@openmixer/omx-contract 1.1.0 → 1.2.1

package/dist/ts/omx-contract.js

@@ -2,6 +2,17 @@
 // Copyright (C) 2026 Pau Aliagas <linuxnow@gmail.com>
 // GENERATED by `omx-contract render --target ts` from FreeMixer/omx-contract's data/ — do not edit.
 
+/**
+ * The PAN travel — −1 (hard left) … 0 (center) … +1 (hard right). A property of the pan law itself, not of any desk, so it is declared once. Continuous: a pan position has no quantum, and panGains clamps to these bounds.
+ * @see data/kernels/balance.json
+ */
+export const PAN_RANGE = {
+  "min": -1,
+  "max": 1,
+  "step": 0,
+  "unit": ""
+};
+
 /**
  * The chorus's right-leg phase offset, in TURNS of its one oscillator (§2, §3a; the native-FX catalogue's M32 Dimension row). The right leg's voice k reads the LFO at k/N + spread: 0 is both legs one phase (the stage without the field, bit for bit), 0.25 quadrature, 0.5 the Dimension's opposed sweep. A fraction of a cycle carries no engineering symbol, so the unit is ''.
  * @see data/kernels/chorus.json
@@ -15,6 +26,58 @@ export const CHORUS_SPREAD_RANGE = {
   "defaultFrom": "desk"
 };
 
+/**
+ * The chorus sweep's speed (§3a). Above ~3 Hz it stops being a chorus and becomes a vibrato.
+ * @see data/kernels/chorus.json
+ */
+export const CHORUS_RATE_RANGE = {
+  "min": 0.05,
+  "max": 8,
+  "step": 0.01,
+  "unit": "Hz",
+  "default": 0.6,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The chorus's peak-to-peak excursion above its declared 10 ms base (§3a).
+ * @see data/kernels/chorus.json
+ */
+export const CHORUS_DEPTH_RANGE = {
+  "min": 0,
+  "max": 12,
+  "step": 0.1,
+  "unit": "ms",
+  "default": 4,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The chorus's tap count — one oscillator read at k/N (§3a).
+ * @see data/kernels/chorus.json
+ */
+export const CHORUS_VOICES_RANGE = {
+  "min": 1,
+  "max": 4,
+  "step": 1,
+  "unit": "",
+  "default": 3,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The chorus's wet/dry, as an instance of DRIVE_MIX_RANGE — the same percent travel, its own come-up value: 35 %, a colour under the dry on a strip (§3a). The REVERB_LOWCUT_RANGE-over- REVERB_CUT_RANGE shape: one travel, one declared default per field that reads it.
+ * @see data/kernels/chorus.json
+ */
+export const CHORUS_MIX_RANGE = {
+  "min": 0,
+  "max": 100,
+  "step": 0.1,
+  "unit": "%",
+  "default": 35,
+  "defaultFrom": "desk"
+};
+
 /**
  * The legal range of each compressor field (engineering units). The widget clamps drags to these, `normalizeComp` enforces them, the row's codec refuses by them and the travel sheet publishes them. `default`/`defaultFrom` are the come-up values `defaultCompState` seeds a fresh strip with, read BACK from here rather than restated there.
  * @see data/kernels/comp.json
@@ -259,6 +322,71 @@ export const FX_DELAY_PINGPONG_DEFAULT = false;
  */
 export const DRIVE_BIAS_MAX = 0.7071067811865476;
 
+/**
+ * The PRE-CURVE gain, in dB. 0 dB is unity into the curve, so a stage switched on at its defaults changes almost nothing — which is what an `on` switch should mean. The ceiling is where every curve is saturating hard on any signal a console carries.
+ * @see data/kernels/drive.json
+ */
+export const DRIVE_AMOUNT_RANGE = {
+  "min": 0,
+  "max": 36,
+  "step": 0.1,
+  "unit": "dB",
+  "default": 0,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The EVEN/ODD harmonic balance. −1 is pure odd (the curve itself), +1 is pure even, 0 an equal blend — the kernel splits its own distortion residue into an odd and an even half and fades between them, so the two ends are exact rather than approximate (`mix_drive.h`, measured: H2 at −317 dBc at −1, H3 at −118 dBc at +1). Unitless, and signed by construction. NOT NORMALIZED_RANGE: this is a BALANCE with a meaningful centre, and a 0..1 travel would put its centre at 0.5 and its neutral nowhere.
+ * @see data/kernels/drive.json
+ */
+export const DRIVE_CHARACTER_RANGE = {
+  "min": -1,
+  "max": 1,
+  "step": 0.01,
+  "unit": "",
+  "default": 0,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The band split / tilt corner, in Hz. ONE travel for all three band modes, because the C imposes one constraint on all of them: it is the corner of a single biquad, and the split's other half is `x − LP(x)`. The full audio band, not the channel filters' narrower HPF/LPF pair — the same reasoning REVERB_CUT_RANGE records: a surface narrower than the row removes reach the console genuinely has.
+ * @see data/kernels/drive.json
+ */
+export const DRIVE_BAND_FREQ_RANGE = {
+  "min": 20,
+  "max": 20000,
+  "step": 1,
+  "unit": "Hz",
+  "default": 2000,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The wet/dry, as a PERCENT — the unit a drive control is read in on every desk that has one. Deliberately not NORMALIZED_RANGE (which is unitless 0..1): a mix a surface must label "0.35" when the operator thinks in "35 %" is a control whose declaration is fighting its reader. The kernel divides by 100 where it resolves the atom, in one place. The come-up is 100 %, not the reverb's modest 30: a saturator's insert use is IN the path. The `exciter` curve seeds itself lower (DRIVE_EXCITER_SEED), because that is a property of the TOPOLOGY and not of the travel.
+ * @see data/kernels/drive.json
+ */
+export const DRIVE_MIX_RANGE = {
+  "min": 0,
+  "max": 100,
+  "step": 0.1,
+  "unit": "%",
+  "default": 100,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The POST-stage make-up, in dB. Symmetric enough either way that an operator can null the stage in and out against the bypass, which is how a colour stage is actually judged.
+ * @see data/kernels/drive.json
+ */
+export const DRIVE_TRIM_RANGE = {
+  "min": -24,
+  "max": 12,
+  "step": 0.1,
+  "unit": "dB",
+  "default": 0,
+  "defaultFrom": "desk"
+};
+
 /**
  * The maximum number of parametric bands a channel EQ may hold — the operator can add up to this many. Generated into `omx_contract_limits.h` as `OMX_EQ_MAX_BANDS`, which `omx_biquad.h` reads (`output-delay-ceiling.test.ts` reads the header): the native lane allocates exactly this many biquad slots per channel and silently clamps above it, so the model, the wire, and the DSP agree by test, not by memory.
  * @see data/kernels/eq.json
@@ -309,6 +437,72 @@ export const ISO_THIRD_OCTAVE_CENTRES_HZ = [
  */
 export const GEQ_BANDS = 31;
 
+/**
+ * The frequency band a parametric band can be dragged across.
+ * @see data/kernels/eq.json
+ */
+export const EQ_FREQ_RANGE = {
+  "min": 20,
+  "max": 20000,
+  "step": 10,
+  "unit": "Hz"
+};
+
+/**
+ * The parametric-band gain travel, in dB. The ± scalar `clampEqGain` enforces is READ off this (`core/src/eq.ts` derives `EQ_GAIN_LIMIT_DB` from `max`), so the bound is stated once and a surface cannot draw a wider knob than the clamp will honour.
+ * @see data/kernels/eq.json
+ */
+export const EQ_GAIN_RANGE = {
+  "min": -15,
+  "max": 15,
+  "step": 0.5,
+  "unit": "dB"
+};
+
+/**
+ * The Q (resonance) extent of a parametric band.
+ * @see data/kernels/eq.json
+ */
+export const EQ_Q_RANGE = {
+  "min": 0.3,
+  "max": 8,
+  "step": 0.1,
+  "unit": ""
+};
+
+/**
+ * The Q extent of a NOTCH band. Wider than EQ_Q_RANGE on purpose (#116, operator decision): an ultra-narrow surgical cut is the notch shape's whole point — the FBS ring-out pool plants dbx-AFS-style ring killers at Q ≈ 116 (~1/80 octave), inaudible on program yet fatal to a single ringing frequency. Gain-carrying shapes stay bounded at EQ_Q_RANGE — a Q-116 bell is a resonator, not an EQ move.
+ * @see data/kernels/eq.json
+ */
+export const EQ_NOTCH_Q_RANGE = {
+  "min": 0.3,
+  "max": 116,
+  "step": 1,
+  "unit": ""
+};
+
+/**
+ * Where the HPF cutoff can sit (low end); mirrors the drawn low-frequency handle.
+ * @see data/kernels/eq.json
+ */
+export const HPF_FREQ_RANGE = {
+  "min": 20,
+  "max": 1000,
+  "step": 10,
+  "unit": "Hz"
+};
+
+/**
+ * Where the LPF cutoff can sit (high end).
+ * @see data/kernels/eq.json
+ */
+export const LPF_FREQ_RANGE = {
+  "min": 1000,
+  "max": 20000,
+  "step": 10,
+  "unit": "Hz"
+};
+
 /**
  * The flanger's jet sweep (§3b).
  * @see data/kernels/flanger.json
@@ -685,6 +879,152 @@ export const REVERB_PLATE_MOD_DEPTH_RANGE = {
   "defaultFrom": "desk"
 };
 
+/**
+ * The REVERB's wet/dry. An insert keeps the dry signal (0.3); an `fxReturn` is wet-only (1), so the return carries only the effect. Both numbers live HERE and nowhere else: the row's `mix` limit, `ReverbController`'s seed and its fresh state read them through limitForKind.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_MIX_RANGE = {
+  "min": 0,
+  "max": 1,
+  "step": 0,
+  "unit": "",
+  "default": 0.3,
+  "defaultFrom": "desk",
+  "byKind": {
+    "fxReturn": 1
+  }
+};
+
+/**
+ * The reverb's SIZE/DAMPING/WIDTH — each a NORMALIZED_RANGE instance with its own come-up value, matching `DEFAULT_REVERB_STATE`. Three separate constants rather than one shared default on `NORMALIZED_RANGE`: that range is the bare 0..1 REPRESENTATION, reused by fields across the whole console whose come-up values disagree (a fader position is not a reverb's damping), so a default belongs on the NAMED field, never on the shape it borrows.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_SIZE_RANGE = {
+  "min": 0,
+  "max": 1,
+  "step": 0,
+  "unit": "",
+  "default": 0.7,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The reverb's DAMPING — a NORMALIZED_RANGE instance with its own come-up value, matching `DEFAULT_REVERB_STATE`. Declared with SIZE and WIDTH (see REVERB_SIZE_RANGE for why each is a named constant rather than a default on the shared 0..1 shape).
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_DAMPING_RANGE = {
+  "min": 0,
+  "max": 1,
+  "step": 0,
+  "unit": "",
+  "default": 0.5,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The reverb's stereo WIDTH — a NORMALIZED_RANGE instance with its own come-up value, matching `DEFAULT_REVERB_STATE`. Declared with SIZE and DAMPING (see REVERB_SIZE_RANGE for why each is a named constant rather than a default on the shared 0..1 shape).
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_WIDTH_RANGE = {
+  "min": 0,
+  "max": 1,
+  "step": 0,
+  "unit": "",
+  "default": 1,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The reverb's PRE-DELAY travel — the gap before the first reflection, in milliseconds. Declared here so the unit crosses with the bounds: a `finiteNumber(0, 100)` codec publishes `unit: ''`, and a surface binding that draws a millisecond control it cannot label. The panel knowing better than the wire is the wrong way round.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_PREDELAY_RANGE = {
+  "min": 0,
+  "max": 100,
+  "step": 1,
+  "unit": "ms",
+  "default": 0,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The reverb's LOW cut, as an instance of REVERB_CUT_RANGE — same bounds, its own come-up value. `0` reads as "none" (`mix_reverb.h`), which is also `DEFAULT_REVERB_STATE`'s seed, so a fresh reverb's low cut and its declared default are the same fact stated once. Split from REVERB_CUT_RANGE rather than adding `default` there: the low and high cut share ONE travel (the C imposes one constraint on both) but do NOT share one come-up value, and a `default` on the shared range could only be honest for one of the two fields that read it.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_LOWCUT_RANGE = {
+  "min": 0,
+  "max": 20000,
+  "step": 10,
+  "unit": "Hz",
+  "default": 0,
+  "defaultFrom": "desk"
+};
+
+/**
+ * The reverb's HIGH cut, as an instance of REVERB_CUT_RANGE — same bounds, its own come-up value. The top of the travel reads as "open" (`mix_reverb.h`), matching `DEFAULT_REVERB_STATE`'s seed.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_HIGHCUT_RANGE = {
+  "min": 0,
+  "max": 20000,
+  "step": 10,
+  "unit": "Hz",
+  "default": 20000,
+  "defaultFrom": "desk"
+};
+
+/**
+ * REVERSE's MIRROR WINDOW — how long a slice of the wet is played backward, in milliseconds (`2026-07-15-native-delay-reverb.md`, Amendment 2026-09-17 §B). A DECLARED travel and never derived from `size`'s RT60: an RT60 of seconds cannot be buffered at 192 kHz, and a window silently clamped to fit is the silent-clamp defect. The ceiling is what `mix_reverb.h`'s pool budgets a ring for (`OMX_REVERB_REVERSE_MAX_MS`), so the console offers exactly the travel the kernel accepts — nothing wider, nothing narrower.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_REVERSE_RANGE = {
+  "min": 50,
+  "max": 500,
+  "step": 10,
+  "unit": "ms",
+  "default": 300,
+  "defaultFrom": "desk"
+};
+
+/**
+ * GATED's HOLD — how long the wet stays at full level after the key falls away, in milliseconds. The Phil-Collins tail is cut where the operator puts the cut, so this is the control that decides the effect's length; `size` still decides what is being cut off.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_HOLD_RANGE = {
+  "min": 10,
+  "max": 2000,
+  "step": 10,
+  "unit": "ms",
+  "default": 120,
+  "defaultFrom": "desk"
+};
+
+/**
+ * GATED's RELEASE — how long the held wet takes to reach zero, in milliseconds. A straight line down, short by design: a long release is a reverb tail again, which is the thing a gated reverb exists to remove.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_RELEASE_RANGE = {
+  "min": 1,
+  "max": 500,
+  "step": 1,
+  "unit": "ms",
+  "default": 20,
+  "defaultFrom": "desk"
+};
+
+/**
+ * GATED's ARM THRESHOLD — the level the reverb's own mono feed must reach to arm the hold, in dBFS. Declared, because the alternative is a hidden onset detector: the kernel compares `|input|` against exactly this number and nothing else.
+ * @see data/kernels/reverb.json
+ */
+export const REVERB_GATE_THRESHOLD_RANGE = {
+  "min": -80,
+  "max": 0,
+  "step": 1,
+  "unit": "dBFS",
+  "default": -40,
+  "defaultFrom": "desk"
+};
+
 /**
  * The horn's chorale (slow) rate, Hz.
  * @see data/kernels/rotary.json
@@ -1088,6 +1428,83 @@ export const FDELAY_MOD_READ_ORDER = 3;
  */
 export const FDELAY_READ_L1_NORM = 1.25;
 
+/**
+ * The gate's threshold, range, release and ratio as a plugin host draws them: GATE_LIMITS' bounds, units and defaults with no step. The console's row quantises these four to whole steps (1 dB, 10 ms, 1:1), and a travel whose step is 1 or more reads as an integer control; the omx-strip plugin has always offered them continuous, so it reads this table instead. Every number but the step is GATE_LIMITS', held equal by test/continuous-travels.test.mjs. Not rendered to C: no C reader needs a second spelling of the gate's bounds.
+ * @see data/primitives.json
+ */
+export const GATE_CONTINUOUS_TRAVELS = {
+  "thresholdDb": {
+    "min": -80,
+    "max": 0,
+    "step": 0,
+    "unit": "dB",
+    "default": -40,
+    "defaultFrom": "desk"
+  },
+  "rangeDb": {
+    "min": -90,
+    "max": 0,
+    "step": 0,
+    "unit": "dB",
+    "default": -90,
+    "defaultFrom": "desk"
+  },
+  "releaseMs": {
+    "min": 0,
+    "max": 5000,
+    "step": 0,
+    "unit": "ms",
+    "default": 100,
+    "defaultFrom": "desk"
+  },
+  "ratio": {
+    "min": 1,
+    "max": 100,
+    "step": 0,
+    "unit": "",
+    "default": 16,
+    "defaultFrom": "desk"
+  }
+};
+
+/**
+ * The compressor's threshold and release as a plugin host draws them: COMP_LIMITS' bounds, units and defaults with no step. The console's row quantises them to whole steps (1 dB, 10 ms), and a travel whose step is 1 or more reads as an integer control; the omx-strip plugin has always offered them continuous, so it reads this table instead. Every number but the step is COMP_LIMITS', held equal by test/continuous-travels.test.mjs. Not rendered to C: no C reader needs a second spelling of the compressor's bounds.
+ * @see data/primitives.json
+ */
+export const COMP_CONTINUOUS_TRAVELS = {
+  "thresholdDb": {
+    "min": -60,
+    "max": 0,
+    "step": 0,
+    "unit": "dB",
+    "default": -18,
+    "defaultFrom": "desk"
+  },
+  "releaseMs": {
+    "min": 5,
+    "max": 3000,
+    "step": 0,
+    "unit": "ms",
+    "default": 200,
+    "defaultFrom": "desk"
+  }
+};
+
+/**
+ * The digital input trim as a travel: openmixer's TRIM_RANGE (packages/declarations, -24..+24 dB in 0.1 dB steps, spelled minDb/maxDb/stepDb there and OMX_TRIM_RANGE_*_DB in omx-dsp's header), coming up at 0 dB, the trim a channel has when none is set. The omx-strip plugin's trim reads it. A table with the one field `trimDb`, the name the trim row and the plugin store; not rendered to C, which already spells TRIM_RANGE its own way.
+ * @see data/primitives.json
+ */
+export const TRIM_TRAVELS = {
+  "trimDb": {
+    "min": -24,
+    "max": 24,
+    "step": 0.1,
+    "unit": "dB",
+    "default": 0,
+    "defaultFrom": "desk"
+  }
+};
+
 /**
  * The standard sample rates (Hz) the desk recognises — the pro-audio superset. One source of truth for the clock controller's `clock.allowed-rates` seed, the force row's validation ceiling and the device-rate probe fallback. What the operator is OFFERED is always the DEVICE's own `supportedRates` (`2026-07-15-clock-rate-honest-force-rate.md`) — this is the ceiling a write is refused by, never a menu.
  * @see data/rates.json

package/include/omxcontract/omx_contract_limits.h

@@ -101,22 +101,62 @@
 
 /* The second C spelling of a travel, its item's `c.alias` { fact, field }:
  * OMX_<FACT>_<FIELD>_MIN/_MAX/_DEFAULT. Removed by a MAJOR release once no consumer reads it. */
+#define OMX_PAN_PAN_MIN -1.0f
+#define OMX_PAN_PAN_MAX 1.0f
+
 #define OMX_DELAY_TIME_MS_MIN 0.0f
 #define OMX_DELAY_TIME_MS_MAX 2000.0f
 #define OMX_DELAY_TIME_MS_DEFAULT 300.0f
 
+#define OMX_DRIVE_DRIVE_DB_MIN 0.0f
+#define OMX_DRIVE_DRIVE_DB_MAX 36.0f
+#define OMX_DRIVE_DRIVE_DB_DEFAULT 0.0f
+#define OMX_DRIVE_CHARACTER_MIN -1.0f
+#define OMX_DRIVE_CHARACTER_MAX 1.0f
+#define OMX_DRIVE_CHARACTER_DEFAULT 0.0f
+#define OMX_DRIVE_BAND_HZ_MIN 20.0f
+#define OMX_DRIVE_BAND_HZ_MAX 20000.0f
+#define OMX_DRIVE_BAND_HZ_DEFAULT 2000.0f
+#define OMX_DRIVE_MIX_MIN 0.0f
+#define OMX_DRIVE_MIX_MAX 100.0f
+#define OMX_DRIVE_MIX_DEFAULT 100.0f
+#define OMX_DRIVE_TRIM_DB_MIN -24.0f
+#define OMX_DRIVE_TRIM_DB_MAX 12.0f
+#define OMX_DRIVE_TRIM_DB_DEFAULT 0.0f
+
 /* Every scalar, sheet leaf and single travel's numbers, one block sorted by macro. An integer value
  * is an integer literal, any other a float literal AND its OMX_<macro>_DOUBLE spelling. */
 #define OMX_ALLPASS_UNITY_TOLERANCE 0.0001f
 #define OMX_ALLPASS_UNITY_TOLERANCE_DOUBLE 0.0001
 #define OMX_BUTTERWORTH_Q 0.7071067811865476f
 #define OMX_BUTTERWORTH_Q_DOUBLE 0.7071067811865476
+#define OMX_CHORUS_DEPTH_RANGE_DEFAULT 4
+#define OMX_CHORUS_DEPTH_RANGE_MAX 12
+#define OMX_CHORUS_DEPTH_RANGE_MIN 0
+#define OMX_CHORUS_DEPTH_RANGE_STEP 0.1f
+#define OMX_CHORUS_DEPTH_RANGE_STEP_DOUBLE 0.1
+#define OMX_CHORUS_MIX_RANGE_DEFAULT 35
+#define OMX_CHORUS_MIX_RANGE_MAX 100
+#define OMX_CHORUS_MIX_RANGE_MIN 0
+#define OMX_CHORUS_MIX_RANGE_STEP 0.1f
+#define OMX_CHORUS_MIX_RANGE_STEP_DOUBLE 0.1
+#define OMX_CHORUS_RATE_RANGE_DEFAULT 0.6f
+#define OMX_CHORUS_RATE_RANGE_DEFAULT_DOUBLE 0.6
+#define OMX_CHORUS_RATE_RANGE_MAX 8
+#define OMX_CHORUS_RATE_RANGE_MIN 0.05f
+#define OMX_CHORUS_RATE_RANGE_MIN_DOUBLE 0.05
+#define OMX_CHORUS_RATE_RANGE_STEP 0.01f
+#define OMX_CHORUS_RATE_RANGE_STEP_DOUBLE 0.01
 #define OMX_CHORUS_SPREAD_RANGE_DEFAULT 0
 #define OMX_CHORUS_SPREAD_RANGE_MAX 0.5f
 #define OMX_CHORUS_SPREAD_RANGE_MAX_DOUBLE 0.5
 #define OMX_CHORUS_SPREAD_RANGE_MIN 0
 #define OMX_CHORUS_SPREAD_RANGE_STEP 0.01f
 #define OMX_CHORUS_SPREAD_RANGE_STEP_DOUBLE 0.01
+#define OMX_CHORUS_VOICES_RANGE_DEFAULT 3
+#define OMX_CHORUS_VOICES_RANGE_MAX 4
+#define OMX_CHORUS_VOICES_RANGE_MIN 1
+#define OMX_CHORUS_VOICES_RANGE_STEP 1
 #define OMX_DEESS_ATTACK_RANGE_DEFAULT 1
 #define OMX_DEESS_ATTACK_RANGE_MAX 50
 #define OMX_DEESS_ATTACK_RANGE_MIN 0.1f
@@ -164,10 +204,50 @@
 #define OMX_DELAY_TONE_RANGE_MAX 1
 #define OMX_DELAY_TONE_RANGE_MIN 0
 #define OMX_DELAY_TONE_RANGE_STEP 0
+#define OMX_DRIVE_AMOUNT_RANGE_DEFAULT 0
+#define OMX_DRIVE_AMOUNT_RANGE_MAX 36
+#define OMX_DRIVE_AMOUNT_RANGE_MIN 0
+#define OMX_DRIVE_AMOUNT_RANGE_STEP 0.1f
+#define OMX_DRIVE_AMOUNT_RANGE_STEP_DOUBLE 0.1
+#define OMX_DRIVE_BAND_FREQ_RANGE_DEFAULT 2000
+#define OMX_DRIVE_BAND_FREQ_RANGE_MAX 20000
+#define OMX_DRIVE_BAND_FREQ_RANGE_MIN 20
+#define OMX_DRIVE_BAND_FREQ_RANGE_STEP 1
 #define OMX_DRIVE_BIAS_MAX 0.7071067811865476f
 #define OMX_DRIVE_BIAS_MAX_DOUBLE 0.7071067811865476
+#define OMX_DRIVE_CHARACTER_RANGE_DEFAULT 0
+#define OMX_DRIVE_CHARACTER_RANGE_MAX 1
+#define OMX_DRIVE_CHARACTER_RANGE_MIN -1
+#define OMX_DRIVE_CHARACTER_RANGE_STEP 0.01f
+#define OMX_DRIVE_CHARACTER_RANGE_STEP_DOUBLE 0.01
+#define OMX_DRIVE_MIX_RANGE_DEFAULT 100
+#define OMX_DRIVE_MIX_RANGE_MAX 100
+#define OMX_DRIVE_MIX_RANGE_MIN 0
+#define OMX_DRIVE_MIX_RANGE_STEP 0.1f
+#define OMX_DRIVE_MIX_RANGE_STEP_DOUBLE 0.1
+#define OMX_DRIVE_TRIM_RANGE_DEFAULT 0
+#define OMX_DRIVE_TRIM_RANGE_MAX 12
+#define OMX_DRIVE_TRIM_RANGE_MIN -24
+#define OMX_DRIVE_TRIM_RANGE_STEP 0.1f
+#define OMX_DRIVE_TRIM_RANGE_STEP_DOUBLE 0.1
 #define OMX_DSP_KNOB_REFERENCE_RATE 96000
+#define OMX_EQ_FREQ_RANGE_MAX 20000
+#define OMX_EQ_FREQ_RANGE_MIN 20
+#define OMX_EQ_FREQ_RANGE_STEP 10
+#define OMX_EQ_GAIN_RANGE_MAX 15
+#define OMX_EQ_GAIN_RANGE_MIN -15
+#define OMX_EQ_GAIN_RANGE_STEP 0.5f
+#define OMX_EQ_GAIN_RANGE_STEP_DOUBLE 0.5
 #define OMX_EQ_MAX_BANDS 24
+#define OMX_EQ_NOTCH_Q_RANGE_MAX 116
+#define OMX_EQ_NOTCH_Q_RANGE_MIN 0.3f
+#define OMX_EQ_NOTCH_Q_RANGE_MIN_DOUBLE 0.3
+#define OMX_EQ_NOTCH_Q_RANGE_STEP 1
+#define OMX_EQ_Q_RANGE_MAX 8
+#define OMX_EQ_Q_RANGE_MIN 0.3f
+#define OMX_EQ_Q_RANGE_MIN_DOUBLE 0.3
+#define OMX_EQ_Q_RANGE_STEP 0.1f
+#define OMX_EQ_Q_RANGE_STEP_DOUBLE 0.1
 #define OMX_FDELAY_MOD_READ_ORDER 3
 #define OMX_FDELAY_READ_L1_NORM 1.25f
 #define OMX_FDELAY_READ_L1_NORM_DOUBLE 1.25
@@ -216,6 +296,15 @@
 #define OMX_GEQ_BAND_RANGE_STEP_DOUBLE 0.5
 #define OMX_GEQ_DESIGN_GAIN_MAX_DB 30
 #define OMX_GEQ_PROTO_DB 12
+#define OMX_HPF_FREQ_RANGE_MAX 1000
+#define OMX_HPF_FREQ_RANGE_MIN 20
+#define OMX_HPF_FREQ_RANGE_STEP 10
+#define OMX_LPF_FREQ_RANGE_MAX 20000
+#define OMX_LPF_FREQ_RANGE_MIN 1000
+#define OMX_LPF_FREQ_RANGE_STEP 10
+#define OMX_PAN_RANGE_MAX 1
+#define OMX_PAN_RANGE_MIN -1
+#define OMX_PAN_RANGE_STEP 0
 #define OMX_PHASER_BASE_RANGE_DEFAULT 200
 #define OMX_PHASER_BASE_RANGE_MAX 2000
 #define OMX_PHASER_BASE_RANGE_MIN 50
@@ -260,10 +349,58 @@
 #define OMX_PROGRAM_RELEASE_PROFILES_OPTO_SHARE_DOUBLE 0.5
 #define OMX_PROGRAM_RELEASE_PROFILES_OPTO_SLOW_MAX_MS 1100
 #define OMX_PROGRAM_RELEASE_PROFILES_OPTO_SLOW_MIN_MS 110
+#define OMX_REVERB_DAMPING_RANGE_DEFAULT 0.5f
+#define OMX_REVERB_DAMPING_RANGE_DEFAULT_DOUBLE 0.5
+#define OMX_REVERB_DAMPING_RANGE_MAX 1
+#define OMX_REVERB_DAMPING_RANGE_MIN 0
+#define OMX_REVERB_DAMPING_RANGE_STEP 0
+#define OMX_REVERB_GATE_THRESHOLD_RANGE_DEFAULT -40
+#define OMX_REVERB_GATE_THRESHOLD_RANGE_MAX 0
+#define OMX_REVERB_GATE_THRESHOLD_RANGE_MIN -80
+#define OMX_REVERB_GATE_THRESHOLD_RANGE_STEP 1
+#define OMX_REVERB_HIGHCUT_RANGE_DEFAULT 20000
+#define OMX_REVERB_HIGHCUT_RANGE_MAX 20000
+#define OMX_REVERB_HIGHCUT_RANGE_MIN 0
+#define OMX_REVERB_HIGHCUT_RANGE_STEP 10
+#define OMX_REVERB_HOLD_RANGE_DEFAULT 120
+#define OMX_REVERB_HOLD_RANGE_MAX 2000
+#define OMX_REVERB_HOLD_RANGE_MIN 10
+#define OMX_REVERB_HOLD_RANGE_STEP 10
+#define OMX_REVERB_LOWCUT_RANGE_DEFAULT 0
+#define OMX_REVERB_LOWCUT_RANGE_MAX 20000
+#define OMX_REVERB_LOWCUT_RANGE_MIN 0
+#define OMX_REVERB_LOWCUT_RANGE_STEP 10
+#define OMX_REVERB_MIX_RANGE_BY_KIND_FX_RETURN 1
+#define OMX_REVERB_MIX_RANGE_DEFAULT 0.3f
+#define OMX_REVERB_MIX_RANGE_DEFAULT_DOUBLE 0.3
+#define OMX_REVERB_MIX_RANGE_MAX 1
+#define OMX_REVERB_MIX_RANGE_MIN 0
+#define OMX_REVERB_MIX_RANGE_STEP 0
 #define OMX_REVERB_PLATE_MOD_DEPTH_RANGE_DEFAULT 100
 #define OMX_REVERB_PLATE_MOD_DEPTH_RANGE_MAX 400
 #define OMX_REVERB_PLATE_MOD_DEPTH_RANGE_MIN 0
 #define OMX_REVERB_PLATE_MOD_DEPTH_RANGE_STEP 1
+#define OMX_REVERB_PREDELAY_RANGE_DEFAULT 0
+#define OMX_REVERB_PREDELAY_RANGE_MAX 100
+#define OMX_REVERB_PREDELAY_RANGE_MIN 0
+#define OMX_REVERB_PREDELAY_RANGE_STEP 1
+#define OMX_REVERB_RELEASE_RANGE_DEFAULT 20
+#define OMX_REVERB_RELEASE_RANGE_MAX 500
+#define OMX_REVERB_RELEASE_RANGE_MIN 1
+#define OMX_REVERB_RELEASE_RANGE_STEP 1
+#define OMX_REVERB_REVERSE_RANGE_DEFAULT 300
+#define OMX_REVERB_REVERSE_RANGE_MAX 500
+#define OMX_REVERB_REVERSE_RANGE_MIN 50
+#define OMX_REVERB_REVERSE_RANGE_STEP 10
+#define OMX_REVERB_SIZE_RANGE_DEFAULT 0.7f
+#define OMX_REVERB_SIZE_RANGE_DEFAULT_DOUBLE 0.7
+#define OMX_REVERB_SIZE_RANGE_MAX 1
+#define OMX_REVERB_SIZE_RANGE_MIN 0
+#define OMX_REVERB_SIZE_RANGE_STEP 0
+#define OMX_REVERB_WIDTH_RANGE_DEFAULT 1
+#define OMX_REVERB_WIDTH_RANGE_MAX 1
+#define OMX_REVERB_WIDTH_RANGE_MIN 0
+#define OMX_REVERB_WIDTH_RANGE_STEP 0
 #define OMX_ROTARY_ACCEL_RANGE_DEFAULT 1
 #define OMX_ROTARY_ACCEL_RANGE_MAX 4
 #define OMX_ROTARY_ACCEL_RANGE_MIN 0.25f

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@openmixer/omx-contract",
-  "version": "1.1.0",
+  "version": "1.2.1",
   "description": "The FreeMixer declarations as data: a JSON Schema, the data, and one CLI that renders them into C, TypeScript and JSON",
   "type": "module",
   "license": "GPL-3.0-or-later",