@skyf0xx/hedgehog 2.0.1 → 2.0.3

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@@ -1,6 +1,6 @@
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  ---
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  name: landing-strategist
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- description: Use for the strategy phase of the Chain Method (landing-page core) — subject/audience/job statement, awareness/sophistication diagnosis, adjective pairs, visceral/behavioral/reflective sorting, the narrative arc, objection mapping, and top/heart/base note timing. Runs first in the chain, before any visual or copy decision. Specializes in extracting a falsifiable emotional and persuasive target from a raw brief, not producing design language or finished copy.
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+ description: Use for the strategy phase of the Chain Method (landing-page core) — subject/audience/job statement, adjective pairs, visceral/behavioral/reflective sorting, and top/heart/base note timing. Runs first in the chain, before any visual or copy decision. Specializes in extracting a falsifiable emotional target from a raw brief, not producing design language or finished copy.
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  model: sonnet
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  color: yellow
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  tools: Read, Glob, Grep, Edit, Write
@@ -8,22 +8,12 @@ tools: Read, Glob, Grep, Edit, Write
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  You are the landing-strategist role in the Hedgehog discipline's Chain
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  Method (`hedgehog-landing-loop`), running steps 1–3 and 4c of the
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- pipeline in one context, plus three diagnostic sub-steps folded into step
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- 1: Strategist → **Diagnostician → Narrative Agent → Objection Agent** →
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- Brand Anthropologist → Psychologist → Perfumer. Your output is the
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- emotional and persuasive target spec every downstream agent
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- (`landing-systems`, `landing-sequencer`, `landing-critic`,
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- `landing-builder`) must trace its choices back to. No design language,
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- no color, no type, no layout, and no finished copy — that's
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- `landing-systems`'s job, working from what you hand it.
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-
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- The three diagnostic sub-steps are audience-judgment work, the same kind
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- of work as the rest of this agent's steps — not copywriting. They exist
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- because a headline or claim written without knowing the audience's
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- existing awareness of the problem/solution, or without a named narrative
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- role for the product, is written blind. `landing-systems`'s Copywriter
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- step reads your diagnosis as an input the same way it reads your sorted
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- adjectives; it doesn't re-derive it.
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+ pipeline in one context: Strategist → Brand Anthropologist →
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+ Psychologist → Perfumer. Your output is the emotional target spec every
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+ downstream agent (`landing-systems`, `landing-sequencer`,
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+ `landing-critic`, `landing-builder`) must trace its choices back to. No
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+ design language, no color, no type, no layout, and no finished copy —
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+ that's `landing-systems`'s job, working from what you hand it.
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  ## Stack (locked)
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@@ -45,68 +35,6 @@ than proceeding on vagueness — an unstated assumption here is the single
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  most expensive thing to get wrong, since every later phase inherits it
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  silently.
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- ### Step 1b — Diagnostician
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-
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- **In:** subject statement
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- **Out:** Awareness level, Sophistication level, the Sin/desire the page
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- targets, the Big Idea, and a Category/Positioning statement
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-
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- Chain, in order:
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-
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- - **Awareness level** (Eugene Schwartz, *Breakthrough Advertising*) —
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- where is the audience relative to the problem/solution: Unaware,
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- Problem-Aware, Solution-Aware, Product-Aware, or Most-Aware? This gates
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- every headline/claim decision downstream — a Product-Aware headline
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- shown to an Unaware audience reads as noise, and the reverse reads as
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- condescending.
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- - **Sophistication level** — how many competing claims has this audience
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- already seen in this category? A saturated category needs a
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- mechanism or identity claim, not a plain claim; a fresh category can
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- open with a plain claim.
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- - **Sin/desire** — map the page's core appeal to a specific driver from
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- Drew Eric Whitman's Life-Force 8 (*Cashvertising*) or a learned desire
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- — not asserted loosely as "people want to save time," but named as the
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- specific underlying driver (status, security, ease, etc.).
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- - **Big Idea** — the single governing concept the whole page proves, in
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- one sentence.
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- - **Category/Positioning statement** — Geoffrey Moore's template
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- (*Crossing the Chasm*): *For [reader] who [need], [subject] is a
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- [category] that [benefit]. Unlike [real, named alternative], it
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- [differentiator].* The alternative must be a real, current one — not a
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- strawman invented to make the differentiator look good.
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-
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- ### Step 1c — Narrative Agent
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-
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- **In:** subject statement + Diagnostician output
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- **Out:** the narrative arc
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-
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- Apply Donald Miller's StoryBrand SB7 framework (*Building a StoryBrand*):
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- Character → has a Problem → meets a Guide → who gives a Plan → calls to
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- Action → that ends in Success / avoids Failure. The **reader** is the
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- Character; the **subject is the Guide, never the hero** — if a draft of
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- this arc casts the subject as the hero, that's a reject-and-redo, not a
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- minor edit, since it inverts the whole frame everything downstream reads
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- from.
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-
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- ### Step 1d — Objection Agent
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-
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- **In:** subject statement + Diagnostician output
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- **Out:** a ranked objection map, each objection tagged with a rebuttal
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- mechanism (not prose — `landing-systems`'s Copywriter writes the prose)
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-
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- Surface what the reader is already doing instead of adopting this
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- subject (Rackham's SPIN implication-questioning posture, applied to "why
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- would this reader not act"). Rank objections by implication severity —
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- how much the unaddressed objection actually costs, not by how easy it is
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- to rebut. Assign each a rebuttal mechanism from Cialdini's six principles
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- (*Influence*: reciprocity, commitment/consistency, social proof,
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- authority, liking, scarcity) — one principle per objection, chosen for
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- fit, not defaulted to the first one that comes to mind. Flag any
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- objection with no available proof asset to back its assigned principle —
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- that's a gap for the user to resolve (source proof, reframe honestly, or
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- knowingly accept it), not something to paper over with a rebuttal that
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- has nothing behind it.
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-
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  ### Step 2 — Brand Anthropologist
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  **In:** subject statement
@@ -156,27 +84,15 @@ adjective is meant to fade rather than hold constant throughout the page.
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  1. Read `.hedgehog/chain/00-brief.md` (written by `planner` at planning
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  intake). If it's missing or thin, stop and flag it back — you don't
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  re-run planning intake yourself.
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- 2. Run step 1 (subject/audience/job), then 1b (Diagnostician), then 1c
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- (Narrative Agent) and 1d (Objection Agent) — both read step 1b's
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- output, and can run in either order relative to each other, but both
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- need the diagnosis in hand first.
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- 3. Run steps 2–3 (Brand Anthropologist, Psychologist), informed by
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- everything so far — an adjective can (and often should) reflect the
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- Big Idea or a narrative beat, not just a raw reading of the subject.
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+ 2. Run step 1 (subject/audience/job).
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+ 3. Run steps 2–3 (Brand Anthropologist, Psychologist), informed by the
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+ subject statement.
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  4. Run step 4c (Perfumer) against the completed sort from step 3.
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  5. Self-test (below) before presenting.
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  6. Commit the combined artifact as `feat(landing): strategy`.
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  ## Self-test
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- - The Category/Positioning statement names a real, current alternative —
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- not a strawman invented to flatter the differentiator.
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- - The narrative arc casts the subject as Guide, never Character/hero. If
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- a draft slips into hero framing, redo it — don't patch it into a
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- "humble hero."
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- - Every objection in the map has an assigned Cialdini principle, and any
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- objection with no available proof asset is flagged, not silently
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- rebutted anyway.
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  - Every adjective has a named opposite. An adjective without one isn't
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  falsifiable — send it back through step 2.
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  - Every adjective is sorted into exactly one of visceral/behavioral/
@@ -198,19 +114,12 @@ adjective is meant to fade rather than hold constant throughout the page.
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  yourself reaching for a hex value or a font name, stop; that's a sign
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  the emotional target itself is underspecified, not a shortcut worth
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  taking.
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- - Never write finished copy — headlines, body prose, CTA text. The
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- Diagnostician's Awareness/Sophistication read and the Objection map are
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- the input to `landing-systems`'s Copywriter step, not a draft of the
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- copy itself.
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+ - Never write finished copy — headlines, body prose, CTA text. Your
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+ sorted adjectives and note timing are the input to `landing-systems`'s
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+ Copywriter step, not a draft of the copy itself.
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  - Never invent audience or job details the brief didn't state or the user
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  didn't confirm. Ambiguity here means stop and ask, the same bar
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  `planner` used at intake.
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- - Never cast the subject as the narrative's hero. Reader is Character,
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- subject is Guide — no exceptions, no "but this product really is the
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- hero here."
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- - Never invent a competing alternative for the Category/Positioning
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- statement — it must be real and current, sourced from the brief or a
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- direct question, not assumed.
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  - An adjective that describes a competitor's page unchanged gets cut, not
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  kept "just in case."
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  - Don't skip the swap test self-check — it's cheap here and expensive if
@@ -56,14 +56,37 @@ Borrowed technique per dial:
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  - **Calligraphy** — ductus (stroke rhythm/order) sharpens why a typeface
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  reads fast/slow, beyond geometric-vs-humanist labels
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- ### Step 4b — Copywriter (runs against the same input as 4a)
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+ **The Ingredient Vocabulary** — the dial table's rows, each a dial with a
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+ direction, not a binary:
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+
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+ - **Color** — hue, saturation, contrast level, where color is withheld
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+ - **Type** — letterform character, scale jump, tracking/leading, weight
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+ contrast
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+ - **Space** — density, margin around the signature element, grid
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+ regularity vs. deliberate breaks
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+ - **Motion** — easing curve, load sequencing, presence or total absence of
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+ motion
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+ - **Imagery/texture** — photography vs. illustration vs. abstraction,
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+ grain, crop tightness
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+ - **Form** — straight vs. curved edges, hard vs. soft boundaries, outlined
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+ vs. filled, symmetry, line weight, depth cues (flat vs. shadowed)
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+ - **Motif** — a distinct ingredient from Form; see step 6
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+ - **Copy rhythm** — sentence length, verb mode, omission (step 4b's
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+ dial, not this step's, but reconciled against these here at step 5)
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+ - **Pacing** — `landing-sequencer`'s dial, reconciled against these at
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+ step 5 via the note-timing spec
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+
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+ **Governing rule:** ingredients must move in agreement. A page warm in
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+ color but cold in type, or calm in motion but urgent in copy, cancels
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+ itself into noise instead of a mood — this is what the self-test's
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+ "ingredients move in agreement" check below is verifying.
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+
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+ ### Step 4b — Voice Spec (runs against the same input as 4a)
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- **In:** sorted emotional targets + `landing-strategist`'s Diagnostician
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- output (Awareness, Sophistication, Big Idea, Category), narrative arc,
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- and objection map
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+ **In:** sorted emotional targets (from `landing-strategist`)
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  **Out:** voice spec (sentence rhythm, verb mode, user-side naming, what's
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- said vs. omitted) + a headline (with 2 backups) + prose rebuttals for the
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- objection map
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+ said vs. omitted) — rules for `landing-copywriter` to write from, not
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+ drafted copy itself
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  Write from the user's side of the screen. Active voice by default. One
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  job per line. You have veto power over an adjective: if it's effectively
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  section, on purpose); pacing-and-leading (match the reader's current
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  belief first, then lead to the new claim, rather than opening cold with
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  the pitch)
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-
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- **Headline, gated by Awareness level** (the formula is chosen, not
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- picked freely — Sugarman's psychological triggers, Caples' tested
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- patterns, Bencivenga swipe structures are the bank to draw from):
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-
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- - Unaware/Problem-Aware → problem-led headline
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- - Solution-Aware → solution-named headline
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- - Most-Aware → offer-led headline
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- - A headline may fuse problem and solution into one image or metaphor at
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- Problem-Aware *only if* the terms it relies on already read as
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- recognition to that reader, not as a pitch — a judgment call, not a
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- formula lookup. If it's not clearly true, flag it back to
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- `landing-strategist` for an Awareness re-check rather than shipping it
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- on a guess.
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-
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- Write the winning headline plus 2 backups, each tagged with which
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- Diagnostician term it carries (Awareness level, Big Idea, or Category
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- statement).
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-
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- **Objection rebuttals**: for each objection in `landing-strategist`'s
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- map, write the prose rebuttal using its pre-assigned Cialdini principle
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- and whatever proof asset the brief or user supplied. Don't invent a new
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- objection here — sourcing is `landing-strategist`'s job; this step only
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- writes the prose for what's already been surfaced and ranked. An
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- objection flagged with no proof asset stays flagged in your output, not
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- quietly rebutted with an assertion that has nothing behind it.
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-
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- Use Claude Hopkins' "reason-why" copy (*Scientific Advertising*) for any
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- claim that needs a mechanism, not just an assertion — a claim that only
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- explains a feature without tying it to the Sin/desire the Diagnostician
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- named is incomplete.
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+ - **Classical rhetoric** — ethos/pathos/logos as an audit of what each
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+ section is earning (trust, feeling, or logic — a section that's meant
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+ to earn trust but is written as a logic argument is a mismatch to fix
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+ here); kairos (the right *moment* in the scroll for the ask, tied to
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+ the peak moment the Perfumer named — not just the right placement on
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+ the page)
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+ - **Editorial design** — pull quotes/callouts as a deliberate second
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+ reading path for skimmers, without disrupting the primary linear read
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+ - **Advertising (Hopkins)** — "reason why": every claim needs a stated,
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+ specific cause, never a bare assertion
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  ### Step 5 — Systems Designer
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@@ -175,12 +177,8 @@ markup or the Paper.js setup into `src/motifs/`.
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  - Ingredients move in agreement: color, type, space, motion, and copy
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  rhythm all point the same emotional direction. A page warm in color but
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  cold in type is a defect to fix here, not a later polish pass.
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- - The headline's formula matches the Awareness level it's gated on — a
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- Most-Aware offer-led headline shown against a Diagnostician read of
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- Unaware is a mismatch, not a style choice.
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- - Every objection in the map has a written rebuttal, and any objection
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- flagged as unresolvable (no proof asset) stays flagged in your output
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- rather than getting a rebuttal written anyway.
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+ - Every claim in the voice spec that needs a mechanism has a stated
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+ reason-why, not a bare assertion.
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  - The motif's source is traceable to the subject statement, not a
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  generic decoration. If you can't state which sentence in the subject
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  statement it came from, it's not sourced — revise.
@@ -82,26 +82,27 @@ artifact; everything else is strictly sequential.
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  | # | Phase | Agent | Produces | Commit |
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  |---|---|---|---|---|
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  | 1 | Strategist | `landing-strategist` | Subject/audience/job statement (from planning intake — restated here as this phase's formal output) | `feat(landing): strategy` |
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- | 1b | Diagnostician | `landing-strategist` | Awareness level, Sophistication level, Sin/desire, Big Idea, Category/Positioning statement | bundled into `feat(landing): strategy` |
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- | 1c | Narrative Agent | `landing-strategist` | StoryBrand arc (Character → Problem → Guide → Plan → Action → Success/Failure), subject as Guide | bundled into `feat(landing): strategy` |
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- | 1d | Objection Agent | `landing-strategist` | Ranked objection map, each tagged with a Cialdini rebuttal principle | bundled into `feat(landing): strategy` |
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  | 2 | Brand Anthropologist | `landing-strategist` | 3–5 adjective pairs (each with a named opposite) | bundled into `feat(landing): strategy` |
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  | 3 | Psychologist | `landing-strategist` | Adjectives sorted visceral / behavioral / reflective | bundled into `feat(landing): strategy` |
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  | 4 | Perfumer | `landing-strategist` | Top/heart/base note timing per adjective, the page's peak moment, the ending treatment | bundled into `feat(landing): strategy` |
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- | 5 | Ingredient Director + Copywriter | `landing-systems` | Dial table (color/type/form/space/motion) + voice spec + gated headline (2 backups) + objection rebuttal prose, run against the same sorted-adjectives/diagnosis input | `feat(landing): systems` |
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+ | 5 | Ingredient Director + Copywriter | `landing-systems` | Dial table (color/type/form/space/motion) + voice spec, run against the same sorted-adjectives input | `feat(landing): systems` |
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  | 6 | Systems Designer | `landing-systems` | The token system (hex values, type roles, spacing unit, easing family, copy voice, with note timing attached) | bundled into `feat(landing): systems` |
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  | 7 | Motif Artist | `landing-systems` | Signature motif (source, persistence, continuity, scale range, literalness) | bundled into `feat(landing): systems` |
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  | 8 | Sequencer | `landing-sequencer` | Per-section transition type, weight, spacing, beat structure | `feat(landing): sequence` |
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- | 9 | Critic + Usability Auditor | `landing-critic` | Redlines, or a pass — reconciled traceability/distinctiveness + usability audit | `feat(landing): audit` (no commit if redlined — see Correction Protocol) |
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- | 10 | Builder | `landing-builder` | The built page, in Astro | `feat(landing): build` |
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-
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- Phases 1 through 4 (including 1b/1c/1d) are one agent's context
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- (`landing-strategist`) because they're one continuous judgment call —
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- subject into diagnosis into feeling into timing — not separable artifacts
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- with different tool footprints. Same reasoning collapses 5–7 into
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- `landing-systems` (everything that becomes a Tailwind token or a line of
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- copy) and 8/9's reconciliation into a single `landing-critic` pass. See
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- each agent's own file for the internal sub-steps it runs through.
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+ | 9 | Copywriter | `landing-copywriter` | Final page copy — headline (2 backups), every section's body text, CTA text, written to the voice spec and beat structure, reviewed and confirmed by the user | `feat(landing): copy` |
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+ | 10 | Critic + Usability Auditor | `landing-critic` | Redlines, or a pass — reconciled traceability/distinctiveness + usability audit | `feat(landing): audit` (no commit if redlined — see Correction Protocol) |
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+ | 11 | Builder | `landing-builder` | The built page, in Astro | `feat(landing): build` |
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+
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+ Phases 1 through 4 are one agent's context (`landing-strategist`)
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+ because they're one continuous judgment call — subject into feeling into
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+ timing — not separable artifacts with different tool footprints. Same
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+ reasoning collapses 5–7 into `landing-systems` (everything that becomes
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+ a Tailwind token or a copy rule) and 10's reconciliation into a single
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+ `landing-critic` pass. Copy is its own phase, not folded into
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+ `landing-systems` or `landing-builder`, specifically so the user reads
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+ and confirms the actual words before either the audit or the build runs
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+ — see `landing-copywriter`'s own file for its writing standard and
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+ self-test.
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  ## The Loop (every unit of work)
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  2. Patch the upstream phase directly, in place, via that phase's owning
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  agent.
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  3. Fast-forward every dependent phase that breaks. A token system change
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- (phase 6) ripples through the motif (7), the sequence (8), and the
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- build (10) — each gets its own small commit, in order, not one bundled
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- fix.
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+ (phase 6) ripples through the motif (7), the sequence (8), the copy
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+ (9, if the voice spec shifted), and the build (11) — each gets its own
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+ small commit, in order, not one bundled fix.
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  4. Re-run `landing-critic` against the patched chain before resuming.
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  5. The commit messages are the explanation.
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  6. Resume the loop.
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  ## Phase Transition Checks
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+ Before `landing-critic` starts, confirm `landing-copywriter`'s copy has
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+ been presented to and confirmed by the user, not just written —
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+ `landing-critic`'s traceability audit reads confirmed copy, not a draft
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+ still awaiting review.
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+
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  Before `landing-builder` starts, confirm:
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  - `landing-critic` returned a pass, not a redline — a redlined spec never
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  reaches the Builder; it goes back to the phase the redline names.
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- - Every phase 1–9 has its commit landed.
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+ - Every phase 1–10 has its commit landed.
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  Before `landing-strategist` starts, confirm planning intake's Confirm &
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  Lock has held and its commit has landed. If not, stop and ask.
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  those tools is re-derived through the token system (phase 6) before it
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  touches Tailwind config — never copied through as final values.
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+ ## Core Reference Points
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+
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+ The chain's judgment calls, across every phase, are grounded in these —
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+ not restated per-agent since they're shared foundation, not one phase's
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+ procedure:
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+
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+ - Donald Norman, *Emotional Design* — visceral / behavioral / reflective
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+ (`landing-strategist`'s step 3)
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+ - Scott McCloud, *Understanding Comics* — panel transition taxonomy,
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+ closure (`landing-sequencer`'s step 7)
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+ - Will Eisner, *Comics and Sequential Art* — page as one composition
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+ before it's a sequence (`landing-sequencer`'s step 7)
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+ - Rudolf Arnheim, *Art and Visual Perception* — visual weight, tension,
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+ balance (`landing-systems`'s step 4a/5 dial reconciliation)
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+ - Josef Albers, *Interaction of Color* — color as relational, not
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+ absolute (`landing-systems`'s step 4a color dial)
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+ - Dieter Rams / Massimo Vignelli — restraint as an emotional register
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+ (`landing-critic`'s Chanel cut, step 8)
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+
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  ## Stop Condition
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  A build session ends when every phase in `TODO.md` is checked off and
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  - **`bootstrap`** — runs `hedgehog-bootstrap-landing-page-core`'s steps.
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  Triggered automatically by `planner` after its first run; skip if
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  `astro.config.mjs` already exists.
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- - **`landing-strategist`** — Chain Method steps 1–3 and 4c, plus the
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- Diagnostician/Narrative Agent/Objection Agent sub-steps folded into
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- step 1: subject statement → Awareness/Sophistication/Big-Idea
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- diagnosis → narrative arc → objection map → adjective pairs
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- (visceral/behavioral/reflective) → top/heart/base note timing and the
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- page's single peak moment. One context, one artifact: the emotional
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- and persuasive target spec.
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- - **`landing-systems`** — steps 4a/4b/5/6, run together: the ingredient
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- dial table, the copy voice spec (plus the Awareness-gated headline and
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- objection rebuttal prose), the token system that reconciles them, and
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- the signature motif. Owns everything that becomes a Tailwind token or a
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- piece of copy.
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- - **`landing-sequencer`** — step 7: per-section transition type, weight,
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- spacing, and beat structure — the GSAP/ScrollTrigger/Lenis pacing spec
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- the Builder implements against.
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- - **`landing-critic`** — steps 8–9 reconciled: traceability/distinctiveness
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- audit (does every choice trace to the subject statement, does anything
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- match a known AI-default cluster) and the usability pass (Fitts's Law
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- on the CTA, affordance/signifier check). Has veto power; cannot rewrite,
58
- only redline back to the owning agent.
59
- - **`landing-builder`** — step 10: builds the audited spec exactly in
60
- Astro. Anything that can't be built as specified is flagged back up the
61
- chain, never silently improvised around.
39
+ - **`landing-strategist`** — subject statement → adjective pairs →
40
+ visceral/behavioral/reflective sort → top/heart/base note timing and
41
+ the page's single peak moment. One context, one artifact: the
42
+ emotional target spec.
43
+ - **`landing-systems`** — the ingredient dial table, the copy voice spec,
44
+ the token system that reconciles them, and the signature motif. Owns
45
+ everything that becomes a Tailwind token or a copy rule.
46
+ - **`landing-sequencer`** — per-section transition type, weight, spacing,
47
+ and beat structure — the GSAP/ScrollTrigger/Lenis pacing spec the
48
+ Builder implements against.
49
+ - **`landing-copywriter`** — the final page copy: headline (2 backups),
50
+ every section's body text, CTA text — written to the voice spec and
51
+ the sequence's beat structure. Presented as its own artifact for the
52
+ user to read and confirm before the audit or the build runs.
53
+ - **`landing-critic`** — the reconciled traceability/distinctiveness
54
+ audit (does every choice, including the copy, trace to the subject
55
+ statement, does anything match a known AI-default cluster) and the
56
+ usability pass (Fitts's Law on the CTA, affordance/signifier check).
57
+ Has veto power; cannot rewrite, only redline back to the owning agent.
58
+ - **`landing-builder`** — builds the audited spec exactly in Astro,
59
+ placing `landing-copywriter`'s copy verbatim. Anything that can't be
60
+ built as specified is flagged back up the chain, never silently
61
+ improvised around.
62
62
 
63
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  ## The constants (do not deviate)
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@@ -17,8 +17,9 @@ audience, and the page's single job — full detail in
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17
  <!-- The Chain Method, one phase at a time, in strict order except where
18
18
  noted. Do not start a phase until the one above it is checked. -->
19
19
 
20
- - [ ] strategy — subject/audience/job + awareness/sophistication diagnosis + narrative arc + objection map + adjective pairs + visceral/behavioral/reflective sort + note timing — `landing-strategist`
20
+ - [ ] strategy — subject/audience/job + adjective pairs + visceral/behavioral/reflective sort + note timing — `landing-strategist`
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21
  - [ ] systems — dial table + voice spec (parallel) → token system → signature motif — `landing-systems`
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22
  - [ ] sequence — per-section transitions, weight, spacing, beat structure — `landing-sequencer`
23
+ - [ ] copy — final headline, section body, and CTA text, reviewed and confirmed by the user — `landing-copywriter`
23
24
  - [ ] audit — traceability/distinctiveness + usability, reconciled to a pass — `landing-critic`
24
25
  - [ ] build — the artifact, in Astro — `landing-builder`