@pinepaper.studio/mcp-server 1.6.7 → 1.6.9

package/dist/character/path-bbox.js

@@ -0,0 +1,496 @@
+/* VENDORED from mcp-cloud/src/services/path-bbox.ts.
+ * sha256: ab22b612e8355355552c2db1f07e48b11c17ab6c1bb44bf66c51d973c201d585
+ * Generator: scripts/sync-character-modules.mjs
+ *
+ * Do NOT edit here — change it in mcp-cloud and re-run the generator, or the
+ * two implementations drift and a figure performs differently depending on
+ * which surface a caller reached. Guarded by character.test.ts.
+ */
+/**
+ * THE TRUE BOUNDING BOX OF AN SVG PATH.
+ *
+ * Written for one reason: `x`/`y` is supposed to BE an item's centre — that is
+ * what `itemCenter()` states and what every other shape does — and a `path`
+ * was the exception nobody had noticed. The two renderers place a path by its
+ * ORIGIN and agree, then disagree the moment a keyframe touches it, because
+ * the engine's keyframe sets `item.position` (the centre) while the Worker
+ * animates a translate delta from `it.x` (the origin). The gap is exactly this
+ * box's centre. See docs/PATH_CENTRE_DIVERGENCE.md.
+ *
+ * CONTROL POINTS ARE NOT THE BOX. A cubic lies inside the hull of its control
+ * points and generally nowhere near its edges, so min/max over the numbers in
+ * the `d` string overshoots — for the measurement that sized this bug it
+ * overshot by design, and using it to FIX the bug would move every path by a
+ * wrong amount, in both renderers instead of one. So curves are solved:
+ *
+ *   cubic      B'(t) = 0 is a quadratic in t; take the real roots in (0,1)
+ *   quadratic  B'(t) = 0 is linear; one root
+ *   arc        the ellipse's own extrema, from the centre parameterisation,
+ *              kept only where they fall inside the swept angle
+ *
+ * The grammar is the whole of SVG 1.1 path data: M L H V C S Q T A Z, absolute
+ * and relative, with implicit repetition (`M 0 0 10 10` is a moveto and a
+ * lineto) and S/T reflecting the previous control point. A model writes these
+ * strings, so the parser has to accept what a model writes, not a subset.
+ */
+/** Numbers, including exponent and the `.5.5` run SVG allows. */
+function* tokens(d) {
+    const re = /[MmLlHhVvCcSsQqTtAaZz]|-?\d*\.?\d+(?:[eE][-+]?\d+)?/g;
+    let m;
+    while ((m = re.exec(d)))
+        yield m[0];
+}
+const isCmd = (t) => /^[MmLlHhVvCcSsQqTtAaZz]$/.test(t);
+/** Real roots of at² + bt + c in the open interval (0,1). */
+function rootsIn01(a, b, c) {
+    const out = [];
+    if (Math.abs(a) < 1e-12) {
+        if (Math.abs(b) > 1e-12)
+            out.push(-c / b);
+    }
+    else {
+        const disc = b * b - 4 * a * c;
+        if (disc < 0)
+            return out;
+        const s = Math.sqrt(disc);
+        out.push((-b + s) / (2 * a), (-b - s) / (2 * a));
+    }
+    return out.filter((t) => t > 0 && t < 1);
+}
+const cubicAt = (p0, p1, p2, p3, t) => {
+    const u = 1 - t;
+    return u * u * u * p0 + 3 * u * u * t * p1 + 3 * u * t * t * p2 + t * t * t * p3;
+};
+const quadAt = (p0, p1, p2, t) => {
+    const u = 1 - t;
+    return u * u * p0 + 2 * u * t * p1 + t * t * p2;
+};
+/** Extrema of one cubic axis, endpoints included by the caller. */
+function cubicExtrema(p0, p1, p2, p3) {
+    // B'(t) = 3[(-p0+3p1-3p2+p3)t² + 2(p0-2p1+p2)t + (p1-p0)]
+    const a = -p0 + 3 * p1 - 3 * p2 + p3;
+    const b = 2 * (p0 - 2 * p1 + p2);
+    const c = p1 - p0;
+    return rootsIn01(a, b, c).map((t) => cubicAt(p0, p1, p2, p3, t));
+}
+function quadExtrema(p0, p1, p2) {
+    // B'(t) = 2[(p0-2p1+p2)t + (p1-p0)]
+    const a = p0 - 2 * p1 + p2;
+    const b = p1 - p0;
+    if (Math.abs(a) < 1e-12)
+        return [];
+    const t = -b / a;
+    return t > 0 && t < 1 ? [quadAt(p0, p1, p2, t)] : [];
+}
+/**
+ * Extrema of an elliptical arc, solved rather than sampled.
+ *
+ * Endpoint parameterisation in, centre parameterisation out (SVG F.6.5), then
+ * the four axis extrema of the rotated ellipse — dx/dθ = 0 gives
+ * tan θ = -(ry/rx)·tan φ, and dy/dθ = 0 gives tan θ = (ry/rx)·cot φ — each
+ * kept only if it lies inside the swept angle.
+ */
+function arcExtrema(x0, y0, rxIn, ryIn, rotDeg, largeArc, sweep, x1, y1) {
+    let rx = Math.abs(rxIn), ry = Math.abs(ryIn);
+    if (rx < 1e-12 || ry < 1e-12)
+        return [[x1, y1]]; // degenerates to a line
+    const phi = (rotDeg * Math.PI) / 180;
+    const cosP = Math.cos(phi), sinP = Math.sin(phi);
+    const dx2 = (x0 - x1) / 2, dy2 = (y0 - y1) / 2;
+    const x1p = cosP * dx2 + sinP * dy2;
+    const y1p = -sinP * dx2 + cosP * dy2;
+    // Scale radii up if they cannot span the chord (SVG F.6.6).
+    const lam = (x1p * x1p) / (rx * rx) + (y1p * y1p) / (ry * ry);
+    if (lam > 1) {
+        const s = Math.sqrt(lam);
+        rx *= s;
+        ry *= s;
+    }
+    const sign = largeArc === sweep ? -1 : 1;
+    const num = rx * rx * ry * ry - rx * rx * y1p * y1p - ry * ry * x1p * x1p;
+    const den = rx * rx * y1p * y1p + ry * ry * x1p * x1p;
+    const co = sign * Math.sqrt(Math.max(0, num / den));
+    const cxp = (co * rx * y1p) / ry;
+    const cyp = (-co * ry * x1p) / rx;
+    const cx = cosP * cxp - sinP * cyp + (x0 + x1) / 2;
+    const cy = sinP * cxp + cosP * cyp + (y0 + y1) / 2;
+    const ang = (ux, uy, vx, vy) => {
+        const d = (ux * vx + uy * vy) / (Math.hypot(ux, uy) * Math.hypot(vx, vy));
+        const a = Math.acos(Math.min(1, Math.max(-1, d)));
+        return ux * vy - uy * vx < 0 ? -a : a;
+    };
+    const theta0 = ang(1, 0, (x1p - cxp) / rx, (y1p - cyp) / ry);
+    let delta = ang((x1p - cxp) / rx, (y1p - cyp) / ry, (-x1p - cxp) / rx, (-y1p - cyp) / ry);
+    if (!sweep && delta > 0)
+        delta -= 2 * Math.PI;
+    if (sweep && delta < 0)
+        delta += 2 * Math.PI;
+    const at = (t) => [
+        cx + rx * Math.cos(t) * cosP - ry * Math.sin(t) * sinP,
+        cy + rx * Math.cos(t) * sinP + ry * Math.sin(t) * cosP,
+    ];
+    const inSweep = (t) => {
+        let k = (t - theta0) / (delta || 1);
+        // Normalise the candidate into the sweep's own parameter space.
+        for (let n = -2; n <= 2; n++) {
+            k = (t + n * 2 * Math.PI - theta0) / (delta || 1);
+            if (k >= 0 && k <= 1)
+                return true;
+        }
+        return false;
+    };
+    const cands = [];
+    const tx = Math.atan2(-ry * sinP, rx * cosP);
+    const ty = Math.atan2(ry * cosP, rx * sinP);
+    for (const base of [tx, ty])
+        for (const k of [0, Math.PI])
+            cands.push(base + k);
+    const out = [at(theta0), [x1, y1]];
+    for (const t of cands)
+        if (inSweep(t))
+            out.push(at(t));
+    return out;
+}
+/**
+ * The bounding box of a path's own coordinate space, or null if it has none
+ * (empty string, no drawable command, non-finite numbers).
+ */
+export function pathBBox(d) {
+    if (typeof d !== "string" || !d.trim())
+        return null;
+    let minX = Infinity, minY = Infinity, maxX = -Infinity, maxY = -Infinity;
+    const hit = (x, y) => {
+        if (!Number.isFinite(x) || !Number.isFinite(y))
+            return;
+        if (x < minX)
+            minX = x;
+        if (x > maxX)
+            maxX = x;
+        if (y < minY)
+            minY = y;
+        if (y > maxY)
+            maxY = y;
+    };
+    const ts = [...tokens(d)];
+    let i = 0, cmd = "", cx = 0, cy = 0, sx = 0, sy = 0;
+    // Previous curve control point, for S/T reflection.
+    let px = null, py = null, pq = false;
+    const num = () => Number(ts[i++]);
+    while (i < ts.length) {
+        if (isCmd(ts[i])) {
+            cmd = ts[i];
+            i++;
+            if (cmd === "Z" || cmd === "z") {
+                cx = sx;
+                cy = sy;
+                continue;
+            }
+        }
+        else if (!cmd) {
+            i++;
+            continue;
+        }
+        // Implicit repetition: a moveto's extra pairs are linetos.
+        else if (cmd === "M")
+            cmd = "L";
+        else if (cmd === "m")
+            cmd = "l";
+        const rel = cmd === cmd.toLowerCase();
+        const ox = rel ? cx : 0, oy = rel ? cy : 0;
+        switch (cmd.toUpperCase()) {
+            case "M": {
+                cx = num() + ox;
+                cy = num() + oy;
+                sx = cx;
+                sy = cy;
+                hit(cx, cy);
+                px = py = null;
+                break;
+            }
+            case "L": {
+                cx = num() + ox;
+                cy = num() + oy;
+                hit(cx, cy);
+                px = py = null;
+                break;
+            }
+            case "H": {
+                cx = num() + ox;
+                hit(cx, cy);
+                px = py = null;
+                break;
+            }
+            case "V": {
+                cy = num() + oy;
+                hit(cx, cy);
+                px = py = null;
+                break;
+            }
+            case "C": {
+                const x1 = num() + ox, y1 = num() + oy, x2 = num() + ox, y2 = num() + oy, x = num() + ox, y = num() + oy;
+                hit(cx, cy);
+                hit(x, y);
+                for (const v of cubicExtrema(cx, x1, x2, x))
+                    hit(v, cy);
+                for (const v of cubicExtrema(cy, y1, y2, y))
+                    hit(cx, v);
+                px = x2;
+                py = y2;
+                pq = false;
+                cx = x;
+                cy = y;
+                break;
+            }
+            case "S": {
+                const rx = pq || px === null ? cx : 2 * cx - px, ry = pq || py === null ? cy : 2 * cy - py;
+                const x2 = num() + ox, y2 = num() + oy, x = num() + ox, y = num() + oy;
+                hit(cx, cy);
+                hit(x, y);
+                for (const v of cubicExtrema(cx, rx, x2, x))
+                    hit(v, cy);
+                for (const v of cubicExtrema(cy, ry, y2, y))
+                    hit(cx, v);
+                px = x2;
+                py = y2;
+                pq = false;
+                cx = x;
+                cy = y;
+                break;
+            }
+            case "Q": {
+                const x1 = num() + ox, y1 = num() + oy, x = num() + ox, y = num() + oy;
+                hit(cx, cy);
+                hit(x, y);
+                for (const v of quadExtrema(cx, x1, x))
+                    hit(v, cy);
+                for (const v of quadExtrema(cy, y1, y))
+                    hit(cx, v);
+                px = x1;
+                py = y1;
+                pq = true;
+                cx = x;
+                cy = y;
+                break;
+            }
+            case "T": {
+                const rqx = !pq || px === null ? cx : 2 * cx - px;
+                const rqy = !pq || py === null ? cy : 2 * cy - py;
+                const x = num() + ox, y = num() + oy;
+                hit(cx, cy);
+                hit(x, y);
+                for (const v of quadExtrema(cx, rqx, x))
+                    hit(v, cy);
+                for (const v of quadExtrema(cy, rqy, y))
+                    hit(cx, v);
+                px = rqx;
+                py = rqy;
+                pq = true;
+                cx = x;
+                cy = y;
+                break;
+            }
+            case "A": {
+                const rx = num(), ry = num(), rot = num(), la = num() !== 0, sw = num() !== 0;
+                const x = num() + ox, y = num() + oy;
+                for (const [ax, ay] of arcExtrema(cx, cy, rx, ry, rot, la, sw, x, y))
+                    hit(ax, ay);
+                px = py = null;
+                cx = x;
+                cy = y;
+                break;
+            }
+            default:
+                i++;
+                break; // unknown letter: skip rather than loop forever
+        }
+    }
+    if (!Number.isFinite(minX) || !Number.isFinite(minY))
+        return null;
+    return { minX, minY, maxX, maxY };
+}
+/** The centre of `pathBBox`, or null. */
+export function pathCentre(d) {
+    const b = pathBBox(d);
+    return b ? { cx: (b.minX + b.maxX) / 2, cy: (b.minY + b.maxY) / 2 } : null;
+}
+/**
+ * Rewrite `d` so its own bounding box is centred on the origin, and report how
+ * far it moved. Feeding that offset back into the item's x/y leaves the drawn
+ * result IDENTICAL — it is a pure change of coordinates — while making `x,y`
+ * mean the centre for a path, as it already does for every other shape.
+ */
+export function recentrePath(d) {
+    const c = pathCentre(d);
+    if (!c || (c.cx === 0 && c.cy === 0))
+        return null;
+    // shiftPath, not a blind numeric replace: an arc's radii, rotation and flags
+    // are not coordinates, and shifting a sweep flag turns the arc inside out.
+    return { path: shiftPath(d, -c.cx, -c.cy), dx: c.cx, dy: c.cy };
+}
+/**
+ * Translate every COORDINATE in `d` by (dx,dy), leaving relative commands,
+ * arc radii, rotation and flags alone. Relative commands describe deltas, so
+ * they are already translation-invariant; only absolute ones move.
+ */
+export function shiftPath(d, dx, dy) {
+    const ts = [...tokens(d)];
+    const out = [];
+    let cmd = "", i = 0;
+    // The first moveto anchors the path. A leading `m` is relative to the
+    // implicit origin — i.e. absolute — so it shifts like an `M`; a later `m` is
+    // a genuine delta and must not. Missing this left relative paths uncentred.
+    let seenMove = false;
+    const r = (v) => String(Math.round(v * 1e4) / 1e4);
+    while (i < ts.length) {
+        const t = ts[i];
+        if (isCmd(t)) {
+            cmd = t;
+            out.push(t);
+            i++;
+            continue;
+        }
+        if (!cmd) {
+            out.push(t);
+            i++;
+            continue;
+        }
+        const U = cmd.toUpperCase();
+        const leadingMove = U === "M" && !seenMove;
+        const rel = cmd === cmd.toLowerCase() && !leadingMove;
+        if (U === "M")
+            seenMove = true;
+        const take = (n, shift) => {
+            for (let k = 0; k < n && i < ts.length; k++) {
+                const v = Number(ts[i++]);
+                const s = shift[k];
+                out.push(rel || s === null ? String(v) : r(v + (s === 0 ? dx : dy)));
+            }
+        };
+        switch (U) {
+            // A LEADING `m` IS ABSOLUTE; ITS IMPLICIT LINETOS ARE NOT.
+            //
+            // The follow-on command was taken from `rel`, which had just been forced
+            // false to make the leading moveto shift — so `m x y a b` continued as an
+            // ABSOLUTE `L` and the implicit lineto was shifted like a coordinate. It
+            // is a delta. Measured on an Open Peeps face: `m182.2 226 .7-.2` shifted
+            // by (315,248) became `m 497.2 474 315.7 247.8` — a 0.7-unit detail
+            // turned into a 300-unit line drawn across the frame, and every optimised
+            // SVG in the world starts exactly like that.
+            //
+            // The command's own case is the answer, not the leading-move exception.
+            case "M":
+            case "L":
+            case "T":
+                take(2, [0, 1]);
+                if (U === "M")
+                    cmd = cmd === "m" ? "l" : "L";
+                break;
+            case "H":
+                take(1, [0]);
+                break;
+            case "V":
+                take(1, [1]);
+                break;
+            case "C":
+                take(6, [0, 1, 0, 1, 0, 1]);
+                break;
+            case "S":
+            case "Q":
+                take(4, [0, 1, 0, 1]);
+                break;
+            // rx ry rot large sweep x y — only the endpoint is a coordinate.
+            case "A":
+                take(7, [null, null, null, null, null, 0, 1]);
+                break;
+            case "Z": break;
+            default:
+                out.push(ts[i++]);
+                break;
+        }
+    }
+    // Re-join with the spacing SVG readers expect; commands keep their letters.
+    return out.join(" ").replace(/\s+/g, " ").trim();
+}
+/**
+ * Scale every LENGTH in `d` by (sx,sy) about the origin.
+ *
+ * The sibling of shiftPath, and the difference between them is the whole
+ * subtlety: a translation leaves relative commands alone because a delta is
+ * translation-invariant, and a scale does NOT — a delta is a length, and
+ * lengths scale. Getting that backwards leaves a figure whose absolute
+ * anchors move and whose curves keep their original size, which reads as the
+ * drawing coming apart rather than as a wrong scale.
+ *
+ * An arc's radii scale; its x-axis rotation and its two flags are not lengths
+ * and must be left exactly as they are. Written for baking external artwork
+ * into the design graph — a corpus asset arrives in its own coordinate space
+ * and has to be placed in the frame's.
+ *
+ * NON-UNIFORM SCALING OF AN ARC IS APPROXIMATE: an ellipse under an unequal
+ * scale needs its rotation adjusted too, which is a longer computation than it
+ * is worth here. Stated rather than hidden; every caller so far scales
+ * uniformly, and the corpus paths carry no arcs.
+ */
+export function scalePath(d, sx, sy = sx) {
+    const ts = [...tokens(d)];
+    const out = [];
+    let cmd = "", i = 0;
+    const r = (v) => String(Math.round(v * 1e4) / 1e4);
+    while (i < ts.length) {
+        const t = ts[i];
+        if (isCmd(t)) {
+            cmd = t;
+            out.push(t);
+            i++;
+            continue;
+        }
+        if (!cmd) {
+            out.push(t);
+            i++;
+            continue;
+        }
+        const U = cmd.toUpperCase();
+        // `axis` is 0 for an x length, 1 for a y length, null for something that is
+        // not a length at all.
+        const take = (n, axis) => {
+            for (let k = 0; k < n && i < ts.length; k++) {
+                const v = Number(ts[i++]);
+                const a = axis[k];
+                out.push(a === null ? String(v) : r(v * (a === 0 ? sx : sy)));
+            }
+        };
+        switch (U) {
+            case "M":
+            case "L":
+            case "T":
+                take(2, [0, 1]);
+                if (U === "M")
+                    cmd = cmd === "m" ? "l" : "L";
+                break;
+            case "H":
+                take(1, [0]);
+                break;
+            case "V":
+                take(1, [1]);
+                break;
+            case "C":
+                take(6, [0, 1, 0, 1, 0, 1]);
+                break;
+            case "S":
+            case "Q":
+                take(4, [0, 1, 0, 1]);
+                break;
+            // rx ry rot large sweep x y — the radii and the endpoint are lengths;
+            // the rotation and the two flags are not.
+            case "A":
+                take(7, [0, 1, null, null, null, 0, 1]);
+                break;
+            case "Z": break;
+            default:
+                out.push(ts[i++]);
+                break;
+        }
+    }
+    return out.join(" ").replace(/\s+/g, " ").trim();
+}
+//# sourceMappingURL=path-bbox.js.map

package/dist/character/path-bbox.js.map

@@ -0,0 +1 @@
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package/dist/character/perform.d.ts

@@ -0,0 +1,149 @@
+export interface CharacterPart {
+    at: [number, number];
+    path: string;
+    fill?: string;
+    /**
+     * HOW MUCH OF THE STYLE'S INK THIS PART TAKES. 1 (default) is the full
+     * silhouette weight; a fraction is interior linework; 0 is unlined.
+     *
+     * ONE WEIGHT FOR EVERYTHING IS WHAT MAKES A FIGURE READ AS STICKERS. The ink
+     * rule already refuses to outline a part that is itself ink, which stopped
+     * faces smearing — but every other part got the identical silhouette stroke,
+     * so a wing lying ON a body was drawn with exactly the line that separates
+     * the body from the sky. Rendered at 0.6s and 0.9s of `ledge-at-dusk`, the
+     * pigeon reads as a circle-with-an-outline sitting on an ellipse-with-an-
+     * outline: the seams between primitives are drawn at full strength, which is
+     * the "the head is not connected" complaint in one sentence.
+     *
+     * Flat illustration has a hierarchy — a heavy contour where form meets
+     * background, a lighter line where form meets form. This is that, as a
+     * property of the drawing rather than a constant in the renderer.
+     */
+    inkWeight?: number;
+    /**
+     * THE BONE. Which part carries this one.
+     *
+     * Everything Rive and Lottie do to keep a figure whole, this one field does:
+     * a carried part has NO motion of its own, it inherits its carrier's, so the
+     * beak cannot lag the skull because the beak is not animated at all.
+     *
+     * What it replaces is coordination by duplication. `pp:Pigeon` kept the head
+     * together with FOUR channels — bob, bobCollar, bobBeak, bobEye — each
+     * independently declaring amplitude 0.62, 800ms, easeInOut and spanPart
+     * "head", and each computing its own keyframes from those numbers. Agreement
+     * was a coincidence maintained by hand, and the concept file records what it
+     * cost: the neck tore open at the shoulder, was "fixed" by cutting the
+     * amplitude to 0.22 — which fixed the tear by deleting the motion, measured
+     * at SSIM 0.9824, a still with a tremor — and the verdict on that was
+     * "nothing believable". The amplitude went back to 0.62 and the tear came
+     * back with it, because five copies of a number is not a rig.
+     *
+     * We have shipped, separately, every divergence needed to tear it: easings
+     * resolving to linear, clocks wrapping at the last keyframe, a rest scale
+     * applied twice. Any one of them hits one channel and not its siblings.
+     *
+     * With a carrier the question cannot arise. One track is computed, for the
+     * carrier, and every part bound to it is displaced by that same track.
+     */
+    carriedBy?: string;
+}
+export interface CharacterDepiction {
+    concept: string;
+    height: number;
+    palette: Record<string, string>;
+    parts: Record<string, CharacterPart>;
+    /**
+     * The style's ink, applied to every part as it is drawn.
+     *
+     * A STYLE IS NOT A PROPERTY OF THE DRAWING. `explainer-ink` declares a 4px
+     * #1b1b1b outline and no depiction part has ever carried a stroke role, so
+     * the ink was never applied to anything. It showed as soon as corpus art
+     * arrived: a flat-filled bird dropped into a scene whose brief says
+     * "everything outlined in one dark ink" reads as pasted in from somewhere
+     * else, because it was.
+     *
+     * Inking here rather than baking it into the geometry is what lets one
+     * drawing serve several styles — which is the entire reason depiction and
+     * style are separate rows.
+     */
+    ink?: {
+        color: string;
+        width: number;
+        join?: string;
+        cap?: string;
+        union?: boolean;
+    };
+}
+/** A named channel on the concept — how a symbol becomes a change on a part. */
+export interface Channel {
+    name: string;
+    kind: "alternate" | "alternate-cycle" | "speak" | "shift" | "transform" | "cycle";
+    base?: string;
+    alternate?: string;
+    /** For `speak`: the mouth shapes, closed first, most open last. */
+    states?: string[];
+    holdMs?: number;
+    rateHz?: number;
+    /** For `speak`: syllables per second, before the rhythm varies it. */
+    syllablesPerSecond?: number;
+    unitsPerValue?: number;
+    /** The part(s) a channel acts on. A list means "these move as one thing". */
+    part?: string | string[];
+    property?: "scaleX" | "scaleY" | "rotation" | "x" | "y" | "opacity";
+    /** Resting value, and the value at the peak of the gesture. */
+    rest?: number;
+    peak?: number;
+    /** Time to reach the peak and to come back, in ms. */
+    attackMs?: number;
+    releaseMs?: number;
+    easing?: string;
+    /** For `cycle`: how far, as a FRACTION of the part for x/y, degrees for rotation. */
+    amplitude?: number;
+    /**
+     * For `cycle`: measure the amplitude against ANOTHER part's size.
+     *
+     * A beak and an eye sit ON a head. When the head is thrown forward they
+     * travel exactly as far as it does — they are carried, not independently
+     * animated. Reading the fraction off each part's own span made a small part
+     * move a small distance, so a pigeon's beak lagged its head by tens of
+     * pixels mid-bob and the face came apart, which is the same failure as
+     * rotating each part about its own centre instead of shifting the figure.
+     */
+    spanPart?: string;
+    /** For `cycle`: one throw and recovery, in ms. */
+    durationMs?: number;
+}
+/** One instruction: at this instant, on this channel. */
+export interface Beat {
+    at: number;
+    channel: string;
+    /** For `shift` channels: how far, in channel units (negative is left). */
+    value?: number;
+    /** For channels that occupy a span rather than an instant. */
+    until?: number;
+}
+export interface PerformInput {
+    id: string;
+    depiction: CharacterDepiction;
+    at: {
+        x: number;
+        y: number;
+    };
+    height: number;
+    channels: Channel[];
+    beats: Beat[];
+    /** Total scene duration, so tracks can be written across it. */
+    durationSeconds: number;
+}
+type Op = {
+    tool: string;
+    args: Record<string, unknown>;
+};
+export declare function performCharacter(input: PerformInput): {
+    ops: Op[];
+    parts: string[];
+    tracks: number;
+    unknownChannels: string[];
+};
+export {};
+//# sourceMappingURL=perform.d.ts.map