@sudobility/music_drawing 0.0.33 → 0.0.35

package/dist/playhead.js

@@ -1,4 +1,5 @@
 import { measureAtXInSystem, systemAtY } from './layout.js';
+import { headerWidthForMeasure } from './stave-header.js';
 /** The score's shared measure grid (first track — every track shares it once `rebuildMeasureTicks` has run; same convention as `store/selectors.ts`). */
 function measureTimings(score) {
     const measures = score.tracks[0]?.measures ?? [];
@@ -49,6 +50,21 @@ function systemForMeasureIndex(plan, measureIndex) {
     }
     return null;
 }
+/**
+ * Where a bar's music can begin and end when nothing has been drawn yet.
+ *
+ * The stave box runs barline to barline, but its left edge holds whatever
+ * header the layout reserved — the clef, key and time signature a system
+ * restates, and a change mid-system. Spreading the bar across the whole box put
+ * tick 0 on the barline, left of the clef, for the frame before the first paint
+ * and anywhere off the drawn window. The header width is the layout's own
+ * figure, so this and the stave agree about where the notes start.
+ */
+function undrawnSpan(plan, system, measureIndex, box) {
+    const header = headerWidthForMeasure(plan.tracks, measureIndex, system.measureIndices[0] === measureIndex);
+    const inset = Math.max(0, Math.min(header, box.width));
+    return { startX: box.x + inset, width: box.width - inset };
+}
 /** Straight-line interpolation between two known points. */
 function lerp(tick, a, b) {
     if (b.tick === a.tick)
@@ -205,8 +221,9 @@ export function caretPositionForTick(plan, score, tick, notePositions) {
     const fraction = timing.durationTicks > 0
         ? Math.min(1, Math.max(0, (tick - timing.startTick) / timing.durationTicks))
         : 0;
+    const span = undrawnSpan(plan, system, measureIndex, layout.box);
     return {
-        x: layout.box.x + fraction * layout.box.width,
+        x: span.startX + fraction * span.width,
         yTop: system.yTop,
         yBottom: system.yBottom,
     };
@@ -247,8 +264,10 @@ export function tickForPoint(plan, score, x, y, notePositions) {
         const endX = endAnchorFor(plan, system, hit.measureIndex, drawn.area, notePositions);
         return Math.round(tickForX(x, drawn.positions, drawn.area, timing.startTick, endTick, endX));
     }
-    const fraction = hit.box.width > 0
-        ? Math.min(1, Math.max(0, (x - hit.box.x) / hit.box.width))
+    // The inverse of the undrawn caret, over the same span.
+    const span = undrawnSpan(plan, system, hit.measureIndex, hit.box);
+    const fraction = span.width > 0
+        ? Math.min(1, Math.max(0, (x - span.startX) / span.width))
         : 0;
     return Math.round(timing.startTick + fraction * timing.durationTicks);
 }

package/dist/playhead.js.map

@@ -1 +1 @@
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package/dist/press.d.ts

@@ -0,0 +1,66 @@
+/**
+ * What a press on the score was: a tap, a long press, or a drag.
+ *
+ * Both apps answer this at the end of every press, and they answered it with
+ * different numbers in different files — the web's `DRAG_THRESHOLD` inside the
+ * notation view, the native app's `LONG_PRESS_MS`/`LONG_PRESS_SLOP` inside its
+ * scrolling score. The question is about the canvas (did the press stay on the
+ * thing under it?), so it lives beside the hit-testing that answers the next
+ * question.
+ *
+ * ## Mouse and touch differ, on purpose
+ *
+ * A mouse is still: a click that moved more than 3px was meant to move, which
+ * is exactly where the web's box select has always started. A finger is not —
+ * a deliberate tap on a phone routinely lands several points from where it
+ * touched down, and holding a finger to 3px would turn a good share of taps
+ * into drags. So a touch gets `TOUCH_TAP_SLOP`, the same allowance a long press
+ * already had: a press that stays put long enough to be a long press would
+ * otherwise have been a *drag* had it been released a moment sooner, which is
+ * not a distinction a thumb can make.
+ *
+ * A mouse never long-presses. It has a secondary button for the context menu,
+ * and a click held while the reader looks at something is not a request for
+ * one — reading it as one would change what an ordinary slow click does on the
+ * web. React Native on macOS passes `'touch'`, because its gesture model is the
+ * touch one: the long press is how it opens the menu.
+ *
+ * ## Distance
+ *
+ * Measured per axis (the larger of |dx| and |dy|), which is the web's existing
+ * rule to the pixel. The native app used the straight-line distance; per axis
+ * lets a diagonal wander up to √2 further, which is under five points at a
+ * 12pt slop and not something a hand can aim at.
+ *
+ * The caller latches: once a press has classified as a drag it stays one even
+ * if the pointer comes back, which is how the web's `drag.moved` behaves. This
+ * function answers for one moment and keeps no state.
+ */
+/** What produced the press. */
+export type PointerKind = 'mouse' | 'touch';
+export type PressKind = 'tap' | 'longPress' | 'drag';
+/** How far a mouse press may move and still be a click, in px (web). */
+export declare const TAP_SLOP = 3;
+/** How far a finger may move and still be a tap, in pt. */
+export declare const TOUCH_TAP_SLOP = 12;
+/** How long a press is held to be a long press — iOS's and Android's own threshold. */
+export declare const LONG_PRESS_MS = 500;
+/** How far a long press may wander — about a thumb's width. */
+export declare const LONG_PRESS_SLOP = 12;
+/** The tap slop for a pointer kind. */
+export declare function tapSlopFor(pointer: PointerKind): number;
+export type PressMeasure = {
+    /** Movement since the press began, either sign. */
+    dx: number;
+    dy: number;
+    /** How long the press has been (or was) held. */
+    heldMs: number;
+    /** Defaults to `'mouse'`, the web's rule. */
+    pointer?: PointerKind;
+};
+/**
+ * `'longPress'` if a touch was held `LONG_PRESS_MS` within `LONG_PRESS_SLOP`;
+ * otherwise `'tap'` if it moved no more than the tap slop; otherwise `'drag'`.
+ */
+export declare function classifyPress({ dx, dy, heldMs, pointer, }: PressMeasure): PressKind;
+//# sourceMappingURL=press.d.ts.map

package/dist/press.d.ts.map

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package/dist/press.js

@@ -0,0 +1,64 @@
+/**
+ * What a press on the score was: a tap, a long press, or a drag.
+ *
+ * Both apps answer this at the end of every press, and they answered it with
+ * different numbers in different files — the web's `DRAG_THRESHOLD` inside the
+ * notation view, the native app's `LONG_PRESS_MS`/`LONG_PRESS_SLOP` inside its
+ * scrolling score. The question is about the canvas (did the press stay on the
+ * thing under it?), so it lives beside the hit-testing that answers the next
+ * question.
+ *
+ * ## Mouse and touch differ, on purpose
+ *
+ * A mouse is still: a click that moved more than 3px was meant to move, which
+ * is exactly where the web's box select has always started. A finger is not —
+ * a deliberate tap on a phone routinely lands several points from where it
+ * touched down, and holding a finger to 3px would turn a good share of taps
+ * into drags. So a touch gets `TOUCH_TAP_SLOP`, the same allowance a long press
+ * already had: a press that stays put long enough to be a long press would
+ * otherwise have been a *drag* had it been released a moment sooner, which is
+ * not a distinction a thumb can make.
+ *
+ * A mouse never long-presses. It has a secondary button for the context menu,
+ * and a click held while the reader looks at something is not a request for
+ * one — reading it as one would change what an ordinary slow click does on the
+ * web. React Native on macOS passes `'touch'`, because its gesture model is the
+ * touch one: the long press is how it opens the menu.
+ *
+ * ## Distance
+ *
+ * Measured per axis (the larger of |dx| and |dy|), which is the web's existing
+ * rule to the pixel. The native app used the straight-line distance; per axis
+ * lets a diagonal wander up to √2 further, which is under five points at a
+ * 12pt slop and not something a hand can aim at.
+ *
+ * The caller latches: once a press has classified as a drag it stays one even
+ * if the pointer comes back, which is how the web's `drag.moved` behaves. This
+ * function answers for one moment and keeps no state.
+ */
+/** How far a mouse press may move and still be a click, in px (web). */
+export const TAP_SLOP = 3;
+/** How far a finger may move and still be a tap, in pt. */
+export const TOUCH_TAP_SLOP = 12;
+/** How long a press is held to be a long press — iOS's and Android's own threshold. */
+export const LONG_PRESS_MS = 500;
+/** How far a long press may wander — about a thumb's width. */
+export const LONG_PRESS_SLOP = 12;
+/** The tap slop for a pointer kind. */
+export function tapSlopFor(pointer) {
+    return pointer === 'touch' ? TOUCH_TAP_SLOP : TAP_SLOP;
+}
+/**
+ * `'longPress'` if a touch was held `LONG_PRESS_MS` within `LONG_PRESS_SLOP`;
+ * otherwise `'tap'` if it moved no more than the tap slop; otherwise `'drag'`.
+ */
+export function classifyPress({ dx, dy, heldMs, pointer = 'mouse', }) {
+    const moved = Math.max(Math.abs(dx), Math.abs(dy));
+    if (pointer === 'touch' &&
+        heldMs >= LONG_PRESS_MS &&
+        moved <= LONG_PRESS_SLOP) {
+        return 'longPress';
+    }
+    return moved <= tapSlopFor(pointer) ? 'tap' : 'drag';
+}
+//# sourceMappingURL=press.js.map

package/dist/press.js.map

@@ -0,0 +1 @@
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package/dist/print-plan.d.ts

@@ -0,0 +1,64 @@
+import type { Score } from '@sudobility/music_types';
+import type { LayoutPlan } from './layout.js';
+import type { PaperOrientation, PaperSize, PrintPage } from './pagination.js';
+import { printRenderOptions } from './print-layout.js';
+import type { PrintSystemSlice } from './print-layout.js';
+/**
+ * The paper picker. `css` is the `@page` size keyword; an orientation's value
+ * is its own CSS keyword already.
+ *
+ * A4 has a key like the others even though it reads "A4" in both languages —
+ * one shape for every entry is what lets a picker map straight through, and the
+ * locales list it as shared by design.
+ */
+export declare const PAPER_OPTIONS: ReadonlyArray<{
+    value: PaperSize;
+    labelKey: string;
+    css: string;
+}>;
+export declare const ORIENTATION_OPTIONS: ReadonlyArray<{
+    value: PaperOrientation;
+    labelKey: string;
+}>;
+/** The whole score, as against one track's id. */
+export declare const WHOLE_SCORE = "score";
+export type PrintPlanOptions = {
+    /** `'score'` (default) or a track id to print that player's part. */
+    scope?: string;
+    /** What the whole score prints; empty or absent means every track. Ignored for a part. */
+    visibleTrackIds?: readonly string[];
+    paper?: PaperSize;
+    orientation?: PaperOrientation;
+};
+export type PrintPlan = {
+    /** The score drawn onto the pages — a part or the marked full score, lenses applied. Draw slices from this, not the stored score. */
+    score: Score;
+    /** Passed to the renderer as the track filter; empty means every track. */
+    trackIds: readonly string[];
+    plan: LayoutPlan;
+    slices: PrintSystemSlice[];
+    /** Never an empty page. */
+    pages: PrintPage[];
+    /** In layout units, not millimetres. */
+    pageHeight: number;
+    renderOptions: ReturnType<typeof printRenderOptions>;
+    /** The player page turns were laid out for, or null for a whole score. */
+    turnTrackId: string | null;
+};
+/**
+ * Plan the printout of `score` (the **stored** score).
+ *
+ * - A part goes through `extractPart`: that track alone, written for its
+ *   instrument (a clarinet a tone up), with the whole score's rehearsal marks,
+ *   collapsed rests and cues. Page turns are laid out for that player.
+ * - The whole score stays in concert pitch — a conductor compares parts, so
+ *   none may be transposed — gains rehearsal marks, and prints the visible
+ *   tracks. Nobody turns for a dozen staves at once, so it has no turn track.
+ * - Both are drawn through `displayScore` in concert mode, which applies the
+ *   octave-bracket lens: an `8va` is part of the notation, not a reading mode.
+ *   (A part is already written pitch; the lens adds only the bracket.)
+ *
+ * Null when `scope` names a track the score does not have.
+ */
+export declare function printPlan(score: Score, options?: PrintPlanOptions): PrintPlan | null;
+//# sourceMappingURL=print-plan.d.ts.map

package/dist/print-plan.d.ts.map

@@ -0,0 +1 @@
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package/dist/print-plan.js

@@ -0,0 +1,101 @@
+/**
+ * Everything a print view needs before it draws a single page: the score that
+ * is actually printed, its layout, the system slices and which of them go on
+ * which page.
+ *
+ * Both apps had written this, and each had half of it right. The web extracted
+ * a part for its instrument, added rehearsal marks and laid page turns out for
+ * one player only — but drew the stored score, so an `8va` printed an octave
+ * off. The native app drew through `displayScore` and dropped empty pages — but
+ * printed every track in concert pitch with no marks, and laid turns out for the
+ * first track even across a whole score. This is the union, with the web's
+ * rules wherever the two disagreed.
+ *
+ * Pure: no renderer, no DOM, no Skia. Each app still owns how a slice reaches
+ * paper (the web scales canvases under a print stylesheet; the native app hands
+ * page images to the platform's print service).
+ */
+import { displayScore, extractPart, withRehearsalMarks, } from '@sudobility/music_types';
+import { computeLayout } from './layout.js';
+import { PAPER_ORIENTATIONS, PAPER_SIZES, paginate, usablePageHeight, } from './pagination.js';
+import { PRINT_WIDTH, printRenderOptions, printSystems, } from './print-layout.js';
+const PAPER_LABEL_KEY = {
+    a4: 'print.paperA4',
+    letter: 'print.paperLetter',
+    legal: 'print.paperLegal',
+};
+/** The CSS `@page { size }` keyword for each paper. */
+const PAPER_CSS = {
+    a4: 'A4',
+    letter: 'letter',
+    legal: 'legal',
+};
+const ORIENTATION_LABEL_KEY = {
+    portrait: 'print.portrait',
+    landscape: 'print.landscape',
+};
+/**
+ * The paper picker. `css` is the `@page` size keyword; an orientation's value
+ * is its own CSS keyword already.
+ *
+ * A4 has a key like the others even though it reads "A4" in both languages —
+ * one shape for every entry is what lets a picker map straight through, and the
+ * locales list it as shared by design.
+ */
+export const PAPER_OPTIONS = PAPER_SIZES.map(value => ({
+    value,
+    labelKey: PAPER_LABEL_KEY[value],
+    css: PAPER_CSS[value],
+}));
+export const ORIENTATION_OPTIONS = PAPER_ORIENTATIONS.map(value => ({
+    value,
+    labelKey: ORIENTATION_LABEL_KEY[value],
+}));
+/** The whole score, as against one track's id. */
+export const WHOLE_SCORE = 'score';
+/**
+ * Plan the printout of `score` (the **stored** score).
+ *
+ * - A part goes through `extractPart`: that track alone, written for its
+ *   instrument (a clarinet a tone up), with the whole score's rehearsal marks,
+ *   collapsed rests and cues. Page turns are laid out for that player.
+ * - The whole score stays in concert pitch — a conductor compares parts, so
+ *   none may be transposed — gains rehearsal marks, and prints the visible
+ *   tracks. Nobody turns for a dozen staves at once, so it has no turn track.
+ * - Both are drawn through `displayScore` in concert mode, which applies the
+ *   octave-bracket lens: an `8va` is part of the notation, not a reading mode.
+ *   (A part is already written pitch; the lens adds only the bracket.)
+ *
+ * Null when `scope` names a track the score does not have.
+ */
+export function printPlan(score, options = {}) {
+    const scope = options.scope ?? WHOLE_SCORE;
+    const paper = options.paper ?? 'a4';
+    const orientation = options.orientation ?? 'portrait';
+    const isPart = scope !== WHOLE_SCORE;
+    const source = isPart ? extractPart(score, scope) : withRehearsalMarks(score);
+    if (!source)
+        return null;
+    const printed = displayScore(source);
+    const trackIds = isPart
+        ? [scope]
+        : [...(options.visibleTrackIds ?? [])];
+    const renderOptions = printRenderOptions(trackIds);
+    const plan = computeLayout(printed, renderOptions);
+    const pageHeight = usablePageHeight(paper, orientation, PRINT_WIDTH);
+    const turnTrack = isPart ? printed.tracks[0] : undefined;
+    const pages = paginate(plan, pageHeight, turnTrack).filter(
+    // A page holding no systems is a page turn onto silence.
+    page => page.systemIndices.length > 0);
+    return {
+        score: printed,
+        trackIds,
+        plan,
+        slices: printSystems(plan),
+        pages,
+        pageHeight,
+        renderOptions,
+        turnTrackId: turnTrack?.id ?? null,
+    };
+}
+//# sourceMappingURL=print-plan.js.map

package/dist/print-plan.js.map

@@ -0,0 +1 @@
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package/dist/render-theme.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"render-theme.d.ts","sourceRoot":"","sources":["../src/render-theme.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;GAyBG;AACH,OAAO,KAAK,EAAE,WAAW,EAAE,MAAM,YAAY,CAAC;AAE9C,eAAO,MAAM,kBAAkB,EAAE,WAahC,CAAC;AAEF,eAAO,MAAM,iBAAiB,EAAE,WAkB/B,CAAC"}

package/dist/render-theme.js

@@ -5,10 +5,12 @@ export const LIGHT_RENDER_THEME = {
     noteSelected: '#6d28d9',
     noteRegenerated: '#8b5a2b',
     notePlaying: '#1565c0',
-    noteOutOfRange: '#c2185b',
+    noteOutOfRange: '#ea580c',
     staveActive: '#000000',
     staveInactive: '#71717a',
     caret: '#d32f2f',
+    keyboardLit: '#1565c0',
+    keyboardSelected: '#6d28d9',
 };
 export const DARK_RENDER_THEME = {
     foreground: '#d4d4d8',
@@ -17,9 +19,16 @@ export const DARK_RENDER_THEME = {
     noteSelected: '#a78bfa',
     noteRegenerated: '#d9a066',
     notePlaying: '#64b5f6',
-    noteOutOfRange: '#f06292',
+    /*
+      Saturated rather than the lighter `#fb923c` it was: that sat beside
+      `noteRegenerated`'s `#d9a066` closely enough that a regenerated note and one
+      the instrument cannot play were hard to tell apart on a dark stave.
+    */
+    noteOutOfRange: '#f97316',
     staveActive: '#ffffff',
     staveInactive: '#8a8a93',
     caret: '#ef5350',
+    keyboardLit: '#64b5f6',
+    keyboardSelected: '#a78bfa',
 };
 //# sourceMappingURL=render-theme.js.map

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