@motionscript/browser 0.1.0-alpha.7 → 0.1.0-alpha.9

package/dist/exporter.js

@@ -1,10 +1,10 @@
 import { DEFAULT_OUTPUT, ManifestAssetCatalog, Registry, resolveProjectDocument, } from "@motionscript/core";
-import { renderTimeline, } from "@motionscript/skia-render/export";
-import { AudioBufferSource, BufferTarget, CanvasSource, canEncodeVideo, Mp4OutputFormat, Output, } from 'mediabunny';
-import { WebRenderContext } from "./render-context";
-import { WebStorageAdapter } from "./storage-adapter";
-import { getCanvasKit } from "./getter";
+import { renderTimeline, } from "./frame-loop";
+import { BufferTarget, CanvasSource, canEncodeVideo, Output, } from 'mediabunny';
+import { loadRenderer } from "./renderer";
 import { WebAudioMixer } from "./audio/mixer";
+import { deliver } from "./deliver";
+import { audioTrackSource, DEFAULT_AUDIO_BITRATE, ensureAudioEncoder, formatSpec, } from "./formats";
 /**
  * Bits per pixel per frame the default bitrate is built from.
  *
@@ -36,7 +36,6 @@ export function motionGraphicsBitrate(width, height, fps) {
     const raw = width * height * fps * BITS_PER_PIXEL;
     return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));
 }
-const DEFAULT_AUDIO_BITRATE = 192_000;
 /** See {@link VideoEncoderOptions.keyFrameInterval}. */
 const DEFAULT_KEY_FRAME_INTERVAL = 1;
 /** See {@link ExportParams.supersample}. */
@@ -53,9 +52,10 @@ const EMPTY_MANIFEST = {
 // split export and a whole one cannot mix differently.
 // ── Video sink ───────────────────────────────────────────────────────────────
 /**
- * mediabunny/WebCodecs implementation of the frame sink.
+ * mediabunny/WebCodecs implementation of the frame sink, writing whichever
+ * container `format` names.
  *
- * Wraps the very `<canvas>` CanvasKit draws into, so `addFrame` costs nothing but
+ * Wraps the very `<canvas>` the renderer draws into, so `addFrame` costs nothing but
  * a timestamp — WebCodecs pulls the pixels from the canvas itself, with no
  * GPU→CPU readback. That is why the seam signals a frame rather than passing one.
  *
@@ -64,44 +64,41 @@ const EMPTY_MANIFEST = {
  * platform choose: a software encoder has to be handed CPU pixels, so it drags
  * a full-frame copy off the GPU on every single frame.
  */
-class MediabunnyVideoSink {
+export class MediabunnyVideoSink {
+    format;
     audioOptions;
     target = new BufferTarget();
     output;
     video;
     audio = null;
-    constructor(canvas, fps, 
+    constructor(canvas, 
     /** Encoded output size, which is the canvas' own unless supersampling is on. */
-    output, video = {}, audioOptions = {}, codec = 'avc') {
+    output, format, encoding, audioOptions = {}) {
+        this.format = format;
         this.audioOptions = audioOptions;
         const downsampling = output.width !== canvas.width || output.height !== canvas.height;
         this.video = new CanvasSource(canvas, {
-            codec,
-            // Resolved against what is actually being encoded — the *output*
-            // size and the rate the frame loop will feed it — rather than
-            // against a subjective level that never sees the frame rate.
-            bitrate: video.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),
-            hardwareAcceleration: video.hardwareAcceleration ?? 'no-preference',
-            keyFrameInterval: video.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,
-            latencyMode: video.latencyMode ?? 'quality',
-            contentHint: video.contentHint ?? 'detail',
-            ...(video.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),
+            codec: encoding.codec,
+            bitrate: encoding.bitrate,
+            hardwareAcceleration: encoding.hardwareAcceleration,
+            keyFrameInterval: encoding.keyFrameInterval,
+            latencyMode: encoding.latencyMode,
+            contentHint: encoding.contentHint,
+            ...(encoding.bitrateMode !== undefined && { bitrateMode: encoding.bitrateMode }),
             // `fit` is exact here — the supersampled canvas is a whole multiple
             // of the output — but mediabunny requires it whenever both axes are
             // given, so it is stated rather than inferred.
             ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' } }),
         });
-        this.output = new Output({ format: new Mp4OutputFormat(), target: this.target });
+        this.output = new Output({ format: formatSpec(format).container(), target: this.target });
     }
     async start(info) {
         this.output.addVideoTrack(this.video, { frameRate: info.fps });
         // Tracks must be declared before the muxer starts, which is why the
         // orchestrator reports this rather than leaving it to be inferred.
         if (info.hasAudio) {
-            this.audio = new AudioBufferSource({
-                codec: 'aac',
-                bitrate: this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE,
-            });
+            await ensureAudioEncoder(this.format);
+            this.audio = audioTrackSource(this.format, this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE);
             this.output.addAudioTrack(this.audio);
         }
         await this.output.start();
@@ -156,109 +153,156 @@ function fittedSupersample(requested, output) {
     return factor;
 }
 /**
- * The codec to actually encode with: the one asked for if this platform can
- * encode it at this size, `'avc'` otherwise.
+ * The codec to actually encode with: the one asked for if the container holds
+ * it and this platform can encode it at this size, else the format's default,
+ * else its fallback (`'avc'` for MP4, `'vp8'` for WebM).
  *
- * A better codec is the single largest quality win available on synthetic
- * content — but which ones a machine has encoders for varies by OS, browser and
- * GPU, and an export that dies at the muxer because the machine has no HEVC
- * encoder is worse than one that quietly produces H.264. AVC is not probed: it
- * is the fallback, and there is nothing to fall back to.
+ * Which encoders a machine has varies by OS, browser and GPU, and an export that
+ * dies at the muxer for want of an HEVC encoder is worse than one that quietly
+ * produces H.264. The fallback is not probed: there is nothing to fall back to.
  */
-async function resolveCodec(requested, size, fps) {
-    if (!requested || requested === 'avc')
-        return 'avc';
+async function resolveCodec(requested, format, size, fps) {
+    const { codecs, fallback } = formatSpec(format).video;
+    let wanted = requested ?? codecs[0];
+    if (!codecs.includes(wanted)) {
+        console.warn(`[motionscript] ${format.toUpperCase()} cannot hold ${wanted}; exporting as ${CODEC_NAMES[codecs[0]]} instead.`);
+        wanted = codecs[0];
+    }
+    for (const codec of new Set([wanted, codecs[0], fallback])) {
+        if (codec === fallback || await canEncode(codec, size, fps)) {
+            if (codec !== wanted) {
+                console.warn(`[motionscript] No ${wanted} encoder available; exporting as ${CODEC_NAMES[codec]} instead.`);
+            }
+            return codec;
+        }
+    }
+    return fallback;
+}
+const CODEC_NAMES = { avc: 'H.264', hevc: 'HEVC', vp9: 'VP9', av1: 'AV1', vp8: 'VP8' };
+async function canEncode(codec, size, fps) {
     try {
-        const ok = await canEncodeVideo(requested, {
+        return await canEncodeVideo(codec, {
             width: size.width,
             height: size.height,
             bitrate: motionGraphicsBitrate(size.width, size.height, fps),
         });
-        if (ok)
-            return requested;
     }
     catch {
         // A probe that throws is a probe that answered "no".
+        return false;
+    }
+}
+/** {@link VideoEncoderOptions} with its defaults applied against the encoded size and rate. */
+export async function resolveVideoEncoding(video, format, output, fps) {
+    const codec = await resolveCodec(video?.codec, format, output, fps);
+    return {
+        codec,
+        bitrate: video?.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),
+        hardwareAcceleration: video?.hardwareAcceleration ?? 'no-preference',
+        keyFrameInterval: video?.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,
+        latencyMode: video?.latencyMode ?? 'quality',
+        contentHint: video?.contentHint ?? 'detail',
+        ...(video?.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),
+    };
+}
+/**
+ * The encoding with a `Quality` turned into the bits per second mediabunny would
+ * give it at this size, since a class instance cannot cross a `MessagePort`.
+ */
+export function plainVideoEncoding(encoding, output) {
+    const { bitrate } = encoding;
+    if (typeof bitrate === 'number')
+        return { ...encoding, bitrate };
+    const quality = bitrate;
+    return { ...encoding, bitrate: quality._toVideoBitrate(encoding.codec, output.width, output.height) };
+}
+/** The encoded size, rounded up to even, and how far each frame is supersampled. */
+export function exportGeometry(viewport, scale, supersample) {
+    // Every block-based codec works in macroblocks, so an odd dimension is
+    // padded by the encoder with a smeared strip that was never drawn.
+    const output = { width: evenUp(viewport.width * scale), height: evenUp(viewport.height * scale) };
+    const oversample = fittedSupersample(supersample, output);
+    return { output, oversample, renderScale: scale * oversample };
+}
+/**
+ * Open the canvas, renderer, storage and render context an export draws with,
+ * resolving once the surface can draw (a frame drawn before an asynchronously
+ * started surface is ready encodes blank). The canvas is a whole multiple of the
+ * output, so the downsample is exact.
+ */
+export async function openExportSurface(params) {
+    const canvas = document.createElement('canvas');
+    canvas.width = params.canvasSize.width;
+    canvas.height = params.canvasSize.height;
+    canvas.style.display = 'none';
+    document.body.appendChild(canvas);
+    try {
+        const assetCatalog = new ManifestAssetCatalog(params.manifest);
+        const renderer = await loadRenderer(params);
+        const storageAdapter = renderer.createStorageAdapter({ catalog: assetCatalog, viewport: params.viewport, fps: params.fps });
+        const renderContext = renderer.createRenderContext(storageAdapter);
+        renderContext.mount(canvas);
+        await renderContext.whenMounted?.();
+        return {
+            canvas, renderContext, storageAdapter, assetCatalog,
+            dispose: () => {
+                renderContext.dispose();
+                canvas.remove();
+            },
+        };
+    }
+    catch (error) {
+        canvas.remove();
+        throw error;
     }
-    console.warn(`[motionscript] No ${requested} encoder available; exporting as H.264 instead.`);
-    return 'avc';
 }
 /**
  * Renders a document frame-by-frame to an offscreen canvas and muxes the result
- * into an MP4 via mediabunny.
+ * into an MP4 or WebM via mediabunny.
  *
  * The frame loop itself — discovery, state evaluation, the warm-and-re-render retry
  * that keeps every frame accurate, audio scheduling, progress and cancellation —
- * lives in `@motionscript/skia-render`'s `renderTimeline`. What this function
+ * lives in `renderTimeline` (frame-loop.ts). What this function
  * supplies is the browser-specific half: a canvas to draw into, a WebCodecs sink,
  * a Web Audio mixer, and the `<a download>` delivery.
  */
 export async function exportVideo(params) {
     const { 
     // Not `document`, which would shadow the DOM global this function uses.
-    document: source, registry = new Registry(), scale = 1, filename = 'export.mp4', manifest = EMPTY_MANIFEST, theme, includeAudio = true, video, audio = {}, frames, onProgress, signal, wasmUrl, supersample = DEFAULT_SUPERSAMPLE, returnBytes = false, } = params;
+    document: source, registry = new Registry(), scale = 1, format = 'mp4', manifest = EMPTY_MANIFEST, theme, includeAudio = true, video, audio = {}, frames, onProgress, signal, rendererWasmUrl, supersample = DEFAULT_SUPERSAMPLE, returnBytes = false, } = params;
+    const spec = formatSpec(format);
+    if (spec.kind !== 'video')
+        throw new RangeError(`exportVideo writes video; "${format}" is audio, which exportAudio writes.`);
+    const filename = params.filename ?? `export.${spec.extension}`;
     const project = resolveProjectDocument(source, params, DEFAULT_OUTPUT);
     if (project.tracks.length === 0)
         return;
     signal?.throwIfAborted();
     const viewport = project.viewport;
     const fps = project.fps;
-    // Every block-based codec works in macroblocks, so an odd dimension is
-    // padded by the encoder and the padding is *not* what was drawn — it shows up
-    // as a smeared or discoloured strip down one edge. Rounding up to an even
-    // size instead costs at most half a pixel of centring and keeps the whole
-    // frame real.
-    const outputSize = {
-        width: evenUp(viewport.width * scale),
-        height: evenUp(viewport.height * scale),
-    };
-    const oversample = fittedSupersample(supersample, outputSize);
-    const renderScale = scale * oversample;
-    const offscreenCanvas = document.createElement('canvas');
-    // A whole multiple of the output, so the downsample is exact: the picture is drawn at
-    // `renderScale` from the corner, as it is at 1×, and any odd-size padding is a strip.
-    offscreenCanvas.width = outputSize.width * oversample;
-    offscreenCanvas.height = outputSize.height * oversample;
-    offscreenCanvas.style.display = 'none';
-    document.body.appendChild(offscreenCanvas);
-    const canvasKit = await getCanvasKit(wasmUrl);
-    const assetCatalog = new ManifestAssetCatalog(manifest);
-    const storageAdapter = new WebStorageAdapter(canvasKit, assetCatalog, viewport, fps);
-    const renderContext = new WebRenderContext(canvasKit, storageAdapter);
-    renderContext.mount(offscreenCanvas);
-    const codec = await resolveCodec(video?.codec, outputSize, fps);
+    const { output, oversample, renderScale } = exportGeometry(viewport, scale, supersample);
+    const surface = await openExportSurface({
+        canvasSize: { width: output.width * oversample, height: output.height * oversample },
+        viewport, fps, manifest, rendererWasmUrl,
+    });
     let bytes;
     try {
+        const encoding = await resolveVideoEncoding(video, format, output, fps);
         bytes = await renderTimeline({
             project, registry, theme, scale: renderScale, includeAudio, frames,
-            renderContext, storageAdapter, assetCatalog,
-            sink: new MediabunnyVideoSink(offscreenCanvas, fps, outputSize, video, audio, codec),
-            mixer: new WebAudioMixer(audio.sampleRate, assetCatalog),
+            renderContext: surface.renderContext, storageAdapter: surface.storageAdapter, assetCatalog: surface.assetCatalog,
+            sink: new MediabunnyVideoSink(surface.canvas, output, format, encoding, audio),
+            mixer: new WebAudioMixer(audio.sampleRate, surface.assetCatalog),
             onProgress,
+            onIssue: params.onIssue,
             signal,
         });
     }
     finally {
-        renderContext.dispose();
-        document.body.removeChild(offscreenCanvas);
+        surface.dispose();
     }
     if (!bytes)
         return;
-    // Headless callers capture the bytes and write them to disk themselves,
-    // so skip the DOM-based download path entirely.
-    if (returnBytes)
-        return bytes;
-    // The sink builds this Uint8Array over a whole, plain ArrayBuffer, so the cast
-    // is sound — TS only balks because the generic parameter admits a
-    // SharedArrayBuffer, which a BlobPart may not be.
-    const blob = new Blob([bytes.buffer], { type: 'video/mp4' });
-    const url = URL.createObjectURL(blob);
-    const link = document.createElement('a');
-    link.href = url;
-    link.download = filename;
-    document.body.appendChild(link);
-    link.click();
-    document.body.removeChild(link);
-    URL.revokeObjectURL(url);
+    return deliver(bytes, { returnBytes, filename, mimeType: spec.mimeType });
 }
 //# sourceMappingURL=exporter.js.map

package/dist/exporter.js.map

@@ -1 +1 @@
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{\r\n    DEFAULT_OUTPUT, ManifestAssetCatalog, Registry, resolveProjectDocument, type AssetManifest,\r\n    type FrameRange, type ProjectDocument, type VisualDocument, type Size2D, type Theme,\r\n} from \"@motionscript/core\";\r\nimport {\r\n    renderTimeline,\r\n    type VideoFrameSink,\r\n} from \"@motionscript/skia-render/export\";\r\nimport {\r\n    AudioBufferSource,\r\n    BufferTarget,\r\n    CanvasSource,\r\n    canEncodeVideo,\r\n    Mp4OutputFormat,\r\n    Output,\r\n    type Quality,\r\n    type VideoCodec,\r\n} from 'mediabunny';\r\nimport { WebRenderContext } from \"./render-context\";\r\nimport { WebStorageAdapter } from \"./storage-adapter\";\r\nimport { getCanvasKit } from \"./getter\";\r\nimport { WebAudioMixer } from \"./audio/mixer\";\r\n\r\n/** Reports export progress in [0, 1]; video encoding occupies most of the range, audio mixing/finalize the tail. */\r\nexport type ExportProgressCallback = (progress: number) => void;\r\n\r\n/**\r\n * How the video track is encoded.\r\n *\r\n * Every field is a straight pass-through to mediabunny's `VideoEncodingConfig`,\r\n * defaulted here rather than there so an export has one obvious place to look.\r\n */\r\nexport type VideoEncoderOptions = {\r\n    /**\r\n     * Which codec the video track is encoded with. Defaults to `'avc'` (H.264),\r\n     * which every player, editor and upload target accepts.\r\n     *\r\n     * `'hevc'` and `'av1'` reconstruct sharp edges far better at the same\r\n     * bitrate, which is what a listing of syntax-highlighted code or a hairline\r\n     * stroke is made of — worth reaching for when the file is going somewhere\r\n     * that decodes them. Both are still 4:2:0, so they narrow the gap rather\r\n     * than close it. Availability depends on the platform's encoders; an\r\n     * unsupported choice falls back to `'avc'` rather than failing the export.\r\n     */\r\n    codec?: 'avc' | 'hevc' | 'av1' | 'vp9';\r\n    /**\r\n     * Which encoder implementation WebCodecs should prefer.\r\n     *\r\n     * Defaults to `'no-preference'`, which lets each platform use its own\r\n     * hardware encoder (VideoToolbox on macOS, Media Foundation/NVENC on\r\n     * Windows, VA-API on Linux). That is typically several times faster than the\r\n     * software path *and* it is the only configuration in which this sink's\r\n     * zero-readback design actually holds: a software encoder needs the pixels\r\n     * on the CPU, so it forces a full GPU→CPU copy of every frame that a\r\n     * hardware encoder reads directly off the canvas.\r\n     *\r\n     * Pass `'prefer-software'` when byte-identical output across machines\r\n     * matters more than speed — different hardware encoders tune quality and\r\n     * colour differently at the same nominal bitrate, so the same settings do\r\n     * not produce the same file.\r\n     */\r\n    hardwareAcceleration?: 'no-preference' | 'prefer-hardware' | 'prefer-software';\r\n    /**\r\n     * Target bitrate in bits per second, or one of mediabunny's subjective\r\n     * `Quality` levels.\r\n     *\r\n     * Defaults to {@link motionGraphicsBitrate}, which is deliberately *not*\r\n     * mediabunny's `QUALITY_VERY_HIGH`: that level is frame-rate blind, so a\r\n     * 60 fps export got the same ~12 Mbps at 1080p as a 30 fps one and paid for\r\n     * it with ringing along every glyph edge and banding across every gradient.\r\n     * See that function for the reasoning.\r\n     */\r\n    bitrate?: number | Quality;\r\n    /** Defaults to mediabunny's `'variable'`. `'constant'` is the reproducible-output choice. */\r\n    bitrateMode?: 'constant' | 'variable';\r\n    /**\r\n     * Seconds between key frames. Defaults to 1.\r\n     *\r\n     * Shorter than mediabunny's 2, because a frame's error is carried by every\r\n     * inter frame that references it: on synthetic content, where a flat\r\n     * background makes a shimmer obvious, a keyframe twice as often visibly\r\n     * resets the drift. It also halves the seek granularity, which matters for a\r\n     * clip an editor is going to scrub.\r\n     */\r\n    keyFrameInterval?: number;\r\n    /**\r\n     * WebCodecs performance/quality trade-off. Defaults to `'quality'`, which\r\n     * also guarantees no frame is dropped — the only correct setting for a file\r\n     * being written rather than streamed.\r\n     */\r\n    latencyMode?: 'quality' | 'realtime';\r\n    /**\r\n     * A hint about what the frames contain, per\r\n     * [mst-content-hint](https://w3c.github.io/mst-content-hint/#video-content-hints).\r\n     *\r\n     * Defaults to `'detail'`: encoders that honour it bias towards preserving\r\n     * sharp edges and fine texture over smoothing motion, which is what motion\r\n     * graphics are. Ignored where it is not implemented.\r\n     */\r\n    contentHint?: string;\r\n};\r\n\r\n/**\r\n * Bits per pixel per frame the default bitrate is built from.\r\n *\r\n * Rendered motion graphics are the hard case for a codec tuned on camera\r\n * footage: hard glyph edges, large flat fields, and gradients with no sensor\r\n * noise to hide the quantisation in. They compress *worse* than live action at\r\n * the same perceived quality, not better, so the figure here is well above what\r\n * a streaming preset would use — this is a master being rendered once, not a\r\n * bitstream being pushed down a pipe.\r\n */\r\nconst BITS_PER_PIXEL = 0.2;\r\n/** Floor, so a tiny viewport still gets enough bits to be legible. */\r\nconst MIN_VIDEO_BITRATE = 2_000_000;\r\n/**\r\n * Ceiling. Past this the returns are gone and the levels start excluding\r\n * hardware decoders — 4K60 lands here, and AVC level 5.1 (which every consumer\r\n * device implements) tops out at 240 Mbps, well clear of it.\r\n */\r\nconst MAX_VIDEO_BITRATE = 100_000_000;\r\n\r\n/**\r\n * The default video bitrate for an export of this size and frame rate.\r\n *\r\n * Scaling with **both** axes is the point. mediabunny's `Quality` levels scale\r\n * with resolution only, so doubling the frame rate halved the bits available per\r\n * frame while leaving the number unchanged — which is exactly the configuration\r\n * that produced clean stills and a mushy video from the very same renderer.\r\n */\r\nexport function motionGraphicsBitrate(width: number, height: number, fps: number): number {\r\n    const raw = width * height * fps * BITS_PER_PIXEL;\r\n    return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));\r\n}\r\n\r\n/** How the mixed audio track is encoded. */\r\nexport type AudioEncoderOptions = {\r\n    /** AAC bitrate in bits per second. Defaults to 192 kbps. */\r\n    bitrate?: number;\r\n    /** Mixdown sample rate in Hz. Defaults to the mixer's own (44100). */\r\n    sampleRate?: number;\r\n};\r\n\r\nconst DEFAULT_AUDIO_BITRATE = 192_000;\r\n/** See {@link VideoEncoderOptions.keyFrameInterval}. */\r\nconst DEFAULT_KEY_FRAME_INTERVAL = 1;\r\n/** See {@link ExportParams.supersample}. */\r\nconst DEFAULT_SUPERSAMPLE = 2;\r\n\r\nexport type ExportParams = {\r\n    /** A project, or a lone still or composition as the one track of one. */\r\n    document: ProjectDocument | VisualDocument;\r\n    /** The vocabulary its clips compile against. Defaults to what the library ships. */\r\n    registry?: Registry;\r\n    /** Win over the document's own; 1920×1080 at 60 fps when neither says. */\r\n    viewport?: Size2D;\r\n    fps?: number;\r\n    scale?: number;\r\n    filename?: string;\r\n    manifest?: AssetManifest;\r\n    /** Theme for a document that carries none of its own. */\r\n    theme?: Theme;\r\n    /**\r\n     * Set false to produce a silent MP4 — no AAC track is added to the\r\n     * container and the mix is skipped entirely. Defaults to true.\r\n     */\r\n    includeAudio?: boolean;\r\n    /** Video encoder settings; see {@link VideoEncoderOptions} for the defaults. */\r\n    video?: VideoEncoderOptions;\r\n    /** Audio encoder settings; ignored when `includeAudio` is false. */\r\n    audio?: AudioEncoderOptions;\r\n    /**\r\n     * Encode only these frames (`end` excluded), timestamped from 0 and silent:\r\n     * one segment of a split export, for `concatVideoSegments` to join. Mix\r\n     * the audio once with `mixTimelineAudio` instead.\r\n     */\r\n    frames?: FrameRange;\r\n    onProgress?: ExportProgressCallback;\r\n    signal?: AbortSignal;\r\n    wasmUrl?: string;\r\n    /**\r\n     * Render each frame at this multiple of the output resolution and downsample\r\n     * it before encoding. **Defaults to 2**; pass 1 to turn it off.\r\n     *\r\n     * The one lever that improves an export at a *fixed* output size. Every\r\n     * codec a browser can encode is 4:2:0 — colour is stored at half resolution\r\n     * on both axes, and no bitrate buys that back — so the colour fringing along\r\n     * a saturated glyph or a hard edge is a property of the format, not of the\r\n     * settings. Handing the encoder an already-downsampled frame does not undo\r\n     * the subsampling, but it does mean every chroma sample averages four real\r\n     * pixels instead of one, which is what removes most of the crawl on fine\r\n     * detail and much of the banding on gradients.\r\n     *\r\n     * Measured against a correctly-sampled reference frame of a syntax-highlighted\r\n     * listing, `2` lands 2.7 dB closer than a 1× encode — and 1.3 dB closer than\r\n     * an *unencoded* 1× still, which is why it is the default despite costing\r\n     * `supersample²` times the render work per frame plus a rescale. Pass 1 when\r\n     * turnaround matters more than the file, and note that exporting at\r\n     * `scale: 2` is cheaper than supersampling *and* better whenever the extra\r\n     * resolution is wanted in the file itself.\r\n     *\r\n     * Clamped so the render surface stays inside {@link MAX_RENDER_AXIS}, since a\r\n     * supersampled 4K export is already drawing 8K frames.\r\n     */\r\n    supersample?: number;\r\n    /**\r\n     * When true, the encoded MP4 bytes are returned instead of triggering a\r\n     * browser download. Used by headless drivers (e.g. the CLI) that capture\r\n     * the output themselves and write it to disk; leave unset for the\r\n     * interactive player, which downloads via an `<a>` element.\r\n     */\r\n    returnBytes?: boolean;\r\n}\r\n\r\nconst EMPTY_MANIFEST: AssetManifest = {\r\n    image: {},\r\n    video: {},\r\n    audio: {},\r\n    font: {},\r\n};\r\n\r\n// ── Audio mixing ─────────────────────────────────────────────────────────────\r\n//\r\n// The mix itself lives in ./audio/mixer, shared with `mixTimelineAudio` so a\r\n// split export and a whole one cannot mix differently.\r\n\r\n// ── Video sink ───────────────────────────────────────────────────────────────\r\n\r\n/**\r\n * mediabunny/WebCodecs implementation of the frame sink.\r\n *\r\n * Wraps the very `<canvas>` CanvasKit draws into, so `addFrame` costs nothing but\r\n * a timestamp — WebCodecs pulls the pixels from the canvas itself, with no\r\n * GPU→CPU readback. That is why the seam signals a frame rather than passing one.\r\n *\r\n * The readback claim holds only while the encoder is a hardware one, which is\r\n * why {@link VideoEncoderOptions.hardwareAcceleration} defaults to letting the\r\n * platform choose: a software encoder has to be handed CPU pixels, so it drags\r\n * a full-frame copy off the GPU on every single frame.\r\n */\r\nclass MediabunnyVideoSink implements VideoFrameSink<AudioBuffer> {\r\n    private readonly target = new BufferTarget();\r\n    private readonly output: Output;\r\n    private readonly video: CanvasSource;\r\n    private audio: AudioBufferSource | null = null;\r\n\r\n    constructor(\r\n        canvas: HTMLCanvasElement,\r\n        fps: number,\r\n        /** Encoded output size, which is the canvas' own unless supersampling is on. */\r\n        output: { width: number; height: number },\r\n        video: VideoEncoderOptions = {},\r\n        private readonly audioOptions: AudioEncoderOptions = {},\r\n        codec: VideoCodec = 'avc',\r\n    ) {\r\n        const downsampling = output.width !== canvas.width || output.height !== canvas.height;\r\n        this.video = new CanvasSource(canvas, {\r\n            codec,\r\n            // Resolved against what is actually being encoded — the *output*\r\n            // size and the rate the frame loop will feed it — rather than\r\n            // against a subjective level that never sees the frame rate.\r\n            bitrate: video.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),\r\n            hardwareAcceleration: video.hardwareAcceleration ?? 'no-preference',\r\n            keyFrameInterval: video.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,\r\n            latencyMode: video.latencyMode ?? 'quality',\r\n            contentHint: video.contentHint ?? 'detail',\r\n            ...(video.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),\r\n            // `fit` is exact here — the supersampled canvas is a whole multiple\r\n            // of the output — but mediabunny requires it whenever both axes are\r\n            // given, so it is stated rather than inferred.\r\n            ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' as const } }),\r\n        });\r\n        this.output = new Output({ format: new Mp4OutputFormat(), target: this.target });\r\n    }\r\n\r\n    async start(info: { fps: number; hasAudio: boolean }): Promise<void> {\r\n        this.output.addVideoTrack(this.video, { frameRate: info.fps });\r\n        // Tracks must be declared before the muxer starts, which is why the\r\n        // orchestrator reports this rather than leaving it to be inferred.\r\n        if (info.hasAudio) {\r\n            this.audio = new AudioBufferSource({\r\n                codec: 'aac',\r\n                bitrate: this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE,\r\n            });\r\n            this.output.addAudioTrack(this.audio);\r\n        }\r\n        await this.output.start();\r\n    }\r\n\r\n    async addFrame(timestamp: number, duration: number): Promise<void> {\r\n        await this.video.add(timestamp, duration);\r\n    }\r\n\r\n    async addAudio(mixed: AudioBuffer): Promise<void> {\r\n        if (!this.audio) return;\r\n        await this.audio.add(mixed);\r\n    }\r\n\r\n    async finalize(): Promise<Uint8Array> {\r\n        this.video.close();\r\n        this.audio?.close();\r\n        await this.output.finalize();\r\n        const buffer = this.target.buffer;\r\n        if (!buffer) throw new Error('Export produced no data');\r\n        return new Uint8Array(buffer);\r\n    }\r\n}\r\n\r\n// ── Main export ──────────────────────────────────────────────────────────────\r\n\r\n/** Round up to the nearest even integer — see the call site. */\r\nfunction evenUp(n: number): number {\r\n    const rounded = Math.round(n);\r\n    return rounded % 2 === 0 ? rounded : rounded + 1;\r\n}\r\n\r\n/**\r\n * Longest axis the render surface is allowed to reach.\r\n *\r\n * Supersampling multiplies the surface, not the output: a 4K export at\r\n * `supersample: 2` is drawing 8K frames, and the next step up asks for a\r\n * 15360-wide WebGL surface that most drivers will not give and none will give\r\n * cheaply. 8192 is the smallest `MAX_TEXTURE_SIZE` in wide circulation, so a\r\n * surface inside it is one every machine that can run the export at all can\r\n * also allocate.\r\n */\r\nconst MAX_RENDER_AXIS = 8192;\r\n\r\n/**\r\n * How far the frame can actually be supersampled at this output size.\r\n *\r\n * Reduced rather than refused: an export that quietly renders at 1× is a\r\n * slightly softer file, and one that throws because the default was too\r\n * ambitious for a 4K project is no file at all.\r\n */\r\nfunction fittedSupersample(requested: number, output: { width: number; height: number }): number {\r\n    const longest = Math.max(output.width, output.height);\r\n    let factor = Math.max(1, Math.round(requested));\r\n    while (factor > 1 && longest * factor > MAX_RENDER_AXIS) factor--;\r\n    return factor;\r\n}\r\n\r\n/**\r\n * The codec to actually encode with: the one asked for if this platform can\r\n * encode it at this size, `'avc'` otherwise.\r\n *\r\n * A better codec is the single largest quality win available on synthetic\r\n * content — but which ones a machine has encoders for varies by OS, browser and\r\n * GPU, and an export that dies at the muxer because the machine has no HEVC\r\n * encoder is worse than one that quietly produces H.264. AVC is not probed: it\r\n * is the fallback, and there is nothing to fall back to.\r\n */\r\nasync function resolveCodec(\r\n    requested: VideoCodec | undefined,\r\n    size: { width: number; height: number },\r\n    fps: number,\r\n): Promise<VideoCodec> {\r\n    if (!requested || requested === 'avc') return 'avc';\r\n    try {\r\n        const ok = await canEncodeVideo(requested, {\r\n            width: size.width,\r\n            height: size.height,\r\n            bitrate: motionGraphicsBitrate(size.width, size.height, fps),\r\n        });\r\n        if (ok) return requested;\r\n    } catch {\r\n        // A probe that throws is a probe that answered \"no\".\r\n    }\r\n    console.warn(`[motionscript] No ${requested} encoder available; exporting as H.264 instead.`);\r\n    return 'avc';\r\n}\r\n\r\n/**\r\n * Renders a document frame-by-frame to an offscreen canvas and muxes the result\r\n * into an MP4 via mediabunny.\r\n *\r\n * The frame loop itself — discovery, state evaluation, the warm-and-re-render retry\r\n * that keeps every frame accurate, audio scheduling, progress and cancellation —\r\n * lives in `@motionscript/skia-render`'s `renderTimeline`. What this function\r\n * supplies is the browser-specific half: a canvas to draw into, a WebCodecs sink,\r\n * a Web Audio mixer, and the `<a download>` delivery.\r\n */\r\nexport async function exportVideo(params: ExportParams): Promise<Uint8Array | void> {\r\n    const {\r\n        // Not `document`, which would shadow the DOM global this function uses.\r\n        document: source,\r\n        registry = new Registry(),\r\n        scale = 1,\r\n        filename = 'export.mp4',\r\n        manifest = EMPTY_MANIFEST,\r\n        theme,\r\n        includeAudio = true,\r\n        video,\r\n        audio = {},\r\n        frames,\r\n        onProgress,\r\n        signal,\r\n        wasmUrl,\r\n        supersample = DEFAULT_SUPERSAMPLE,\r\n        returnBytes = false,\r\n    } = params;\r\n\r\n    const project = resolveProjectDocument(source, params, DEFAULT_OUTPUT);\r\n    if (project.tracks.length === 0) return;\r\n    signal?.throwIfAborted();\r\n    const viewport = project.viewport!;\r\n    const fps = project.fps!;\r\n\r\n    // Every block-based codec works in macroblocks, so an odd dimension is\r\n    // padded by the encoder and the padding is *not* what was drawn — it shows up\r\n    // as a smeared or discoloured strip down one edge. Rounding up to an even\r\n    // size instead costs at most half a pixel of centring and keeps the whole\r\n    // frame real.\r\n    const outputSize = {\r\n        width: evenUp(viewport.width * scale),\r\n        height: evenUp(viewport.height * scale),\r\n    };\r\n    const oversample = fittedSupersample(supersample, outputSize);\r\n    const renderScale = scale * oversample;\r\n\r\n    const offscreenCanvas = document.createElement('canvas');\r\n    // A whole multiple of the output, so the downsample is exact: the picture is drawn at\r\n    // `renderScale` from the corner, as it is at 1×, and any odd-size padding is a strip.\r\n    offscreenCanvas.width = outputSize.width * oversample;\r\n    offscreenCanvas.height = outputSize.height * oversample;\r\n    offscreenCanvas.style.display = 'none';\r\n    document.body.appendChild(offscreenCanvas);\r\n\r\n    const canvasKit = await getCanvasKit(wasmUrl);\r\n    const assetCatalog = new ManifestAssetCatalog(manifest);\r\n    const storageAdapter = new WebStorageAdapter(canvasKit, assetCatalog, viewport, fps);\r\n    const renderContext = new WebRenderContext(canvasKit, storageAdapter);\r\n    renderContext.mount(offscreenCanvas);\r\n\r\n    const codec = await resolveCodec(video?.codec, outputSize, fps);\r\n\r\n    let bytes: Uint8Array | undefined;\r\n    try {\r\n        bytes = await renderTimeline<AudioBuffer>({\r\n            project, registry, theme, scale: renderScale, includeAudio, frames,\r\n            renderContext, storageAdapter, assetCatalog,\r\n            sink: new MediabunnyVideoSink(offscreenCanvas, fps, outputSize, video, audio, codec),\r\n            mixer: new WebAudioMixer(audio.sampleRate, assetCatalog),\r\n            onProgress,\r\n            signal,\r\n        }) as Uint8Array | undefined;\r\n    } finally {\r\n        renderContext.dispose();\r\n        document.body.removeChild(offscreenCanvas);\r\n    }\r\n\r\n    if (!bytes) return;\r\n\r\n    // Headless callers capture the bytes and write them to disk themselves,\r\n    // so skip the DOM-based download path entirely.\r\n    if (returnBytes) return bytes;\r\n\r\n    // The sink builds this Uint8Array over a whole, plain ArrayBuffer, so the cast\r\n    // is sound — TS only balks because the generic parameter admits a\r\n    // SharedArrayBuffer, which a BlobPart may not be.\r\n    const blob = new Blob([bytes.buffer as ArrayBuffer], { type: 'video/mp4' });\r\n    const url = URL.createObjectURL(blob);\r\n    const link = document.createElement('a');\r\n    link.href = url;\r\n    link.download = filename;\r\n    document.body.appendChild(link);\r\n    link.click();\r\n    document.body.removeChild(link);\r\n    URL.revokeObjectURL(url);\r\n}\r\n"]}
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{\n    DEFAULT_OUTPUT, ManifestAssetCatalog, Registry, resolveProjectDocument, type AssetManifest,\n    type FrameRange, type ProjectDocument, type RenderIssue, type VisualDocument, type Size2D, type StorageAdapter, type Theme,\n} from \"@motionscript/core\";\nimport {\n    renderTimeline,\n    type VideoFrameSink,\n} from \"./frame-loop\";\nimport {\n    AudioBufferSource,\n    BufferTarget,\n    CanvasSource,\n    canEncodeVideo,\n    Output,\n    type Quality,\n    type VideoCodec,\n} from 'mediabunny';\nimport type { BrowserRenderContext } from \"./engine\";\nimport { loadRenderer, type RendererWasmOption } from \"./renderer\";\nimport { WebAudioMixer } from \"./audio/mixer\";\nimport { deliver } from \"./deliver\";\nimport {\n    audioTrackSource, DEFAULT_AUDIO_BITRATE, ensureAudioEncoder, formatSpec, type VideoFormat,\n} from \"./formats\";\n\n/** Reports export progress in [0, 1]; video encoding occupies most of the range, audio mixing/finalize the tail. */\nexport type ExportProgressCallback = (progress: number) => void;\n\n/**\n * How the video track is encoded.\n *\n * Every field is a straight pass-through to mediabunny's `VideoEncodingConfig`,\n * defaulted here rather than there so an export has one obvious place to look.\n */\nexport type VideoEncoderOptions = {\n    /**\n     * Which codec the video track is encoded with. Defaults to the format's own:\n     * `'avc'` (H.264) for MP4, which every player, editor and upload target\n     * accepts, and `'vp9'` for WebM.\n     *\n     * `'hevc'` and `'av1'` reconstruct sharp edges far better at the same\n     * bitrate, which is what a listing of syntax-highlighted code or a hairline\n     * stroke is made of — worth reaching for when the file is going somewhere\n     * that decodes them. Both are still 4:2:0, so they narrow the gap rather\n     * than close it. Availability depends on the platform's encoders; an\n     * unsupported choice, or one the container cannot hold (`'avc'` in WebM),\n     * falls back to the format's default rather than failing the export.\n     */\n    codec?: 'avc' | 'hevc' | 'av1' | 'vp9' | 'vp8';\n    /**\n     * Which encoder implementation WebCodecs should prefer.\n     *\n     * Defaults to `'no-preference'`, which lets each platform use its own\n     * hardware encoder (VideoToolbox on macOS, Media Foundation/NVENC on\n     * Windows, VA-API on Linux). That is typically several times faster than the\n     * software path *and* it is the only configuration in which this sink's\n     * zero-readback design actually holds: a software encoder needs the pixels\n     * on the CPU, so it forces a full GPU→CPU copy of every frame that a\n     * hardware encoder reads directly off the canvas.\n     *\n     * Pass `'prefer-software'` when byte-identical output across machines\n     * matters more than speed — different hardware encoders tune quality and\n     * colour differently at the same nominal bitrate, so the same settings do\n     * not produce the same file.\n     */\n    hardwareAcceleration?: 'no-preference' | 'prefer-hardware' | 'prefer-software';\n    /**\n     * Target bitrate in bits per second, or one of mediabunny's subjective\n     * `Quality` levels.\n     *\n     * Defaults to {@link motionGraphicsBitrate}, which is deliberately *not*\n     * mediabunny's `QUALITY_VERY_HIGH`: that level is frame-rate blind, so a\n     * 60 fps export got the same ~12 Mbps at 1080p as a 30 fps one and paid for\n     * it with ringing along every glyph edge and banding across every gradient.\n     * See that function for the reasoning.\n     */\n    bitrate?: number | Quality;\n    /** Defaults to mediabunny's `'variable'`. `'constant'` is the reproducible-output choice. */\n    bitrateMode?: 'constant' | 'variable';\n    /**\n     * Seconds between key frames. Defaults to 1.\n     *\n     * Shorter than mediabunny's 2, because a frame's error is carried by every\n     * inter frame that references it: on synthetic content, where a flat\n     * background makes a shimmer obvious, a keyframe twice as often visibly\n     * resets the drift. It also halves the seek granularity, which matters for a\n     * clip an editor is going to scrub.\n     */\n    keyFrameInterval?: number;\n    /**\n     * WebCodecs performance/quality trade-off. Defaults to `'quality'`, which\n     * also guarantees no frame is dropped — the only correct setting for a file\n     * being written rather than streamed.\n     */\n    latencyMode?: 'quality' | 'realtime';\n    /**\n     * A hint about what the frames contain, per\n     * [mst-content-hint](https://w3c.github.io/mst-content-hint/#video-content-hints).\n     *\n     * Defaults to `'detail'`: encoders that honour it bias towards preserving\n     * sharp edges and fine texture over smoothing motion, which is what motion\n     * graphics are. Ignored where it is not implemented.\n     */\n    contentHint?: string;\n};\n\n/**\n * Bits per pixel per frame the default bitrate is built from.\n *\n * Rendered motion graphics are the hard case for a codec tuned on camera\n * footage: hard glyph edges, large flat fields, and gradients with no sensor\n * noise to hide the quantisation in. They compress *worse* than live action at\n * the same perceived quality, not better, so the figure here is well above what\n * a streaming preset would use — this is a master being rendered once, not a\n * bitstream being pushed down a pipe.\n */\nconst BITS_PER_PIXEL = 0.2;\n/** Floor, so a tiny viewport still gets enough bits to be legible. */\nconst MIN_VIDEO_BITRATE = 2_000_000;\n/**\n * Ceiling. Past this the returns are gone and the levels start excluding\n * hardware decoders — 4K60 lands here, and AVC level 5.1 (which every consumer\n * device implements) tops out at 240 Mbps, well clear of it.\n */\nconst MAX_VIDEO_BITRATE = 100_000_000;\n\n/**\n * The default video bitrate for an export of this size and frame rate.\n *\n * Scaling with **both** axes is the point. mediabunny's `Quality` levels scale\n * with resolution only, so doubling the frame rate halved the bits available per\n * frame while leaving the number unchanged — which is exactly the configuration\n * that produced clean stills and a mushy video from the very same renderer.\n */\nexport function motionGraphicsBitrate(width: number, height: number, fps: number): number {\n    const raw = width * height * fps * BITS_PER_PIXEL;\n    return Math.round(Math.min(MAX_VIDEO_BITRATE, Math.max(MIN_VIDEO_BITRATE, raw)));\n}\n\n/** How the mixed audio track is encoded. */\nexport type AudioEncoderOptions = {\n    /** Bitrate in bits per second for AAC, Opus and MP3; WAV ignores it. Defaults to 192 kbps. */\n    bitrate?: number;\n    /** Mixdown sample rate in Hz. Defaults to the mixer's own (44100); Opus is resampled to 48 kHz. */\n    sampleRate?: number;\n};\n\n/** See {@link VideoEncoderOptions.keyFrameInterval}. */\nconst DEFAULT_KEY_FRAME_INTERVAL = 1;\n/** See {@link ExportParams.supersample}. */\nconst DEFAULT_SUPERSAMPLE = 2;\n\nexport type ExportParams = RendererWasmOption & {\n    /** A project, or a lone still or composition as the one track of one. */\n    document: ProjectDocument | VisualDocument;\n    /** The vocabulary its clips compile against. Defaults to what the library ships. */\n    registry?: Registry;\n    /** Win over the document's own; 1920×1080 at 60 fps when neither says. */\n    viewport?: Size2D;\n    fps?: number;\n    scale?: number;\n    /** The container, and with it the default codecs: H.264 and AAC for `'mp4'` (the default), VP9 and Opus for `'webm'`. */\n    format?: VideoFormat;\n    /** Defaults to `export.<extension>`. */\n    filename?: string;\n    manifest?: AssetManifest;\n    /** Theme for a document that carries none of its own. */\n    theme?: Theme;\n    /**\n     * Set false to produce a silent file — no audio track is added to the\n     * container and the mix is skipped entirely. Defaults to true.\n     */\n    includeAudio?: boolean;\n    /** Video encoder settings; see {@link VideoEncoderOptions} for the defaults. */\n    video?: VideoEncoderOptions;\n    /** Audio encoder settings; ignored when `includeAudio` is false. */\n    audio?: AudioEncoderOptions;\n    /**\n     * Encode only these frames (`end` excluded), timestamped from 0 and silent:\n     * one segment of a split export, for `concatVideoSegments` to join. Mix\n     * the audio once with `mixTimelineAudio` instead.\n     */\n    frames?: FrameRange;\n    onProgress?: ExportProgressCallback;\n    signal?: AbortSignal;\n    /**\n     * What the renderer drew but not as the document says, once per kind,\n     * feature and node. A lost GPU device fails the export with a\n     * `RenderBackendError` instead.\n     */\n    onIssue?: (issue: RenderIssue) => void;\n    /**\n     * Render each frame at this multiple of the output resolution and downsample\n     * it before encoding. **Defaults to 2**; pass 1 to turn it off.\n     *\n     * The one lever that improves an export at a *fixed* output size. Every\n     * codec a browser can encode is 4:2:0 — colour is stored at half resolution\n     * on both axes, and no bitrate buys that back — so the colour fringing along\n     * a saturated glyph or a hard edge is a property of the format, not of the\n     * settings. Handing the encoder an already-downsampled frame does not undo\n     * the subsampling, but it does mean every chroma sample averages four real\n     * pixels instead of one, which is what removes most of the crawl on fine\n     * detail and much of the banding on gradients.\n     *\n     * Measured against a correctly-sampled reference frame of a syntax-highlighted\n     * listing, `2` lands 2.7 dB closer than a 1× encode — and 1.3 dB closer than\n     * an *unencoded* 1× still, which is why it is the default despite costing\n     * `supersample²` times the render work per frame plus a rescale. Pass 1 when\n     * turnaround matters more than the file, and note that exporting at\n     * `scale: 2` is cheaper than supersampling *and* better whenever the extra\n     * resolution is wanted in the file itself.\n     *\n     * Clamped so the render surface stays inside {@link MAX_RENDER_AXIS}, since a\n     * supersampled 4K export is already drawing 8K frames.\n     */\n    supersample?: number;\n    /**\n     * When true, the encoded bytes are returned instead of triggering a\n     * browser download. Used by headless drivers (e.g. the CLI) that capture\n     * the output themselves and write it to disk; leave unset for the\n     * interactive player, which downloads via an `<a>` element.\n     */\n    returnBytes?: boolean;\n}\n\nconst EMPTY_MANIFEST: AssetManifest = {\n    image: {},\n    video: {},\n    audio: {},\n    font: {},\n};\n\n// ── Audio mixing ─────────────────────────────────────────────────────────────\n//\n// The mix itself lives in ./audio/mixer, shared with `mixTimelineAudio` so a\n// split export and a whole one cannot mix differently.\n\n// ── Video sink ───────────────────────────────────────────────────────────────\n\n/**\n * mediabunny/WebCodecs implementation of the frame sink, writing whichever\n * container `format` names.\n *\n * Wraps the very `<canvas>` the renderer draws into, so `addFrame` costs nothing but\n * a timestamp — WebCodecs pulls the pixels from the canvas itself, with no\n * GPU→CPU readback. That is why the seam signals a frame rather than passing one.\n *\n * The readback claim holds only while the encoder is a hardware one, which is\n * why {@link VideoEncoderOptions.hardwareAcceleration} defaults to letting the\n * platform choose: a software encoder has to be handed CPU pixels, so it drags\n * a full-frame copy off the GPU on every single frame.\n */\nexport class MediabunnyVideoSink implements VideoFrameSink<AudioBuffer> {\n    private readonly target = new BufferTarget();\n    private readonly output: Output;\n    private readonly video: CanvasSource;\n    private audio: AudioBufferSource | null = null;\n\n    constructor(\n        canvas: HTMLCanvasElement,\n        /** Encoded output size, which is the canvas' own unless supersampling is on. */\n        output: { width: number; height: number },\n        private readonly format: VideoFormat,\n        encoding: ResolvedVideoEncoding,\n        private readonly audioOptions: AudioEncoderOptions = {},\n    ) {\n        const downsampling = output.width !== canvas.width || output.height !== canvas.height;\n        this.video = new CanvasSource(canvas, {\n            codec: encoding.codec,\n            bitrate: encoding.bitrate,\n            hardwareAcceleration: encoding.hardwareAcceleration,\n            keyFrameInterval: encoding.keyFrameInterval,\n            latencyMode: encoding.latencyMode,\n            contentHint: encoding.contentHint,\n            ...(encoding.bitrateMode !== undefined && { bitrateMode: encoding.bitrateMode }),\n            // `fit` is exact here — the supersampled canvas is a whole multiple\n            // of the output — but mediabunny requires it whenever both axes are\n            // given, so it is stated rather than inferred.\n            ...(downsampling && { transform: { width: output.width, height: output.height, fit: 'fill' as const } }),\n        });\n        this.output = new Output({ format: formatSpec(format).container(), target: this.target });\n    }\n\n    async start(info: { fps: number; hasAudio: boolean }): Promise<void> {\n        this.output.addVideoTrack(this.video, { frameRate: info.fps });\n        // Tracks must be declared before the muxer starts, which is why the\n        // orchestrator reports this rather than leaving it to be inferred.\n        if (info.hasAudio) {\n            await ensureAudioEncoder(this.format);\n            this.audio = audioTrackSource(this.format, this.audioOptions.bitrate ?? DEFAULT_AUDIO_BITRATE);\n            this.output.addAudioTrack(this.audio);\n        }\n        await this.output.start();\n    }\n\n    async addFrame(timestamp: number, duration: number): Promise<void> {\n        await this.video.add(timestamp, duration);\n    }\n\n    async addAudio(mixed: AudioBuffer): Promise<void> {\n        if (!this.audio) return;\n        await this.audio.add(mixed);\n    }\n\n    async finalize(): Promise<Uint8Array> {\n        this.video.close();\n        this.audio?.close();\n        await this.output.finalize();\n        const buffer = this.target.buffer;\n        if (!buffer) throw new Error('Export produced no data');\n        return new Uint8Array(buffer);\n    }\n}\n\n// ── Main export ──────────────────────────────────────────────────────────────\n\n/** Round up to the nearest even integer — see the call site. */\nfunction evenUp(n: number): number {\n    const rounded = Math.round(n);\n    return rounded % 2 === 0 ? rounded : rounded + 1;\n}\n\n/**\n * Longest axis the render surface is allowed to reach.\n *\n * Supersampling multiplies the surface, not the output: a 4K export at\n * `supersample: 2` is drawing 8K frames, and the next step up asks for a\n * 15360-wide WebGL surface that most drivers will not give and none will give\n * cheaply. 8192 is the smallest `MAX_TEXTURE_SIZE` in wide circulation, so a\n * surface inside it is one every machine that can run the export at all can\n * also allocate.\n */\nconst MAX_RENDER_AXIS = 8192;\n\n/**\n * How far the frame can actually be supersampled at this output size.\n *\n * Reduced rather than refused: an export that quietly renders at 1× is a\n * slightly softer file, and one that throws because the default was too\n * ambitious for a 4K project is no file at all.\n */\nfunction fittedSupersample(requested: number, output: { width: number; height: number }): number {\n    const longest = Math.max(output.width, output.height);\n    let factor = Math.max(1, Math.round(requested));\n    while (factor > 1 && longest * factor > MAX_RENDER_AXIS) factor--;\n    return factor;\n}\n\n/**\n * The codec to actually encode with: the one asked for if the container holds\n * it and this platform can encode it at this size, else the format's default,\n * else its fallback (`'avc'` for MP4, `'vp8'` for WebM).\n *\n * Which encoders a machine has varies by OS, browser and GPU, and an export that\n * dies at the muxer for want of an HEVC encoder is worse than one that quietly\n * produces H.264. The fallback is not probed: there is nothing to fall back to.\n */\nasync function resolveCodec(\n    requested: VideoCodec | undefined,\n    format: VideoFormat,\n    size: { width: number; height: number },\n    fps: number,\n): Promise<VideoCodec> {\n    const { codecs, fallback } = formatSpec(format).video!;\n    let wanted = requested ?? codecs[0];\n    if (!codecs.includes(wanted)) {\n        console.warn(`[motionscript] ${format.toUpperCase()} cannot hold ${wanted}; exporting as ${CODEC_NAMES[codecs[0]]} instead.`);\n        wanted = codecs[0];\n    }\n    for (const codec of new Set([wanted, codecs[0], fallback])) {\n        if (codec === fallback || await canEncode(codec, size, fps)) {\n            if (codec !== wanted) {\n                console.warn(`[motionscript] No ${wanted} encoder available; exporting as ${CODEC_NAMES[codec]} instead.`);\n            }\n            return codec;\n        }\n    }\n    return fallback;\n}\n\nconst CODEC_NAMES: Record<VideoCodec, string> = { avc: 'H.264', hevc: 'HEVC', vp9: 'VP9', av1: 'AV1', vp8: 'VP8' };\n\nasync function canEncode(codec: VideoCodec, size: { width: number; height: number }, fps: number): Promise<boolean> {\n    try {\n        return await canEncodeVideo(codec, {\n            width: size.width,\n            height: size.height,\n            bitrate: motionGraphicsBitrate(size.width, size.height, fps),\n        });\n    } catch {\n        // A probe that throws is a probe that answered \"no\".\n        return false;\n    }\n}\n\n/**\n * Every encoder setting, decided. A split export pins one of these across its\n * segments, since `concatVideoSegments` refuses parts encoded differently. With\n * a numeric `bitrate` (see {@link plainVideoEncoding}) it is plain data and\n * crosses a process boundary.\n */\nexport interface ResolvedVideoEncoding {\n    codec: VideoCodec;\n    /** A `Quality` is left for the encoder to size, as an export always has. */\n    bitrate: number | Quality;\n    hardwareAcceleration: NonNullable<VideoEncoderOptions['hardwareAcceleration']>;\n    keyFrameInterval: number;\n    latencyMode: NonNullable<VideoEncoderOptions['latencyMode']>;\n    contentHint: string;\n    bitrateMode?: VideoEncoderOptions['bitrateMode'];\n}\n\n/** {@link VideoEncoderOptions} with its defaults applied against the encoded size and rate. */\nexport async function resolveVideoEncoding(\n    video: VideoEncoderOptions | undefined,\n    format: VideoFormat,\n    output: { width: number; height: number },\n    fps: number,\n): Promise<ResolvedVideoEncoding> {\n    const codec = await resolveCodec(video?.codec, format, output, fps);\n    return {\n        codec,\n        bitrate: video?.bitrate ?? motionGraphicsBitrate(output.width, output.height, fps),\n        hardwareAcceleration: video?.hardwareAcceleration ?? 'no-preference',\n        keyFrameInterval: video?.keyFrameInterval ?? DEFAULT_KEY_FRAME_INTERVAL,\n        latencyMode: video?.latencyMode ?? 'quality',\n        contentHint: video?.contentHint ?? 'detail',\n        ...(video?.bitrateMode !== undefined && { bitrateMode: video.bitrateMode }),\n    };\n}\n\n/**\n * The encoding with a `Quality` turned into the bits per second mediabunny would\n * give it at this size, since a class instance cannot cross a `MessagePort`.\n */\nexport function plainVideoEncoding(\n    encoding: ResolvedVideoEncoding,\n    output: { width: number; height: number },\n): ResolvedVideoEncoding & { bitrate: number } {\n    const { bitrate } = encoding;\n    if (typeof bitrate === 'number') return { ...encoding, bitrate };\n    const quality = bitrate as unknown as { _toVideoBitrate(c: VideoCodec, w: number, h: number): number };\n    return { ...encoding, bitrate: quality._toVideoBitrate(encoding.codec, output.width, output.height) };\n}\n\n/** The encoded size, rounded up to even, and how far each frame is supersampled. */\nexport function exportGeometry(viewport: Size2D, scale: number, supersample: number) {\n    // Every block-based codec works in macroblocks, so an odd dimension is\n    // padded by the encoder with a smeared strip that was never drawn.\n    const output = { width: evenUp(viewport.width * scale), height: evenUp(viewport.height * scale) };\n    const oversample = fittedSupersample(supersample, output);\n    return { output, oversample, renderScale: scale * oversample };\n}\n\n/** A hidden canvas with a mounted render context, reusable across renders of one project. */\nexport interface ExportSurface {\n    canvas: HTMLCanvasElement;\n    renderContext: BrowserRenderContext;\n    storageAdapter: StorageAdapter;\n    assetCatalog: ManifestAssetCatalog;\n    dispose(): void;\n}\n\n/**\n * Open the canvas, renderer, storage and render context an export draws with,\n * resolving once the surface can draw (a frame drawn before an asynchronously\n * started surface is ready encodes blank). The canvas is a whole multiple of the\n * output, so the downsample is exact.\n */\nexport async function openExportSurface(params: {\n    canvasSize: { width: number; height: number };\n    viewport: Size2D;\n    fps: number;\n    manifest: AssetManifest;\n} & RendererWasmOption): Promise<ExportSurface> {\n    const canvas = document.createElement('canvas');\n    canvas.width = params.canvasSize.width;\n    canvas.height = params.canvasSize.height;\n    canvas.style.display = 'none';\n    document.body.appendChild(canvas);\n    try {\n        const assetCatalog = new ManifestAssetCatalog(params.manifest);\n        const renderer = await loadRenderer(params);\n        const storageAdapter = renderer.createStorageAdapter({ catalog: assetCatalog, viewport: params.viewport, fps: params.fps });\n        const renderContext = renderer.createRenderContext(storageAdapter);\n        renderContext.mount(canvas);\n        await renderContext.whenMounted?.();\n        return {\n            canvas, renderContext, storageAdapter, assetCatalog,\n            dispose: () => {\n                renderContext.dispose();\n                canvas.remove();\n            },\n        };\n    } catch (error) {\n        canvas.remove();\n        throw error;\n    }\n}\n\n/**\n * Renders a document frame-by-frame to an offscreen canvas and muxes the result\n * into an MP4 or WebM via mediabunny.\n *\n * The frame loop itself — discovery, state evaluation, the warm-and-re-render retry\n * that keeps every frame accurate, audio scheduling, progress and cancellation —\n * lives in `renderTimeline` (frame-loop.ts). What this function\n * supplies is the browser-specific half: a canvas to draw into, a WebCodecs sink,\n * a Web Audio mixer, and the `<a download>` delivery.\n */\nexport async function exportVideo(params: ExportParams): Promise<Uint8Array | void> {\n    const {\n        // Not `document`, which would shadow the DOM global this function uses.\n        document: source,\n        registry = new Registry(),\n        scale = 1,\n        format = 'mp4',\n        manifest = EMPTY_MANIFEST,\n        theme,\n        includeAudio = true,\n        video,\n        audio = {},\n        frames,\n        onProgress,\n        signal,\n        rendererWasmUrl,\n        supersample = DEFAULT_SUPERSAMPLE,\n        returnBytes = false,\n    } = params;\n\n    const spec = formatSpec(format);\n    if (spec.kind !== 'video') throw new RangeError(`exportVideo writes video; \"${format}\" is audio, which exportAudio writes.`);\n    const filename = params.filename ?? `export.${spec.extension}`;\n    const project = resolveProjectDocument(source, params, DEFAULT_OUTPUT);\n    if (project.tracks.length === 0) return;\n    signal?.throwIfAborted();\n    const viewport = project.viewport!;\n    const fps = project.fps!;\n\n    const { output, oversample, renderScale } = exportGeometry(viewport, scale, supersample);\n    const surface = await openExportSurface({\n        canvasSize: { width: output.width * oversample, height: output.height * oversample },\n        viewport, fps, manifest, rendererWasmUrl,\n    });\n\n    let bytes: Uint8Array | undefined;\n    try {\n        const encoding = await resolveVideoEncoding(video, format, output, fps);\n        bytes = await renderTimeline<AudioBuffer>({\n            project, registry, theme, scale: renderScale, includeAudio, frames,\n            renderContext: surface.renderContext, storageAdapter: surface.storageAdapter, assetCatalog: surface.assetCatalog,\n            sink: new MediabunnyVideoSink(surface.canvas, output, format, encoding, audio),\n            mixer: new WebAudioMixer(audio.sampleRate, surface.assetCatalog),\n            onProgress,\n            onIssue: params.onIssue,\n            signal,\n        }) as Uint8Array | undefined;\n    } finally {\n        surface.dispose();\n    }\n\n    if (!bytes) return;\n    return deliver(bytes, { returnBytes, filename, mimeType: spec.mimeType });\n}\n"]}

package/dist/formats.d.ts

@@ -0,0 +1,36 @@
+import { AudioBufferSource, type AudioCodec, type OutputFormat, type VideoCodec } from "mediabunny";
+/** A file with a picture: rendered frame by frame, with the mixed audio as a second track. */
+export type VideoFormat = "mp4" | "webm";
+/** A file of the timeline's mixed audio alone; nothing is drawn. */
+export type AudioFormat = "wav" | "mp3" | "m4a";
+export type ExportFormat = VideoFormat | AudioFormat;
+/** What a host needs to name, save and play an exported file. */
+export interface ExportFormatInfo {
+    kind: "video" | "audio";
+    /** Without the dot. */
+    extension: string;
+    mimeType: string;
+}
+interface FormatSpec extends ExportFormatInfo {
+    container: () => OutputFormat;
+    audioCodec: AudioCodec;
+    /** Video formats only: what the container takes, the default first, and the codec used unprobed when none of those encode. */
+    video?: {
+        codecs: readonly VideoCodec[];
+        fallback: VideoCodec;
+    };
+}
+export declare const EXPORT_FORMATS: Readonly<Record<ExportFormat, ExportFormatInfo>>;
+export declare function formatSpec(format: ExportFormat): FormatSpec;
+export declare function isAudioFormat(format: ExportFormat): format is AudioFormat;
+export declare const DEFAULT_AUDIO_BITRATE = 192000;
+/** The mixed-audio track for `format`. Ensure its encoder first with {@link ensureAudioEncoder}. */
+export declare function audioTrackSource(format: ExportFormat, bitrate?: number): AudioBufferSource;
+/**
+ * Throws before a frame is rendered when this browser cannot encode `format`'s
+ * audio. No browser ships an MP3 encoder, so LAME is loaded on first use (a
+ * WASM worker from a `blob:` URL, which a host's CSP must allow).
+ */
+export declare function ensureAudioEncoder(format: ExportFormat): Promise<void>;
+export {};
+//# sourceMappingURL=formats.d.ts.map

package/dist/formats.d.ts.map

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package/dist/formats.js

@@ -0,0 +1,83 @@
+import { AudioBufferSource, Mp3OutputFormat, Mp4OutputFormat, WavOutputFormat, WebMOutputFormat, canEncodeAudio, } from "mediabunny";
+const FORMATS = {
+    mp4: {
+        kind: "video", extension: "mp4", mimeType: "video/mp4",
+        container: () => new Mp4OutputFormat(),
+        audioCodec: "aac",
+        video: { codecs: ["avc", "hevc", "av1", "vp9"], fallback: "avc" },
+    },
+    webm: {
+        kind: "video", extension: "webm", mimeType: "video/webm",
+        container: () => new WebMOutputFormat(),
+        audioCodec: "opus",
+        video: { codecs: ["vp9", "av1", "vp8"], fallback: "vp8" },
+    },
+    wav: {
+        kind: "audio", extension: "wav", mimeType: "audio/wav",
+        container: () => new WavOutputFormat(),
+        audioCodec: "pcm-s16",
+    },
+    mp3: {
+        kind: "audio", extension: "mp3", mimeType: "audio/mpeg",
+        container: () => new Mp3OutputFormat(),
+        audioCodec: "mp3",
+    },
+    m4a: {
+        kind: "audio", extension: "m4a", mimeType: "audio/mp4",
+        container: () => new Mp4OutputFormat(),
+        audioCodec: "aac",
+    },
+};
+export const EXPORT_FORMATS = FORMATS;
+export function formatSpec(format) {
+    const spec = FORMATS[format];
+    if (!spec)
+        throw new RangeError(`"${String(format)}" is not an export format; expected one of ${Object.keys(FORMATS).join(", ")}.`);
+    return spec;
+}
+export function isAudioFormat(format) {
+    return formatSpec(format).kind === "audio";
+}
+export const DEFAULT_AUDIO_BITRATE = 192_000;
+const OPUS_SAMPLE_RATE = 48_000;
+/** The mixed-audio track for `format`. Ensure its encoder first with {@link ensureAudioEncoder}. */
+export function audioTrackSource(format, bitrate = DEFAULT_AUDIO_BITRATE) {
+    const codec = formatSpec(format).audioCodec;
+    return new AudioBufferSource({
+        codec,
+        bitrate,
+        // Opus encodes at 48 kHz only, and the mix runs at 44.1 kHz unless asked otherwise.
+        ...(codec === "opus" && { transform: { sampleRate: OPUS_SAMPLE_RATE } }),
+    });
+}
+let mp3Registered = null;
+/**
+ * Throws before a frame is rendered when this browser cannot encode `format`'s
+ * audio. No browser ships an MP3 encoder, so LAME is loaded on first use (a
+ * WASM worker from a `blob:` URL, which a host's CSP must allow).
+ */
+export async function ensureAudioEncoder(format) {
+    const codec = formatSpec(format).audioCodec;
+    if (codec === "mp3") {
+        mp3Registered ??= (async () => {
+            if (await canEncodeAudio("mp3"))
+                return;
+            const { registerMp3Encoder } = await import("@mediabunny/mp3-encoder");
+            registerMp3Encoder();
+        })();
+        try {
+            await mp3Registered;
+        }
+        catch (error) {
+            mp3Registered = null;
+            throw error;
+        }
+        return;
+    }
+    if (codec.startsWith("pcm-"))
+        return;
+    if (!(await canEncodeAudio(codec))) {
+        throw new Error(`This browser has no ${codec.toUpperCase()} encoder, so it cannot export ${format.toUpperCase()} audio.`);
+    }
+}
+//# sourceMappingURL=formats.js.map

package/dist/formats.js.map

@@ -0,0 +1 @@
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nothing is drawn. */\nexport type AudioFormat = \"wav\" | \"mp3\" | \"m4a\";\nexport type ExportFormat = VideoFormat | AudioFormat;\n\n/** What a host needs to name, save and play an exported file. */\nexport interface ExportFormatInfo {\n    kind: \"video\" | \"audio\";\n    /** Without the dot. */\n    extension: string;\n    mimeType: string;\n}\n\ninterface FormatSpec extends ExportFormatInfo {\n    container: () => OutputFormat;\n    audioCodec: AudioCodec;\n    /** Video formats only: what the container takes, the default first, and the codec used unprobed when none of those encode. */\n    video?: { codecs: readonly VideoCodec[]; fallback: VideoCodec };\n}\n\nconst FORMATS: Record<ExportFormat, FormatSpec> = {\n    mp4: {\n        kind: \"video\", extension: \"mp4\", mimeType: \"video/mp4\",\n        container: () => new Mp4OutputFormat(),\n        audioCodec: \"aac\",\n        video: { codecs: [\"avc\", \"hevc\", \"av1\", \"vp9\"], fallback: \"avc\" },\n    },\n    webm: {\n        kind: \"video\", extension: \"webm\", mimeType: \"video/webm\",\n        container: () => new WebMOutputFormat(),\n        audioCodec: \"opus\",\n        video: { codecs: [\"vp9\", \"av1\", \"vp8\"], fallback: \"vp8\" },\n    },\n    wav: {\n        kind: \"audio\", extension: \"wav\", mimeType: \"audio/wav\",\n        container: () => new WavOutputFormat(),\n        audioCodec: \"pcm-s16\",\n    },\n    mp3: {\n        kind: \"audio\", extension: \"mp3\", mimeType: \"audio/mpeg\",\n        container: () => new Mp3OutputFormat(),\n        audioCodec: \"mp3\",\n    },\n    m4a: {\n        kind: \"audio\", extension: \"m4a\", mimeType: \"audio/mp4\",\n        container: () => new Mp4OutputFormat(),\n        audioCodec: \"aac\",\n    },\n};\n\nexport const EXPORT_FORMATS: Readonly<Record<ExportFormat, ExportFormatInfo>> = FORMATS;\n\nexport function formatSpec(format: ExportFormat): FormatSpec {\n    const spec = FORMATS[format];\n    if (!spec) throw new RangeError(`\"${String(format)}\" is not an export format; expected one of ${Object.keys(FORMATS).join(\", \")}.`);\n    return spec;\n}\n\nexport function isAudioFormat(format: ExportFormat): format is AudioFormat {\n    return formatSpec(format).kind === \"audio\";\n}\n\nexport const DEFAULT_AUDIO_BITRATE = 192_000;\nconst OPUS_SAMPLE_RATE = 48_000;\n\n/** The mixed-audio track for `format`. Ensure its encoder first with {@link ensureAudioEncoder}. */\nexport function audioTrackSource(format: ExportFormat, bitrate = DEFAULT_AUDIO_BITRATE): AudioBufferSource {\n    const codec = formatSpec(format).audioCodec;\n    return new AudioBufferSource({\n        codec,\n        bitrate,\n        // Opus encodes at 48 kHz only, and the mix runs at 44.1 kHz unless asked otherwise.\n        ...(codec === \"opus\" && { transform: { sampleRate: OPUS_SAMPLE_RATE } }),\n    });\n}\n\nlet mp3Registered: Promise<void> | null = null;\n\n/**\n * Throws before a frame is rendered when this browser cannot encode `format`'s\n * audio. No browser ships an MP3 encoder, so LAME is loaded on first use (a\n * WASM worker from a `blob:` URL, which a host's CSP must allow).\n */\nexport async function ensureAudioEncoder(format: ExportFormat): Promise<void> {\n    const codec = formatSpec(format).audioCodec;\n    if (codec === \"mp3\") {\n        mp3Registered ??= (async () => {\n            if (await canEncodeAudio(\"mp3\")) return;\n            const { registerMp3Encoder } = await import(\"@mediabunny/mp3-encoder\");\n            registerMp3Encoder();\n        })();\n        try {\n            await mp3Registered;\n        } catch (error) {\n            mp3Registered = null;\n            throw error;\n        }\n        return;\n    }\n    if (codec.startsWith(\"pcm-\")) return;\n    if (!(await canEncodeAudio(codec))) {\n        throw new Error(`This browser has no ${codec.toUpperCase()} encoder, so it cannot export ${format.toUpperCase()} audio.`);\n    }\n}\n"]}