@nodaro/prompts 1.27.0 → 1.29.0

package/src/__tests__/fixtures/blended-cut-approved.json

@@ -0,0 +1,712 @@
+{
+  "$comment": "Blended cut (2026-10-04 test round; seamless-match and jump-match at Duration Short). Each case: the pick (`ids`), the levers (`timing`), the scopes it reads the same in, and the exact text. `approved`: the approved strings, copied byte for byte from the review page's strings. `ruleDerived`: the two-row multi-picks the approved multi-pick rule produces (canvas only). Never edit those two by hand: a wording change there comes back for approval. `hardCut`: the same two rows at every other duration and with the ignored levers, which keep today's hard-cut text; they share the rows' bodies with `approved`, so a reword of either row changes both together.",
+  "blendSentence": "instead of a hard cut, the two shots blend into each other over about 1 second",
+  "approved": [
+    {
+      "key": "seamless-match|short|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "short"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    },
+    {
+      "key": "seamless-match|short|mid-clip",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match|short|mid-shot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match|short|end-slot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "end",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "seamless-match|short+natural|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "short",
+        "intensity": "natural"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    },
+    {
+      "key": "seamless-match|short+full|clip",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "short",
+        "position": "full"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    },
+    {
+      "key": "jump-match|short|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "short"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    },
+    {
+      "key": "jump-match|short|mid-clip",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match|short|mid-shot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match|short|end-slot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "end",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match|short+natural|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "short",
+        "intensity": "natural"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    },
+    {
+      "key": "jump-match|short+full|clip",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "short",
+        "position": "full"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second)"
+    }
+  ],
+  "ruleDerived": [
+    {
+      "key": "seamless-match+jump-match|tile|short",
+      "ids": [
+        "seamless-match",
+        "jump-match"
+      ],
+      "timing": {
+        "duration": "short"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), and match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved)"
+    },
+    {
+      "key": "seamless-match+jump-match|mid-clip|short+natural",
+      "ids": [
+        "seamless-match",
+        "jump-match"
+      ],
+      "timing": {
+        "position": "middle",
+        "duration": "short",
+        "intensity": "natural"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), and match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match+jump-match|mid-shot|short",
+      "ids": [
+        "seamless-match",
+        "jump-match"
+      ],
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), and match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match+jump-match|end|short",
+      "ids": [
+        "seamless-match",
+        "jump-match"
+      ],
+      "timing": {
+        "position": "end",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; instead of a hard cut, the two shots blend into each other over about 1 second), and match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match+seamless-match|tile|short",
+      "ids": [
+        "jump-match",
+        "seamless-match"
+      ],
+      "timing": {
+        "duration": "short"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), and invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take)"
+    },
+    {
+      "key": "jump-match+seamless-match|mid-clip|short+natural",
+      "ids": [
+        "jump-match",
+        "seamless-match"
+      ],
+      "timing": {
+        "position": "middle",
+        "duration": "short",
+        "intensity": "natural"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), and invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match+seamless-match|mid-shot|short",
+      "ids": [
+        "jump-match",
+        "seamless-match"
+      ],
+      "timing": {
+        "position": "middle",
+        "duration": "short"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), and invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match+seamless-match|end|short",
+      "ids": [
+        "jump-match",
+        "seamless-match"
+      ],
+      "timing": {
+        "position": "end",
+        "duration": "short"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; instead of a hard cut, the two shots blend into each other over about 1 second), and invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take), the transition occurs at the end of the clip"
+    }
+  ],
+  "hardCut": [
+    {
+      "key": "seamless-match|auto|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "seamless-match|auto|mid-clip",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match|auto|mid-shot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "auto"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match|auto|end-slot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "end",
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "seamless-match|medium|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "seamless-match|medium|mid-clip",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match|medium|mid-shot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "medium"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match|medium|end-slot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "end",
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "seamless-match|long|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "long"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "seamless-match|long|mid-clip",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "long"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match|long|mid-shot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "long"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match|long|end-slot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "end",
+        "duration": "long"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "seamless-match|instant|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "seamless-match|instant|mid-clip",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "seamless-match|instant|mid-shot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "middle",
+        "duration": "instant"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "seamless-match|instant|end-slot",
+      "ids": "seamless-match",
+      "timing": {
+        "position": "end",
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "seamless-match|medium+dynamic|tile",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "medium",
+        "intensity": "dynamic"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "seamless-match|medium+full|shot",
+      "ids": "seamless-match",
+      "timing": {
+        "duration": "medium",
+        "position": "full"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "invisible cut (the camera motion, color palette, and on-screen motion at the end of the first shot continue exactly across the cut into the second shot, so the boundary is invisible and the two shots feel like one unbroken take; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|auto|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|auto|mid-clip",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match|auto|mid-shot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "auto"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match|auto|end-slot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "end",
+        "duration": "auto"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match|medium|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|medium|mid-clip",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match|medium|mid-shot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "medium"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match|medium|end-slot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "end",
+        "duration": "medium"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match|long|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "long"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|long|mid-clip",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "long"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match|long|mid-shot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "long"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match|long|end-slot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "end",
+        "duration": "long"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match|instant|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|instant|mid-clip",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of the clip"
+    },
+    {
+      "key": "jump-match|instant|mid-shot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "middle",
+        "duration": "instant"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs in the middle of this shot"
+    },
+    {
+      "key": "jump-match|instant|end-slot",
+      "ids": "jump-match",
+      "timing": {
+        "position": "end",
+        "duration": "instant"
+      },
+      "scopes": [
+        "clip"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend), the transition occurs at the end of the clip"
+    },
+    {
+      "key": "jump-match|medium+dynamic|tile",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "medium",
+        "intensity": "dynamic"
+      },
+      "scopes": [
+        "clip",
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    },
+    {
+      "key": "jump-match|medium+full|shot",
+      "ids": "jump-match",
+      "timing": {
+        "duration": "medium",
+        "position": "full"
+      },
+      "scopes": [
+        "shot"
+      ],
+      "text": "match cut on a jump (the subject launches into a jump, and at the height of the leap the picture cuts to a new place. The camera follows the arc of the jump at the same speed on both sides of the cut, and the subject stays at the same place in the frame. In the second shot the same jump carries on without a break, and the subject comes down and lands in the new place. The shot ends on the subject landed in the second shot, fully resolved; an abrupt single-frame hard cut, no dissolve, crossfade or superimposition; the two images never blend)"
+    }
+  ]
+}