@openmixer/omx-contract 2.4.0 → 2.6.0

package/README.md

@@ -49,7 +49,7 @@ pkg-config --cflags omx-contract
 ```
 
 Pin one version and build against its renders instead of keeping a copy: the installed package at exactly
-that version (`pkg-config --exact-version=2.4.0 omx-contract`), else the npm tarball, unpacked, and
+that version (`pkg-config --exact-version=2.6.0 omx-contract`), else the npm tarball, unpacked, and
 `omx-contract render --target c --out build/omx-contract/include`. A kernel's controls and readouts, in their
 order, are in `share/omx-contract/omx-contract.json`; how a declaration is written is in
 [docs/kernel-files.md](docs/kernel-files.md), and what a readout is in [docs/readouts.md](docs/readouts.md).

package/data/kernels/comp.json

@@ -122,6 +122,17 @@
         "Off",
         "4x"
       ]
+    },
+    {
+      "name": "detectorTopology",
+      "kind": "choice",
+      "global": "DETECTOR_TOPOLOGY",
+      "doc": "Where the compressor's detector listens: `feedforward` hears the slot's input (or its key), `feedback` hears the slot's own pre-make-up output DYN_FB_LOOP_DELAY_SAMPLES late, through one envelope stage, and a keyed slot stays feed-forward (omx-dsp's OMX_DYN_TOPOLOGY_FEEDFORWARD 0 and _FEEDBACK 1, in that order; the set is named for its control, so C spells them OMX_DETECTOR_TOPOLOGY_*). The console's comp row carries it (`detectorTopology`, openmixer's ssl-bus-compressor spec §3a) and comes up `feedforward`, so a zeroed atom is the compressor every slot runs.",
+      "ids": [
+        "feedforward",
+        "feedback"
+      ],
+      "default": "feedforward"
     }
   ],
   "readouts": [
@@ -160,6 +171,12 @@
           }
         }
       }
+    },
+    "DYN_FB_LOOP_DELAY_SAMPLES": {
+      "kind": "scalar",
+      "doc": "The feedback detector's loop delay, in samples: the output y[n] depends on the gain at n, so the detector can only have heard y[n - 1]. Not a latency: the audio is never delayed by it. omx-dsp's feedback state holds exactly this many output samples per leg.",
+      "unit": "",
+      "value": 1
     }
   }
 }

package/data/kernels/generator.json

@@ -0,0 +1,27 @@
+{
+  "$schema": "../../schema/omx-contract.schema.json",
+  "controls": [
+    {
+      "name": "kind",
+      "kind": "choice",
+      "doc": "The generator kinds, in surface order: its position is the integer omx-dsp's omx_gen_fill takes as its kind (OMX_GEN_OSC, OMX_GEN_WHITE, OMX_GEN_PINK).",
+      "ids": [
+        "oscillator",
+        "white",
+        "pink"
+      ]
+    },
+    {
+      "name": "waveform",
+      "kind": "choice",
+      "global": "WAVEFORMS",
+      "doc": "The selectable oscillator waveforms, in surface order: its position is the integer omx-dsp's omx_gen_osc takes (OMX_WAVE_SINE, OMX_WAVE_SQUARE, OMX_WAVE_SAW, OMX_WAVE_TRIANGLE).",
+      "ids": [
+        "sine",
+        "square",
+        "saw",
+        "triangle"
+      ]
+    }
+  ]
+}

package/data/kernels/src.json

@@ -0,0 +1,29 @@
+{
+  "$schema": "../../schema/omx-contract.schema.json",
+  "constants": {
+    "SRC_TAPS": {
+      "kind": "scalar",
+      "doc": "Taps per phase. 64 puts the design's transition band comfortably inside what a Kaiser of this beta can hold at every standard rate pair, and costs 64 multiply-adds per output sample — about 12 M flops per track-minute at 48 kHz, which is nothing offline.",
+      "unit": "",
+      "value": 64
+    },
+    "SRC_STOPBAND_DB": {
+      "kind": "scalar",
+      "doc": "Stopband attenuation the window is designed for, in dB. 96 dB is below the noise floor of any take this console can capture (float capture of a 24-bit converter), so the conversion is not what limits the file.",
+      "unit": "dB",
+      "value": 96
+    },
+    "SRC_ROLLOFF": {
+      "kind": "scalar",
+      "doc": "How much of the shared Nyquist the passband keeps. The remaining 8 % is the transition band the window needs to reach its stopband: at 48 kHz that puts the corner at 22.08 kHz and the stopband in place by 24 kHz.",
+      "unit": "",
+      "value": 0.92
+    },
+    "SRC_MAX_L": {
+      "kind": "scalar",
+      "doc": "The largest interpolation factor a plan may carry. 44.1 kHz -> 192 kHz is 640/147, the widest pair the console's standard rates produce; the cap refuses an exotic pair before it allocates a table nobody budgeted for, rather than discovering it as a bad_alloc.",
+      "unit": "",
+      "value": 1024
+    }
+  }
+}

package/dist/ts/omx-contract.d.ts

@@ -254,6 +254,12 @@ export declare const COMP_KINDS: readonly ["comp", "limiter"];
  */
 export declare const DETECTOR_OVERSAMPLINGS: readonly ["auto", "off", "x4"];
 
+/**
+ * Where the compressor's detector listens: `feedforward` hears the slot's input (or its key), `feedback` hears the slot's own pre-make-up output DYN_FB_LOOP_DELAY_SAMPLES late, through one envelope stage, and a keyed slot stays feed-forward (omx-dsp's OMX_DYN_TOPOLOGY_FEEDFORWARD 0 and _FEEDBACK 1, in that order; the set is named for its control, so C spells them OMX_DETECTOR_TOPOLOGY_*). The console's comp row carries it (`detectorTopology`, openmixer's ssl-bus-compressor spec §3a) and comes up `feedforward`, so a zeroed atom is the compressor every slot runs.
+ * @see data/kernels/comp.json
+ */
+export declare const DETECTOR_TOPOLOGY: readonly ["feedforward", "feedback"];
+
 /**
  * The program-dependent release's model constants — the LA-2A's opto cell as DATA (`docs/design/specs/2026-09-26-compressor-models.md` §3b). `chargeMs`/`dischargeMs` are the word's memory constants, shared by every profile; each profile's `fastMs`, `slowMinMs`, `slowMaxMs` and `share` fit the unit's published two-stage recovery. Not operator controls: generated into `omx_contract_limits.h` as `OMX_PROGRAM_RELEASE_*`, which libomxdsp's `omx_env_program_release` reads.
  * @see data/kernels/comp.json
@@ -271,6 +277,12 @@ export declare const PROGRAM_RELEASE: {
   };
 };
 
+/**
+ * The feedback detector's loop delay, in samples: the output y[n] depends on the gain at n, so the detector can only have heard y[n - 1]. Not a latency: the audio is never delayed by it. omx-dsp's feedback state holds exactly this many output samples per leg.
+ * @see data/kernels/comp.json
+ */
+export declare const DYN_FB_LOOP_DELAY_SAMPLES: 1;
+
 /**
  * The detector band's CENTRE, in Hz. Sibilance lives at 5–10 kHz on most voices; 7 kHz with the default width covers 4 950–9 900 Hz, which is where an "s" and a "t" sit on a close vocal mic. The travel is wider than the come-up on both sides on purpose: a bright female vocal wants the band up near 9 kHz and a chesty male one down at 5, and a surface narrower than the row removes reach the console genuinely has (the same reasoning core's `REVERB_CUT_RANGE` records).
  * @see data/kernels/deesser.json
@@ -1000,6 +1012,18 @@ export declare const GATE_LIMITS: {
   };
 };
 
+/**
+ * The generator kinds, in surface order: its position is the integer omx-dsp's omx_gen_fill takes as its kind (OMX_GEN_OSC, OMX_GEN_WHITE, OMX_GEN_PINK).
+ * @see data/kernels/generator.json
+ */
+export declare const GENERATOR_KINDS: readonly ["oscillator", "white", "pink"];
+
+/**
+ * The selectable oscillator waveforms, in surface order: its position is the integer omx-dsp's omx_gen_osc takes (OMX_WAVE_SINE, OMX_WAVE_SQUARE, OMX_WAVE_SAW, OMX_WAVE_TRIANGLE).
+ * @see data/kernels/generator.json
+ */
+export declare const WAVEFORMS: readonly ["sine", "square", "saw", "triangle"];
+
 /**
  * One graphic-EQ fader's travel: EQ_GAIN_RANGE by reference (a graphic fader is an EQ gain), with the come-up value it needs as a row field — flat, 0 dB (graphic-eq-31 spec §3).
  * @see data/kernels/geq.json
@@ -1713,6 +1737,30 @@ export declare const RTA_TARGET_BIN_HZ: 5.9;
  */
 export declare const RTA_FFT_SIZE_MAX: 32768;
 
+/**
+ * Taps per phase. 64 puts the design's transition band comfortably inside what a Kaiser of this beta can hold at every standard rate pair, and costs 64 multiply-adds per output sample — about 12 M flops per track-minute at 48 kHz, which is nothing offline.
+ * @see data/kernels/src.json
+ */
+export declare const SRC_TAPS: 64;
+
+/**
+ * Stopband attenuation the window is designed for, in dB. 96 dB is below the noise floor of any take this console can capture (float capture of a 24-bit converter), so the conversion is not what limits the file.
+ * @see data/kernels/src.json
+ */
+export declare const SRC_STOPBAND_DB: 96;
+
+/**
+ * How much of the shared Nyquist the passband keeps. The remaining 8 % is the transition band the window needs to reach its stopband: at 48 kHz that puts the corner at 22.08 kHz and the stopband in place by 24 kHz.
+ * @see data/kernels/src.json
+ */
+export declare const SRC_ROLLOFF: 0.92;
+
+/**
+ * The largest interpolation factor a plan may carry. 44.1 kHz -> 192 kHz is 640/147, the widest pair the console's standard rates produce; the cap refuses an exotic pair before it allocates a table nobody budgeted for, rather than discovering it as a bad_alloc.
+ * @see data/kernels/src.json
+ */
+export declare const SRC_MAX_L: 1024;
+
 /**
  * The legal range of each transient-designer field (engineering units), transient spec §3. Every kind comes up flat: no per-kind default differs. `harness/contract-limits-gen.mjs` emits each as `OMX_TRANSIENT_<FIELD>_{MIN,MAX,DEFAULT}` for `mix_transient.h`'s resolve; the row publishes them on OPTIONS when it lands (issue #921).
  * @see data/kernels/transient.json

package/dist/ts/omx-contract.js

@@ -264,6 +264,15 @@ export const DETECTOR_OVERSAMPLINGS = [
   "x4"
 ];
 
+/**
+ * Where the compressor's detector listens: `feedforward` hears the slot's input (or its key), `feedback` hears the slot's own pre-make-up output DYN_FB_LOOP_DELAY_SAMPLES late, through one envelope stage, and a keyed slot stays feed-forward (omx-dsp's OMX_DYN_TOPOLOGY_FEEDFORWARD 0 and _FEEDBACK 1, in that order; the set is named for its control, so C spells them OMX_DETECTOR_TOPOLOGY_*). The console's comp row carries it (`detectorTopology`, openmixer's ssl-bus-compressor spec §3a) and comes up `feedforward`, so a zeroed atom is the compressor every slot runs.
+ * @see data/kernels/comp.json
+ */
+export const DETECTOR_TOPOLOGY = [
+  "feedforward",
+  "feedback"
+];
+
 /**
  * The program-dependent release's model constants — the LA-2A's opto cell as DATA (`docs/design/specs/2026-09-26-compressor-models.md` §3b). `chargeMs`/`dischargeMs` are the word's memory constants, shared by every profile; each profile's `fastMs`, `slowMinMs`, `slowMaxMs` and `share` fit the unit's published two-stage recovery. Not operator controls: generated into `omx_contract_limits.h` as `OMX_PROGRAM_RELEASE_*`, which libomxdsp's `omx_env_program_release` reads.
  * @see data/kernels/comp.json
@@ -281,6 +290,12 @@ export const PROGRAM_RELEASE = {
   }
 };
 
+/**
+ * The feedback detector's loop delay, in samples: the output y[n] depends on the gain at n, so the detector can only have heard y[n - 1]. Not a latency: the audio is never delayed by it. omx-dsp's feedback state holds exactly this many output samples per leg.
+ * @see data/kernels/comp.json
+ */
+export const DYN_FB_LOOP_DELAY_SAMPLES = 1;
+
 /**
  * The detector band's CENTRE, in Hz. Sibilance lives at 5–10 kHz on most voices; 7 kHz with the default width covers 4 950–9 900 Hz, which is where an "s" and a "t" sit on a close vocal mic. The travel is wider than the come-up on both sides on purpose: a bright female vocal wants the band up near 9 kHz and a chesty male one down at 5, and a surface narrower than the row removes reach the console genuinely has (the same reasoning core's `REVERB_CUT_RANGE` records).
  * @see data/kernels/deesser.json
@@ -1157,6 +1172,27 @@ export const GATE_LIMITS = {
   }
 };
 
+/**
+ * The generator kinds, in surface order: its position is the integer omx-dsp's omx_gen_fill takes as its kind (OMX_GEN_OSC, OMX_GEN_WHITE, OMX_GEN_PINK).
+ * @see data/kernels/generator.json
+ */
+export const GENERATOR_KINDS = [
+  "oscillator",
+  "white",
+  "pink"
+];
+
+/**
+ * The selectable oscillator waveforms, in surface order: its position is the integer omx-dsp's omx_gen_osc takes (OMX_WAVE_SINE, OMX_WAVE_SQUARE, OMX_WAVE_SAW, OMX_WAVE_TRIANGLE).
+ * @see data/kernels/generator.json
+ */
+export const WAVEFORMS = [
+  "sine",
+  "square",
+  "saw",
+  "triangle"
+];
+
 /**
  * One graphic-EQ fader's travel: EQ_GAIN_RANGE by reference (a graphic fader is an EQ gain), with the come-up value it needs as a row field — flat, 0 dB (graphic-eq-31 spec §3).
  * @see data/kernels/geq.json
@@ -1887,6 +1923,30 @@ export const RTA_TARGET_BIN_HZ = 5.9;
  */
 export const RTA_FFT_SIZE_MAX = 32768;
 
+/**
+ * Taps per phase. 64 puts the design's transition band comfortably inside what a Kaiser of this beta can hold at every standard rate pair, and costs 64 multiply-adds per output sample — about 12 M flops per track-minute at 48 kHz, which is nothing offline.
+ * @see data/kernels/src.json
+ */
+export const SRC_TAPS = 64;
+
+/**
+ * Stopband attenuation the window is designed for, in dB. 96 dB is below the noise floor of any take this console can capture (float capture of a 24-bit converter), so the conversion is not what limits the file.
+ * @see data/kernels/src.json
+ */
+export const SRC_STOPBAND_DB = 96;
+
+/**
+ * How much of the shared Nyquist the passband keeps. The remaining 8 % is the transition band the window needs to reach its stopband: at 48 kHz that puts the corner at 22.08 kHz and the stopband in place by 24 kHz.
+ * @see data/kernels/src.json
+ */
+export const SRC_ROLLOFF = 0.92;
+
+/**
+ * The largest interpolation factor a plan may carry. 44.1 kHz -> 192 kHz is 640/147, the widest pair the console's standard rates produce; the cap refuses an exotic pair before it allocates a table nobody budgeted for, rather than discovering it as a bad_alloc.
+ * @see data/kernels/src.json
+ */
+export const SRC_MAX_L = 1024;
+
 /**
  * The legal range of each transient-designer field (engineering units), transient spec §3. Every kind comes up flat: no per-kind default differs. `harness/contract-limits-gen.mjs` emits each as `OMX_TRANSIENT_<FIELD>_{MIN,MAX,DEFAULT}` for `mix_transient.h`'s resolve; the row publishes them on OPTIONS when it lands (issue #921).
  * @see data/kernels/transient.json

package/include/omxcontract/omx_contract_limits.h

@@ -279,6 +279,7 @@
 #define OMX_DRIVE_TRIM_RANGE_STEP 0.1f
 #define OMX_DRIVE_TRIM_RANGE_STEP_DOUBLE 0.1
 #define OMX_DSP_KNOB_REFERENCE_RATE 96000
+#define OMX_DYN_FB_LOOP_DELAY_SAMPLES 1
 #define OMX_EQ_BAND_COUNTS_CHANNEL_DEFAULT 4
 #define OMX_EQ_BAND_COUNTS_CHANNEL_MAX 24
 #define OMX_EQ_BAND_COUNTS_EQ16_DEFAULT 16
@@ -569,6 +570,11 @@
 #define OMX_RTA_TARGET_BIN_HZ_DOUBLE 5.9
 #define OMX_RT_HARD_TARGET_QUANTUM 128
 #define OMX_RT_HARD_TARGET_RATE 192000
+#define OMX_SRC_MAX_L 1024
+#define OMX_SRC_ROLLOFF 0.92f
+#define OMX_SRC_ROLLOFF_DOUBLE 0.92
+#define OMX_SRC_STOPBAND_DB 96
+#define OMX_SRC_TAPS 64
 #define OMX_SUBHARMONIC_RADIUS_BINS 2
 #define OMX_TRANSIENT_FAST_ATTACK_MS 0.5f
 #define OMX_TRANSIENT_FAST_ATTACK_MS_DOUBLE 0.5
@@ -652,6 +658,12 @@ enum omx_detector_oversamplings {
 };
 #define OMX_DETECTOR_OVERSAMPLINGS_COUNT 3u
 #define OMX_DETECTOR_OVERSAMPLINGS_DEFAULT OMX_DETECTOR_OVERSAMPLINGS_AUTO
+enum omx_detector_topology {
+  OMX_DETECTOR_TOPOLOGY_FEEDFORWARD = 0,
+  OMX_DETECTOR_TOPOLOGY_FEEDBACK = 1,
+};
+#define OMX_DETECTOR_TOPOLOGY_COUNT 2u
+#define OMX_DETECTOR_TOPOLOGY_DEFAULT OMX_DETECTOR_TOPOLOGY_FEEDFORWARD
 enum omx_drive_auto_gains {
   OMX_DRIVE_AUTO_GAINS_OFF = 0,
   OMX_DRIVE_AUTO_GAINS_ON = 1,
@@ -723,6 +735,12 @@ enum omx_gate_key_sources {
   OMX_GATE_KEY_SOURCES_SIDECHAIN = 1,
 };
 #define OMX_GATE_KEY_SOURCES_COUNT 2u
+enum omx_generator_kinds {
+  OMX_GENERATOR_KINDS_OSCILLATOR = 0,
+  OMX_GENERATOR_KINDS_WHITE = 1,
+  OMX_GENERATOR_KINDS_PINK = 2,
+};
+#define OMX_GENERATOR_KINDS_COUNT 3u
 enum omx_param_scales {
   OMX_PARAM_SCALES_LINEAR = 0,
   OMX_PARAM_SCALES_LOG = 1,
@@ -750,6 +768,13 @@ enum omx_tremolo_modes {
 };
 #define OMX_TREMOLO_MODES_COUNT 2u
 #define OMX_TREMOLO_MODES_DEFAULT OMX_TREMOLO_MODES_TREMOLO
+enum omx_waveforms {
+  OMX_WAVEFORMS_SINE = 0,
+  OMX_WAVEFORMS_SQUARE = 1,
+  OMX_WAVEFORMS_SAW = 2,
+  OMX_WAVEFORMS_TRIANGLE = 3,
+};
+#define OMX_WAVEFORMS_COUNT 4u
 
 /* Every kernel's readouts, the meters a host draws (docs/readouts.md): an enum of the readouts at their position,
  * `OMX_<KERNEL>_READOUT_COUNT`, and per readout its display range (_MIN, _MAX), _RATE_HZ, _SCALE (an OMX_PARAM_SCALES_*

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@openmixer/omx-contract",
-  "version": "2.4.0",
+  "version": "2.6.0",
   "description": "The FreeMixer declarations as data: a JSON Schema, the data, and one CLI that renders them into C, TypeScript and JSON",
   "type": "module",
   "license": "GPL-3.0-or-later",

package/share/omx-contract/omx-contract.json

@@ -1,6 +1,6 @@
 {
   "name": "@openmixer/omx-contract",
-  "version": "2.4.0",
+  "version": "2.6.0",
   "items": {
     "PAN_RANGE": {
       "rel": "data/kernels/balance.json",
@@ -299,6 +299,16 @@
         "x4"
       ]
     },
+    "DETECTOR_TOPOLOGY": {
+      "rel": "data/kernels/comp.json",
+      "kind": "set",
+      "doc": "Where the compressor's detector listens: `feedforward` hears the slot's input (or its key), `feedback` hears the slot's own pre-make-up output DYN_FB_LOOP_DELAY_SAMPLES late, through one envelope stage, and a keyed slot stays feed-forward (omx-dsp's OMX_DYN_TOPOLOGY_FEEDFORWARD 0 and _FEEDBACK 1, in that order; the set is named for its control, so C spells them OMX_DETECTOR_TOPOLOGY_*). The console's comp row carries it (`detectorTopology`, openmixer's ssl-bus-compressor spec §3a) and comes up `feedforward`, so a zeroed atom is the compressor every slot runs.",
+      "default": "feedforward",
+      "value": [
+        "feedforward",
+        "feedback"
+      ]
+    },
     "PROGRAM_RELEASE": {
       "rel": "data/kernels/comp.json",
       "kind": "sheet",
@@ -316,6 +326,13 @@
         }
       }
     },
+    "DYN_FB_LOOP_DELAY_SAMPLES": {
+      "rel": "data/kernels/comp.json",
+      "kind": "scalar",
+      "doc": "The feedback detector's loop delay, in samples: the output y[n] depends on the gain at n, so the detector can only have heard y[n - 1]. Not a latency: the audio is never delayed by it. omx-dsp's feedback state holds exactly this many output samples per leg.",
+      "unit": "",
+      "value": 1
+    },
     "DEESS_FREQ_RANGE": {
       "rel": "data/kernels/deesser.json",
       "kind": "travels",
@@ -1330,6 +1347,27 @@
         }
       }
     },
+    "GENERATOR_KINDS": {
+      "rel": "data/kernels/generator.json",
+      "kind": "set",
+      "doc": "The generator kinds, in surface order: its position is the integer omx-dsp's omx_gen_fill takes as its kind (OMX_GEN_OSC, OMX_GEN_WHITE, OMX_GEN_PINK).",
+      "value": [
+        "oscillator",
+        "white",
+        "pink"
+      ]
+    },
+    "WAVEFORMS": {
+      "rel": "data/kernels/generator.json",
+      "kind": "set",
+      "doc": "The selectable oscillator waveforms, in surface order: its position is the integer omx-dsp's omx_gen_osc takes (OMX_WAVE_SINE, OMX_WAVE_SQUARE, OMX_WAVE_SAW, OMX_WAVE_TRIANGLE).",
+      "value": [
+        "sine",
+        "square",
+        "saw",
+        "triangle"
+      ]
+    },
     "GEQ_BAND_RANGE": {
       "rel": "data/kernels/geq.json",
       "kind": "travels",
@@ -2120,6 +2158,34 @@
       "unit": "",
       "value": 32768
     },
+    "SRC_TAPS": {
+      "rel": "data/kernels/src.json",
+      "kind": "scalar",
+      "doc": "Taps per phase. 64 puts the design's transition band comfortably inside what a Kaiser of this beta can hold at every standard rate pair, and costs 64 multiply-adds per output sample — about 12 M flops per track-minute at 48 kHz, which is nothing offline.",
+      "unit": "",
+      "value": 64
+    },
+    "SRC_STOPBAND_DB": {
+      "rel": "data/kernels/src.json",
+      "kind": "scalar",
+      "doc": "Stopband attenuation the window is designed for, in dB. 96 dB is below the noise floor of any take this console can capture (float capture of a 24-bit converter), so the conversion is not what limits the file.",
+      "unit": "dB",
+      "value": 96
+    },
+    "SRC_ROLLOFF": {
+      "rel": "data/kernels/src.json",
+      "kind": "scalar",
+      "doc": "How much of the shared Nyquist the passband keeps. The remaining 8 % is the transition band the window needs to reach its stopband: at 48 kHz that puts the corner at 22.08 kHz and the stopband in place by 24 kHz.",
+      "unit": "",
+      "value": 0.92
+    },
+    "SRC_MAX_L": {
+      "rel": "data/kernels/src.json",
+      "kind": "scalar",
+      "doc": "The largest interpolation factor a plan may carry. 44.1 kHz -> 192 kHz is 640/147, the widest pair the console's standard rates produce; the cap refuses an exotic pair before it allocates a table nobody budgeted for, rather than discovering it as a bad_alloc.",
+      "unit": "",
+      "value": 1024
+    },
     "TRANSIENT_LIMITS": {
       "rel": "data/kernels/transient.json",
       "kind": "travels",
@@ -2646,6 +2712,11 @@
           "name": "detectorOversampling",
           "kind": "choice",
           "global": "DETECTOR_OVERSAMPLINGS"
+        },
+        {
+          "name": "detectorTopology",
+          "kind": "choice",
+          "global": "DETECTOR_TOPOLOGY"
         }
       ],
       "readouts": [
@@ -2970,6 +3041,20 @@
         }
       ]
     },
+    "generator": {
+      "controls": [
+        {
+          "name": "kind",
+          "kind": "choice",
+          "global": "GENERATOR_KINDS"
+        },
+        {
+          "name": "waveform",
+          "kind": "choice",
+          "global": "WAVEFORMS"
+        }
+      ]
+    },
     "geq": {
       "controls": [
         {
@@ -3198,6 +3283,9 @@
     "rta": {
       "controls": []
     },
+    "src": {
+      "controls": []
+    },
     "transient": {
       "controls": [
         {