@museumwnf/theatre-data 1.0.1 → 1.0.2

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (5) hide show
  1. package/items.json +1 -1
  2. package/manifest.json +1 -1
  3. package/package.json +1 -1
  4. package/partners.json +1 -1
  5. package/translations/partners.en.json +1 -1
package/items.json CHANGED
@@ -1 +1 @@
1
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A museum of international stature as well as a vital part of Southern California, LACMA shares its vast collections through exhibitions, public programs, and research facilities that attract nearly a million visitors annually. \n \nLACMA’s seven-building complex is located on twenty acres in the heart of Los Angeles, halfway between the ocean and downtown. The campus is undergoing a ten-year expansion and renovation known as the Transformation and designed by the Renzo Piano Building Workshop. \n \nLACMA’s collections encompass the geographic world and virtually the entire history of art. The museum houses a highly significant collection of Islamic art. These widely diverse arts, from an area extending from southern Spain to Central Asia, trace the distinctive visual imagination of Islamic artists over a period of fourteen hundred years. The collection consists of over 1,700 works, of which some 150 examples are on view; these include glazed ceramics, inlaid metalwork, enameled glass, carved wood and stone, and manuscript illustration, illumination, and calligraphy. Particular strengths of the collection are glazed pottery and tiles from Iran and Turkey; glass, especially from the late seventh to the mid-thirteenth century; and Persian and Turkish arts of the book. \n \nThe museum began to concentrate seriously on Islamic art in 1973, with the acquisition of the Nasli M. Heeramaneck Collection, the generous gift of Joan Palevsky. Although the Heeramaneck collection forms the nucleus of the Islamic holdings, the focus and scope of the collection have developed considerably since 1973. Two important additions, both gifts, occurred in the 1980s. In 1985 the noted collector Edwin Binney, 3rd, bequeathed more than one hundred works, in particular examples of the arts of the book and ceramics of the Ottoman period. Approximately fifty glass objects, primarily of the early Islamic period, from Hans and Varya Cohn's splendid collection were given to the museum in 1988. The collection has been augmented further over the past two decades through gift and purchase, most notably the acquisition in 2002 of the Madina Collection of Islamic Art, made possible in large part by a generous gift from longtime LACMA benefactor and Trustee Camilla Chandler Frost. Its addition has created a new international focus on Los Angeles and on LACMA.","city":"Los Angeles","address":"5905 Wilshire Boulevard \nLos Angeles, CA 90036 \nUnited States of America","website":"http://www.lacma.org/","phone":"323 857 6000","email":"publicinfo@lacma.org"},"4456ae4f-8839-5955-824e-44355a235903":{"name":"Further Associated Museums","description":"**Bologna** \n \nArt Collection of the Cassa di Risparmio, Bologna \n[http://www.fondazionecarisbo.it/](http://www.fondazionecarisbo.it/) \n \nCivic Museum of the Risorgimento, Certosa of Bologna \n[http://www.comune.bologna.it/museorisorgimento/](http://www.comune.bologna.it/museorisorgimento/) \n[http://www.storiaememoriadibologna.it/certosa](http://www.storiaememoriadibologna.it/certosa) \n \nEcclesiastical Cultural Heritage Office of the Diocese of Bologna \n \nInternational Museum and Music Library \n[http://www.museomusicabologna.it/](http://www.museomusicabologna.it/) \n \nMuseums at Palazzo Poggi, University of Bologna \n[http://www.museopalazzopoggi.unibo.it/](http://www.museopalazzopoggi.unibo.it/)","city":"Bologna"},"6440f57d-bc25-5c0f-9b16-443be2f69b2a":{"name":"Khalili Family Trust – Hajj and the Arts of Pilgrimage Collection","description":"In striving to provide a synoptic vision of the arts of the entire Islamic world, and since the 1970s, Professor Nasser D. Khalili has assembled his collection of Islamic art under the auspices of The Khalili Family Trust. With holdings of more than 28,000 objects documenting the range of artistic production of the Islamic lands over a period of some 1400 years, the Collection now ranks among the best in the world and represents a new generation of Islamic art collections. \n \nThe Collection includes an outstanding array of manuscripts of the Holy Qur’an and of illustrated manuscripts, and the coverage of the decorative arts – ceramics, textiles, glass, metalwork and lacquer as well as seals and coins – is comprehensive. \n \nThe holdings of manuscripts and folios of the Holy Qur’an are the first to have been assembled systematically in order to illustrate the whole history of Qur’an production, both in terms of time span and geographical range – from the 8th to the 20th centuries, and from Morocco to China. Similar sequences have been assembled for painting and the decorative arts. Glass, ceramics and metalwork, for example, are represented in the full range of techniques from the pre-Islamic period through to the 19th century. \n \nLater Islamic art has been given the same level of attention. The wealth of important objects and manuscripts from later periods in the Collection shows that much art worthy of our attention on aesthetic as well as historical and intellectual grounds was produced in the 17th, 18th and 19th centuries. Another important art form of this period is Islamic lacquer, represented in the Collection by more than 500 examples. \n \nThe catalogue of the Collection is an unprecedented 27-volume series, of which several are now published, and when completed will form a unique survey of the field to date. *Studies in the Khalili Collection* is a second series of publications related to the Islamic art collection, presenting more detailed analysis of certain objects. \n \n**Hajj and the Arts of Pilgrimage Collection** \n \nFor some 40 years, and under the auspices of The Khalili Family Trust, Professor Nasser D. Khalili has been actively involved in assembling a notable collection of objects relating to Hajj, the fifth pillar of Islam and the one that lends itself most readily to artistic expression. With over 3000 objects, the Hajj and the Arts of Pilgrimage Collection is now one of the largest and most important of its kind and includes major objects, many of which are unique. \n \nThe objects range in date from the 8th to the 20th centuries and geographically from China and India in the east to Morocco and the United Kingdom in the west. They include some 250 woven and embroidered textiles made for the two holy sanctuaries at Mecca and Medina, seven covers for the Egyptian and Syrian *mahmal*s, Qur’ans, illustrated manuscripts, scientific instruments, coins, paintings, rare books, prints, photographs and postcards, as well as important archival material and some unique historical documents. \n \nGiven its size and diversity, the Collection provides a comprehensive overview of Hajj, illustrating the religious, spiritual, cultural and artistic aspects of pilgrimage to the holy cities of Islam and the cosmopolitan nature of Hajj. \n \nFor several years now, the material has been undergoing a thorough programme of conservation which is soon to be completed, and research in preparation for its publication in a number of volumes is well advanced. The volumes will include contributions by a number of international scholars who are leading experts in the numerous disciplines that this subject evokes.","city":"London","website":"http://www.khalilicollections.org","email":"info@nourhouse.com"},"6a05cd70-3f9b-5480-8f66-c26e05087784":{"name":"Museums' System of the Province of Bologna","description":"A museums’ network created by Provincia di Bologna, offering a virtual tour through over 100 museums within Bologna and the surrounding area from the Po Valley, and the verdant hills up to the Apennine Mountains. Many different collections have been gathered into one virtual museum, inviting visitors to discover a rich heritage along five thematic paths (Archaeology, Arts, History, Sciences and Identity), and four geographic routes (Bologna, Imola and its surrounds, the Plains, and the Apennine Mountains). \n \nOn the agenda, a rich menu to suit all tastes: an intriguing starter is offered by the Etruscan and Roman heritage, set against the vestiges of our prehistoric ancestors. The arts follow, including those of the Middle Ages, illuminated manuscripts; the genius of Vitale da Bologna and the world-renowned Bolognese painters, the Carracci to Giorgio Morandi; the tradition of excellence in music honoured by Mozart, Farinelli and Rossini. Then there is a focus on History with Bologna’s most ancient University and its undisputed supremacy in scientific investigation, encompassing Ulisse Aldrovandi’s herbarium as well as Galvani’s and Marconi’s experiments. Take in the captivating stories of Risorgimento (“Resurgence”) after almost four centuries of magnificent papal authority; the grand events of World War Two, for example the Autumn Campaign of 1944; the subsequent suffering of the people, the struggles and resistance. Last but not least, from those museums dedicated to rural and industrial archaeology, the identity and character of people as rooted in agriculture and handicrafts and the technological innovations of more recent times.","city":"Bologna","address":"Via de’ Castagnoli, 3 \n40126 Bologna \nItaly","website":"http://www.cittametropolitana.bo.it/cultura/Engine/RAServePG.php/P/267811390414/T/Guida-Musei","phone":"+39 051 6598470","email":"sistemamusei@provincia.bologna.it"},"6dad7774-d6a4-55b6-8d2c-c7751bdd6b44":{"name":"Civic Museums of Ancient Art","description":"Three museums make up the Civic Museums of Ancient Art (Musei Civici d’Arte Antica) in Bologna. The Collezioni Comunali d’Arte (Municipal Art Collections) were instituted in 1936 in the Ancien Régime apartments of the papal legate in the City Hall. Housed here are works from the 13th to the 20th century. The collection – paintings, sculptures, furniture, furnishings and decorative objects – is the sum of 19th- and 20th-century bequests along with works that originally belonged to former ruling bodies of the city, including mythological and allegorical paintings (1713–1723) by Donato Creti. Works of the Emilian school (medieval painted and carved crosses; paintings by Vitale da Bologna, Jacopo di Paolo, Francia, Aspertini, Passerotti, the Carracci, Tiarini, Cagnacci, Crespi, Gandolfi and Palagi) are hung next to others by masters from all over Italy and abroad (Bonfigli, Moretti, Pirez, Signorelli, Bertoja, Gentileschi, Nuvolone, Hayez and Brullov). The rooms communicate the atmosphere of different artistic periods in Bolognese art. \n \nSince 1985, the Medieval Museum has been housed in the Renaissance Palazzo Ghisilardi. The items here come from several historical collections: the Baroque Wunderkammer of the Marquis Cospi; Luigi Ferdinando Marsili’s collection, one of the most important in Enlightenment Europe; collections of 19th-century artists (Baruzzi and Palagi). The Medieval sculpture department is at the heart the Museum’s identity. Among the masterpieces exhibited are examples of high Medieval craftsmanship, a cope embroidered in opus anglicanum with stories of the Life of Christ, a statue of Pope Boniface VIII in gilded copper, Gothic French ivories, important Renaissance and post-Renaissance items (weapons, armoury and glass) and Bolognese illuminated manuscripts. Renaissance and Baroque bronze sculptures include Giambologna’s model for the Neptune fountain, Algardi’s Saint Michael Archangel and Bernini’s bust of Pope Gregory XV Ludovisi. \n \nThe Davia Bargellini Museum was inaugurated in 1924 in the building of the same name. It includes a picture gallery (Vitale da Bologna, Michele di Matteo, Jacopo di Paolo, Prospero and Lavinia Fontana, Passerotti, Franceschini, Giuseppe Maria and Luigi Crespi) and a rich selection of objects of applied art recreating an authentic 18th-century Bolognese setting. Some items are particularly rare, such as the marionette theatre and a miniature of an 18th-century private house. Bolognese Baroque sculpture is represented by a wide display of works, mainly terracotta, dating from the 16th to the 20th centuries.","city":"Bologna","address":"Via Manzoni, 4 \n40121 Bologna \nItaly","website":"http://www.museibologna.it/arteantica","phone":"+39 051 2193916","email":"museiarteantica@comune.bologna.it"},"83b5a171-0257-50b2-84c9-f6a1e6d481e2":{"name":"Italian Geographical Society (SGI)","description":"Founded in 1867 for the purpose of promoting geographic research and the popular distribution of geographic knowledge, the SGI has realised its objectives with reference to the various parts of the world. \n \nA distinctive feature of the SGI’s history has been the organisation of numerous expeditions and scientific missions. But irrespective of the level of involvement by the SGI, interesting accounts of almost all journeys can be found in the society’s archives, since even when an organisation or mission was not directly connected with the SGI, the society was regarded as the most prestigious custodian of the memory of its venture. For this reason, the society’s archives have accumulated a unique legacy (books, maps, photographs) of the history of travel.","city":"Rome","address":"Via della Navicella, 12 \n00184 Roma \nItaly","website":"www.societageografica.it","phone":"+39 06 7008279","email":"segreteria@societageografica.it"},"869f6729-a0ed-56b2-a24b-3c19813a3082":{"name":"National Library of France","description":"The Bibliothèque nationale de France (BnF, National Library of France) holds heritage assets collected over the last 500 years through legal deposit and an active policy of acquisitions: 14 million books and printed items, periodicals, manuscripts, prints, photographs, maps and plans, sheet music, coins, medals, audio documents, video, multimedia documents, sets and costumes. Its archives grow by around 150,000 items per year, covering the full range of intellectual, artistic and scientific disciplines. \n \nIt conserves, analyses, classifies and organises these treasures in order to make them available to the public, for research or general knowledge purposes. \n \nIt publicises them by organising exhibitions, conferences, talks and publishing works. \n \nIn addition to its reading rooms, which welcome more than 940,000 people every year, the BnF provides access to more than 1.5 million documents via the Gallica digital library. \n \nIt is also at the heart of the national network for cooperation between libraries, and it runs an international exchange and cooperation scheme. \n \nA dynamic institution that is open to the challenges of the future, BnF is developing projects to give it a new dimension, thereby helping to increase its influence and its leading role in taking on the major cultural challenges of tomorrow: the legal deposit of Internet documents, the development of on-line digital libraries (Gallica and its upgrade Gallica 2) and the mass digitisation of its collections.","city":"Paris","address":"Quai François-Mauriac \n75706 Paris Cedex 13 \nFrance","website":"http://www.bnf.fr/","phone":"+33 (0)1 537 959 59"},"8f0d2773-afea-51e8-ab5b-624187d06f77":{"name":"Ministry of Culture and Tourism (General Directorate for Cultural Heritage and Museums)","description":"Hosting many civilisations on its soil throughout the ages, Turkey can be identified as the cradle of civilisations and its culture is enriched by the ancient history of Anatolia, the Mediterranean, the Middle East, the Caucasus, eastern Europe and the Aegean. Turkey is now among the most important cultural and touristic places in the world with its thousands of years of cultural accumulation, unique geography, intercontinental location and natural beauty. Duties and activities including promotion, preservation and the transfer of cultural heritage into the future are the responsibility of the Ministry of Culture and Tourism. The ministry creates policies that keep abreast of contemporary socioeconomic and strategic developments occurring in the world and carries out its activities within the powers delegated by law.","city":"Ankara","address":"II. TBMM Binası Yanı \n06110 Ulus/Ankara \nTurkey","website":"www.kultur.gov.tr","phone":"+90 312 470 80 00","email":"kulturvalikmuze@gov.tr"},"f446146a-791c-5ab5-a762-4bd0263541be":{"name":"Moravian Gallery","description":"The Moravian Gallery in Brno, the second largest art museum in the Czech Republic, is exceptional for the wide range of artistic disciplines it covers. It is the only institution in the country collecting visual art that is concerned with painting, drawing, graphic art and sculpture – from the past and the present – as well as photography, applied art and design. \n \nFounded in Brno in 1961 by amalgamating the Museum of Applied Arts and the Picture Gallery of the Moravian Museum, it is housed in three centrally located and architecturally impressive buildings. The Moravian Gallery in Brno sets out to present visual culture from within the Czech Republic in a European context, through both permanent and temporary exhibitions. To achieve its goals it works together with a number of institutions at home and abroad and participates in international projects. At a global level the most renowned event organised by the Moravian Gallery in Brno is the International Biennale of Graphic Design, which has been taking place here since 1963. \n \nThe temporary displays and permanent exhibitions are enriched by an accompanying programme of lectures, guided tours, workshops, concerts and performances created to suit the whole spectrum of visitors. Special attention is paid to children, whether visiting individually or in school groups. \n \nA testimonial to the museum's accessibility is a collection of art for the visually impaired and related exhibition projects such as Possible Messages and Invisible Causes.","city":"Brno","address":"Husova 18, \nCZ-662 00 Brno \nCzech Republic","website":"http://www.moravska-galerie.cz","phone":"+420 532 169 111; 532 169 130","email":"info@moravska-galerie.cz"},"fae81dae-0250-52ec-acc1-171da28b9eef":{"name":"Borghese Gallery","description":"The Casino Borghese ­– today the Borghese Museum and Gallery – was commissioned from Flaminio Ponzio by Pope Paolo V's nephew, Cardinal Scipione Caffarelli Borghese, who wanted a suburban villa to house his art collections. It was completed after Ponzio's death by Giovanni Vasanzio in 1613–15. \n \nCasino Borghese lies inside a great park and the garden is divided into three precincts divided by a series of spaces and buildings: the Casino, three Secret Gardens, the Aviary, the Meridiana Pavilion. \n \nCardinal Borghese's antique collection was augmented by archaeological excavations on the family property and by acquisitions such as the collections of Ceoli and Tommaso e Giovan Battista Della Porta. \n \nThe cardinal was uninterested in medieval art, but was very interested in renaissance and contemporary art. He used his powerful position to increase his collection by any means, including confiscation. He imprisoned Domenichino to obtain his *La Caccia di* *Diana* and ordered the secret removal to Rome of Raphael's *Deposition* from the Baglioni Chapel in Perugia. \n \nScipione commissioned works from the most important contemporary artists: Bernini, Caravaggio, Guido Reni, Guercino, Lanfranco, Domenichino, Algardi, Cavalier d'Arpino, Rubens, Lavinia Fontana, Nicolas Cordier and Antonio Susini. He also bought many paintings from the Ferrara School. With Scipione the renaissance concept of the aristocratic patron was transformed into the 'modern' collector. \n \nAfter the marriage of Paolo Borghese and Olimpia Aldobrandini (1682) part of the Aldobrandini inheritance was incorporated in the Borghese collection. \n \nBetween 1770 and 1793 Marcantonio IV Borghese renewed the villa in neoclassical style. His son Camillo married Pauline Bonaparte and was persuaded by his brother-in-law, Napoleon, to 'sell' him (1807) a considerable part of the archaeological collection, which now is in the Louvre; fortunately Camillo also bought many works such as Correggio's *Danae* (1827) and Guercino's *Prodigal Son* and commissioned from Canova (1805–8) a sculpture of Pauline as *Venus Victrix*, a neoclassical masterpiece. Gaps caused by the 'sale' were filled with new finds from recent excavations and works from various Borghese residences. \n \nIn 1902 the Casino Borghese and its collection were acquired by Italian Government. \n \nAmong the great pieces in the collection are: Titian's *Sacred and Profane Love*; marble sculptures by Bernini including *Apollo and Daphne*, *Pluto and Proserpina*, *David*, *Aeneas and Anchises*; paintings by Caravaggio including *Boy with a Basket of Fruit*, *Madonna of the Palafrenieri* and *David with the Head of Goliath*; and many works by Raphael, Rubens, Pinturicchio, Perugino, Titian, Domenichino, Carracci and many others.","city":"Rome","address":"Piazzale Scipione Borghese, 5 \nI - 00197 Rome","website":"http://galleriaborghese.beniculturali.it/it","phone":"+39 06 8413979"}}
1
+ {"1db535b6-0ad9-580c-b2d0-66605f9e9d44":{"name":"Further Associated Museums","description":"**Lisbon** \nAncient Patriarch’s Palace, now Casa do Gaiato \nArmy Museum \nCalouste Gulbenkian Museum \nChurch of St. Domingos de Benfica \nLisbon’s Holy House of Mercy/Museum of São Roque \nMacau Scientific and Cultural Centre Museum \nMaritime Museum \nNational Coach Museum \nNational Library of Portugal \nNational Museum of Ancient Art \nPharmacy Museum \n \n**Alpiarça** \nPatudos House, Alpiarça Museum \n \n**Alcobaça** \nAlcobaça Monastery \n \n**Arouca** \nSacred Art Museum of Arouca \n \n**Beja** \nQueen Leonor Museum, Districtal Museum of Beja \n \n**Braga** \nBraga Cathedral \n \n**Coimbra** \nMachado de Castro National Museum \nMuseum of Physics, University of Coimbra \n \n**Ílhavo** \nVista Alegre Historic Museum \n \n**Oeiras** \nOeiras Town Hall \n \n**Óbidos** \nMunicipal Museum of Óbidos \n \n**Porto** \nSoares dos Reis National Museum \n \n**Sardoal** \nSardoal’s Holy House of Mercy \n \n**Viana do Castelo** \nMuseum of Art and Archeology of Viana do Castelo \n \n**Vila Verde dos Francos** \nOur Lady of the Visitation Convent \n \n**Vila Viçosa** \nMuseum and Library of the House of Braganza \n \n**Viseu** \nGrão Vasco Museum"},"3ca60fa4-b04d-5aac-8545-cd0a8f6b1935":{"name":"Los Angeles County Museum of Art (LACMA)","description":"With 100,000 objects dating from ancient times to the present, the Los Angeles County Museum of Art (LACMA) is the largest art museum in the western United States. A museum of international stature as well as a vital part of Southern California, LACMA shares its vast collections through exhibitions, public programs, and research facilities that attract nearly a million visitors annually. \n \nLACMA’s seven-building complex is located on twenty acres in the heart of Los Angeles, halfway between the ocean and downtown. The campus is undergoing a ten-year expansion and renovation known as the Transformation and designed by the Renzo Piano Building Workshop. \n \nLACMA’s collections encompass the geographic world and virtually the entire history of art. The museum houses a highly significant collection of Islamic art. These widely diverse arts, from an area extending from southern Spain to Central Asia, trace the distinctive visual imagination of Islamic artists over a period of fourteen hundred years. The collection consists of over 1,700 works, of which some 150 examples are on view; these include glazed ceramics, inlaid metalwork, enameled glass, carved wood and stone, and manuscript illustration, illumination, and calligraphy. Particular strengths of the collection are glazed pottery and tiles from Iran and Turkey; glass, especially from the late seventh to the mid-thirteenth century; and Persian and Turkish arts of the book. \n \nThe museum began to concentrate seriously on Islamic art in 1973, with the acquisition of the Nasli M. Heeramaneck Collection, the generous gift of Joan Palevsky. Although the Heeramaneck collection forms the nucleus of the Islamic holdings, the focus and scope of the collection have developed considerably since 1973. Two important additions, both gifts, occurred in the 1980s. In 1985 the noted collector Edwin Binney, 3rd, bequeathed more than one hundred works, in particular examples of the arts of the book and ceramics of the Ottoman period. Approximately fifty glass objects, primarily of the early Islamic period, from Hans and Varya Cohn's splendid collection were given to the museum in 1988. The collection has been augmented further over the past two decades through gift and purchase, most notably the acquisition in 2002 of the Madina Collection of Islamic Art, made possible in large part by a generous gift from longtime LACMA benefactor and Trustee Camilla Chandler Frost. Its addition has created a new international focus on Los Angeles and on LACMA.","city":"Los Angeles","address":"5905 Wilshire Boulevard \nLos Angeles, CA 90036 \nUnited States of America","website":"http://www.lacma.org/","phone":"323 857 6000","email":"publicinfo@lacma.org"},"4456ae4f-8839-5955-824e-44355a235903":{"name":"Further Associated Museums","description":"**Bologna** \n \nArt Collection of the Cassa di Risparmio, Bologna \n[http://www.fondazionecarisbo.it/](http://www.fondazionecarisbo.it/) \n \nCivic Museum of the Risorgimento, Certosa of Bologna \n[http://www.comune.bologna.it/museorisorgimento/](http://www.comune.bologna.it/museorisorgimento/) \n[http://www.storiaememoriadibologna.it/certosa](http://www.storiaememoriadibologna.it/certosa) \n \nEcclesiastical Cultural Heritage Office of the Diocese of Bologna \n \nInternational Museum and Music Library \n[http://www.museomusicabologna.it/](http://www.museomusicabologna.it/) \n \nMuseums at Palazzo Poggi, University of Bologna \n[http://www.museopalazzopoggi.unibo.it/](http://www.museopalazzopoggi.unibo.it/)","city":"Bologna"},"6440f57d-bc25-5c0f-9b16-443be2f69b2a":{"name":"Khalili Family Trust – Hajj and the Arts of Pilgrimage Collection","description":"In striving to provide a synoptic vision of the arts of the entire Islamic world, and since the 1970s, Professor Nasser D. Khalili has assembled his collection of Islamic art under the auspices of The Khalili Family Trust. With holdings of more than 28,000 objects documenting the range of artistic production of the Islamic lands over a period of some 1400 years, the Collection now ranks among the best in the world and represents a new generation of Islamic art collections. \n \nThe Collection includes an outstanding array of manuscripts of the Holy Qur’an and of illustrated manuscripts, and the coverage of the decorative arts – ceramics, textiles, glass, metalwork and lacquer as well as seals and coins – is comprehensive. \n \nThe holdings of manuscripts and folios of the Holy Qur’an are the first to have been assembled systematically in order to illustrate the whole history of Qur’an production, both in terms of time span and geographical range – from the 8th to the 20th centuries, and from Morocco to China. Similar sequences have been assembled for painting and the decorative arts. Glass, ceramics and metalwork, for example, are represented in the full range of techniques from the pre-Islamic period through to the 19th century. \n \nLater Islamic art has been given the same level of attention. The wealth of important objects and manuscripts from later periods in the Collection shows that much art worthy of our attention on aesthetic as well as historical and intellectual grounds was produced in the 17th, 18th and 19th centuries. Another important art form of this period is Islamic lacquer, represented in the Collection by more than 500 examples. \n \nThe catalogue of the Collection is an unprecedented 27-volume series, of which several are now published, and when completed will form a unique survey of the field to date. *Studies in the Khalili Collection* is a second series of publications related to the Islamic art collection, presenting more detailed analysis of certain objects. \n \n**Hajj and the Arts of Pilgrimage Collection** \n \nFor some 40 years, and under the auspices of The Khalili Family Trust, Professor Nasser D. Khalili has been actively involved in assembling a notable collection of objects relating to Hajj, the fifth pillar of Islam and the one that lends itself most readily to artistic expression. With over 3000 objects, the Hajj and the Arts of Pilgrimage Collection is now one of the largest and most important of its kind and includes major objects, many of which are unique. \n \nThe objects range in date from the 8th to the 20th centuries and geographically from China and India in the east to Morocco and the United Kingdom in the west. They include some 250 woven and embroidered textiles made for the two holy sanctuaries at Mecca and Medina, seven covers for the Egyptian and Syrian *mahmal*s, Qur’ans, illustrated manuscripts, scientific instruments, coins, paintings, rare books, prints, photographs and postcards, as well as important archival material and some unique historical documents. \n \nGiven its size and diversity, the Collection provides a comprehensive overview of Hajj, illustrating the religious, spiritual, cultural and artistic aspects of pilgrimage to the holy cities of Islam and the cosmopolitan nature of Hajj. \n \nFor several years now, the material has been undergoing a thorough programme of conservation which is soon to be completed, and research in preparation for its publication in a number of volumes is well advanced. The volumes will include contributions by a number of international scholars who are leading experts in the numerous disciplines that this subject evokes.","city":"London","website":"http://www.khalilicollections.org","email":"info@nourhouse.com"},"6a05cd70-3f9b-5480-8f66-c26e05087784":{"name":"Museums' System of the Province of Bologna","description":"A museums’ network created by Provincia di Bologna, offering a virtual tour through over 100 museums within Bologna and the surrounding area from the Po Valley, and the verdant hills up to the Apennine Mountains. Many different collections have been gathered into one virtual museum, inviting visitors to discover a rich heritage along five thematic paths (Archaeology, Arts, History, Sciences and Identity), and four geographic routes (Bologna, Imola and its surrounds, the Plains, and the Apennine Mountains). \n \nOn the agenda, a rich menu to suit all tastes: an intriguing starter is offered by the Etruscan and Roman heritage, set against the vestiges of our prehistoric ancestors. The arts follow, including those of the Middle Ages, illuminated manuscripts; the genius of Vitale da Bologna and the world-renowned Bolognese painters, the Carracci to Giorgio Morandi; the tradition of excellence in music honoured by Mozart, Farinelli and Rossini. Then there is a focus on History with Bologna’s most ancient University and its undisputed supremacy in scientific investigation, encompassing Ulisse Aldrovandi’s herbarium as well as Galvani’s and Marconi’s experiments. Take in the captivating stories of Risorgimento (“Resurgence”) after almost four centuries of magnificent papal authority; the grand events of World War Two, for example the Autumn Campaign of 1944; the subsequent suffering of the people, the struggles and resistance. Last but not least, from those museums dedicated to rural and industrial archaeology, the identity and character of people as rooted in agriculture and handicrafts and the technological innovations of more recent times.","city":"Bologna","address":"Via de’ Castagnoli, 3 \n40126 Bologna \nItaly","website":"http://www.cittametropolitana.bo.it/cultura/Engine/RAServePG.php/P/267811390414/T/Guida-Musei","phone":"+39 051 6598470","fax":"+39 051 6598884","email":"sistemamusei@provincia.bologna.it"},"6dad7774-d6a4-55b6-8d2c-c7751bdd6b44":{"name":"Civic Museums of Ancient Art","description":"Three museums make up the Civic Museums of Ancient Art (Musei Civici d’Arte Antica) in Bologna. The Collezioni Comunali d’Arte (Municipal Art Collections) were instituted in 1936 in the Ancien Régime apartments of the papal legate in the City Hall. Housed here are works from the 13th to the 20th century. The collection – paintings, sculptures, furniture, furnishings and decorative objects – is the sum of 19th- and 20th-century bequests along with works that originally belonged to former ruling bodies of the city, including mythological and allegorical paintings (1713–1723) by Donato Creti. Works of the Emilian school (medieval painted and carved crosses; paintings by Vitale da Bologna, Jacopo di Paolo, Francia, Aspertini, Passerotti, the Carracci, Tiarini, Cagnacci, Crespi, Gandolfi and Palagi) are hung next to others by masters from all over Italy and abroad (Bonfigli, Moretti, Pirez, Signorelli, Bertoja, Gentileschi, Nuvolone, Hayez and Brullov). The rooms communicate the atmosphere of different artistic periods in Bolognese art. \n \nSince 1985, the Medieval Museum has been housed in the Renaissance Palazzo Ghisilardi. The items here come from several historical collections: the Baroque Wunderkammer of the Marquis Cospi; Luigi Ferdinando Marsili’s collection, one of the most important in Enlightenment Europe; collections of 19th-century artists (Baruzzi and Palagi). The Medieval sculpture department is at the heart the Museum’s identity. Among the masterpieces exhibited are examples of high Medieval craftsmanship, a cope embroidered in opus anglicanum with stories of the Life of Christ, a statue of Pope Boniface VIII in gilded copper, Gothic French ivories, important Renaissance and post-Renaissance items (weapons, armoury and glass) and Bolognese illuminated manuscripts. Renaissance and Baroque bronze sculptures include Giambologna’s model for the Neptune fountain, Algardi’s Saint Michael Archangel and Bernini’s bust of Pope Gregory XV Ludovisi. \n \nThe Davia Bargellini Museum was inaugurated in 1924 in the building of the same name. It includes a picture gallery (Vitale da Bologna, Michele di Matteo, Jacopo di Paolo, Prospero and Lavinia Fontana, Passerotti, Franceschini, Giuseppe Maria and Luigi Crespi) and a rich selection of objects of applied art recreating an authentic 18th-century Bolognese setting. Some items are particularly rare, such as the marionette theatre and a miniature of an 18th-century private house. Bolognese Baroque sculpture is represented by a wide display of works, mainly terracotta, dating from the 16th to the 20th centuries.","city":"Bologna","address":"Via Manzoni, 4 \n40121 Bologna \nItaly","website":"http://www.museibologna.it/arteantica","phone":"+39 051 2193916","fax":"+39 051 232312","email":"museiarteantica@comune.bologna.it"},"83b5a171-0257-50b2-84c9-f6a1e6d481e2":{"name":"Italian Geographical Society (SGI)","description":"Founded in 1867 for the purpose of promoting geographic research and the popular distribution of geographic knowledge, the SGI has realised its objectives with reference to the various parts of the world. \n \nA distinctive feature of the SGI’s history has been the organisation of numerous expeditions and scientific missions. But irrespective of the level of involvement by the SGI, interesting accounts of almost all journeys can be found in the society’s archives, since even when an organisation or mission was not directly connected with the SGI, the society was regarded as the most prestigious custodian of the memory of its venture. For this reason, the society’s archives have accumulated a unique legacy (books, maps, photographs) of the history of travel.","city":"Rome","address":"Via della Navicella, 12 \n00184 Roma \nItaly","website":"www.societageografica.it","phone":"+39 06 7008279","fax":"+39 06 77079518","email":"segreteria@societageografica.it"},"869f6729-a0ed-56b2-a24b-3c19813a3082":{"name":"National Library of France","description":"The Bibliothèque nationale de France (BnF, National Library of France) holds heritage assets collected over the last 500 years through legal deposit and an active policy of acquisitions: 14 million books and printed items, periodicals, manuscripts, prints, photographs, maps and plans, sheet music, coins, medals, audio documents, video, multimedia documents, sets and costumes. Its archives grow by around 150,000 items per year, covering the full range of intellectual, artistic and scientific disciplines. \n \nIt conserves, analyses, classifies and organises these treasures in order to make them available to the public, for research or general knowledge purposes. \n \nIt publicises them by organising exhibitions, conferences, talks and publishing works. \n \nIn addition to its reading rooms, which welcome more than 940,000 people every year, the BnF provides access to more than 1.5 million documents via the Gallica digital library. \n \nIt is also at the heart of the national network for cooperation between libraries, and it runs an international exchange and cooperation scheme. \n \nA dynamic institution that is open to the challenges of the future, BnF is developing projects to give it a new dimension, thereby helping to increase its influence and its leading role in taking on the major cultural challenges of tomorrow: the legal deposit of Internet documents, the development of on-line digital libraries (Gallica and its upgrade Gallica 2) and the mass digitisation of its collections.","city":"Paris","address":"Quai François-Mauriac \n75706 Paris Cedex 13 \nFrance","website":"http://www.bnf.fr/","phone":"+33 (0)1 537 959 59"},"8f0d2773-afea-51e8-ab5b-624187d06f77":{"name":"Ministry of Culture and Tourism (General Directorate for Cultural Heritage and Museums)","description":"Hosting many civilisations on its soil throughout the ages, Turkey can be identified as the cradle of civilisations and its culture is enriched by the ancient history of Anatolia, the Mediterranean, the Middle East, the Caucasus, eastern Europe and the Aegean. Turkey is now among the most important cultural and touristic places in the world with its thousands of years of cultural accumulation, unique geography, intercontinental location and natural beauty. Duties and activities including promotion, preservation and the transfer of cultural heritage into the future are the responsibility of the Ministry of Culture and Tourism. The ministry creates policies that keep abreast of contemporary socioeconomic and strategic developments occurring in the world and carries out its activities within the powers delegated by law.","city":"Ankara","address":"II. TBMM Binası Yanı \n06110 Ulus/Ankara \nTurkey","website":"www.kultur.gov.tr","phone":"+90 312 470 80 00","fax":"+90 312 470 65 32","email":"kulturvalikmuze@gov.tr"},"f446146a-791c-5ab5-a762-4bd0263541be":{"name":"Moravian Gallery","description":"The Moravian Gallery in Brno, the second largest art museum in the Czech Republic, is exceptional for the wide range of artistic disciplines it covers. It is the only institution in the country collecting visual art that is concerned with painting, drawing, graphic art and sculpture – from the past and the present – as well as photography, applied art and design. \n \nFounded in Brno in 1961 by amalgamating the Museum of Applied Arts and the Picture Gallery of the Moravian Museum, it is housed in three centrally located and architecturally impressive buildings. The Moravian Gallery in Brno sets out to present visual culture from within the Czech Republic in a European context, through both permanent and temporary exhibitions. To achieve its goals it works together with a number of institutions at home and abroad and participates in international projects. At a global level the most renowned event organised by the Moravian Gallery in Brno is the International Biennale of Graphic Design, which has been taking place here since 1963. \n \nThe temporary displays and permanent exhibitions are enriched by an accompanying programme of lectures, guided tours, workshops, concerts and performances created to suit the whole spectrum of visitors. Special attention is paid to children, whether visiting individually or in school groups. \n \nA testimonial to the museum's accessibility is a collection of art for the visually impaired and related exhibition projects such as Possible Messages and Invisible Causes.","city":"Brno","address":"Husova 18, \nCZ-662 00 Brno \nCzech Republic","website":"http://www.moravska-galerie.cz","phone":"+420 532 169 111; 532 169 130","email":"info@moravska-galerie.cz"},"fae81dae-0250-52ec-acc1-171da28b9eef":{"name":"Borghese Gallery","description":"The Casino Borghese ­– today the Borghese Museum and Gallery – was commissioned from Flaminio Ponzio by Pope Paolo V's nephew, Cardinal Scipione Caffarelli Borghese, who wanted a suburban villa to house his art collections. It was completed after Ponzio's death by Giovanni Vasanzio in 1613–15. \n \nCasino Borghese lies inside a great park and the garden is divided into three precincts divided by a series of spaces and buildings: the Casino, three Secret Gardens, the Aviary, the Meridiana Pavilion. \n \nCardinal Borghese's antique collection was augmented by archaeological excavations on the family property and by acquisitions such as the collections of Ceoli and Tommaso e Giovan Battista Della Porta. \n \nThe cardinal was uninterested in medieval art, but was very interested in renaissance and contemporary art. He used his powerful position to increase his collection by any means, including confiscation. He imprisoned Domenichino to obtain his *La Caccia di* *Diana* and ordered the secret removal to Rome of Raphael's *Deposition* from the Baglioni Chapel in Perugia. \n \nScipione commissioned works from the most important contemporary artists: Bernini, Caravaggio, Guido Reni, Guercino, Lanfranco, Domenichino, Algardi, Cavalier d'Arpino, Rubens, Lavinia Fontana, Nicolas Cordier and Antonio Susini. He also bought many paintings from the Ferrara School. With Scipione the renaissance concept of the aristocratic patron was transformed into the 'modern' collector. \n \nAfter the marriage of Paolo Borghese and Olimpia Aldobrandini (1682) part of the Aldobrandini inheritance was incorporated in the Borghese collection. \n \nBetween 1770 and 1793 Marcantonio IV Borghese renewed the villa in neoclassical style. His son Camillo married Pauline Bonaparte and was persuaded by his brother-in-law, Napoleon, to 'sell' him (1807) a considerable part of the archaeological collection, which now is in the Louvre; fortunately Camillo also bought many works such as Correggio's *Danae* (1827) and Guercino's *Prodigal Son* and commissioned from Canova (1805–8) a sculpture of Pauline as *Venus Victrix*, a neoclassical masterpiece. Gaps caused by the 'sale' were filled with new finds from recent excavations and works from various Borghese residences. \n \nIn 1902 the Casino Borghese and its collection were acquired by Italian Government. \n \nAmong the great pieces in the collection are: Titian's *Sacred and Profane Love*; marble sculptures by Bernini including *Apollo and Daphne*, *Pluto and Proserpina*, *David*, *Aeneas and Anchises*; paintings by Caravaggio including *Boy with a Basket of Fruit*, *Madonna of the Palafrenieri* and *David with the Head of Goliath*; and many works by Raphael, Rubens, Pinturicchio, Perugino, Titian, Domenichino, Carracci and many others.","city":"Rome","address":"Piazzale Scipione Borghese, 5 \nI - 00197 Rome","website":"http://galleriaborghese.beniculturali.it/it","phone":"+39 06 8413979","fax":"+39 06 8840756"}}