@rubytech/create-maxy-code 0.1.106 → 0.1.107

package/payload/platform/plugins/writer-craft/skills/story-blueprint/references/blueprinting-process.md

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-# The Blueprinting Process — Step by Step
-
-## Overview
-
-The blueprint is not a traditional outline. It is built scene by scene, grounded in the protagonist's internal story, and developed iteratively alongside drafting. Plot is the servant of story — external events exist to force the internal transformation.
-
-The process starts with the internal architecture and builds outward.
-
-## Step 1: The What If
-
-Every story begins with a premise. A story-worthy What If must contain three elements:
-
-1. **Context** — the specific world, circumstances, and relationships that make the situation meaningful
-2. **Conflict** — not just external obstacle, but the seed of internal struggle
-3. **A point** — the thematic question the story will interrogate
-
-### Testing Your What If
-A neutral What If is not story-worthy:
-- "What if a woman got a new job?" → neutral, no internal conflict implied
-- "What if a woman who built her identity around being indispensable at work was promoted into a role where she has to delegate everything?" → story-worthy, implies collision between identity and situation
-
-The What If is not a plot summary. It is closer to a thesis statement for the story's meaning.
-
-## Step 2: The Protagonist
-
-The protagonist is not whoever the story happens to — it's the person whose internal change the story is about.
-
-### Key Questions
-- Who has the most to lose internally?
-- Whose worldview will be most challenged by the What If?
-- Who will be forced to change or be destroyed by the attempt to avoid it?
-
-### Common Errors
-- Introducing too many characters without a clear focal point
-- Choosing a protagonist who is too passive or already enlightened
-- Confusing the most active character with the most internally conflicted one
-
-## Step 3: Misbelief and Desire
-
-### The Misbelief
-A false conclusion about how the world works, rooted in a specific past experience. Not a character flaw — a coping strategy. It protected the protagonist once; now it imprisons them.
-
-Excavate until the misbelief is:
-- Specific enough to state in one sentence
-- Traceable to a concrete origin experience
-- Active — currently shaping decisions
-- In direct conflict with the desire
-
-### The Desire
-Something the protagonist has wanted, perhaps for years. The misbelief prevents them from achieving it. Every time they move toward the desire, the misbelief sabotages them.
-
-## Step 4: The Origin Scene
-
-Write the specific moment the misbelief formed. Not a summary — a full scene in the protagonist's subjective POV. The reader must see the emotional logic: how this conclusion made sense at the time.
-
-## Step 5: Escalating Backstory
-
-Write 3-5 scenes from the protagonist's past showing the misbelief deepening:
-- Each scene tests or activates the misbelief
-- The protagonist acts on it, and the result appears to confirm it
-- Each scene escalates in significance — the costs increase
-- The pattern explains who the protagonist is on page one
-
-## Step 6: The Opening
-
-The novel begins at the last possible moment — when the protagonist can no longer avoid confronting the thing the misbelief has protected them from.
-
-The opening scene must accomplish:
-1. Establish the protagonist's internal state (desire, misbelief, the world they believe they're living in)
-2. Introduce the unavoidable external problem
-3. Plant seeds of major internal conflicts
-4. Establish a ticking clock
-
-### The Unavoidable External Problem Must:
-- Directly threaten or challenge the misbelief
-- Activate the long-standing desire
-- Have a clear ticking clock
-- Have a clear consequence the reader can anticipate from page one
-
-Write a first-layer version. It will be rewritten many times. Use TK for elements not yet known.
-
-## Step 7: The Ending (The Aha Moment)
-
-Determine the internal climax before constructing the middle.
-
-The Aha moment is not the plot climax — it is the moment of internal change: when the protagonist confronts and dismantles (or fails to dismantle) their misbelief.
-
-Requirements:
-- **Earned** — pushed to the absolute edge
-- **Specific** — a precise scene-level moment
-- **Tied to the third rail** — causally connected to everything the plot has put them through
-
-The ending will change as the story deepens. That is fine.
-
-## Step 8: Building Scene Cards
-
-With opening and ending bookended, build Scene Cards connecting them.
-
-For each scene:
-- **External event**: What happens
-- **Internal meaning**: How it forces the internal struggle forward
-- **Urgency hook**: What question it raises for the reader
-- **Cause**: What scene triggered this one
-- **Effect**: What this scene triggers next
-
-### Using TK
-"To come" — a placeholder for something that must be there but isn't yet known. TKs are not failures; they are honest markers of what needs excavation.
-
-### Mining the Past for Plot
-Use backstory scenes to generate plot events. The protagonist's misbelief will predictably cause them to react in certain ways — those reactions generate consequences — those consequences become plot.
-
-### The Sixth Tick
-The last thing that happens before the novel begins. The final moment of the "before" life. Usually the event that makes the unavoidable external problem unavoidable.
-
-## Step 9: Writing Forward
-
-Stories grow in spirals:
-- Write a scene → it reveals something about the past
-- Revise earlier scenes → reveals something about the future
-- Each pass deepens rather than merely extends
-
-Draft and blueprint simultaneously. The two activities inform each other. Don't complete the blueprint before writing; don't write without blueprinting.
-
-### The Plot Trap
-Once a plot is in motion, it is tempting to follow external events wherever they lead while the internal story quietly suffocates. For every external event, ask: does it force the internal struggle forward? If not, cut or replace.
-
-### Trust the Cards
-When lost in a scene, return to the Scene Card. What is the internal meaning of this moment? What must the protagonist realise, resist, or choose?