@sudobility/music_types 0.11.19 → 0.11.21

package/dist/domain/commands/structure-commands.js.map

@@ -0,0 +1 @@
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package/dist/domain/commands/track-commands.d.ts

@@ -0,0 +1,15 @@
+import type { Track } from '../../index.js';
+import type { ScoreCommand } from './types.js';
+/**
+ * Appends `track` to the score, re-homed onto the score's own measure grid.
+ *
+ * For a generated track: the AI returns a whole `Score`, and only its single
+ * track is wanted. Its measures are matched to the existing grid by index
+ * rather than trusted, because a generated score can come back with a
+ * different bar count than was asked for, and a track whose measures do not
+ * line up with its neighbours is not editable.
+ *
+ * Ids are regenerated so a track appended twice cannot collide with itself.
+ */
+export declare function appendTrackCommand(track: Track, label: string): ScoreCommand;
+//# sourceMappingURL=track-commands.d.ts.map

package/dist/domain/commands/track-commands.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/commands/track-commands.js

@@ -0,0 +1,56 @@
+/**
+ * Appending a whole track to a score.
+ *
+ * What remains of a file that also wrote transcriptions in: audio transcription
+ * moved to `midi_transcriber_api` and arrives as MIDI, so the score is built by
+ * the MIDI importer rather than a note at a time. Generation still appends a
+ * single produced track, which is this.
+ */
+import { touchMetadata, withTracks } from './reflow.js';
+import { transformCommand } from './snapshot.js';
+import { restMeasureLike } from './structure-commands.js';
+import { createId } from '../score/ids.js';
+/**
+ * Appends `track` to the score, re-homed onto the score's own measure grid.
+ *
+ * For a generated track: the AI returns a whole `Score`, and only its single
+ * track is wanted. Its measures are matched to the existing grid by index
+ * rather than trusted, because a generated score can come back with a
+ * different bar count than was asked for, and a track whose measures do not
+ * line up with its neighbours is not editable.
+ *
+ * Ids are regenerated so a track appended twice cannot collide with itself.
+ */
+export function appendTrackCommand(track, label) {
+    return transformCommand(label, score => {
+        const reference = score.tracks[0];
+        if (!reference)
+            return score;
+        const id = createId();
+        const measures = reference.measures.map((template, index) => {
+            const source = track.measures[index];
+            const voices = (source?.voices ?? []).map(voice => {
+                const voiceId = createId();
+                return {
+                    id: voiceId,
+                    name: voice.name,
+                    events: voice.events.map(event => ({
+                        ...event,
+                        id: createId(),
+                        voiceId,
+                        trackId: id,
+                    })),
+                };
+            });
+            // An empty bar still needs a rest, which `restMeasureLike` supplies.
+            return voices.length > 0
+                ? { ...restMeasureLike(template, id), voices }
+                : restMeasureLike(template, id);
+        });
+        return {
+            ...withTracks(score, [...score.tracks, { ...track, id, measures }]),
+            metadata: touchMetadata(score.metadata),
+        };
+    });
+}
+//# sourceMappingURL=track-commands.js.map

package/dist/domain/commands/track-commands.js.map

@@ -0,0 +1 @@
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package/dist/domain/commands/types.d.ts

@@ -0,0 +1,31 @@
+/**
+ * Command-based undo/redo (spec §14). A `ScoreCommand` is pure: `execute`
+ * and `undo` each take a `Score` and return a new `Score`, never mutating
+ * their input, holding a store reference, or performing I/O.
+ */
+import type { Score } from '../../index.js';
+/**
+ * Whether a command changes the music or only how it is mixed.
+ *
+ * The distinction exists for one reason: content is immutable while the
+ * transport is playing (see `store/slices/score-slice.ts`), and mixing is not
+ * editing — muting a part while listening is how an arrangement gets listened
+ * to. `services/playback/controller.ts` relies on it too: while playing, the
+ * only score change that can reach it is a mix change, which is what lets it
+ * push levels to the engine instead of reloading and resuming.
+ */
+export type CommandKind = 'content' | 'mix';
+export type ScoreCommand = {
+    id: string;
+    label: string;
+    timestamp: number;
+    /**
+     * Required rather than optional on purpose: a command written later without
+     * thinking about the playback lock should be refused while playing, not
+     * admitted by a convenient default.
+     */
+    kind: CommandKind;
+    execute(score: Score): Score;
+    undo(score: Score): Score;
+};
+//# sourceMappingURL=types.d.ts.map

package/dist/domain/commands/types.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/commands/types.js

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+export {};
+//# sourceMappingURL=types.js.map

package/dist/domain/commands/types.js.map

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package/dist/domain/instruments/gm-kit.d.ts

@@ -0,0 +1,45 @@
+/**
+ * The General MIDI drum kits — what `Track.midiProgram` means on a percussion
+ * track.
+ *
+ * A drum track's program is not an instrument. General MIDI selects the kit
+ * with a program change on the drum channel, so on a percussion-clef track the
+ * same field that names a violin elsewhere names Room, TR-808 or Brush. Reading
+ * it through `gm.ts` gives an answer that is wrong in a way nothing catches:
+ * the picker offered "Acoustic Guitar (nylon)" for what the synth played as the
+ * Electronic kit, and every derived lookup — range, polyphony, transposition —
+ * answered for a guitar.
+ *
+ * The eight addresses below are the ones General MIDI defines. All eight are
+ * present and audibly distinct in the shipped soundfont, which is not an
+ * assumption: `general-midi.spec.ts` selects each one on a real synth and
+ * compares what comes out.
+ */
+export type GmKit = {
+    /** The program number that selects this kit, matching `Track.midiProgram`. */
+    program: number;
+    /** The conventional name, e.g. "TR-808". */
+    name: string;
+};
+/**
+ * In address order.
+ *
+ * Note that Electronic and TR-808 are adjacent: 24 and 25, not 24 and 32. That
+ * irregularity is General MIDI's, and it is why kit regions cannot be derived
+ * arithmetically the way instrument families can.
+ */
+export declare const GM_KITS: readonly GmKit[];
+/** The kit at exactly `program`, or `null` where no kit is defined there. */
+export declare function gmKit(program: number): GmKit | null;
+/**
+ * The kit whose region contains `program` — always an answer.
+ *
+ * A kit occupies its address up to the next kit's, so program 45 is inside
+ * Brush's region and program 3 inside Standard's. That is how General MIDI
+ * hardware resolves an address it has no kit at, and it is what lets a MIDI
+ * file that sets an undefined program on channel 10 be read as something rather
+ * than refused. Anything below the first kit, or not a number at all, is
+ * Standard: the kit every font has.
+ */
+export declare function gmKitAt(program: number): GmKit;
+//# sourceMappingURL=gm-kit.d.ts.map

package/dist/domain/instruments/gm-kit.d.ts.map

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package/dist/domain/instruments/gm-kit.js

@@ -0,0 +1,59 @@
+/**
+ * The General MIDI drum kits — what `Track.midiProgram` means on a percussion
+ * track.
+ *
+ * A drum track's program is not an instrument. General MIDI selects the kit
+ * with a program change on the drum channel, so on a percussion-clef track the
+ * same field that names a violin elsewhere names Room, TR-808 or Brush. Reading
+ * it through `gm.ts` gives an answer that is wrong in a way nothing catches:
+ * the picker offered "Acoustic Guitar (nylon)" for what the synth played as the
+ * Electronic kit, and every derived lookup — range, polyphony, transposition —
+ * answered for a guitar.
+ *
+ * The eight addresses below are the ones General MIDI defines. All eight are
+ * present and audibly distinct in the shipped soundfont, which is not an
+ * assumption: `general-midi.spec.ts` selects each one on a real synth and
+ * compares what comes out.
+ */
+/**
+ * In address order.
+ *
+ * Note that Electronic and TR-808 are adjacent: 24 and 25, not 24 and 32. That
+ * irregularity is General MIDI's, and it is why kit regions cannot be derived
+ * arithmetically the way instrument families can.
+ */
+export const GM_KITS = [
+    { program: 0, name: 'Standard Kit' },
+    { program: 8, name: 'Room Kit' },
+    { program: 16, name: 'Power Kit' },
+    { program: 24, name: 'Electronic Kit' },
+    { program: 25, name: 'TR-808 Kit' },
+    { program: 32, name: 'Jazz Kit' },
+    { program: 40, name: 'Brush Kit' },
+    { program: 48, name: 'Orchestra Kit' },
+];
+/** The kit at exactly `program`, or `null` where no kit is defined there. */
+export function gmKit(program) {
+    return GM_KITS.find(kit => kit.program === program) ?? null;
+}
+/**
+ * The kit whose region contains `program` — always an answer.
+ *
+ * A kit occupies its address up to the next kit's, so program 45 is inside
+ * Brush's region and program 3 inside Standard's. That is how General MIDI
+ * hardware resolves an address it has no kit at, and it is what lets a MIDI
+ * file that sets an undefined program on channel 10 be read as something rather
+ * than refused. Anything below the first kit, or not a number at all, is
+ * Standard: the kit every font has.
+ */
+export function gmKitAt(program) {
+    if (!Number.isFinite(program))
+        return GM_KITS[0];
+    let found = GM_KITS[0];
+    for (const kit of GM_KITS) {
+        if (kit.program <= program)
+            found = kit;
+    }
+    return found;
+}
+//# sourceMappingURL=gm-kit.js.map

package/dist/domain/instruments/gm-kit.js.map

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package/dist/domain/instruments/gm-percussion.d.ts

@@ -0,0 +1,42 @@
+/**
+ * What each General MIDI drum note is, by name.
+ *
+ * On a percussion track a note's pitch is not a pitch — it says which drum was
+ * struck. The staff already draws that (`adapters/vexflow/percussion.ts` maps
+ * the same 35-81 to noteheads and positions), but nothing could put it into
+ * words, so a drum key on the keyboard was labelled "C" and read aloud as "C3".
+ *
+ * Two names per drum, because two places need different lengths: `name` is the
+ * General MIDI name, which is what a screen reader and an inspector should say,
+ * and `short` is what fits on a key cap. The short form is not a truncation —
+ * "Closed Hi-Hat" shortens to "Cl HH", not to "Closed H" — so it is authored
+ * rather than derived.
+ *
+ * The note numbers are exactly the ones the notation mapping covers; a test
+ * pins the two to the same set, since a drum this table forgets would be drawn
+ * on the staff and then labelled with nothing.
+ */
+export type GmPercussion = {
+    /** The MIDI note number that sounds this drum, 35-81. */
+    midi: number;
+    /** The General MIDI name, e.g. "Acoustic Snare". */
+    name: string;
+    /** A short form for a key cap, e.g. "Snare". */
+    short: string;
+};
+/** The range General MIDI assigns drums to. Every number in it sounds something. */
+export declare const GM_PERCUSSION_RANGE: {
+    readonly min: 35;
+    readonly max: 81;
+};
+export declare const GM_PERCUSSION: readonly GmPercussion[];
+/** The drum `midi` sounds, or `null` outside the General MIDI percussion range. */
+export declare function gmPercussion(midi: number): GmPercussion | null;
+/**
+ * What to call `midi` on a drum track.
+ *
+ * Falls back to the note number rather than to a pitch name: outside 35-81
+ * nothing is going to sound, and "C8" would suggest otherwise.
+ */
+export declare function gmPercussionName(midi: number): string;
+//# sourceMappingURL=gm-percussion.d.ts.map

package/dist/domain/instruments/gm-percussion.d.ts.map

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package/dist/domain/instruments/gm-percussion.js

@@ -0,0 +1,85 @@
+/**
+ * What each General MIDI drum note is, by name.
+ *
+ * On a percussion track a note's pitch is not a pitch — it says which drum was
+ * struck. The staff already draws that (`adapters/vexflow/percussion.ts` maps
+ * the same 35-81 to noteheads and positions), but nothing could put it into
+ * words, so a drum key on the keyboard was labelled "C" and read aloud as "C3".
+ *
+ * Two names per drum, because two places need different lengths: `name` is the
+ * General MIDI name, which is what a screen reader and an inspector should say,
+ * and `short` is what fits on a key cap. The short form is not a truncation —
+ * "Closed Hi-Hat" shortens to "Cl HH", not to "Closed H" — so it is authored
+ * rather than derived.
+ *
+ * The note numbers are exactly the ones the notation mapping covers; a test
+ * pins the two to the same set, since a drum this table forgets would be drawn
+ * on the staff and then labelled with nothing.
+ */
+/** The range General MIDI assigns drums to. Every number in it sounds something. */
+export const GM_PERCUSSION_RANGE = { min: 35, max: 81 };
+const TABLE = [
+    { midi: 35, name: 'Acoustic Bass Drum', short: 'Kick' },
+    { midi: 36, name: 'Bass Drum 1', short: 'Kick 1' },
+    { midi: 37, name: 'Side Stick', short: 'Stick' },
+    { midi: 38, name: 'Acoustic Snare', short: 'Snare' },
+    { midi: 39, name: 'Hand Clap', short: 'Clap' },
+    { midi: 40, name: 'Electric Snare', short: 'El Snr' },
+    { midi: 41, name: 'Low Floor Tom', short: 'Flr Lo' },
+    { midi: 42, name: 'Closed Hi-Hat', short: 'Cl HH' },
+    { midi: 43, name: 'High Floor Tom', short: 'Flr Hi' },
+    { midi: 44, name: 'Pedal Hi-Hat', short: 'Pd HH' },
+    { midi: 45, name: 'Low Tom', short: 'Tom Lo' },
+    { midi: 46, name: 'Open Hi-Hat', short: 'Op HH' },
+    { midi: 47, name: 'Low-Mid Tom', short: 'Tom Md' },
+    { midi: 48, name: 'Hi-Mid Tom', short: 'Tom MHi' },
+    { midi: 49, name: 'Crash Cymbal 1', short: 'Crash' },
+    { midi: 50, name: 'High Tom', short: 'Tom Hi' },
+    { midi: 51, name: 'Ride Cymbal 1', short: 'Ride' },
+    { midi: 52, name: 'Chinese Cymbal', short: 'China' },
+    { midi: 53, name: 'Ride Bell', short: 'Bell' },
+    { midi: 54, name: 'Tambourine', short: 'Tamb' },
+    { midi: 55, name: 'Splash Cymbal', short: 'Splash' },
+    { midi: 56, name: 'Cowbell', short: 'Cowbell' },
+    { midi: 57, name: 'Crash Cymbal 2', short: 'Crash 2' },
+    { midi: 58, name: 'Vibraslap', short: 'Vibslap' },
+    { midi: 59, name: 'Ride Cymbal 2', short: 'Ride 2' },
+    { midi: 60, name: 'Hi Bongo', short: 'Bong Hi' },
+    { midi: 61, name: 'Low Bongo', short: 'Bong Lo' },
+    { midi: 62, name: 'Mute Hi Conga', short: 'Cong Mt' },
+    { midi: 63, name: 'Open Hi Conga', short: 'Cong Hi' },
+    { midi: 64, name: 'Low Conga', short: 'Cong Lo' },
+    { midi: 65, name: 'High Timbale', short: 'Timb Hi' },
+    { midi: 66, name: 'Low Timbale', short: 'Timb Lo' },
+    { midi: 67, name: 'High Agogo', short: 'Agog Hi' },
+    { midi: 68, name: 'Low Agogo', short: 'Agog Lo' },
+    { midi: 69, name: 'Cabasa', short: 'Cabasa' },
+    { midi: 70, name: 'Maracas', short: 'Maracas' },
+    { midi: 71, name: 'Short Whistle', short: 'Whis' },
+    { midi: 72, name: 'Long Whistle', short: 'Whis Lg' },
+    { midi: 73, name: 'Short Guiro', short: 'Guiro' },
+    { midi: 74, name: 'Long Guiro', short: 'Guiro L' },
+    { midi: 75, name: 'Claves', short: 'Claves' },
+    { midi: 76, name: 'Hi Wood Block', short: 'Wood Hi' },
+    { midi: 77, name: 'Low Wood Block', short: 'Wood Lo' },
+    { midi: 78, name: 'Mute Cuica', short: 'Cuic Mt' },
+    { midi: 79, name: 'Open Cuica', short: 'Cuica' },
+    { midi: 80, name: 'Mute Triangle', short: 'Tri Mt' },
+    { midi: 81, name: 'Open Triangle', short: 'Tri' },
+];
+const BY_MIDI = new Map(TABLE.map(drum => [drum.midi, drum]));
+export const GM_PERCUSSION = TABLE;
+/** The drum `midi` sounds, or `null` outside the General MIDI percussion range. */
+export function gmPercussion(midi) {
+    return BY_MIDI.get(midi) ?? null;
+}
+/**
+ * What to call `midi` on a drum track.
+ *
+ * Falls back to the note number rather than to a pitch name: outside 35-81
+ * nothing is going to sound, and "C8" would suggest otherwise.
+ */
+export function gmPercussionName(midi) {
+    return gmPercussion(midi)?.name ?? `Note ${midi}`;
+}
+//# sourceMappingURL=gm-percussion.js.map

package/dist/domain/instruments/gm-percussion.js.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/gm-polyphony.d.ts

@@ -0,0 +1,13 @@
+/** No physical limit: keyboards, plucked strings, sections, synths, drums. */
+export declare const UNLIMITED_POLYPHONY: number;
+/**
+ * The most notes `program` can sound simultaneously.
+ *
+ * Returns `UNLIMITED_POLYPHONY` for anything chordal, and for any program
+ * outside 0-127 — an unknown instrument gets the benefit of the doubt rather
+ * than having edits blocked against a guess.
+ */
+export declare function gmMaxPolyphony(program: number): number;
+/** Whether `program` can sound `count` notes at once. */
+export declare function gmSupportsChord(program: number, count: number): boolean;
+//# sourceMappingURL=gm-polyphony.d.ts.map

package/dist/domain/instruments/gm-polyphony.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/gm-polyphony.js

@@ -0,0 +1,76 @@
+/**
+ * How many notes a General MIDI program can sound at once.
+ *
+ * General MIDI says nothing about this, so — like `gm-range.ts` — it is a
+ * curated table: a default per family, with overrides where the family default
+ * would be wrong. The numbers are physical facts about the instruments, not
+ * preferences: a trumpet player has one airstream, a guitar has six strings, a
+ * violinist can bow two strings at once (and briefly break three).
+ *
+ * This exists so the editor can refuse to write a chord nobody could play. It
+ * deliberately does NOT describe what a synthesizer patch can do — polyphony
+ * there is a setting, not a limit — so every synth family is unlimited.
+ */
+import { gmFamilyOf, gmInstrument } from './gm.js';
+/** No physical limit: keyboards, plucked strings, sections, synths, drums. */
+export const UNLIMITED_POLYPHONY = Number.POSITIVE_INFINITY;
+/**
+ * Family defaults.
+ *
+ * Wind and brass are 1 because one player has one airstream. Bowed strings are
+ * 2 for double stops. Everything else is unlimited — including the synth
+ * families, where polyphony is a patch setting rather than a property of the
+ * instrument, and blocking a chord there would be an invented restriction.
+ */
+const FAMILY_POLYPHONY = {
+    piano: UNLIMITED_POLYPHONY,
+    'chromatic-percussion': UNLIMITED_POLYPHONY,
+    organ: UNLIMITED_POLYPHONY,
+    guitar: 6,
+    bass: 4,
+    strings: 2,
+    ensemble: UNLIMITED_POLYPHONY,
+    brass: 1,
+    reed: 1,
+    pipe: 1,
+    'synth-lead': UNLIMITED_POLYPHONY,
+    'synth-pad': UNLIMITED_POLYPHONY,
+    'synth-effects': UNLIMITED_POLYPHONY,
+    ethnic: UNLIMITED_POLYPHONY,
+    percussive: UNLIMITED_POLYPHONY,
+    'sound-effects': UNLIMITED_POLYPHONY,
+};
+/** Programs whose own limit differs from their family's. */
+const PROGRAM_POLYPHONY = {
+    // In the strings family but not bowed: both are chordal instruments.
+    46: UNLIMITED_POLYPHONY, // Orchestral Harp
+    47: UNLIMITED_POLYPHONY, // Timpani — a set of drums, not one
+    // Sections, not soloists, despite sitting in the brass family.
+    61: UNLIMITED_POLYPHONY, // Brass Section
+    62: UNLIMITED_POLYPHONY, // Synth Brass 1
+    63: UNLIMITED_POLYPHONY, // Synth Brass 2
+    // Single-line players inside the otherwise-chordal ethnic family.
+    109: 1, // Bagpipe
+    110: 2, // Fiddle — bowed, so double stops
+    111: 1, // Shanai
+};
+/**
+ * The most notes `program` can sound simultaneously.
+ *
+ * Returns `UNLIMITED_POLYPHONY` for anything chordal, and for any program
+ * outside 0-127 — an unknown instrument gets the benefit of the doubt rather
+ * than having edits blocked against a guess.
+ */
+export function gmMaxPolyphony(program) {
+    const override = PROGRAM_POLYPHONY[program];
+    if (override !== undefined)
+        return override;
+    return gmInstrument(program)
+        ? FAMILY_POLYPHONY[gmFamilyOf(program)]
+        : UNLIMITED_POLYPHONY;
+}
+/** Whether `program` can sound `count` notes at once. */
+export function gmSupportsChord(program, count) {
+    return count <= gmMaxPolyphony(program);
+}
+//# sourceMappingURL=gm-polyphony.js.map

package/dist/domain/instruments/gm-polyphony.js.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/gm-range.d.ts

@@ -0,0 +1,15 @@
+/** Inclusive MIDI note numbers. */
+export type MidiRange = {
+    min: number;
+    max: number;
+};
+/** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
+export declare const FULL_KEYBOARD: MidiRange;
+/**
+ * The practical range for `program`: its own if it has one, else its family's.
+ *
+ * An out-of-range program has no family, so it falls back to the full keyboard
+ * rather than guessing.
+ */
+export declare function gmInstrumentRange(program: number): MidiRange;
+//# sourceMappingURL=gm-range.d.ts.map

package/dist/domain/instruments/gm-range.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"gm-range.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAmBA,mCAAmC;AACnC,MAAM,MAAM,SAAS,GAAG;IAAE,GAAG,EAAE,MAAM,CAAC;IAAC,GAAG,EAAE,MAAM,CAAA;CAAE,CAAC;AAErD,+EAA+E;AAC/E,eAAO,MAAM,aAAa,EAAE,SAAiC,CAAC;AAmE9D;;;;;GAKG;AACH,wBAAgB,iBAAiB,CAAC,OAAO,EAAE,MAAM,GAAG,SAAS,CAM5D"}

package/dist/domain/instruments/gm-range.js

@@ -0,0 +1,97 @@
+/**
+ * A playable pitch range per General MIDI program.
+ *
+ * General MIDI defines names and programs but says nothing about compass, so
+ * this is a curated table: a default per family, with overrides for the
+ * instruments where the family default would be badly wrong. A piccolo and a
+ * tuba are both "wind", and showing either one an 88-key piano tells the player
+ * nothing about what will actually sound.
+ *
+ * The values are the conventional written-to-sounding ranges of the real
+ * instruments, expressed as MIDI note numbers (60 = middle C). They are
+ * intentionally the *practical* range rather than the extreme one — the point
+ * is to show a keyboard whose keys are worth pressing, not to police input.
+ * Nothing here restricts what can be written; it only decides which keys are
+ * worth showing.
+ */
+import { gmFamilyOf, gmInstrument } from './gm.js';
+/** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
+export const FULL_KEYBOARD = { min: 21, max: 108 };
+/**
+ * Family defaults. Synth and effects families get a wide range on purpose:
+ * they have no acoustic compass to respect, so narrowing them would be a
+ * fiction.
+ */
+const FAMILY_RANGE = {
+    piano: { min: 21, max: 108 },
+    'chromatic-percussion': { min: 48, max: 96 },
+    organ: { min: 36, max: 96 },
+    guitar: { min: 40, max: 88 },
+    bass: { min: 28, max: 67 },
+    strings: { min: 36, max: 96 },
+    ensemble: { min: 36, max: 96 },
+    brass: { min: 34, max: 82 },
+    reed: { min: 44, max: 88 },
+    pipe: { min: 60, max: 98 },
+    'synth-lead': { min: 24, max: 96 },
+    'synth-pad': { min: 24, max: 96 },
+    'synth-effects': { min: 24, max: 96 },
+    ethnic: { min: 40, max: 84 },
+    percussive: { min: 48, max: 84 },
+    'sound-effects': { min: 21, max: 108 },
+};
+/** Instruments whose own compass differs enough from their family to matter. */
+const PROGRAM_RANGE = {
+    6: { min: 29, max: 89 }, // Harpsichord
+    8: { min: 60, max: 108 }, // Celesta
+    9: { min: 79, max: 108 }, // Glockenspiel
+    11: { min: 53, max: 89 }, // Vibraphone
+    12: { min: 36, max: 96 }, // Marimba
+    13: { min: 65, max: 108 }, // Xylophone
+    14: { min: 65, max: 89 }, // Tubular Bells
+    19: { min: 24, max: 96 }, // Church Organ
+    21: { min: 41, max: 81 }, // Accordion
+    22: { min: 60, max: 96 }, // Harmonica
+    40: { min: 55, max: 100 }, // Violin
+    41: { min: 48, max: 88 }, // Viola
+    42: { min: 36, max: 84 }, // Cello
+    43: { min: 28, max: 67 }, // Contrabass
+    46: { min: 24, max: 103 }, // Orchestral Harp
+    47: { min: 38, max: 57 }, // Timpani
+    52: { min: 48, max: 84 }, // Choir Aahs
+    53: { min: 48, max: 84 }, // Voice Oohs
+    56: { min: 52, max: 86 }, // Trumpet
+    57: { min: 40, max: 77 }, // Trombone
+    58: { min: 26, max: 65 }, // Tuba
+    60: { min: 35, max: 77 }, // French Horn
+    64: { min: 56, max: 88 }, // Soprano Sax
+    65: { min: 49, max: 81 }, // Alto Sax
+    66: { min: 44, max: 76 }, // Tenor Sax
+    67: { min: 36, max: 69 }, // Baritone Sax
+    68: { min: 58, max: 91 }, // Oboe
+    69: { min: 52, max: 81 }, // English Horn
+    70: { min: 34, max: 75 }, // Bassoon
+    71: { min: 50, max: 94 }, // Clarinet
+    72: { min: 74, max: 108 }, // Piccolo
+    73: { min: 60, max: 98 }, // Flute
+    74: { min: 65, max: 91 }, // Recorder
+    105: { min: 48, max: 81 }, // Banjo
+    106: { min: 48, max: 79 }, // Shamisen
+    107: { min: 43, max: 84 }, // Koto
+    108: { min: 53, max: 89 }, // Kalimba
+};
+/**
+ * The practical range for `program`: its own if it has one, else its family's.
+ *
+ * An out-of-range program has no family, so it falls back to the full keyboard
+ * rather than guessing.
+ */
+export function gmInstrumentRange(program) {
+    const override = PROGRAM_RANGE[program];
+    if (override)
+        return override;
+    return gmInstrument(program)
+        ? FAMILY_RANGE[gmFamilyOf(program)]
+        : FULL_KEYBOARD;
+}
+//# sourceMappingURL=gm-range.js.map

package/dist/domain/instruments/gm-range.js.map

@@ -0,0 +1 @@
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