@selvajs/visualization 1.6.0-beta.9 → 1.6.1-beta.0

package/dist/{gpu-dispose-fRI12OCL.cjs → gpu-dispose-D66GqIWS.cjs}

@@ -191,8 +191,8 @@ const LOOK_PRESETS = {
 		sunlightIntensity: .14,
 		background: 658962,
 		bloom: {
-			strength: .26,
-			radius: .5,
+			strength: .2,
+			radius: .3,
 			threshold: 1.8
 		},
 		emissiveLights: true,
@@ -312,6 +312,33 @@ function observeMaxAnisotropy(observe) {
 	observe(maxAnisotropy);
 	return () => observers.delete(observe);
 }
+// src/shared/glass.ts
+/**
+* `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps
+* skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.
+*/
+const GLASS = "selvaGlass";
+function isGlass(material) {
+	if (!material) return false;
+	return Array.isArray(material) ? material.some((m) => m.userData[GLASS] === true) : material.userData[GLASS] === true;
+}
+/**
+* Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.
+* For passes that redraw the scene with an override material, which would otherwise draw glass as
+* a solid surface.
+*/
+function hideGlass(root) {
+	const hidden = [];
+	root.traverse((object) => {
+		if (object.visible && isGlass(object.material)) {
+			object.visible = false;
+			hidden.push(object);
+		}
+	});
+	return () => {
+		for (const object of hidden) object.visible = true;
+	};
+}
 // src/shared/gpu-dispose.ts
 /** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */
 function disposeMaterial(material) {
@@ -369,6 +396,12 @@ Object.defineProperty(exports, "ErrorCodes", {
 		return ErrorCodes;
 	}
 });
+Object.defineProperty(exports, "GLASS", {
+	enumerable: true,
+	get: function() {
+		return GLASS;
+	}
+});
 Object.defineProperty(exports, "LOOK_PRESETS", {
 	enumerable: true,
 	get: function() {
@@ -423,6 +456,18 @@ Object.defineProperty(exports, "getLogger", {
 		return getLogger;
 	}
 });
+Object.defineProperty(exports, "hideGlass", {
+	enumerable: true,
+	get: function() {
+		return hideGlass;
+	}
+});
+Object.defineProperty(exports, "isGlass", {
+	enumerable: true,
+	get: function() {
+		return isGlass;
+	}
+});
 Object.defineProperty(exports, "lookEnvMapIntensity", {
 	enumerable: true,
 	get: function() {
@@ -466,4 +511,4 @@ Object.defineProperty(exports, "setLogger", {
 	}
 });
 
-//# sourceMappingURL=gpu-dispose-fRI12OCL.cjs.map
+//# sourceMappingURL=gpu-dispose-D66GqIWS.cjs.map

package/dist/gpu-dispose-D66GqIWS.cjs.map

@@ -0,0 +1 @@
+{"version":3,"file":"gpu-dispose-D66GqIWS.cjs","names":["THREE","THREE","canDisposeMaterial","THREE","cachedSourceOf"],"sources":["../src/shared/errors.ts","../src/shared/logger.ts","../src/shared/looks.ts","../src/shared/geometry.ts","../src/shared/gpu-capabilities.ts","../src/shared/glass.ts","../src/shared/gpu-dispose.ts"],"sourcesContent":["/**\n * Errors for the visualization package. Replaces `@selvajs/compute`'s `RhinoComputeError`, which\n * mis-named failures on paths (e.g. the plugin WebSocket) that never touch Rhino.Compute. `code`\n * values match compute's so existing catch-sites keep working.\n */\n\nexport const ErrorCodes = {\n\t/** Structural check failed: bad magic bytes, out-of-window index, malformed metadata. */\n\tVALIDATION_ERROR: 'VALIDATION_ERROR',\n\tINVALID_STATE: 'INVALID_STATE',\n\t/** No `DecompressionStream`, no WebGL context, etc. */\n\tENVIRONMENT_ERROR: 'ENVIRONMENT_ERROR',\n\tINVALID_CONFIG: 'INVALID_CONFIG',\n\t/** Base64 input could not be decoded. */\n\tENCODING_ERROR: 'ENCODING_ERROR',\n\tUNKNOWN_ERROR: 'UNKNOWN_ERROR'\n} as const;\n\nexport type ErrorCode = (typeof ErrorCodes)[keyof typeof ErrorCodes];\n\nexport class VisualizationError extends Error {\n\tpublic readonly code: ErrorCode;\n\tpublic readonly context?: Record<string, unknown>;\n\tpublic readonly originalError?: Error;\n\n\tconstructor(\n\t\tmessage: string,\n\t\tcode: ErrorCode = ErrorCodes.UNKNOWN_ERROR,\n\t\toptions?: { context?: Record<string, unknown>; originalError?: Error }\n\t) {\n\t\tsuper(message);\n\t\tthis.name = 'VisualizationError';\n\t\tthis.code = code;\n\t\tthis.context = options?.context;\n\t\tthis.originalError = options?.originalError;\n\t\tif (options?.originalError) {\n\t\t\t(this as { cause?: unknown }).cause = options.originalError;\n\t\t}\n\t}\n}\n","/**\n * Logging facility for the visualization package. Deliberately local rather than imported from\n * `@selvajs/compute` (logging isn't a compute concern). Mirrors compute's logger shape so a host\n * wanting one sink for both can call `setLogger(computeLogger.getLogger())`.\n */\n\nimport { VisualizationError, ErrorCodes } from './errors.js';\n\nexport interface Logger {\n\tdebug(message: string, ...args: unknown[]): void;\n\tinfo(message: string, ...args: unknown[]): void;\n\twarn(message: string, ...args: unknown[]): void;\n\terror(message: string, ...args: unknown[]): void;\n}\n\nclass NoOpLogger implements Logger {\n\tdebug(): void {}\n\tinfo(): void {}\n\twarn(): void {}\n\terror(): void {}\n}\n\nclass ConsoleLogger implements Logger {\n\tdebug(message: string, ...args: unknown[]): void {\n\t\t// eslint-disable-next-line no-console -- this class exists to be the console sink\n\t\tconsole.debug(message, ...args);\n\t}\n\n\tinfo(message: string, ...args: unknown[]): void {\n\t\tconsole.info(message, ...args);\n\t}\n\n\twarn(message: string, ...args: unknown[]): void {\n\t\tconsole.warn(message, ...args);\n\t}\n\n\terror(message: string, ...args: unknown[]): void {\n\t\tconsole.error(message, ...args);\n\t}\n}\n\n// Defaults to no-op: a library that writes to the console uninvited is a nuisance in a host with\n// its own logging. Opt in with setLogger or enableDebugLogging.\nlet internalLogger: Logger = new NoOpLogger();\n\n// Call per-use rather than caching — the sink is settable at any time.\nexport function getLogger(): Logger {\n\treturn internalLogger;\n}\n\n// Validates logger shape up front: failing here beats a confusing \"getLogger().debug is not a\n// function\" at some later, unrelated call site.\nexport function setLogger(logger: Logger | Console | null): void {\n\tif (logger === null) {\n\t\tinternalLogger = new NoOpLogger();\n\t\treturn;\n\t}\n\n\tconst missing = (['debug', 'info', 'warn', 'error'] as const).filter(\n\t\t(method) => typeof (logger as unknown as Record<string, unknown>)[method] !== 'function'\n\t);\n\tif (missing.length > 0) {\n\t\tthrow new VisualizationError(\n\t\t\t`Logger is missing required method(s): ${missing.join(', ')}. A logger must implement debug, info, warn and error.`,\n\t\t\tErrorCodes.INVALID_CONFIG,\n\t\t\t{ context: { missingMethods: missing } }\n\t\t);\n\t}\n\n\tinternalLogger = logger as Logger;\n}\n\nexport function enableDebugLogging(): void {\n\tsetLogger(new ConsoleLogger());\n}\n","import * as THREE from 'three';\n\nimport type { Look, LookPreset, MaterialAppearanceOptions } from './types.js';\n\n/** The look applied when the caller passes no `look` option. */\nexport const DEFAULT_LOOK: Look = 'technical';\n\n/**\n * Single source of truth for both `applyDefaults` (construction) and `setLook` (runtime), so the two\n * can't drift.\n *\n * Every shaded look pairs a key light with contact shading (GTAO), because image-based lighting on\n * its own lights all faces of a box nearly equally — the result is a white silhouette with no\n * readable form. GTAO is a full-screen pass and does cost frames; `xray` skips it since there are no\n * opaque contacts left to shade.\n */\nexport const LOOK_PRESETS: Record<Look, LookPreset> = {\n\t// Fills shadows in (vs. showcase, which lets them fall off), but still key-lit: ACES plus a\n\t// moderate sun, with fill high enough that shadowed faces keep detail.\n\tstudio: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 0.85,\n\t\themisphereIntensity: 0.5,\n\t\tambientIntensity: 0.25,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 1.6\n\t},\n\t// The sun carries this look and the ambient/IBL only lift shadows off black. Fill was the thing\n\t// making it read as flat white paper: every source except the sun is orientation-independent, so\n\t// the more of them you stack the less the three faces of a corner differ.\n\ttechnical: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.55,\n\t\tenvironmentIntensity: 0.6,\n\t\themisphereIntensity: 0.25,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.2\n\t},\n\t// Fill pulled furthest DOWN and the sun pushed hardest, so light-to-shadow falloff is steepest —\n\t// a dramatic hero shot, unlike `studio` which fills shadows back in.\n\tshowcase: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1.15,\n\t\tenvMapIntensity: 1.4,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.2,\n\t\tambientIntensity: 0.1,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.6\n\t},\n\t// Every mesh forced to one near-white clay, so form and shadow carry the image instead of the\n\t// model's own colours. AO on: with all albedo differences gone, contact shading is the only thing\n\t// left separating touching parts — without it the model reads as one white blob.\n\tarctic: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.05,\n\t\tenvMapIntensity: 0.85,\n\t\tenvironmentIntensity: 1.1,\n\t\themisphereIntensity: 0.3,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xeef1f5,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.75,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// See-through blue-white with depth writes off, so interior geometry shows through the shell.\n\t// Exposure pushed up because stacked transparent layers darken fast; the sun is dialled back\n\t// because a hard highlight on a transparent shell hides what is behind it.\n\txray: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.3,\n\t\tenvMapIntensity: 0.4,\n\t\tenvironmentIntensity: 0.8,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 0.6,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0.6,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x9fc4e8,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.9,\n\t\t\temissiveIntensity: 0,\n\t\t\topacity: 0.28,\n\t\t\tdepthWrite: false,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t},\n\t// The architectural line drawing: feature edges over flat white faces. The faces are the whole\n\t// point even though you never really see them — they still write depth, so a near member hides\n\t// the ones behind it. True wireframe can't do that, and on a dense frame (thousands of members,\n\t// every edge of every one drawn at once) it collapses into a black mass.\n\t//\n\t// Unlit on purpose: any directional shading would compete with the lines for the eye. Ambient\n\t// alone lands every face on the same flat white, so the only contrast in the image is the edges.\n\t// AO is off for the same reason — a grey contact smear under a line drawing just muddies it.\n\tlineart: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// The faces are MeshPhysicalMaterial, so they take their brightness from lighting, not from\n\t\t// `color`: zero out the lights and they render black however white the override is. Hemisphere\n\t\t// and ambient carry it rather than IBL, because `scene.environment` only exists if the host\n\t\t// loaded an HDR — leaning on IBL would render this look black in any viewer without one. Both\n\t\t// are orientation-independent, so every face lands on the same flat white and the edges stay\n\t\t// the only contrast in the image. Ambient is weighted over hemisphere because hemisphere's\n\t\t// ground colour is a warm brown by default: leaning on it tints every downward face grey and\n\t\t// the drawing stops reading as one flat white.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 3.2,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\trequiresEdges: true,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xf7f8fa,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// Triangle edges only — the tessellation itself, diagonals and all. That makes it a mesh-\n\t// inspection tool, not a drawing: for a readable line drawing use `lineart`, which draws\n\t// feature edges and lets near faces occlude far ones. Nothing here is a lit surface:\n\t// the sun is off and fill carries the image, because a directional light on a line renders it\n\t// black wherever the line runs away from the key. AO is off for the same reason — a full-screen\n\t// contact pass has no contacts to find between wires, and it only costs frames.\n\t// After dark: the only real light comes from what the model emits, so a lamp lights its desk.\n\t// A little sky stays so the unlit half of the model keeps its shape instead of going black.\n\tnight: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.32,\n\t\tenvironmentIntensity: 0.15,\n\t\themisphereIntensity: 0.26,\n\t\tambientIntensity: 0.05,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 0.14,\n\t\tbackground: 0x0a0e12,\n\t\t// Above what the environment reaches on polished metal, so only emitters glow.\n\t\tbloom: { strength: 0.2, radius: 0.3, threshold: 1.8 },\n\t\temissiveLights: true,\n\t\t// Full-screen passes are the cost here: AO alone takes a quarter of the frame on an integrated\n\t\t// GPU, and without it there is no composer. A bounce light costs next to nothing and is all\n\t\t// that lights the room outside the shade, so one stays with its key.\n\t\tlowPower: {\n\t\t\tambientOcclusion: false,\n\t\t\tbloom: undefined,\n\t\t\tmaxEmissiveLights: 1,\n\t\t\tmaxPixelRatio: 1.5\n\t\t}\n\t},\n\twireframe: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// Lit for the same reason as lineart (see there): PBR lines are black unlit, and hemisphere\n\t\t// plus ambient work with no HDR loaded. Dimmer than lineart because these lines are dark\n\t\t// on white, not white on dark.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.4,\n\t\tambientIntensity: 2.0,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x2b3138,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0,\n\t\t\twireframe: true,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t}\n};\n\n/** A look's preset, with its `lowPower` fields applied on a low-power device. */\nexport function lookPreset(look: Look, lowPower = false): LookPreset {\n\tconst preset = LOOK_PRESETS[look];\n\treturn lowPower ? { ...preset, ...preset.lowPower } : preset;\n}\n\n/** `userData` key marking a material whose emission came from the wire, not from a selection tint. */\nexport const OWN_EMISSIVE = 'selvaEmissive';\n\n/** `userData` key holding the light a material casts, from real lumens rather than its look. */\nexport const EMISSIVE_LIGHT = 'selvaEmissiveLight';\n\n/**\n * `userData` key holding a material's own `envMapIntensity`, set by the parser when the wire\n * material carries one. `setLook` keeps it instead of the look's value, except in looks with a\n * `materialOverride`: those restyle every mesh alike, so the look's value wins there.\n */\nexport const OWN_ENV_MAP_INTENSITY = 'selvaEnvMapIntensity';\n\n/**\n * A look dims `envMapIntensity` to turn down fill, but three scales a material's diffuse and\n * specular IBL together. A metal has no diffuse, so the same dimming would only take away its\n * reflection, which is all a metal shows. Blending toward 1 by metalness keeps a dielectric's fill\n * on the look and a metal's reflection the same in every look.\n */\nexport function lookEnvMapIntensity(lookValue: number, metalness: number): number {\n\treturn lookValue + (1 - lookValue) * Math.min(1, Math.max(0, metalness));\n}\n\n/** Baked at parse time (not toggleable at runtime). */\nexport function materialAppearanceForLook(look: Look): MaterialAppearanceOptions {\n\tconst preset = LOOK_PRESETS[look];\n\treturn {\n\t\tenvMapIntensity: preset.envMapIntensity,\n\t\tcullBackfaces: preset.cullBackfaces\n\t};\n}\n","import * as THREE from 'three';\n\nimport { getLogger } from './logger.js';\n\n// parse/ needs these and must never import upward from render/, so they live in shared/ instead\n// of render's three-helpers.\n\nexport function parseColor(colorString: string): THREE.Color {\n\tif (!colorString || typeof colorString !== 'string') {\n\t\tgetLogger().warn(`Invalid color input: ${colorString}, using white`);\n\t\treturn new THREE.Color(0xffffff);\n\t}\n\n\tconst trimmed = colorString.trim();\n\n\tif (/^#?[0-9A-Fa-f]{6}$/.test(trimmed)) {\n\t\ttry {\n\t\t\tconst hex = trimmed.startsWith('#') ? trimmed : `#${trimmed}`;\n\t\t\treturn new THREE.Color(hex);\n\t\t} catch {\n\t\t\tgetLogger().warn(`Invalid hex color: ${colorString}, using white`);\n\t\t\treturn new THREE.Color(0xffffff);\n\t\t}\n\t}\n\n\tif (trimmed.includes(',')) {\n\t\tconst rgb = trimmed.split(',').map((c) => parseInt(c.trim(), 10));\n\t\tif (rgb.length === 3 && rgb.every((n) => !isNaN(n) && n >= 0 && n <= 255)) {\n\t\t\treturn new THREE.Color(rgb[0] / 255, rgb[1] / 255, rgb[2] / 255);\n\t\t}\n\t}\n\n\t// `new THREE.Color(name)` never throws on unknown names (it logs its own warning and leaves the\n\t// color white), so validate against three's CSS name table instead.\n\tconst named = trimmed.toLowerCase();\n\tif (named in THREE.Color.NAMES) {\n\t\treturn new THREE.Color(THREE.Color.NAMES[named as keyof typeof THREE.Color.NAMES]);\n\t}\n\n\tgetLogger().warn(`Invalid color string: ${colorString}, using white`);\n\treturn new THREE.Color(0xffffff);\n}\n\n/** Defaults to `z` (Rhino's up axis); pass an explicit axis when the scene uses a different `sceneUp`. */\nexport function applyOffset(\n\tmeshes: THREE.Object3D[],\n\toffset: number,\n\taxis: 'x' | 'y' | 'z' = 'z'\n): void {\n\tmeshes.forEach((mesh) => {\n\t\tmesh.position[axis] -= offset;\n\t});\n}\n\nexport function computeCombinedBoundingBox(meshes: THREE.Object3D[]): THREE.Box3 {\n\tconst combinedBoundingBox = new THREE.Box3();\n\tif (meshes.length === 0) return combinedBoundingBox;\n\tmeshes.forEach((mesh) => {\n\t\tmesh.updateMatrixWorld(true);\n\t\tconst bbox = new THREE.Box3().setFromObject(mesh);\n\t\tcombinedBoundingBox.union(bbox);\n\t});\n\treturn combinedBoundingBox;\n}\n","// ============================================================================\n// GPU capabilities — published by the renderer, read by whoever needs them\n// ============================================================================\n\n// Lets a renderer publish GPU capabilities (max anisotropy) without `render/` and `parse/` importing\n// each other: the renderer publishes on init, interested parties subscribe.\n\ntype AnisotropyObserver = (value: number) => void;\n\nconst observers = new Set<AnisotropyObserver>();\n\n// Module load order between layers isn't guaranteed, so a subscriber arriving after init still\n// needs the current value rather than waiting for a second renderer to publish.\nlet maxAnisotropy = 1;\n\nexport function publishMaxAnisotropy(value: number): void {\n\tconst next = Math.max(1, value);\n\tif (next === maxAnisotropy) return;\n\tmaxAnisotropy = next;\n\tfor (const observe of observers) observe(next);\n}\n\n/** Fires immediately with the current value (1 until a renderer has reported), then on every change. */\nexport function observeMaxAnisotropy(observe: AnisotropyObserver): () => void {\n\tobservers.add(observe);\n\tobserve(maxAnisotropy);\n\treturn () => observers.delete(observe);\n}\n","import type * as THREE from 'three';\n\n/**\n * `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps\n * skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.\n */\nexport const GLASS = 'selvaGlass';\n\nexport function isGlass(material: THREE.Material | THREE.Material[] | undefined): boolean {\n\tif (!material) return false;\n\treturn Array.isArray(material)\n\t\t? material.some((m) => m.userData[GLASS] === true)\n\t\t: material.userData[GLASS] === true;\n}\n\n/**\n * Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.\n * For passes that redraw the scene with an override material, which would otherwise draw glass as\n * a solid surface.\n */\nexport function hideGlass(root: THREE.Object3D): () => void {\n\tconst hidden: THREE.Object3D[] = [];\n\troot.traverse((object) => {\n\t\tif (object.visible && isGlass((object as THREE.Mesh).material)) {\n\t\t\tobject.visible = false;\n\t\t\thidden.push(object);\n\t\t}\n\t});\n\treturn () => {\n\t\tfor (const object of hidden) object.visible = true;\n\t};\n}\n","import * as THREE from 'three';\n\nimport { cachedSourceOf, canDisposeMaterial } from './gpu-ownership.js';\n\n// ============================================================================\n// The disposal walkers — every teardown path in the package goes through these\n// ============================================================================\n\n/** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */\nexport function disposeMaterial(material: THREE.Material): void {\n\tif (!canDisposeMaterial(material)) return;\n\n\tfor (const [key, value] of Object.entries(material)) {\n\t\t// An envMap is the scene's, shared by every metal: freeing it here would blank them all.\n\t\tif (key === 'envMap') continue;\n\t\tif (value instanceof THREE.Texture) {\n\t\t\tvalue.dispose();\n\t\t}\n\t}\n\tmaterial.dispose();\n}\n\nfunction disposeMaterials(material: THREE.Material | THREE.Material[] | undefined): void {\n\tif (!material) return;\n\tif (Array.isArray(material)) material.forEach(disposeMaterial);\n\telse disposeMaterial(material);\n}\n\nexport interface DisposeOptions {\n\t/** Free materials and their textures too. Default true; the solve memo passes false. */\n\tmaterials?: boolean;\n\t/** Called for each geometry before disposal, so a subsystem can free derived resources keyed on it (e.g. edge caches). */\n\tonGeometry?: (geometry: THREE.BufferGeometry) => void;\n\t/**\n\t * Cached geometries whose GPU copy survives. When given, every other cached geometry this walk\n\t * reaches loses its GPU copy.\n\t */\n\tkeepUploaded?: ReadonlySet<THREE.BufferGeometry>;\n}\n\n/**\n * Frees the GPU resources of an object subtree, respecting ownership. **The only traversal that\n * should dispose scene content** — a second disposing `traverse` risks missing an ownership guard.\n */\nexport function disposeObjectTree(root: THREE.Object3D, options: DisposeOptions = {}): void {\n\tconst { materials = true, keepUploaded } = options;\n\n\troot.traverse((object) => {\n\t\tconst renderable = object as Partial<THREE.Mesh> & THREE.Object3D;\n\t\tif (!renderable.geometry && !renderable.material) return;\n\n\t\tif (renderable.geometry) disposeGeometry(renderable.geometry, keepUploaded);\n\n\t\tif (materials) disposeMaterials(renderable.material);\n\t});\n}\n\nfunction disposeGeometry(\n\tgeometry: THREE.BufferGeometry,\n\tkeepUploaded: ReadonlySet<THREE.BufferGeometry> | undefined\n): void {\n\tconst source = cachedSourceOf(geometry);\n\tif (source !== geometry) {\n\t\t// three's dispose frees the GPU buffers of whatever attributes are attached, so a borrower\n\t\t// lets go of the cache's attributes first.\n\t\tif (source) {\n\t\t\tgeometry.setIndex(null);\n\t\t\tfor (const name of Object.keys(geometry.attributes)) geometry.deleteAttribute(name);\n\t\t}\n\t\tgeometry.dispose();\n\t}\n\tif (source && keepUploaded && !keepUploaded.has(source)) 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package/dist/{gpu-dispose-Cl3RXm-v.js → gpu-dispose-Di_nxeXF.js}

@@ -190,8 +190,8 @@ const LOOK_PRESETS = {
 		sunlightIntensity: .14,
 		background: 658962,
 		bloom: {
-			strength: .26,
-			radius: .5,
+			strength: .2,
+			radius: .3,
 			threshold: 1.8
 		},
 		emissiveLights: true,
@@ -311,6 +311,33 @@ function observeMaxAnisotropy(observe) {
 	observe(maxAnisotropy);
 	return () => observers.delete(observe);
 }
+// src/shared/glass.ts
+/**
+* `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps
+* skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.
+*/
+const GLASS = "selvaGlass";
+function isGlass(material) {
+	if (!material) return false;
+	return Array.isArray(material) ? material.some((m) => m.userData[GLASS] === true) : material.userData[GLASS] === true;
+}
+/**
+* Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.
+* For passes that redraw the scene with an override material, which would otherwise draw glass as
+* a solid surface.
+*/
+function hideGlass(root) {
+	const hidden = [];
+	root.traverse((object) => {
+		if (object.visible && isGlass(object.material)) {
+			object.visible = false;
+			hidden.push(object);
+		}
+	});
+	return () => {
+		for (const object of hidden) object.visible = true;
+	};
+}
 // src/shared/gpu-dispose.ts
 /** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */
 function disposeMaterial(material) {
@@ -350,6 +377,6 @@ function disposeGeometry(geometry, keepUploaded) {
 	}
 	if (source && keepUploaded && !keepUploaded.has(source)) source.dispose();
 }
-export { setLogger as _, computeCombinedBoundingBox as a, EMISSIVE_LIGHT as c, OWN_ENV_MAP_INTENSITY as d, lookEnvMapIntensity as f, getLogger as g, enableDebugLogging as h, applyOffset as i, LOOK_PRESETS as l, materialAppearanceForLook as m, observeMaxAnisotropy as n, parseColor as o, lookPreset as p, publishMaxAnisotropy as r, DEFAULT_LOOK as s, disposeObjectTree as t, OWN_EMISSIVE as u, ErrorCodes as v, VisualizationError as y };
+export { VisualizationError as S, materialAppearanceForLook as _, observeMaxAnisotropy as a, setLogger as b, computeCombinedBoundingBox as c, EMISSIVE_LIGHT as d, LOOK_PRESETS as f, lookPreset as g, lookEnvMapIntensity as h, isGlass as i, parseColor as l, OWN_ENV_MAP_INTENSITY as m, GLASS as n, publishMaxAnisotropy as o, OWN_EMISSIVE as p, hideGlass as r, applyOffset as s, disposeObjectTree as t, DEFAULT_LOOK as u, enableDebugLogging as v, ErrorCodes as x, getLogger as y };
 
-//# sourceMappingURL=gpu-dispose-Cl3RXm-v.js.map
+//# sourceMappingURL=gpu-dispose-Di_nxeXF.js.map

package/dist/gpu-dispose-Di_nxeXF.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"gpu-dispose-Di_nxeXF.js","names":[],"sources":["../src/shared/errors.ts","../src/shared/logger.ts","../src/shared/looks.ts","../src/shared/geometry.ts","../src/shared/gpu-capabilities.ts","../src/shared/glass.ts","../src/shared/gpu-dispose.ts"],"sourcesContent":["/**\n * Errors for the visualization package. Replaces `@selvajs/compute`'s `RhinoComputeError`, which\n * mis-named failures on paths (e.g. the plugin WebSocket) that never touch Rhino.Compute. `code`\n * values match compute's so existing catch-sites keep working.\n */\n\nexport const ErrorCodes = {\n\t/** Structural check failed: bad magic bytes, out-of-window index, malformed metadata. */\n\tVALIDATION_ERROR: 'VALIDATION_ERROR',\n\tINVALID_STATE: 'INVALID_STATE',\n\t/** No `DecompressionStream`, no WebGL context, etc. */\n\tENVIRONMENT_ERROR: 'ENVIRONMENT_ERROR',\n\tINVALID_CONFIG: 'INVALID_CONFIG',\n\t/** Base64 input could not be decoded. */\n\tENCODING_ERROR: 'ENCODING_ERROR',\n\tUNKNOWN_ERROR: 'UNKNOWN_ERROR'\n} as const;\n\nexport type ErrorCode = (typeof ErrorCodes)[keyof typeof ErrorCodes];\n\nexport class VisualizationError extends Error {\n\tpublic readonly code: ErrorCode;\n\tpublic readonly context?: Record<string, unknown>;\n\tpublic readonly originalError?: Error;\n\n\tconstructor(\n\t\tmessage: string,\n\t\tcode: ErrorCode = ErrorCodes.UNKNOWN_ERROR,\n\t\toptions?: { context?: Record<string, unknown>; originalError?: Error }\n\t) {\n\t\tsuper(message);\n\t\tthis.name = 'VisualizationError';\n\t\tthis.code = code;\n\t\tthis.context = options?.context;\n\t\tthis.originalError = options?.originalError;\n\t\tif (options?.originalError) {\n\t\t\t(this as { cause?: unknown }).cause = options.originalError;\n\t\t}\n\t}\n}\n","/**\n * Logging facility for the visualization package. Deliberately local rather than imported from\n * `@selvajs/compute` (logging isn't a compute concern). Mirrors compute's logger shape so a host\n * wanting one sink for both can call `setLogger(computeLogger.getLogger())`.\n */\n\nimport { VisualizationError, ErrorCodes } from './errors.js';\n\nexport interface Logger {\n\tdebug(message: string, ...args: unknown[]): void;\n\tinfo(message: string, ...args: unknown[]): void;\n\twarn(message: string, ...args: unknown[]): void;\n\terror(message: string, ...args: unknown[]): void;\n}\n\nclass NoOpLogger implements Logger {\n\tdebug(): void {}\n\tinfo(): void {}\n\twarn(): void {}\n\terror(): void {}\n}\n\nclass ConsoleLogger implements Logger {\n\tdebug(message: string, ...args: unknown[]): void {\n\t\t// eslint-disable-next-line no-console -- this class exists to be the console sink\n\t\tconsole.debug(message, ...args);\n\t}\n\n\tinfo(message: string, ...args: unknown[]): void {\n\t\tconsole.info(message, ...args);\n\t}\n\n\twarn(message: string, ...args: unknown[]): void {\n\t\tconsole.warn(message, ...args);\n\t}\n\n\terror(message: string, ...args: unknown[]): void {\n\t\tconsole.error(message, ...args);\n\t}\n}\n\n// Defaults to no-op: a library that writes to the console uninvited is a nuisance in a host with\n// its own logging. Opt in with setLogger or enableDebugLogging.\nlet internalLogger: Logger = new NoOpLogger();\n\n// Call per-use rather than caching — the sink is settable at any time.\nexport function getLogger(): Logger {\n\treturn internalLogger;\n}\n\n// Validates logger shape up front: failing here beats a confusing \"getLogger().debug is not a\n// function\" at some later, unrelated call site.\nexport function setLogger(logger: Logger | Console | null): void {\n\tif (logger === null) {\n\t\tinternalLogger = new NoOpLogger();\n\t\treturn;\n\t}\n\n\tconst missing = (['debug', 'info', 'warn', 'error'] as const).filter(\n\t\t(method) => typeof (logger as unknown as Record<string, unknown>)[method] !== 'function'\n\t);\n\tif (missing.length > 0) {\n\t\tthrow new VisualizationError(\n\t\t\t`Logger is missing required method(s): ${missing.join(', ')}. A logger must implement debug, info, warn and error.`,\n\t\t\tErrorCodes.INVALID_CONFIG,\n\t\t\t{ context: { missingMethods: missing } }\n\t\t);\n\t}\n\n\tinternalLogger = logger as Logger;\n}\n\nexport function enableDebugLogging(): void {\n\tsetLogger(new ConsoleLogger());\n}\n","import * as THREE from 'three';\n\nimport type { Look, LookPreset, MaterialAppearanceOptions } from './types.js';\n\n/** The look applied when the caller passes no `look` option. */\nexport const DEFAULT_LOOK: Look = 'technical';\n\n/**\n * Single source of truth for both `applyDefaults` (construction) and `setLook` (runtime), so the two\n * can't drift.\n *\n * Every shaded look pairs a key light with contact shading (GTAO), because image-based lighting on\n * its own lights all faces of a box nearly equally — the result is a white silhouette with no\n * readable form. GTAO is a full-screen pass and does cost frames; `xray` skips it since there are no\n * opaque contacts left to shade.\n */\nexport const LOOK_PRESETS: Record<Look, LookPreset> = {\n\t// Fills shadows in (vs. showcase, which lets them fall off), but still key-lit: ACES plus a\n\t// moderate sun, with fill high enough that shadowed faces keep detail.\n\tstudio: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 0.85,\n\t\themisphereIntensity: 0.5,\n\t\tambientIntensity: 0.25,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 1.6\n\t},\n\t// The sun carries this look and the ambient/IBL only lift shadows off black. Fill was the thing\n\t// making it read as flat white paper: every source except the sun is orientation-independent, so\n\t// the more of them you stack the less the three faces of a corner differ.\n\ttechnical: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.55,\n\t\tenvironmentIntensity: 0.6,\n\t\themisphereIntensity: 0.25,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.2\n\t},\n\t// Fill pulled furthest DOWN and the sun pushed hardest, so light-to-shadow falloff is steepest —\n\t// a dramatic hero shot, unlike `studio` which fills shadows back in.\n\tshowcase: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1.15,\n\t\tenvMapIntensity: 1.4,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.2,\n\t\tambientIntensity: 0.1,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.6\n\t},\n\t// Every mesh forced to one near-white clay, so form and shadow carry the image instead of the\n\t// model's own colours. AO on: with all albedo differences gone, contact shading is the only thing\n\t// left separating touching parts — without it the model reads as one white blob.\n\tarctic: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.05,\n\t\tenvMapIntensity: 0.85,\n\t\tenvironmentIntensity: 1.1,\n\t\themisphereIntensity: 0.3,\n\t\tambientIntensity: 0.15,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 2.0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xeef1f5,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.75,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// See-through blue-white with depth writes off, so interior geometry shows through the shell.\n\t// Exposure pushed up because stacked transparent layers darken fast; the sun is dialled back\n\t// because a hard highlight on a transparent shell hides what is behind it.\n\txray: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1.3,\n\t\tenvMapIntensity: 0.4,\n\t\tenvironmentIntensity: 0.8,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 0.6,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0.6,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x9fc4e8,\n\t\t\tmetalness: 0,\n\t\t\troughness: 0.9,\n\t\t\temissiveIntensity: 0,\n\t\t\topacity: 0.28,\n\t\t\tdepthWrite: false,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t},\n\t// The architectural line drawing: feature edges over flat white faces. The faces are the whole\n\t// point even though you never really see them — they still write depth, so a near member hides\n\t// the ones behind it. True wireframe can't do that, and on a dense frame (thousands of members,\n\t// every edge of every one drawn at once) it collapses into a black mass.\n\t//\n\t// Unlit on purpose: any directional shading would compete with the lines for the eye. Ambient\n\t// alone lands every face on the same flat white, so the only contrast in the image is the edges.\n\t// AO is off for the same reason — a grey contact smear under a line drawing just muddies it.\n\tlineart: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// The faces are MeshPhysicalMaterial, so they take their brightness from lighting, not from\n\t\t// `color`: zero out the lights and they render black however white the override is. Hemisphere\n\t\t// and ambient carry it rather than IBL, because `scene.environment` only exists if the host\n\t\t// loaded an HDR — leaning on IBL would render this look black in any viewer without one. Both\n\t\t// are orientation-independent, so every face lands on the same flat white and the edges stay\n\t\t// the only contrast in the image. Ambient is weighted over hemisphere because hemisphere's\n\t\t// ground colour is a warm brown by default: leaning on it tints every downward face grey and\n\t\t// the drawing stops reading as one flat white.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.6,\n\t\tambientIntensity: 3.2,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\trequiresEdges: true,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0xf7f8fa,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0\n\t\t}\n\t},\n\t// Triangle edges only — the tessellation itself, diagonals and all. That makes it a mesh-\n\t// inspection tool, not a drawing: for a readable line drawing use `lineart`, which draws\n\t// feature edges and lets near faces occlude far ones. Nothing here is a lit surface:\n\t// the sun is off and fill carries the image, because a directional light on a line renders it\n\t// black wherever the line runs away from the key. AO is off for the same reason — a full-screen\n\t// contact pass has no contacts to find between wires, and it only costs frames.\n\t// After dark: the only real light comes from what the model emits, so a lamp lights its desk.\n\t// A little sky stays so the unlit half of the model keeps its shape instead of going black.\n\tnight: {\n\t\ttoneMapping: THREE.ACESFilmicToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\tenvMapIntensity: 0.32,\n\t\tenvironmentIntensity: 0.15,\n\t\themisphereIntensity: 0.26,\n\t\tambientIntensity: 0.05,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: true,\n\t\tsunlightIntensity: 0.14,\n\t\tbackground: 0x0a0e12,\n\t\t// Above what the environment reaches on polished metal, so only emitters glow.\n\t\tbloom: { strength: 0.2, radius: 0.3, threshold: 1.8 },\n\t\temissiveLights: true,\n\t\t// Full-screen passes are the cost here: AO alone takes a quarter of the frame on an integrated\n\t\t// GPU, and without it there is no composer. A bounce light costs next to nothing and is all\n\t\t// that lights the room outside the shade, so one stays with its key.\n\t\tlowPower: {\n\t\t\tambientOcclusion: false,\n\t\t\tbloom: undefined,\n\t\t\tmaxEmissiveLights: 1,\n\t\t\tmaxPixelRatio: 1.5\n\t\t}\n\t},\n\twireframe: {\n\t\ttoneMapping: THREE.NeutralToneMapping,\n\t\ttoneMappingExposure: 1,\n\t\t// Lit for the same reason as lineart (see there): PBR lines are black unlit, and hemisphere\n\t\t// plus ambient work with no HDR loaded. Dimmer than lineart because these lines are dark\n\t\t// on white, not white on dark.\n\t\tenvMapIntensity: 1.0,\n\t\tenvironmentIntensity: 1.0,\n\t\themisphereIntensity: 0.4,\n\t\tambientIntensity: 2.0,\n\t\tcullBackfaces: false,\n\t\tambientOcclusion: false,\n\t\tsunlightIntensity: 0,\n\t\tmaterialOverride: {\n\t\t\tcolor: 0x2b3138,\n\t\t\tmetalness: 0,\n\t\t\troughness: 1,\n\t\t\temissiveIntensity: 0,\n\t\t\twireframe: true,\n\t\t\tside: THREE.DoubleSide\n\t\t}\n\t}\n};\n\n/** A look's preset, with its `lowPower` fields applied on a low-power device. */\nexport function lookPreset(look: Look, lowPower = false): LookPreset {\n\tconst preset = LOOK_PRESETS[look];\n\treturn lowPower ? { ...preset, ...preset.lowPower } : preset;\n}\n\n/** `userData` key marking a material whose emission came from the wire, not from a selection tint. */\nexport const OWN_EMISSIVE = 'selvaEmissive';\n\n/** `userData` key holding the light a material casts, from real lumens rather than its look. */\nexport const EMISSIVE_LIGHT = 'selvaEmissiveLight';\n\n/**\n * `userData` key holding a material's own `envMapIntensity`, set by the parser when the wire\n * material carries one. `setLook` keeps it instead of the look's value, except in looks with a\n * `materialOverride`: those restyle every mesh alike, so the look's value wins there.\n */\nexport const OWN_ENV_MAP_INTENSITY = 'selvaEnvMapIntensity';\n\n/**\n * A look dims `envMapIntensity` to turn down fill, but three scales a material's diffuse and\n * specular IBL together. A metal has no diffuse, so the same dimming would only take away its\n * reflection, which is all a metal shows. Blending toward 1 by metalness keeps a dielectric's fill\n * on the look and a metal's reflection the same in every look.\n */\nexport function lookEnvMapIntensity(lookValue: number, metalness: number): number {\n\treturn lookValue + (1 - lookValue) * Math.min(1, Math.max(0, metalness));\n}\n\n/** Baked at parse time (not toggleable at runtime). */\nexport function materialAppearanceForLook(look: Look): MaterialAppearanceOptions {\n\tconst preset = LOOK_PRESETS[look];\n\treturn {\n\t\tenvMapIntensity: preset.envMapIntensity,\n\t\tcullBackfaces: preset.cullBackfaces\n\t};\n}\n","import * as THREE from 'three';\n\nimport { getLogger } from './logger.js';\n\n// parse/ needs these and must never import upward from render/, so they live in shared/ instead\n// of render's three-helpers.\n\nexport function parseColor(colorString: string): THREE.Color {\n\tif (!colorString || typeof colorString !== 'string') {\n\t\tgetLogger().warn(`Invalid color input: ${colorString}, using white`);\n\t\treturn new THREE.Color(0xffffff);\n\t}\n\n\tconst trimmed = colorString.trim();\n\n\tif (/^#?[0-9A-Fa-f]{6}$/.test(trimmed)) {\n\t\ttry {\n\t\t\tconst hex = trimmed.startsWith('#') ? trimmed : `#${trimmed}`;\n\t\t\treturn new THREE.Color(hex);\n\t\t} catch {\n\t\t\tgetLogger().warn(`Invalid hex color: ${colorString}, using white`);\n\t\t\treturn new THREE.Color(0xffffff);\n\t\t}\n\t}\n\n\tif (trimmed.includes(',')) {\n\t\tconst rgb = trimmed.split(',').map((c) => parseInt(c.trim(), 10));\n\t\tif (rgb.length === 3 && rgb.every((n) => !isNaN(n) && n >= 0 && n <= 255)) {\n\t\t\treturn new THREE.Color(rgb[0] / 255, rgb[1] / 255, rgb[2] / 255);\n\t\t}\n\t}\n\n\t// `new THREE.Color(name)` never throws on unknown names (it logs its own warning and leaves the\n\t// color white), so validate against three's CSS name table instead.\n\tconst named = trimmed.toLowerCase();\n\tif (named in THREE.Color.NAMES) {\n\t\treturn new THREE.Color(THREE.Color.NAMES[named as keyof typeof THREE.Color.NAMES]);\n\t}\n\n\tgetLogger().warn(`Invalid color string: ${colorString}, using white`);\n\treturn new THREE.Color(0xffffff);\n}\n\n/** Defaults to `z` (Rhino's up axis); pass an explicit axis when the scene uses a different `sceneUp`. */\nexport function applyOffset(\n\tmeshes: THREE.Object3D[],\n\toffset: number,\n\taxis: 'x' | 'y' | 'z' = 'z'\n): void {\n\tmeshes.forEach((mesh) => {\n\t\tmesh.position[axis] -= offset;\n\t});\n}\n\nexport function computeCombinedBoundingBox(meshes: THREE.Object3D[]): THREE.Box3 {\n\tconst combinedBoundingBox = new THREE.Box3();\n\tif (meshes.length === 0) return combinedBoundingBox;\n\tmeshes.forEach((mesh) => {\n\t\tmesh.updateMatrixWorld(true);\n\t\tconst bbox = new THREE.Box3().setFromObject(mesh);\n\t\tcombinedBoundingBox.union(bbox);\n\t});\n\treturn combinedBoundingBox;\n}\n","// ============================================================================\n// GPU capabilities — published by the renderer, read by whoever needs them\n// ============================================================================\n\n// Lets a renderer publish GPU capabilities (max anisotropy) without `render/` and `parse/` importing\n// each other: the renderer publishes on init, interested parties subscribe.\n\ntype AnisotropyObserver = (value: number) => void;\n\nconst observers = new Set<AnisotropyObserver>();\n\n// Module load order between layers isn't guaranteed, so a subscriber arriving after init still\n// needs the current value rather than waiting for a second renderer to publish.\nlet maxAnisotropy = 1;\n\nexport function publishMaxAnisotropy(value: number): void {\n\tconst next = Math.max(1, value);\n\tif (next === maxAnisotropy) return;\n\tmaxAnisotropy = next;\n\tfor (const observe of observers) observe(next);\n}\n\n/** Fires immediately with the current value (1 until a renderer has reported), then on every change. */\nexport function observeMaxAnisotropy(observe: AnisotropyObserver): () => void {\n\tobservers.add(observe);\n\tobserve(maxAnisotropy);\n\treturn () => observers.delete(observe);\n}\n","import type * as THREE from 'three';\n\n/**\n * `userData` key marking a material the parser built as glass. AO, the edge pass and shadow maps\n * skip it: each treats a surface as opaque, so glass would darken, outline and shade what it shows.\n */\nexport const GLASS = 'selvaGlass';\n\nexport function isGlass(material: THREE.Material | THREE.Material[] | undefined): boolean {\n\tif (!material) return false;\n\treturn Array.isArray(material)\n\t\t? material.some((m) => m.userData[GLASS] === true)\n\t\t: material.userData[GLASS] === true;\n}\n\n/**\n * Hides every visible mesh drawn in glass under `root` and returns the call that shows them again.\n * For passes that redraw the scene with an override material, which would otherwise draw glass as\n * a solid surface.\n */\nexport function hideGlass(root: THREE.Object3D): () => void {\n\tconst hidden: THREE.Object3D[] = [];\n\troot.traverse((object) => {\n\t\tif (object.visible && isGlass((object as THREE.Mesh).material)) {\n\t\t\tobject.visible = false;\n\t\t\thidden.push(object);\n\t\t}\n\t});\n\treturn () => {\n\t\tfor (const object of hidden) object.visible = true;\n\t};\n}\n","import * as THREE from 'three';\n\nimport { cachedSourceOf, canDisposeMaterial } from './gpu-ownership.js';\n\n// ============================================================================\n// The disposal walkers — every teardown path in the package goes through these\n// ============================================================================\n\n/** Frees a material and its textures, respecting ownership (`./gpu-ownership.ts`). */\nexport function disposeMaterial(material: THREE.Material): void {\n\tif (!canDisposeMaterial(material)) return;\n\n\tfor (const [key, value] of Object.entries(material)) {\n\t\t// An envMap is the scene's, shared by every metal: freeing it here would blank them all.\n\t\tif (key === 'envMap') continue;\n\t\tif (value instanceof THREE.Texture) {\n\t\t\tvalue.dispose();\n\t\t}\n\t}\n\tmaterial.dispose();\n}\n\nfunction disposeMaterials(material: THREE.Material | THREE.Material[] | undefined): void {\n\tif (!material) return;\n\tif (Array.isArray(material)) material.forEach(disposeMaterial);\n\telse disposeMaterial(material);\n}\n\nexport interface DisposeOptions {\n\t/** Free materials and their textures too. Default true; the solve memo passes false. */\n\tmaterials?: boolean;\n\t/** Called for each geometry before disposal, so a subsystem can free derived resources keyed on it (e.g. edge caches). */\n\tonGeometry?: (geometry: THREE.BufferGeometry) => void;\n\t/**\n\t * Cached geometries whose GPU copy survives. When given, every other cached geometry this walk\n\t * reaches loses its GPU copy.\n\t */\n\tkeepUploaded?: ReadonlySet<THREE.BufferGeometry>;\n}\n\n/**\n * Frees the GPU resources of an object subtree, respecting ownership. **The only traversal that\n * should dispose scene content** — a second disposing `traverse` risks missing an ownership guard.\n */\nexport function disposeObjectTree(root: THREE.Object3D, options: DisposeOptions = {}): void {\n\tconst { materials = true, keepUploaded } = options;\n\n\troot.traverse((object) => {\n\t\tconst renderable = object as Partial<THREE.Mesh> & THREE.Object3D;\n\t\tif (!renderable.geometry && !renderable.material) return;\n\n\t\tif (renderable.geometry) disposeGeometry(renderable.geometry, keepUploaded);\n\n\t\tif (materials) disposeMaterials(renderable.material);\n\t});\n}\n\nfunction disposeGeometry(\n\tgeometry: THREE.BufferGeometry,\n\tkeepUploaded: ReadonlySet<THREE.BufferGeometry> | undefined\n): void {\n\tconst source = cachedSourceOf(geometry);\n\tif (source !== geometry) {\n\t\t// three's dispose frees the GPU buffers of whatever attributes are attached, so a borrower\n\t\t// lets go of the cache's attributes first.\n\t\tif (source) {\n\t\t\tgeometry.setIndex(null);\n\t\t\tfor (const name of Object.keys(geometry.attributes)) geometry.deleteAttribute(name);\n\t\t}\n\t\tgeometry.dispose();\n\t}\n\tif (source && keepUploaded && !keepUploaded.has(source)) 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package/dist/parse.cjs

@@ -1,6 +1,6 @@
 Object.defineProperty(exports, Symbol.toStringTag, { value: "Module" });
 const require_gpu_ownership = require("./gpu-ownership-ADRZBxxs.cjs");
-const require_gpu_dispose = require("./gpu-dispose-fRI12OCL.cjs");
+const require_gpu_dispose = require("./gpu-dispose-D66GqIWS.cjs");
 let three = require("three");
 three = require_gpu_ownership.__toESM(three, 1);
 let three_addons_lines_Line2_js = require("three/addons/lines/Line2.js");
@@ -1681,6 +1681,32 @@ function applyTexture(material, url, slot, mapSize) {
 	});
 }
 // src/parse/webdisplay/batch/surface-finish.ts
+const f$1 = (n) => n.toFixed(4);
+const PITH = 120;
+const PITH_SPREAD = 120;
+const PLANK = 180;
+const LEAN = .0105;
+const wood = ({ ring, latewood, band, pores, streaks }) => `
+		float plank = floor( uv.y / ${f$1(PLANK)} );
+		float s = uv.y - ( plank + 0.5 ) * ${f$1(PLANK)};
+		float pith = ${f$1(PITH)} + selvaHash( vec2( plank, 2.0 ) ) * ${f$1(PITH_SPREAD)};
+		// Rings wander a few mm and vary in spacing, as growth does from year to year.
+		float wander = ( selvaFbm( uv * vec2( 0.003, 0.008 ) ) - 0.5 ) * ${f$1(ring * 2)};
+		float r = sqrt( pith * pith + s * s ) + uv.x * ${f$1(LEAN)} + wander;
+		r += selvaFbm( vec2( r * 0.02, plank ) ) * ${f$1(ring * 3)} + selvaHash( vec2( plank, 1.0 ) ) * ${f$1(ring * 20)};
+		float year = fract( r / ${f$1(ring)} );
+		float late = smoothstep( ${f$1(1 - band)}, ${f$1(1 - band * .4)}, year ) * ( 1.0 - smoothstep( 0.95, 1.0, year ) );
+		// Open-pored wood shows its rings as a broken band of pores, not a clean line.
+		late *= 1.0 - ${f$1(pores * .6)} * ( 1.0 - smoothstep( 0.3, 0.7, selvaNoise( uv * vec2( 0.25, 2.0 ) ) ) );
+		late *= selvaDetail( ${f$1(ring)} );
+		float fibre = ( selvaNoise( uv * vec2( 0.04, 1.6 ) ) - 0.5 ) * selvaDetail( 1.0 );
+		float pore = smoothstep( 0.62, 0.8, selvaNoise( uv * vec2( 0.3, 2.5 ) ) ) * ( 1.0 - 0.6 * late );
+		pore *= ${f$1(pores)} * selvaDetail( 0.8 );
+		float streak = ( selvaFbm( uv * vec2( 0.0015, 0.012 ) ) - 0.5 ) * ${f$1(streaks)};
+		float shade = 1.0 + ${f$1(latewood * band)} - late * ${f$1(latewood)} + fibre * 0.1 - pore * 0.45 + streak * 0.6;
+		tone = vec3( shade );
+		gloss = 1.0 + late * 0.08 + pore * 0.4 - fibre * 0.2;
+		height = ( fibre * 0.00008 - pore * 0.00015 ) * selvaDetail( 0.6 );`;
 /**
 * Procedural surfaces, so a preset looks like its material with no texture files to ship or upload.
 * UVs are millimetres, so a brick is brick-sized at any model scale. Each recipe sets `tone` (albedo
@@ -1689,15 +1715,41 @@ function applyTexture(material, url, slot, mapSize) {
 * samples to static, so a whole building has to settle to its flat colour.
 */
 const RECIPES$1 = {
-	wood: `
-		float warp = selvaFbm( uv * vec2( 0.003, 0.02 ) );
-		float rings = 0.5 + 0.5 * sin( ( uv.y + warp * 90.0 ) * 0.28 );
-		float fibre = selvaNoise( uv * vec2( 0.03, 1.4 ) );
-		float grain = ( rings * 0.65 + fibre * 0.35 ) - 0.5;
-		grain *= selvaDetail( 4.0 );
-		tone = vec3( 1.0 + grain * 0.42 );
-		gloss = 1.0 + grain * 0.35;
-		height = fibre * 0.00012 * selvaDetail( 1.0 );`,
+	wood: wood({
+		ring: 4,
+		latewood: .3,
+		band: .4,
+		pores: .4,
+		streaks: .35
+	}),
+	walnut: wood({
+		ring: 5,
+		latewood: .2,
+		band: .4,
+		pores: 1,
+		streaks: .45
+	}),
+	oak: wood({
+		ring: 3,
+		latewood: .3,
+		band: .35,
+		pores: .9,
+		streaks: .25
+	}),
+	maple: wood({
+		ring: 3,
+		latewood: .2,
+		band: .1,
+		pores: 0,
+		streaks: .12
+	}),
+	wenge: wood({
+		ring: 1.5,
+		latewood: .7,
+		band: .5,
+		pores: .6,
+		streaks: .4
+	}),
 	concrete: `
 		float blotch = ( selvaFbm( uv * 0.0035 ) - 0.5 ) * selvaDetail( 40.0 );
 		float holes = smoothstep( 0.8, 0.88, selvaNoise( uv * 0.22 ) ) * selvaDetail( 5.0 );
@@ -1722,6 +1774,127 @@ const RECIPES$1 = {
 		tone = mix( vec3( face ), vec3( 1.5, 1.7, 1.8 ), joint );
 		gloss = 1.0 + joint * 0.15;
 		height = -joint * 0.005;`,
+	limestone: `
+		float cloud = ( selvaFbm( uv * 0.004 ) - 0.5 ) * selvaDetail( 60.0 );
+		float mottle = ( selvaFbm( uv * 0.025 + vec2( 3.0, 7.0 ) ) - 0.5 ) * selvaDetail( 12.0 );
+		float bed = ( selvaNoise( vec2( uv.x * 0.003, uv.y * 0.05 ) ) - 0.5 ) * selvaDetail( 10.0 );
+		float fleck = smoothstep( 0.8, 0.9, selvaNoise( uv * 0.5 ) ) * selvaDetail( 2.0 );
+		vec3 fossil = selvaCell( uv / 14.0 );
+		float shell = ( 1.0 - smoothstep( 0.08, 0.16, fossil.x ) ) * step( 0.85, fossil.z ) * selvaDetail( 6.0 );
+		tone = vec3( 1.0 + cloud * 0.14 + mottle * 0.1 + bed * 0.03 - fleck * 0.12 - shell * 0.1 );
+		gloss = 1.0 + cloud * 0.1;
+		height = -( fleck + shell ) * 0.00005;`,
+	travertine: `
+		float band = selvaFbm( vec2( uv.x * 0.002, uv.y * 0.012 ) );
+		float layer = ( band - 0.5 ) * selvaDetail( 25.0 );
+		float pocket = selvaNoise( uv * vec2( 0.025, 0.15 ) ) * 0.7 + selvaNoise( uv * vec2( 0.08, 0.4 ) ) * 0.3;
+		float voids = smoothstep( 0.68, 0.78, pocket ) * smoothstep( 0.35, 0.6, band ) * selvaDetail( 4.0 );
+		float grain = ( selvaNoise( uv * 0.6 ) - 0.5 ) * selvaDetail( 1.5 );
+		tone = vec3( 1.0 + layer * 0.2 + grain * 0.04 ) * mix( vec3( 1.0 ), vec3( 0.62, 0.56, 0.48 ), voids );
+		gloss = 1.0 + voids * 0.3;
+		height = -voids * 0.002;`,
+	granite: `
+		vec3 crystal = selvaCell( uv / 4.0 );
+		// Feldspar, quartz and biotite in about the shares of a grey granite. The dark crystals
+		// gather in clusters, which is what still reads as granite from a few metres.
+		float cluster = selvaFbm( uv * 0.04 ) - 0.5;
+		float dark = 0.2 + cluster * 0.2;
+		float mineral = crystal.z < dark ? 0.35 : ( crystal.z < dark + 0.3 ? 1.35 : 1.0 );
+		mineral *= 1.0 + ( selvaHash( vec2( crystal.z, 3.0 ) ) - 0.5 ) * 0.15;
+		mineral = mix( 1.0 - cluster * 0.25 * selvaDetail( 15.0 ), mineral, selvaDetail( 4.0 ) );
+		float cloud = ( selvaFbm( uv * 0.005 ) - 0.5 ) * selvaDetail( 50.0 );
+		tone = vec3( mineral + cloud * 0.06 );
+		gloss = 1.0 - ( mineral - 1.0 ) * 0.15;
+		height = ( selvaNoise( uv * 0.8 ) - 0.5 ) * 0.0002 * selvaDetail( 1.2 );`,
+	marble: `
+		vec2 w = vec2( uv.x * 0.7 + uv.y * 0.7, uv.y * 0.7 - uv.x * 0.7 ) * vec2( 0.0012, 0.004 );
+		w += vec2( selvaFbm( w * 2.0 ), selvaFbm( w * 2.0 + vec2( 4.0, 2.0 ) ) ) * 0.6;
+		float feather = smoothstep( 0.3, 0.7, selvaFbm( uv * 0.006 + vec2( 2.0, 5.0 ) ) );
+		float major = 1.0 - smoothstep( 0.0, 0.05, abs( selvaFbm( w ) - 0.5 ) );
+		float fine = 1.0 - smoothstep( 0.0, 0.02, abs( selvaFbm( w * 3.0 + vec2( 9.0, 1.0 ) ) - 0.5 ) );
+		float cloud = ( selvaFbm( uv * 0.003 ) - 0.5 ) * selvaDetail( 60.0 );
+		float vein = ( major * 0.35 * selvaDetail( 6.0 ) + fine * 0.2 * selvaDetail( 2.0 ) ) * feather;
+		tone = vec3( 1.0 + cloud * 0.06 - vein - feather * 0.04 );
+		gloss = 1.0 + vein * 0.3;`,
+	slate: `
+		float cleft = selvaFbm( uv * vec2( 0.012, 0.02 ) );
+		float flake = mix( cleft, floor( cleft * 4.0 ) / 4.0, 0.6 );
+		float seen = selvaDetail( 6.0 );
+		float glint = ( selvaNoise( uv * 0.3 ) - 0.5 ) * selvaDetail( 3.0 );
+		tone = vec3( 1.0 + ( flake - 0.5 ) * 0.18 * seen + glint * 0.06 );
+		gloss = 1.0 - ( flake - 0.5 ) * 0.3 * seen + glint * 0.2;
+		height = flake * 0.0015 * seen;`,
+	terrazzo: `
+		vec3 chipCell = selvaCell( uv / 9.0 );
+		float chip = smoothstep( 0.1, 0.16, chipCell.y - chipCell.x ) * step( 0.12, selvaHash( vec2( chipCell.z, 5.0 ) ) );
+		float k = selvaHash( vec2( chipCell.z, 7.0 ) );
+		vec3 stone = k < 0.6 ? vec3( 1.1 ) : k < 0.75 ? vec3( 0.65 ) : k < 0.85 ? vec3( 0.22 ) : k < 0.9 ? vec3( 0.85, 0.69, 0.44 ) : k < 0.95 ? vec3( 0.64, 0.35, 0.28 ) : vec3( 0.93, 0.72, 0.66 );
+		vec3 gritCell = selvaCell( uv / 2.5 );
+		float grit = smoothstep( 0.1, 0.2, gritCell.y - gritCell.x ) * step( 0.6, selvaHash( vec2( gritCell.z, 2.0 ) ) );
+		float g = selvaHash( vec2( gritCell.z, 9.0 ) ) < 0.5 ? 0.4 : 1.1;
+		vec3 near = mix( vec3( 1.0 ), stone, chip );
+		near = mix( near, vec3( g ), grit * ( 1.0 - chip ) * selvaDetail( 2.5 ) );
+		// From afar the chips average to a slightly darker matrix.
+		tone = mix( vec3( 0.92 ), near, selvaDetail( 9.0 ) );
+		gloss = 1.0 + chip * 0.1;`,
+	paving: `
+		vec2 size = vec2( 600.0, 400.0 );
+		float row = floor( uv.y / size.y );
+		vec2 laid = vec2( uv.x + mod( row, 2.0 ) * size.x * 0.5, uv.y );
+		vec2 id = floor( laid / size );
+		vec2 edge = abs( fract( laid / size ) - 0.5 ) * size;
+		float inset = min( size.x * 0.5 - edge.x, size.y * 0.5 - edge.y );
+		float joint = ( 1.0 - smoothstep( 2.5, 3.5, inset ) ) * selvaDetail( 5.0 );
+		float chamfer = ( 1.0 - smoothstep( 2.5, 6.0, inset ) ) * selvaDetail( 4.0 );
+		float slab = ( selvaHash( id ) - 0.5 ) * 0.12 * selvaDetail( 100.0 );
+		float blotch = ( selvaFbm( uv * 0.006 ) - 0.5 ) * 0.12 * selvaDetail( 40.0 );
+		float speck = ( selvaNoise( uv * 0.7 ) - 0.5 ) * 0.06 * selvaDetail( 1.5 );
+		tone = vec3( 1.0 + slab + blotch + speck ) * mix( 1.0, 0.55, joint );
+		gloss = 1.0 + joint * 0.1;
+		height = -chamfer * 0.002 - joint * 0.003;`,
+	setts: `
+		vec2 size = vec2( 110.0, 100.0 );
+		vec2 warped = uv + ( vec2( selvaNoise( uv * 0.03 ), selvaNoise( uv * 0.03 + vec2( 3.0, 8.0 ) ) ) - 0.5 ) * 10.0;
+		float row = floor( warped.y / size.y );
+		vec2 laid = vec2( warped.x + selvaHash( vec2( row, 4.0 ) ) * size.x, warped.y );
+		vec2 id = floor( laid / size );
+		vec2 edge = abs( fract( laid / size ) - 0.5 ) * size;
+		float inset = min( size.x * 0.5 - edge.x, size.y * 0.5 - edge.y );
+		float joint = ( 1.0 - smoothstep( 4.0, 6.0, inset ) ) * selvaDetail( 10.0 );
+		float dome = smoothstep( 4.0, 25.0, inset );
+		vec3 crystal = selvaCell( uv / 4.0 );
+		// Feldspar, quartz and biotite in about the shares of a grey granite. The dark crystals
+		// gather in clusters, which is what still reads as granite from a few metres.
+		float cluster = selvaFbm( uv * 0.04 ) - 0.5;
+		float dark = 0.2 + cluster * 0.2;
+		float mineral = crystal.z < dark ? 0.35 : ( crystal.z < dark + 0.3 ? 1.35 : 1.0 );
+		mineral *= 1.0 + ( selvaHash( vec2( crystal.z, 3.0 ) ) - 0.5 ) * 0.15;
+		mineral = mix( 1.0 - cluster * 0.25 * selvaDetail( 15.0 ), mineral, selvaDetail( 4.0 ) );
+		float tint = selvaHash( id + vec2( 5.0, 2.0 ) ) - 0.5;
+		vec3 sett = ( 1.0 + ( selvaHash( id ) - 0.5 ) * 0.16 ) * ( 1.0 + vec3( 0.05, 0.0, -0.06 ) * tint * 2.0 );
+		sett = mix( vec3( 1.0 ), sett, selvaDetail( 100.0 ) );
+		tone = mix( sett * mineral, vec3( 1.05, 0.97, 0.82 ), joint );
+		gloss = 1.0 + joint * 0.1;
+		height = ( dome * 0.006 + ( selvaNoise( uv * 0.15 ) - 0.5 ) * 0.001 ) * selvaDetail( 10.0 );`,
+	gravel: `
+		vec3 pebble = selvaCell( uv / 12.0 );
+		float gap = 1.0 - smoothstep( 0.04, 0.18, pebble.y - pebble.x );
+		float dome = sqrt( clamp( 1.0 - pebble.x * 1.4, 0.0, 1.0 ) );
+		float k = selvaHash( vec2( pebble.z, 3.0 ) );
+		vec3 stone = k < 0.3 ? vec3( 1.13, 1.14, 1.11 ) : k < 0.55 ? vec3( 0.96, 0.85, 0.71 ) : k < 0.7 ? vec3( 0.84, 0.64, 0.59 ) : k < 0.9 ? vec3( 0.74, 0.8, 0.89 ) : vec3( 0.47, 0.5, 0.56 );
+		stone *= 1.0 + ( selvaHash( vec2( pebble.z, 8.0 ) ) - 0.5 ) * 0.15;
+		float seen = selvaDetail( 12.0 );
+		tone = mix( vec3( 0.85 ), stone * mix( 1.0, 0.35, gap ) * ( 0.85 + 0.15 * dome ), seen );
+		gloss = 1.0 + gap * 0.1 - dome * 0.1;
+		height = dome * 0.004 * seen;`,
+	molded: `
+		float pit = selvaNoise( uv * 1.6 );
+		float mottle = selvaNoise( uv * 0.5 + vec2( 7.0, 3.0 ) );
+		float grit = ( pit * 0.65 + mottle * 0.35 ) - 0.5;
+		float seen = selvaDetail( 0.6 );
+		tone = vec3( 1.0 + grit * 0.1 * seen );
+		gloss = 1.0 + grit * 0.9 * seen;
+		height = ( grit + 0.5 ) * 0.00008 * seen;`,
 	corten: `
 		float bloom = 0.5 + ( selvaFbm( uv * vec2( 0.006, 0.0025 ) ) - 0.5 ) * selvaDetail( 25.0 );
 		float scale = 0.5 + ( selvaFbm( uv * 0.06 ) - 0.5 ) * selvaDetail( 8.0 );
@@ -1730,7 +1903,6 @@ const RECIPES$1 = {
 		gloss = 1.0 + ( scale - 0.5 ) * 0.25;
 		height = scale * 0.0004;`
 };
-const f$1 = (n) => n.toFixed(4);
 /** Null for the finishes `finish.ts` draws itself. */
 function surfacePatch(finish, strength) {
 	const recipe = RECIPES$1[finish];
@@ -1764,6 +1936,30 @@ function surfacePatch(finish, strength) {
 					}
 					return sum / 0.9375;
 				}
+				// Cellular noise: distance to the nearest and second-nearest jittered point, and the
+				// nearest one's id. y - x is small along a cell border.
+				vec3 selvaCell( vec2 p ) {
+					vec2 i = floor( p );
+					vec2 fp = fract( p );
+					float f1 = 8.0;
+					float f2 = 8.0;
+					float id = 0.0;
+					for ( int y = -1; y <= 1; y ++ ) {
+						for ( int x = -1; x <= 1; x ++ ) {
+							vec2 g = vec2( float( x ), float( y ) );
+							vec2 o = vec2( selvaHash( i + g ), selvaHash( i + g + vec2( 19.0, 7.0 ) ) );
+							float d = length( g + o * 0.8 + 0.1 - fp );
+							if ( d < f1 ) {
+								f2 = f1;
+								f1 = d;
+								id = selvaHash( i + g + vec2( 3.0, 11.0 ) );
+							} else if ( d < f2 ) {
+								f2 = d;
+							}
+						}
+					}
+					return vec3( f1, f2, id );
+				}
 				float selvaDetail( float featureMm ) {
 					return 1.0 - smoothstep( 0.5, 1.5, selvaFootprint / featureMm );
 				}`).replace("#include <color_fragment>", `#include <color_fragment>
@@ -1900,6 +2096,10 @@ function cullsBackFaces(matData, options) {
 	if (options?.appearance?.cullBackfaces) return true;
 	return (options?.closed ?? false) && !matData.transparent && matData.opacity >= 1;
 }
+const FROSTED = .2;
+function isPane(matData) {
+	return (matData.transmission ?? 0) > 0 && !((matData.thickness ?? 0) > 0) && matData.roughness < FROSTED;
+}
 function createMaterialPicker(materialsSrc, options) {
 	const built = /* @__PURE__ */ new Map();
 	return (materialId, closed) => {
@@ -1952,15 +2152,18 @@ function createMaterial(matData, options) {
 		material.clearcoat = matData.clearcoat;
 		material.clearcoatRoughness = matData.clearcoatRoughness ?? 0;
 	}
+	if (matData.sheen != null && matData.sheen > 0) {
+		material.sheen = matData.sheen;
+		material.sheenColor.set(matData.sheenColor ?? "#ffffff");
+		material.sheenRoughness = matData.sheenRoughness ?? .5;
+	}
 	if (matData.anisotropy != null && matData.anisotropy > 0 && options?.hasUvs) {
 		material.anisotropy = matData.anisotropy;
 		material.anisotropyRotation = matData.anisotropyRotation ?? 0;
 	}
-	if (matData.transmission != null) {
-		material.transmission = matData.transmission;
-		material.thickness = 0;
-	}
 	if (matData.ior != null) material.ior = matData.ior;
+	if (matData.transmission != null && matData.transmission > 0) applyGlass(material, matData);
+	if (matData.metalness > 0) dimSunOnMetal(material);
 	if (vertexColors) applyVertexColorSRGBDecode(material);
 	const finish = matData.finish && options?.hasUvs ? finishPatch(matData.finish, matData.finishStrength ?? 1) : null;
 	if (finish) {
@@ -1976,6 +2179,50 @@ function createMaterial(matData, options) {
 	if (matData.normalMap) applyTexture(material, matData.normalMap, "normalMap", mapSize);
 	return material;
 }
+const SUN_ON_METAL = .1;
+const SUN_BEGIN = "#if ( NUM_DIR_LIGHTS > 0 ) && defined( RE_Direct )";
+const SUN_END = "#if ( NUM_RECT_AREA_LIGHTS > 0 ) && defined( RE_Direct_RectArea )";
+/** Scales the directional lights' specular by metalness; point lights keep theirs. */
+function dimSunOnMetal(material) {
+	addShaderPatch(material, "sun-on-metal", (shader) => {
+		shader.fragmentShader = shader.fragmentShader.replace("#include <lights_fragment_begin>", three.ShaderChunk.lights_fragment_begin.replace(SUN_BEGIN, `vec3 specularBeforeSun = reflectedLight.directSpecular;
+${SUN_BEGIN}`).replace(SUN_END, `reflectedLight.directSpecular = specularBeforeSun + ( reflectedLight.directSpecular - specularBeforeSun ) * mix( 1.0, ${SUN_ON_METAL.toFixed(2)}, metalnessFactor );
+${SUN_END}`));
+	});
+}
+/**
+* three's transmission draws every opaque object a second time into its own buffer each frame, and
+* that buffer never holds other glass: one pane seen through another vanishes. So only glass that
+* needs it gets it: with a thickness, to refract and tint, or frosted, to blur. A pane blends
+* instead: cheap, and panes stack.
+*/
+function applyGlass(material, matData) {
+	const transmission = Math.min(1, matData.transmission);
+	material.userData[require_gpu_dispose.GLASS] = true;
+	if (!isPane(matData)) {
+		const thickness = matData.thickness ?? 0;
+		material.transmission = transmission;
+		material.thickness = thickness;
+		if (matData.attenuationColor && thickness > 0) {
+			material.attenuationColor.set(matData.attenuationColor);
+			material.attenuationDistance = thickness;
+			addShaderPatch(material, "glass-attenuation", (shader) => {
+				shader.fragmentShader = shader.fragmentShader.replace("#include <transmission_fragment>", three.ShaderChunk.transmission_fragment.replace("material.attenuationDistance = attenuationDistance;", "material.attenuationDistance = attenuationDistance * length( modelMatrix[ 0 ].xyz );"));
+			});
+		}
+		return;
+	}
+	material.transparent = true;
+	material.opacity = matData.opacity * (1 - transmission * .96);
+	material.depthWrite = false;
+	material.blending = three.CustomBlending;
+	material.blendSrc = three.OneFactor;
+	material.blendDst = three.OneMinusSrcAlphaFactor;
+	addShaderPatch(material, "glass-pane", (shader) => {
+		shader.fragmentShader = shader.fragmentShader.replace("#include <opaque_fragment>", `vec3 paneSpecular = reflectedLight.directSpecular + reflectedLight.indirectSpecular;
+			gl_FragColor = vec4( ( outgoingLight - paneSpecular ) * diffuseColor.a + paneSpecular, diffuseColor.a );`);
+	});
+}
 /**
 * Chains `patch` after any earlier one. three caches compiled programs by `customProgramCacheKey`,
 * which defaults to the `onBeforeCompile` source; a chained wrapper's source is the same whatever
@@ -2210,7 +2457,7 @@ function finalizeMergedMesh(geometry, group, material) {
 	const firstMesh = group.meshes[0];
 	const meshNames = group.meshes.map((m) => m.name).filter((name) => name && name.length > 0);
 	threeMesh.name = meshNames.length > 0 ? meshNames[0] : `merged_material_${group.materialId}`;
-	threeMesh.castShadow = true;
+	threeMesh.castShadow = !require_gpu_dispose.isGlass(material);
 	threeMesh.receiveShadow = true;
 	threeMesh.userData = {
 		source: "compute",
@@ -2261,7 +2508,7 @@ function finalizeSingleMesh(geometry, meshMeta, material) {
 		trackingKey: meshMeta.id,
 		metadata: meshMeta.metadata ?? {}
 	};
-	mesh.castShadow = true;
+	mesh.castShadow = !require_gpu_dispose.isGlass(material);
 	mesh.receiveShadow = true;
 	return mesh;
 }