@motionscript/browser 0.1.0 → 0.1.1-alpha.0

package/dist/exporter.js

@@ -5,33 +5,13 @@ import { loadRenderer } from "./renderer";
 import { WebAudioMixer } from "./audio/mixer";
 import { deliver } from "./deliver";
 import { audioTrackSource, DEFAULT_AUDIO_BITRATE, ensureAudioEncoder, formatSpec, } from "./formats";
-/**
- * Bits per pixel per frame the default bitrate is built from.
- *
- * Rendered motion graphics are the hard case for a codec tuned on camera
- * footage: hard glyph edges, large flat fields, and gradients with no sensor
- * noise to hide the quantisation in. They compress *worse* than live action at
- * the same perceived quality, not better, so the figure here is well above what
- * a streaming preset would use — this is a master being rendered once, not a
- * bitstream being pushed down a pipe.
- */
+/** Bits per pixel per frame for the default bitrate. Motion graphics (hard glyph edges, flat fields, noise-free gradients) compress worse than camera footage, so this is well above a streaming preset. */
 const BITS_PER_PIXEL = 0.2;
 /** Floor, so a tiny viewport still gets enough bits to be legible. */
 const MIN_VIDEO_BITRATE = 2_000_000;
-/**
- * Ceiling. Past this the returns are gone and the levels start excluding
- * hardware decoders — 4K60 lands here, and AVC level 5.1 (which every consumer
- * device implements) tops out at 240 Mbps, well clear of it.
- */
+/** Ceiling: past it the returns are gone and AVC levels start excluding hardware decoders (4K60 lands here; level 5.1 allows 240 Mbps). */
 const MAX_VIDEO_BITRATE = 100_000_000;
-/**
- * The default video bitrate for an export of this size and frame rate.
- *
- * Scaling with **both** axes is the point. mediabunny's `Quality` levels scale
- * with resolution only, so doubling the frame rate halved the bits available per
- * frame while leaving the number unchanged — which is exactly the configuration
- * that produced clean stills and a mushy video from the very same renderer.
- */
+/** Default video bitrate scaled by **both** axes: mediabunny's `Quality` levels scale with resolution only, so doubling the frame rate halved the bits per frame (clean stills, mushy video). */
 export function motionGraphicsBitrate(width, height, fps) {
     const raw = width * height * fps * BITS_PER_PIXEL;
     return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));
@@ -46,23 +26,10 @@ const EMPTY_MANIFEST = {
     audio: {},
     font: {},
 };
-// ── Audio mixing ─────────────────────────────────────────────────────────────
-//
-// The mix itself lives in ./audio/mixer, shared with `mixTimelineAudio` so a
-// split export and a whole one cannot mix differently.
-// ── Video sink ───────────────────────────────────────────────────────────────
 /**
- * mediabunny/WebCodecs implementation of the frame sink, writing whichever
- * container `format` names.
- *
- * Wraps the very `<canvas>` the renderer draws into, so `addFrame` costs nothing but
- * a timestamp — WebCodecs pulls the pixels from the canvas itself, with no
- * GPU→CPU readback. That is why the seam signals a frame rather than passing one.
- *
- * The readback claim holds only while the encoder is a hardware one, which is
- * why {@link VideoEncoderOptions.hardwareAcceleration} defaults to letting the
- * platform choose: a software encoder has to be handed CPU pixels, so it drags
- * a full-frame copy off the GPU on every single frame.
+ * mediabunny/WebCodecs frame sink wrapping the very canvas the renderer draws into: `addFrame` costs only a timestamp
+ * because WebCodecs pulls pixels from the canvas with no GPU->CPU readback (hence the seam signals a frame rather
+ * than passing one). Holds only for a hardware encoder; a software one forces a full-frame copy every frame.
  */
 export class MediabunnyVideoSink {
     format;
@@ -85,17 +52,14 @@ export class MediabunnyVideoSink {
             latencyMode: encoding.latencyMode,
             contentHint: encoding.contentHint,
             ...(encoding.bitrateMode !== undefined && { bitrateMode: encoding.bitrateMode }),
-            // `fit` is exact here — the supersampled canvas is a whole multiple
-            // of the output — but mediabunny requires it whenever both axes are
-            // given, so it is stated rather than inferred.
+            // `fit` is exact (the canvas is a whole multiple of the output) but mediabunny requires it when both axes are given.
             ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' } }),
         });
         this.output = new Output({ format: formatSpec(format).container(), target: this.target });
     }
     async start(info) {
         this.output.addVideoTrack(this.video, { frameRate: info.fps });
-        // Tracks must be declared before the muxer starts, which is why the
-        // orchestrator reports this rather than leaving it to be inferred.
+        // Tracks must be declared before the muxer starts.
         if (info.hasAudio) {
             await ensureAudioEncoder(this.format);
             this.audio = audioTrackSource(this.format, this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE);
@@ -121,30 +85,13 @@ export class MediabunnyVideoSink {
         return new Uint8Array(buffer);
     }
 }
-// ── Main export ──────────────────────────────────────────────────────────────
-/** Round up to the nearest even integer — see the call site. */
 function evenUp(n) {
     const rounded = Math.round(n);
     return rounded % 2 === 0 ? rounded : rounded + 1;
 }
-/**
- * Longest axis the render surface is allowed to reach.
- *
- * Supersampling multiplies the surface, not the output: a 4K export at
- * `supersample: 2` is drawing 8K frames, and the next step up asks for a
- * 15360-wide WebGL surface that most drivers will not give and none will give
- * cheaply. 8192 is the smallest `MAX_TEXTURE_SIZE` in wide circulation, so a
- * surface inside it is one every machine that can run the export at all can
- * also allocate.
- */
+/** Longest axis the render surface may reach: a 4K export at `supersample: 2` already draws 8K frames, and 8192 is WebGPU's default `maxTextureDimension2D`. */
 const MAX_RENDER_AXIS = 8192;
-/**
- * How far the frame can actually be supersampled at this output size.
- *
- * Reduced rather than refused: an export that quietly renders at 1× is a
- * slightly softer file, and one that throws because the default was too
- * ambitious for a 4K project is no file at all.
- */
+/** How far the frame can be supersampled at this output size; reduced rather than refused, since a slightly softer file beats no file. */
 function fittedSupersample(requested, output) {
     const longest = Math.max(output.width, output.height);
     let factor = Math.max(1, Math.round(requested));
@@ -153,13 +100,8 @@ function fittedSupersample(requested, output) {
     return factor;
 }
 /**
- * The codec to actually encode with: the one asked for if the container holds
- * it and this platform can encode it at this size, else the format's default,
- * else its fallback (`'avc'` for MP4, `'vp8'` for WebM).
- *
- * Which encoders a machine has varies by OS, browser and GPU, and an export that
- * dies at the muxer for want of an HEVC encoder is worse than one that quietly
- * produces H.264. The fallback is not probed: there is nothing to fall back to.
+ * The codec to encode with: the one asked for if the container holds it and this platform can encode it at this
+ * size, else the format's default, else its fallback (`'avc'` MP4, `'vp8'` WebM). The fallback is not probed.
  */
 async function resolveCodec(requested, format, size, fps) {
     const { codecs, fallback } = formatSpec(format).video;
@@ -205,10 +147,7 @@ export async function resolveVideoEncoding(video, format, output, fps) {
         ...(video?.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),
     };
 }
-/**
- * The encoding with a `Quality` turned into the bits per second mediabunny would
- * give it at this size, since a class instance cannot cross a `MessagePort`.
- */
+/** Turns a `Quality` into bits per second at this size, since a class instance cannot cross a `MessagePort`. */
 export function plainVideoEncoding(encoding, output) {
     const { bitrate } = encoding;
     if (typeof bitrate === 'number')
@@ -224,12 +163,7 @@ export function exportGeometry(viewport, scale, supersample) {
     const oversample = fittedSupersample(supersample, output);
     return { output, oversample, renderScale: scale * oversample };
 }
-/**
- * Open the canvas, renderer, storage and render context an export draws with,
- * resolving once the surface can draw (a frame drawn before an asynchronously
- * started surface is ready encodes blank). The canvas is a whole multiple of the
- * output, so the downsample is exact.
- */
+/** Opens the canvas, renderer, storage and render context an export draws with, resolving once the surface can draw (a frame drawn earlier encodes blank). The canvas is a whole multiple of the output, so the downsample is exact. */
 export async function openExportSurface(params) {
     const canvas = document.createElement('canvas');
     canvas.width = params.canvasSize.width;
@@ -256,16 +190,7 @@ export async function openExportSurface(params) {
         throw error;
     }
 }
-/**
- * Renders a document frame-by-frame to an offscreen canvas and muxes the result
- * into an MP4 or WebM via mediabunny.
- *
- * The frame loop itself — discovery, state evaluation, the warm-and-re-render retry
- * that keeps every frame accurate, audio scheduling, progress and cancellation —
- * lives in `renderTimeline` (frame-loop.ts). What this function
- * supplies is the browser-specific half: a canvas to draw into, a WebCodecs sink,
- * a Web Audio mixer, and the `<a download>` delivery.
- */
+/** Renders a document frame by frame to an offscreen canvas and muxes it into MP4/WebM via mediabunny. The frame loop lives in `renderTimeline` (frame-loop.ts); this supplies the browser half: canvas, WebCodecs sink, Web Audio mixer, download. */
 export async function exportVideo(params) {
     const { 
     // Not `document`, which would shadow the DOM global this function uses.

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{\n    DEFAULT_OUTPUT, ManifestAssetCatalog, Registry, resolveProjectDocument, type AssetManifest,\n    type FrameRange, type ProjectDocument, type RenderIssue, type VisualDocument, type Size2D, type StorageAdapter, type Theme,\n} from \"@motionscript/core\";\nimport {\n    renderTimeline,\n    type VideoFrameSink,\n} from \"./frame-loop\";\nimport {\n    AudioBufferSource,\n    BufferTarget,\n    CanvasSource,\n    canEncodeVideo,\n    Output,\n    type Quality,\n    type VideoCodec,\n} from 'mediabunny';\nimport type { BrowserRenderContext } from \"./engine\";\nimport { loadRenderer, type RendererWasmOption } from \"./renderer\";\nimport { WebAudioMixer } from \"./audio/mixer\";\nimport { deliver } from \"./deliver\";\nimport {\n    audioTrackSource, DEFAULT_AUDIO_BITRATE, ensureAudioEncoder, formatSpec, type VideoFormat,\n} from \"./formats\";\n\n/** Reports export progress in [0, 1]; video encoding occupies most of the range, audio mixing/finalize the tail. */\nexport type ExportProgressCallback = (progress: number) => void;\n\n/**\n * How the video track is encoded.\n *\n * Every field is a straight pass-through to mediabunny's `VideoEncodingConfig`,\n * defaulted here rather than there so an export has one obvious place to look.\n */\nexport type VideoEncoderOptions = {\n    /**\n     * Which codec the video track is encoded with. Defaults to the format's own:\n     * `'avc'` (H.264) for MP4, which every player, editor and upload target\n     * accepts, and `'vp9'` for WebM.\n     *\n     * `'hevc'` and `'av1'` reconstruct sharp edges far better at the same\n     * bitrate, which is what a listing of syntax-highlighted code or a hairline\n     * stroke is made of — worth reaching for when the file is going somewhere\n     * that decodes them. Both are still 4:2:0, so they narrow the gap rather\n     * than close it. Availability depends on the platform's encoders; an\n     * unsupported choice, or one the container cannot hold (`'avc'` in WebM),\n     * falls back to the format's default rather than failing the export.\n     */\n    codec?: 'avc' | 'hevc' | 'av1' | 'vp9' | 'vp8';\n    /**\n     * Which encoder implementation WebCodecs should prefer.\n     *\n     * Defaults to `'no-preference'`, which lets each platform use its own\n     * hardware encoder (VideoToolbox on macOS, Media Foundation/NVENC on\n     * Windows, VA-API on Linux). That is typically several times faster than the\n     * software path *and* it is the only configuration in which this sink's\n     * zero-readback design actually holds: a software encoder needs the pixels\n     * on the CPU, so it forces a full GPU→CPU copy of every frame that a\n     * hardware encoder reads directly off the canvas.\n     *\n     * Pass `'prefer-software'` when byte-identical output across machines\n     * matters more than speed — different hardware encoders tune quality and\n     * colour differently at the same nominal bitrate, so the same settings do\n     * not produce the same file.\n     */\n    hardwareAcceleration?: 'no-preference' | 'prefer-hardware' | 'prefer-software';\n    /**\n     * Target bitrate in bits per second, or one of mediabunny's subjective\n     * `Quality` levels.\n     *\n     * Defaults to {@link motionGraphicsBitrate}, which is deliberately *not*\n     * mediabunny's `QUALITY_VERY_HIGH`: that level is frame-rate blind, so a\n     * 60 fps export got the same ~12 Mbps at 1080p as a 30 fps one and paid for\n     * it with ringing along every glyph edge and banding across every gradient.\n     * See that function for the reasoning.\n     */\n    bitrate?: number | Quality;\n    /** Defaults to mediabunny's `'variable'`. `'constant'` is the reproducible-output choice. */\n    bitrateMode?: 'constant' | 'variable';\n    /**\n     * Seconds between key frames. Defaults to 1.\n     *\n     * Shorter than mediabunny's 2, because a frame's error is carried by every\n     * inter frame that references it: on synthetic content, where a flat\n     * background makes a shimmer obvious, a keyframe twice as often visibly\n     * resets the drift. It also halves the seek granularity, which matters for a\n     * clip an editor is going to scrub.\n     */\n    keyFrameInterval?: number;\n    /**\n     * WebCodecs performance/quality trade-off. Defaults to `'quality'`, which\n     * also guarantees no frame is dropped — the only correct setting for a file\n     * being written rather than streamed.\n     */\n    latencyMode?: 'quality' | 'realtime';\n    /**\n     * A hint about what the frames contain, per\n     * [mst-content-hint](https://w3c.github.io/mst-content-hint/#video-content-hints).\n     *\n     * Defaults to `'detail'`: encoders that honour it bias towards preserving\n     * sharp edges and fine texture over smoothing motion, which is what motion\n     * graphics are. Ignored where it is not implemented.\n     */\n    contentHint?: string;\n};\n\n/**\n * Bits per pixel per frame the default bitrate is built from.\n *\n * Rendered motion graphics are the hard case for a codec tuned on camera\n * footage: hard glyph edges, large flat fields, and gradients with no sensor\n * noise to hide the quantisation in. They compress *worse* than live action at\n * the same perceived quality, not better, so the figure here is well above what\n * a streaming preset would use — this is a master being rendered once, not a\n * bitstream being pushed down a pipe.\n */\nconst BITS_PER_PIXEL = 0.2;\n/** Floor, so a tiny viewport still gets enough bits to be legible. */\nconst MIN_VIDEO_BITRATE = 2_000_000;\n/**\n * Ceiling. Past this the returns are gone and the levels start excluding\n * hardware decoders — 4K60 lands here, and AVC level 5.1 (which every consumer\n * device implements) tops out at 240 Mbps, well clear of it.\n */\nconst MAX_VIDEO_BITRATE = 100_000_000;\n\n/**\n * The default video bitrate for an export of this size and frame rate.\n *\n * Scaling with **both** axes is the point. mediabunny's `Quality` levels scale\n * with resolution only, so doubling the frame rate halved the bits available per\n * frame while leaving the number unchanged — which is exactly the configuration\n * that produced clean stills and a mushy video from the very same renderer.\n */\nexport function motionGraphicsBitrate(width: number, height: number, fps: number): number {\n    const raw = width * height * fps * BITS_PER_PIXEL;\n    return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));\n}\n\n/** How the mixed audio track is encoded. */\nexport type AudioEncoderOptions = {\n    /** Bitrate in bits per second for AAC, Opus and MP3; WAV ignores it. Defaults to 192 kbps. */\n    bitrate?: number;\n    /** Mixdown sample rate in Hz. Defaults to the mixer's own (44100); Opus is resampled to 48 kHz. */\n    sampleRate?: number;\n};\n\n/** See {@link VideoEncoderOptions.keyFrameInterval}. */\nconst DEFAULT_KEY_FRAME_INTERVAL = 1;\n/** See {@link ExportParams.supersample}. */\nconst DEFAULT_SUPERSAMPLE = 2;\n\nexport type ExportParams = RendererWasmOption & {\n    /** A project, or a lone still or composition as the one track of one. */\n    document: ProjectDocument | VisualDocument;\n    /** The vocabulary its clips compile against. Defaults to what the library ships. */\n    registry?: Registry;\n    /** Win over the document's own; 1920×1080 at 60 fps when neither says. */\n    viewport?: Size2D;\n    fps?: number;\n    scale?: number;\n    /** The container, and with it the default codecs: H.264 and AAC for `'mp4'` (the default), VP9 and Opus for `'webm'`. */\n    format?: VideoFormat;\n    /** Defaults to `export.<extension>`. */\n    filename?: string;\n    manifest?: AssetManifest;\n    /** Theme for a document that carries none of its own. */\n    theme?: Theme;\n    /**\n     * Set false to produce a silent file — no audio track is added to the\n     * container and the mix is skipped entirely. Defaults to true.\n     */\n    includeAudio?: boolean;\n    /** Video encoder settings; see {@link VideoEncoderOptions} for the defaults. */\n    video?: VideoEncoderOptions;\n    /** Audio encoder settings; ignored when `includeAudio` is false. */\n    audio?: AudioEncoderOptions;\n    /**\n     * Encode only these frames (`end` excluded), timestamped from 0 and silent:\n     * one segment of a split export, for `concatVideoSegments` to join. Mix\n     * the audio once with `mixTimelineAudio` instead.\n     */\n    frames?: FrameRange;\n    onProgress?: ExportProgressCallback;\n    signal?: AbortSignal;\n    /**\n     * What the renderer drew but not as the document says, once per kind,\n     * feature and node. A lost GPU device fails the export with a\n     * `RenderBackendError` instead.\n     */\n    onIssue?: (issue: RenderIssue) => void;\n    /**\n     * Render each frame at this multiple of the output resolution and downsample\n     * it before encoding. **Defaults to 2**; pass 1 to turn it off.\n     *\n     * The one lever that improves an export at a *fixed* output size. Every\n     * codec a browser can encode is 4:2:0 — colour is stored at half resolution\n     * on both axes, and no bitrate buys that back — so the colour fringing along\n     * a saturated glyph or a hard edge is a property of the format, not of the\n     * settings. Handing the encoder an already-downsampled frame does not undo\n     * the subsampling, but it does mean every chroma sample averages four real\n     * pixels instead of one, which is what removes most of the crawl on fine\n     * detail and much of the banding on gradients.\n     *\n     * Measured against a correctly-sampled reference frame of a syntax-highlighted\n     * listing, `2` lands 2.7 dB closer than a 1× encode — and 1.3 dB closer than\n     * an *unencoded* 1× still, which is why it is the default despite costing\n     * `supersample²` times the render work per frame plus a rescale. Pass 1 when\n     * turnaround matters more than the file, and note that exporting at\n     * `scale: 2` is cheaper than supersampling *and* better whenever the extra\n     * resolution is wanted in the file itself.\n     *\n     * Clamped so the render surface stays inside {@link MAX_RENDER_AXIS}, since a\n     * supersampled 4K export is already drawing 8K frames.\n     */\n    supersample?: number;\n    /**\n     * When true, the encoded bytes are returned instead of triggering a\n     * browser download. Used by headless drivers (e.g. the CLI) that capture\n     * the output themselves and write it to disk; leave unset for the\n     * interactive player, which downloads via an `<a>` element.\n     */\n    returnBytes?: boolean;\n}\n\nconst EMPTY_MANIFEST: AssetManifest = {\n    image: {},\n    video: {},\n    audio: {},\n    font: {},\n};\n\n// ── Audio mixing ─────────────────────────────────────────────────────────────\n//\n// The mix itself lives in ./audio/mixer, shared with `mixTimelineAudio` so a\n// split export and a whole one cannot mix differently.\n\n// ── Video sink ───────────────────────────────────────────────────────────────\n\n/**\n * mediabunny/WebCodecs implementation of the frame sink, writing whichever\n * container `format` names.\n *\n * Wraps the very `<canvas>` the renderer draws into, so `addFrame` costs nothing but\n * a timestamp — WebCodecs pulls the pixels from the canvas itself, with no\n * GPU→CPU readback. That is why the seam signals a frame rather than passing one.\n *\n * The readback claim holds only while the encoder is a hardware one, which is\n * why {@link VideoEncoderOptions.hardwareAcceleration} defaults to letting the\n * platform choose: a software encoder has to be handed CPU pixels, so it drags\n * a full-frame copy off the GPU on every single frame.\n */\nexport class MediabunnyVideoSink implements VideoFrameSink<AudioBuffer> {\n    private readonly target = new BufferTarget();\n    private readonly output: Output;\n    private readonly video: CanvasSource;\n    private audio: AudioBufferSource | null = null;\n\n    constructor(\n        canvas: HTMLCanvasElement,\n        /** Encoded output size, which is the canvas' own unless supersampling is on. */\n        output: { width: number; height: number },\n        private readonly format: VideoFormat,\n        encoding: ResolvedVideoEncoding,\n        private readonly audioOptions: AudioEncoderOptions = {},\n    ) {\n        const downsampling = output.width !== canvas.width || output.height !== canvas.height;\n        this.video = new CanvasSource(canvas, {\n            codec: encoding.codec,\n            bitrate: encoding.bitrate,\n            hardwareAcceleration: encoding.hardwareAcceleration,\n            keyFrameInterval: encoding.keyFrameInterval,\n            latencyMode: encoding.latencyMode,\n            contentHint: encoding.contentHint,\n            ...(encoding.bitrateMode !== undefined && { bitrateMode: encoding.bitrateMode }),\n            // `fit` is exact here — the supersampled canvas is a whole multiple\n            // of the output — but mediabunny requires it whenever both axes are\n            // given, so it is stated rather than inferred.\n            ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' as const } }),\n        });\n        this.output = new Output({ format: formatSpec(format).container(), target: this.target });\n    }\n\n    async start(info: { fps: number; hasAudio: boolean }): Promise<void> {\n        this.output.addVideoTrack(this.video, { frameRate: info.fps });\n        // Tracks must be declared before the muxer starts, which is why the\n        // orchestrator reports this rather than leaving it to be inferred.\n        if (info.hasAudio) {\n            await ensureAudioEncoder(this.format);\n            this.audio = audioTrackSource(this.format, this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE);\n            this.output.addAudioTrack(this.audio);\n        }\n        await this.output.start();\n    }\n\n    async addFrame(timestamp: number, duration: number): Promise<void> {\n        await this.video.add(timestamp, duration);\n    }\n\n    async addAudio(mixed: AudioBuffer): Promise<void> {\n        if (!this.audio) return;\n        await this.audio.add(mixed);\n    }\n\n    async finalize(): Promise<Uint8Array> {\n        this.video.close();\n        this.audio?.close();\n        await this.output.finalize();\n        const buffer = this.target.buffer;\n        if (!buffer) throw new Error('Export produced no data');\n        return new Uint8Array(buffer);\n    }\n}\n\n// ── Main export ──────────────────────────────────────────────────────────────\n\n/** Round up to the nearest even integer — see the call site. */\nfunction evenUp(n: number): number {\n    const rounded = Math.round(n);\n    return rounded % 2 === 0 ? rounded : rounded + 1;\n}\n\n/**\n * Longest axis the render surface is allowed to reach.\n *\n * Supersampling multiplies the surface, not the output: a 4K export at\n * `supersample: 2` is drawing 8K frames, and the next step up asks for a\n * 15360-wide WebGL surface that most drivers will not give and none will give\n * cheaply. 8192 is the smallest `MAX_TEXTURE_SIZE` in wide circulation, so a\n * surface inside it is one every machine that can run the export at all can\n * also allocate.\n */\nconst MAX_RENDER_AXIS = 8192;\n\n/**\n * How far the frame can actually be supersampled at this output size.\n *\n * Reduced rather than refused: an export that quietly renders at 1× is a\n * slightly softer file, and one that throws because the default was too\n * ambitious for a 4K project is no file at all.\n */\nfunction fittedSupersample(requested: number, output: { width: number; height: number }): number {\n    const longest = Math.max(output.width, output.height);\n    let factor = Math.max(1, Math.round(requested));\n    while (factor > 1 && longest * factor > MAX_RENDER_AXIS) factor--;\n    return factor;\n}\n\n/**\n * The codec to actually encode with: the one asked for if the container holds\n * it and this platform can encode it at this size, else the format's default,\n * else its fallback (`'avc'` for MP4, `'vp8'` for WebM).\n *\n * Which encoders a machine has varies by OS, browser and GPU, and an export that\n * dies at the muxer for want of an HEVC encoder is worse than one that quietly\n * produces H.264. The fallback is not probed: there is nothing to fall back to.\n */\nasync function resolveCodec(\n    requested: VideoCodec | undefined,\n    format: VideoFormat,\n    size: { width: number; height: number },\n    fps: number,\n): Promise<VideoCodec> {\n    const { codecs, fallback } = formatSpec(format).video!;\n    let wanted = requested ?? codecs[0];\n    if (!codecs.includes(wanted)) {\n        console.warn(`[motionscript] ${format.toUpperCase()} cannot hold ${wanted}; exporting as ${CODEC_NAMES[codecs[0]]} instead.`);\n        wanted = codecs[0];\n    }\n    for (const codec of new Set([wanted, codecs[0], fallback])) {\n        if (codec === fallback || await canEncode(codec, size, fps)) {\n            if (codec !== wanted) {\n                console.warn(`[motionscript] No ${wanted} encoder available; exporting as ${CODEC_NAMES[codec]} instead.`);\n            }\n            return codec;\n        }\n    }\n    return fallback;\n}\n\nconst CODEC_NAMES: Record<VideoCodec, string> = { avc: 'H.264', hevc: 'HEVC', vp9: 'VP9', av1: 'AV1', vp8: 'VP8' };\n\nasync function canEncode(codec: VideoCodec, size: { width: number; height: number }, fps: number): Promise<boolean> {\n    try {\n        return await canEncodeVideo(codec, {\n            width: size.width,\n            height: size.height,\n            bitrate: motionGraphicsBitrate(size.width, size.height, fps),\n        });\n    } catch {\n        // A probe that throws is a probe that answered \"no\".\n        return false;\n    }\n}\n\n/**\n * Every encoder setting, decided. A split export pins one of these across its\n * segments, since `concatVideoSegments` refuses parts encoded differently. With\n * a numeric `bitrate` (see {@link plainVideoEncoding}) it is plain data and\n * crosses a process boundary.\n */\nexport interface ResolvedVideoEncoding {\n    codec: VideoCodec;\n    /** A `Quality` is left for the encoder to size, as an export always has. */\n    bitrate: number | Quality;\n    hardwareAcceleration: NonNullable<VideoEncoderOptions['hardwareAcceleration']>;\n    keyFrameInterval: number;\n    latencyMode: NonNullable<VideoEncoderOptions['latencyMode']>;\n    contentHint: string;\n    bitrateMode?: VideoEncoderOptions['bitrateMode'];\n}\n\n/** {@link VideoEncoderOptions} with its defaults applied against the encoded size and rate. */\nexport async function resolveVideoEncoding(\n    video: VideoEncoderOptions | undefined,\n    format: VideoFormat,\n    output: { width: number; height: number },\n    fps: number,\n): Promise<ResolvedVideoEncoding> {\n    const codec = await resolveCodec(video?.codec, format, output, fps);\n    return {\n        codec,\n        bitrate: video?.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),\n        hardwareAcceleration: video?.hardwareAcceleration ?? 'no-preference',\n        keyFrameInterval: video?.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,\n        latencyMode: video?.latencyMode ?? 'quality',\n        contentHint: video?.contentHint ?? 'detail',\n        ...(video?.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),\n    };\n}\n\n/**\n * The encoding with a `Quality` turned into the bits per second mediabunny would\n * give it at this size, since a class instance cannot cross a `MessagePort`.\n */\nexport function plainVideoEncoding(\n    encoding: ResolvedVideoEncoding,\n    output: { width: number; height: number },\n): ResolvedVideoEncoding & { bitrate: number } {\n    const { bitrate } = encoding;\n    if (typeof bitrate === 'number') return { ...encoding, bitrate };\n    const quality = bitrate as unknown as { _toVideoBitrate(c: VideoCodec, w: number, h: number): number };\n    return { ...encoding, bitrate: quality._toVideoBitrate(encoding.codec, output.width, output.height) };\n}\n\n/** The encoded size, rounded up to even, and how far each frame is supersampled. */\nexport function exportGeometry(viewport: Size2D, scale: number, supersample: number) {\n    // Every block-based codec works in macroblocks, so an odd dimension is\n    // padded by the encoder with a smeared strip that was never drawn.\n    const output = { width: evenUp(viewport.width * scale), height: evenUp(viewport.height * scale) };\n    const oversample = fittedSupersample(supersample, output);\n    return { output, oversample, renderScale: scale * oversample };\n}\n\n/** A hidden canvas with a mounted render context, reusable across renders of one project. */\nexport interface ExportSurface {\n    canvas: HTMLCanvasElement;\n    renderContext: BrowserRenderContext;\n    storageAdapter: StorageAdapter;\n    assetCatalog: ManifestAssetCatalog;\n    dispose(): void;\n}\n\n/**\n * Open the canvas, renderer, storage and render context an export draws with,\n * resolving once the surface can draw (a frame drawn before an asynchronously\n * started surface is ready encodes blank). The canvas is a whole multiple of the\n * output, so the downsample is exact.\n */\nexport async function openExportSurface(params: {\n    canvasSize: { width: number; height: number };\n    viewport: Size2D;\n    fps: number;\n    manifest: AssetManifest;\n} & RendererWasmOption): Promise<ExportSurface> {\n    const canvas = document.createElement('canvas');\n    canvas.width = params.canvasSize.width;\n    canvas.height = params.canvasSize.height;\n    canvas.style.display = 'none';\n    document.body.appendChild(canvas);\n    try {\n        const assetCatalog = new ManifestAssetCatalog(params.manifest);\n        const renderer = await loadRenderer(params);\n        const storageAdapter = renderer.createStorageAdapter({ catalog: assetCatalog, viewport: params.viewport, fps: params.fps });\n        const renderContext = renderer.createRenderContext(storageAdapter);\n        renderContext.mount(canvas);\n        await renderContext.whenMounted?.();\n        return {\n            canvas, renderContext, storageAdapter, assetCatalog,\n            dispose: () => {\n                renderContext.dispose();\n                canvas.remove();\n            },\n        };\n    } catch (error) {\n        canvas.remove();\n        throw error;\n    }\n}\n\n/**\n * Renders a document frame-by-frame to an offscreen canvas and muxes the result\n * into an MP4 or WebM via mediabunny.\n *\n * The frame loop itself — discovery, state evaluation, the warm-and-re-render retry\n * that keeps every frame accurate, audio scheduling, progress and cancellation —\n * lives in `renderTimeline` (frame-loop.ts). What this function\n * supplies is the browser-specific half: a canvas to draw into, a WebCodecs sink,\n * a Web Audio mixer, and the `<a download>` delivery.\n */\nexport async function exportVideo(params: ExportParams): Promise<Uint8Array | void> {\n    const {\n        // Not `document`, which would shadow the DOM global this function uses.\n        document: source,\n        registry = new Registry(),\n        scale = 1,\n        format = 'mp4',\n        manifest = EMPTY_MANIFEST,\n        theme,\n        includeAudio = true,\n        video,\n        audio = {},\n        frames,\n        onProgress,\n        signal,\n        rendererWasmUrl,\n        supersample = DEFAULT_SUPERSAMPLE,\n        returnBytes = false,\n    } = params;\n\n    const spec = formatSpec(format);\n    if (spec.kind !== 'video') throw new RangeError(`exportVideo writes video; \"${format}\" is audio, which exportAudio writes.`);\n    const filename = params.filename ?? `export.${spec.extension}`;\n    const project = resolveProjectDocument(source, params, DEFAULT_OUTPUT);\n    if (project.tracks.length === 0) return;\n    signal?.throwIfAborted();\n    const viewport = project.viewport!;\n    const fps = project.fps!;\n\n    const { output, oversample, renderScale } = exportGeometry(viewport, scale, supersample);\n    const surface = await openExportSurface({\n        canvasSize: { width: output.width * oversample, height: output.height * oversample },\n        viewport, fps, manifest, rendererWasmUrl,\n    });\n\n    let bytes: Uint8Array | undefined;\n    try {\n        const encoding = await resolveVideoEncoding(video, format, output, fps);\n        bytes = await renderTimeline<AudioBuffer>({\n            project, registry, theme, scale: renderScale, includeAudio, frames,\n            renderContext: surface.renderContext, storageAdapter: surface.storageAdapter, assetCatalog: surface.assetCatalog,\n            sink: new MediabunnyVideoSink(surface.canvas, output, format, encoding, audio),\n            mixer: new WebAudioMixer(audio.sampleRate, surface.assetCatalog),\n            onProgress,\n            onIssue: params.onIssue,\n            signal,\n        }) as Uint8Array | undefined;\n    } finally {\n        surface.dispose();\n    }\n\n    if (!bytes) return;\n    return deliver(bytes, { returnBytes, filename, mimeType: spec.mimeType });\n}\n"]}
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{\n    DEFAULT_OUTPUT, ManifestAssetCatalog, Registry, resolveProjectDocument, type AssetManifest,\n    type FrameRange, type ProjectDocument, type RenderIssue, type VisualDocument, type Size2D, type StorageAdapter, type Theme,\n} from \"@motionscript/core\";\nimport {\n    renderTimeline,\n    type VideoFrameSink,\n} from \"./frame-loop\";\nimport {\n    AudioBufferSource,\n    BufferTarget,\n    CanvasSource,\n    canEncodeVideo,\n    Output,\n    type Quality,\n    type VideoCodec,\n} from 'mediabunny';\nimport type { BrowserRenderContext } from \"./engine\";\nimport { loadRenderer, type RendererWasmOption } from \"./renderer\";\nimport { WebAudioMixer } from \"./audio/mixer\";\nimport { deliver } from \"./deliver\";\nimport {\n    audioTrackSource, DEFAULT_AUDIO_BITRATE, ensureAudioEncoder, formatSpec, type VideoFormat,\n} from \"./formats\";\n\n/** Reports export progress in [0, 1]; video encoding occupies most of the range, audio mixing/finalize the tail. */\nexport type ExportProgressCallback = (progress: number) => void;\n\n/** How the video track is encoded; fields pass through to mediabunny's `VideoEncodingConfig`, defaulted here. */\nexport type VideoEncoderOptions = {\n    /**\n     * Defaults to the format's own: `'avc'` for MP4, `'vp9'` for WebM. `'hevc'`/`'av1'` keep hairline strokes and\n     * code listings sharper at the same bitrate (still 4:2:0). An unsupported choice, or one the container cannot\n     * hold, falls back to the default.\n     */\n    codec?: 'avc' | 'hevc' | 'av1' | 'vp9' | 'vp8';\n    /**\n     * Defaults to `'no-preference'` (the platform's hardware encoder): several times faster, and the only setup where\n     * this sink's zero-readback design holds, since a software encoder forces a GPU->CPU copy of every frame.\n     * `'prefer-software'` when byte-identical output across machines matters more than speed.\n     */\n    hardwareAcceleration?: 'no-preference' | 'prefer-hardware' | 'prefer-software';\n    /** Bits per second or a mediabunny `Quality`. Defaults to {@link motionGraphicsBitrate}, not `QUALITY_VERY_HIGH`, which is frame-rate blind (ringing on glyph edges at 60 fps). */\n    bitrate?: number | Quality;\n    /** Defaults to mediabunny's `'variable'`. `'constant'` is the reproducible-output choice. */\n    bitrateMode?: 'constant' | 'variable';\n    /** Seconds between key frames (default 1). Shorter than mediabunny's 2 because inter frames carry a frame's error, so flat synthetic backgrounds shimmer less; it also halves seek granularity. */\n    keyFrameInterval?: number;\n    /** Defaults to `'quality'`, which also guarantees no frame is dropped: the only correct setting for a file being written. */\n    latencyMode?: 'quality' | 'realtime';\n    /** A [content hint](https://w3c.github.io/mst-content-hint/#video-content-hints). Defaults to `'detail'`: bias towards sharp edges and fine texture over smoothing motion. Ignored where unimplemented. */\n    contentHint?: string;\n};\n\n/** Bits per pixel per frame for the default bitrate. Motion graphics (hard glyph edges, flat fields, noise-free gradients) compress worse than camera footage, so this is well above a streaming preset. */\nconst BITS_PER_PIXEL = 0.2;\n/** Floor, so a tiny viewport still gets enough bits to be legible. */\nconst MIN_VIDEO_BITRATE = 2_000_000;\n/** Ceiling: past it the returns are gone and AVC levels start excluding hardware decoders (4K60 lands here; level 5.1 allows 240 Mbps). */\nconst MAX_VIDEO_BITRATE = 100_000_000;\n\n/** Default video bitrate scaled by **both** axes: mediabunny's `Quality` levels scale with resolution only, so doubling the frame rate halved the bits per frame (clean stills, mushy video). */\nexport function motionGraphicsBitrate(width: number, height: number, fps: number): number {\n    const raw = width * height * fps * BITS_PER_PIXEL;\n    return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));\n}\n\n/** How the mixed audio track is encoded. */\nexport type AudioEncoderOptions = {\n    /** Bitrate in bits per second for AAC, Opus and MP3; WAV ignores it. Defaults to 192 kbps. */\n    bitrate?: number;\n    /** Mixdown sample rate in Hz. Defaults to the mixer's own (44100); Opus is resampled to 48 kHz. */\n    sampleRate?: number;\n};\n\n/** See {@link VideoEncoderOptions.keyFrameInterval}. */\nconst DEFAULT_KEY_FRAME_INTERVAL = 1;\n/** See {@link ExportParams.supersample}. */\nconst DEFAULT_SUPERSAMPLE = 2;\n\nexport type ExportParams = RendererWasmOption & {\n    /** A project, or a lone still or composition as the one track of one. */\n    document: ProjectDocument | VisualDocument;\n    /** The vocabulary its clips compile against. Defaults to what the library ships. */\n    registry?: Registry;\n    /** Win over the document's own; 1920×1080 at 60 fps when neither says. */\n    viewport?: Size2D;\n    fps?: number;\n    scale?: number;\n    /** The container, and with it the default codecs: H.264 and AAC for `'mp4'` (the default), VP9 and Opus for `'webm'`. */\n    format?: VideoFormat;\n    /** Defaults to `export.<extension>`. */\n    filename?: string;\n    manifest?: AssetManifest;\n    /** Theme for a document that carries none of its own. */\n    theme?: Theme;\n    /** Set false to produce a silent file: no audio track, mix skipped. Defaults to true. */\n    includeAudio?: boolean;\n    /** Video encoder settings; see {@link VideoEncoderOptions} for the defaults. */\n    video?: VideoEncoderOptions;\n    /** Audio encoder settings; ignored when `includeAudio` is false. */\n    audio?: AudioEncoderOptions;\n    /**\n     * Encode only these frames (`end` excluded), timestamped from 0 and silent:\n     * one segment of a split export, for `concatVideoSegments` to join. Mix\n     * the audio once with `mixTimelineAudio` instead.\n     */\n    frames?: FrameRange;\n    onProgress?: ExportProgressCallback;\n    signal?: AbortSignal;\n    /**\n     * What the renderer drew but not as the document says, once per kind,\n     * feature and node. A lost GPU device fails the export with a\n     * `RenderBackendError` instead.\n     */\n    onIssue?: (issue: RenderIssue) => void;\n    /**\n     * Render each frame at this multiple of the output resolution and downsample before encoding (default 2; 1 turns\n     * it off). Every browser-encodable codec is 4:2:0, so chroma fringing on saturated edges is a property of the\n     * format; downsampling first makes each chroma sample average four real pixels (2 measured 2.7 dB closer to a\n     * reference than a 1x encode). Costs `supersample²` render work; `scale: 2` is cheaper and better when the\n     * resolution is wanted in the file. Clamped to {@link MAX_RENDER_AXIS}.\n     */\n    supersample?: number;\n    /** Return the encoded bytes instead of triggering a browser download (for headless drivers that write to disk). */\n    returnBytes?: boolean;\n}\n\nconst EMPTY_MANIFEST: AssetManifest = {\n    image: {},\n    video: {},\n    audio: {},\n    font: {},\n};\n\n/**\n * mediabunny/WebCodecs frame sink wrapping the very canvas the renderer draws into: `addFrame` costs only a timestamp\n * because WebCodecs pulls pixels from the canvas with no GPU->CPU readback (hence the seam signals a frame rather\n * than passing one). Holds only for a hardware encoder; a software one forces a full-frame copy every frame.\n */\nexport class MediabunnyVideoSink implements VideoFrameSink<AudioBuffer> {\n    private readonly target = new BufferTarget();\n    private readonly output: Output;\n    private readonly video: CanvasSource;\n    private audio: AudioBufferSource | null = null;\n\n    constructor(\n        canvas: HTMLCanvasElement,\n        /** Encoded output size, which is the canvas' own unless supersampling is on. */\n        output: { width: number; height: number },\n        private readonly format: VideoFormat,\n        encoding: ResolvedVideoEncoding,\n        private readonly audioOptions: AudioEncoderOptions = {},\n    ) {\n        const downsampling = output.width !== canvas.width || output.height !== canvas.height;\n        this.video = new CanvasSource(canvas, {\n            codec: encoding.codec,\n            bitrate: encoding.bitrate,\n            hardwareAcceleration: encoding.hardwareAcceleration,\n            keyFrameInterval: encoding.keyFrameInterval,\n            latencyMode: encoding.latencyMode,\n            contentHint: encoding.contentHint,\n            ...(encoding.bitrateMode !== undefined && { bitrateMode: encoding.bitrateMode }),\n            // `fit` is exact (the canvas is a whole multiple of the output) but mediabunny requires it when both axes are given.\n            ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' as const } }),\n        });\n        this.output = new Output({ format: formatSpec(format).container(), target: this.target });\n    }\n\n    async start(info: { fps: number; hasAudio: boolean }): Promise<void> {\n        this.output.addVideoTrack(this.video, { frameRate: info.fps });\n        // Tracks must be declared before the muxer starts.\n        if (info.hasAudio) {\n            await ensureAudioEncoder(this.format);\n            this.audio = audioTrackSource(this.format, this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE);\n            this.output.addAudioTrack(this.audio);\n        }\n        await this.output.start();\n    }\n\n    async addFrame(timestamp: number, duration: number): Promise<void> {\n        await this.video.add(timestamp, duration);\n    }\n\n    async addAudio(mixed: AudioBuffer): Promise<void> {\n        if (!this.audio) return;\n        await this.audio.add(mixed);\n    }\n\n    async finalize(): Promise<Uint8Array> {\n        this.video.close();\n        this.audio?.close();\n        await this.output.finalize();\n        const buffer = this.target.buffer;\n        if (!buffer) throw new Error('Export produced no data');\n        return new Uint8Array(buffer);\n    }\n}\n\nfunction evenUp(n: number): number {\n    const rounded = Math.round(n);\n    return rounded % 2 === 0 ? rounded : rounded + 1;\n}\n\n/** Longest axis the render surface may reach: a 4K export at `supersample: 2` already draws 8K frames, and 8192 is WebGPU's default `maxTextureDimension2D`. */\nconst MAX_RENDER_AXIS = 8192;\n\n/** How far the frame can be supersampled at this output size; reduced rather than refused, since a slightly softer file beats no file. */\nfunction fittedSupersample(requested: number, output: { width: number; height: number }): number {\n    const longest = Math.max(output.width, output.height);\n    let factor = Math.max(1, Math.round(requested));\n    while (factor > 1 && longest * factor > MAX_RENDER_AXIS) factor--;\n    return factor;\n}\n\n/**\n * The codec to encode with: the one asked for if the container holds it and this platform can encode it at this\n * size, else the format's default, else its fallback (`'avc'` MP4, `'vp8'` WebM). The fallback is not probed.\n */\nasync function resolveCodec(\n    requested: VideoCodec | undefined,\n    format: VideoFormat,\n    size: { width: number; height: number },\n    fps: number,\n): Promise<VideoCodec> {\n    const { codecs, fallback } = formatSpec(format).video!;\n    let wanted = requested ?? codecs[0];\n    if (!codecs.includes(wanted)) {\n        console.warn(`[motionscript] ${format.toUpperCase()} cannot hold ${wanted}; exporting as ${CODEC_NAMES[codecs[0]]} instead.`);\n        wanted = codecs[0];\n    }\n    for (const codec of new Set([wanted, codecs[0], fallback])) {\n        if (codec === fallback || await canEncode(codec, size, fps)) {\n            if (codec !== wanted) {\n                console.warn(`[motionscript] No ${wanted} encoder available; exporting as ${CODEC_NAMES[codec]} instead.`);\n            }\n            return codec;\n        }\n    }\n    return fallback;\n}\n\nconst CODEC_NAMES: Record<VideoCodec, string> = { avc: 'H.264', hevc: 'HEVC', vp9: 'VP9', av1: 'AV1', vp8: 'VP8' };\n\nasync function canEncode(codec: VideoCodec, size: { width: number; height: number }, fps: number): Promise<boolean> {\n    try {\n        return await canEncodeVideo(codec, {\n            width: size.width,\n            height: size.height,\n            bitrate: motionGraphicsBitrate(size.width, size.height, fps),\n        });\n    } catch {\n        // A probe that throws is a probe that answered \"no\".\n        return false;\n    }\n}\n\n/** Every encoder setting, decided; a split export pins one across segments since `concatVideoSegments` refuses parts encoded differently. Plain data with a numeric `bitrate` (see {@link plainVideoEncoding}). */\nexport interface ResolvedVideoEncoding {\n    codec: VideoCodec;\n    /** A `Quality` is left for the encoder to size, as an export always has. */\n    bitrate: number | Quality;\n    hardwareAcceleration: NonNullable<VideoEncoderOptions['hardwareAcceleration']>;\n    keyFrameInterval: number;\n    latencyMode: NonNullable<VideoEncoderOptions['latencyMode']>;\n    contentHint: string;\n    bitrateMode?: VideoEncoderOptions['bitrateMode'];\n}\n\n/** {@link VideoEncoderOptions} with its defaults applied against the encoded size and rate. */\nexport async function resolveVideoEncoding(\n    video: VideoEncoderOptions | undefined,\n    format: VideoFormat,\n    output: { width: number; height: number },\n    fps: number,\n): Promise<ResolvedVideoEncoding> {\n    const codec = await resolveCodec(video?.codec, format, output, fps);\n    return {\n        codec,\n        bitrate: video?.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),\n        hardwareAcceleration: video?.hardwareAcceleration ?? 'no-preference',\n        keyFrameInterval: video?.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,\n        latencyMode: video?.latencyMode ?? 'quality',\n        contentHint: video?.contentHint ?? 'detail',\n        ...(video?.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),\n    };\n}\n\n/** Turns a `Quality` into bits per second at this size, since a class instance cannot cross a `MessagePort`. */\nexport function plainVideoEncoding(\n    encoding: ResolvedVideoEncoding,\n    output: { width: number; height: number },\n): ResolvedVideoEncoding & { bitrate: number } {\n    const { bitrate } = encoding;\n    if (typeof bitrate === 'number') return { ...encoding, bitrate };\n    const quality = bitrate as unknown as { _toVideoBitrate(c: VideoCodec, w: number, h: number): number };\n    return { ...encoding, bitrate: quality._toVideoBitrate(encoding.codec, output.width, output.height) };\n}\n\n/** The encoded size, rounded up to even, and how far each frame is supersampled. */\nexport function exportGeometry(viewport: Size2D, scale: number, supersample: number) {\n    // Every block-based codec works in macroblocks, so an odd dimension is\n    // padded by the encoder with a smeared strip that was never drawn.\n    const output = { width: evenUp(viewport.width * scale), height: evenUp(viewport.height * scale) };\n    const oversample = fittedSupersample(supersample, output);\n    return { output, oversample, renderScale: scale * oversample };\n}\n\n/** A hidden canvas with a mounted render context, reusable across renders of one project. */\ninterface ExportSurface {\n    canvas: HTMLCanvasElement;\n    renderContext: BrowserRenderContext;\n    storageAdapter: StorageAdapter;\n    assetCatalog: ManifestAssetCatalog;\n    dispose(): void;\n}\n\n/** Opens the canvas, renderer, storage and render context an export draws with, resolving once the surface can draw (a frame drawn earlier encodes blank). The canvas is a whole multiple of the output, so the downsample is exact. */\nexport async function openExportSurface(params: {\n    canvasSize: { width: number; height: number };\n    viewport: Size2D;\n    fps: number;\n    manifest: AssetManifest;\n} & RendererWasmOption): Promise<ExportSurface> {\n    const canvas = document.createElement('canvas');\n    canvas.width = params.canvasSize.width;\n    canvas.height = params.canvasSize.height;\n    canvas.style.display = 'none';\n    document.body.appendChild(canvas);\n    try {\n        const assetCatalog = new ManifestAssetCatalog(params.manifest);\n        const renderer = await loadRenderer(params);\n        const storageAdapter = renderer.createStorageAdapter({ catalog: assetCatalog, viewport: params.viewport, fps: params.fps });\n        const renderContext = renderer.createRenderContext(storageAdapter);\n        renderContext.mount(canvas);\n        await renderContext.whenMounted?.();\n        return {\n            canvas, renderContext, storageAdapter, assetCatalog,\n            dispose: () => {\n                renderContext.dispose();\n                canvas.remove();\n            },\n        };\n    } catch (error) {\n        canvas.remove();\n        throw error;\n    }\n}\n\n/** Renders a document frame by frame to an offscreen canvas and muxes it into MP4/WebM via mediabunny. The frame loop lives in `renderTimeline` (frame-loop.ts); this supplies the browser half: canvas, WebCodecs sink, Web Audio mixer, download. */\nexport async function exportVideo(params: ExportParams): Promise<Uint8Array | void> {\n    const {\n        // Not `document`, which would shadow the DOM global this function uses.\n        document: source,\n        registry = new Registry(),\n        scale = 1,\n        format = 'mp4',\n        manifest = EMPTY_MANIFEST,\n        theme,\n        includeAudio = true,\n        video,\n        audio = {},\n        frames,\n        onProgress,\n        signal,\n        rendererWasmUrl,\n        supersample = DEFAULT_SUPERSAMPLE,\n        returnBytes = false,\n    } = params;\n\n    const spec = formatSpec(format);\n    if (spec.kind !== 'video') throw new RangeError(`exportVideo writes video; \"${format}\" is audio, which exportAudio writes.`);\n    const filename = params.filename ?? `export.${spec.extension}`;\n    const project = resolveProjectDocument(source, params, DEFAULT_OUTPUT);\n    if (project.tracks.length === 0) return;\n    signal?.throwIfAborted();\n    const viewport = project.viewport!;\n    const fps = project.fps!;\n\n    const { output, oversample, renderScale } = exportGeometry(viewport, scale, supersample);\n    const surface = await openExportSurface({\n        canvasSize: { width: output.width * oversample, height: output.height * oversample },\n        viewport, fps, manifest, rendererWasmUrl,\n    });\n\n    let bytes: Uint8Array | undefined;\n    try {\n        const encoding = await resolveVideoEncoding(video, format, output, fps);\n        bytes = await renderTimeline<AudioBuffer>({\n            project, registry, theme, scale: renderScale, includeAudio, frames,\n            renderContext: surface.renderContext, storageAdapter: surface.storageAdapter, assetCatalog: surface.assetCatalog,\n            sink: new MediabunnyVideoSink(surface.canvas, output, format, encoding, audio),\n            mixer: new WebAudioMixer(audio.sampleRate, surface.assetCatalog),\n            onProgress,\n            onIssue: params.onIssue,\n            signal,\n        }) as Uint8Array | undefined;\n    } finally {\n        surface.dispose();\n    }\n\n    if (!bytes) return;\n    return deliver(bytes, { returnBytes, filename, mimeType: spec.mimeType });\n}\n"]}

package/dist/frame-loop.d.ts

@@ -1,42 +1,15 @@
 import { AssetCatalog, AudioSink, type AudioRequest, type BuildError, type CanvasRenderContext2D, type AssetTimelineResult, type FrameRange, type ProjectDocument, type Registry, type RenderIssue, type FrameSpec, type StorageAdapter, type Theme } from "@motionscript/core";
-/**
- * Rendering a timeline is portable; *encoding* it is not.
- *
- * Everything about driving the frames — discovery, state evaluation, asset
- * windows, the bounded warm-and-re-render retry that makes a frame accurate,
- * audio scheduling, progress, cancellation — is the same work whatever the
- * output format. Only the codec differs, so it is injected as a `VideoFrameSink`
- * (exporter.ts: mediabunny over WebCodecs).
- */
-/** Image formats a still can be encoded to. */
+/** Rendering a timeline is portable; encoding is not, so the codec is injected as a `VideoFrameSink` (exporter.ts: mediabunny over WebCodecs). */
 export type ScreenshotFormat = "png" | "jpeg";
 export type { FrameSpec };
-/** One scheduled audio request, with the absolute time its track starts at. */
 export interface ScheduledAudioRequest {
     request: AudioRequest;
-    /**
-     * Seconds to add to the request's own times, which are clip-relative: its
-     * track's start. Getting it wrong produces an export that looks right and
-     * drifts out of sync, which no pixel comparison catches.
-     */
+    /** Seconds added to the request's clip-relative times (its track's start). A wrong value exports in apparent sync and drifts, which no pixel comparison catches. */
     globalOffset: number;
 }
-/**
- * Where finished frames go.
- *
- * `TAudio` ties the sink to its {@link AudioMixer}: what a mixer produces is
- * platform-specific (a Web Audio `AudioBuffer`, interleaved PCM, a temp file) and
- * only its own sink consumes it, so this module relays it without naming it.
- */
+/** Where finished frames go. `TAudio` ties the sink to its {@link AudioMixer}: the mixed form is platform-specific and only its own sink consumes it. */
 export interface VideoFrameSink<TAudio = unknown> {
-    /**
-     * Called once before the first frame, with the resolved output geometry.
-     *
-     * `hasAudio` is here rather than left for the sink to infer because a muxer
-     * generally has to declare its tracks before writing any, and whether the
-     * timeline schedules any audio is only known after discovery — which happens
-     * inside the orchestrator, after the sink was constructed.
-     */
+    /** Called once before the first frame. `hasAudio` is passed because a muxer declares its tracks before writing, and whether any audio is scheduled is only known after discovery, which runs after the sink is built. */
     start(info: {
         width: number;
         height: number;
@@ -45,14 +18,9 @@ export interface VideoFrameSink<TAudio = unknown> {
         hasAudio: boolean;
     }): Promise<void>;
     /**
-     * One frame has been drawn and the surface flushed. Times are in seconds.
-     *
-     * **Deliberately does not receive pixels.** A browser sink wraps the canvas
-     * the renderer already drew into and lets WebCodecs pull from it directly, with no
-     * readback; handing a buffer here instead would force a full GPU→CPU
-     * `readPixels` on every frame of every export. A sink that *does* need bytes
-     * (ffmpeg over stdin) reads them itself, because it holds the render target it
-     * was constructed with. Do not "simplify" this signature.
+     * One frame has been drawn and the surface flushed. **Deliberately does not receive pixels**: a browser sink lets
+     * WebCodecs pull from the canvas, while a buffer here would force a GPU->CPU `readPixels` on every frame. A sink
+     * that needs bytes (ffmpeg over stdin) reads them from its own render target. Do not "simplify" this signature.
      */
     addFrame(timestamp: number, duration: number): Promise<void>;
     /** Mixed audio for the whole timeline, if any was produced. */
@@ -64,11 +32,7 @@ export interface VideoFrameSink<TAudio = unknown> {
 export interface AudioMixer<TAudio = unknown> {
     mix(requests: readonly ScheduledAudioRequest[], totalDuration: number): Promise<TAudio | null>;
 }
-/**
- * Audio is mixed offline at the end of a run (or irrelevant, for a still), so the
- * `AssetManager` just needs an `AudioSink`-shaped sink that does nothing during
- * the per-frame pass.
- */
+/** Audio is mixed offline at the end, so the per-frame pass needs an `AudioSink` that does nothing. */
 export declare class NoopAudioSink extends AudioSink {
     /** Nothing here records a request, so `AssetManager` can skip the whole sync. */
     get schedulesAudio(): boolean;
@@ -80,58 +44,35 @@ export declare class NoopAudioSink extends AudioSink {
     play(_time: number, _speed: number, _reverse: boolean): void;
     stop(): void;
 }
-/** The platform pieces both entry points need. */
-/**
- * What the frame loop draws with. Any backend's context and adapter: the loop
- * uses only core's base members, so another renderer exports through it too.
- */
+/** What the frame loop draws with: any backend's context and adapter (the loop uses only core's base members). */
 interface RenderHarness {
     renderContext: CanvasRenderContext2D & {
         pixelRatio: number;
     };
-    /** The same adapter the context was built with. */
     storageAdapter: StorageAdapter;
     assetCatalog: AssetCatalog;
 }
-/** Fields shared by the video and still entry points. */
 interface CommonParams extends RenderHarness {
     /** Its fps and viewport resolved — see `Session`. */
     project: ProjectDocument;
-    /** The vocabulary its clips compile against. */
     registry: Registry;
     /** Theme for a project that carries none of its own. */
     theme?: Theme;
-    /**
-     * What the backend drew but not as the document says (a feature it lacks,
-     * a shader that does not compile, a GPU error), once per kind, feature and
-     * node. A lost device or a crashed backend is not reported here: the render
-     * throws a {@link RenderBackendError} instead.
-     */
+    /** What the backend drew but not as the document says, once per kind, feature and node. A lost device or crashed backend throws a {@link RenderBackendError} instead. */
     onIssue?: (issue: RenderIssue) => void;
 }
 /**
- * Collect every audio request with the absolute offset it plays at. See
- * {@link ScheduledAudioRequest.globalOffset}.
- *
- * Exported because a **split** export has to mix its audio somewhere other than
- * alongside its frames: the video is rendered in pieces by separate workers, and
- * concatenating separately-encoded AAC would put the encoder's priming delay at
- * every join. The coordinator mixes once over the whole timeline instead — and
- * must schedule it exactly as this does. A second implementation that drifted by
- * a track offset would produce a file that plays perfectly and is out of sync.
+ * Collects every audio request with the absolute offset it plays at ({@link ScheduledAudioRequest.globalOffset}).
+ * Exported because a **split** export mixes once over the whole timeline in the coordinator (concatenated AAC would
+ * put the encoder's priming delay at every join) and must schedule exactly as this does: a drifted copy would give
+ * a file that plays perfectly and is out of sync.
  */
 export declare function collectAudio(precomp: AssetTimelineResult): ScheduledAudioRequest[];
 export interface RenderTimelineParams<TAudio> extends CommonParams {
     scale?: number;
     sink: VideoFrameSink<TAudio>;
     mixer?: AudioMixer<TAudio>;
-    /**
-     * Set false to render a silent file: no mix, and no audio track declared on
-     * the container at all.
-     *
-     * Distinct from muting. The audio is still discovered — the pass that finds
-     * it is the one that finds the frames' assets — it simply is not encoded.
-     */
+    /** Set false for a silent file: no mix and no audio track. Not muting: audio is still discovered (the same pass finds the frames' assets), just not encoded. */
     includeAudio?: boolean;
     /**
      * Render only these frames, timestamped from 0, with no audio: one segment of a
@@ -141,50 +82,23 @@ export interface RenderTimelineParams<TAudio> extends CommonParams {
     onProgress?: (progress: number) => void;
     signal?: AbortSignal;
 }
-/**
- * Drive every frame of `project` (or of `frames`) into `sink`, then mix audio and finalize.
- *
- * The caller owns the render context and its surface — this neither creates nor
- * disposes them, because how a surface comes to exist is exactly the thing that
- * differs between backends.
- */
+/** Drives every frame of `project` (or `frames`) into `sink`, then mixes audio and finalizes. The caller owns the render context and surface; this neither creates nor disposes them. */
 export declare function renderTimeline<TAudio>(params: RenderTimelineParams<TAudio>): Promise<Uint8Array | void>;
 export interface DrawFrameParams extends CommonParams {
     scale?: number;
     frame: FrameSpec;
 }
 export interface DrawnFrame {
-    /** The frame actually drawn, after clamping the request into range. */
     frame: number;
     totalFrames: number;
 }
-/**
- * Every track covering {@link frame} failed to build. Drawn anyway, it would be
- * a blank frame — the consequence, with the cause hidden — so a still and an
- * export both refuse it.
- */
+/** Every track covering {@link frame} failed to build; drawn anyway it would be a blank frame with the cause hidden, so a still and an export both refuse it. */
 export declare class NothingToDrawError extends Error {
     readonly frame: number;
-    /** One per track covering the frame. */
     readonly failures: readonly BuildError[];
     readonly name = "NothingToDrawError";
-    constructor(frame: number, 
-    /** One per track covering the frame. */
-    failures: readonly BuildError[]);
+    constructor(frame: number, failures: readonly BuildError[]);
 }
-/**
- * Draw one frame of `project` into the caller's render context and leave it on
- * the surface.
- *
- * Same discovery/evaluator/warm-retry path as {@link renderTimeline}, so a still
- * is the same render the video would produce at that frame — and only the tracks
- * on that frame are discovered, since a track's span is known without it.
- *
- * The drawing is shared while what happens to the frame varies: a still encodes
- * it, a live preview leaves it on a visible canvas. The context is the
- * caller's throughout — this neither creates, resizes nor disposes it — so a host
- * holding one surface can call this repeatedly and keep both the surface and the
- * storage adapter's decode cache warm.
- */
+/** Draws one frame into the caller's render context and leaves it on the surface, via the same path as {@link renderTimeline} so a still equals the video's frame. Only tracks on that frame are discovered. The context stays the caller's (never created, resized or disposed), so a host can call this repeatedly and keep the decode cache warm. */
 export declare function drawFrameAt(params: DrawFrameParams): Promise<DrawnFrame>;
 //# sourceMappingURL=frame-loop.d.ts.map

package/dist/frame-loop.d.ts.map

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