@sudobility/music_player 0.1.0 → 0.1.2

package/dist/web/playback/soundfont-engine.js.map

@@ -0,0 +1 @@
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package/dist/web/playback/soundfont-loader.d.ts

@@ -0,0 +1,30 @@
+/**
+ * Fetches the soundfont once and keeps it in the Cache API.
+ *
+ * The font is tens of megabytes even as SF3, so this is the difference between
+ * a wait on every visit and a wait on the first. `cache` is injected rather
+ * than reached for globally, so tests need no real CacheStorage and a caller
+ * without one still works — just without the caching.
+ *
+ * A failed fetch throws. Resolving an empty buffer would load a synth with no
+ * instruments, which presents as silent playback with no error anywhere — the
+ * exact failure this whole engine exists to stop happening.
+ */
+export type LoadProgress = {
+    loaded: number;
+    total: number;
+};
+/**
+ * The cache the soundfont lives in, or `null` where the Cache API is missing.
+ *
+ * Worth its own function because forgetting it is expensive and silent: without
+ * a cache the font is refetched and re-decoded on every engine init and every
+ * export — tens of megabytes and seconds of work each time, with nothing
+ * visibly wrong.
+ */
+export declare function openSoundfontCache(): Promise<Cache | null>;
+export declare function loadSoundfont(url: string, opts?: {
+    onProgress?: (progress: LoadProgress) => void;
+    cache?: Cache | null;
+}): Promise<ArrayBuffer>;
+//# sourceMappingURL=soundfont-loader.d.ts.map

package/dist/web/playback/soundfont-loader.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"soundfont-loader.d.ts","sourceRoot":"","sources":["../../../src/web/playback/soundfont-loader.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;GAWG;AACH,MAAM,MAAM,YAAY,GAAG;IAAE,MAAM,EAAE,MAAM,CAAC;IAAC,KAAK,EAAE,MAAM,CAAA;CAAE,CAAC;AAK7D;;;;;;;GAOG;AACH,wBAAsB,kBAAkB,IAAI,OAAO,CAAC,KAAK,GAAG,IAAI,CAAC,CAOhE;AAED,wBAAsB,aAAa,CACjC,GAAG,EAAE,MAAM,EACX,IAAI,GAAE;IAAE,UAAU,CAAC,EAAE,CAAC,QAAQ,EAAE,YAAY,KAAK,IAAI,CAAC;IAAC,KAAK,CAAC,EAAE,KAAK,GAAG,IAAI,CAAA;CAAO,GACjF,OAAO,CAAC,WAAW,CAAC,CAmBtB"}

package/dist/web/playback/soundfont-loader.js

@@ -0,0 +1,68 @@
+/** Bumped when the stored representation changes, so old entries are not reused. */
+const CACHE_NAME = 'music-soundfont-v1';
+/**
+ * The cache the soundfont lives in, or `null` where the Cache API is missing.
+ *
+ * Worth its own function because forgetting it is expensive and silent: without
+ * a cache the font is refetched and re-decoded on every engine init and every
+ * export — tens of megabytes and seconds of work each time, with nothing
+ * visibly wrong.
+ */
+export async function openSoundfontCache() {
+    if (typeof caches === 'undefined')
+        return null;
+    try {
+        return await caches.open(CACHE_NAME);
+    }
+    catch {
+        return null; // private browsing and similar; the font still loads
+    }
+}
+export async function loadSoundfont(url, opts = {}) {
+    const cached = await opts.cache?.match(url);
+    if (cached)
+        return await cached.arrayBuffer();
+    const response = await fetch(url);
+    if (!response.ok) {
+        throw new Error(`Soundfont fetch failed: ${response.status} ${response.statusText} (${url})`);
+    }
+    const declared = Number(response.headers.get('content-length') ?? 0);
+    opts.onProgress?.({ loaded: 0, total: declared });
+    const buffer = await readWithProgress(response, declared, opts.onProgress);
+    // Rebuilt rather than cloned: the body has already been consumed to report
+    // progress, and a body can only be read once.
+    await opts.cache?.put(url, new Response(buffer, { headers: response.headers }));
+    opts.onProgress?.({ loaded: buffer.byteLength, total: declared || buffer.byteLength });
+    return buffer;
+}
+/**
+ * Reads the body a chunk at a time so progress is real.
+ *
+ * `arrayBuffer()` resolves once, at the end, which over a slow connection is
+ * tens of megabytes of silence followed by a jump to 100% — a progress bar that
+ * only ever shows nothing or everything. Falls back to it where the body cannot
+ * be streamed, which costs only the granularity.
+ */
+async function readWithProgress(response, declared, onProgress) {
+    const reader = response.body?.getReader();
+    if (!reader)
+        return await response.arrayBuffer();
+    const chunks = [];
+    let loaded = 0;
+    for (;;) {
+        const { done, value } = await reader.read();
+        if (done)
+            break;
+        chunks.push(value);
+        loaded += value.byteLength;
+        onProgress?.({ loaded, total: declared || loaded });
+    }
+    const buffer = new Uint8Array(loaded);
+    let at = 0;
+    for (const chunk of chunks) {
+        buffer.set(chunk, at);
+        at += chunk.byteLength;
+    }
+    return buffer.buffer;
+}
+//# sourceMappingURL=soundfont-loader.js.map

package/dist/web/playback/soundfont-loader.js.map

@@ -0,0 +1 @@
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package/dist/web/playback/synth-host.d.ts

@@ -0,0 +1,142 @@
+/**
+ * The subset of `js-synthesizer`'s `SynthesizerSettings` this host sets.
+ *
+ * Both are init-time only. `ISynthesizer` exposes `setInterpolation` and
+ * `setGain` and nothing else, so neither can be changed on a running synth.
+ */
+export type SynthSettings = {
+    /** int [16-256], and a multiple of 16. */
+    midiChannelCount?: number;
+    /** int [1-65535]. Above it, fluidsynth steals by its own overflow priority. */
+    polyphony?: number;
+};
+/** The slice of `AudioWorkletNodeSynthesizer` this host uses. */
+export type SynthInstance = {
+    init(sampleRate: number, settings?: SynthSettings): void;
+    createAudioNode(context: BaseAudioContext, bufferSize: number): AudioNode;
+    loadSFont(data: ArrayBuffer): Promise<number>;
+    createSequencer?(): Promise<SynthSequencer>;
+    midiNoteOn(channel: number, midi: number, velocity: number): void;
+    midiNoteOff(channel: number, midi: number): void;
+    midiProgramSelect(channel: number, sfontId: number, bank: number, preset: number): void;
+    midiControl(channel: number, control: number, value: number): void;
+    midiSetChannelType(channel: number, isDrum: boolean): void;
+    midiAllSoundsOff(channel?: number): void;
+    setInterpolation(order: number): void;
+    close(): void;
+};
+export type SynthSequencer = {
+    registerSynthesizer(synth: SynthInstance): Promise<number>;
+    setTimeScale(scale: number): void;
+    sendEventAt(event: {
+        type: 'noteon';
+        channel: number;
+        key: number;
+        vel: number;
+    } | {
+        type: 'note';
+        channel: number;
+        key: number;
+        vel: number;
+        duration: number;
+    }, tick: number, isAbsolute: boolean): void;
+    removeAllEvents(): void;
+    close(): void;
+};
+export type SynthHostOptions = {
+    fluidsynthModuleUrl: string;
+    workletModuleUrl: string;
+    soundfont: ArrayBuffer;
+    instanceCount: number;
+};
+export declare class SynthHost {
+    private readonly deps;
+    private synths;
+    private sequencers;
+    private sfontIds;
+    /** `instance:channel` for every channel that is percussion — see `programSelect`. */
+    private percussionChannels;
+    private master;
+    private masterVolume;
+    private trackCount;
+    /** Kept so instances can be added later; see `ensureInstances`. */
+    private context;
+    private soundfont;
+    /** The governor's current setting, so an instance opened later starts where the others are. */
+    private interpolation;
+    /** Serialises growth, so two scores loading at once cannot both build instance 1. */
+    private growing;
+    constructor(deps: {
+        /** May be async: the real factory imports `js-synthesizer` on first use. */
+        createSynth: () => SynthInstance | Promise<SynthInstance>;
+    });
+    init(context: BaseAudioContext, options: SynthHostOptions): Promise<void>;
+    /**
+     * Opens instances until there are at least `count` of them.
+     *
+     * Scores outgrow sixteen channels, and which channel a track lands on is
+     * decided per score — so the number of synths needed is not known at init
+     * time. Growing here rather than sizing up front is what keeps the common
+     * case cheap: every extra instance is another copy of the font in WASM
+     * memory and seconds of loading, so one is opened only when a score genuinely
+     * has more parts than one synth can address. Without this, a track allocated
+     * to instance 1 reached `synths[1]`, found nothing, and played silently — no
+     * error, no missing note, just a part that was not there.
+     */
+    ensureInstances(count: number): Promise<void>;
+    private grow;
+    private createSequencerFor;
+    /**
+     * Marks a channel as percussion.
+     *
+     * Channel 9 already is one in fluidsynth's GM mode and needs no call; any
+     * other channel does, which is what lets a second drum track share an
+     * instance rather than costing a whole synth for its own channel 9.
+     */
+    setChannelPercussion(instance: number, channel: number, kit?: number): void;
+    /**
+     * Selects a GM program — **never on channel 9**.
+     *
+     * The spike measured this directly: selecting a melodic program on channel 9
+     * replaces fluidsynth's working default with a preset that is not at that
+     * address, and the channel goes silent. Every explicit selection route gave
+     * peak 0.0000; leaving it alone gave 0.3120. This guard is why drums sound.
+     *
+     * Any *other* channel that was made percussion is switched back rather than
+     * refused. Channel assignment is per score, so the channel a second drum
+     * track borrowed is handed to a pitched track by the next score that has one
+     * fewer kit — and refusing here left that track playing congas under a violin
+     * label, permanently, because nothing ever cleared the flag. Switching the
+     * type back before the select is exactly what the offline renderer already
+     * does for the same situation.
+     */
+    programSelect(instance: number, channel: number, program: number): void;
+    noteOn(instance: number, channel: number, midi: number, velocity: number): void;
+    /**
+     * Schedules a note and its release together, ahead of time.
+     *
+     * The sequencer's `note` event carries its own duration, so fluidsynth
+     * releases the note on the audio thread. Note-offs used to be fired from the
+     * main thread as the pump noticed them, which made every note's length track
+     * main-thread lateness — and a stall that held notes long added voices,
+     * loading the audio thread in turn.
+     *
+     * The time scale is milliseconds (`setTimeScale(1000)` in
+     * `createSequencerFor`). A negative delay clamps to now rather than being
+     * refused: a note whose moment passed during a stall should still sound, and
+     * the sequencer still holds its release.
+     */
+    noteAt(instance: number, channel: number, midi: number, velocity: number, delaySeconds: number, durationSeconds: number): void;
+    noteOff(instance: number, channel: number, midi: number): void;
+    controlChange(instance: number, channel: number, control: number, value: number): void;
+    /** Silences everything immediately — stop, seek, and panic all go through here. */
+    allSoundOff(): void;
+    /** The governor's one confirmed knob; applies to every instance at once. */
+    setInterpolation(order: number): void;
+    setMasterVolume(volume: number): void;
+    /** How many channels are summing, which sizes the headroom trim. */
+    setTrackCount(count: number): void;
+    private applyMasterGain;
+    dispose(): void;
+}
+//# sourceMappingURL=synth-host.d.ts.map

package/dist/web/playback/synth-host.d.ts.map

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package/dist/web/playback/synth-host.js

@@ -0,0 +1,293 @@
+/**
+ * The one module that talks to `js-synthesizer`.
+ *
+ * Hosts N libfluidsynth instances inside an `AudioWorklet`, so synthesis runs
+ * on the audio thread where React and the garbage collector cannot starve it.
+ * Everything above this only knows about instances, channels and notes.
+ *
+ * **The worklet module URLs are injected, not resolved here.** `music_io` is a
+ * library and cannot assume how a consuming app serves assets; the app decides
+ * (a `?url` import, a copy into its public directory) and passes them in.
+ *
+ * The synth factory is injected too, which lets the rules that matter be
+ * tested against a stub instead of being verifiable only by ear. The
+ * percussion guard below is the one that most needs it.
+ */
+import { headroomTrimFor, LIMITER_CEILING_DB } from '../../shared/mix.js';
+import { CHANNELS_PER_INSTANCE } from './channel-allocator.js';
+import { createWorkletQuietModuleUrl } from './quiet-stub-notices.js';
+/** Big enough that the worklet is not woken constantly, small enough not to add audible latency. */
+const RENDER_BUFFER_SIZE = 8192;
+/** Channels each instance addresses; the allocator's own constant, so the two cannot drift. */
+const MIDI_CHANNEL_COUNT = CHANNELS_PER_INSTANCE;
+/**
+ * The voice ceiling, chosen once at init because fluidsynth exposes no runtime
+ * setter for it.
+ *
+ * Its default of 256 is low for a score with hundreds of parts. Set generously
+ * instead: a voice slot is a small struct, only *sounding* voices cost CPU, and
+ * above the ceiling fluidsynth steals by its own overflow priority — quietest
+ * and oldest first — rather than refusing the newest note.
+ */
+const POLYPHONY = 2048;
+/**
+ * Where General MIDI keeps its drum kits. Channel 9 is already there in GM
+ * mode; any other channel has to be sent there explicitly.
+ */
+const DRUM_BANK = 128;
+/** The kit channel 9 defaults to, so a switched channel matches it. */
+const STANDARD_KIT = 0;
+/** The one channel General MIDI reserves for drums, and the one that may never go melodic. */
+const PERCUSSION_CHANNEL = 9;
+export class SynthHost {
+    deps;
+    synths = [];
+    sequencers = [];
+    sfontIds = [];
+    /** `instance:channel` for every channel that is percussion — see `programSelect`. */
+    percussionChannels = new Set();
+    master = null;
+    masterVolume = 1;
+    trackCount = 1;
+    /** Kept so instances can be added later; see `ensureInstances`. */
+    context = null;
+    soundfont = null;
+    /** The governor's current setting, so an instance opened later starts where the others are. */
+    interpolation = null;
+    /** Serialises growth, so two scores loading at once cannot both build instance 1. */
+    growing = Promise.resolve();
+    constructor(deps) {
+        this.deps = deps;
+    }
+    async init(context, options) {
+        // Before libfluidsynth, so its emscripten module adopts a printErr that
+        // drops the build-stub notices. Best-effort: if blobs are unavailable the
+        // notices stay and nothing else changes.
+        const quietUrl = createWorkletQuietModuleUrl();
+        if (quietUrl) {
+            try {
+                await context.audioWorklet.addModule(quietUrl);
+            }
+            finally {
+                URL.revokeObjectURL(quietUrl);
+            }
+        }
+        // Order matters: the worklet build expects libfluidsynth already present.
+        await context.audioWorklet.addModule(options.fluidsynthModuleUrl);
+        await context.audioWorklet.addModule(options.workletModuleUrl);
+        // Master chain, same arithmetic as the engine it replaces: a headroom trim
+        // sized by how many channels sum into it, then a limiter catching the
+        // phase-aligned peaks the trim cannot predict. The spike measured 64 voices
+        // peaking at 1.004, so the limiter is not optional.
+        const master = context.createGain();
+        const limiter = context.createDynamicsCompressor();
+        limiter.threshold.value = LIMITER_CEILING_DB;
+        limiter.knee.value = 0;
+        limiter.ratio.value = 20;
+        limiter.attack.value = 0.003;
+        limiter.release.value = 0.25;
+        master.connect(limiter);
+        limiter.connect(context.destination);
+        this.master = master;
+        this.context = context;
+        this.soundfont = options.soundfont;
+        await this.ensureInstances(options.instanceCount);
+        this.applyMasterGain();
+    }
+    /**
+     * Opens instances until there are at least `count` of them.
+     *
+     * Scores outgrow sixteen channels, and which channel a track lands on is
+     * decided per score — so the number of synths needed is not known at init
+     * time. Growing here rather than sizing up front is what keeps the common
+     * case cheap: every extra instance is another copy of the font in WASM
+     * memory and seconds of loading, so one is opened only when a score genuinely
+     * has more parts than one synth can address. Without this, a track allocated
+     * to instance 1 reached `synths[1]`, found nothing, and played silently — no
+     * error, no missing note, just a part that was not there.
+     */
+    ensureInstances(count) {
+        this.growing = this.growing.then(() => this.grow(count));
+        return this.growing;
+    }
+    async grow(count) {
+        const context = this.context;
+        const soundfont = this.soundfont;
+        // Before `init`, so there is nothing to build on yet; `init` sizes it.
+        if (!context || !soundfont || !this.master)
+            return;
+        for (let i = this.synths.length; i < count; i += 1) {
+            const synth = await this.deps.createSynth();
+            synth.init(context.sampleRate, { midiChannelCount: MIDI_CHANNEL_COUNT, polyphony: POLYPHONY });
+            synth.createAudioNode(context, RENDER_BUFFER_SIZE).connect(this.master);
+            this.sfontIds[i] = await synth.loadSFont(soundfont);
+            this.sequencers[i] = await this.createSequencerFor(synth);
+            // The governor speaks for every instance, and it may already have spoken.
+            if (this.interpolation !== null)
+                synth.setInterpolation(this.interpolation);
+            this.synths[i] = synth;
+        }
+    }
+    async createSequencerFor(synth) {
+        if (!synth.createSequencer)
+            return null;
+        try {
+            const sequencer = await synth.createSequencer();
+            await sequencer.registerSynthesizer(synth);
+            sequencer.setTimeScale(1000);
+            return sequencer;
+        }
+        catch {
+            // Timed dispatch is an optimisation. If the worklet sequencer is not
+            // available, immediate MIDI calls still play correctly.
+            return null;
+        }
+    }
+    /**
+     * Marks a channel as percussion.
+     *
+     * Channel 9 already is one in fluidsynth's GM mode and needs no call; any
+     * other channel does, which is what lets a second drum track share an
+     * instance rather than costing a whole synth for its own channel 9.
+     */
+    setChannelPercussion(instance, channel, kit = STANDARD_KIT) {
+        this.percussionChannels.add(`${instance}:${channel}`);
+        const synth = this.synths[instance];
+        if (!synth)
+            return;
+        // Channel 9 is a drum channel already in GM mode; any other has to be told.
+        if (channel !== 9)
+            synth.midiSetChannelType(channel, true);
+        // Switching the type is not enough on its own. It tells fluidsynth to read
+        // later program changes from the drum bank, but leaves the channel on the
+        // preset it already had — bank 0, program 0, a piano. A second drum track
+        // therefore played its congas and cowbells as piano notes at those pitches,
+        // which is exactly what it sounded like.
+        //
+        // Measured against a real synth: the same conga on channel 9 peaked 0.1229
+        // at 0.01187 RMS, this channel with only the type switch gave 0.1115 at
+        // 0.01437 — a different instrument — and with the select below it matched
+        // channel 9 to the digit.
+        // Standard first, then the kit the file asked for. A kit that the font does
+        // not have leaves fluidsynth's selection untouched, and "untouched" on a
+        // switched channel is the piano it started on — so the guaranteed kit goes
+        // on first and a failed switch falls back to drums rather than to a piano.
+        //
+        // Measured: on channel 9 this select is bit-identical to leaving it alone
+        // (peak 0.1883, rms 0.01815 either way), and preset 8 gives the Room kit
+        // (0.4027) — so honouring the kit costs nothing and ignoring it was simply
+        // wrong. The older rule, "never select a program on a percussion channel",
+        // was too broad: it is selecting from the *melodic* bank that breaks a drum
+        // channel, and that one is still refused in `programSelect`.
+        synth.midiProgramSelect(channel, this.sfontIds[instance], DRUM_BANK, STANDARD_KIT);
+        if (kit !== STANDARD_KIT) {
+            synth.midiProgramSelect(channel, this.sfontIds[instance], DRUM_BANK, kit);
+        }
+    }
+    /**
+     * Selects a GM program — **never on channel 9**.
+     *
+     * The spike measured this directly: selecting a melodic program on channel 9
+     * replaces fluidsynth's working default with a preset that is not at that
+     * address, and the channel goes silent. Every explicit selection route gave
+     * peak 0.0000; leaving it alone gave 0.3120. This guard is why drums sound.
+     *
+     * Any *other* channel that was made percussion is switched back rather than
+     * refused. Channel assignment is per score, so the channel a second drum
+     * track borrowed is handed to a pitched track by the next score that has one
+     * fewer kit — and refusing here left that track playing congas under a violin
+     * label, permanently, because nothing ever cleared the flag. Switching the
+     * type back before the select is exactly what the offline renderer already
+     * does for the same situation.
+     */
+    programSelect(instance, channel, program) {
+        if (channel === PERCUSSION_CHANNEL)
+            return;
+        if (this.percussionChannels.delete(`${instance}:${channel}`)) {
+            this.synths[instance]?.midiSetChannelType(channel, false);
+        }
+        this.synths[instance]?.midiProgramSelect(channel, this.sfontIds[instance], 0, program);
+    }
+    noteOn(instance, channel, midi, velocity) {
+        this.synths[instance]?.midiNoteOn(channel, midi, velocity);
+    }
+    /**
+     * Schedules a note and its release together, ahead of time.
+     *
+     * The sequencer's `note` event carries its own duration, so fluidsynth
+     * releases the note on the audio thread. Note-offs used to be fired from the
+     * main thread as the pump noticed them, which made every note's length track
+     * main-thread lateness — and a stall that held notes long added voices,
+     * loading the audio thread in turn.
+     *
+     * The time scale is milliseconds (`setTimeScale(1000)` in
+     * `createSequencerFor`). A negative delay clamps to now rather than being
+     * refused: a note whose moment passed during a stall should still sound, and
+     * the sequencer still holds its release.
+     */
+    noteAt(instance, channel, midi, velocity, delaySeconds, durationSeconds) {
+        const sequencer = this.sequencers[instance];
+        if (!sequencer) {
+            // No timed dispatch here; the note sounds immediately and holds until
+            // `allSoundOff`. Better than silence, and the real worklet always has one.
+            this.noteOn(instance, channel, midi, velocity);
+            return;
+        }
+        sequencer.sendEventAt({
+            type: 'note',
+            channel,
+            key: midi,
+            vel: velocity,
+            // Never zero: a note fluidsynth is told lasts no time at all may not
+            // sound, and a rest is expressed by there being no note, not by one of
+            // no length.
+            duration: Math.max(1, Math.round(durationSeconds * 1000)),
+        }, Math.max(0, Math.round(delaySeconds * 1000)), false);
+    }
+    noteOff(instance, channel, midi) {
+        this.synths[instance]?.midiNoteOff(channel, midi);
+    }
+    controlChange(instance, channel, control, value) {
+        this.synths[instance]?.midiControl(channel, control, value);
+    }
+    /** Silences everything immediately — stop, seek, and panic all go through here. */
+    allSoundOff() {
+        for (const sequencer of this.sequencers)
+            sequencer?.removeAllEvents();
+        for (const synth of this.synths)
+            synth.midiAllSoundsOff();
+    }
+    /** The governor's one confirmed knob; applies to every instance at once. */
+    setInterpolation(order) {
+        this.interpolation = order;
+        for (const synth of this.synths)
+            synth.setInterpolation(order);
+    }
+    setMasterVolume(volume) {
+        this.masterVolume = volume;
+        this.applyMasterGain();
+    }
+    /** How many channels are summing, which sizes the headroom trim. */
+    setTrackCount(count) {
+        this.trackCount = count;
+        this.applyMasterGain();
+    }
+    applyMasterGain() {
+        if (this.master)
+            this.master.gain.value = this.masterVolume * headroomTrimFor(this.trackCount);
+    }
+    dispose() {
+        for (const sequencer of this.sequencers)
+            sequencer?.close();
+        for (const synth of this.synths)
+            synth.close();
+        this.synths = [];
+        this.sequencers = [];
+        this.sfontIds = [];
+        this.percussionChannels.clear();
+        this.master = null;
+        this.context = null;
+        this.soundfont = null;
+    }
+}
+//# sourceMappingURL=synth-host.js.map

package/dist/web/playback/synth-host.js.map

@@ -0,0 +1 @@
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