@sudobility/music_types 0.13.14 → 0.13.16

package/dist/domain/instruments/arrangement-order.d.ts

@@ -0,0 +1,20 @@
+/** What a part does in an arrangement, which is what its writing order turns on. */
+export type ArrangementRole = "lead" | "harmony" | "bass" | "drums";
+/** The minimum a part needs to be ranked: what it plays, and whether it is a kit. */
+export type RankableTrack = {
+    midiProgram: number;
+    clef?: string | undefined;
+};
+export declare function roleOf(track: RankableTrack): ArrangementRole;
+/** The role order this style is arranged in. */
+export declare function roleOrderForStyle(style: string | undefined): readonly ArrangementRole[];
+/**
+ * The indices of `tracks`, in the order their parts should be written.
+ *
+ * A **stable** sort by role rank, so within one role the roster order decides —
+ * which is where the intent lives, since a preset and a user both list the part
+ * they care about first. Every index appears exactly once, so a caller can
+ * write the parts in this order and still assemble a score in roster order.
+ */
+export declare function rankTracksForGeneration(tracks: readonly RankableTrack[], style?: string): number[];
+//# sourceMappingURL=arrangement-order.d.ts.map

package/dist/domain/instruments/arrangement-order.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/arrangement-order.js

@@ -0,0 +1,126 @@
+/**
+ * The order to write an arrangement's parts in, most significant first.
+ *
+ * Generating every track in one request asks a model to invent a whole
+ * arrangement in a single forward pass, and the parts come back the way that
+ * implies: rhythmically interchangeable, because nothing anchors any of them to
+ * anything. Written one at a time, each part can be composed *against* what
+ * already exists — which is how a person arranges, and which turns "no two
+ * parts may share an onset pattern" from a rule the model has to hold in its
+ * head into a fact it can read off the page.
+ *
+ * Order matters because the first part is written with no constraints and every
+ * later one bends to fit it. So the first part has to be **the one the genre is
+ * carried by**, and that is not the same instrument in every genre: a reggae
+ * tune is its bassline, a metal track is its riff, a country song is its
+ * melody. Getting this backwards produces a technically fine arrangement built
+ * around the wrong thing — a reggae bass forced to fit a keyboard part invented
+ * before it.
+ *
+ * The ranking is deliberately coarse. It sorts parts into a handful of roles
+ * and orders the roles per genre; it does not try to decide which of two
+ * guitars is "the" lead, because the roster order already carries that intent
+ * (a preset lists its lead first) and a stable sort preserves it.
+ */
+import { gmFamilyOf } from "./gm.js";
+/**
+ * Families that accompany rather than carry a tune.
+ *
+ * A pad, an ensemble patch and an organ are written *under* something; asked to
+ * go first they produce block harmony with no tune to sit beneath, and the
+ * melody then has to be bent around a chord sequence chosen without it.
+ */
+const HARMONY_FAMILIES = new Set([
+    "synth-pad",
+    "ensemble",
+    "organ",
+]);
+export function roleOf(track) {
+    if (track.clef === "percussion")
+        return "drums";
+    const family = gmFamilyOf(track.midiProgram);
+    if (family === "bass")
+        return "bass";
+    if (HARMONY_FAMILIES.has(family))
+        return "harmony";
+    return "lead";
+}
+/**
+ * The default order: the tune, then the floor under it, then the parts that
+ * fill in, then the kit.
+ *
+ * Drums last on purpose, and it is the one position that is the same in every
+ * genre below. A kit part is a response to where the accents already fell —
+ * given the other parts it can place a fill at a phrase end and a crash on a
+ * section start, and written first it can only lay down a grid for everything
+ * else to be quantised against, which is the metronome failure the percussion
+ * rules already spend a paragraph on.
+ */
+const DEFAULT_ORDER = [
+    "lead",
+    "bass",
+    "harmony",
+    "drums",
+];
+/**
+ * Genres the rhythm section carries, where the bass is written first.
+ *
+ * In reggae the bassline *is* the tune — the "riddim" is named and reused
+ * across songs while melodies come and go — and the same is true of funk, hip
+ * hop, house and disco, where the groove is the material and the melody
+ * decorates it. Writing a melody first in those styles produces a bass that is
+ * following a tune instead of stating the hook.
+ */
+const GROOVE_FIRST = [
+    "bass",
+    "drums",
+    "harmony",
+    "lead",
+];
+const GROOVE_LED = /\b(reggae|ska|dub|funk|disco|house|hip hop|hip-hop|lofi|lo-fi|soul|samba|salsa|bossa|tango|afrobeat)\b/i;
+/**
+ * Genres built on a riff, where the riff is a lead part and goes first anyway —
+ * but the kit is promoted above the harmony, because in these styles the drums
+ * and the riff are locked together and everything else fills in around the pair.
+ */
+const RIFF_LED = /\b(metal|punk|hard rock|rock|grunge|battle|march)\b/i;
+const RIFF_ORDER = [
+    "lead",
+    "bass",
+    "drums",
+    "harmony",
+];
+/** The role order this style is arranged in. */
+export function roleOrderForStyle(style) {
+    if (!style)
+        return DEFAULT_ORDER;
+    // Groove first, since a style phrase like "funk rock" is carried by its
+    // groove and would otherwise match the riff branch on its second word.
+    if (GROOVE_LED.test(style))
+        return GROOVE_FIRST;
+    if (RIFF_LED.test(style))
+        return RIFF_ORDER;
+    return DEFAULT_ORDER;
+}
+/**
+ * The indices of `tracks`, in the order their parts should be written.
+ *
+ * A **stable** sort by role rank, so within one role the roster order decides —
+ * which is where the intent lives, since a preset and a user both list the part
+ * they care about first. Every index appears exactly once, so a caller can
+ * write the parts in this order and still assemble a score in roster order.
+ */
+export function rankTracksForGeneration(tracks, style) {
+    const order = roleOrderForStyle(style);
+    const rankOf = (track) => {
+        const index = order.indexOf(roleOf(track));
+        // A role missing from the order sorts last rather than first: `indexOf`
+        // answers -1, and -1 in front of "lead" would silently promote it.
+        return index === -1 ? order.length : index;
+    };
+    return tracks
+        .map((track, index) => ({ index, rank: rankOf(track) }))
+        .sort((a, b) => a.rank - b.rank || a.index - b.index)
+        .map((entry) => entry.index);
+}
+//# sourceMappingURL=arrangement-order.js.map

package/dist/domain/instruments/arrangement-order.js.map

@@ -0,0 +1 @@
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package/dist/domain/notation/music-vocabulary.d.ts

@@ -41,6 +41,36 @@ export type BarBeat = {
     beat: number;
 };
 export declare function barBeatForTick(score: Score, tick: number): BarBeat | null;
+/**
+ * The same position with the beat whole, which is how a player says it.
+ *
+ * `barBeatForTick` keeps the fraction because the inspector's position field
+ * needs it — a note can sit on beat 2.5, and that field is editable. A
+ * transport readout wants the opposite: nobody counts "beat 2.7333333333333",
+ * and during playback the fraction changes with every position report.
+ *
+ * That distinction was lost once, visibly. The transport readouts used to call
+ * a `measureBeatAt` that floored internally; replacing it with
+ * `barBeatForTick` — which was the right move, since the old one numbered bars
+ * `index + 1` and so miscounted every score with a pickup — silently handed
+ * them the raw fraction. The web readout renders `${bar}.${beat}`, so it began
+ * printing "1.1.3333333333333333" into a 40px box thirty times a second, and
+ * snapping back to "1.2" whenever the position happened to land on a beat.
+ * The React Native app had floored it inline and was unaffected, which is
+ * exactly the shape of bug two copies of one calculation produce.
+ *
+ * So the flooring lives here, once, and both transports call it.
+ */
+export declare function wholeBarBeat(at: BarBeat | null): BarBeat | null;
+/**
+ * A transport readout: `"3.2"`, or `"-.-"` when there is no position.
+ *
+ * The placeholder is here rather than in each app for the reason the flooring
+ * is — it was written out separately in both, and a readout that disagrees
+ * about what "nothing to show" looks like is a readout somebody has to
+ * reconcile later.
+ */
+export declare function formatBarBeat(at: BarBeat | null): string;
 /**
  * The tick at `bar`/`beat`, both counted from 1. `null` when that bar does not
  * exist; a beat past the end of its bar is clamped into it, because a typed

package/dist/domain/notation/music-vocabulary.d.ts.map

@@ -1 +1 @@
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package/dist/domain/notation/music-vocabulary.js

@@ -112,6 +112,41 @@ export function barBeatForTick(score, tick) {
         beat: (tick - measure.startTick) / beatTicks + 1,
     };
 }
+/**
+ * The same position with the beat whole, which is how a player says it.
+ *
+ * `barBeatForTick` keeps the fraction because the inspector's position field
+ * needs it — a note can sit on beat 2.5, and that field is editable. A
+ * transport readout wants the opposite: nobody counts "beat 2.7333333333333",
+ * and during playback the fraction changes with every position report.
+ *
+ * That distinction was lost once, visibly. The transport readouts used to call
+ * a `measureBeatAt` that floored internally; replacing it with
+ * `barBeatForTick` — which was the right move, since the old one numbered bars
+ * `index + 1` and so miscounted every score with a pickup — silently handed
+ * them the raw fraction. The web readout renders `${bar}.${beat}`, so it began
+ * printing "1.1.3333333333333333" into a 40px box thirty times a second, and
+ * snapping back to "1.2" whenever the position happened to land on a beat.
+ * The React Native app had floored it inline and was unaffected, which is
+ * exactly the shape of bug two copies of one calculation produce.
+ *
+ * So the flooring lives here, once, and both transports call it.
+ */
+export function wholeBarBeat(at) {
+    return at ? { bar: at.bar, beat: Math.floor(at.beat) } : null;
+}
+/**
+ * A transport readout: `"3.2"`, or `"-.-"` when there is no position.
+ *
+ * The placeholder is here rather than in each app for the reason the flooring
+ * is — it was written out separately in both, and a readout that disagrees
+ * about what "nothing to show" looks like is a readout somebody has to
+ * reconcile later.
+ */
+export function formatBarBeat(at) {
+    const whole = wholeBarBeat(at);
+    return whole ? `${whole.bar}.${whole.beat}` : '-.-';
+}
 /**
  * The tick at `bar`/`beat`, both counted from 1. `null` when that bar does not
  * exist; a beat past the end of its bar is clamped into it, because a typed

package/dist/domain/notation/music-vocabulary.js.map

@@ -1 +1 @@
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package/dist/index.d.ts

@@ -67,6 +67,7 @@ export * from "./domain/commands/relocate-commands.js";
 export * from "./domain/commands/ripple-commands.js";
 export * from "./domain/instruments/gm.js";
 export * from "./domain/instruments/gm-catalogue.js";
+export * from "./domain/instruments/arrangement-order.js";
 export * from "./domain/instruments/midi-protocol.js";
 export * from "./domain/instruments/gm-kit.js";
 export * from "./domain/instruments/gm-range.js";

package/dist/index.d.ts.map

@@ -1 +1 @@
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package/dist/index.js

@@ -89,6 +89,7 @@ export * from "./domain/commands/relocate-commands.js";
 export * from "./domain/commands/ripple-commands.js";
 export * from "./domain/instruments/gm.js";
 export * from "./domain/instruments/gm-catalogue.js";
+export * from "./domain/instruments/arrangement-order.js";
 export * from "./domain/instruments/midi-protocol.js";
 export * from "./domain/instruments/gm-kit.js";
 export * from "./domain/instruments/gm-range.js";

package/dist/index.js.map

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package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@sudobility/music_types",
-  "version": "0.13.14",
+  "version": "0.13.16",
   "description": "TypeScript types and Zod schemas for the ScoreSmith music API - scores, generation contracts, project payloads",
   "type": "module",
   "main": "./dist/index.js",