@sudobility/music_types 0.11.30 → 0.11.32

package/dist/domain/quantization/quantize.js.map

@@ -1 +1 @@
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package/dist/domain/score/articulation.d.ts

@@ -0,0 +1,56 @@
+/**
+ * What an articulation does to the sound.
+ *
+ * A staccato dot, an accent, a tenuto line and a marcato wedge were modelled,
+ * drawn, exported and imported long before anything played them — so a passage
+ * marked staccato sounded exactly as long as a legato one, and an accent was no
+ * louder than the note beside it. The marking was decoration.
+ *
+ * This resolves it, in the same place and by the same rules as a dynamic:
+ * inside `flattenScoreNotes`, the single traversal live playback and offline
+ * export already share, so the two cannot disagree about how a bar is played.
+ *
+ * **Two axes, because that is what these four markings actually say.** Staccato
+ * is about *length* and accent is about *weight*; marcato is both, and tenuto
+ * is the full length it would have had anyway. So each marking resolves to a
+ * length factor and a velocity offset rather than to one number.
+ *
+ * **It applies on top of the dynamic, never instead of it.** `effectiveVelocity`
+ * has already turned the marking in force plus the note's own written deviation
+ * into a velocity; the articulation is a further offset on that. This is the
+ * same doctrine dynamics established — an accent inside a quiet passage stays
+ * an accent, and an accent under `ff` is still louder than its neighbours
+ * rather than being flattened against the ceiling by a fixed level.
+ *
+ * **Shortening never moves anything.** A staccato note releases early; it still
+ * occupies its written length in the bar, so every following note starts
+ * exactly where it did. That is what keeps this a performance detail rather
+ * than an edit — and it is why the score is not rewritten to short notes plus
+ * rests, which is the other way to make staccato audible and which would make
+ * the marking impossible to remove.
+ */
+import type { Articulation } from "../../index.js";
+/** How a marking is performed: a proportion of the written length, and a weight. */
+export type ArticulationSound = {
+    /** The fraction of its written length the note actually sounds for. */
+    lengthFactor: number;
+    /** Added to the velocity the dynamic and the note's own deviation produced. */
+    velocityDelta: number;
+};
+/** How `articulation` is performed. An absent marking plays plain. */
+export declare function articulationSound(articulation: Articulation | undefined): ArticulationSound;
+/**
+ * The velocity `velocity` sounds at once `articulation` is applied.
+ *
+ * `velocity` is what the dynamic in force and the note's own written deviation
+ * already produced, so this is the last step before the engine sees it.
+ */
+export declare function articulatedVelocity(velocity: number, articulation: Articulation | undefined): number;
+/**
+ * How long a note of `durationTicks` actually sounds under `articulation`.
+ *
+ * Never rounds down to nothing: a thirty-second note marked staccato at a fast
+ * tempo is still a note, and a zero-length one would simply not play.
+ */
+export declare function articulatedDuration(durationTicks: number, articulation: Articulation | undefined): number;
+//# sourceMappingURL=articulation.d.ts.map

package/dist/domain/score/articulation.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/score/articulation.js

@@ -0,0 +1,56 @@
+/** An unmarked note: full length, no added weight. */
+const PLAIN = { lengthFactor: 1, velocityDelta: 0 };
+/**
+ * The performance of each marking.
+ *
+ * - `staccato` — detached, at half its written length. The conventional
+ *   reading, and short enough to hear as detached at any tempo.
+ * - `tenuto` — held. Its length factor is 1, which is *already* the default,
+ *   so the emphasis is the only audible part; see the note below.
+ * - `accent` — struck harder, full length. A weight, not a shortening.
+ * - `marcato` — marked: harder than an accent and somewhat detached, which is
+ *   the difference between the two.
+ *
+ * **Tenuto is deliberately near-inaudible, and that is the honest answer.** It
+ * means "hold this note its full value", and an unmarked note here is already
+ * held its full value — so the alternative was to shorten *every* unmarked note
+ * slightly to make room for tenuto to be longer. That would change the playback
+ * of every score ever written in this app to give one rare marking something to
+ * contrast against, and it would break the rule the dynamics work established:
+ * an unmarked score plays exactly as it did before the feature existed.
+ */
+const ARTICULATION_SOUND = {
+    staccato: { lengthFactor: 0.5, velocityDelta: 0 },
+    tenuto: { lengthFactor: 1, velocityDelta: 4 },
+    accent: { lengthFactor: 1, velocityDelta: 20 },
+    marcato: { lengthFactor: 0.8, velocityDelta: 28 },
+};
+/** How `articulation` is performed. An absent marking plays plain. */
+export function articulationSound(articulation) {
+    return articulation ? ARTICULATION_SOUND[articulation] : PLAIN;
+}
+/**
+ * The velocity `velocity` sounds at once `articulation` is applied.
+ *
+ * `velocity` is what the dynamic in force and the note's own written deviation
+ * already produced, so this is the last step before the engine sees it.
+ */
+export function articulatedVelocity(velocity, articulation) {
+    const { velocityDelta } = articulationSound(articulation);
+    if (velocityDelta === 0)
+        return velocity;
+    return Math.max(1, Math.min(127, velocity + velocityDelta));
+}
+/**
+ * How long a note of `durationTicks` actually sounds under `articulation`.
+ *
+ * Never rounds down to nothing: a thirty-second note marked staccato at a fast
+ * tempo is still a note, and a zero-length one would simply not play.
+ */
+export function articulatedDuration(durationTicks, articulation) {
+    const { lengthFactor } = articulationSound(articulation);
+    if (lengthFactor === 1)
+        return durationTicks;
+    return Math.max(1, Math.round(durationTicks * lengthFactor));
+}
+//# sourceMappingURL=articulation.js.map

package/dist/domain/score/articulation.js.map

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package/dist/domain/score/bar-numbers.d.ts

@@ -0,0 +1,38 @@
+/**
+ * What number a bar is called.
+ *
+ * Almost always its position plus one — but a pickup is not counted, so a
+ * score that opens with one has its first *full* bar as bar 1 and the pickup
+ * as no number at all. That is not a display nicety: "go to bar 33" and the
+ * inspector's Bar/Beat field have to mean the same 33 the player's part does,
+ * and a score with a pickup shifts every one of them by one.
+ *
+ * Kept as a pure function over the measure list so the renderer, the go-to-bar
+ * prompt and the inspector all answer identically without any of them knowing
+ * how a pickup is stored.
+ */
+import type { Measure } from "../../index.js";
+/**
+ * The number printed over `measures[index]`, or `null` for a bar that is not
+ * counted.
+ *
+ * `null` rather than 0: a pickup has no number, and printing one would claim
+ * it does. The renderer draws nothing there, which is what an engraver does.
+ */
+export declare function barNumberAt(measures: readonly Measure[], index: number): number | null;
+/**
+ * The index of the bar a player would call `barNumber`.
+ *
+ * `null` when no such bar exists, so "go to bar 500" in a 40-bar score fails
+ * rather than silently landing somewhere.
+ */
+export declare function indexOfBarNumber(measures: readonly Measure[], barNumber: number): number | null;
+/**
+ * Whether `measures` opens with a pickup.
+ *
+ * Only the first bar can be one — an anacrusis is the run-up to the first full
+ * bar, and a short bar anywhere else is an irregular bar, which is a different
+ * thing and keeps its number.
+ */
+export declare function hasPickup(measures: readonly Measure[]): boolean;
+//# sourceMappingURL=bar-numbers.d.ts.map

package/dist/domain/score/bar-numbers.d.ts.map

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package/dist/domain/score/bar-numbers.js

@@ -0,0 +1,49 @@
+/**
+ * The number printed over `measures[index]`, or `null` for a bar that is not
+ * counted.
+ *
+ * `null` rather than 0: a pickup has no number, and printing one would claim
+ * it does. The renderer draws nothing there, which is what an engraver does.
+ */
+export function barNumberAt(measures, index) {
+    if (index < 0 || index >= measures.length)
+        return null;
+    if (measures[index].pickup)
+        return null;
+    let number = 0;
+    for (let i = 0; i <= index; i += 1) {
+        if (!measures[i].pickup)
+            number += 1;
+    }
+    return number;
+}
+/**
+ * The index of the bar a player would call `barNumber`.
+ *
+ * `null` when no such bar exists, so "go to bar 500" in a 40-bar score fails
+ * rather than silently landing somewhere.
+ */
+export function indexOfBarNumber(measures, barNumber) {
+    if (barNumber < 1)
+        return null;
+    let number = 0;
+    for (let i = 0; i < measures.length; i += 1) {
+        if (measures[i].pickup)
+            continue;
+        number += 1;
+        if (number === barNumber)
+            return i;
+    }
+    return null;
+}
+/**
+ * Whether `measures` opens with a pickup.
+ *
+ * Only the first bar can be one — an anacrusis is the run-up to the first full
+ * bar, and a short bar anywhere else is an irregular bar, which is a different
+ * thing and keeps its number.
+ */
+export function hasPickup(measures) {
+    return measures[0]?.pickup === true;
+}
+//# sourceMappingURL=bar-numbers.js.map

package/dist/domain/score/bar-numbers.js.map

@@ -0,0 +1 @@
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package/dist/domain/score/collapse-rests.d.ts

@@ -0,0 +1,23 @@
+import type { Measure } from "../../index.js";
+/**
+ * Whether nothing sounds in `measure`.
+ *
+ * One note in any voice disqualifies it: the player still has to play that
+ * bar, so it cannot disappear into a count.
+ */
+export declare function isSilentMeasure(measure: Measure): boolean;
+/**
+ * `measures` with every run of two or more silent measures replaced by a
+ * single measure carrying the count.
+ *
+ * The survivor is the run's **first** measure, keeping its own `index`,
+ * `startTick` and signatures. That is what makes the numbering work: the
+ * renderer draws measure numbers from `measure.index`, so the bar after a
+ * 24-bar rest still reports 25.
+ *
+ * The returned list is therefore shorter than the input, and its measures are
+ * no longer contiguous in `startTick`. Only a print-only derived score may
+ * carry that.
+ */
+export declare function collapseRests(measures: readonly Measure[]): Measure[];
+//# sourceMappingURL=collapse-rests.d.ts.map

package/dist/domain/score/collapse-rests.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/score/collapse-rests.js

@@ -0,0 +1,78 @@
+/**
+ * Collapsing runs of silence into multi-measure rests.
+ *
+ * Pure over a measure list — no score, no renderer — so the rules about what
+ * counts as silent and where a run may not span are testable on their own.
+ *
+ * For **printed parts only**. A stored score always writes its rests out:
+ * collapsing loses which bar is which, and the editor needs every bar.
+ */
+import { isNoteEvent } from "../../index.js";
+/** Below this, a run is written out — "1" over a bar is noise, not notation. */
+const MIN_RUN = 2;
+/**
+ * Whether nothing sounds in `measure`.
+ *
+ * One note in any voice disqualifies it: the player still has to play that
+ * bar, so it cannot disappear into a count.
+ */
+export function isSilentMeasure(measure) {
+    return measure.voices.every((voice) => !voice.events.some(isNoteEvent));
+}
+/** Whether a run may continue from `previous` into `next`. */
+function runContinues(previous, next) {
+    // A mark inside a rest would be invisible, and "from B" would point at
+    // nothing. The bar carrying it has to start its own rest.
+    if (next.rehearsalMark !== undefined)
+        return false;
+    // A cue bar is written out: it is silent in the player's own voices, so
+    // without this it would vanish into the count it exists to end.
+    if (next.cue !== undefined)
+        return false;
+    // A multi-measure rest asserts the bars inside it are alike. Spanning a
+    // change would hide from the player exactly where it happened.
+    return (previous.timeSignature.numerator === next.timeSignature.numerator &&
+        previous.timeSignature.denominator === next.timeSignature.denominator &&
+        previous.keySignature.fifths === next.keySignature.fifths &&
+        previous.keySignature.mode === next.keySignature.mode);
+}
+/**
+ * `measures` with every run of two or more silent measures replaced by a
+ * single measure carrying the count.
+ *
+ * The survivor is the run's **first** measure, keeping its own `index`,
+ * `startTick` and signatures. That is what makes the numbering work: the
+ * renderer draws measure numbers from `measure.index`, so the bar after a
+ * 24-bar rest still reports 25.
+ *
+ * The returned list is therefore shorter than the input, and its measures are
+ * no longer contiguous in `startTick`. Only a print-only derived score may
+ * carry that.
+ */
+export function collapseRests(measures) {
+    const out = [];
+    let index = 0;
+    while (index < measures.length) {
+        const start = measures[index];
+        // A cue bar may not *start* a run either, or a cue followed by more
+        // silence would be collapsed away from the other end.
+        if (!isSilentMeasure(start) || start.cue !== undefined) {
+            out.push(start);
+            index += 1;
+            continue;
+        }
+        let end = index + 1;
+        while (end < measures.length &&
+            isSilentMeasure(measures[end]) &&
+            runContinues(measures[end - 1], measures[end])) {
+            end += 1;
+        }
+        const runLength = end - index;
+        out.push(runLength >= MIN_RUN
+            ? { ...start, multiMeasureRestCount: runLength }
+            : start);
+        index = end;
+    }
+    return out;
+}
+//# sourceMappingURL=collapse-rests.js.map

package/dist/domain/score/collapse-rests.js.map

@@ -0,0 +1 @@
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package/dist/domain/score/cue-notes.d.ts

@@ -0,0 +1,24 @@
+import type { Measure, MeasureCue, Score } from "../../index.js";
+/**
+ * Shortest rest that earns a cue.
+ *
+ * Below this nobody is lost, and the cue costs a bar that would otherwise be
+ * counted inside a multi-measure rest. A chosen number, not a derived one.
+ */
+export declare const MIN_REST_FOR_CUE = 8;
+/**
+ * Cues for `trackId`'s part, keyed by measure index.
+ *
+ * One bar, on the last bar of any rest of `MIN_REST_FOR_CUE` or more that is
+ * followed by an entry. A rest running to the end of the piece gets none:
+ * there is nothing to prepare for.
+ */
+export declare function measureCues(score: Score, trackId: string): Map<number, MeasureCue>;
+/**
+ * `measures` with each cue written onto the measure carrying that **index**.
+ *
+ * Keyed by `measure.index` for the same reason marks are: a part's measures
+ * may already have been thinned, so array position means nothing.
+ */
+export declare function applyCues(measures: readonly Measure[], cues: ReadonlyMap<number, MeasureCue>): Measure[];
+//# sourceMappingURL=cue-notes.d.ts.map

package/dist/domain/score/cue-notes.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/score/cue-notes.js

@@ -0,0 +1,105 @@
+/**
+ * Where cue notes go, and whose notes they are.
+ *
+ * **Derived per part, from the rest of the score** — the opposite of rehearsal
+ * marks. A mark must mean the same bar to everybody; a cue is for one player's
+ * entry, drawn from the tracks they are about to come in against.
+ *
+ * Print-only: a stored score carries none, and the whole-score print gets none
+ * either, because a conductor is already looking at every part.
+ */
+import { isNoteEvent } from "../../index.js";
+import { isSilentMeasure } from "./collapse-rests.js";
+/**
+ * Shortest rest that earns a cue.
+ *
+ * Below this nobody is lost, and the cue costs a bar that would otherwise be
+ * counted inside a multi-measure rest. A chosen number, not a derived one.
+ */
+export const MIN_REST_FOR_CUE = 8;
+/** How many notes sound in `measure`, across every voice. */
+function noteCount(measure) {
+    return measure.voices.reduce((total, voice) => total + voice.events.filter(isNoteEvent).length, 0);
+}
+/**
+ * The events of `measure`'s busiest voice.
+ *
+ * One voice, not all of them: a cue is a landmark, and stacking a piano's two
+ * hands into one small-print bar makes it harder to read, not more informative.
+ */
+function busiestVoiceEvents(measure) {
+    let best = [];
+    let bestCount = 0;
+    for (const voice of measure.voices) {
+        const count = voice.events.filter(isNoteEvent).length;
+        if (count > bestCount) {
+            best = voice.events;
+            bestCount = count;
+        }
+    }
+    return best;
+}
+/** The other track with the most notes in bar `index`, or undefined if none plays. */
+function busiestOtherTrack(others, index) {
+    let best;
+    let bestCount = 0;
+    for (const track of others) {
+        const measure = track.measures[index];
+        const count = measure ? noteCount(measure) : 0;
+        if (count > bestCount) {
+            best = track;
+            bestCount = count;
+        }
+    }
+    return best;
+}
+/**
+ * Cues for `trackId`'s part, keyed by measure index.
+ *
+ * One bar, on the last bar of any rest of `MIN_REST_FOR_CUE` or more that is
+ * followed by an entry. A rest running to the end of the piece gets none:
+ * there is nothing to prepare for.
+ */
+export function measureCues(score, trackId) {
+    const cues = new Map();
+    const track = score.tracks.find((t) => t.id === trackId);
+    if (!track)
+        return cues;
+    const others = score.tracks.filter((t) => t.id !== trackId);
+    let index = 0;
+    while (index < track.measures.length) {
+        if (!isSilentMeasure(track.measures[index])) {
+            index += 1;
+            continue;
+        }
+        let end = index;
+        while (end < track.measures.length && isSilentMeasure(track.measures[end]))
+            end += 1;
+        const entersAfter = end < track.measures.length;
+        if (end - index >= MIN_REST_FOR_CUE && entersAfter) {
+            const cueIndex = end - 1;
+            const source = busiestOtherTrack(others, cueIndex);
+            if (source) {
+                cues.set(cueIndex, {
+                    label: source.name,
+                    events: busiestVoiceEvents(source.measures[cueIndex]),
+                });
+            }
+        }
+        index = end;
+    }
+    return cues;
+}
+/**
+ * `measures` with each cue written onto the measure carrying that **index**.
+ *
+ * Keyed by `measure.index` for the same reason marks are: a part's measures
+ * may already have been thinned, so array position means nothing.
+ */
+export function applyCues(measures, cues) {
+    return measures.map((measure) => {
+        const cue = cues.get(measure.index);
+        return cue === undefined ? measure : { ...measure, cue };
+    });
+}
+//# sourceMappingURL=cue-notes.js.map

package/dist/domain/score/cue-notes.js.map

@@ -0,0 +1 @@
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package/dist/domain/score/dynamics.d.ts

@@ -0,0 +1,62 @@
+/**
+ * What a dynamic marking does to the sound.
+ *
+ * A dynamic is stored on the note it starts at and is in force until the next
+ * one on that track — the way it is read on paper. Resolving that into a
+ * velocity per note is what makes the marking audible rather than decorative,
+ * and it happens in `flattenScoreNotes`, the single traversal both live
+ * playback and offline export already share, so the two cannot disagree about
+ * how loud a passage is.
+ *
+ * **The note's own velocity survives.** A dynamic sets the level; the velocity
+ * written on a note is kept as its deviation from the default, so an accent
+ * inside a quiet passage stays an accent. The three rules that follow from it:
+ *
+ * - a score with no dynamics plays exactly as it did before they existed;
+ * - a note left at the default under `ff` plays at `ff`;
+ * - a note written louder than default under `ff` plays louder still.
+ *
+ * The alternative — a dynamic overwriting velocity outright, which is what
+ * most notation software does — would have made the inspector's Velocity field
+ * silently inert the moment a passage was marked, which is worse than either
+ * behaviour on its own.
+ */
+import type { Dynamic, MusicalEvent, NoteEvent } from "../../index.js";
+/** The velocity a note is written at when nobody has said otherwise. */
+export declare const DEFAULT_VELOCITY = 80;
+export declare function velocityForDynamic(dynamic: Dynamic): number;
+/**
+ * The velocity a note actually sounds at under `dynamic`.
+ *
+ * `null` means no dynamic is in force, and the written velocity stands.
+ */
+export declare function effectiveVelocity(note: NoteEvent, dynamic: Dynamic | null): number;
+/**
+ * Walks one voice's events in order, reporting the dynamic in force at each.
+ *
+ * Takes an already-ordered channel — the caller has sorted and joined ties —
+ * because "the next dynamic" only means anything in tick order.
+ */
+export declare function dynamicsInForce(events: readonly MusicalEvent[]): Map<string, Dynamic>;
+/**
+ * The velocity each note in a hairpin ramps to.
+ *
+ * A dynamic sets a level; a hairpin is the *change* between two of them, so
+ * the only honest way to sound one is to ramp. The span runs from the note
+ * carrying `hairpinStart` to the one carrying `hairpinStop`, and velocity
+ * moves linearly from the level in force at the opening to the level in force
+ * just **after** the close — which is how a player reads it: the wedge takes
+ * you to the next marking.
+ *
+ * **Where there is no next marking**, the wedge still has to arrive somewhere.
+ * A crescendo with nothing after it goes one dynamic step up from where it
+ * started, and a diminuendo one step down. That is what a player does with an
+ * unresolved hairpin, and it beats the alternatives: leaving it flat makes the
+ * marking silent, and ramping to full or to nothing turns an unmarked detail
+ * into the loudest or quietest thing in the piece.
+ *
+ * Returns an empty map for a score with no hairpin, so an unmarked passage
+ * costs one allocation and no arithmetic.
+ */
+export declare function hairpinVelocities(events: readonly MusicalEvent[], inForce: Map<string, Dynamic>): Map<string, number>;
+//# sourceMappingURL=dynamics.d.ts.map

package/dist/domain/score/dynamics.d.ts.map

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