@selvajs/visualization 1.6.1 → 1.7.0-beta.0

package/dist/{types-DW_qU4-Y.d.ts → types-i9wRcHK7.d.cts}

@@ -52,6 +52,11 @@ type LookPreset = {
   toneMapping: THREE.ToneMapping;
   toneMappingExposure: number;
   envMapIntensity: number;
+  /**
+   * Reflection strength a fully metallic material blends toward instead of 1. Set by looks whose
+   * room is dark, where a chrome that mirrors the full-bright studio probe reads as daylit.
+   */
+  metalReflection?: number;
   /** Multiplier on the HDR's IBL (`scene.environmentIntensity`). */
   environmentIntensity: number;
   hemisphereIntensity: number;
@@ -72,6 +77,11 @@ type LookPreset = {
   bloom?: BloomOptions;
   /** Emissive meshes light the scene, through a shadow-casting point light each. */
   emissiveLights?: boolean;
+  /**
+   * Multiplier on the light emissive sources cast. Exposes for lamp light without
+   * `toneMappingExposure`, which would also lift the background. Default 1.
+   */
+  emissiveLightScale?: number;
   /** How many emissive sources get a light. Default 3. */
   maxEmissiveLights?: number;
   /** Caps the render resolution while this look is active. */
@@ -94,6 +104,8 @@ type LookPreset = {
 interface MaterialAppearanceOptions {
   /** Default 1 (three.js's own material default) when omitted. */
   envMapIntensity?: number;
+  /** See {@link LookPreset.metalReflection}. Default 1. */
+  metalReflection?: number;
   /**
    * `THREE.FrontSide` on every mesh, open surfaces included, which then vanish when viewed from
    * behind. Default false: only meshes detected as closed solids are culled.
@@ -101,4 +113,4 @@ interface MaterialAppearanceOptions {
   cullBackfaces?: boolean;
 }
 export { LookPreset as a, LookMaterialOverride as i, LOOKS as n, MaterialAppearanceOptions as o, Look as r, BloomOptions as t };
-//# sourceMappingURL=types-DW_qU4-Y.d.ts.map
+//# sourceMappingURL=types-i9wRcHK7.d.cts.map

package/dist/{types-DW_qU4-Y.d.cts → types-i9wRcHK7.d.ts}

@@ -52,6 +52,11 @@ type LookPreset = {
   toneMapping: THREE.ToneMapping;
   toneMappingExposure: number;
   envMapIntensity: number;
+  /**
+   * Reflection strength a fully metallic material blends toward instead of 1. Set by looks whose
+   * room is dark, where a chrome that mirrors the full-bright studio probe reads as daylit.
+   */
+  metalReflection?: number;
   /** Multiplier on the HDR's IBL (`scene.environmentIntensity`). */
   environmentIntensity: number;
   hemisphereIntensity: number;
@@ -72,6 +77,11 @@ type LookPreset = {
   bloom?: BloomOptions;
   /** Emissive meshes light the scene, through a shadow-casting point light each. */
   emissiveLights?: boolean;
+  /**
+   * Multiplier on the light emissive sources cast. Exposes for lamp light without
+   * `toneMappingExposure`, which would also lift the background. Default 1.
+   */
+  emissiveLightScale?: number;
   /** How many emissive sources get a light. Default 3. */
   maxEmissiveLights?: number;
   /** Caps the render resolution while this look is active. */
@@ -94,6 +104,8 @@ type LookPreset = {
 interface MaterialAppearanceOptions {
   /** Default 1 (three.js's own material default) when omitted. */
   envMapIntensity?: number;
+  /** See {@link LookPreset.metalReflection}. Default 1. */
+  metalReflection?: number;
   /**
    * `THREE.FrontSide` on every mesh, open surfaces included, which then vanish when viewed from
    * behind. Default false: only meshes detected as closed solids are culled.
@@ -101,4 +113,4 @@ interface MaterialAppearanceOptions {
   cullBackfaces?: boolean;
 }
 export { LookPreset as a, LookMaterialOverride as i, LOOKS as n, MaterialAppearanceOptions as o, Look as r, BloomOptions as t };
-//# sourceMappingURL=types-DW_qU4-Y.d.cts.map
+//# sourceMappingURL=types-i9wRcHK7.d.ts.map

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@selvajs/visualization",
-  "version": "1.6.1",
+  "version": "1.7.0-beta.0",
   "description": "Headless, extensible viewer core for Selva — parse, render and scene layers over Three.js",
   "author": "VektorNode",
   "license": "MIT",
@@ -119,6 +119,7 @@
     "bench": "vitest bench --run",
     "lab": "vite --config lab/vite.config.js",
     "lab:run": "node lab/run.mjs",
+    "lab:night": "node lab/run.mjs --suite night",
     "lab:record": "node lab/record.mjs",
     "lab:diff": "node lab/diff.mjs",
     "type-check": "tsc --noEmit"

package/dist/gpu-dispose-D66GqIWS.cjs.map

@@ -1 +0,0 @@
-{"version":3,"file":"gpu-dispose-D66GqIWS.cjs","names":["THREE","THREE","canDisposeMaterial","THREE","cachedSourceOf"],"sources":["../src/shared/errors.ts","../src/shared/logger.ts","../src/shared/looks.ts","../src/shared/geometry.ts","../src/shared/gpu-capabilities.ts","../src/shared/glass.ts","../src/shared/gpu-dispose.ts"],"sourcesContent":["/**\n * Errors for the visualization package. Replaces `@selvajs/compute`'s `RhinoComputeError`, which\n * mis-named failures on paths (e.g. the plugin WebSocket) that never touch Rhino.Compute. `code`\n * values match compute's so existing catch-sites keep working.\n */\n\nexport const ErrorCodes = {\n\t/** Structural check failed: bad magic bytes, out-of-window index, malformed metadata. */\n\tVALIDATION_ERROR: 'VALIDATION_ERROR',\n\tINVALID_STATE: 'INVALID_STATE',\n\t/** No `DecompressionStream`, no WebGL context, etc. */\n\tENVIRONMENT_ERROR: 'ENVIRONMENT_ERROR',\n\tINVALID_CONFIG: 'INVALID_CONFIG',\n\t/** Base64 input could not be decoded. */\n\tENCODING_ERROR: 'ENCODING_ERROR',\n\tUNKNOWN_ERROR: 'UNKNOWN_ERROR'\n} as const;\n\nexport type ErrorCode = (typeof ErrorCodes)[keyof typeof ErrorCodes];\n\nexport class VisualizationError extends Error {\n\tpublic readonly code: ErrorCode;\n\tpublic readonly context?: Record<string, unknown>;\n\tpublic readonly originalError?: Error;\n\n\tconstructor(\n\t\tmessage: string,\n\t\tcode: ErrorCode = ErrorCodes.UNKNOWN_ERROR,\n\t\toptions?: { context?: Record<string, unknown>; originalError?: Error }\n\t) {\n\t\tsuper(message);\n\t\tthis.name = 'VisualizationError';\n\t\tthis.code = code;\n\t\tthis.context = options?.context;\n\t\tthis.originalError = options?.originalError;\n\t\tif (options?.originalError) {\n\t\t\t(this as { cause?: unknown }).cause = options.originalError;\n\t\t}\n\t}\n}\n","/**\n * Logging facility for the visualization package. Deliberately local rather than imported from\n * `@selvajs/compute` (logging isn't a compute concern). Mirrors compute's logger shape so a host\n * wanting one sink for both can call `setLogger(computeLogger.getLogger())`.\n */\n\nimport { VisualizationError, ErrorCodes } from './errors.js';\n\nexport interface Logger {\n\tdebug(message: string, ...args: unknown[]): void;\n\tinfo(message: string, ...args: unknown[]): void;\n\twarn(message: string, ...args: unknown[]): void;\n\terror(message: string, ...args: unknown[]): void;\n}\n\nclass NoOpLogger implements Logger {\n\tdebug(): void {}\n\tinfo(): void {}\n\twarn(): void {}\n\terror(): void {}\n}\n\nclass ConsoleLogger implements Logger {\n\tdebug(message: string, ...args: unknown[]): void {\n\t\t// eslint-disable-next-line no-console -- this class exists to be the console sink\n\t\tconsole.debug(message, ...args);\n\t}\n\n\tinfo(message: string, ...args: unknown[]): void {\n\t\tconsole.info(message, ...args);\n\t}\n\n\twarn(message: string, ...args: unknown[]): void {\n\t\tconsole.warn(message, ...args);\n\t}\n\n\terror(message: string, ...args: unknown[]): void {\n\t\tconsole.error(message, ...args);\n\t}\n}\n\n// Defaults to no-op: a library that writes to the console uninvited is a nuisance in a host with\n// its own logging. Opt in with setLogger or enableDebugLogging.\nlet internalLogger: Logger = new NoOpLogger();\n\n// Call per-use rather than caching — the sink is settable at any time.\nexport function getLogger(): Logger {\n\treturn internalLogger;\n}\n\n// Validates logger shape up front: failing here beats a confusing \"getLogger().debug is not a\n// function\" at some later, unrelated call site.\nexport function setLogger(logger: Logger | Console | null): void {\n\tif (logger === null) {\n\t\tinternalLogger = new NoOpLogger();\n\t\treturn;\n\t}\n\n\tconst missing = (['debug', 'info', 'warn', 'error'] as const).filter(\n\t\t(method) => typeof (logger as unknown as Record<string, unknown>)[method] !== 'function'\n\t);\n\tif (missing.length > 0) {\n\t\tthrow new VisualizationError(\n\t\t\t`Logger is missing required method(s): ${missing.join(', ')}. A logger must implement debug, info, warn and error.`,\n\t\t\tErrorCodes.INVALID_CONFIG,\n\t\t\t{ context: { missingMethods: missing } }\n\t\t);\n\t}\n\n\tinternalLogger = logger as Logger;\n}\n\nexport function enableDebugLogging(): void {\n\tsetLogger(new ConsoleLogger());\n}\n","import * as THREE from 'three';\n\nimport type { Look, LookPreset, MaterialAppearanceOptions } from './types.js';\n\n/** The look applied when the caller passes no `look` option. */\nexport const DEFAULT_LOOK: Look = 'technical';\n\n/**\n * Single source of truth for both `applyDefaults` (construction) and `setLook` (runtime), so the two\n * can't drift.\n *\n * Every shaded look pairs a key light with contact shading (GTAO), because image-based lighting on\n * its own lights all faces of a box nearly equally — the result is a white silhouette with no\n * readable form. GTAO is a full-screen pass and does cost frames; `xray` skips it since there are no\n * opaque contacts left to shade.\n */\nexport const LOOK_PRESETS: Record<Look, LookPreset> = {\n\t// Fills shadows in (vs. showcase, which lets them fall off), but still key-lit: ACES plus a\n\t// moderate sun, with fill high enough that shadowed faces keep detail.\n\tstudio: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 0.85,\n\t\themisphereIntensity: 0.5,\n\t\tambientIntensity: 0.25,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 1.6\n\t},\n\t// The sun carries this look and the ambient/IBL only lift shadows off black. Fill was the thing\n\t// making it read as flat white paper: every source except the sun is orientation-independent, so\n\t// the more of them you stack the less the three faces of a corner differ.\n\ttechnical: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.55,\n\t\tenvironmentIntensity: 0.6,\n\t\themisphereIntensity: 0.25,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.2\n\t},\n\t// Fill pulled furthest DOWN and the sun pushed hardest, so light-to-shadow falloff is steepest —\n\t// a dramatic hero shot, unlike `studio` which fills shadows back in.\n\tshowcase: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1.15,\n\t\tenvMapIntensity: 1.4,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.2,\n\t\tambientIntensity: 0.1,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.6\n\t},\n\t// Every mesh forced to one near-white clay, so form and shadow carry the image instead of the\n\t// model's own colours. AO on: with all albedo differences gone, contact shading is the only thing\n\t// left separating touching parts — without it the model reads as one white blob.\n\tarctic: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.05,\n\t\tenvMapIntensity: 0.85,\n\t\tenvironmentIntensity: 1.1,\n\t\themisphereIntensity: 0.3,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xeef1f5,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.75,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// See-through blue-white with depth writes off, so interior geometry shows through the shell.\n\t// Exposure pushed up because stacked transparent layers darken fast; the sun is dialled back\n\t// because a hard highlight on a transparent shell hides what is behind it.\n\txray: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.3,\n\t\tenvMapIntensity: 0.4,\n\t\tenvironmentIntensity: 0.8,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 0.6,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0.6,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x9fc4e8,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.9,\n\t\t\temissiveIntensity: 0,\n\t\t\topacity: 0.28,\n\t\t\tdepthWrite: false,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t},\n\t// The architectural line drawing: feature edges over flat white faces. The faces are the whole\n\t// point even though you never really see them — they still write depth, so a near member hides\n\t// the ones behind it. True wireframe can't do that, and on a dense frame (thousands of members,\n\t// every edge of every one drawn at once) it collapses into a black mass.\n\t//\n\t// Unlit on purpose: any directional shading would compete with the lines for the eye. Ambient\n\t// alone lands every face on the same flat white, so the only contrast in the image is the edges.\n\t// AO is off for the same reason — a grey contact smear under a line drawing just muddies it.\n\tlineart: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// The faces are MeshPhysicalMaterial, so they take their brightness from lighting, not from\n\t\t// `color`: zero out the lights and they render black however white the override is. Hemisphere\n\t\t// and ambient carry it rather than IBL, because `scene.environment` only exists if the host\n\t\t// loaded an HDR — leaning on IBL would render this look black in any viewer without one. Both\n\t\t// are orientation-independent, so every face lands on the same flat white and the edges stay\n\t\t// the only contrast in the image. Ambient is weighted over hemisphere because hemisphere's\n\t\t// ground colour is a warm brown by default: leaning on it tints every downward face grey and\n\t\t// the drawing stops reading as one flat white.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 3.2,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\trequiresEdges: true,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xf7f8fa,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// Triangle edges only — the tessellation itself, diagonals and all. That makes it a mesh-\n\t// inspection tool, not a drawing: for a readable line drawing use `lineart`, which draws\n\t// feature edges and lets near faces occlude far ones. Nothing here is a lit surface:\n\t// the sun is off and fill carries the image, because a directional light on a line renders it\n\t// black wherever the line runs away from the key. AO is off for the same reason — a full-screen\n\t// contact pass has no contacts to find between wires, and it only costs frames.\n\t// After dark: the only real light comes from what the model emits, so a lamp lights its desk.\n\t// A little sky stays so the unlit half of the model keeps its shape instead of going black.\n\tnight: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.32,\n\t\tenvironmentIntensity: 0.15,\n\t\themisphereIntensity: 0.26,\n\t\tambientIntensity: 0.05,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 0.14,\n\t\tbackground: 0x0a0e12,\n\t\t// Above what the environment reaches on polished metal, so only emitters glow.\n\t\tbloom: { strength: 0.2, radius: 0.3, threshold: 1.8 },\n\t\temissiveLights: true,\n\t\t// Full-screen passes are the cost here: AO alone takes a quarter of the frame on an integrated\n\t\t// GPU, and without it there is no composer. A bounce light costs next to nothing and is all\n\t\t// that lights the room outside the shade, so one stays with its key.\n\t\tlowPower: {\n\t\t\tambientOcclusion: false,\n\t\t\tbloom: undefined,\n\t\t\tmaxEmissiveLights: 1,\n\t\t\tmaxPixelRatio: 1.5\n\t\t}\n\t},\n\twireframe: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// Lit for the same reason as lineart (see there): PBR lines are black unlit, and hemisphere\n\t\t// plus ambient work with no HDR loaded. Dimmer than lineart because these lines are dark\n\t\t// on white, not white on dark.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.4,\n\t\tambientIntensity: 2.0,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x2b3138,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0,\n\t\t\twireframe: true,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t}\n};\n\n/** A look's preset, with its `lowPower` fields applied on a low-power device. */\nexport function lookPreset(look: Look, lowPower = false): LookPreset {\n\tconst preset = LOOK_PRESETS[look];\n\treturn lowPower ? { ...preset, ...preset.lowPower } : preset;\n}\n\n/** `userData` key marking a material whose emission came from the wire, not from a selection tint. */\nexport const OWN_EMISSIVE = 'selvaEmissive';\n\n/** `userData` key holding the light a material casts, from real lumens rather than its look. */\nexport const EMISSIVE_LIGHT = 'selvaEmissiveLight';\n\n/**\n * `userData` key holding a material's own `envMapIntensity`, set by the parser when the wire\n * material carries one. `setLook` keeps it instead of the look's value, except in looks with a\n * `materialOverride`: those restyle every mesh alike, so the look's value wins there.\n */\nexport const OWN_ENV_MAP_INTENSITY = 'selvaEnvMapIntensity';\n\n/**\n * A look dims `envMapIntensity` to turn down fill, but three scales a material's diffuse and\n * specular IBL together. A metal has no diffuse, so the same dimming would only take away its\n * reflection, which is all a metal shows. Blending toward 1 by metalness keeps a dielectric's fill\n * on the look and a metal's reflection the same in every look.\n */\nexport function lookEnvMapIntensity(lookValue: number, metalness: number): number {\n\treturn lookValue + (1 - lookValue) * Math.min(1, Math.max(0, metalness));\n}\n\n/** Baked at parse time (not toggleable at runtime). */\nexport function materialAppearanceForLook(look: Look): MaterialAppearanceOptions {\n\tconst preset = LOOK_PRESETS[look];\n\treturn {\n\t\tenvMapIntensity: preset.envMapIntensity,\n\t\tcullBackfaces: preset.cullBackfaces\n\t};\n}\n","import * as THREE from 'three';\n\nimport { getLogger } from './logger.js';\n\n// parse/ needs these and must never import upward from render/, so they live in shared/ instead\n// of render's three-helpers.\n\nexport function parseColor(colorString: string): THREE.Color {\n\tif (!colorString || typeof colorString !== 'string') {\n\t\tgetLogger().warn(`Invalid color input: ${colorString}, using white`);\n\t\treturn new THREE.Color(0xffffff);\n\t}\n\n\tconst trimmed = colorString.trim();\n\n\tif (/^#?[0-9A-Fa-f]{6}$/.test(trimmed)) {\n\t\ttry {\n\t\t\tconst hex = trimmed.startsWith('#') ? trimmed : `#${trimmed}`;\n\t\t\treturn new THREE.Color(hex);\n\t\t} catch {\n\t\t\tgetLogger().warn(`Invalid hex color: ${colorString}, using white`);\n\t\t\treturn new THREE.Color(0xffffff);\n\t\t}\n\t}\n\n\tif (trimmed.includes(',')) {\n\t\tconst rgb = trimmed.split(',').map((c) => parseInt(c.trim(), 10));\n\t\tif (rgb.length === 3 && rgb.every((n) => !isNaN(n) && n >= 0 && n <= 255)) {\n\t\t\treturn new THREE.Color(rgb[0] / 255, rgb[1] / 255, rgb[2] / 255);\n\t\t}\n\t}\n\n\t// `new THREE.Color(name)` never throws on unknown names (it logs its own warning and leaves the\n\t// color white), so validate against three's CSS name table instead.\n\tconst named = trimmed.toLowerCase();\n\tif (named in THREE.Color.NAMES) {\n\t\treturn new THREE.Color(THREE.Color.NAMES[named as keyof typeof THREE.Color.NAMES]);\n\t}\n\n\tgetLogger().warn(`Invalid color string: ${colorString}, using white`);\n\treturn new THREE.Color(0xffffff);\n}\n\n/** Defaults to `z` (Rhino's up axis); pass an explicit axis when the scene uses a different `sceneUp`. */\nexport function applyOffset(\n\tmeshes: THREE.Object3D[],\n\toffset: number,\n\taxis: 'x' | 'y' | 'z' = 'z'\n): void {\n\tmeshes.forEach((mesh) => {\n\t\tmesh.position[axis] -= offset;\n\t});\n}\n\nexport function computeCombinedBoundingBox(meshes: THREE.Object3D[]): THREE.Box3 {\n\tconst combinedBoundingBox = new THREE.Box3();\n\tif (meshes.length === 0) return combinedBoundingBox;\n\tmeshes.forEach((mesh) => {\n\t\tmesh.updateMatrixWorld(true);\n\t\tconst bbox = new THREE.Box3().setFromObject(mesh);\n\t\tcombinedBoundingBox.union(bbox);\n\t});\n\treturn combinedBoundingBox;\n}\n","// ============================================================================\n// GPU capabilities — published by the renderer, read by whoever needs them\n// ============================================================================\n\n// Lets a renderer publish GPU capabilities (max anisotropy) without `render/` and `parse/` importing\n// each other: the renderer publishes on init, interested parties subscribe.\n\ntype AnisotropyObserver = (value: number) => void;\n\nconst observers = new Set<AnisotropyObserver>();\n\n// Module load order between layers isn't guaranteed, so a subscriber arriving after init still\n// needs the current value rather than waiting for a second renderer to publish.\nlet maxAnisotropy = 1;\n\nexport function publishMaxAnisotropy(value: number): void {\n\tconst next = Math.max(1, value);\n\tif (next === maxAnisotropy) return;\n\tmaxAnisotropy = next;\n\tfor (const observe of observers) observe(next);\n}\n\n/** Fires immediately with the current value (1 until a renderer has reported), then on every change. */\nexport function observeMaxAnisotropy(observe: AnisotropyObserver): () => void {\n\tobservers.add(observe);\n\tobserve(maxAnisotropy);\n\treturn () => observers.delete(observe);\n}\n","import type * as THREE from 'three';\n\n/**\n * `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps\n * skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.\n */\nexport const GLASS = 'selvaGlass';\n\nexport function isGlass(material: THREE.Material | THREE.Material[] | undefined): boolean {\n\tif (!material) return false;\n\treturn Array.isArray(material)\n\t\t? material.some((m) => m.userData[GLASS] === true)\n\t\t: material.userData[GLASS] === true;\n}\n\n/**\n * Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.\n * For passes that redraw the scene with an override material, which would otherwise draw glass as\n * a solid surface.\n */\nexport function hideGlass(root: THREE.Object3D): () => void {\n\tconst hidden: THREE.Object3D[] = [];\n\troot.traverse((object) => {\n\t\tif (object.visible && isGlass((object as THREE.Mesh).material)) {\n\t\t\tobject.visible = false;\n\t\t\thidden.push(object);\n\t\t}\n\t});\n\treturn () => {\n\t\tfor (const object of hidden) object.visible = true;\n\t};\n}\n","import * as THREE from 'three';\n\nimport { cachedSourceOf, canDisposeMaterial } from './gpu-ownership.js';\n\n// ============================================================================\n// The disposal walkers — every teardown path in the package goes through these\n// ============================================================================\n\n/** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */\nexport function disposeMaterial(material: THREE.Material): void {\n\tif (!canDisposeMaterial(material)) return;\n\n\tfor (const [key, value] of Object.entries(material)) {\n\t\t// An envMap is the scene's, shared by every metal: freeing it here would blank them all.\n\t\tif (key === 'envMap') continue;\n\t\tif (value instanceof THREE.Texture) {\n\t\t\tvalue.dispose();\n\t\t}\n\t}\n\tmaterial.dispose();\n}\n\nfunction disposeMaterials(material: THREE.Material | THREE.Material[] | undefined): void {\n\tif (!material) return;\n\tif (Array.isArray(material)) material.forEach(disposeMaterial);\n\telse disposeMaterial(material);\n}\n\nexport interface DisposeOptions {\n\t/** Free materials and their textures too. Default true; the solve memo passes false. */\n\tmaterials?: boolean;\n\t/** Called for each geometry before disposal, so a subsystem can free derived resources keyed on it (e.g. edge caches). */\n\tonGeometry?: (geometry: THREE.BufferGeometry) => void;\n\t/**\n\t * Cached geometries whose GPU copy survives. 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package/dist/gpu-dispose-Di_nxeXF.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"gpu-dispose-Di_nxeXF.js","names":[],"sources":["../src/shared/errors.ts","../src/shared/logger.ts","../src/shared/looks.ts","../src/shared/geometry.ts","../src/shared/gpu-capabilities.ts","../src/shared/glass.ts","../src/shared/gpu-dispose.ts"],"sourcesContent":["/**\n * Errors for the visualization package. Replaces `@selvajs/compute`'s `RhinoComputeError`, which\n * mis-named failures on paths (e.g. the plugin WebSocket) that never touch Rhino.Compute. `code`\n * values match compute's so existing catch-sites keep working.\n */\n\nexport const ErrorCodes = {\n\t/** Structural check failed: bad magic bytes, out-of-window index, malformed metadata. */\n\tVALIDATION_ERROR: 'VALIDATION_ERROR',\n\tINVALID_STATE: 'INVALID_STATE',\n\t/** No `DecompressionStream`, no WebGL context, etc. */\n\tENVIRONMENT_ERROR: 'ENVIRONMENT_ERROR',\n\tINVALID_CONFIG: 'INVALID_CONFIG',\n\t/** Base64 input could not be decoded. */\n\tENCODING_ERROR: 'ENCODING_ERROR',\n\tUNKNOWN_ERROR: 'UNKNOWN_ERROR'\n} as const;\n\nexport type ErrorCode = (typeof ErrorCodes)[keyof typeof ErrorCodes];\n\nexport class VisualizationError extends Error {\n\tpublic readonly code: ErrorCode;\n\tpublic readonly context?: Record<string, unknown>;\n\tpublic readonly originalError?: Error;\n\n\tconstructor(\n\t\tmessage: string,\n\t\tcode: ErrorCode = ErrorCodes.UNKNOWN_ERROR,\n\t\toptions?: { context?: Record<string, unknown>; originalError?: Error }\n\t) {\n\t\tsuper(message);\n\t\tthis.name = 'VisualizationError';\n\t\tthis.code = code;\n\t\tthis.context = options?.context;\n\t\tthis.originalError = options?.originalError;\n\t\tif (options?.originalError) {\n\t\t\t(this as { cause?: unknown }).cause = options.originalError;\n\t\t}\n\t}\n}\n","/**\n * Logging facility for the visualization package. Deliberately local rather than imported from\n * `@selvajs/compute` (logging isn't a compute concern). Mirrors compute's logger shape so a host\n * wanting one sink for both can call `setLogger(computeLogger.getLogger())`.\n */\n\nimport { VisualizationError, ErrorCodes } from './errors.js';\n\nexport interface Logger {\n\tdebug(message: string, ...args: unknown[]): void;\n\tinfo(message: string, ...args: unknown[]): void;\n\twarn(message: string, ...args: unknown[]): void;\n\terror(message: string, ...args: unknown[]): void;\n}\n\nclass NoOpLogger implements Logger {\n\tdebug(): void {}\n\tinfo(): void {}\n\twarn(): void {}\n\terror(): void {}\n}\n\nclass ConsoleLogger implements Logger {\n\tdebug(message: string, ...args: unknown[]): void {\n\t\t// eslint-disable-next-line no-console -- this class exists to be the console sink\n\t\tconsole.debug(message, ...args);\n\t}\n\n\tinfo(message: string, ...args: unknown[]): void {\n\t\tconsole.info(message, ...args);\n\t}\n\n\twarn(message: string, ...args: unknown[]): void {\n\t\tconsole.warn(message, ...args);\n\t}\n\n\terror(message: string, ...args: unknown[]): void {\n\t\tconsole.error(message, ...args);\n\t}\n}\n\n// Defaults to no-op: a library that writes to the console uninvited is a nuisance in a host with\n// its own logging. Opt in with setLogger or enableDebugLogging.\nlet internalLogger: Logger = new NoOpLogger();\n\n// Call per-use rather than caching — the sink is settable at any time.\nexport function getLogger(): Logger {\n\treturn internalLogger;\n}\n\n// Validates logger shape up front: failing here beats a confusing \"getLogger().debug is not a\n// function\" at some later, unrelated call site.\nexport function setLogger(logger: Logger | Console | null): void {\n\tif (logger === null) {\n\t\tinternalLogger = new NoOpLogger();\n\t\treturn;\n\t}\n\n\tconst missing = (['debug', 'info', 'warn', 'error'] as const).filter(\n\t\t(method) => typeof (logger as unknown as Record<string, unknown>)[method] !== 'function'\n\t);\n\tif (missing.length > 0) {\n\t\tthrow new VisualizationError(\n\t\t\t`Logger is missing required method(s): ${missing.join(', ')}. A logger must implement debug, info, warn and error.`,\n\t\t\tErrorCodes.INVALID_CONFIG,\n\t\t\t{ context: { missingMethods: missing } }\n\t\t);\n\t}\n\n\tinternalLogger = logger as Logger;\n}\n\nexport function enableDebugLogging(): void {\n\tsetLogger(new ConsoleLogger());\n}\n","import * as THREE from 'three';\n\nimport type { Look, LookPreset, MaterialAppearanceOptions } from './types.js';\n\n/** The look applied when the caller passes no `look` option. */\nexport const DEFAULT_LOOK: Look = 'technical';\n\n/**\n * Single source of truth for both `applyDefaults` (construction) and `setLook` (runtime), so the two\n * can't drift.\n *\n * Every shaded look pairs a key light with contact shading (GTAO), because image-based lighting on\n * its own lights all faces of a box nearly equally — the result is a white silhouette with no\n * readable form. GTAO is a full-screen pass and does cost frames; `xray` skips it since there are no\n * opaque contacts left to shade.\n */\nexport const LOOK_PRESETS: Record<Look, LookPreset> = {\n\t// Fills shadows in (vs. showcase, which lets them fall off), but still key-lit: ACES plus a\n\t// moderate sun, with fill high enough that shadowed faces keep detail.\n\tstudio: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 0.85,\n\t\themisphereIntensity: 0.5,\n\t\tambientIntensity: 0.25,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 1.6\n\t},\n\t// The sun carries this look and the ambient/IBL only lift shadows off black. Fill was the thing\n\t// making it read as flat white paper: every source except the sun is orientation-independent, so\n\t// the more of them you stack the less the three faces of a corner differ.\n\ttechnical: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.55,\n\t\tenvironmentIntensity: 0.6,\n\t\themisphereIntensity: 0.25,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.2\n\t},\n\t// Fill pulled furthest DOWN and the sun pushed hardest, so light-to-shadow falloff is steepest —\n\t// a dramatic hero shot, unlike `studio` which fills shadows back in.\n\tshowcase: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1.15,\n\t\tenvMapIntensity: 1.4,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.2,\n\t\tambientIntensity: 0.1,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.6\n\t},\n\t// Every mesh forced to one near-white clay, so form and shadow carry the image instead of the\n\t// model's own colours. AO on: with all albedo differences gone, contact shading is the only thing\n\t// left separating touching parts — without it the model reads as one white blob.\n\tarctic: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.05,\n\t\tenvMapIntensity: 0.85,\n\t\tenvironmentIntensity: 1.1,\n\t\themisphereIntensity: 0.3,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xeef1f5,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.75,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// See-through blue-white with depth writes off, so interior geometry shows through the shell.\n\t// Exposure pushed up because stacked transparent layers darken fast; the sun is dialled back\n\t// because a hard highlight on a transparent shell hides what is behind it.\n\txray: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.3,\n\t\tenvMapIntensity: 0.4,\n\t\tenvironmentIntensity: 0.8,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 0.6,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0.6,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x9fc4e8,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.9,\n\t\t\temissiveIntensity: 0,\n\t\t\topacity: 0.28,\n\t\t\tdepthWrite: false,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t},\n\t// The architectural line drawing: feature edges over flat white faces. The faces are the whole\n\t// point even though you never really see them — they still write depth, so a near member hides\n\t// the ones behind it. True wireframe can't do that, and on a dense frame (thousands of members,\n\t// every edge of every one drawn at once) it collapses into a black mass.\n\t//\n\t// Unlit on purpose: any directional shading would compete with the lines for the eye. Ambient\n\t// alone lands every face on the same flat white, so the only contrast in the image is the edges.\n\t// AO is off for the same reason — a grey contact smear under a line drawing just muddies it.\n\tlineart: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// The faces are MeshPhysicalMaterial, so they take their brightness from lighting, not from\n\t\t// `color`: zero out the lights and they render black however white the override is. Hemisphere\n\t\t// and ambient carry it rather than IBL, because `scene.environment` only exists if the host\n\t\t// loaded an HDR — leaning on IBL would render this look black in any viewer without one. Both\n\t\t// are orientation-independent, so every face lands on the same flat white and the edges stay\n\t\t// the only contrast in the image. Ambient is weighted over hemisphere because hemisphere's\n\t\t// ground colour is a warm brown by default: leaning on it tints every downward face grey and\n\t\t// the drawing stops reading as one flat white.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 3.2,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\trequiresEdges: true,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xf7f8fa,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// Triangle edges only — the tessellation itself, diagonals and all. That makes it a mesh-\n\t// inspection tool, not a drawing: for a readable line drawing use `lineart`, which draws\n\t// feature edges and lets near faces occlude far ones. Nothing here is a lit surface:\n\t// the sun is off and fill carries the image, because a directional light on a line renders it\n\t// black wherever the line runs away from the key. AO is off for the same reason — a full-screen\n\t// contact pass has no contacts to find between wires, and it only costs frames.\n\t// After dark: the only real light comes from what the model emits, so a lamp lights its desk.\n\t// A little sky stays so the unlit half of the model keeps its shape instead of going black.\n\tnight: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.32,\n\t\tenvironmentIntensity: 0.15,\n\t\themisphereIntensity: 0.26,\n\t\tambientIntensity: 0.05,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 0.14,\n\t\tbackground: 0x0a0e12,\n\t\t// Above what the environment reaches on polished metal, so only emitters glow.\n\t\tbloom: { strength: 0.2, radius: 0.3, threshold: 1.8 },\n\t\temissiveLights: true,\n\t\t// Full-screen passes are the cost here: AO alone takes a quarter of the frame on an integrated\n\t\t// GPU, and without it there is no composer. A bounce light costs next to nothing and is all\n\t\t// that lights the room outside the shade, so one stays with its key.\n\t\tlowPower: {\n\t\t\tambientOcclusion: false,\n\t\t\tbloom: undefined,\n\t\t\tmaxEmissiveLights: 1,\n\t\t\tmaxPixelRatio: 1.5\n\t\t}\n\t},\n\twireframe: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// Lit for the same reason as lineart (see there): PBR lines are black unlit, and hemisphere\n\t\t// plus ambient work with no HDR loaded. Dimmer than lineart because these lines are dark\n\t\t// on white, not white on dark.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.4,\n\t\tambientIntensity: 2.0,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x2b3138,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0,\n\t\t\twireframe: true,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t}\n};\n\n/** A look's preset, with its `lowPower` fields applied on a low-power device. */\nexport function lookPreset(look: Look, lowPower = false): LookPreset {\n\tconst preset = LOOK_PRESETS[look];\n\treturn lowPower ? { ...preset, ...preset.lowPower } : preset;\n}\n\n/** `userData` key marking a material whose emission came from the wire, not from a selection tint. */\nexport const OWN_EMISSIVE = 'selvaEmissive';\n\n/** `userData` key holding the light a material casts, from real lumens rather than its look. */\nexport const EMISSIVE_LIGHT = 'selvaEmissiveLight';\n\n/**\n * `userData` key holding a material's own `envMapIntensity`, set by the parser when the wire\n * material carries one. `setLook` keeps it instead of the look's value, except in looks with a\n * `materialOverride`: those restyle every mesh alike, so the look's value wins there.\n */\nexport const OWN_ENV_MAP_INTENSITY = 'selvaEnvMapIntensity';\n\n/**\n * A look dims `envMapIntensity` to turn down fill, but three scales a material's diffuse and\n * specular IBL together. A metal has no diffuse, so the same dimming would only take away its\n * reflection, which is all a metal shows. Blending toward 1 by metalness keeps a dielectric's fill\n * on the look and a metal's reflection the same in every look.\n */\nexport function lookEnvMapIntensity(lookValue: number, metalness: number): number {\n\treturn lookValue + (1 - lookValue) * Math.min(1, Math.max(0, metalness));\n}\n\n/** Baked at parse time (not toggleable at runtime). */\nexport function materialAppearanceForLook(look: Look): MaterialAppearanceOptions {\n\tconst preset = LOOK_PRESETS[look];\n\treturn {\n\t\tenvMapIntensity: preset.envMapIntensity,\n\t\tcullBackfaces: preset.cullBackfaces\n\t};\n}\n","import * as THREE from 'three';\n\nimport { getLogger } from './logger.js';\n\n// parse/ needs these and must never import upward from render/, so they live in shared/ instead\n// of render's three-helpers.\n\nexport function parseColor(colorString: string): THREE.Color {\n\tif (!colorString || typeof colorString !== 'string') {\n\t\tgetLogger().warn(`Invalid color input: ${colorString}, using white`);\n\t\treturn new THREE.Color(0xffffff);\n\t}\n\n\tconst trimmed = colorString.trim();\n\n\tif (/^#?[0-9A-Fa-f]{6}$/.test(trimmed)) {\n\t\ttry {\n\t\t\tconst hex = trimmed.startsWith('#') ? trimmed : `#${trimmed}`;\n\t\t\treturn new THREE.Color(hex);\n\t\t} catch {\n\t\t\tgetLogger().warn(`Invalid hex color: ${colorString}, using white`);\n\t\t\treturn new THREE.Color(0xffffff);\n\t\t}\n\t}\n\n\tif (trimmed.includes(',')) {\n\t\tconst rgb = trimmed.split(',').map((c) => parseInt(c.trim(), 10));\n\t\tif (rgb.length === 3 && rgb.every((n) => !isNaN(n) && n >= 0 && n <= 255)) {\n\t\t\treturn new THREE.Color(rgb[0] / 255, rgb[1] / 255, rgb[2] / 255);\n\t\t}\n\t}\n\n\t// `new THREE.Color(name)` never throws on unknown names (it logs its own warning and leaves the\n\t// color white), so validate against three's CSS name table instead.\n\tconst named = trimmed.toLowerCase();\n\tif (named in THREE.Color.NAMES) {\n\t\treturn new THREE.Color(THREE.Color.NAMES[named as keyof typeof THREE.Color.NAMES]);\n\t}\n\n\tgetLogger().warn(`Invalid color string: ${colorString}, using white`);\n\treturn new THREE.Color(0xffffff);\n}\n\n/** Defaults to `z` (Rhino's up axis); pass an explicit axis when the scene uses a different `sceneUp`. */\nexport function applyOffset(\n\tmeshes: THREE.Object3D[],\n\toffset: number,\n\taxis: 'x' | 'y' | 'z' = 'z'\n): void {\n\tmeshes.forEach((mesh) => {\n\t\tmesh.position[axis] -= offset;\n\t});\n}\n\nexport function computeCombinedBoundingBox(meshes: THREE.Object3D[]): THREE.Box3 {\n\tconst combinedBoundingBox = new THREE.Box3();\n\tif (meshes.length === 0) return combinedBoundingBox;\n\tmeshes.forEach((mesh) => {\n\t\tmesh.updateMatrixWorld(true);\n\t\tconst bbox = new THREE.Box3().setFromObject(mesh);\n\t\tcombinedBoundingBox.union(bbox);\n\t});\n\treturn combinedBoundingBox;\n}\n","// ============================================================================\n// GPU capabilities — published by the renderer, read by whoever needs them\n// ============================================================================\n\n// Lets a renderer publish GPU capabilities (max anisotropy) without `render/` and `parse/` importing\n// each other: the renderer publishes on init, interested parties subscribe.\n\ntype AnisotropyObserver = (value: number) => void;\n\nconst observers = new Set<AnisotropyObserver>();\n\n// Module load order between layers isn't guaranteed, so a subscriber arriving after init still\n// needs the current value rather than waiting for a second renderer to publish.\nlet maxAnisotropy = 1;\n\nexport function publishMaxAnisotropy(value: number): void {\n\tconst next = Math.max(1, value);\n\tif (next === maxAnisotropy) return;\n\tmaxAnisotropy = next;\n\tfor (const observe of observers) observe(next);\n}\n\n/** Fires immediately with the current value (1 until a renderer has reported), then on every change. */\nexport function observeMaxAnisotropy(observe: AnisotropyObserver): () => void {\n\tobservers.add(observe);\n\tobserve(maxAnisotropy);\n\treturn () => observers.delete(observe);\n}\n","import type * as THREE from 'three';\n\n/**\n * `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps\n * skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.\n */\nexport const GLASS = 'selvaGlass';\n\nexport function isGlass(material: THREE.Material | THREE.Material[] | undefined): boolean {\n\tif (!material) return false;\n\treturn Array.isArray(material)\n\t\t? material.some((m) => m.userData[GLASS] === true)\n\t\t: material.userData[GLASS] === true;\n}\n\n/**\n * Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.\n * For passes that redraw the scene with an override material, which would otherwise draw glass as\n * a solid surface.\n */\nexport function hideGlass(root: THREE.Object3D): () => void {\n\tconst hidden: THREE.Object3D[] = [];\n\troot.traverse((object) => {\n\t\tif (object.visible && isGlass((object as THREE.Mesh).material)) {\n\t\t\tobject.visible = false;\n\t\t\thidden.push(object);\n\t\t}\n\t});\n\treturn () => {\n\t\tfor (const object of hidden) object.visible = true;\n\t};\n}\n","import * as THREE from 'three';\n\nimport { cachedSourceOf, canDisposeMaterial } from './gpu-ownership.js';\n\n// ============================================================================\n// The disposal walkers — every teardown path in the package goes through these\n// ============================================================================\n\n/** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */\nexport function disposeMaterial(material: THREE.Material): void {\n\tif (!canDisposeMaterial(material)) return;\n\n\tfor (const [key, value] of Object.entries(material)) {\n\t\t// An envMap is the scene's, shared by every metal: freeing it here would blank them all.\n\t\tif (key === 'envMap') continue;\n\t\tif (value instanceof THREE.Texture) {\n\t\t\tvalue.dispose();\n\t\t}\n\t}\n\tmaterial.dispose();\n}\n\nfunction disposeMaterials(material: THREE.Material | THREE.Material[] | undefined): void {\n\tif (!material) return;\n\tif (Array.isArray(material)) material.forEach(disposeMaterial);\n\telse disposeMaterial(material);\n}\n\nexport interface DisposeOptions {\n\t/** Free materials and their textures too. Default true; the solve memo passes false. */\n\tmaterials?: boolean;\n\t/** Called for each geometry before disposal, so a subsystem can free derived resources keyed on it (e.g. edge caches). */\n\tonGeometry?: (geometry: THREE.BufferGeometry) => void;\n\t/**\n\t * Cached geometries whose GPU copy survives. When given, every other cached geometry this walk\n\t * reaches loses its GPU copy.\n\t */\n\tkeepUploaded?: ReadonlySet<THREE.BufferGeometry>;\n}\n\n/**\n * Frees the GPU resources of an object subtree, respecting ownership. **The only traversal that\n * should dispose scene content** — a second disposing `traverse` risks missing an ownership guard.\n */\nexport function disposeObjectTree(root: THREE.Object3D, options: DisposeOptions = {}): void {\n\tconst { materials = true, keepUploaded } = options;\n\n\troot.traverse((object) => {\n\t\tconst renderable = object as Partial<THREE.Mesh> & THREE.Object3D;\n\t\tif (!renderable.geometry && !renderable.material) return;\n\n\t\tif (renderable.geometry) disposeGeometry(renderable.geometry, keepUploaded);\n\n\t\tif (materials) disposeMaterials(renderable.material);\n\t});\n}\n\nfunction disposeGeometry(\n\tgeometry: THREE.BufferGeometry,\n\tkeepUploaded: ReadonlySet<THREE.BufferGeometry> | undefined\n): void {\n\tconst source = cachedSourceOf(geometry);\n\tif (source !== geometry) {\n\t\t// three's dispose frees the GPU buffers of whatever attributes are attached, so a borrower\n\t\t// lets go of the cache's attributes first.\n\t\tif (source) {\n\t\t\tgeometry.setIndex(null);\n\t\t\tfor (const name of Object.keys(geometry.attributes)) geometry.deleteAttribute(name);\n\t\t}\n\t\tgeometry.dispose();\n\t}\n\tif (source && keepUploaded && !keepUploaded.has(source)) 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