@museumwnf/wallpaintings-data 1.0.1 → 1.0.2

package/items.json

@@ -1 +1 @@
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'Amra","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01:51","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"33f89573-8b54-5c1a-86ba-1663e604740f","country_id":"jor","owner_reference":"unkown","mwnf_reference":"JO 93","start_date":660,"end_date":760,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/6b804a6e-ae3c-513b-952b-8f0b549e5860.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/bebc795a-8496-5721-b0dd-328d462bb221.jpg","display_order":2,"alt_text":null,"captions":{"en":"Detail"},"photographer":null,"copyright":null}],"tag_ids":[],"dynasty_ids":[],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","c47920b0-c22e-53d0-aa8c-93eb3956ca0e"],"artist_names":["Patron: Probably al-Walid I (AH 86–96 / AD 705–15)."],"media":[],"related_items":[],"gallery_references":[],"languages":["en"]},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","type":"object","internal_name":"Floor painting.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"QHG","mwnf_reference":"SY 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الرمزية الملكية الساسانية بمكن أن يرى على هذه القطعة النقدية من بداية العصر الأموي.","en":"Adaptations of Sassanian royal symbolism can be seen on this early Umayyad coin.","fr":"Cette pièce de monnaie de la première période omeyyade porte des adaptations du symbole de la souveraineté sassanide.","es":"Se pueden observar adaptaciones del simbolismo real sasánida en esta moneda del periodo omeya temprano."}},{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر  الحير غربي الأموي هو الموقع الأصلي لهذه اللوحة الأرضية.","en":"The Umayyad palace of Qasr al-Hayr al-Gharbi is the original location of this floor painting.","fr":"Le palais omeyyade de Qasr al-Khayr al-Gharbi est le lieu d’origine de cette peinture de sol.","es":"La localización original de este pavimento pintado es el palacio omeya de Qasr al-hayr al-garbi."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"4cd253cf-44cf-56c0-9d8c-9c6924980524","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"بينما الرمزية الملكية الساسانية ممثلة في قصر الحير غربي فإن رسم عائلة الملوك على الفريسكو  يمثل الملك الساساني نفسه.","en":"While Sassanian royal symbolism is presented at Qasr al-Hayr al-Gharbi, the ‘Family of Kings’ fresco at Qusayr Amra presents the Sassanian king himself.","fr":"Alors que le symbolisme royal sassanide est représenté à Qasr al-Khayr al-Gharbi, la fresque de la “famille de rois” de Qousayr Amra représente le roi sassanide lui-même.","es":"Mientras que el simbolismo real sasánida está presente en Qasr al-hayr al-garbi, el fresco “Familia de reyes” de Quasyr Amra, presenta al mismo rey sasánida."}},{"id":"5dcd5e36-d273-5b03-a8de-93f266c0b45c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لوحة رسم أرضية من منطقة الاستقبال في قصر الحير غربي حيث تظهر فيها الأسطورة الملكية الساسانية – الفارسية و أشخاص من الأساطير اليونانية – الرومانية في مشهد صيد.","en":"A floor painting from the reception area at Qasr al-Hayr al-Gharbi. Sassanian-Persian royal mythology and figures from Greco-Roman mythology are depicted in this hunting scene","fr":"Peinture de sol de la salle de réception à Qasr al-Khayr al-Gharbi. La mythologie royale perso-sassanide et les personnages de la mythologie gréco-romaine sont représentés dans cette scène de chasse.","es":"Un suelo pintado en la zona de recepción de Qasr al-hayr al-garbi. En esta escena de caza se representan la mitología real sasánida-persa y figuras de la mitológica grecorromana."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"أسكفة الباب استخدمت من قبل العلماء كأساس لتأريخ اللوحات في قصر الحير غربي في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating the paintings seen at Qasr al-Hayr al-Gharbi to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures vues à Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"لوجة من الفريسكو في فصر عمرا التي سماها العلماء \"عائلة الملوك\" تتضمن تمثيل للإمبراطور الساساني.","en":"A fresco panel in the Qusayr Amra which scholars have labelled the ‘Family of Kings’, it includes a representation of the Sassanian Emperor.","fr":"Ce panneau de fresque de Qousayr Amra, connu sous le nom de “famille de rois”, inclut une représentation de l’empereur sassanide.","es":"Un fresco de pared en Quasyr Amra que los eruditos han calificado como “Familia de Reyes” incluye una representación del emperador sasánida."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"5dcd5e36-d273-5b03-a8de-93f266c0b45c","type":"object","internal_name":"Floor painting.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"QHG","mwnf_reference":"SY 01","start_date":700,"end_date":750,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/a7a9476a-b0a2-5e70-b79c-dc03ebcb0026.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","8a6c48ca-69b7-5fe1-9432-8c916f32a027","9dfe4fa2-4924-52fe-805c-e382b1e76812","a1b100f6-e824-56d7-8d94-aad5bfa516ee","eed3b3c8-5f83-531e-bccf-c2bbbd9473f4","cb37a27c-e7f5-51fb-9859-f9283d3a2f98","f7147748-9e1d-51b2-a04b-a327b27504ca"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","16131753-740a-5b87-bfb9-06606e67de19","2003ec95-a720-51cb-9dcd-774d9dc9f389","2b77385d-f9a6-5d6a-bb79-403b38118bce","801f574d-c2f6-52a3-ae7c-6a0074f1c59b","b6c3a09c-964b-5dd3-a091-e608967fe6ff","bd6ee598-f323-5770-a786-0151295aea83","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","cf7d3667-7d96-58e6-af31-c5d6fe2c71b8","d741661c-846f-560d-a11c-19720819ac9a","e99f9b90-c624-5aa1-815f-a47f478f7da3","f2ec79dc-0998-56d5-8cc2-bce2d4228e77"],"artist_names":[],"media":[],"related_items":[{"id":"0c3648d9-9762-55ae-85a2-34844ebd664f","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لوحة الفريسكو  هذه هي من قصر صحراوي أموي آخر ،قصير عمرا و تجسد شكل امرأة التي تظهر استمرارية للطراز بواسطة الفن المحلي قبل الإسلام.","en":"This Fresco from another Umayyad desert palace, Qusayr Amra, features a female figure that shows a continuity of style with local pre-Islamic art.","fr":"Cette fresque d’un autre palais du désert omeyyade, Qousayr Amra, représente une silhouette féminine en continuité stylistique avec l’art préislamique local.","es":"En este fresco procedente de otro palacio omeya del desierto, Quasyr Amra, se representa una figura femenina poniendo de relieve la continuidad del estilo con el arte preislámico local."}},{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر  الحير غربي الأموي هو الموقع الأصلي لهذه اللوحة الأرضية.","en":"The Umayyad palace of Qasr al-Hayr al-Gharbi is the original location of this floor painting.","es":"La localización original de este pavimento pintado es el palacio omeya de Qasr al-hayr al-garbi."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"هذه اللوحة في قصر الحير غربي مستمدة من أسطورة يونانية – رومانية و اللوحة الأخرى التي تشاهد في قصير عمرا تظهر امرأة عربية شاعرة في الفناء.","en":"This painting at Qasr al-Hayr al-Gharbi is derived from Greco-Roman myth. The other, seen at Qusayr Amra, depicts an Arabian female poet at court.","fr":"Cette peinture de Qasr al-Khayr al-Gharbi vient du mythe gréco-romain. Celle de Qousayr Amra dépeint une poétesse arabe à la cour.","es":"Esta pintura de Qasr al-hayr al-garbi se basa en un mito grecorromano. La otra, en Quasyr Amra, representa una poetisa árabe en la corte."}},{"id":"4cec7fd2-9c51-5d92-b223-cc2c061e7fc9","backward_compatibility":"mwnf3:monuments:ISL:pa:Mon01:15","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"القصور الصحراوية الأموية لم تكن فقط تزين بصور مرسوم فيها أشخاص و لكن لفسيفساء تفصيلية بشكل فني كما يرى في خربة المفجر.","en":"Umayyad desert palaces were not only decorated with painted figurative images but also with expertly detailed mosaics, as seen at Khirbat al-Mafjar.","fr":"Les palais omeyyades du désert étaient non seulement décorés de peintures figuratives mais aussi de mosaïques finement détaillées, comme à Khirbat al-Mafjar.","es":"Los palacios omeyas del desierto no estaban decorados únicamente con imágenes figurativas pintadas, también con mosaicos detallados minuciosamente, como se observa en Jirbat al-Mafyar."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"ساكف  الباب استخدم من قبل العلماء كأساس لتأريخ اللوحات في قصر الحير غربي في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating the paintings seen at Qasr al-Hayr al-Gharbi to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures de Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"إلهة الأرض جايا ( أو جيا ) يمكن أن تكون رمزا مجسدا في هذه اللوحة بينما المرأة شبه العارية ترى في قصبر عمرا يمكن أن تكون ترمز لأفروديت إلهة الحب.","en":"The earth Goddess Gaea may be symbolised in this painting, while the near-naked woman seen at Qusayr Amra may have symbolised Aphrodite, the goddess of love.","fr":"C’est peut-être la déesse de la Terre, Gaia, qui est symbolisée dans cette peinture, tandis que la femme presque nue vue à Qousayr Amra pourrait symboliser Aphrodite, la déesse de l’amour.","es":"Es posible que en esta pintura se haya representado a la diosa tierra Gaea, mientras que es posible que la mujer semidesnuda que se puede observar en Quasyr Amra represente a Afrodita, la diosa del amor."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لوحة رسم أرضية من منطقة الاستقبال في قصر الحير غربي حيث تظهر فيها الأسطورة الملكية الساسانية – الفارسية و أشخاص من الأساطير اليونانية – الرومانية في مشهد صيد.","en":"A floor painting from the reception area at Qasr al-Hayr al-Gharbi. Sassanian-Persian royal mythology and figures from Greco-Roman mythology are depicted in this hunting scene.","fr":"Peinture de sol de la salle de réception de Qasr al-Khayr al-Gharbi. La mythologie royale perso-sassanide et les personnages de la mythologie gréco-romaine sont représentés dans cette scène de chasse.","es":"Un suelo pintado en la zona de recepción de Qasr al-hayr al-garbi. En esta escena de caza se representan la mitología real sasánida-persa y figuras de la mitología grecorromana."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"الإطارات ذات الخرزات الدائرية حول هذه الأشكال المرسومة توضح استمرار الطراز بين فن الكاتدرائيات النورمانية و لوحات الفناء الإسلامية.","en":"The circular beaded frames around these painted figures, illustrates a continuation in style between the art of Norman cathedrals and Islamic court painting.","fr":"Les encadrements circulaires ornés de baguettes perlées de ces figures peintes illustrent un prolongement stylistique entre l’art des cathédrales normandes et la peinture de cour islamique.","es":"Los marcos circulares con cuentas alrededor de estas figuras pintadas, ilustra una continuidad en el estilo entre el arte de las catedrales normandas y la pintura islámica de la corte."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر عمرا هو قصر أموي مزين باللوحات من الطراز اليوناني – الروماني و تظهر بشكل خاص في شكل الراقصات من النساء و السباحين.","en":"Qusayr Amra is an Umayyad palace adorned with paintings in the Greco-Roman style, particularly apparent in the female dancers and bathers.","fr":"Qousayr Amra est un palais omeyyade décoré de peintures dans le style gréco-romain, qui est particulièrement évident dans les danseuses et les baigneuses.","es":"Quasyr-Amra es un palacio omeya adornado con pinturas de estilo grecorromano, especialmente evidente en las danzarinas y los bañistas."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"a821e620-0be1-566e-9efd-535d3a1c2fcd","type":"object","internal_name":"Fragment of a fresco panel.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"33127","mwnf_reference":"SY 77","start_date":1100,"end_date":1300,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/0e29fc48-2ea1-5ede-9b79-1c4dc76877df.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["93cef76f-e4af-51ba-95fb-ff8ed41fdd5c","66b436df-54d7-55ea-a9ce-b0dbba417fe8","8a6c48ca-69b7-5fe1-9432-8c916f32a027","2dee11c8-d3ac-5907-b538-5bde783b5713","29aabf8b-08bb-5923-8343-0b95153c7774","babea4b9-10ad-55d7-9bf4-f7bfbc6784dd","94d8b5df-2352-5ef1-adbe-5e3010509e2d","a556c733-207a-56b8-b960-81184931dbd5"],"dynasty_ids":["b812e3d9-24d7-5ef1-bfc7-8031d0fa5144"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","2003ec95-a720-51cb-9dcd-774d9dc9f389","a054eff3-ab33-572b-8c6c-47a7d300c111","ac325296-5e0b-5e3e-b8c7-d6a3a6d559ca","b3b18f28-32c7-5836-ae64-e0df239443e1","f3052f85-4db5-5572-a790-f3dc9a248659"],"artist_names":[],"media":[],"related_items":[{"id":"1557e889-e4c0-511e-92f2-cf332ab357cf","backward_compatibility":"mwnf3:objects:ISL:uk:Mus01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"المبخرة الأيوبية التي تحمل صورا لأيقونات مسيحية ربما في الأرجح صنعت في سوريا.","en":"An Ayyubid incense burner that features images of Christian iconography and was most probably made in Syria.","fr":"Brûleur d’encens ayyoubide qui représente des images de l’iconographie chrétienne et qui fut très probablement exécuté en Syrie.","es":"Un quemador de incienso ayubí que representa imágenes de la iconografía cristiana y posiblemente elaborado en Siria."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"كما في هذه القطعة ، التي تعود ليس لأكثر من أربعمائة عام  قبل الفترة الأموية ، تظهر  الخبرة في سوريا في مثل هذه الرسوم الجدارية  الثرية.","en":"As illustrated by this fragment, not since the Umayyad period some 400 years earlier, did Syria experience such a wealth of mural painting.","fr":"Comme l’illustre ce fragment, la Syrie n’a pas connu une telle richesse de peinture murale depuis la période omeyyade, soit quelque 400 ans auparavant.","es":"Como se ilustra en este fragmento, Siria no experimentaba tanta riqueza de pintura mural desde aproximadamente 400 años antes durante el periodo omeya."}},{"id":"bd0502e7-8e93-5eae-9634-c4fcfe027590","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:23","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"جدران كنيسة دير مار موسى مغطاة بمشغولات من الفريسكو  قريبة من التطابق لطراز اللوحة.","en":"The walls of the Church at Deir Mar Musa are covered with frescos of a near-identical style of painting.","fr":"Les murs de l’église de Deir Mar Moussa sont recouverts de fresques d’un style de peinture presque identique.","es":"Las paredes de la Iglesia de San Moisés el Etíope fueron cubiertas con frescos de un estilo casi idéntico a la pintura."}}],"gallery_references":[],"languages":["ar","en","es","fr"]},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","type":"object","internal_name":"Fragment of a mural painting.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"QHG","mwnf_reference":"SY 03","start_date":700,"end_date":750,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/1a185e79-1470-5c2e-b98b-e41767fff4dd.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","8a6c48ca-69b7-5fe1-9432-8c916f32a027","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","1e83d3fe-b456-527d-9098-812f4c26ae7a"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","16131753-740a-5b87-bfb9-06606e67de19","2003ec95-a720-51cb-9dcd-774d9dc9f389","2b77385d-f9a6-5d6a-bb79-403b38118bce","801f574d-c2f6-52a3-ae7c-6a0074f1c59b","b6c3a09c-964b-5dd3-a091-e608967fe6ff","bd6ee598-f323-5770-a786-0151295aea83","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","cf7d3667-7d96-58e6-af31-c5d6fe2c71b8","d741661c-846f-560d-a11c-19720819ac9a","e99f9b90-c624-5aa1-815f-a47f478f7da3"],"artist_names":[],"media":[],"related_items":[{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذا الرسم الجداري وجد على جدران القصر الأموي في الصحراء السورية و المسمى قصر الحير غربي.","en":"This mural painting was found on the walls of the Umayyad palace in the Syrian desert called Qasr al-Hayr al-Gharbi.","fr":"Cette peinture murale a été trouvée sur les murs de Qasr al-Khayr al-Gharbi, un palais omeyyade du désert syrien.","es":"Esta pintura mural fue hallada en las paredes del palacio omeya en el desierto sirio llamado Qasr al-hayr al-garbi."}},{"id":"5dcd5e36-d273-5b03-a8de-93f266c0b45c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"بينما أحد الرسوم مأخوذ من أسطورة يونانية – رومانية فإن الرسم الآخر يمثل الترفيه الأنيق من قبل شاعرة عربية.","en":"While one painting is derived from Greco-Roman myth, the other represents courtly entertainment by an Arabian poetess.","fr":"Alors qu’une des peintures vient du mythe gréco-romain, l’autre représente un divertissement de cour par une poétesse arabe.","es":"Mientras que una pintura deriva del mito grecorromano, la otra representa el entretenimiento de la corte con poetisas árabes."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"أسكفة الباب استخدمت من قبل العلماء كأساس لتأريخ اللوحات في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating these paintings to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures de Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"a821e620-0be1-566e-9efd-535d3a1c2fcd","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لم تعش سوريا مثل هذا الغنى الفني في التعبير و الرسوم الجدارية الشكلية حتى تقريبا بعد 400 سنة من سقوط الدولة الأموية وخلال الفترة الأيوبية.","en":"Syria did not experience such a wealth of artistic expression and figurative wall painting until nearly 400 years after the fall of the Umayyads, during the Ayyubid period.","fr":"La Syrie n’a pas connu une telle richesse d’expression artistique et de peinture murale figurative jusqu’à la période ayyoubide, près de 400 ans après la chute des Omeyyades.","es":"Siria no experimentó tanta riqueza de expresión artística y pinturas figurativas en paredes hasta casi 400 años después de la caída de los omeyas, durante el periodo ayubí."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"رسوم جدارية في قصر عمرا تظهر نساء و العديد منهن يظهرن وهن يرقصن في الفناء.","en":"Mural paintings at Qusayr Amra depict women, many of which appear to be dancing courtesans.","fr":"Les peintures murales de Qousayr Amra décrivent des femmes, nombre d’entre elles semblent des courtisanes en train de danser.","es":"Las pinturas murales de Quasyr Amra representan mujeres, muchas de las cuales parecen danzarinas cortesanas."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"0c3648d9-9762-55ae-85a2-34844ebd664f","type":"object","internal_name":"Fresco from Qusayr Amra.","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"559ab197-7289-5af4-a295-1118bde9afce","country_id":"deu","owner_reference":"I. 1264","mwnf_reference":"GE 03","start_date":700,"end_date":750,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/5cc8db71-e83e-578c-9aac-9d8eeedc83e7.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","dbd69ebe-dd4f-54b2-9dc5-5d83f4a7d7df","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0ad8de69-3a63-53bc-8e1b-4c6cae853bca","0f3fb66d-a491-591b-a0c2-56e11ec481aa","60068ca4-be84-58d0-a590-341306ae5e41","b6c3a09c-964b-5dd3-a091-e608967fe6ff","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","dcd58376-8ba5-5488-bec0-53d4cf2fa497","e7f7d170-9ce3-5eb5-8c00-b201155164d8","f2ec79dc-0998-56d5-8cc2-bce2d4228e77"],"artist_names":[],"media":[],"related_items":[{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"الموسيقي هو من نفس القصر.","en":"The musician is from the same palace.","fr":"Le musicien provient du même palais.","es":"El músico pertenece al mismo palacio."}},{"id":"3c8378b6-b15a-5c21-874e-d7a334e3dab5","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:26","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"الجص ذو مواضيع مجسمة من أشخاص أيضا استخدمت ضمن القصور الفاطمية في القاهرة.","en":"Frescos with figural themes were also used within the Fatimid palaces in Cairo.","fr":"On utilisait aussi des fresques à thèmes figuratifs dans les palais fatimides du Caire.","es":"También se han empleado frescos de temática figurativa dentro de palacios fatimíes en El Cairo."}},{"id":"3ef00d87-7d99-5046-8489-348689e5698a","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:49","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"4c2db764-43bb-574c-9e09-b5f486e451c3","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"4cd253cf-44cf-56c0-9d8c-9c6924980524","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"56acaf8e-1d2d-5882-9b67-7d024e5744ff","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:48","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"هذا الراقص من الجص هو من جزء مختلف من نفس القصر.","en":"This fresco of a dancer comes from a different part of the same palace.","fr":"Cette fresque à la danseuse provient d’une autre partie du même palais."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"7fd24a74-b039-5ba4-b6a9-6fe4522c585f","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:29","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذه المجوهرات الفاطمية يبدو أنها تشير إلى نوع مجوهرات كانت تضعها راقصة من العصر الأموي.","en":"This Fatimid jewellery seems to refer to the type of jewellery worn by the Umayyad dancer.","fr":"Ce bijou fatimide semble se référer au type de bijou porté par la danseuse omeyyade.","es":"Esta joya fatimí parece hacer referencia al tipo de joyas que llevaban los bailarines omeyas."}},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"d2379132-91f2-5a63-8508-ac615d5bf783","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"ضمن القصر الأموي الجص الأرضي وجد و الذي يظهر موسيقيين.","en":"Within this Umayyad palace, floor frescos were found which show musicians.","fr":"Peintures de sol montrant des musiciens mises au jour à l’intérieur du palais omeyyade.","es":"Dentro de este palacio omeya, se han encontrado frescos en el suelo que muestran músicos."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"البناء الذي جلبت منه مشغولات الجص الذي يرى هنا هو من عفر في الصحراء الأردنية.","en":"The building from which the fresco comes is here seen from afar in the Jordanian desert.","fr":"L’édifice d’où provient la fresque, vu ici de loin dans le désert jordanien.","es":"La construcción de la cual proviene este fresco se puede observar a distancia en el desierto de Jordania."}}],"gallery_references":[],"languages":["ar","de","en","es","fr"]},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","type":"object","internal_name":"Fresco on the Cupola.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 91","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/288d00d3-5c66-5ea0-8562-c452d1d9cffc.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/cdc01e4e-64a4-5bc3-88bd-47fd71d93c4b.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/2cb8335f-72c3-5989-a6ec-9948199fec4d.jpg","display_order":3,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/9e6b9e70-7401-5304-ac0d-bd77d556973b.jpg","display_order":4,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","d420f09f-a675-57a4-a7a9-b3c3108cdb5f","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","53b06a4c-1741-53c4-bd23-415aa3ce7613","b3b18f28-32c7-5836-ae64-e0df239443e1","c39cd815-3b51-5b89-a4e4-5e9f2c0ca622","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","dc0561a2-2592-560f-8a87-20cd58a96753","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"10e14593-faff-5437-b999-efaa138e0262","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a bathhouse and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es una casa de baños y el fresco pertenece a los baños del palacio."}},{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تأثرا كِلا العمليين ببصمة من الفن الإيطالي.","en":"Both works have an artistic legacy from Iranian art.","fr":"Les deux œuvres ont un héritage artistique iranien.","es":"En ambas obras se observa el legado artístico del arte iraní."}},{"id":"305f4585-8d17-53d5-a7d9-3ce3b3fa0f2c","backward_compatibility":"mwnf3:objects:ISL:es:Mus01:39","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كِلاهما قِباب مُزينة تخص القصر.","en":"Both works are decorated cupulas from a palace.","fr":"Les deux œuvres sont des coupoles décorées transférées depuis un palais.","es":"Ambas obras son cúpulas decoradas de un palacio."}},{"id":"7c7c2cda-78e1-597a-b911-718576ff198a","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a *hammam* (baths) and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es un *hammam* (baños) y el fresco pertenece a los baños del palacio."}},{"id":"b186a1dd-c9a1-595e-887f-c136139c0a6d","backward_compatibility":"mwnf3:monuments:ISL:dz:Mon01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a *hammam* (baths) and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es un *hammam* (baños) y el fresco pertenece a los baños del palacio."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على القبة بداخل حمامات القصر كما يعود تاريخها للفترة الأموية.","en":"The cupola is found in the baths of the palace and dated to the Umayyad period.","fr":"La coupole se trouvait dans les bains du palais et date la période omeyyade.","es":"La cúpula se encontró en los baños del palacio y data del periodo omeya."}},{"id":"fb0d852c-219c-5753-93b5-9648fdd94679","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:17","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كِلاهما قِباب مُزينة تخص القصر.","en":"Both works are decorated cupulas from a palace.","fr":"Les deux œuvres sont des coupoles décorées transférées depuis un palais.","es":"Ambas obras son cúpulas decoradas de un palacio."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"56acaf8e-1d2d-5882-9b67-7d024e5744ff","type":"object","internal_name":"Fresco panel: ‘Dancers’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:48","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 89","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/143fa884-3256-59f3-8c4c-19bbcec99ba9.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/64b9511d-4dcb-5548-84be-f3284e86fe53.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"0c3648d9-9762-55ae-85a2-34844ebd664f","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"يعود أصل اللوحتان لنفس القصر كما تظهر عليهما عنصرًا أنثوي في مساحة مُحددة.","en":"Both frescos are from the same palace and represent a female figure within a defined space.","fr":"Les deux fresques proviennent du même palais et représentent une figure féminine dans un espace clos.","es":"Ambos frescos provienen del mismo palacio y representan una figura femenina dentro de un espacio específico."}},{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحات الخاصة بسقف الكنيسة صورًا لفتيات راقصة.","en":"The painted ceiling of the chapel depicts figures of dancing girls.","fr":"Le plafond peint de la chapelle représente des danseuses.","es":"La techumbre pintada de esta capilla representa figuras de muchachas danzando."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان العنصر الأنثوي والذي يعود أصله للفترة الأموية.","en":"Both works are fresco paintings of female figures from Umayyad palaces.","fr":"Les deux fresques représentent des figures féminines d’un palais omeyyade.","es":"Ambas obras son frescos representando figuras femeninas de palacios omeyas."}},{"id":"7bf56987-b874-51e5-91e1-bf19f3afba07","backward_compatibility":"mwnf3:objects:ISL:es:Mus01:33","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمثل القطعتان الفن التصويري الإسلامي.","en":"Both works represent Islamic figurative art.","fr":"Les deux œuvres représentent l’art figuratif islamique.","es":"Ambas obras representan el arte islámico figurativo."}},{"id":"ce544eac-b951-5657-9a7f-51c32a2f26c6","backward_compatibility":"mwnf3:objects:ISL:tr:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُعدّ الطبلة شكل من أشكال الآلات الموسيقية التي تصاحب الرقص.","en":"The drum as a musical instrument could be used to accompany dancing.","fr":"Le tambour en tant qu’instrument de musique pouvait accompagner la danse.","es":"El tambor como instrumento musical se podía utilizar para acompañar la danza."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل أسقف الكاتدرائيات صورًا لأشكال مرسومة داخل مساحات مُحددة كالميداليات.","en":"The ceilings of the cathedral also depict figures painted within a defined spaces such as medallions.","fr":"Les plafonds de la cathédrale représentent aussi des figures peintes à l’intérieur d’espaces définis tels que des médaillons.","es":"La techumbre de la catedral también representa figuras pintadas dentro de un espacio definido como son los medallones."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على اللوحة بموقع ما داخل القصر.","en":"The fresco is found *in situ* in the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco fue encontrado *in situ* en el palacio."}},{"id":"f0a22720-4486-5cd9-b830-526d7c53d494","backward_compatibility":"mwnf3:objects:ISL:se:Mus01_A:32","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُعدّ الطبلة شكل من أشكال الآلات الموسيقية التي تصاحب الرقص.","en":"The drum as a musical instrument could be used to accompany dancing."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","type":"object","internal_name":"Fresco panel: ‘Group of Musicians’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 87","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/cebe2553-d829-5c7f-a68f-904015f9c0c2.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e"],"artist_names":[],"media":[],"related_items":[{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل بعض اللوحات الخاصة بسقف الكنيسة صورًا لعازفي الناي.","en":"The painted ceiling of the chapel depicts figures of musicians playing flutes.","fr":"Le plafond peint de la chapelle représente des musiciens jouant de la flûte.","es":"La techumbre pintada de la capilla representa figuras de músicos tocando flautas."}},{"id":"2ce846c0-44cf-593b-a417-5ec441dd4212","backward_compatibility":"mwnf3:objects:ISL:tn:Mus01_A:35","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية مثل الناي.","en":"Both works depict the theme of playing music with a flute.","fr":"Les deux œuvres illustrent le fait de jouer de la flûte.","es":"Ambos frescos representan la temática de tocar instrumentos musicales con una flauta."}},{"id":"57c9e92a-cab4-5c9c-a712-2d7757fdd1cc","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:8","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both works depict the theme of playing musical instruments.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both frescos depict the theme of playing a musical instrument.","fr":"Les deux fresques illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"b6b54e1a-238d-59fb-8fc0-bf1b0cd6d93c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:22","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both works depict the theme of playing musical instruments.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية كما أنهما مرتبطان تقنيًا وزمنيًا.","en":"Both works depict the theme of playing musical instruments and are technically and chronologically related.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique et sont en rapport au plan technique et chronologique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales y están relacionados técnica y cronológicamente."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل بعض اللوحات الخاصة بسقف الكاتدرائية صورًا لموسيقيين.","en":"Some of the paintings on the cathedral ceiling depict figures of musicians.","fr":"Certaines peintures du plafond de la cathédrale représentent des musiciens.","es":"Algunas de las pinturas de la techumbre de la catedral representan figuras de músicos."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"وُجدت لوحات الفريسكو بموقع ما داخل القصر.","en":"The fresco is found *in situ* at the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco se encontró *in situ* en el 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90","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/ab47e89c-a613-5253-894a-6e98af565e00.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/2e1ad0af-351d-5d6c-938a-636fd89d6bb1.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","e59cf7ef-c321-5024-8de8-3fc16e53e489","1d1d6e9f-4e5d-503d-bee5-f8335534067a","ce5de689-0923-5aa2-9dc0-374230c8c13c","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","f2ec79dc-0998-56d5-8cc2-bce2d4228e77"],"artist_names":[],"media":[],"related_items":[{"id":"4a195ed6-f6a1-5d77-b47a-6fcc6207735d","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل حوائط القصر الفسيفساء مشاهد تخص الصيد.","en":"The wall mosaics of this palace also depict hunting scenes.","fr":"Les mosaïques murales de ce palais décrivent aussi des scènes de chasse.","es":"Los mosaicos de la pared este palacio representan escenas de caza."}},{"id":"8d5bacd1-856d-5b16-8d3e-40994e3243e8","backward_compatibility":"mwnf3:objects:ISL:tr:Mus01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse.","es":"Ambas obras representan escenas de caza."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كما يحمل أيضًا السقف الخشبي المرسوم الخاص بالكاتدرائية مشاهد تخص الصيد.","en":"The painted wooden ceiling of the cathedral also depicts hunting scenes.","fr":"Le plafond en bois peint de la cathédrale décrit aussi des scènes de chasse.","es":"La techumbre de madera pintada de la catedral también representa escenas de caza."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على هذه اللوحات بموقع ما داخل القصر.","en":"The fresco is found *in situ* in the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco fue encontrado *in situ* en el palacio."}},{"id":"e5089d3e-3231-5064-9958-45c0890fde1c","backward_compatibility":"mwnf3:objects:ISL:uk:Mus01:12","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse","es":"Ambas obras representan escenas de caza."}},{"id":"f4d8be9c-5207-5d6b-9a80-d65d6b7fa366","backward_compatibility":"mwnf3:objects:ISL:pt:Mus01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse.","es":"Ambas obras representan escenas de caza."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","type":"object","internal_name":"Fresco panel: ‘Seated Bear Playing a Musical Instrument’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 05","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/7635bac7-aec5-5b83-9855-106ec3620a47.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/bcfd7b89-a052-564c-ae3b-f69a8630cd1e.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","e59cf7ef-c321-5024-8de8-3fc16e53e489","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","811580e5-c0b8-5c27-8c10-3a3a36bee143","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","bd6ee598-f323-5770-a786-0151295aea83","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","f2ec79dc-0998-56d5-8cc2-bce2d4228e77","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يشتمل القصر على سبع لوحات فنية رمزية يعود تاريخها للفترة الأموية.","en":"The palace has seven figurative wall paintings dated to Umayyad period.","fr":"Le palais a sept peintures murales figuratives datant de la période omeyyade.","es":"El palacio contiene tiene siete pinturas figurativas en las paredes que datan del periodo omeya."}},{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتين نفس الفكرة الرئيسة وهي العزف على الآلات الموسيقية.","en":"Both frescos have the same theme of playing musical instruments.","fr":"Les deux fresques ont les mêmes thèmes, des musiciens jouant de leurs instruments.","es":"Ambos frescos tienen la misma temática de los músicos tocando instrumentos."}},{"id":"4cec7fd2-9c51-5d92-b223-cc2c061e7fc9","backward_compatibility":"mwnf3:monuments:ISL:pa:Mon01:15","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود تاريخ القصر للفترة الأموية.","en":"The palace also dates to the Umayyad period.","fr":"Le palais date aussi de la période omeyyade.","es":"El Palacio también data del periodo omeya."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذه اللوحة جزء من لوحات الفريسكو الخاصة بقُصير عمرة.","en":"The panel is part of the fresco paintings from Qusayr Amra.","fr":"Le panneau appartient aux fresques peintes de Qousayr Amra.","es":"El panel forma parte de los frescos de Qusayr Amra."}},{"id":"f968ffa7-16a4-52b6-80b2-1fcd031e5841","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:23","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل القطعتين نفس الفكرة الرئيسة وهي العزف على الآلات الموسيقية.","en":"Both objects have the same theme of playing musical instruments.","fr":"Les deux fresques ont les mêmes thèmes, des musiciens jouant de leurs instruments.","es":"Ambos objetos tienen la misma temática de los músicos tocando instrumentos."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","type":"object","internal_name":"Fresco panel: ‘Tall Standing Woman at the Edge of a Pool’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 88","start_date":700,"end_date":775,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/c441a1a8-1b8b-576e-8990-3cac71db4199.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","5cc4d556-5ce6-575d-a50b-a403e6c59d4f","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e"],"artist_names":[],"media":[],"related_items":[{"id":"10e14593-faff-5437-b999-efaa138e0262","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the baths.","fr":"La fresque représente une scène de bain, lien thématique avec les bains.","es":"El fresco representa una escena de baño, temáticamente relacionado con los baños."}},{"id":"3c8378b6-b15a-5c21-874e-d7a334e3dab5","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:26","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"كِلاهما جزء من لوحة جدارية حيثُ تحمل إحداهما مشهدًا للاستحمام فيما تُزين الأخرى الحمام.","en":"Both works are part of a fresco painting, the one depicting a bathing scene, the other decorating a bathhouse.","fr":"Les deux œuvres font partie de peintures à fresque, l’une représentant une scène de bain, l’autre un hammam.","es":"Ambas obras son parte de un fresco, uno representa una escena de baño, el otro decorando unos baños."}},{"id":"7c7c2cda-78e1-597a-b911-718576ff198a","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the baths.","fr":"La fresque représente une scène de bain, lien thématique avec les bains.","es":"El fresco representa una escena de baño, temáticamente relacionado con los baños."}},{"id":"8845579c-c381-5bae-bc18-01294691208f","backward_compatibility":"mwnf3:objects:ISL:tn:Mus01_B:43","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تظهر عليهما صورًا لنساء شبه عارية.","en":"Both works represent a semi-naked woman.","fr":"Les deux œuvres représentent une femme mi-dévêtue.","es":"Ambas obras representan una mujer semidesnuda."}},{"id":"94369548-7782-52b0-adae-f3a0d1f1caf6","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01:32","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود أصل كِلا العمليين للقصور الأموية كما تظهر عليهما صورًا لنساء شبه عارية.","en":"Both works are from Umayyad palaces and represent a semi-naked women.","fr":"Les deux œuvres proviennent d’un palais omeyyade et représentent une femme mi-dévêtue.","es":"Ambas obras provienen de palacios omeyas y representan mujeres semidesnudas."}},{"id":"9a7fa76c-bd60-5ec6-bd2e-183cdefb20a9","backward_compatibility":"mwnf3:monuments:ISL:tr:Mon01:17","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the spa.","fr":"La fresque représente une scène de bain, lien thématique avec les thermes.","es":"El fresco representa una escena de baño, temáticamente relacionado con los baños."}},{"id":"d2379132-91f2-5a63-8508-ac615d5bf783","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود أصل كِلا العمليين للقصور الأموية كما تظهر عليهما صورًا لنساء شبه عارية.","en":"Both works are from Umayyad palaces and represent an unclad woman.","fr":"Les deux œuvres proviennent d’un palais omeyyade et représentent une femme dévoilée.","es":"Ambas obras proviene de palacios omeyas y representan una mujer desnuda."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذه اللوحة, جزء من لوحات الفريسكو الخاصة بقصير عمرة.","en":"The fresco is part of the Qusayr Amra frescos.","fr":"La fresque fait partie des fresques de Qousayr Amra.","es":"El fresco forma parte de los frescos de Qusayr Amra."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"4cd253cf-44cf-56c0-9d8c-9c6924980524","type":"object","internal_name":"Fresco panel: ‘The Family of Kings’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 86","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/c20fae95-cf61-526d-82ab-be1d09a8a602.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/606534ad-d517-56a0-9d3b-3aa0440fc10d.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","2003ec95-a720-51cb-9dcd-774d9dc9f389","811580e5-c0b8-5c27-8c10-3a3a36bee143","b3b18f28-32c7-5836-ae64-e0df239443e1","bd6ee598-f323-5770-a786-0151295aea83","c2953466-916b-57e9-9f3b-409c9af9afa1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","e0e8a76f-5937-523a-b87b-6d2a0c6528d7"],"artist_names":[],"media":[],"related_items":[{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يحتوي القصر على لوحات جدارية يعود تاريخها للفترة الأموية.","en":"The palace has several wall paintings dated to the Umayyad period.","fr":"Le palais a plusieurs peintures murales de la période omeyyade.","es":"El palacio tiene varios frescos que datan del periodo omeya."}},{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ رسم كلا اللوحتين من قِبل فنانين ذوي أصول إيرانية وساسانية تأثروا بالثقافة الشرقية.","en":"Both works were painted by artists of Iranian and Sassanian descent and were influenced by Eastern culture.","fr":"Les deux œuvres sont peintes par des artistes d’origine iranienne et sassanide et étaient influencées par la culture orientale.","es":"Ambas obras fueron pintadas por artistas de ascendencia iraní y sasánida y estuvieron influenciados por la cultura oriental."}},{"id":"4cec7fd2-9c51-5d92-b223-cc2c061e7fc9","backward_compatibility":"mwnf3:monuments:ISL:pa:Mon01:15","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود تاريخ لوحات الفريسكو للفترة الزمنية ذاتها أي الفترة الأموية,  بمواصفاتها الخاصة.","en":"The fresco dates from the same period (Umayyad) with its special characteristics.","fr":"La fresque date de la même période (omeyyade) avec ses caractéristiques spéciales.","es":"El fresco data del mismo periodo (omeya) con sus características especiales."}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تظهر القطعتان صورًا لُحكام مطبوعة على لوحة جصية تعود للسلالة الحاكمة ذاتها.","en":"Both works represent figures of rulers from the same dynasty.","fr":"Les deux œuvres représentent des souverains de la même dynastie.","es":"Ambas obras representan figuras de gobernadores de la misma dinastía."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تظهر القطعتان صورًا بشرية مطبوعة على لوحة جصية تعود للسلالة الحاكمة ذاتها.","en":"Both represent human figures in fresco from the same dynasty.","fr":"Les deux représentent des figures humaines sur fresque de même dynastie.","es":"Ambas representan figuras humanas en un fresco de la misma dinastía."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُعتبر اللوحات الجصية أي الفريسكو, جزء من اللوحات الجدارية الخاصة بقصير عمرة.","en":"The fresco is part of the wall paintings of Qusayr Amra.","fr":"La fresque fait partie des peintures murales de Qousayr Amra.","es":"El fresco es parte de las pinturas de la pared de Qusayr Amra."}},{"id":"ed505641-7fab-598f-a27b-c58fb38cc49e","backward_compatibility":"mwnf3:objects:ISL:uk:Mus03:24","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل القطعتان صورًا لٌحكام مُسلمين.","en":"Both works depict Muslim rulers.","fr":"Les deux œuvres représentent des souverains musulmans.","es":"Ambas obras representan gobernadores musulmanes."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"3c8378b6-b15a-5c21-874e-d7a334e3dab5","type":"object","internal_name":"Frescoed architectural fragment from a 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الرمزية الملكية الساسانية بمكن أن يرى على هذه القطعة النقدية من بداية العصر الأموي.","en":"Adaptations of Sassanian royal symbolism can be seen on this early Umayyad coin.","fr":"Cette pièce de monnaie de la première période omeyyade porte des adaptations du symbole de la souveraineté sassanide.","es":"Se pueden observar adaptaciones del simbolismo real sasánida en esta moneda del periodo omeya temprano."}},{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر  الحير غربي الأموي هو الموقع الأصلي لهذه اللوحة الأرضية.","en":"The Umayyad palace of Qasr al-Hayr al-Gharbi is the original location of this floor painting.","fr":"Le palais omeyyade de Qasr al-Khayr al-Gharbi est le lieu d’origine de cette peinture de sol.","es":"La localización original de este pavimento pintado es el palacio omeya de Qasr al-hayr 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al mismo rey sasánida."}},{"id":"5dcd5e36-d273-5b03-a8de-93f266c0b45c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لوحة رسم أرضية من منطقة الاستقبال في قصر الحير غربي حيث تظهر فيها الأسطورة الملكية الساسانية – الفارسية و أشخاص من الأساطير اليونانية – الرومانية في مشهد صيد.","en":"A floor painting from the reception area at Qasr al-Hayr al-Gharbi. Sassanian-Persian royal mythology and figures from Greco-Roman mythology are depicted in this hunting scene","fr":"Peinture de sol de la salle de réception à Qasr al-Khayr al-Gharbi. La mythologie royale perso-sassanide et les personnages de la mythologie gréco-romaine sont représentés dans cette scène de chasse.","es":"Un suelo pintado en la zona de recepción de Qasr al-hayr al-garbi. En esta escena de caza se representan la mitología real sasánida-persa y figuras de la mitológica grecorromana."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"أسكفة الباب استخدمت من قبل العلماء كأساس لتأريخ اللوحات في قصر الحير غربي في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating the paintings seen at Qasr al-Hayr al-Gharbi to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures vues à Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"لوجة من الفريسكو في فصر عمرا التي سماها العلماء \"عائلة الملوك\" تتضمن تمثيل للإمبراطور الساساني.","en":"A fresco panel in the Qusayr Amra which scholars have labelled the ‘Family of Kings’, it includes a representation of the Sassanian Emperor.","fr":"Ce panneau de fresque de Qousayr Amra, connu sous le nom de “famille de rois”, inclut une représentation de l’empereur sassanide.","es":"Un fresco de 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الفريسكو  هذه هي من قصر صحراوي أموي آخر ،قصير عمرا و تجسد شكل امرأة التي تظهر استمرارية للطراز بواسطة الفن المحلي قبل الإسلام.","en":"This Fresco from another Umayyad desert palace, Qusayr Amra, features a female figure that shows a continuity of style with local pre-Islamic art.","fr":"Cette fresque d’un autre palais du désert omeyyade, Qousayr Amra, représente une silhouette féminine en continuité stylistique avec l’art préislamique local.","es":"En este fresco procedente de otro palacio omeya del desierto, Quasyr Amra, se representa una figura femenina poniendo de relieve la continuidad del estilo con el arte preislámico local."}},{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر  الحير غربي الأموي هو الموقع الأصلي لهذه اللوحة الأرضية.","en":"The Umayyad palace of Qasr al-Hayr al-Gharbi is the original location of this floor painting.","es":"La localización original de este pavimento pintado es el palacio omeya de Qasr al-hayr al-garbi."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"هذه اللوحة في قصر الحير غربي مستمدة من أسطورة يونانية – رومانية و اللوحة الأخرى التي تشاهد في قصير عمرا تظهر امرأة عربية شاعرة في الفناء.","en":"This painting at Qasr al-Hayr al-Gharbi is derived from Greco-Roman myth. The other, seen at Qusayr Amra, depicts an Arabian female poet at court.","fr":"Cette peinture de Qasr al-Khayr al-Gharbi vient du mythe gréco-romain. Celle de Qousayr Amra dépeint une poétesse arabe à la cour.","es":"Esta pintura de Qasr al-hayr al-garbi se basa en un mito grecorromano. La otra, en Quasyr Amra, representa una poetisa árabe en la corte."}},{"id":"4cec7fd2-9c51-5d92-b223-cc2c061e7fc9","backward_compatibility":"mwnf3:monuments:ISL:pa:Mon01:15","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"القصور الصحراوية الأموية لم تكن فقط تزين بصور مرسوم فيها أشخاص و لكن لفسيفساء تفصيلية بشكل فني كما يرى في خربة المفجر.","en":"Umayyad desert palaces were not only decorated with painted figurative images but also with expertly detailed mosaics, as seen at Khirbat al-Mafjar.","fr":"Les palais omeyyades du désert étaient non seulement décorés de peintures figuratives mais aussi de mosaïques finement détaillées, comme à Khirbat al-Mafjar.","es":"Los palacios omeyas del desierto no estaban decorados únicamente con imágenes figurativas pintadas, también con mosaicos detallados minuciosamente, como se observa en Jirbat al-Mafyar."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"ساكف  الباب استخدم من قبل العلماء كأساس لتأريخ اللوحات في قصر الحير غربي في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating the paintings seen at Qasr al-Hayr al-Gharbi to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures de Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"إلهة الأرض جايا ( أو جيا ) يمكن أن تكون رمزا مجسدا في هذه اللوحة بينما المرأة شبه العارية ترى في قصبر عمرا يمكن أن تكون ترمز لأفروديت إلهة الحب.","en":"The earth Goddess Gaea may be symbolised in this painting, while the near-naked woman seen at Qusayr Amra may have symbolised Aphrodite, the goddess of love.","fr":"C’est peut-être la déesse de la Terre, Gaia, qui est symbolisée dans cette peinture, tandis que la femme presque nue vue à Qousayr Amra pourrait symboliser Aphrodite, la déesse de l’amour.","es":"Es posible que en esta pintura se haya representado a la diosa tierra Gaea, mientras que es posible que la mujer semidesnuda que se puede observar en Quasyr Amra represente a Afrodita, la diosa del amor."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لوحة رسم أرضية من منطقة الاستقبال في قصر الحير غربي حيث تظهر فيها الأسطورة الملكية الساسانية – الفارسية و أشخاص من الأساطير اليونانية – الرومانية في مشهد صيد.","en":"A floor painting from the reception area at Qasr al-Hayr al-Gharbi. Sassanian-Persian royal mythology and figures from Greco-Roman mythology are depicted in this hunting scene.","fr":"Peinture de sol de la salle de réception de Qasr al-Khayr al-Gharbi. La mythologie royale perso-sassanide et les personnages de la mythologie gréco-romaine sont représentés dans cette scène de chasse.","es":"Un suelo pintado en la zona de recepción de Qasr al-hayr al-garbi. En esta escena de caza se representan la mitología real sasánida-persa y figuras de la mitología grecorromana."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"الإطارات ذات الخرزات الدائرية حول هذه الأشكال المرسومة توضح استمرار الطراز بين فن الكاتدرائيات النورمانية و لوحات الفناء الإسلامية.","en":"The circular beaded frames around these painted figures, illustrates a continuation in style between the art of Norman cathedrals and Islamic court painting.","fr":"Les encadrements circulaires ornés de baguettes perlées de ces figures peintes illustrent un prolongement stylistique entre l’art des cathédrales normandes et la peinture de cour islamique.","es":"Los marcos circulares con cuentas alrededor de estas figuras pintadas, ilustra una continuidad en el estilo entre el arte de las catedrales normandas y la pintura islámica de la corte."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"قصر عمرا هو قصر أموي مزين باللوحات من الطراز اليوناني – الروماني و تظهر بشكل خاص في شكل الراقصات من النساء و السباحين.","en":"Qusayr Amra is an Umayyad palace adorned with paintings in the Greco-Roman style, particularly apparent in the female dancers and bathers.","fr":"Qousayr Amra est un palais omeyyade décoré de peintures dans le style gréco-romain, qui est particulièrement évident dans les danseuses et les baigneuses.","es":"Quasyr-Amra es un palacio omeya adornado con pinturas de estilo grecorromano, especialmente evidente en las danzarinas y los bañistas."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"a821e620-0be1-566e-9efd-535d3a1c2fcd","type":"object","internal_name":"Fragment of a fresco panel.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"33127","mwnf_reference":"SY 77","start_date":1100,"end_date":1300,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/0e29fc48-2ea1-5ede-9b79-1c4dc76877df.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["93cef76f-e4af-51ba-95fb-ff8ed41fdd5c","66b436df-54d7-55ea-a9ce-b0dbba417fe8","8a6c48ca-69b7-5fe1-9432-8c916f32a027","2dee11c8-d3ac-5907-b538-5bde783b5713","29aabf8b-08bb-5923-8343-0b95153c7774","babea4b9-10ad-55d7-9bf4-f7bfbc6784dd","94d8b5df-2352-5ef1-adbe-5e3010509e2d","a556c733-207a-56b8-b960-81184931dbd5"],"dynasty_ids":["b812e3d9-24d7-5ef1-bfc7-8031d0fa5144"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","2003ec95-a720-51cb-9dcd-774d9dc9f389","a054eff3-ab33-572b-8c6c-47a7d300c111","ac325296-5e0b-5e3e-b8c7-d6a3a6d559ca","b3b18f28-32c7-5836-ae64-e0df239443e1","f3052f85-4db5-5572-a790-f3dc9a248659"],"artist_names":[],"media":[],"related_items":[{"id":"1557e889-e4c0-511e-92f2-cf332ab357cf","backward_compatibility":"mwnf3:objects:ISL:uk:Mus01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"المبخرة الأيوبية التي تحمل صورا لأيقونات مسيحية ربما في الأرجح صنعت في سوريا.","en":"An Ayyubid incense burner that features images of Christian iconography and was most probably made in Syria.","fr":"Brûleur d’encens ayyoubide qui représente des images de l’iconographie chrétienne et qui fut très probablement exécuté en Syrie.","es":"Un quemador de incienso ayubí que representa imágenes de la iconografía cristiana y posiblemente elaborado en Siria."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"كما في هذه القطعة ، التي تعود ليس لأكثر من أربعمائة عام  قبل الفترة الأموية ، تظهر  الخبرة في سوريا في مثل هذه الرسوم الجدارية  الثرية.","en":"As illustrated by this fragment, not since the Umayyad period some 400 years earlier, did Syria experience such a wealth of mural painting.","fr":"Comme l’illustre ce fragment, la Syrie n’a pas connu une telle richesse de peinture murale depuis la période omeyyade, soit quelque 400 ans auparavant.","es":"Como se ilustra en este fragmento, Siria no experimentaba tanta riqueza de pintura mural desde aproximadamente 400 años antes durante el periodo omeya."}},{"id":"bd0502e7-8e93-5eae-9634-c4fcfe027590","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:23","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"جدران كنيسة دير مار موسى مغطاة بمشغولات من الفريسكو  قريبة من التطابق لطراز اللوحة.","en":"The walls of the Church at Deir Mar Musa are covered with frescos of a near-identical style of painting.","fr":"Les murs de l’église de Deir Mar Moussa sont recouverts de fresques d’un style de peinture presque identique.","es":"Las paredes de la Iglesia de San Moisés el Etíope fueron cubiertas con frescos de un estilo casi idéntico a la pintura."}}],"gallery_references":[],"languages":["ar","en","es","fr"]},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","type":"object","internal_name":"Fragment of a mural painting.","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"f6a3053d-d710-547e-be54-96097d448f7a","country_id":"syr","owner_reference":"QHG","mwnf_reference":"SY 03","start_date":700,"end_date":750,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/1a185e79-1470-5c2e-b98b-e41767fff4dd.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","8a6c48ca-69b7-5fe1-9432-8c916f32a027","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","1e83d3fe-b456-527d-9098-812f4c26ae7a"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","16131753-740a-5b87-bfb9-06606e67de19","2003ec95-a720-51cb-9dcd-774d9dc9f389","2b77385d-f9a6-5d6a-bb79-403b38118bce","801f574d-c2f6-52a3-ae7c-6a0074f1c59b","b6c3a09c-964b-5dd3-a091-e608967fe6ff","bd6ee598-f323-5770-a786-0151295aea83","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","cf7d3667-7d96-58e6-af31-c5d6fe2c71b8","d741661c-846f-560d-a11c-19720819ac9a","e99f9b90-c624-5aa1-815f-a47f478f7da3"],"artist_names":[],"media":[],"related_items":[{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذا الرسم الجداري وجد على جدران القصر الأموي في الصحراء السورية و المسمى قصر الحير غربي.","en":"This mural painting was found on the walls of the Umayyad palace in the Syrian desert called Qasr al-Hayr al-Gharbi.","fr":"Cette peinture murale a été trouvée sur les murs de Qasr al-Khayr al-Gharbi, un palais omeyyade du désert syrien.","es":"Esta pintura mural fue hallada en las paredes del palacio omeya en el desierto sirio llamado Qasr al-hayr al-garbi."}},{"id":"5dcd5e36-d273-5b03-a8de-93f266c0b45c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"بينما أحد الرسوم مأخوذ من أسطورة يونانية – رومانية فإن الرسم الآخر يمثل الترفيه الأنيق من قبل شاعرة عربية.","en":"While one painting is derived from Greco-Roman myth, the other represents courtly entertainment by an Arabian poetess.","fr":"Alors qu’une des peintures vient du mythe gréco-romain, l’autre représente un divertissement de cour par une poétesse arabe.","es":"Mientras que una pintura deriva del mito grecorromano, la otra representa el entretenimiento de la corte con poetisas árabes."}},{"id":"702385a6-59dd-5149-9e14-fc7215434a3d","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"أسكفة الباب استخدمت من قبل العلماء كأساس لتأريخ اللوحات في السنة 109/727","en":"The door lintel has been used by scholars as the basis for dating these paintings to the year 109/727.","fr":"Le linteau de la porte a servi à dater les peintures de Qasr al-Khayr al-Gharbi de 109 H / 727 J.-C.","es":"Los eruditos tomaron como base el dintel de la puerta para la datación de las pinturas observadas en Qasr al-hayr al-garbi en el año 109/727."}},{"id":"8473d6b1-ff39-54e8-aa27-a77f671d0068","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"a821e620-0be1-566e-9efd-535d3a1c2fcd","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"لم تعش سوريا مثل هذا الغنى الفني في التعبير و الرسوم الجدارية الشكلية حتى تقريبا بعد 400 سنة من سقوط الدولة الأموية وخلال الفترة الأيوبية.","en":"Syria did not experience such a wealth of artistic expression and figurative wall painting until nearly 400 years after the fall of the Umayyads, during the Ayyubid period.","fr":"La Syrie n’a pas connu une telle richesse d’expression artistique et de peinture murale figurative jusqu’à la période ayyoubide, près de 400 ans après la chute des Omeyyades.","es":"Siria no experimentó tanta riqueza de expresión artística y pinturas figurativas en paredes hasta casi 400 años después de la caída de los omeyas, durante el periodo ayubí."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"رسوم جدارية في قصر عمرا تظهر نساء و العديد منهن يظهرن وهن يرقصن في الفناء.","en":"Mural paintings at Qusayr Amra depict women, many of which appear to be dancing courtesans.","fr":"Les peintures murales de Qousayr Amra décrivent des femmes, nombre d’entre elles semblent des courtisanes en train de danser.","es":"Las pinturas murales de Quasyr Amra representan mujeres, muchas de las cuales parecen danzarinas cortesanas."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"0c3648d9-9762-55ae-85a2-34844ebd664f","type":"object","internal_name":"Fresco from Qusayr Amra.","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"559ab197-7289-5af4-a295-1118bde9afce","country_id":"deu","owner_reference":"I. 1264","mwnf_reference":"GE 03","start_date":700,"end_date":750,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/5cc8db71-e83e-578c-9aac-9d8eeedc83e7.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","dbd69ebe-dd4f-54b2-9dc5-5d83f4a7d7df","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0ad8de69-3a63-53bc-8e1b-4c6cae853bca","0f3fb66d-a491-591b-a0c2-56e11ec481aa","60068ca4-be84-58d0-a590-341306ae5e41","b6c3a09c-964b-5dd3-a091-e608967fe6ff","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","dcd58376-8ba5-5488-bec0-53d4cf2fa497","e7f7d170-9ce3-5eb5-8c00-b201155164d8","f2ec79dc-0998-56d5-8cc2-bce2d4228e77"],"artist_names":[],"media":[],"related_items":[{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"الموسيقي هو من نفس القصر.","en":"The musician is from the same palace.","fr":"Le musicien provient du même palais.","es":"El músico pertenece al mismo palacio."}},{"id":"3c8378b6-b15a-5c21-874e-d7a334e3dab5","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:26","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"الجص ذو مواضيع مجسمة من أشخاص أيضا استخدمت ضمن القصور الفاطمية في القاهرة.","en":"Frescos with figural themes were also used within the Fatimid palaces in Cairo.","fr":"On utilisait aussi des fresques à thèmes figuratifs dans les palais fatimides du Caire.","es":"También se han empleado frescos de temática figurativa dentro de palacios fatimíes en El Cairo."}},{"id":"3ef00d87-7d99-5046-8489-348689e5698a","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:49","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"4c2db764-43bb-574c-9e09-b5f486e451c3","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"4cd253cf-44cf-56c0-9d8c-9c6924980524","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:45","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"56acaf8e-1d2d-5882-9b67-7d024e5744ff","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:48","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"هذا الراقص من الجص هو من جزء مختلف من نفس القصر.","en":"This fresco of a dancer comes from a different part of the same palace.","fr":"Cette fresque à la danseuse provient d’une autre partie du même palais."}},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"7fd24a74-b039-5ba4-b6a9-6fe4522c585f","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:29","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذه المجوهرات الفاطمية يبدو أنها تشير إلى نوع مجوهرات كانت تضعها راقصة من العصر الأموي.","en":"This Fatimid jewellery seems to refer to the type of jewellery worn by the Umayyad dancer.","fr":"Ce bijou fatimide semble se référer au type de bijou porté par la danseuse omeyyade.","es":"Esta joya fatimí parece hacer referencia al tipo de joyas que llevaban los bailarines omeyas."}},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{}},{"id":"d2379132-91f2-5a63-8508-ac615d5bf783","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"ضمن القصر الأموي الجص الأرضي وجد و الذي يظهر موسيقيين.","en":"Within this Umayyad palace, floor frescos were found which show musicians.","fr":"Peintures de sol montrant des musiciens mises au jour à l’intérieur du palais omeyyade.","es":"Dentro de este palacio omeya, se han encontrado frescos en el suelo que muestran músicos."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"البناء الذي جلبت منه مشغولات الجص الذي يرى هنا هو من عفر في الصحراء الأردنية.","en":"The building from which the fresco comes is here seen from afar in the Jordanian desert.","fr":"L’édifice d’où provient la fresque, vu ici de loin dans le désert jordanien.","es":"La construcción de la cual proviene este fresco se puede observar a distancia en el desierto de Jordania."}}],"gallery_references":[],"languages":["ar","de","en","es","fr"]},{"id":"703bcca9-4c28-508b-8d25-b6f6138c138c","type":"object","internal_name":"Fresco on the Cupola.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:50","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 91","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/288d00d3-5c66-5ea0-8562-c452d1d9cffc.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/cdc01e4e-64a4-5bc3-88bd-47fd71d93c4b.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/2cb8335f-72c3-5989-a6ec-9948199fec4d.jpg","display_order":3,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/9e6b9e70-7401-5304-ac0d-bd77d556973b.jpg","display_order":4,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","d420f09f-a675-57a4-a7a9-b3c3108cdb5f","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","53b06a4c-1741-53c4-bd23-415aa3ce7613","b3b18f28-32c7-5836-ae64-e0df239443e1","c39cd815-3b51-5b89-a4e4-5e9f2c0ca622","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","dc0561a2-2592-560f-8a87-20cd58a96753","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"10e14593-faff-5437-b999-efaa138e0262","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a bathhouse and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es una casa de baños y el fresco pertenece a los baños del palacio."}},{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تأثرا كِلا العمليين ببصمة من الفن الإيطالي.","en":"Both works have an artistic legacy from Iranian art.","fr":"Les deux œuvres ont un héritage artistique iranien.","es":"En ambas obras se observa el legado artístico del arte iraní."}},{"id":"305f4585-8d17-53d5-a7d9-3ce3b3fa0f2c","backward_compatibility":"mwnf3:objects:ISL:es:Mus01:39","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كِلاهما قِباب مُزينة تخص القصر.","en":"Both works are decorated cupulas from a palace.","fr":"Les deux œuvres sont des coupoles décorées transférées depuis un palais.","es":"Ambas obras son cúpulas decoradas de un palacio."}},{"id":"7c7c2cda-78e1-597a-b911-718576ff198a","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a *hammam* (baths) and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es un *hammam* (baños) y el fresco pertenece a los baños del palacio."}},{"id":"b186a1dd-c9a1-595e-887f-c136139c0a6d","backward_compatibility":"mwnf3:monuments:ISL:dz:Mon01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يُعدّ الأثر هذا حمام . كما تعود اللوحة هذه لإحدى حمامات القصر.","en":"This monument is a *hammam* (baths) and the fresco is from the baths of a palace.","fr":"Ce monument est un hammam et la fresque provient des bains d’un palais.","es":"Este monumento es un *hammam* (baños) y el fresco pertenece a los baños del palacio."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على القبة بداخل حمامات القصر كما يعود تاريخها للفترة الأموية.","en":"The cupola is found in the baths of the palace and dated to the Umayyad period.","fr":"La coupole se trouvait dans les bains du palais et date la période omeyyade.","es":"La cúpula se encontró en los baños del palacio y data del periodo omeya."}},{"id":"fb0d852c-219c-5753-93b5-9648fdd94679","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:17","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كِلاهما قِباب مُزينة تخص القصر.","en":"Both works are decorated cupulas from a palace.","fr":"Les deux œuvres sont des coupoles décorées transférées depuis un palais.","es":"Ambas obras son cúpulas decoradas de un palacio."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"56acaf8e-1d2d-5882-9b67-7d024e5744ff","type":"object","internal_name":"Fresco panel: ‘Dancers’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:48","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 89","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/143fa884-3256-59f3-8c4c-19bbcec99ba9.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/64b9511d-4dcb-5548-84be-f3284e86fe53.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"0c3648d9-9762-55ae-85a2-34844ebd664f","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"يعود أصل اللوحتان لنفس القصر كما تظهر عليهما عنصرًا أنثوي في مساحة مُحددة.","en":"Both frescos are from the same palace and represent a female figure within a defined space.","fr":"Les deux fresques proviennent du même palais et représentent une figure féminine dans un espace clos.","es":"Ambos frescos provienen del mismo palacio y representan una figura femenina dentro de un espacio específico."}},{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحات الخاصة بسقف الكنيسة صورًا لفتيات راقصة.","en":"The painted ceiling of the chapel depicts figures of dancing girls.","fr":"Le plafond peint de la chapelle représente des danseuses.","es":"La techumbre pintada de esta capilla representa figuras de muchachas danzando."}},{"id":"1db2b71c-1b13-500e-b0ba-c510c7396de5","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:3","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان العنصر الأنثوي والذي يعود أصله للفترة الأموية.","en":"Both works are fresco paintings of female figures from Umayyad palaces.","fr":"Les deux fresques représentent des figures féminines d’un palais omeyyade.","es":"Ambas obras son frescos representando figuras femeninas de palacios omeyas."}},{"id":"7bf56987-b874-51e5-91e1-bf19f3afba07","backward_compatibility":"mwnf3:objects:ISL:es:Mus01:33","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمثل القطعتان الفن التصويري الإسلامي.","en":"Both works represent Islamic figurative art.","fr":"Les deux œuvres représentent l’art figuratif islamique.","es":"Ambas obras representan el arte islámico figurativo."}},{"id":"ce544eac-b951-5657-9a7f-51c32a2f26c6","backward_compatibility":"mwnf3:objects:ISL:tr:Mus01:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُعدّ الطبلة شكل من أشكال الآلات الموسيقية التي تصاحب الرقص.","en":"The drum as a musical instrument could be used to accompany dancing.","fr":"Le tambour en tant qu’instrument de musique pouvait accompagner la danse.","es":"El tambor como instrumento musical se podía utilizar para acompañar la danza."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل أسقف الكاتدرائيات صورًا لأشكال مرسومة داخل مساحات مُحددة كالميداليات.","en":"The ceilings of the cathedral also depict figures painted within a defined spaces such as medallions.","fr":"Les plafonds de la cathédrale représentent aussi des figures peintes à l’intérieur d’espaces définis tels que des médaillons.","es":"La techumbre de la catedral también representa figuras pintadas dentro de un espacio definido como son los medallones."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على اللوحة بموقع ما داخل القصر.","en":"The fresco is found *in situ* in the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco fue encontrado *in situ* en el palacio."}},{"id":"f0a22720-4486-5cd9-b830-526d7c53d494","backward_compatibility":"mwnf3:objects:ISL:se:Mus01_A:32","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُعدّ الطبلة شكل من أشكال الآلات الموسيقية التي تصاحب الرقص.","en":"The drum as a musical instrument could be used to accompany dancing."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","type":"object","internal_name":"Fresco panel: ‘Group of Musicians’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 87","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/cebe2553-d829-5c7f-a68f-904015f9c0c2.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e"],"artist_names":[],"media":[],"related_items":[{"id":"17d6e18b-8628-5642-bf1b-3e753e6d63d6","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل بعض اللوحات الخاصة بسقف الكنيسة صورًا لعازفي الناي.","en":"The painted ceiling of the chapel depicts figures of musicians playing flutes.","fr":"Le plafond peint de la chapelle représente des musiciens jouant de la flûte.","es":"La techumbre pintada de la capilla representa figuras de músicos tocando flautas."}},{"id":"2ce846c0-44cf-593b-a417-5ec441dd4212","backward_compatibility":"mwnf3:objects:ISL:tn:Mus01_A:35","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية مثل الناي.","en":"Both works depict the theme of playing music with a flute.","fr":"Les deux œuvres illustrent le fait de jouer de la flûte.","es":"Ambos frescos representan la temática de tocar instrumentos musicales con una flauta."}},{"id":"57c9e92a-cab4-5c9c-a712-2d7757fdd1cc","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:8","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both works depict the theme of playing musical instruments.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both frescos depict the theme of playing a musical instrument.","fr":"Les deux fresques illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"b6b54e1a-238d-59fb-8fc0-bf1b0cd6d93c","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:22","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية.","en":"Both works depict the theme of playing musical instruments.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales."}},{"id":"d861eea4-5eaf-5a74-81c8-1ecb64d9a358","backward_compatibility":"mwnf3:objects:ISL:sy:Mus01:2","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتان نفس الموضوع الرئيس ألا وهو العزف على الآلات الموسيقية كما أنهما مرتبطان تقنيًا وزمنيًا.","en":"Both works depict the theme of playing musical instruments and are technically and chronologically related.","fr":"Les deux œuvres illustrent le fait de jouer d’un instrument de musique et sont en rapport au plan technique et chronologique.","es":"Ambos frescos representan la temática de tocar instrumentos musicales y están relacionados técnica y cronológicamente."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل بعض اللوحات الخاصة بسقف الكاتدرائية صورًا لموسيقيين.","en":"Some of the paintings on the cathedral ceiling depict figures of musicians.","fr":"Certaines peintures du plafond de la cathédrale représentent des musiciens.","es":"Algunas de las pinturas de la techumbre de la catedral representan figuras de músicos."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"وُجدت لوحات الفريسكو بموقع ما داخل القصر.","en":"The fresco is found *in situ* at the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco se encontró *in situ* en el 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90","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/ab47e89c-a613-5253-894a-6e98af565e00.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/2e1ad0af-351d-5d6c-938a-636fd89d6bb1.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","e59cf7ef-c321-5024-8de8-3fc16e53e489","1d1d6e9f-4e5d-503d-bee5-f8335534067a","ce5de689-0923-5aa2-9dc0-374230c8c13c","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","f2ec79dc-0998-56d5-8cc2-bce2d4228e77"],"artist_names":[],"media":[],"related_items":[{"id":"4a195ed6-f6a1-5d77-b47a-6fcc6207735d","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:1","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل حوائط القصر الفسيفساء مشاهد تخص الصيد.","en":"The wall mosaics of this palace also depict hunting scenes.","fr":"Les mosaïques murales de ce palais décrivent aussi des scènes de chasse.","es":"Los mosaicos de la pared este palacio representan escenas de caza."}},{"id":"8d5bacd1-856d-5b16-8d3e-40994e3243e8","backward_compatibility":"mwnf3:objects:ISL:tr:Mus01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse.","es":"Ambas obras representan escenas de caza."}},{"id":"daf6de83-e39d-5737-9268-1b7c8b56066e","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:16","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"كما يحمل أيضًا السقف الخشبي المرسوم الخاص بالكاتدرائية مشاهد تخص الصيد.","en":"The painted wooden ceiling of the cathedral also depicts hunting scenes.","fr":"Le plafond en bois peint de la cathédrale décrit aussi des scènes de chasse.","es":"La techumbre de madera pintada de la catedral también representa escenas de caza."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تمّ العثور على هذه اللوحات بموقع ما داخل القصر.","en":"The fresco is found *in situ* in the palace.","fr":"La fresque se trouve *in situ* au palais.","es":"El fresco fue encontrado *in situ* en el palacio."}},{"id":"e5089d3e-3231-5064-9958-45c0890fde1c","backward_compatibility":"mwnf3:objects:ISL:uk:Mus01:12","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse","es":"Ambas obras representan escenas de caza."}},{"id":"f4d8be9c-5207-5d6b-9a80-d65d6b7fa366","backward_compatibility":"mwnf3:objects:ISL:pt:Mus01:10","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تُصور القطعتان مشاهد للصيد.","en":"Both works depict hunting scenes.","fr":"Les deux œuvres décrivent des scènes de chasse.","es":"Ambas obras representan escenas de caza."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"ab5f529a-54db-5914-b779-6e088fe95b11","type":"object","internal_name":"Fresco panel: ‘Seated Bear Playing a Musical Instrument’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:5","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 05","start_date":700,"end_date":800,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/7635bac7-aec5-5b83-9855-106ec3620a47.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null},{"url":"https://inventory.metanull.eu/pub/bcfd7b89-a052-564c-ae3b-f69a8630cd1e.jpg","display_order":2,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","e59cf7ef-c321-5024-8de8-3fc16e53e489","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","811580e5-c0b8-5c27-8c10-3a3a36bee143","a63b6fb1-4ed2-5e10-a649-69af7e23c299","b3b18f28-32c7-5836-ae64-e0df239443e1","bd6ee598-f323-5770-a786-0151295aea83","c47920b0-c22e-53d0-aa8c-93eb3956ca0e","f2ec79dc-0998-56d5-8cc2-bce2d4228e77","fc74d5ab-7517-53a5-9a58-0cb34c65fec8"],"artist_names":[],"media":[],"related_items":[{"id":"13951807-1976-5889-bda1-2525eb1918f4","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:28","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يشتمل القصر على سبع لوحات فنية رمزية يعود تاريخها للفترة الأموية.","en":"The palace has seven figurative wall paintings dated to Umayyad period.","fr":"Le palais a sept peintures murales figuratives datant de la période omeyyade.","es":"El palacio contiene tiene siete pinturas figurativas en las paredes que datan del periodo omeya."}},{"id":"3a0eac5c-b039-57d4-9958-f23bbfce364b","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:46","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"تحمل اللوحتين نفس الفكرة الرئيسة وهي العزف على الآلات الموسيقية.","en":"Both frescos have the same theme of playing musical instruments.","fr":"Les deux fresques ont les mêmes thèmes, des musiciens jouant de leurs instruments.","es":"Ambos frescos tienen la misma temática de los músicos tocando instrumentos."}},{"id":"4cec7fd2-9c51-5d92-b223-cc2c061e7fc9","backward_compatibility":"mwnf3:monuments:ISL:pa:Mon01:15","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود تاريخ القصر للفترة الأموية.","en":"The palace also dates to the Umayyad period.","fr":"Le palais date aussi de la période omeyyade.","es":"El Palacio también data del periodo omeya."}},{"id":"e1497659-518a-54a8-b03c-6d046f84fa2f","backward_compatibility":"mwnf3:monuments:ISL:jo:Mon01:4","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"هذه اللوحة جزء من لوحات الفريسكو الخاصة بقُصير عمرة.","en":"The panel is part of the fresco paintings from Qusayr Amra.","fr":"Le panneau appartient aux fresques peintes de Qousayr Amra.","es":"El panel forma parte de los frescos de Qusayr Amra."}},{"id":"f968ffa7-16a4-52b6-80b2-1fcd031e5841","backward_compatibility":"mwnf3:objects:ISL:de:Mus01:23","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تحمل القطعتين نفس الفكرة الرئيسة وهي العزف على الآلات الموسيقية.","en":"Both objects have the same theme of playing musical instruments.","fr":"Les deux fresques ont les mêmes thèmes, des musiciens jouant de leurs instruments.","es":"Ambos objetos tienen la misma temática de los músicos tocando instrumentos."}}],"gallery_references":[{"id":"f38a24de-240c-5463-b14d-e1a5f826b32d","backward_compatibility":"mwnf3_thematic_gallery:thg_gallery:5","kind":"gallery","slug":"archaeological_objects","legacy_host":"https://archaeology.museumwnf.org","name":"Archaeological Objects"}],"languages":["ar","en","es","fr"]},{"id":"952ab9d3-ae66-55d8-89bd-8e1f14d55203","type":"object","internal_name":"Fresco panel: ‘Tall Standing Woman at the Edge of a Pool’.","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01_H:47","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","partner_id":"609d991f-8031-5bb5-a9b6-a18f8a52f5aa","country_id":"jor","owner_reference":null,"mwnf_reference":"JO 88","start_date":700,"end_date":775,"latitude":null,"longitude":null,"images":[{"url":"https://inventory.metanull.eu/pub/c441a1a8-1b8b-576e-8990-3cac71db4199.jpg","display_order":1,"alt_text":null,"captions":{},"photographer":null,"copyright":null}],"tag_ids":["efccf6b3-f0b0-5fde-890d-78cedce04177","32b71073-6192-5a24-8ba4-a57ac8f94c69","1d1d6e9f-4e5d-503d-bee5-f8335534067a","94d8b5df-2352-5ef1-adbe-5e3010509e2d","43ab617c-a481-537e-829d-3fd6ceb0f257","845e6c7e-1e5f-5ee2-8b62-fecdd0d52548"],"dynasty_ids":["b372ff12-6d26-5b7b-84e0-c0679b12cfbb"],"glossary_ids":["0f3fb66d-a491-591b-a0c2-56e11ec481aa","5cc4d556-5ce6-575d-a50b-a403e6c59d4f","b3b18f28-32c7-5836-ae64-e0df239443e1","c47920b0-c22e-53d0-aa8c-93eb3956ca0e"],"artist_names":[],"media":[],"related_items":[{"id":"10e14593-faff-5437-b999-efaa138e0262","backward_compatibility":"mwnf3:monuments:ISL:sy:Mon01:13","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the baths.","fr":"La fresque représente une scène de bain, lien thématique avec les bains.","es":"El fresco representa una escena de baño, temáticamente relacionado con los baños."}},{"id":"3c8378b6-b15a-5c21-874e-d7a334e3dab5","backward_compatibility":"mwnf3:objects:ISL:eg:Mus01:26","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":true,"justifications":{"ar":"كِلاهما جزء من لوحة جدارية حيثُ تحمل إحداهما مشهدًا للاستحمام فيما تُزين الأخرى الحمام.","en":"Both works are part of a fresco painting, the one depicting a bathing scene, the other decorating a bathhouse.","fr":"Les deux œuvres font partie de peintures à fresque, l’une représentant une scène de bain, l’autre un hammam.","es":"Ambas obras son parte de un fresco, uno representa una escena de baño, el otro decorando unos baños."}},{"id":"7c7c2cda-78e1-597a-b911-718576ff198a","backward_compatibility":"mwnf3:monuments:ISL:it:Mon01:9","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the baths.","fr":"La fresque représente une scène de bain, lien thématique avec les bains.","es":"El fresco representa una escena de baño, temáticamente relacionado con los baños."}},{"id":"8845579c-c381-5bae-bc18-01294691208f","backward_compatibility":"mwnf3:objects:ISL:tn:Mus01_B:43","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تظهر عليهما صورًا لنساء شبه عارية.","en":"Both works represent a semi-naked woman.","fr":"Les deux œuvres représentent une femme mi-dévêtue.","es":"Ambas obras representan una mujer semidesnuda."}},{"id":"94369548-7782-52b0-adae-f3a0d1f1caf6","backward_compatibility":"mwnf3:objects:ISL:jo:Mus01:32","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"يعود أصل كِلا العمليين للقصور الأموية كما تظهر عليهما صورًا لنساء شبه عارية.","en":"Both works are from Umayyad palaces and represent a semi-naked women.","fr":"Les deux œuvres proviennent d’un palais omeyyade et représentent une femme mi-dévêtue.","es":"Ambas obras provienen de palacios omeyas y representan mujeres semidesnudas."}},{"id":"9a7fa76c-bd60-5ec6-bd2e-183cdefb20a9","backward_compatibility":"mwnf3:monuments:ISL:tr:Mon01:17","project_id":"61c122ac-ea86-5462-8bab-6b86138c49b2","in_package":false,"justifications":{"ar":"تشتمل اللوحة على مشهدٍ للاستحمام حيثُ ترتبط السمة الأسلوبية لديه بالمنتجع الصحي حاليًا.","en":"The fresco depicts a bathing scene, thematically relating it to the spa.","fr":"La fresque représente une scène de bain, lien thématique avec les 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@@ -1 +1 @@
-{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"متحف الآثار الأردني","description":"تأسس المتحف عام 1951 من قبل دائرة الآثار الأردنية في قلعة عمان على تل يسمى جبل القلعة. وتبلغ مساحة المبنى 525 مترا مربعا وهو مبني بطابقين.حيث يستخدم الطابق الأرضي للتخزين ، ويضم الطابق الأول منطقة العرض التي تتكون من ثلاث قاعات عرض ومكاتب إدارية.  \nيضم المتحف العديد من القطع الأثرية الموجودة في مختلف المواقع الأثرية في الأردن والتي تمثل مسار الحضارة في هذه المنطقة عبر تاريخها الطويل. وقد تم ترتيب المجموعة الواسعة ترتيبًا زمنيًا حسب الفترات التاريخية ، من العصور الحجرية إلى العصور الإسلامية.  \nتُعرض المجموعة الفنية الإسلامية في إحدى قاعات العرض في إحدى عشرة صالة عرض تتكون من: أواني فخارية من العصر الأموي إلى العصر المملوكي. الأواني الزجاجية من الفترة المملوكية إلى العصر العثماني ؛ أواني صخرية طرية من العصر الأموي ؛ العملات المعدنية من جميع الأنواع والفترات ؛ المشغولات المعدنية والأواني الفخارية من الفترة الأموية إلى المملوكية. دروع وسيوف حديدية من العصر المملوكي. حجارة منحوتة من العصر الأموي. أربع نسخ متماثلة من الجبس لعناصر معمارية من قصر خربة المفجر في أريحا (شبابيك وسقف وقبة من الحمام).  \nإن نقص المساحة يمنع عرض المعارض المؤقتة ؛ ومع ذلك ، يشارك المتحف في العديد من المعارض المحلية والدولية التي تقام في الأردن والخارج لعرض تاريخ وآثار الأردن على مر العصور.  \nيوجد ثلاثة أمناء يتشاركون مسؤولية رعاية المجموعة الكاملة للمتحف.","city":"عمّان","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"متحف الفن الإسلامي في متحف بيرغامون ، المتاحف الحكومية","description":"سيتم إغلاق متحف الفن الإسلامي في الفترة من أكتوبر 2023 إلى مارس 2027 بسبب أعمال التجديد والتوسعة.  \n  \nيعد متحف الفن الإسلامي في متحف بيرغامون برلين Museum of Islamic Art at the Pergamon Museum Berlin المؤسسة الوحيدة من نوعها في ألمانيا ، والأقدم في الغرب وفيه نحو 93000 قطعة تضم واحدة من أرقى مجموعات الفن الإسلامي في العالم من جميع مناطق الحكم الإسلامي تقريبًا.  \nمجموعاته غنية بشكل خاص بقطع من سياق معماري بما في ذلك الواجهة الضخمة لقصر الخلافة في المشتى (الأردن) Mshatta (Jordan)، الذي يعود تاريخه إلى منتصف القرن الثامن. وهذه الواجهة هي أكبر قطعة أثرية للفن الإسلامي في أي متحف في جميع أنحاء العالم. والقبة الفريدة من قصر الحمراء Alhambra Palace في غرناطة (إسبانيا) Granada (Spain) ومشاكي الصلاة من القرن الثالث عشر من كاشان (إيران) وقونية (تركيا) هي من بين المعالم البارزة في هذا المتحف . وأكثر ما يحبه زوارنا هو الألواح الخشبية المطلية بدقة لمنزل من الطبقة العليا من حلب (سوريا) من أوائل القرن السابع عشر - وهي أقدم نموذج باقٍ من العالم العثماني. ومن بين المجموعات الأثرية العديدة من أعمال حفريات التنقيب الأثري الكبرى في العالم الإسلامي ، تبرز الاكتشافات من عاصمة الخلافة سامراء (العراق) في القرن التاسع. تحتوي المجموعة أيضًا على عدد كبير من السجاد العثماني والفارسي والأعمال الفنية الببليوغرافية ، بما في ذلك العديد من المنمنمات من الإمبراطورية المغولية.  \nيتم عرض المجموعة حسب ترتيبها الزمني ، مما يسمح للزائر بمتابعة المراحل الأسلوبية المختلفة للفن الإسلامي وتشكيل فكرة عن التاريخ الإسلامي المعقد ومزاياه الفنية. ونظرًا للعدد الكبير من الزوار (الذي يصل إلى 900,000 سنويًا) ، حيث لا يُعرض سوى عدد قليل من أهم الأعمال الفنية.لكن سينتقل المتحف داخل متحف بيرغامون وستتضاعف مساحة العرض ثلاث مرات (3,000 متر مربع) بحلول عام 2020. سيكتشف تخطيط المكان ومفهوم التصميم طرقًا جديدة ومبتكرة لعرض الإرث الثقافي.  \nيعد متحف الفن الإسلامي ، الذي يضم مجموعة فنية وأثرية غنية ، أحد المؤسسات البحثية الرائدة المكرسة للثقافة المادية في الشرق الأوسط والمناطق المجاورة. وترقى العديد من مشاريع البحث والحفاظ على التراث والمعارض لدينا إلى بحث استقصائي في الموروثات الحضرية في الشرقين الأدنى والأوسط. وتضم المؤسسة مجموعات مهمة من الصور الأرشيفية عن الفن الإسلامي والعمارة بالإضافة إلى مكتبة بارزة دوليًا تركز على الفن والعمارة وعلم الآثار في العالم الإسلامي.","city":"برلين","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Further Associated Museums","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"متحف الفن الإسلامي","description":"بأمر من الخديوي إسماعيل باشا Khedive Ismail Pasha في عام 1880 فإن مجموعة النوادر الأثرية من العصر الإسلامي بدأ عرضها في مسجد الحكيم Al- Hakim . وقد شكّل مجلس المحافظة على الآثار العربية The Council for the Preservation of Arab Antiquities في عام 1881 بالاشتراك مع وزارة الأوقاف Ministry of Awqaf وقد أشرف على صالة الآثار العربية House of Arab Antiquities كما كانت تعرف في ذلك الوقت وحتى عام 1930 عندما نقل المتحف لعهدة وزارة التعليم Ministry of Education.  \nوقد جمع المتحف فقط قطعه من المساجد والأبنية العامة في أول عشرن عاما من عمره. وبعدها قام بأولى حفرياته في عام 1910 بجوار دورونكا Doronka في مصر العليا Upper Egypt وحفرية ثانية جنوب القاهرة التي كشفت عن جزء من مدينة الفسطاط Fustat (أول عاصمة إسلامية لمصر).  \nوقد حصل المتحف على العديد من القطع عن طريق الهبات. وقد تبرع الملك فؤاد الأول . King Fu’ad I بمجموعة قيمة من الأقمشة والموازين والأختام كما فعل الملك فاروق King Farouk والأمير محمد علي Amir Muhammad Ali والأمير يوسف كمال Amir Yusuf Kamal والأمير كمال الدين حسين Amir Kamal al-Din Hussein ويعقوب أرتين باشا Yakub Artin Pasha وعلي إبراهيم باشا Ali Ibrahim Pasha أيضا تبرعوا بمجموعات كاملة.  \nوإن المجموعات التي بلغت 7082 قطعة والتي نقلت للبناء الحالي عندما تم تدشين المتحف الحالي في ديسمبر 1903 . وفي عام 1952 فإن اسم المتحف تغير إلى \" متحف الفن الإسلامي\" ‘Museum of Islamic Art’ ليعكس منظور المجموعة : القطع التي انتجت في العالم الإسلامي التي يعود تاريخها إلى بداية العصر الإسلامي (القرن السابع الميلادي) إلى نهاية القرن التاسع عشر.وعدد القطع المسجلة وصل الآن إلى 103,000 قطعة.  \nوتتضمن المجموعات مصابيح زجاجية مطلية بالمينا والخزف المصري ومحموعة ندرة من فلاتر أوعية المياه ذت الزخرفة المخرمة من الفخار غير المطلي المعروفة بتصاميمها من الزخرفة بالتربيط . وهناك أيضا مجموعات من المشغولات الخشبية والأقمشة والأحجار ذات النقوش بينما مجموعة السجاد تعتبر واحدة من أعظم المجموعات من هذا النوع. ومجموعات الأجهزة العلمية تظهر المدى الذي أسهمت به الحضارة الإسلامية في العديد من المحالات المختلفة . وهناك أيضا مجموعة استثنائية من الأختام ، الأوزان والمقاييس والعملات من الذهب والفضة والنحاس.  \nإن متحف الفن الإسلامي يملك واحدة من المجموعات الأكثر اتساعا وشمولا وتكمل المجموعات الفنية في العالم التي يستمر في تطويرها وتوسيع مجموعاته وتحديث أبنيته ذات 25 صالة ومنشأة وحديقة أثرية.","city":"القاهرة","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"المتحف الوطني في دمشق","description":"تأسس المتحف الوطني بدمشق تحت إشراف وزارة التربية والتعليم عام 1919. وقد تم الاحتفاظ بالنواة الأصلية لمحتويات هذا المتحف في البداية في مدرسة العادلية Adiliya. وقد ازدادت المجموعة تدريجياً واكتُشِف القصر الأموي في قصر الحير الغربي في الصحراء السورية عام 1936 ودفع هذا إلى خطط عمل لمتحف أحدث وأكبر. وقد اختير بناء يقع بجوار التكية السليمانية لإنشاء متحف دمشق الوطني.  \nأضاف قصر الحير الغربي تأكيدًا جديدًا على أهمية تكريس مزيد من الاهتمام بالفترة الإسلامية وقرر مديرو الآثار دمج هذه الاكتشافات الفخمة في متحف دمشق الوطني. وبعد الكثير من العمل الشاق والخبرة الفنية ، تم تغيير الواجهة الأمامية لقصر الحير الغربي وإعادة بنائها بعناية لتكون المدخل الرئيسي للمتحف الوطني. وتم تخصيص الصالات الجانبية والطابق الثاني لأهم المكتشفات الفنية لهذا القصر الإسلامي المبكر. استغرق الانتهاء من العرض عدة سنوات وتم الاحتفال بالافتتاح الرسمي في عام 1950.  \nفي عام 1953 تم إضافة جناح مكون من ثلاثة طوابق إلى المنزل وعرض الآثار الشرقية القديمة ، والعصر الإسلامي ، والفن السوري الحديث ، والمعارض المؤقتة.  \nتضمنت إحدى الإضافات الأحدث ثلاث قاعات مزدوجة للعصر الإسلامي وقاعة محاضرات جديدة ومكتبة. وتم تأثيث قاعة المحاضرات كقاعة استقبال دمشقية من القرن التاسع عشر ، وهي تحفة من الزخرفة والتزيين القديمين في حد ذاتها. وتم افتتاح هذا التوسع في عام 1963.  \nفي عام 1974 كانت هناك إضافات أخرى ، هذه المرة مخصصة للعصر الحجري القديم. وأخيرًا ، في عام 2004 ، تم تحويل جناح المعرض المؤقت إلى مجموعة دائمة من آثار العصر الحجري الحديث.  \nيتكون متحف دمشق الوطني في الوقت الحاضر من الأقسام التالية:  \n1\\. آثار العصر الحجري القديم.  \n2\\. آثار العصر الحجري الحديث.  \n3\\. الآثار الشرقية السورية القديمة.  \n4\\. الآثار الكلاسيكية.  \n5\\. الآثار الإسلامية.  \n6\\. الفنون الحديثة.","city":"دمشق","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","email":"sam.orient@mail.sy"}}
+{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"متحف الآثار الأردني","description":"تأسس المتحف عام 1951 من قبل دائرة الآثار الأردنية في قلعة عمان على تل يسمى جبل القلعة. وتبلغ مساحة المبنى 525 مترا مربعا وهو مبني بطابقين.حيث يستخدم الطابق الأرضي للتخزين ، ويضم الطابق الأول منطقة العرض التي تتكون من ثلاث قاعات عرض ومكاتب إدارية.  \nيضم المتحف العديد من القطع الأثرية الموجودة في مختلف المواقع الأثرية في الأردن والتي تمثل مسار الحضارة في هذه المنطقة عبر تاريخها الطويل. وقد تم ترتيب المجموعة الواسعة ترتيبًا زمنيًا حسب الفترات التاريخية ، من العصور الحجرية إلى العصور الإسلامية.  \nتُعرض المجموعة الفنية الإسلامية في إحدى قاعات العرض في إحدى عشرة صالة عرض تتكون من: أواني فخارية من العصر الأموي إلى العصر المملوكي. الأواني الزجاجية من الفترة المملوكية إلى العصر العثماني ؛ أواني صخرية طرية من العصر الأموي ؛ العملات المعدنية من جميع الأنواع والفترات ؛ المشغولات المعدنية والأواني الفخارية من الفترة الأموية إلى المملوكية. دروع وسيوف حديدية من العصر المملوكي. حجارة منحوتة من العصر الأموي. أربع نسخ متماثلة من الجبس لعناصر معمارية من قصر خربة المفجر في أريحا (شبابيك وسقف وقبة من الحمام).  \nإن نقص المساحة يمنع عرض المعارض المؤقتة ؛ ومع ذلك ، يشارك المتحف في العديد من المعارض المحلية والدولية التي تقام في الأردن والخارج لعرض تاريخ وآثار الأردن على مر العصور.  \nيوجد ثلاثة أمناء يتشاركون مسؤولية رعاية المجموعة الكاملة للمتحف.","city":"عمّان","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795","fax":"+962 6 461 9768"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"متحف الفن الإسلامي في متحف بيرغامون ، المتاحف الحكومية","description":"سيتم إغلاق متحف الفن الإسلامي في الفترة من أكتوبر 2023 إلى مارس 2027 بسبب أعمال التجديد والتوسعة.  \n  \nيعد متحف الفن الإسلامي في متحف بيرغامون برلين Museum of Islamic Art at the Pergamon Museum Berlin المؤسسة الوحيدة من نوعها في ألمانيا ، والأقدم في الغرب وفيه نحو 93000 قطعة تضم واحدة من أرقى مجموعات الفن الإسلامي في العالم من جميع مناطق الحكم الإسلامي تقريبًا.  \nمجموعاته غنية بشكل خاص بقطع من سياق معماري بما في ذلك الواجهة الضخمة لقصر الخلافة في المشتى (الأردن) Mshatta (Jordan)، الذي يعود تاريخه إلى منتصف القرن الثامن. وهذه الواجهة هي أكبر قطعة أثرية للفن الإسلامي في أي متحف في جميع أنحاء العالم. والقبة الفريدة من قصر الحمراء Alhambra Palace في غرناطة (إسبانيا) Granada (Spain) ومشاكي الصلاة من القرن الثالث عشر من كاشان (إيران) وقونية (تركيا) هي من بين المعالم البارزة في هذا المتحف . وأكثر ما يحبه زوارنا هو الألواح الخشبية المطلية بدقة لمنزل من الطبقة العليا من حلب (سوريا) من أوائل القرن السابع عشر - وهي أقدم نموذج باقٍ من العالم العثماني. ومن بين المجموعات الأثرية العديدة من أعمال حفريات التنقيب الأثري الكبرى في العالم الإسلامي ، تبرز الاكتشافات من عاصمة الخلافة سامراء (العراق) في القرن التاسع. تحتوي المجموعة أيضًا على عدد كبير من السجاد العثماني والفارسي والأعمال الفنية الببليوغرافية ، بما في ذلك العديد من المنمنمات من الإمبراطورية المغولية.  \nيتم عرض المجموعة حسب ترتيبها الزمني ، مما يسمح للزائر بمتابعة المراحل الأسلوبية المختلفة للفن الإسلامي وتشكيل فكرة عن التاريخ الإسلامي المعقد ومزاياه الفنية. ونظرًا للعدد الكبير من الزوار (الذي يصل إلى 900,000 سنويًا) ، حيث لا يُعرض سوى عدد قليل من أهم الأعمال الفنية.لكن سينتقل المتحف داخل متحف بيرغامون وستتضاعف مساحة العرض ثلاث مرات (3,000 متر مربع) بحلول عام 2020. سيكتشف تخطيط المكان ومفهوم التصميم طرقًا جديدة ومبتكرة لعرض الإرث الثقافي.  \nيعد متحف الفن الإسلامي ، الذي يضم مجموعة فنية وأثرية غنية ، أحد المؤسسات البحثية الرائدة المكرسة للثقافة المادية في الشرق الأوسط والمناطق المجاورة. وترقى العديد من مشاريع البحث والحفاظ على التراث والمعارض لدينا إلى بحث استقصائي في الموروثات الحضرية في الشرقين الأدنى والأوسط. وتضم المؤسسة مجموعات مهمة من الصور الأرشيفية عن الفن الإسلامي والعمارة بالإضافة إلى مكتبة بارزة دوليًا تركز على الفن والعمارة وعلم الآثار في العالم الإسلامي.","city":"برلين","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Further Associated Museums","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"متحف الفن الإسلامي","description":"بأمر من الخديوي إسماعيل باشا Khedive Ismail Pasha في عام 1880 فإن مجموعة النوادر الأثرية من العصر الإسلامي بدأ عرضها في مسجد الحكيم Al- Hakim . وقد شكّل مجلس المحافظة على الآثار العربية The Council for the Preservation of Arab Antiquities في عام 1881 بالاشتراك مع وزارة الأوقاف Ministry of Awqaf وقد أشرف على صالة الآثار العربية House of Arab Antiquities كما كانت تعرف في ذلك الوقت وحتى عام 1930 عندما نقل المتحف لعهدة وزارة التعليم Ministry of Education.  \nوقد جمع المتحف فقط قطعه من المساجد والأبنية العامة في أول عشرن عاما من عمره. وبعدها قام بأولى حفرياته في عام 1910 بجوار دورونكا Doronka في مصر العليا Upper Egypt وحفرية ثانية جنوب القاهرة التي كشفت عن جزء من مدينة الفسطاط Fustat (أول عاصمة إسلامية لمصر).  \nوقد حصل المتحف على العديد من القطع عن طريق الهبات. وقد تبرع الملك فؤاد الأول . King Fu’ad I بمجموعة قيمة من الأقمشة والموازين والأختام كما فعل الملك فاروق King Farouk والأمير محمد علي Amir Muhammad Ali والأمير يوسف كمال Amir Yusuf Kamal والأمير كمال الدين حسين Amir Kamal al-Din Hussein ويعقوب أرتين باشا Yakub Artin Pasha وعلي إبراهيم باشا Ali Ibrahim Pasha أيضا تبرعوا بمجموعات كاملة.  \nوإن المجموعات التي بلغت 7082 قطعة والتي نقلت للبناء الحالي عندما تم تدشين المتحف الحالي في ديسمبر 1903 . وفي عام 1952 فإن اسم المتحف تغير إلى \" متحف الفن الإسلامي\" ‘Museum of Islamic Art’ ليعكس منظور المجموعة : القطع التي انتجت في العالم الإسلامي التي يعود تاريخها إلى بداية العصر الإسلامي (القرن السابع الميلادي) إلى نهاية القرن التاسع عشر.وعدد القطع المسجلة وصل الآن إلى 103,000 قطعة.  \nوتتضمن المجموعات مصابيح زجاجية مطلية بالمينا والخزف المصري ومحموعة ندرة من فلاتر أوعية المياه ذت الزخرفة المخرمة من الفخار غير المطلي المعروفة بتصاميمها من الزخرفة بالتربيط . وهناك أيضا مجموعات من المشغولات الخشبية والأقمشة والأحجار ذات النقوش بينما مجموعة السجاد تعتبر واحدة من أعظم المجموعات من هذا النوع. ومجموعات الأجهزة العلمية تظهر المدى الذي أسهمت به الحضارة الإسلامية في العديد من المحالات المختلفة . وهناك أيضا مجموعة استثنائية من الأختام ، الأوزان والمقاييس والعملات من الذهب والفضة والنحاس.  \nإن متحف الفن الإسلامي يملك واحدة من المجموعات الأكثر اتساعا وشمولا وتكمل المجموعات الفنية في العالم التي يستمر في تطويرها وتوسيع مجموعاته وتحديث أبنيته ذات 25 صالة ومنشأة وحديقة أثرية.","city":"القاهرة","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"المتحف الوطني في دمشق","description":"تأسس المتحف الوطني بدمشق تحت إشراف وزارة التربية والتعليم عام 1919. وقد تم الاحتفاظ بالنواة الأصلية لمحتويات هذا المتحف في البداية في مدرسة العادلية Adiliya. وقد ازدادت المجموعة تدريجياً واكتُشِف القصر الأموي في قصر الحير الغربي في الصحراء السورية عام 1936 ودفع هذا إلى خطط عمل لمتحف أحدث وأكبر. وقد اختير بناء يقع بجوار التكية السليمانية لإنشاء متحف دمشق الوطني.  \nأضاف قصر الحير الغربي تأكيدًا جديدًا على أهمية تكريس مزيد من الاهتمام بالفترة الإسلامية وقرر مديرو الآثار دمج هذه الاكتشافات الفخمة في متحف دمشق الوطني. وبعد الكثير من العمل الشاق والخبرة الفنية ، تم تغيير الواجهة الأمامية لقصر الحير الغربي وإعادة بنائها بعناية لتكون المدخل الرئيسي للمتحف الوطني. وتم تخصيص الصالات الجانبية والطابق الثاني لأهم المكتشفات الفنية لهذا القصر الإسلامي المبكر. استغرق الانتهاء من العرض عدة سنوات وتم الاحتفال بالافتتاح الرسمي في عام 1950.  \nفي عام 1953 تم إضافة جناح مكون من ثلاثة طوابق إلى المنزل وعرض الآثار الشرقية القديمة ، والعصر الإسلامي ، والفن السوري الحديث ، والمعارض المؤقتة.  \nتضمنت إحدى الإضافات الأحدث ثلاث قاعات مزدوجة للعصر الإسلامي وقاعة محاضرات جديدة ومكتبة. وتم تأثيث قاعة المحاضرات كقاعة استقبال دمشقية من القرن التاسع عشر ، وهي تحفة من الزخرفة والتزيين القديمين في حد ذاتها. وتم افتتاح هذا التوسع في عام 1963.  \nفي عام 1974 كانت هناك إضافات أخرى ، هذه المرة مخصصة للعصر الحجري القديم. وأخيرًا ، في عام 2004 ، تم تحويل جناح المعرض المؤقت إلى مجموعة دائمة من آثار العصر الحجري الحديث.  \nيتكون متحف دمشق الوطني في الوقت الحاضر من الأقسام التالية:  \n1\\. آثار العصر الحجري القديم.  \n2\\. آثار العصر الحجري الحديث.  \n3\\. الآثار الشرقية السورية القديمة.  \n4\\. الآثار الكلاسيكية.  \n5\\. الآثار الإسلامية.  \n6\\. الفنون الحديثة.","city":"دمشق","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","fax":"+963 11 2247983","email":"sam.orient@mail.sy"}}

package/translations/partners.de.json

@@ -1 +1 @@
-{"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museum für Islamische Kunst, Pergamon Museum","description":"**Das Museum für Islamische Kunst ist wegen Umbau- und Erweiterungsarbeiten von Oktober 2023 bis März 2027 geschlossen.**  \n  \nMit dem Geschenk der Fassade des Palastes von Mschatta durch den deutschen Kaiser an die Berliner Museen, der Stiftung von Teppichen durch Wilhelm von Bode und der Dauerleihgabe einer Sammlung islamischer Kunst durch Friedrich Sarre konnte das Museum 1904 eröffnet werden. Von da an wuchs die Sammlung durch Geschenke, Ankäufe und Ausgrabungsfunde kontinuierlich. 1932 wurden eigens geschaffene Räume für die Sammlung im Pergamonmuseum eingerichtet.  \n  \nNach dem 2. Weltkrieg, dem Verlust zahlreicher großer Teppiche und der Teilung der Bestände auf eine östliche und eine westliche Hälfte der Stadt Berlin wurde die Sammlung schließlich im Pergamonmuseum im Jahr 2000 wieder zusammengeführt.  \n  \nDas Museum gehört mit seinen Kunstwerken aus fast allen Teilen der islamischen Welt zu einer der weltweit bedeutenden Sammlungen. Sie ist vor allen Dingen besonders reich durch Kunstwerke aus größeren architektonischen Zusammenhängen. Dazu gehört die Fassade von Mschatta, zwei Gebetsnischen aus Kaschan/Iran und Konya/Türkei, der Alhambra-Kuppel aus Granada/Spanien, dem Aleppo-Zimmer aus Aleppo/Syrien und Ausgrabungsfunden. Die Sammlung weist darüber hinaus eine bedeutende Anzahl von osmanischen und persischen Teppichen auf und besitzt zudem wichtige Bestände der Buchkunst mit zahlreichen Miniaturen aus dem Moghul-Reich.  \n  \nDie Kunstwerke werden chronologisch präsentiert und erlauben dem Besucher die unterschiedlichen Kunststile der islamischen Geschichte kennenzulernen und ein Verständnis für die komplexe islamische Geschichte und ihre künstlerischen Entwicklungen zu gewinnen. Durch die zahlreichen Besucher in der Ausstellung kann nur eine geringe Anzahl von Meisterwerken der Sammlung gezeigt werden. Abgesehen von der Dauerausstellung veranstaltet das Museum Sonderausstellungen. Neben Ausstellungen zu dynastischen Themen oder zu bestimmten Fragestellungen wie den Beziehungen zur zeitgenössischen islamischen Kunst werden auch anderen Orts konzipierte Austellungen übernommen.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"State Museums Berlin, Museum of Islamic Art at the Pergamon Museum","description":"**Das Museum für Islamische Kunst ist wegen Umbau- und Erweiterungsarbeiten von Oktober 2023 bis März 2027 geschlossen.**  \n  \nMit dem Geschenk der Fassade des Palastes von Mschatta durch den deutschen Kaiser an die Berliner Museen, der Stiftung von Teppichen durch Wilhelm von Bode und der Dauerleihgabe einer Sammlung islamischer Kunst durch Friedrich Sarre konnte das Museum 1904 eröffnet werden. Von da an wuchs die Sammlung durch Geschenke, Ankäufe und Ausgrabungsfunde kontinuierlich. 1932 wurden eigens geschaffene Räume für die Sammlung im Pergamonmuseum eingerichtet.  \n  \nNach dem 2. Weltkrieg, dem Verlust zahlreicher großer Teppiche und der Teilung der Bestände auf eine östliche und eine westliche Hälfte der Stadt Berlin wurde die Sammlung schließlich im Pergamonmuseum im Jahr 2000 wieder zusammengeführt.  \n  \nDas Museum gehört mit seinen Kunstwerken aus fast allen Teilen der islamischen Welt zu einer der weltweit bedeutenden Sammlungen. Sie ist vor allen Dingen besonders reich durch Kunstwerke aus größeren architektonischen Zusammenhängen. Dazu gehört die Fassade von Mschatta, zwei Gebetsnischen aus Kaschan/Iran und Konya/Türkei, der Alhambra-Kuppel aus Granada/Spanien, dem Aleppo-Zimmer aus Aleppo/Syrien und Ausgrabungsfunden. Die Sammlung weist darüber hinaus eine bedeutende Anzahl von osmanischen und persischen Teppichen auf und besitzt zudem wichtige Bestände der Buchkunst mit zahlreichen Miniaturen aus dem Moghul-Reich.  \n  \nDie Kunstwerke werden chronologisch präsentiert und erlauben dem Besucher die unterschiedlichen Kunststile der islamischen Geschichte kennenzulernen und ein Verständnis für die komplexe islamische Geschichte und ihre künstlerischen Entwicklungen zu gewinnen. Durch die zahlreichen Besucher in der Ausstellung kann nur eine geringe Anzahl von Meisterwerken der Sammlung gezeigt werden. Abgesehen von der Dauerausstellung veranstaltet das Museum Sonderausstellungen. Neben Ausstellungen zu dynastischen Themen oder zu bestimmten Fragestellungen wie den Beziehungen zur zeitgenössischen islamischen Kunst werden auch anderen Orts konzipierte Austellungen übernommen.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"}}
+{"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museum für Islamische Kunst, Pergamon Museum","description":"**Das Museum für Islamische Kunst ist wegen Umbau- und Erweiterungsarbeiten von Oktober 2023 bis März 2027 geschlossen.**  \n  \nMit dem Geschenk der Fassade des Palastes von Mschatta durch den deutschen Kaiser an die Berliner Museen, der Stiftung von Teppichen durch Wilhelm von Bode und der Dauerleihgabe einer Sammlung islamischer Kunst durch Friedrich Sarre konnte das Museum 1904 eröffnet werden. Von da an wuchs die Sammlung durch Geschenke, Ankäufe und Ausgrabungsfunde kontinuierlich. 1932 wurden eigens geschaffene Räume für die Sammlung im Pergamonmuseum eingerichtet.  \n  \nNach dem 2. Weltkrieg, dem Verlust zahlreicher großer Teppiche und der Teilung der Bestände auf eine östliche und eine westliche Hälfte der Stadt Berlin wurde die Sammlung schließlich im Pergamonmuseum im Jahr 2000 wieder zusammengeführt.  \n  \nDas Museum gehört mit seinen Kunstwerken aus fast allen Teilen der islamischen Welt zu einer der weltweit bedeutenden Sammlungen. Sie ist vor allen Dingen besonders reich durch Kunstwerke aus größeren architektonischen Zusammenhängen. Dazu gehört die Fassade von Mschatta, zwei Gebetsnischen aus Kaschan/Iran und Konya/Türkei, der Alhambra-Kuppel aus Granada/Spanien, dem Aleppo-Zimmer aus Aleppo/Syrien und Ausgrabungsfunden. Die Sammlung weist darüber hinaus eine bedeutende Anzahl von osmanischen und persischen Teppichen auf und besitzt zudem wichtige Bestände der Buchkunst mit zahlreichen Miniaturen aus dem Moghul-Reich.  \n  \nDie Kunstwerke werden chronologisch präsentiert und erlauben dem Besucher die unterschiedlichen Kunststile der islamischen Geschichte kennenzulernen und ein Verständnis für die komplexe islamische Geschichte und ihre künstlerischen Entwicklungen zu gewinnen. Durch die zahlreichen Besucher in der Ausstellung kann nur eine geringe Anzahl von Meisterwerken der Sammlung gezeigt werden. Abgesehen von der Dauerausstellung veranstaltet das Museum Sonderausstellungen. Neben Ausstellungen zu dynastischen Themen oder zu bestimmten Fragestellungen wie den Beziehungen zur zeitgenössischen islamischen Kunst werden auch anderen Orts konzipierte Austellungen übernommen.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"State Museums Berlin, Museum of Islamic Art at the Pergamon Museum","description":"**Das Museum für Islamische Kunst ist wegen Umbau- und Erweiterungsarbeiten von Oktober 2023 bis März 2027 geschlossen.**  \n  \nMit dem Geschenk der Fassade des Palastes von Mschatta durch den deutschen Kaiser an die Berliner Museen, der Stiftung von Teppichen durch Wilhelm von Bode und der Dauerleihgabe einer Sammlung islamischer Kunst durch Friedrich Sarre konnte das Museum 1904 eröffnet werden. Von da an wuchs die Sammlung durch Geschenke, Ankäufe und Ausgrabungsfunde kontinuierlich. 1932 wurden eigens geschaffene Räume für die Sammlung im Pergamonmuseum eingerichtet.  \n  \nNach dem 2. Weltkrieg, dem Verlust zahlreicher großer Teppiche und der Teilung der Bestände auf eine östliche und eine westliche Hälfte der Stadt Berlin wurde die Sammlung schließlich im Pergamonmuseum im Jahr 2000 wieder zusammengeführt.  \n  \nDas Museum gehört mit seinen Kunstwerken aus fast allen Teilen der islamischen Welt zu einer der weltweit bedeutenden Sammlungen. Sie ist vor allen Dingen besonders reich durch Kunstwerke aus größeren architektonischen Zusammenhängen. Dazu gehört die Fassade von Mschatta, zwei Gebetsnischen aus Kaschan/Iran und Konya/Türkei, der Alhambra-Kuppel aus Granada/Spanien, dem Aleppo-Zimmer aus Aleppo/Syrien und Ausgrabungsfunden. Die Sammlung weist darüber hinaus eine bedeutende Anzahl von osmanischen und persischen Teppichen auf und besitzt zudem wichtige Bestände der Buchkunst mit zahlreichen Miniaturen aus dem Moghul-Reich.  \n  \nDie Kunstwerke werden chronologisch präsentiert und erlauben dem Besucher die unterschiedlichen Kunststile der islamischen Geschichte kennenzulernen und ein Verständnis für die komplexe islamische Geschichte und ihre künstlerischen Entwicklungen zu gewinnen. Durch die zahlreichen Besucher in der Ausstellung kann nur eine geringe Anzahl von Meisterwerken der Sammlung gezeigt werden. Abgesehen von der Dauerausstellung veranstaltet das Museum Sonderausstellungen. Neben Ausstellungen zu dynastischen Themen oder zu bestimmten Fragestellungen wie den Beziehungen zur zeitgenössischen islamischen Kunst werden auch anderen Orts konzipierte Austellungen übernommen.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"}}

package/translations/partners.en.json

@@ -1 +1 @@
-{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Jordan Archaeological Museum","description":"The museum was founded in 1951 by the Department of Antiquities of Jordan on the Citadel of Amman on a hill called Jabal al-Qal’a. The building has a total measurement of 525 m2 on two floors. The ground floor is used for storage, and the first floor comprises the display area, which consists of three exhibition halls, and administrative offices.  \n  \nThe museum holds many artefacts found in various archaeological sites in Jordan representing the path of civilization in this area throughout its long history. The extensive collection is arranged chronologically by historical periods, from the Stone Ages to the Islamic periods.  \n  \nThe Islamic art collection is displayed in an exhibition hall in eleven showcases that consist of: pottery vessels from the Umayyad period to the Mamluk period; glazed vessels from the Mamluk period to the Ottoman period; steatite vessels from the Umayyad period; coins of all types and periods; metalwork and pottery vessels from the Umayyad to Mamluk periods; iron shields and swords from the Mamluk period; carved stones from the Umayyad period; four plaster replicas of architectural elements from Khirbat al-Mafjar Palace in Jericho (windows, lintel and a dome from the bath).  \n  \nLack of space prohibits the display of temporary exhibitions; however, the museum participates in many local and international exhibitions held in Jordan and abroad to show the history and archaeology of Jordan throughout the ages.  \n  \nThree curators sharing the responsibility of looking after the whole collection of the museum.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museum of Islamic Art at the Pergamon Museum, State Museums","description":"**The Museum of Islamic Art is closed from October 2023 to March 2027 due to renovation and expansion works.**  \n  \nThe Museum of Islamic Art at the Pergamon Museum Berlin is the only institution of its kind in Germany, the oldest in the West and with its c. 93,000 pieces it houses one of the world’s finest collections of Islamic art from nearly all regions of Islamic rule.  \n  \nIts collections are especially rich in objects from an architectural context including the monumental façade of the caliphal palace of Mshatta (Jordan), dating from the mid-8th century. It is the largest artefact of Islamic Art in any museum worldwide. The unique dome from the Alhambra Palace in Granada (Spain) and 13th-century prayer niches from Kashan (Iran) and Konya (Turkey) are among the highlights. Most loved by our visitors is the finely painted wooden panelling of an upper-class house from Aleppo (Syria) from the early 17th century – it is the oldest surviving exemplar from the Ottoman World. Among the several archaeological groups from major excavations in the Islamic world the finds from the 9th-century caliphal capital of Samarra (Iraq) stand out. The collection also has a large number of important Ottoman and Persian carpets and bibliographical works of art, including numerous miniatures from the Mughal Empire.  \n  \nThe collection is displayed chronologically, allowing the visitor to follow the different stylistic phases of Islamic art and to develop a notion of the complex Islamic history and its artistic merits. Because of the large number of visitors (up to 900,000 yearly), only a small number of the most important works of art are on display. The museum will move inside Pergamon-Museum and will triple its exhibition space (3,000sq.m) by 2020. The layout and concept will discover new and innovative ways to present the cultural legacy.  \n  \nWith its rich art and archaeological collection, the Museum of Islamic Art is one of the leading research institutions dedicated to the material culture of the Middle East and neighbouring regions. Our many research, conservation and exhibition projects amount to a probing investigation of the urban legacies of the Near and Middle East. The institution houses important collections of archival photographs on Islamic art and architecture as well as an internationally outstanding library focused on art, architecture and archaeology in the world of Islam.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Further Associated Museums","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum of Islamic Art at the Pergamon Museum, State Museums","description":"**The Museum of Islamic Art is closed from October 2023 to March 2027 due to renovation and expansion works.**  \n  \nThe Museum of Islamic Art at the Pergamon Museum Berlin is the only institution of its kind in Germany, the oldest in the West and with its c. 93,000 pieces it houses one of the world’s finest collections of Islamic art from nearly all regions of Islamic rule.  \n  \nIts collections are especially rich in objects from an architectural context including the monumental façade of the caliphal palace of Mshatta (Jordan), dating from the mid-8th century. It is the largest artefact of Islamic Art in any museum worldwide. The unique dome from the Alhambra Palace in Granada (Spain) and 13th-century prayer niches from Kashan (Iran) and Konya (Turkey) are among the highlights. Most loved by our visitors is the finely painted wooden panelling of an upper-class house from Aleppo (Syria) from the early 17th century – it is the oldest surviving exemplar from the Ottoman World. Among the several archaeological groups from major excavations in the Islamic world the finds from the 9th-century caliphal capital of Samarra (Iraq) stand out. The collection also has a large number of important Ottoman and Persian carpets and bibliographical works of art, including numerous miniatures from the Mughal Empire.  \n  \nThe collection is displayed chronologically, allowing the visitor to follow the different stylistic phases of Islamic art and to develop a notion of the complex Islamic history and its artistic merits. Because of the large number of visitors (up to 900,000 yearly), only a small number of the most important works of art are on display. The museum will move inside Pergamon-Museum and will triple its exhibition space (3,000sq.m) by 2020. The layout and concept will discover new and innovative ways to present the cultural legacy.  \n  \nWith its rich art and archaeological collection, the Museum of Islamic Art is one of the leading research institutions dedicated to the material culture of the Middle East and neighbouring regions. Our many research, conservation and exhibition projects amount to a probing investigation of the urban legacies of the Near and Middle East. The institution houses important collections of archival photographs on Islamic art and architecture as well as an internationally outstanding library focused on art, architecture and archaeology in the world of Islam.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","description":"The Kunsthistorisches Museum (KHM) in Vienna is one of the foremost museums in the world, with rich holdings comprising artworks from seven millennia – from Ancient Egypt to the late 18th century. The collections of Renaissance and Baroque art are of particular importance.  \n  \nThe KHM’s extensive holdings are on show at different locations: the main building on Ringstrasse houses the Picture Gallery, the Collection of Greek and Roman Antiquities, the Egyptian and Near Eastern Collection, the Coin Collection and the Kunstkammer.  \n  \nOther collections are housed in the Neue Burg (the Collection of Historical Musical Instruments, the Collection of Arms and Armour, and the Ephesus Museum), in Hofburg Palace (the Treasury) and in Schönbrunn Palace (the Collection of Historical Carriages).  \n  \nThe collections on show at Ambras Palace are also part of the holdings of the KHM.  \n  \nSince January 2001, the Museum of Ethnology on Heldenplatz and the Austrian Theatre Museum on Lobkowitz Square have been incorporated into the KHM.","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"The British Museum","description":"The British Museum was established by Act of Parliament in 1753, the first national public museum in the world. From the beginning it granted free admission to all “studious and curious persons”. The founding collection was that of Sir Hans Sloane, a wealthy physician and collector. The original British Museum comprised three departments: Printed Books; Manuscripts (including coins); and Natural and Artificial Productions, which included everything from sculpture to mineral samples and zoological specimens. In January 1759 the British Museum opened its doors to the public.  \n  \nAs a product of the Enlightenment, the museum's job was to be a storehouse of knowledge for the use and benefit of the public, advancing all fields of scholarship. The museum therefore aimed to collect all kinds of material; it remains one of the few places in the world in which it is possible to see the world under one roof. During the 19th century the museum acquired representative collections of Greek, Roman, Egyptian and Assyrian antiquities, as well as material from across the Islamic world.  \n  \nThe museum itself had to grow to offer space to display the growing collections. Between 1823 and 1847 the original building was replaced by four large wings built around a central courtyard. In 1854 construction began on the iconic Round Reading Room in the central courtyard. The natural history collections were given their own home in the new Museum of Natural History in 1881. By 1973 the British Library and British Museum were administratively separated, and in 1999 the new British Library building opened at St Pancras. The British Museum site was expanded and modernised. In 2000 the Great Court opened, envisioned as a sunny piazza at the centre of the building, with up-to-date facilities such as lecture theatres, an education centre and facilities for school children, as well as restaurants and shops. In 2014 the World Conservation and Exhibitions Centre opened to the public, offering state-of-the-art facilities to care for, manage, research and display the collections.","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"},"cc176d16-7f00-5907-8a82-b1f3d06b7d4d":{"name":"Further Associated Museums","description":"**Zagreb**  \nCity Museum  \nCroatian History Museum  \nDiocese Museum of the Zagreb Archdiocese  \nMetropolitan Library, Valvasor Collection of prints and drawings  \nStrossmayer Gallery of Old Masters  \nZagreb Cathedral Treasury  \n  \n**Dubrovnik**  \nDubrovnik Cultural History Museum  \nMuseum of Icons of the Serbian Orthodox Church Community  \n  \n**Ilok**  \nCity Museum  \n  \n**Klanjec**  \nFranciscan Monastery  \n  \n**Osijek**  \nGallery of Fine Arts  \n  \n**Požega**  \nDiocese Museum of the Požega Diocese  \n  \n**Trakošćan**  \nTrakošćan Castle  \n  \n**Varaždin**  \nCity Museum"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Museum of Islamic Art","description":"At the order of Khedive Ismail Pasha in 1880 the collection of archaeological rarities from the Islamic era was begun in the mosque of Al- Hakim. The Council for the Preservation of Arab Antiquities, created in 1881 in association with the Ministry of Awqaf, supervised the House of Arab Antiquities, as it was then known, until 1930 when the museum was taken into the Ministry of Education.  \n  \nThe museum acquired only from mosques and public buildings in its first 20 years. Then it undertook its first excavation in 1910 in the vicinity of Doronka in Upper Egypt and a second excavation south of Cairo uncovering a section of the city of Fustat (first Islamic capital of Egypt).  \n  \nThe museum acquired many items through donations. King Fu’ad I gave a valuable collection of textiles, scales and seals as did King Farouk, Amir Muhammad Ali and Amir Yusuf Kamal. Amir Kamal al-Din Hussein, Yakub Artin Pasha and Ali Ibrahim Pasha also donated complete collections.  \n  \nThe collections, amounting to 7082 artefacts, were transferred to their current building, when the present museum was inaugurated in December 1903. In 1952, the name of the museum was changed to the ‘Museum of Islamic Art’ to reflect the scope of the collection: objects produced in the Islamic world and dating from the beginning of the Islamic era (AD 7th century) to the end of the AD 19th century. The number of recorded objects has now reached 103,000.  \n  \nThe collections include enamelled glass lamps, Egyptian ceramics and a rare collection of filigree waterpot filters of unpainted earthenware renowned for their lacework designs. There are also collections of woodwork, textiles and stones with inscriptions, while the collection of carpets is considered to be one of the greatest of its kind. Collections of scientific instruments display the extent to which Islamic civilisation has contributed to knowledge in many different fields. There is also an extraordinary collection of seals, weights, measures, gold, silver and copper coins.  \n  \nThe Museum of Islamic Art, having one of the most comprehensive and complete Islamic art collections in the world continues to develop and expand its collections and to modernise the building with its 25 halls, facilities and archaeological garden.","city":"Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"National Museum of Damascus","description":"The National Museum in Damascus was established under the supervision of the Ministry of Education in 1919. The original core of this museum's contents was initially kept at the Madrasa al-'Adiliya. The collection gradually increased and the discovery of the Umayyad palace of Qasr al-Hayr al-Gharbi in the Syrian desert in 1936 further spurred into action plans for a newer and bigger museum. A building located next to Al-Takiyya al-Sulaymaniya was chosen for the establishment of the National Museum of Damascus.  \n  \nQasr Al-Hayr Al-Gharbi added new emphasis to the importance of devoting more attention to the Islamic period and the Directors of Antiquities decided to incorporate these palatial finds into the National Museum of Damascus. After much hard work and technical expertise, the front façade of the Qasr al-Hayr al-Gharbi was transposed and carefully reconstructed as the National Museum's main entrance. The side halls and the second floor were designated for the most important artistic finds of this early Islamic palace. The completion of the display took several years and the official opening was celebrated in 1950.  \n  \nIn 1953 a three-storey wing was added to house and display ancient oriental antiquities, the Islamic period, modern Syrian art, and temporary exhibitions.  \n  \nOne of the more recent extensions included three double halls for the Islamic period, a new lecture hall and a library. The lecture hall was furnished as a 19th-century Damascene reception hall, a masterpiece of late decoration and ornamentation in its own right. The opening of this extension took place in 1963.  \n  \nIn 1974 there were further additions, this time devoted to the Palaeolithic period. And lastly, in 2004, the temporary exhibition wing was transformed into a permanent collection of Neolithic antiquities.  \n  \nAt present, the National Museum of Damascus consists of the following sections:  \n  \n1\\. Palaeolithic.  \n2\\. Neolithic.  \n3\\. Ancient Syrian Oriental.  \n4\\. Classical.  \n5\\. Islamic.  \n6\\. Modern Arts.","city":"Damascus","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","email":"sam.orient@mail.sy"},"fae81dae-0250-52ec-acc1-171da28b9eef":{"name":"Borghese Gallery","description":"The Casino Borghese ­– today the Borghese Museum and Gallery – was commissioned from Flaminio Ponzio by Pope Paolo V's nephew, Cardinal Scipione Caffarelli Borghese, who wanted a suburban villa to house his art collections. It was completed after Ponzio's death by Giovanni Vasanzio in 1613–15.  \n  \nCasino Borghese lies inside a great park and the garden is divided into three precincts divided by a series of spaces and buildings: the Casino, three Secret Gardens, the Aviary, the Meridiana Pavilion.  \n  \nCardinal Borghese's antique collection was augmented by archaeological excavations on the family property and by acquisitions such as the collections of Ceoli and Tommaso e Giovan Battista Della Porta.  \n  \nThe cardinal was uninterested in medieval art, but was very interested in renaissance and contemporary art. He used his powerful position to increase his collection by any means, including confiscation. He imprisoned Domenichino to obtain his *La Caccia di* *Diana* and ordered the secret removal to Rome of Raphael's *Deposition* from the Baglioni Chapel in Perugia.  \n  \nScipione commissioned works from the most important contemporary artists: Bernini, Caravaggio, Guido Reni, Guercino, Lanfranco, Domenichino, Algardi, Cavalier d'Arpino, Rubens, Lavinia Fontana, Nicolas Cordier and Antonio Susini. He also bought many paintings from the Ferrara School. With Scipione the renaissance concept of the aristocratic patron was transformed into the 'modern' collector.  \n  \nAfter the marriage of Paolo Borghese and Olimpia Aldobrandini (1682) part of the Aldobrandini inheritance was incorporated in the Borghese collection.  \n  \nBetween 1770 and 1793 Marcantonio IV Borghese renewed the villa in neoclassical style. His son Camillo married Pauline Bonaparte and was persuaded by his brother-in-law, Napoleon, to 'sell' him (1807) a considerable part of the archaeological collection, which now is in the Louvre; fortunately Camillo also bought many works such as Correggio's *Danae* (1827) and Guercino's *Prodigal Son* and commissioned from Canova (1805–8) a sculpture of Pauline as *Venus Victrix*, a neoclassical masterpiece. Gaps caused by the 'sale' were filled with new finds from recent excavations and works from various Borghese residences.  \n  \nIn 1902 the Casino Borghese and its collection were acquired by Italian Government.  \n  \nAmong the great pieces in the collection are: Titian's *Sacred and Profane Love*; marble sculptures by Bernini including *Apollo and Daphne*, *Pluto and Proserpina*, *David*, *Aeneas and Anchises*; paintings by Caravaggio including *Boy with a Basket of Fruit*, *Madonna of the Palafrenieri* and *David with the Head of Goliath*; and many works by Raphael, Rubens, Pinturicchio, Perugino, Titian, Domenichino, Carracci and many others.","city":"Rome","address":"Piazzale Scipione Borghese, 5  \nI - 00197 Rome","website":"http://galleriaborghese.beniculturali.it/it","phone":"+39 06 8413979"}}
+{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Jordan Archaeological Museum","description":"The museum was founded in 1951 by the Department of Antiquities of Jordan on the Citadel of Amman on a hill called Jabal al-Qal’a. The building has a total measurement of 525 m2 on two floors. The ground floor is used for storage, and the first floor comprises the display area, which consists of three exhibition halls, and administrative offices.  \n  \nThe museum holds many artefacts found in various archaeological sites in Jordan representing the path of civilization in this area throughout its long history. The extensive collection is arranged chronologically by historical periods, from the Stone Ages to the Islamic periods.  \n  \nThe Islamic art collection is displayed in an exhibition hall in eleven showcases that consist of: pottery vessels from the Umayyad period to the Mamluk period; glazed vessels from the Mamluk period to the Ottoman period; steatite vessels from the Umayyad period; coins of all types and periods; metalwork and pottery vessels from the Umayyad to Mamluk periods; iron shields and swords from the Mamluk period; carved stones from the Umayyad period; four plaster replicas of architectural elements from Khirbat al-Mafjar Palace in Jericho (windows, lintel and a dome from the bath).  \n  \nLack of space prohibits the display of temporary exhibitions; however, the museum participates in many local and international exhibitions held in Jordan and abroad to show the history and archaeology of Jordan throughout the ages.  \n  \nThree curators sharing the responsibility of looking after the whole collection of the museum.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795","fax":"+962 6 461 9768"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museum of Islamic Art at the Pergamon Museum, State Museums","description":"**The Museum of Islamic Art is closed from October 2023 to March 2027 due to renovation and expansion works.**  \n  \nThe Museum of Islamic Art at the Pergamon Museum Berlin is the only institution of its kind in Germany, the oldest in the West and with its c. 93,000 pieces it houses one of the world’s finest collections of Islamic art from nearly all regions of Islamic rule.  \n  \nIts collections are especially rich in objects from an architectural context including the monumental façade of the caliphal palace of Mshatta (Jordan), dating from the mid-8th century. It is the largest artefact of Islamic Art in any museum worldwide. The unique dome from the Alhambra Palace in Granada (Spain) and 13th-century prayer niches from Kashan (Iran) and Konya (Turkey) are among the highlights. Most loved by our visitors is the finely painted wooden panelling of an upper-class house from Aleppo (Syria) from the early 17th century – it is the oldest surviving exemplar from the Ottoman World. Among the several archaeological groups from major excavations in the Islamic world the finds from the 9th-century caliphal capital of Samarra (Iraq) stand out. The collection also has a large number of important Ottoman and Persian carpets and bibliographical works of art, including numerous miniatures from the Mughal Empire.  \n  \nThe collection is displayed chronologically, allowing the visitor to follow the different stylistic phases of Islamic art and to develop a notion of the complex Islamic history and its artistic merits. Because of the large number of visitors (up to 900,000 yearly), only a small number of the most important works of art are on display. The museum will move inside Pergamon-Museum and will triple its exhibition space (3,000sq.m) by 2020. The layout and concept will discover new and innovative ways to present the cultural legacy.  \n  \nWith its rich art and archaeological collection, the Museum of Islamic Art is one of the leading research institutions dedicated to the material culture of the Middle East and neighbouring regions. Our many research, conservation and exhibition projects amount to a probing investigation of the urban legacies of the Near and Middle East. The institution houses important collections of archival photographs on Islamic art and architecture as well as an internationally outstanding library focused on art, architecture and archaeology in the world of Islam.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Further Associated Museums","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum of Islamic Art at the Pergamon Museum, State Museums","description":"**The Museum of Islamic Art is closed from October 2023 to March 2027 due to renovation and expansion works.**  \n  \nThe Museum of Islamic Art at the Pergamon Museum Berlin is the only institution of its kind in Germany, the oldest in the West and with its c. 93,000 pieces it houses one of the world’s finest collections of Islamic art from nearly all regions of Islamic rule.  \n  \nIts collections are especially rich in objects from an architectural context including the monumental façade of the caliphal palace of Mshatta (Jordan), dating from the mid-8th century. It is the largest artefact of Islamic Art in any museum worldwide. The unique dome from the Alhambra Palace in Granada (Spain) and 13th-century prayer niches from Kashan (Iran) and Konya (Turkey) are among the highlights. Most loved by our visitors is the finely painted wooden panelling of an upper-class house from Aleppo (Syria) from the early 17th century – it is the oldest surviving exemplar from the Ottoman World. Among the several archaeological groups from major excavations in the Islamic world the finds from the 9th-century caliphal capital of Samarra (Iraq) stand out. The collection also has a large number of important Ottoman and Persian carpets and bibliographical works of art, including numerous miniatures from the Mughal Empire.  \n  \nThe collection is displayed chronologically, allowing the visitor to follow the different stylistic phases of Islamic art and to develop a notion of the complex Islamic history and its artistic merits. Because of the large number of visitors (up to 900,000 yearly), only a small number of the most important works of art are on display. The museum will move inside Pergamon-Museum and will triple its exhibition space (3,000sq.m) by 2020. The layout and concept will discover new and innovative ways to present the cultural legacy.  \n  \nWith its rich art and archaeological collection, the Museum of Islamic Art is one of the leading research institutions dedicated to the material culture of the Middle East and neighbouring regions. Our many research, conservation and exhibition projects amount to a probing investigation of the urban legacies of the Near and Middle East. The institution houses important collections of archival photographs on Islamic art and architecture as well as an internationally outstanding library focused on art, architecture and archaeology in the world of Islam.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","description":"The Kunsthistorisches Museum (KHM) in Vienna is one of the foremost museums in the world, with rich holdings comprising artworks from seven millennia – from Ancient Egypt to the late 18th century. The collections of Renaissance and Baroque art are of particular importance.  \n  \nThe KHM’s extensive holdings are on show at different locations: the main building on Ringstrasse houses the Picture Gallery, the Collection of Greek and Roman Antiquities, the Egyptian and Near Eastern Collection, the Coin Collection and the Kunstkammer.  \n  \nOther collections are housed in the Neue Burg (the Collection of Historical Musical Instruments, the Collection of Arms and Armour, and the Ephesus Museum), in Hofburg Palace (the Treasury) and in Schönbrunn Palace (the Collection of Historical Carriages).  \n  \nThe collections on show at Ambras Palace are also part of the holdings of the KHM.  \n  \nSince January 2001, the Museum of Ethnology on Heldenplatz and the Austrian Theatre Museum on Lobkowitz Square have been incorporated into the KHM.","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"The British Museum","description":"The British Museum was established by Act of Parliament in 1753, the first national public museum in the world. From the beginning it granted free admission to all “studious and curious persons”. The founding collection was that of Sir Hans Sloane, a wealthy physician and collector. The original British Museum comprised three departments: Printed Books; Manuscripts (including coins); and Natural and Artificial Productions, which included everything from sculpture to mineral samples and zoological specimens. In January 1759 the British Museum opened its doors to the public.  \n  \nAs a product of the Enlightenment, the museum's job was to be a storehouse of knowledge for the use and benefit of the public, advancing all fields of scholarship. The museum therefore aimed to collect all kinds of material; it remains one of the few places in the world in which it is possible to see the world under one roof. During the 19th century the museum acquired representative collections of Greek, Roman, Egyptian and Assyrian antiquities, as well as material from across the Islamic world.  \n  \nThe museum itself had to grow to offer space to display the growing collections. Between 1823 and 1847 the original building was replaced by four large wings built around a central courtyard. In 1854 construction began on the iconic Round Reading Room in the central courtyard. The natural history collections were given their own home in the new Museum of Natural History in 1881. By 1973 the British Library and British Museum were administratively separated, and in 1999 the new British Library building opened at St Pancras. The British Museum site was expanded and modernised. In 2000 the Great Court opened, envisioned as a sunny piazza at the centre of the building, with up-to-date facilities such as lecture theatres, an education centre and facilities for school children, as well as restaurants and shops. In 2014 the World Conservation and Exhibitions Centre opened to the public, offering state-of-the-art facilities to care for, manage, research and display the collections.","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"},"cc176d16-7f00-5907-8a82-b1f3d06b7d4d":{"name":"Further Associated Museums","description":"**Zagreb**  \nCity Museum  \nCroatian History Museum  \nDiocese Museum of the Zagreb Archdiocese  \nMetropolitan Library, Valvasor Collection of prints and drawings  \nStrossmayer Gallery of Old Masters  \nZagreb Cathedral Treasury  \n  \n**Dubrovnik**  \nDubrovnik Cultural History Museum  \nMuseum of Icons of the Serbian Orthodox Church Community  \n  \n**Ilok**  \nCity Museum  \n  \n**Klanjec**  \nFranciscan Monastery  \n  \n**Osijek**  \nGallery of Fine Arts  \n  \n**Požega**  \nDiocese Museum of the Požega Diocese  \n  \n**Trakošćan**  \nTrakošćan Castle  \n  \n**Varaždin**  \nCity Museum"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Museum of Islamic Art","description":"At the order of Khedive Ismail Pasha in 1880 the collection of archaeological rarities from the Islamic era was begun in the mosque of Al- Hakim. The Council for the Preservation of Arab Antiquities, created in 1881 in association with the Ministry of Awqaf, supervised the House of Arab Antiquities, as it was then known, until 1930 when the museum was taken into the Ministry of Education.  \n  \nThe museum acquired only from mosques and public buildings in its first 20 years. Then it undertook its first excavation in 1910 in the vicinity of Doronka in Upper Egypt and a second excavation south of Cairo uncovering a section of the city of Fustat (first Islamic capital of Egypt).  \n  \nThe museum acquired many items through donations. King Fu’ad I gave a valuable collection of textiles, scales and seals as did King Farouk, Amir Muhammad Ali and Amir Yusuf Kamal. Amir Kamal al-Din Hussein, Yakub Artin Pasha and Ali Ibrahim Pasha also donated complete collections.  \n  \nThe collections, amounting to 7082 artefacts, were transferred to their current building, when the present museum was inaugurated in December 1903. In 1952, the name of the museum was changed to the ‘Museum of Islamic Art’ to reflect the scope of the collection: objects produced in the Islamic world and dating from the beginning of the Islamic era (AD 7th century) to the end of the AD 19th century. The number of recorded objects has now reached 103,000.  \n  \nThe collections include enamelled glass lamps, Egyptian ceramics and a rare collection of filigree waterpot filters of unpainted earthenware renowned for their lacework designs. There are also collections of woodwork, textiles and stones with inscriptions, while the collection of carpets is considered to be one of the greatest of its kind. Collections of scientific instruments display the extent to which Islamic civilisation has contributed to knowledge in many different fields. There is also an extraordinary collection of seals, weights, measures, gold, silver and copper coins.  \n  \nThe Museum of Islamic Art, having one of the most comprehensive and complete Islamic art collections in the world continues to develop and expand its collections and to modernise the building with its 25 halls, facilities and archaeological garden.","city":"Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"National Museum of Damascus","description":"The National Museum in Damascus was established under the supervision of the Ministry of Education in 1919. The original core of this museum's contents was initially kept at the Madrasa al-'Adiliya. The collection gradually increased and the discovery of the Umayyad palace of Qasr al-Hayr al-Gharbi in the Syrian desert in 1936 further spurred into action plans for a newer and bigger museum. A building located next to Al-Takiyya al-Sulaymaniya was chosen for the establishment of the National Museum of Damascus.  \n  \nQasr Al-Hayr Al-Gharbi added new emphasis to the importance of devoting more attention to the Islamic period and the Directors of Antiquities decided to incorporate these palatial finds into the National Museum of Damascus. After much hard work and technical expertise, the front façade of the Qasr al-Hayr al-Gharbi was transposed and carefully reconstructed as the National Museum's main entrance. The side halls and the second floor were designated for the most important artistic finds of this early Islamic palace. The completion of the display took several years and the official opening was celebrated in 1950.  \n  \nIn 1953 a three-storey wing was added to house and display ancient oriental antiquities, the Islamic period, modern Syrian art, and temporary exhibitions.  \n  \nOne of the more recent extensions included three double halls for the Islamic period, a new lecture hall and a library. The lecture hall was furnished as a 19th-century Damascene reception hall, a masterpiece of late decoration and ornamentation in its own right. The opening of this extension took place in 1963.  \n  \nIn 1974 there were further additions, this time devoted to the Palaeolithic period. And lastly, in 2004, the temporary exhibition wing was transformed into a permanent collection of Neolithic antiquities.  \n  \nAt present, the National Museum of Damascus consists of the following sections:  \n  \n1\\. Palaeolithic.  \n2\\. Neolithic.  \n3\\. Ancient Syrian Oriental.  \n4\\. Classical.  \n5\\. Islamic.  \n6\\. Modern Arts.","city":"Damascus","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","fax":"+963 11 2247983","email":"sam.orient@mail.sy"},"fae81dae-0250-52ec-acc1-171da28b9eef":{"name":"Borghese Gallery","description":"The Casino Borghese ­– today the Borghese Museum and Gallery – was commissioned from Flaminio Ponzio by Pope Paolo V's nephew, Cardinal Scipione Caffarelli Borghese, who wanted a suburban villa to house his art collections. It was completed after Ponzio's death by Giovanni Vasanzio in 1613–15.  \n  \nCasino Borghese lies inside a great park and the garden is divided into three precincts divided by a series of spaces and buildings: the Casino, three Secret Gardens, the Aviary, the Meridiana Pavilion.  \n  \nCardinal Borghese's antique collection was augmented by archaeological excavations on the family property and by acquisitions such as the collections of Ceoli and Tommaso e Giovan Battista Della Porta.  \n  \nThe cardinal was uninterested in medieval art, but was very interested in renaissance and contemporary art. He used his powerful position to increase his collection by any means, including confiscation. He imprisoned Domenichino to obtain his *La Caccia di* *Diana* and ordered the secret removal to Rome of Raphael's *Deposition* from the Baglioni Chapel in Perugia.  \n  \nScipione commissioned works from the most important contemporary artists: Bernini, Caravaggio, Guido Reni, Guercino, Lanfranco, Domenichino, Algardi, Cavalier d'Arpino, Rubens, Lavinia Fontana, Nicolas Cordier and Antonio Susini. He also bought many paintings from the Ferrara School. With Scipione the renaissance concept of the aristocratic patron was transformed into the 'modern' collector.  \n  \nAfter the marriage of Paolo Borghese and Olimpia Aldobrandini (1682) part of the Aldobrandini inheritance was incorporated in the Borghese collection.  \n  \nBetween 1770 and 1793 Marcantonio IV Borghese renewed the villa in neoclassical style. His son Camillo married Pauline Bonaparte and was persuaded by his brother-in-law, Napoleon, to 'sell' him (1807) a considerable part of the archaeological collection, which now is in the Louvre; fortunately Camillo also bought many works such as Correggio's *Danae* (1827) and Guercino's *Prodigal Son* and commissioned from Canova (1805–8) a sculpture of Pauline as *Venus Victrix*, a neoclassical masterpiece. Gaps caused by the 'sale' were filled with new finds from recent excavations and works from various Borghese residences.  \n  \nIn 1902 the Casino Borghese and its collection were acquired by Italian Government.  \n  \nAmong the great pieces in the collection are: Titian's *Sacred and Profane Love*; marble sculptures by Bernini including *Apollo and Daphne*, *Pluto and Proserpina*, *David*, *Aeneas and Anchises*; paintings by Caravaggio including *Boy with a Basket of Fruit*, *Madonna of the Palafrenieri* and *David with the Head of Goliath*; and many works by Raphael, Rubens, Pinturicchio, Perugino, Titian, Domenichino, Carracci and many others.","city":"Rome","address":"Piazzale Scipione Borghese, 5  \nI - 00197 Rome","website":"http://galleriaborghese.beniculturali.it/it","phone":"+39 06 8413979","fax":"+39 06 8840756"}}

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-{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Museo Arqueológico de Jordania","description":"El museo fue fundado en 1951 por el Departamento de Antigüedades de Jordania en la Ciudadela de Ammán en una colina llamada Jabal al-Qal’a. El edificio tiene una medida total de 525 m2 en dos plantas. La planta baja se utiliza para almacenamiento y el primer piso comprende el área de exposición, que consta de tres salas y oficinas administrativas.  \n  \nEl museo contiene muchos artefactos encontrados en varios sitios arqueológicos de Jordania que representan el camino de la civilización en esta área a lo largo de su larga historia. La extensa colección está ordenada cronológicamente por períodos históricos, desde la Edad de Piedra hasta los períodos islámicos.  \n  \nLa colección de arte islámico se exhibe en una sala de exposiciones en once vitrinas que consisten en: vasijas de cerámica desde el período omeya hasta el período mameluco; vasijas vidriadas desde el período mameluco hasta el período otomano; vasijas de esteatita del período omeya; monedas de todo tipo y época; vasijas de orfebrería y cerámica desde los períodos omeya hasta mameluco; escudos y espadas de hierro del período mameluco; piedras talladas del período omeya; cuatro réplicas de yeso de elementos arquitectónicos del Palacio Khirbat al-Mafjar en Jericó (ventanas, dintel y una cúpula del baño).  \n  \nLa falta de espacio no permite exposiciones temporales; sin embargo, el museo participa en muchas exposiciones nacionales e internacionales para difundir el conocimiento de la historia y de la arqueología de Jordania a lo largo de los siglos.  \n  \nTres conservadores comparten la responsabilidad de toda la colección del museo.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museo de Arte Islámico en el Museo de Pérgamo, Museos Estatales","description":"**El Museo de Arte Islámico está cerrado desde octubre de 2023 hasta marzo de 2027 debido a obras de renovación y ampliación.**  \n  \nEl Museo de Arte Islámico en el Museo de Pérgamo de Berlín es la única institución de este tipo en Alemania, la más antigua de Occidente y con sus 93.000 piezas alberga una de las mejores colecciones de arte islámico del mundo proveniente de casi todas las regiones del dominio islámico.  \n  \nSus colecciones son especialmente ricas en objetos procedentes de conjuntos arquitectónicos como la fachada monumental del palacio califal de Mshatta (Jordania), que data de mediados del siglo VIII. Es el artefacto más grande de arte islámico en cualquier museo del mundo. La singular cúpula del palacio de la Alhambra en Granada (España) y los nichos de oración del siglo XIII de Kashan (Irán) y Konya (Turquía) se encuentran entre las obras más destacadas. La obra que más atrae a nuestros visitantes es el revestimiento de madera finamente pintado de una casa de clase alta de Alepo (Siria) de principios del siglo XVII. Es el ejemplar más antiguo del mundo otomano que se conserva. Entre los varios grupos arqueológicos de excavaciones en el mundo islámico, se destacan los hallazgos de la capital califal del siglo IX, Samarra (Irak). La colección también tiene una gran cantidad de importantes alfombras otomanas y persas y obras de arte bibliográficas, incluidas numerosas miniaturas del Imperio mogol.  \n  \nLa colección se exhibe en orden cronológico, lo cual permite al visitante seguir las diferentes fases estilísticas del arte islámico y desarrollar una noción de la compleja historia islámica y sus méritos artísticos. Debido al gran número de visitantes (hasta 900.000 al año), solo se exhibe una pequeña cantidad de las obras de arte más importantes. El museo se trasladará dentro del Museo de Pérgamo y triplicará su espacio de exposición (3.000 metros cuadrados) para 2020. El diseño y el concepto descubrirán formas nuevas e innovadoras de presentar el legado cultural.  \n  \nCon su rica colección de arte y arqueología, el Museo de Arte Islámico es una de las principales instituciones de investigación dedicadas a la cultura material del Medio Oriente y las regiones vecinas. Nuestros numerosos proyectos de investigación, conservación y exhibición equivalen a una investigación profunda de los legados urbanos del Cercano y Medio Oriente. La institución alberga importantes colecciones de fotografías de archivo sobre el arte y la arquitectura islámicos, así como una biblioteca de renombre internacional centrada en el arte, la arquitectura y la arqueología en el mundo del Islam.","city":"Berlín","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Otros museos asociados","description":"Parque Arqueológico de Madaba  \nHisban, Jordania  \n  \nMisión Arqueológica Española  \nAmmán, Jordania"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Museo de Arte Islámico","description":"Por orden del jedive Ismail Pasha en 1880, la colección de rarezas arqueológicas de la era islámica se inició en la mezquita de Al-Hakim. El Municipio para la Conservación de Antigüedades Árabes—creado en 1881 en asociación con el Ministerio de Awqaf—supervisó la Casa de Antigüedades Árabes, como se la conocía entonces, hasta 1930, cuando el museo pasó a manos del Ministerio de Educación.  \n  \nEl museo solo adquirió artículos de mezquitas y edificios públicos en sus primeros veinte años. Luego emprendió su primera excavación en 1910 en las cercanías de Doronka en el Alto Egipto y una segunda excavación al sur de El Cairo descubriendo una sección de la ciudad de Fustat (la primera capital islámica de Egipto).  \n  \nEl museo adquirió muchos artículos a través de donaciones. El rey Fu'ad I regaló una valiosa colección de textiles, escamas y sellos, al igual que el rey Faruq, Amir Muhammad Ali y Amir Yusuf Kamal. Amir Kamal al-Din Hussein, Yakub Artin Pasha y Ali Ibrahim Pasha también donaron colecciones completas.  \n  \nLas colecciones, que ascienden a 7.082 artefactos, se transfirieron a su edificio actual cuando el museo existente se inauguró en diciembre de 1903. En 1952, el nombre del museo se cambió a \"Museo de Arte Islámico\" para reflejar el alcance de la colección: objetos producidos en el mundo islámico que datan del comienzo de la era islámica (siglo VII d.C.) hasta finales del siglo XIX d.C. El número de objetos registrados ha llegado a 103.000.  \n  \nLas colecciones incluyen lámparas de vidrio esmaltado, cerámica egipcia y una rara colección de filtros de agua de filigrana de loza sin pintar reconocida por sus diseños de encaje. También hay colecciones de artesanía en madera, textiles y piedras con inscripciones, mientras que la colección de alfombras está considerada como una de las más grandes de su clase. Las colecciones de instrumentos científicos muestran hasta qué punto la civilización islámica ha contribuido al conocimiento en muchos campos diferentes. También hay una colección extraordinaria de sellos, pesas, metros, monedas de oro, plata y cobre.  \n  \nEl Museo de Arte Islámico, que tiene una de las colecciones de arte islámico más extensas y completas del mundo, continúa desarrollando y ampliando sus colecciones y modernizando el edificio con sus veinticinco salas, instalaciones y jardín arqueológico.","city":"El Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"Museo Nacional de Damasco","description":"El Museo Nacional de Damasco se estableció bajo la supervisión del Ministerio de Educación en 1919. El núcleo original del contenido de este museo se mantuvo inicialmente en la Madrasa al-'Adiliya. La colección aumentó gradualmente y el descubrimiento del palacio Omeya de Qasr al-Hayr al-Gharbi en el desierto sirio en 1936 impulsó aún más los planes de acción para un museo más nuevo y más grande. Se eligió un edificio ubicado junto a Al-Takiyya al-Sulaymaniya para el establecimiento del Museo Nacional de Damasco.  \n  \nQasr Al-Hayr Al-Gharbi agregó un nuevo énfasis a la importancia de dedicar más atención al período Islámico y los directores de antigüedades decidieron incorporar estos hallazgos palaciegos en el Museo Nacional de Damasco. Después de mucho trabajo y experiencia técnica, la fachada frontal de Qasr al-Hayr al-Gharbi se traspuso y reconstruyó cuidadosamente como la entrada principal del Museo Nacional. Los pasillos laterales y el segundo piso fueron designados para los hallazgos artísticos más importantes de este antiguo palacio Islámico. La finalización de la exhibición tomó varios años y la inauguración oficial se celebró en 1950.  \n  \nEn 1953 se añadió un ala de tres pisos para albergar y exhibir antiguas antigüedades orientales, el período islámico, el arte sirio moderno y exposiciones temporales.  \n  \nUna de las ampliaciones más recientes incluyó tres salas dobles para el período islámico, una nueva sala de conferencias y una biblioteca. La sala de conferencias fue amueblada como una sala de recepción damasquinada del siglo XIX, una obra maestra de la decoración y ornamentación tardía por derecho propio. La apertura de esta ampliación tuvo lugar en 1963.  \n  \nEn 1974 hubo más adiciones, esta vez dedicada al período Paleolítico. Y por último, en 2004, el ala de exposiciones temporales se transformó en una colección permanente de antigüedades neolíticas.  \n  \nEn la actualidad, el Museo Nacional de Damasco consta de las siguientes secciones:  \n  \n1\\. Paleolítico.  \n2\\. Neolítico.  \n3\\. Oriental Sirio Antiguo.  \n4\\. Clásico.  \n5\\. Islámico.  \n6\\. Artes Modernas.","city":"Damasco","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","email":"sam.orient@mail.sy"}}
+{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Museo Arqueológico de Jordania","description":"El museo fue fundado en 1951 por el Departamento de Antigüedades de Jordania en la Ciudadela de Ammán en una colina llamada Jabal al-Qal’a. El edificio tiene una medida total de 525 m2 en dos plantas. La planta baja se utiliza para almacenamiento y el primer piso comprende el área de exposición, que consta de tres salas y oficinas administrativas.  \n  \nEl museo contiene muchos artefactos encontrados en varios sitios arqueológicos de Jordania que representan el camino de la civilización en esta área a lo largo de su larga historia. La extensa colección está ordenada cronológicamente por períodos históricos, desde la Edad de Piedra hasta los períodos islámicos.  \n  \nLa colección de arte islámico se exhibe en una sala de exposiciones en once vitrinas que consisten en: vasijas de cerámica desde el período omeya hasta el período mameluco; vasijas vidriadas desde el período mameluco hasta el período otomano; vasijas de esteatita del período omeya; monedas de todo tipo y época; vasijas de orfebrería y cerámica desde los períodos omeya hasta mameluco; escudos y espadas de hierro del período mameluco; piedras talladas del período omeya; cuatro réplicas de yeso de elementos arquitectónicos del Palacio Khirbat al-Mafjar en Jericó (ventanas, dintel y una cúpula del baño).  \n  \nLa falta de espacio no permite exposiciones temporales; sin embargo, el museo participa en muchas exposiciones nacionales e internacionales para difundir el conocimiento de la historia y de la arqueología de Jordania a lo largo de los siglos.  \n  \nTres conservadores comparten la responsabilidad de toda la colección del museo.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795","fax":"+962 6 461 9768"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Museo de Arte Islámico en el Museo de Pérgamo, Museos Estatales","description":"**El Museo de Arte Islámico está cerrado desde octubre de 2023 hasta marzo de 2027 debido a obras de renovación y ampliación.**  \n  \nEl Museo de Arte Islámico en el Museo de Pérgamo de Berlín es la única institución de este tipo en Alemania, la más antigua de Occidente y con sus 93.000 piezas alberga una de las mejores colecciones de arte islámico del mundo proveniente de casi todas las regiones del dominio islámico.  \n  \nSus colecciones son especialmente ricas en objetos procedentes de conjuntos arquitectónicos como la fachada monumental del palacio califal de Mshatta (Jordania), que data de mediados del siglo VIII. Es el artefacto más grande de arte islámico en cualquier museo del mundo. La singular cúpula del palacio de la Alhambra en Granada (España) y los nichos de oración del siglo XIII de Kashan (Irán) y Konya (Turquía) se encuentran entre las obras más destacadas. La obra que más atrae a nuestros visitantes es el revestimiento de madera finamente pintado de una casa de clase alta de Alepo (Siria) de principios del siglo XVII. Es el ejemplar más antiguo del mundo otomano que se conserva. Entre los varios grupos arqueológicos de excavaciones en el mundo islámico, se destacan los hallazgos de la capital califal del siglo IX, Samarra (Irak). La colección también tiene una gran cantidad de importantes alfombras otomanas y persas y obras de arte bibliográficas, incluidas numerosas miniaturas del Imperio mogol.  \n  \nLa colección se exhibe en orden cronológico, lo cual permite al visitante seguir las diferentes fases estilísticas del arte islámico y desarrollar una noción de la compleja historia islámica y sus méritos artísticos. Debido al gran número de visitantes (hasta 900.000 al año), solo se exhibe una pequeña cantidad de las obras de arte más importantes. El museo se trasladará dentro del Museo de Pérgamo y triplicará su espacio de exposición (3.000 metros cuadrados) para 2020. El diseño y el concepto descubrirán formas nuevas e innovadoras de presentar el legado cultural.  \n  \nCon su rica colección de arte y arqueología, el Museo de Arte Islámico es una de las principales instituciones de investigación dedicadas a la cultura material del Medio Oriente y las regiones vecinas. Nuestros numerosos proyectos de investigación, conservación y exhibición equivalen a una investigación profunda de los legados urbanos del Cercano y Medio Oriente. La institución alberga importantes colecciones de fotografías de archivo sobre el arte y la arquitectura islámicos, así como una biblioteca de renombre internacional centrada en el arte, la arquitectura y la arqueología en el mundo del Islam.","city":"Berlín","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Otros museos asociados","description":"Parque Arqueológico de Madaba  \nHisban, Jordania  \n  \nMisión Arqueológica Española  \nAmmán, Jordania"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Museo de Arte Islámico","description":"Por orden del jedive Ismail Pasha en 1880, la colección de rarezas arqueológicas de la era islámica se inició en la mezquita de Al-Hakim. El Municipio para la Conservación de Antigüedades Árabes—creado en 1881 en asociación con el Ministerio de Awqaf—supervisó la Casa de Antigüedades Árabes, como se la conocía entonces, hasta 1930, cuando el museo pasó a manos del Ministerio de Educación.  \n  \nEl museo solo adquirió artículos de mezquitas y edificios públicos en sus primeros veinte años. Luego emprendió su primera excavación en 1910 en las cercanías de Doronka en el Alto Egipto y una segunda excavación al sur de El Cairo descubriendo una sección de la ciudad de Fustat (la primera capital islámica de Egipto).  \n  \nEl museo adquirió muchos artículos a través de donaciones. El rey Fu'ad I regaló una valiosa colección de textiles, escamas y sellos, al igual que el rey Faruq, Amir Muhammad Ali y Amir Yusuf Kamal. Amir Kamal al-Din Hussein, Yakub Artin Pasha y Ali Ibrahim Pasha también donaron colecciones completas.  \n  \nLas colecciones, que ascienden a 7.082 artefactos, se transfirieron a su edificio actual cuando el museo existente se inauguró en diciembre de 1903. En 1952, el nombre del museo se cambió a \"Museo de Arte Islámico\" para reflejar el alcance de la colección: objetos producidos en el mundo islámico que datan del comienzo de la era islámica (siglo VII d.C.) hasta finales del siglo XIX d.C. El número de objetos registrados ha llegado a 103.000.  \n  \nLas colecciones incluyen lámparas de vidrio esmaltado, cerámica egipcia y una rara colección de filtros de agua de filigrana de loza sin pintar reconocida por sus diseños de encaje. También hay colecciones de artesanía en madera, textiles y piedras con inscripciones, mientras que la colección de alfombras está considerada como una de las más grandes de su clase. Las colecciones de instrumentos científicos muestran hasta qué punto la civilización islámica ha contribuido al conocimiento en muchos campos diferentes. También hay una colección extraordinaria de sellos, pesas, metros, monedas de oro, plata y cobre.  \n  \nEl Museo de Arte Islámico, que tiene una de las colecciones de arte islámico más extensas y completas del mundo, continúa desarrollando y ampliando sus colecciones y modernizando el edificio con sus veinticinco salas, instalaciones y jardín arqueológico.","city":"El Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"Museo Nacional de Damasco","description":"El Museo Nacional de Damasco se estableció bajo la supervisión del Ministerio de Educación en 1919. El núcleo original del contenido de este museo se mantuvo inicialmente en la Madrasa al-'Adiliya. La colección aumentó gradualmente y el descubrimiento del palacio Omeya de Qasr al-Hayr al-Gharbi en el desierto sirio en 1936 impulsó aún más los planes de acción para un museo más nuevo y más grande. Se eligió un edificio ubicado junto a Al-Takiyya al-Sulaymaniya para el establecimiento del Museo Nacional de Damasco.  \n  \nQasr Al-Hayr Al-Gharbi agregó un nuevo énfasis a la importancia de dedicar más atención al período Islámico y los directores de antigüedades decidieron incorporar estos hallazgos palaciegos en el Museo Nacional de Damasco. Después de mucho trabajo y experiencia técnica, la fachada frontal de Qasr al-Hayr al-Gharbi se traspuso y reconstruyó cuidadosamente como la entrada principal del Museo Nacional. Los pasillos laterales y el segundo piso fueron designados para los hallazgos artísticos más importantes de este antiguo palacio Islámico. La finalización de la exhibición tomó varios años y la inauguración oficial se celebró en 1950.  \n  \nEn 1953 se añadió un ala de tres pisos para albergar y exhibir antiguas antigüedades orientales, el período islámico, el arte sirio moderno y exposiciones temporales.  \n  \nUna de las ampliaciones más recientes incluyó tres salas dobles para el período islámico, una nueva sala de conferencias y una biblioteca. La sala de conferencias fue amueblada como una sala de recepción damasquinada del siglo XIX, una obra maestra de la decoración y ornamentación tardía por derecho propio. La apertura de esta ampliación tuvo lugar en 1963.  \n  \nEn 1974 hubo más adiciones, esta vez dedicada al período Paleolítico. Y por último, en 2004, el ala de exposiciones temporales se transformó en una colección permanente de antigüedades neolíticas.  \n  \nEn la actualidad, el Museo Nacional de Damasco consta de las siguientes secciones:  \n  \n1\\. Paleolítico.  \n2\\. Neolítico.  \n3\\. Oriental Sirio Antiguo.  \n4\\. Clásico.  \n5\\. Islámico.  \n6\\. Artes Modernas.","city":"Damasco","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","fax":"+963 11 2247983","email":"sam.orient@mail.sy"}}

package/translations/partners.fr.json

@@ -1 +1 @@
-{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Musée archéologique de Jordanie","description":"Le musée a été fondé en 1951 par le Département des antiquités de Jordanie dans la Citadelle d’Amman sur une colline appelée Jabal al-Qal’a. L’édifice occupe une superficie de 525 m2 sur deux niveaux. Le rez-de-chaussée est utilisé pour les réserves, au premier étage sont distribuées les trois salles de la zone d’exposition et les bureaux de l’administration.  \n  \nLe musée possède de nombreux artefacts mis au jour dans différents sites archéologiques de Jordanie et qui sont représentatifs de la progression des civilisations dans la région tout au long de son histoire. Toute la collection est présentée chronologiquement, par périodes historiques qui vont depuis d’âge de pierre jusqu’à la période islamique.  \n  \nLa collection d’art islamique est présentée dans une salle d’exposition organisée en onze vitrines réparties comme suit: poteries de la période omeyyade; vaisselles vernissées de la période mamelouke à la période ottomane; vaisselles en stéatite de la période omeyyade; monnaies de tous types et de toutes périodes; ouvrages de métal et poteries de la période omeyyade jusqu’à la période mamelouke; boucliers et épées en fer de la période mamelouke; pierres sculptées de la période omeyyade; quatre répliques en plâtre d’éléments architecturaux du palais de Khirbat al-Mafjar à Jéricho (fenêtres, linteau et une coupole du hammam).  \n  \nLe manque de place empêche d’organiser des expositions temporaires; toutefois, le musée participe à de nombreuses expositions locales et internationales mises sur pied en Jordanie et à l’étranger pour illustrer l’histoire et l’archéologie de la Jordanie à travers les âges.  \n  \nTrois conservateurs se partagent la responsabilité de veiller à l’entière collection du musée.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Musée d’art islamique du Pergamon Museum (Museum für Islamische Kunst)","description":"**Le Musée d'Art Islamique est fermé d'octobre 2023 à mars 2027 en raison de travaux de rénovation et d'agrandissement.**  \n  \nAvec la présentation de la monumentale façade du palais omeyyade de Mchatta par l’empereur germanique aux musées de Berlin, la collection de tapis offerte par Wilhem von Bode et un prêt à long-terme de la collection d’art islamique de Friedrich Sarre, la collection d’art islamique fut installée dans l’un des bâtiments des Musées royaux (plus tard musées d’État) de Berlin en 1904. Depuis, la collection n’a cessé de s’accroître à travers des dons, acquisitions et produits de fouilles. En 1932 le musée acquérait les galeries nouvellement créées au Pergamon Museum.  \n  \nAprès la Seconde Guerre mondiale, la perte de bon nombre des grands tapis et la dispersion de beaucoup de pièces tant à Berlin-Est qu’à Berlin-Ouest, la collection fut finalement réunie dans de nouvelles galeries à l’intérieur du Pergamon Museum en 2000.  \n  \nLe musée abrite aujourd’hui l’une des plus prestigieuses collections d’art islamique du monde, en provenance de presque toutes les régions d’obédience islamique. Ses collections sont tout spécialement riches en objets issus d’un contexte architectural, dont la façade de Mchatta, deux grandes niches de prière provenant de Kachan, Iran, et de Konya, Turquie, une coupole de l’Alhambra de Grenade, Espagne, une chambre d’une maison d’Alep, Syrie, et des trouvailles venant des principales fouilles entreprises dans le monde islamique. La collection est également riche en tapis persans et ottomans de première importance, et en chefs-d’œuvre bibliophiliques, parmi lesquels des miniatures de l’empire moghol.  \n  \nLa collection est exposée suivant un ordre chronologique, ce qui permet au visiteur de suivre les différentes phases stylistiques de l’art islamique dans les galeries et de se faire une idée de la complexité de l’histoire islamique et de ses expressions artistiques. Étant donné le grand nombre de visiteurs, seules quelques-unes des œuvres d’art les plus importantes sont exposées. En dehors des galeries permanentes, le musée organise des manifestations temporaires présentant des expositions dynastiques, des thèmes d’intérêt spécifique tels que les relations avec l’art islamique contemporain ou des expositions développées ailleurs.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Autres musées associés","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Musée d’art islamique du Pergamon Museum (Museum für Islamische Kunst)","description":"**Le Musée d'Art Islamique est fermé d'octobre 2023 à mars 2027 en raison de travaux de rénovation et d'agrandissement.**  \n  \nAvec la présentation de la monumentale façade du palais omeyyade de Mchatta par l’empereur germanique aux musées de Berlin, la collection de tapis offerte par Wilhem von Bode et un prêt à long-terme de la collection d’art islamique de Friedrich Sarre, la collection d’art islamique fut installée dans l’un des bâtiments des Musées royaux (plus tard musées d’État) de Berlin en 1904. Depuis, la collection n’a cessé de s’accroître à travers des dons, acquisitions et produits de fouilles. En 1932 le musée acquérait les galeries nouvellement créées au Pergamon Museum.  \n  \nAprès la Seconde Guerre mondiale, la perte de bon nombre des grands tapis et la dispersion de beaucoup de pièces tant à Berlin-Est qu’à Berlin-Ouest, la collection fut finalement réunie dans de nouvelles galeries à l’intérieur du Pergamon Museum en 2000.  \n  \nLe musée abrite aujourd’hui l’une des plus prestigieuses collections d’art islamique du monde, en provenance de presque toutes les régions d’obédience islamique. Ses collections sont tout spécialement riches en objets issus d’un contexte architectural, dont la façade de Mchatta, deux grandes niches de prière provenant de Kachan, Iran, et de Konya, Turquie, une coupole de l’Alhambra de Grenade, Espagne, une chambre d’une maison d’Alep, Syrie, et des trouvailles venant des principales fouilles entreprises dans le monde islamique. La collection est également riche en tapis persans et ottomans de première importance, et en chefs-d’œuvre bibliophiliques, parmi lesquels des miniatures de l’empire moghol.  \n  \nLa collection est exposée suivant un ordre chronologique, ce qui permet au visiteur de suivre les différentes phases stylistiques de l’art islamique dans les galeries et de se faire une idée de la complexité de l’histoire islamique et de ses expressions artistiques. Étant donné le grand nombre de visiteurs, seules quelques-unes des œuvres d’art les plus importantes sont exposées. En dehors des galeries permanentes, le musée organise des manifestations temporaires présentant des expositions dynastiques, des thèmes d’intérêt spécifique tels que les relations avec l’art islamique contemporain ou des expositions développées ailleurs.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","description":"Fondé en 1753 par Acte du Parlement, le British Museum s’installait dès l’année suivante à Montagu House, une résidence aristocratique sur le site de l’actuel musée à Bloomsbury, Londres. La collection fondatrice fut cédée à la nation britannique par Sir Hans Sloane, un riche physicien et collectionneur, mort en 1753, contre paiement de 20 000 livres à ses deux filles. Outre la collection d’objets de Sloane et sa bibliothèque, le premier British Museum possédait quatre autres importantes collections de livres. C’est d’ailleurs à un bibliothécaire en chef qu’était confiée la direction des trois départements du musée: Livres imprimés (y compris la presse); Manuscrits (de même que monnaies et dessins) ; Productions naturelles et Productions artificielles, qui rassemblaient toutes sortes de pièces, de la sculpture aux échantillons minéraux, des momies aux spécimens zoologiques. En janvier 1759, le British Museum ouvrait ses portes au public.  \n  \nDans la mesure où l’Acte de 1753 incarnait les idées universalistes des Lumières, pour qui tous les arts et toutes les sciences formaient un seul et même vaste réseau de corrélations, la tâche du Musée était de faire progresser tous les champs du savoir pour les chercheurs et les “esprits curieux” – et pour le meilleur profit du grand public. En tant que dépositaire du savoir, le British Museum avait vocation à tout collectionner. Une telle position impliquait inévitablement un développement constant et la nécessité de bâtiments plus grands dans lesquels stocker des collections de plus en plus volumineuses. Entre 1823 et 1847, le bâtiment d’origine fut remplacé par quatre grandes ailes construites autour d’une cour centrale. La bibliothèque continua à s’accroître à un tel rythme qu’une nouvelle salle de lecture s’imposait. Les travaux commencèrent en 1854 par la construction, dans la cour centrale, de la nouvelle Salle de lecture ronde à coupole.  \n  \nDans les années 1860, le besoin d’un nouveau bâtiment capable d’héberger les collections d’histoire naturelle en plein développement était reconnu, et en 1881 le nouveau Muséum d’histoire naturelle ouvrait au public. En 1973, la British Library et le British Museum étaient séparés administrativement, et dans les années 1990, les travaux d’un nouvel édifice pour la bibliothèque furent entrepris. La nouvelle British Library ouvrit en 1999, laissant au British Museum l’opportunité de s’agrandir et de se moderniser. En 2000, le British Museum ouvrait la Great Court, conçue comme une piazza ensoleillée au centre du bâtiment, mais dotée d’équipements modernes tels que des salles de conférence, des restaurants, une cafétéria pour les scolaires et des boutiques.  \n  \nLa collection initiale du musée, qui comptait quelques objets islamiques, s’enrichit considérablement au cours des XIXe et XXe siècles par des achats, des dons et des legs. Avec le Victoria and Albert Museum, le British Museum abrite la plus importante collection de céramiques d’Iznik au monde. Les objets médiévaux en métal incrusté, les collections archéologiques, les œuvres sur papier et sur verre émaillé constituent d’autres ensembles de grande valeur. La collection, avec les pièces archéologiques, compte environ 40 000 objets.","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Musée d’art islamique","description":"C’est le khédive Ismaïl Pacha qui initia à la mosquée al-Hakim la collection de curiosités d’époque islamique. Et c’est le Conseil pour la préservation des antiquités arabes, créé en 1881 en association avec le ministère des Fondations pieuses (Awqaf), qui fut en charge de la Maison des antiquités arabes, comme on l’appelait alors, jusqu’en 1930, date à laquelle le musée passa au ministère de l’Éducation.  \n  \nAu cours de ses 20 premières années, les acquisitions du musée ne provenaient que des mosquées et des bâtiments publics. Plus tard, le musée entreprit sa première fouille en 1910 dans les environs de Doronka en Haute Égypte, puis une seconde au sud du Caire, mettant au jour une section de la ville de Fustat (première capitale islamique d’Égypte).  \n  \nLe musée a acquis de nombreuses pièces grâce à des dons. Le roi Fouad Ier a légué une collection de textiles, de balances et de sceaux de grande valeur, tout comme le roi Farouk, l’émir Muhammad Ali et l’émir Youssouf Kamal. L’émir Kamal al-Din Hussein ainsi que Yakoub Artin Pacha et Ali Ibrahim Pacha ont également offert des collections complètes.  \n  \nLes collections, riches de 7 082 pièces, ont été transférées dans leur bâtiment actuel en décembre 1903 à l’occasion de l’inauguration du présent musée. En 1952, le musée a été rebaptisé “Musée d’art islamique” pour refléter l’ampleur des collections : des objets produits dans le monde islamique et couvrant une période allant du début de l’ère islamique (VIIe siècle) à la fin du XIXe siècle. Le nombre de pièces enregistrées atteint maintenant les 103 000.  \n  \nLes collections comprennent des lampes en verre émaillé, des céramiques égyptiennes et une rare collection de filtres de gargoulettes en filigrane à décor peint sous glaçure, ces pièces étant célèbres pour leurs motifs d’entrelacs. À noter également des collections de bois, de textiles et de pierres à inscriptions, et une collection de tapis qui est considérée comme l’une des plus importantes de sa catégorie. Les collections d’instruments scientifiques montrent bien à quel point la civilisation islamique a contribué à la connaissance dans des domaines aussi nombreux que différents. Il y a aussi une extraordinaire collection de sceaux, poids et mesures, et de pièces de monnaies en or, argent, et cuivre.  \n  \nRiche de l’une des plus importantes collections d’art islamique au monde, le Musée d’art islamique continue à développer ses collections, et à moderniser le bâtiment avec ses 25 pièces, ses bureaux et son jardin archéologique.","city":"Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"Musée national de Damas","description":"Le Musée national de Damas fut fondé en 1919 et placé sous la responsabilité du ministère de l’Éducation. Le noyau originel de ses collections était initialement conservé à la madrasa al-'Adiliya. La collection s’enrichit progressivement, et la découverte du palais omeyyade de al-Hayr al-Gharbi dans le désert syrien en 1936 accéléra encore les projets d’agrandissement et de rénovation du musée. Un bâtiment situé près de la takiyya al-Sulaymaniya fut retenu pour l’établissement du futur Musée national de Damas.  \n  \nQasr al-Hayr al-Gharbi montra à quel point il importait de consacrer encore plus d’attention à la période islamique, et les directeurs des Antiquités décidèrent d’intégrer ces découvertes palatiales au Musée national de Damas. Après un travail considérable et une expertise technique approfondie, la façade principale de Qasr al-Hayr al-Gharbi fut transférée et soigneusement reconstruite comme entrée principale du Musée national. Les salles latérales et le second niveau furent affectés aux plus importantes trouvailles artistiques de ce palais datant des débuts de la période islamique. L’ensemble de l’opération prit plusieurs années et l’ouverture officielle eut lieu en 1950.  \n  \nEn 1953, une aile de trois niveaux fut ajoutée pour abriter et exposer les antiquités orientales, la période islamique et l’art syrien moderne, ainsi que les expositions temporaires.  \n  \nL’une des plus récentes extensions comprenait trois doubles salles dédiées à la période islamique, une nouvelle salle de lecture et une bibliothèque. La salle de lecture fut meublée comme un salon de réception damascène du XIXe siècle, et c’est en soi un chef-d’œuvre de décoration et d’ornementation tardive. L’inauguration de cet agrandissement date de 1963.  \n  \nEn 1974 intervinrent de nouvelles adjonctions, consacrées cette fois à la période paléolithique. Et dernièrement, en 2004, l’aile dédiée aux expositions temporaires fut transformée et réservée à la collection permanente d’antiquités néolithiques.  \n  \nAujourd’hui, le Musée national de Damas comprend les sections suivantes:  \n  \n1\\. Paléolithique.  \n2\\. Néolithique.  \n3\\. Antiquités syriennes orientales.  \n4\\. Classique.  \n5\\. Islamique.  \n6\\. Arts modernes.","city":"Damascus","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","email":"sam.orient@mail.sy"}}
+{"33f89573-8b54-5c1a-86ba-1663e604740f":{"name":"Musée archéologique de Jordanie","description":"Le musée a été fondé en 1951 par le Département des antiquités de Jordanie dans la Citadelle d’Amman sur une colline appelée Jabal al-Qal’a. L’édifice occupe une superficie de 525 m2 sur deux niveaux. Le rez-de-chaussée est utilisé pour les réserves, au premier étage sont distribuées les trois salles de la zone d’exposition et les bureaux de l’administration.  \n  \nLe musée possède de nombreux artefacts mis au jour dans différents sites archéologiques de Jordanie et qui sont représentatifs de la progression des civilisations dans la région tout au long de son histoire. Toute la collection est présentée chronologiquement, par périodes historiques qui vont depuis d’âge de pierre jusqu’à la période islamique.  \n  \nLa collection d’art islamique est présentée dans une salle d’exposition organisée en onze vitrines réparties comme suit: poteries de la période omeyyade; vaisselles vernissées de la période mamelouke à la période ottomane; vaisselles en stéatite de la période omeyyade; monnaies de tous types et de toutes périodes; ouvrages de métal et poteries de la période omeyyade jusqu’à la période mamelouke; boucliers et épées en fer de la période mamelouke; pierres sculptées de la période omeyyade; quatre répliques en plâtre d’éléments architecturaux du palais de Khirbat al-Mafjar à Jéricho (fenêtres, linteau et une coupole du hammam).  \n  \nLe manque de place empêche d’organiser des expositions temporaires; toutefois, le musée participe à de nombreuses expositions locales et internationales mises sur pied en Jordanie et à l’étranger pour illustrer l’histoire et l’archéologie de la Jordanie à travers les âges.  \n  \nTrois conservateurs se partagent la responsabilité de veiller à l’entière collection du musée.","city":"Amman","address":"Citadel of Amman  \nP.O. Box 88  \nAmman, Jordan","phone":"+962 6 463 8795","fax":"+962 6 461 9768"},"559ab197-7289-5af4-a295-1118bde9afce":{"name":"Musée d’art islamique du Pergamon Museum (Museum für Islamische Kunst)","description":"**Le Musée d'Art Islamique est fermé d'octobre 2023 à mars 2027 en raison de travaux de rénovation et d'agrandissement.**  \n  \nAvec la présentation de la monumentale façade du palais omeyyade de Mchatta par l’empereur germanique aux musées de Berlin, la collection de tapis offerte par Wilhem von Bode et un prêt à long-terme de la collection d’art islamique de Friedrich Sarre, la collection d’art islamique fut installée dans l’un des bâtiments des Musées royaux (plus tard musées d’État) de Berlin en 1904. Depuis, la collection n’a cessé de s’accroître à travers des dons, acquisitions et produits de fouilles. En 1932 le musée acquérait les galeries nouvellement créées au Pergamon Museum.  \n  \nAprès la Seconde Guerre mondiale, la perte de bon nombre des grands tapis et la dispersion de beaucoup de pièces tant à Berlin-Est qu’à Berlin-Ouest, la collection fut finalement réunie dans de nouvelles galeries à l’intérieur du Pergamon Museum en 2000.  \n  \nLe musée abrite aujourd’hui l’une des plus prestigieuses collections d’art islamique du monde, en provenance de presque toutes les régions d’obédience islamique. Ses collections sont tout spécialement riches en objets issus d’un contexte architectural, dont la façade de Mchatta, deux grandes niches de prière provenant de Kachan, Iran, et de Konya, Turquie, une coupole de l’Alhambra de Grenade, Espagne, une chambre d’une maison d’Alep, Syrie, et des trouvailles venant des principales fouilles entreprises dans le monde islamique. La collection est également riche en tapis persans et ottomans de première importance, et en chefs-d’œuvre bibliophiliques, parmi lesquels des miniatures de l’empire moghol.  \n  \nLa collection est exposée suivant un ordre chronologique, ce qui permet au visiteur de suivre les différentes phases stylistiques de l’art islamique dans les galeries et de se faire une idée de la complexité de l’histoire islamique et de ses expressions artistiques. Étant donné le grand nombre de visiteurs, seules quelques-unes des œuvres d’art les plus importantes sont exposées. En dehors des galeries permanentes, le musée organise des manifestations temporaires présentant des expositions dynastiques, des thèmes d’intérêt spécifique tels que les relations avec l’art islamique contemporain ou des expositions développées ailleurs.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"609d991f-8031-5bb5-a9b6-a18f8a52f5aa":{"name":"Autres musées associés","description":"Madaba Archaeological Park  \nHisban, Jordan  \n  \nSpanish Mission  \nAmman, Jordan"},"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Musée d’art islamique du Pergamon Museum (Museum für Islamische Kunst)","description":"**Le Musée d'Art Islamique est fermé d'octobre 2023 à mars 2027 en raison de travaux de rénovation et d'agrandissement.**  \n  \nAvec la présentation de la monumentale façade du palais omeyyade de Mchatta par l’empereur germanique aux musées de Berlin, la collection de tapis offerte par Wilhem von Bode et un prêt à long-terme de la collection d’art islamique de Friedrich Sarre, la collection d’art islamique fut installée dans l’un des bâtiments des Musées royaux (plus tard musées d’État) de Berlin en 1904. Depuis, la collection n’a cessé de s’accroître à travers des dons, acquisitions et produits de fouilles. En 1932 le musée acquérait les galeries nouvellement créées au Pergamon Museum.  \n  \nAprès la Seconde Guerre mondiale, la perte de bon nombre des grands tapis et la dispersion de beaucoup de pièces tant à Berlin-Est qu’à Berlin-Ouest, la collection fut finalement réunie dans de nouvelles galeries à l’intérieur du Pergamon Museum en 2000.  \n  \nLe musée abrite aujourd’hui l’une des plus prestigieuses collections d’art islamique du monde, en provenance de presque toutes les régions d’obédience islamique. Ses collections sont tout spécialement riches en objets issus d’un contexte architectural, dont la façade de Mchatta, deux grandes niches de prière provenant de Kachan, Iran, et de Konya, Turquie, une coupole de l’Alhambra de Grenade, Espagne, une chambre d’une maison d’Alep, Syrie, et des trouvailles venant des principales fouilles entreprises dans le monde islamique. La collection est également riche en tapis persans et ottomans de première importance, et en chefs-d’œuvre bibliophiliques, parmi lesquels des miniatures de l’empire moghol.  \n  \nLa collection est exposée suivant un ordre chronologique, ce qui permet au visiteur de suivre les différentes phases stylistiques de l’art islamique dans les galeries et de se faire une idée de la complexité de l’histoire islamique et de ses expressions artistiques. Étant donné le grand nombre de visiteurs, seules quelques-unes des œuvres d’art les plus importantes sont exposées. En dehors des galeries permanentes, le musée organise des manifestations temporaires présentant des expositions dynastiques, des thèmes d’intérêt spécifique tels que les relations avec l’art islamique contemporain ou des expositions développées ailleurs.","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","description":"Fondé en 1753 par Acte du Parlement, le British Museum s’installait dès l’année suivante à Montagu House, une résidence aristocratique sur le site de l’actuel musée à Bloomsbury, Londres. La collection fondatrice fut cédée à la nation britannique par Sir Hans Sloane, un riche physicien et collectionneur, mort en 1753, contre paiement de 20 000 livres à ses deux filles. Outre la collection d’objets de Sloane et sa bibliothèque, le premier British Museum possédait quatre autres importantes collections de livres. C’est d’ailleurs à un bibliothécaire en chef qu’était confiée la direction des trois départements du musée: Livres imprimés (y compris la presse); Manuscrits (de même que monnaies et dessins) ; Productions naturelles et Productions artificielles, qui rassemblaient toutes sortes de pièces, de la sculpture aux échantillons minéraux, des momies aux spécimens zoologiques. En janvier 1759, le British Museum ouvrait ses portes au public.  \n  \nDans la mesure où l’Acte de 1753 incarnait les idées universalistes des Lumières, pour qui tous les arts et toutes les sciences formaient un seul et même vaste réseau de corrélations, la tâche du Musée était de faire progresser tous les champs du savoir pour les chercheurs et les “esprits curieux” – et pour le meilleur profit du grand public. En tant que dépositaire du savoir, le British Museum avait vocation à tout collectionner. Une telle position impliquait inévitablement un développement constant et la nécessité de bâtiments plus grands dans lesquels stocker des collections de plus en plus volumineuses. Entre 1823 et 1847, le bâtiment d’origine fut remplacé par quatre grandes ailes construites autour d’une cour centrale. La bibliothèque continua à s’accroître à un tel rythme qu’une nouvelle salle de lecture s’imposait. Les travaux commencèrent en 1854 par la construction, dans la cour centrale, de la nouvelle Salle de lecture ronde à coupole.  \n  \nDans les années 1860, le besoin d’un nouveau bâtiment capable d’héberger les collections d’histoire naturelle en plein développement était reconnu, et en 1881 le nouveau Muséum d’histoire naturelle ouvrait au public. En 1973, la British Library et le British Museum étaient séparés administrativement, et dans les années 1990, les travaux d’un nouvel édifice pour la bibliothèque furent entrepris. La nouvelle British Library ouvrit en 1999, laissant au British Museum l’opportunité de s’agrandir et de se moderniser. En 2000, le British Museum ouvrait la Great Court, conçue comme une piazza ensoleillée au centre du bâtiment, mais dotée d’équipements modernes tels que des salles de conférence, des restaurants, une cafétéria pour les scolaires et des boutiques.  \n  \nLa collection initiale du musée, qui comptait quelques objets islamiques, s’enrichit considérablement au cours des XIXe et XXe siècles par des achats, des dons et des legs. Avec le Victoria and Albert Museum, le British Museum abrite la plus importante collection de céramiques d’Iznik au monde. Les objets médiévaux en métal incrusté, les collections archéologiques, les œuvres sur papier et sur verre émaillé constituent d’autres ensembles de grande valeur. La collection, avec les pièces archéologiques, compte environ 40 000 objets.","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"},"f0c1b6b9-8198-5a97-9aea-8ebedfa90ca3":{"name":"Musée d’art islamique","description":"C’est le khédive Ismaïl Pacha qui initia à la mosquée al-Hakim la collection de curiosités d’époque islamique. Et c’est le Conseil pour la préservation des antiquités arabes, créé en 1881 en association avec le ministère des Fondations pieuses (Awqaf), qui fut en charge de la Maison des antiquités arabes, comme on l’appelait alors, jusqu’en 1930, date à laquelle le musée passa au ministère de l’Éducation.  \n  \nAu cours de ses 20 premières années, les acquisitions du musée ne provenaient que des mosquées et des bâtiments publics. Plus tard, le musée entreprit sa première fouille en 1910 dans les environs de Doronka en Haute Égypte, puis une seconde au sud du Caire, mettant au jour une section de la ville de Fustat (première capitale islamique d’Égypte).  \n  \nLe musée a acquis de nombreuses pièces grâce à des dons. Le roi Fouad Ier a légué une collection de textiles, de balances et de sceaux de grande valeur, tout comme le roi Farouk, l’émir Muhammad Ali et l’émir Youssouf Kamal. L’émir Kamal al-Din Hussein ainsi que Yakoub Artin Pacha et Ali Ibrahim Pacha ont également offert des collections complètes.  \n  \nLes collections, riches de 7 082 pièces, ont été transférées dans leur bâtiment actuel en décembre 1903 à l’occasion de l’inauguration du présent musée. En 1952, le musée a été rebaptisé “Musée d’art islamique” pour refléter l’ampleur des collections : des objets produits dans le monde islamique et couvrant une période allant du début de l’ère islamique (VIIe siècle) à la fin du XIXe siècle. Le nombre de pièces enregistrées atteint maintenant les 103 000.  \n  \nLes collections comprennent des lampes en verre émaillé, des céramiques égyptiennes et une rare collection de filtres de gargoulettes en filigrane à décor peint sous glaçure, ces pièces étant célèbres pour leurs motifs d’entrelacs. À noter également des collections de bois, de textiles et de pierres à inscriptions, et une collection de tapis qui est considérée comme l’une des plus importantes de sa catégorie. Les collections d’instruments scientifiques montrent bien à quel point la civilisation islamique a contribué à la connaissance dans des domaines aussi nombreux que différents. Il y a aussi une extraordinaire collection de sceaux, poids et mesures, et de pièces de monnaies en or, argent, et cuivre.  \n  \nRiche de l’une des plus importantes collections d’art islamique au monde, le Musée d’art islamique continue à développer ses collections, et à moderniser le bâtiment avec ses 25 pièces, ses bureaux et son jardin archéologique.","city":"Cairo","website":"https://www.miaegypt.org/","phone":"+20 2 2390 1520"},"f6a3053d-d710-547e-be54-96097d448f7a":{"name":"Musée national de Damas","description":"Le Musée national de Damas fut fondé en 1919 et placé sous la responsabilité du ministère de l’Éducation. Le noyau originel de ses collections était initialement conservé à la madrasa al-'Adiliya. La collection s’enrichit progressivement, et la découverte du palais omeyyade de al-Hayr al-Gharbi dans le désert syrien en 1936 accéléra encore les projets d’agrandissement et de rénovation du musée. Un bâtiment situé près de la takiyya al-Sulaymaniya fut retenu pour l’établissement du futur Musée national de Damas.  \n  \nQasr al-Hayr al-Gharbi montra à quel point il importait de consacrer encore plus d’attention à la période islamique, et les directeurs des Antiquités décidèrent d’intégrer ces découvertes palatiales au Musée national de Damas. Après un travail considérable et une expertise technique approfondie, la façade principale de Qasr al-Hayr al-Gharbi fut transférée et soigneusement reconstruite comme entrée principale du Musée national. Les salles latérales et le second niveau furent affectés aux plus importantes trouvailles artistiques de ce palais datant des débuts de la période islamique. L’ensemble de l’opération prit plusieurs années et l’ouverture officielle eut lieu en 1950.  \n  \nEn 1953, une aile de trois niveaux fut ajoutée pour abriter et exposer les antiquités orientales, la période islamique et l’art syrien moderne, ainsi que les expositions temporaires.  \n  \nL’une des plus récentes extensions comprenait trois doubles salles dédiées à la période islamique, une nouvelle salle de lecture et une bibliothèque. La salle de lecture fut meublée comme un salon de réception damascène du XIXe siècle, et c’est en soi un chef-d’œuvre de décoration et d’ornementation tardive. L’inauguration de cet agrandissement date de 1963.  \n  \nEn 1974 intervinrent de nouvelles adjonctions, consacrées cette fois à la période paléolithique. Et dernièrement, en 2004, l’aile dédiée aux expositions temporaires fut transformée et réservée à la collection permanente d’antiquités néolithiques.  \n  \nAujourd’hui, le Musée national de Damas comprend les sections suivantes:  \n  \n1\\. Paléolithique.  \n2\\. Néolithique.  \n3\\. Antiquités syriennes orientales.  \n4\\. Classique.  \n5\\. Islamique.  \n6\\. Arts modernes.","city":"Damascus","address":"Qasr el-Heir Street  \nDamascus, Syria","phone":"+963 11 2234331","fax":"+963 11 2247983","email":"sam.orient@mail.sy"}}

package/translations/partners.it.json

@@ -1 +1 @@
-{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museo di Arte Islamica al Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"}}
+{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museo di Arte Islamica al Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"a3753de5-842a-5f0b-a8c7-50bb2e312ce6":{"name":"Kunsthistorisches Museum","city":"Vienna","address":"Burgring, 5  \n1010 Wien  \nAustria","website":"http://www.khm.at/","phone":"+43 1 525 24-0","email":"info@khm.at"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"}}

package/translations/partners.pt.json

@@ -1 +1 @@
-{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"}}
+{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Museum for Islamic Art at the Pergamon Museum","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"}}

package/translations/partners.tr.json

@@ -1 +1 @@
-{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Pergamon Müzesi'ne bağlı İslam Eserleri Müzesi","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","email":"information@britishmuseum.org"}}
+{"8128a827-15fb-5166-902e-e23aab2a8fd7":{"name":"Pergamon Müzesi'ne bağlı İslam Eserleri Müzesi","city":"Berlin","address":"Geschwister-Scholl-Straße, 6  \n10117 Berlin  \nGermany","website":"http://www.smb.museum/museen-und-einrichtungen/museum-fuer-islamische-kunst/home.html","phone":"+49 30 266 42 5201","fax":"+49 30 266 42 5202","email":"isl@smb.spk-berlin.de"},"af01a84d-b174-5718-b9a7-b741c8957086":{"name":"British Museum","city":"London","address":"Great Russell St.,  \nLondon WC1B 3DG  \nUnited Kingdom","website":"http://www.britishmuseum.org","phone":"+44 20 7323 8000 / 8299","fax":"+44 20 7323 8616","email":"information@britishmuseum.org"}}