CAExD;AAyCD,sEAAsE;AACtE,wBAAgB,oBAAoB,CAAC,MAAM,EAAE,MAAM,GAAG,MAAM,CAK3D;AAED,iFAAiF;AACjF,wBAAgB,gBAAgB,CAAC,GAAG,EAAE,YAAY,GAAG,MAAM,CAI1D;AAED,yEAAyE;AACzE,wBAAgB,mBAAmB,CAAC,IAAI,EAAE,YAAY,CAAC,MAAM,CAAC,GAAG,KAAK,CAAC;IACrE,MAAM,EAAE,MAAM,CAAC;IACf,KAAK,EAAE,MAAM,CAAC;CACf,CAAC,CASD;AAID;;;;;;;GAOG;AACH,MAAM,MAAM,OAAO,GAAG;IAAE,GAAG,EAAE,MAAM,CAAC;IAAC,IAAI,EAAE,MAAM,CAAA;CAAE,CAAC;AAEpD,wBAAgB,cAAc,CAAC,KAAK,EAAE,KAAK,EAAE,IAAI,EAAE,MAAM,GAAG,OAAO,GAAG,IAAI,CA2BzE;AAED;;;;;;;;;;;;;;;;;;;GAmBG;AACH,wBAAgB,YAAY,CAAC,EAAE,EAAE,OAAO,GAAG,IAAI,GAAG,OAAO,GAAG,IAAI,CAE/D;AAED;;;;;;;GAOG;AACH,wBAAgB,aAAa,CAAC,EAAE,EAAE,OAAO,GAAG,IAAI,GAAG,MAAM,CAGxD;AAED;;;;GAIG;AACH,wBAAgB,cAAc,CAC5B,KAAK,EAAE,KAAK,EACZ,GAAG,EAAE,MAAM,EACX,IAAI,EAAE,MAAM,GACX,MAAM,GAAG,IAAI,CAef;AAuBD;;;;;;;GAOG;AACH,wBAAgB,oBAAoB,CAClC,IAAI,EAAE,IAAI,EACV,qBAAqB,EAAE,MAAM,GAC5B,KAAK,CAEP;AAID;;;;;;;;;;;;;;GAcG;AACH,wBAAgB,UAAU,CAAC,KAAK,EAAE,MAAM,GAAG,MAAM,CAIhD;AAED;;;;;;;;;;;;GAYG;AACH,eAAO,MAAM,YAAY;;;;CAIf,CAAC;AAEX;;;;;;;GAOG;AACH,wBAAgB,kBAAkB,CAChC,OAAO,EAAE,MAAM,EACf,GAAG,EAAE,MAAM,EACX,WAAW,EAAE,MAAM;AACnB;;;;;;;GAOG;AACH,SAAS,SAAI,GACZ,MAAM,CAKR"}

package/dist/domain/notation/music-vocabulary.js

@@ -218,4 +218,45 @@ export function panReadout(value) {
         return "C";
     return `${value < 0 ? "L" : "R"}${amount}`;
 }
+/**
+ * How long a song should be, in seconds.
+ *
+ * A generated piece was 16 bars — about thirty seconds at an ordinary tempo,
+ * and a fragment rather than a song. These are the lengths a listener expects
+ * of one: under three minutes reads as a demo, over five outstays a verse-chorus
+ * form unless something else is happening.
+ *
+ * Stated in SECONDS rather than bars because a bar is not a unit of time: 16
+ * bars is 31 seconds of metal at 152bpm and 46 seconds of ballad at 84, so a
+ * bar count fixed across styles produces a different piece of music every time
+ * the tempo changes. The bar count is derived — see `measuresForSeconds`.
+ */
+export const SONG_SECONDS = {
+    min: 180,
+    typical: 210,
+    max: 300,
+};
+/**
+ * Bars needed to fill `seconds` at this tempo and meter.
+ *
+ * The inverse of the arithmetic that made a 32-bar "song" last 1:31 — 32 bars
+ * of 4 beats at 84bpm. Rounded to a whole number of FOUR-bar groups, because
+ * musical form is built in fours and a 63-bar song has a bar of nowhere in it;
+ * and never less than one group, so a very slow piece still gets a phrase.
+ */
+export function measuresForSeconds(seconds, bpm, beatsPerBar, 
+/**
+ * The genre's form, in bars, that the length must be a whole number of.
+ *
+ * Four by default, because musical form is built in fours and a 63-bar song
+ * has a bar of nowhere in it. Some genres ARE a length: a blues is twelve
+ * bars and a rag sixteen, so a blues rounded to fours comes out at 76 — six
+ * choruses and a third of one, which is not a blues.
+ */
+groupBars = 4) {
+    const group = Math.max(1, Math.floor(groupBars));
+    const beats = (seconds * bpm) / 60;
+    const bars = beats / Math.max(1, beatsPerBar);
+    return Math.max(group, Math.round(bars / group) * group);
+}
 //# sourceMappingURL=music-vocabulary.js.map

package/dist/domain/notation/music-vocabulary.js.map

@@ -1 +1 @@
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package/dist/domain/notation/notation-icon-art.d.ts

@@ -19,8 +19,8 @@
 /** Every glyph is authored in a 24×24 box. */
 export declare const NOTATION_ICON_VIEWBOX = 24;
 /** A stroke cap/join, spelled as SVG spells it. */
-export type NotationLineCap = "butt" | "round" | "square";
-export type NotationLineJoin = "miter" | "round" | "bevel";
+export type NotationLineCap = 'butt' | 'round' | 'square';
+export type NotationLineJoin = 'miter' | 'round' | 'bevel';
 type Paint = {
     readonly fill?: string;
     readonly stroke?: string;
@@ -32,29 +32,29 @@ type Paint = {
     readonly transform?: string;
 };
 export type NotationIconShape = (Paint & {
-    readonly kind: "path";
+    readonly kind: 'path';
     readonly d: string;
-    readonly fillRule?: "evenodd" | "nonzero";
+    readonly fillRule?: 'evenodd' | 'nonzero';
 }) | (Paint & {
-    readonly kind: "rect";
+    readonly kind: 'rect';
     readonly x: number;
     readonly y: number;
     readonly width: number;
     readonly height: number;
     readonly rx?: number;
 }) | (Paint & {
-    readonly kind: "ellipse";
+    readonly kind: 'ellipse';
     readonly cx: number;
     readonly cy: number;
     readonly rx: number;
     readonly ry: number;
 }) | (Paint & {
-    readonly kind: "circle";
+    readonly kind: 'circle';
     readonly cx: number;
     readonly cy: number;
     readonly r: number;
 }) | (Paint & {
-    readonly kind: "text";
+    readonly kind: 'text';
     readonly x: number;
     readonly y: number;
     readonly content: string;
@@ -62,7 +62,7 @@ export type NotationIconShape = (Paint & {
     readonly fontStyle?: string;
     readonly textAnchor?: string;
 }) | (Paint & {
-    readonly kind: "group";
+    readonly kind: 'group';
     readonly shapes: readonly NotationIconShape[];
 });
 /**
@@ -71,7 +71,7 @@ export type NotationIconShape = (Paint & {
  * A union has no runtime form, so anything that must *validate* a name would
  * otherwise write the list out again.
  */
-export declare const NOTATION_ICON_NAMES: readonly ["AddMeasureIcon", "ArpeggioIcon", "ArticulationIcon", "BeamBreakIcon", "BeamNoneIcon", "ChordIcon", "ContinuousLayoutIcon", "CrescendoIcon", "DeleteMeasureIcon", "DiminuendoIcon", "DottedIcon", "DoubleFlatIcon", "DoubleSharpIcon", "EighthNoteIcon", "FermataIcon", "FlatIcon", "GoToStartIcon", "HalfNoteIcon", "InsertModeIcon", "InsertNoteIcon", "InsertRestIcon", "MetronomeIcon", "NaturalIcon", "NextMeasureIcon", "OrnamentIcon", "PageLayoutIcon", "PreviousMeasureIcon", "QuantizeIcon", "QuarterNoteIcon", "ReplaceModeIcon", "SelectAllIcon", "SharpIcon", "SixteenthNoteIcon", "SlurIcon", "SoloIcon", "SunMoonIcon", "ThirtySecondNoteIcon", "TieIcon", "TripletIcon", "WholeNoteIcon"];
+export declare const NOTATION_ICON_NAMES: readonly ["AddMeasureIcon", "ArpeggioIcon", "ArticulationIcon", "BeamBreakIcon", "BeamNoneIcon", "ChordIcon", "ContinuousLayoutIcon", "CrescendoIcon", "DeleteMeasureIcon", "DiminuendoIcon", "DottedIcon", "DoubleFlatIcon", "DoubleSharpIcon", "EighthNoteIcon", "FermataIcon", "FlatIcon", "GoToStartIcon", "HalfNoteIcon", "InsertModeIcon", "InsertNoteIcon", "InsertRestIcon", "MetronomeIcon", "NaturalIcon", "NextMeasureIcon", "OrnamentIcon", "PageLayoutIcon", "PianoKeysIcon", "PreviousMeasureIcon", "QuantizeIcon", "QuarterNoteIcon", "ReplaceModeIcon", "SelectAllIcon", "SharpIcon", "SixteenthNoteIcon", "SlurIcon", "SoloIcon", "SunMoonIcon", "ThirtySecondNoteIcon", "TieIcon", "TripletIcon", "WholeNoteIcon"];
 export type NotationIconName = (typeof NOTATION_ICON_NAMES)[number];
 /**
  * A record, never a parallel array: adding a name above fails to compile until

package/dist/domain/notation/notation-icon-art.d.ts.map

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