@motionscript/browser 0.1.0-alpha.3 → 0.1.0-alpha.5

package/README.md

@@ -1,69 +1,118 @@
-# @motionscript/browser
-
-The browser rendering backend for [Motion Script](https://motionscript.dev),
-built on Skia via [`@motionscript/canvaskit`](../canvaskit). It implements the
-`platform`/`render` abstractions from [`@motionscript/core`](../core) so
-documents can be drawn to a canvas, played back with synchronized audio, and
-exported to video all in the browser.
-
-## What's in here
-
-- **Engine**: `createBrowserEngine` wires every platform seam below into a
-  `@motionscript/core` `Engine`. Await it once at app start and share it.
-- **Render context**: `WebRenderContext` draws the `@motionscript/core` scene
-  graph (shapes, fills, strokes, effects, text, video, masks) onto a CanvasKit
-  surface.
-- **Exporter**: `exportVideo` renders a document offline and muxes video and
-  audio into an MP4 using [mediabunny](https://github.com/Vanilagy/mediabunny).
-- **Stills**: `StillRenderer` (from `createStillRenderer`) is a long-lived
-  renderer that repaints single frames into a canvas the host owns, for
-  thumbnails and previews; `exportScreenshot` is the one-shot wrapper over it.
-- **Concat**: `concatVideoSegments` joins separately encoded MP4 segments
-  without re-encoding, so an export can be split across workers.
-  `mixTimelineAudio` mixes the whole timeline's audio once for the joined file.
-  Every segment must share one encoder configuration; a mismatch throws
-  `ConcatMismatchError`.
-- **3D**: every engine session, still renderer and export installs the WebGL
-  renderer that makes `Canvas3D` draw (three.js, loaded lazily). Importing the
-  package registers nothing, so a bundler may tree-shake freely.
-- **Audio**: `WebAudioPlayer` drives playback through the Web Audio API;
-  `mixAudio` and `encodeWav` (also on the `@motionscript/browser/audio`
-  subpath, which skips CanvasKit) mix down offline.
-- **Storage / assets**: `WebStorageAdapter` and `WebMeasureContext` implement the
-  asset-loading and text-measurement abstractions `@motionscript/core` needs.
-- **Clock**: `WebTicker` synchronizes scene playback to `requestAnimationFrame` while calculating dt from audio context to ensure audio and animation line up.
-- **CanvasKit access**: `getCanvasKit` loads and caches the CanvasKit/Skia
-  WebAssembly module used for rendering.
-
-## Usage
-
-```bash
-npm install @motionscript/browser @motionscript/core @motionscript/canvaskit
-```
-
-```ts
-import { createBrowserEngine } from '@motionscript/browser';
-
-const engine = await createBrowserEngine({ wasmUrl: '/canvaskit.wasm', nodes: [MyNode] });
-const session = engine.open({ document, target: canvasEl });
-session.playback!.play();
-
-const mp4 = await session.export();
-```
-
-Serve `canvaskit.wasm` from `@motionscript/canvaskit` as a static asset and pass
-its URL as `wasmUrl`.
-
-See the [docs](https://motionscript.dev/docs) for the full feature set and API
-reference.
-
-## Development
-
-From the monorepo root:
-
-```bash
-pnpm --filter @motionscript/browser build
-pnpm --filter @motionscript/browser test
-```
-
-See [CONTRIBUTING.md](../../CONTRIBUTING.md) for the architecture overview.
+# @motionscript/browser
+
+The browser rendering backend for [Motion Script](https://motionscript.dev),
+built on Skia via [`@motionscript/canvaskit`](https://github.com/motionscript-dev/motionscript/tree/main/packages/canvaskit). It implements the
+`platform`/`render` abstractions from [`@motionscript/core`](https://github.com/motionscript-dev/motionscript/tree/main/packages/core) so
+documents can be drawn to a canvas, played back with synchronized audio, and
+exported to video all in the browser.
+
+How a frame is drawn (shapes, fills, strokes, effects, text, the 3D replay) lives in
+[`@motionscript/skia-render`](https://github.com/motionscript-dev/motionscript/tree/main/packages/skia-render) and is shared with every other backend.
+This package supplies only the browser's half: a WebGL surface over a `<canvas>`,
+media decode and storage, encoding, Web Audio, the clock, and the WebGL renderer 3D
+draws with.
+
+## What's in here
+
+- **Engine**: `createBrowserEngine` wires every platform seam below into a
+  `@motionscript/core` `Engine`. Await it once at app start and share it.
+- **Render context**: `WebRenderContext` draws the `@motionscript/core` scene
+  graph (shapes, fills, strokes, effects, text, video, masks) onto a CanvasKit
+  surface.
+- **Exporter**: `exportVideo` renders a document offline and muxes video and
+  audio into an MP4 using [mediabunny](https://github.com/Vanilagy/mediabunny).
+- **Stills**: `StillRenderer` (from `createStillRenderer`) is a long-lived
+  renderer that repaints single frames into a canvas the host owns, for
+  thumbnails and previews; `exportScreenshot` is the one-shot wrapper over it.
+- **Concat**: `concatVideoSegments` joins separately encoded MP4 segments
+  without re-encoding, so an export can be split across workers. A segment is
+  `exportVideo({ frames: { start, end } })` (or `session.export({ frames })`):
+  that range alone, timestamped from 0 and silent.
+  `mixTimelineAudio` mixes the whole timeline's audio once for the joined file.
+  Every segment must share one encoder configuration; a mismatch throws
+  `ConcatMismatchError`.
+- **3D**: every engine session, still renderer and export installs the WebGL
+  renderer that makes `Canvas3D` draw (three.js, loaded lazily). Importing the
+  package registers nothing, so a bundler may tree-shake freely.
+- **Audio**: `WebAudioPlayer` drives playback through the Web Audio API;
+  `mixAudio` and `encodeWav` (also on the `@motionscript/browser/audio`
+  subpath, which skips CanvasKit) mix down offline.
+- **Storage / assets**: `WebStorageAdapter` and `WebMeasureContext` implement the
+  asset-loading and text-measurement abstractions `@motionscript/core` needs. The
+  adapter decodes images and video at the resolution each draw covers, in
+  levels (`src/decode/`); see
+  [decode resolution](https://github.com/motionscript-dev/motionscript/blob/main/packages/skia-render/docs/decode-resolution.md).
+  `setAssetByteSource` lets a host answer for an asset's bytes (a file the user just
+  chose, say) before the adapter goes to the network; it applies to previews,
+  exports and stills alike.
+- **Source-string nodes**: `createBrowserEngine({ nodes })` also accepts TS/JSX source
+  strings (array form only), each declaring its key with `@node(...)`, compiled with
+  `esbuild-wasm` on first use. `dynamicNodes` overrides the SDK, JSX runtime,
+  extra importable `modules` or the compiler, each field defaulting on its own.
+- **Clock**: `WebTicker` synchronizes scene playback to `requestAnimationFrame` while calculating dt from audio context to ensure audio and animation line up.
+- **CanvasKit access**: `getCanvasKit` loads and caches the CanvasKit/Skia
+  WebAssembly module used for rendering.
+
+## Usage
+
+```bash
+npm install @motionscript/browser @motionscript/core @motionscript/canvaskit
+```
+
+```ts
+import { createBrowserEngine } from '@motionscript/browser';
+
+const engine = await createBrowserEngine({ wasmUrl: '/canvaskit.wasm', nodes: [MyNode] });
+const session = engine.open({ document, target: canvasEl });
+session.playback!.play();
+
+const mp4 = await session.export();
+```
+
+Serve `canvaskit.wasm` from `@motionscript/canvaskit` as a static asset and pass
+its URL as `wasmUrl`. `getCanvasKit` memoizes: the first URL wins, and a failed
+init stays failed. `session.export()` resolves to the MP4 bytes unless
+`encode: { download: true }` asks for a browser download.
+
+## CDN build
+
+`pnpm build` ends by writing `dist/browser/` (generated, never edited): one minified
+ES module per `exports` entry (`index.js`, `audio.js`), shared and lazy chunks
+(three.js and its glTF loader arrive only through `import()`), `esbuild.wasm`, and a
+`manifest.json` mapping each export and binary asset to a package-relative path.
+The peers stay imports, so a host's import map names each of these bare specifiers
+once, to one copy:
+
+```
+@motionscript/core
+@motionscript/core/sdk
+@motionscript/core/jsx/jsx-runtime
+@motionscript/canvaskit
+```
+
+Against a CDN module URL the default `canvaskit.wasm` and `esbuild.wasm` URLs do not
+resolve, so a host passes `wasmUrl` and, if it compiles source-string nodes,
+`compilerWasmUrl`. Both binaries are listed in the packages' manifests.
+
+See the [docs](https://motionscript.dev/docs) for the full feature set and API
+reference.
+
+## Development
+
+From the monorepo root:
+
+```bash
+pnpm --filter @motionscript/browser build   # eslint, tsc, tsc-alias, then the CDN build
+pnpm --filter @motionscript/browser test    # vitest: real Chromium, plus a Node project
+```
+
+The tests run in headless Chromium through `@vitest/browser-playwright`, so install it
+once with `pnpm --filter @motionscript/browser exec playwright install --with-deps chromium`.
+They import `@motionscript/core`'s **built** `dist/`: run `pnpm build:lib` first on a fresh
+checkout. Files named `*.node.test.ts` run in Node and ask what a consumer's bundler
+keeps of this package (`tree-shaking`, `cdn-build`). Suites that need an H.264 or AAC
+encoder skip on a Chromium without one; `REQUIRE_ENCODERS=1` makes them fail instead.
+
+See [CLAUDE.md](https://github.com/motionscript-dev/motionscript/blob/main/packages/browser/CLAUDE.md) for the traps when editing here,
+[ARCHITECTURE.md](https://github.com/motionscript-dev/motionscript/blob/main/ARCHITECTURE.md) for the layering and
+[CONTRIBUTING.md](https://github.com/motionscript-dev/motionscript/blob/main/CONTRIBUTING.md) for the workflow.

package/dist/asset-bytes.js.map

@@ -1 +1 @@
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package/dist/audio/bus-graph.d.ts

@@ -25,10 +25,10 @@ export declare class AudioBusGraph {
      * existed.
      *
      * `startTime` is the context time a new chain's schedule starts from, and
-     * `sceneTime` the same instant in the stops' own seconds. A curve on a stop
+     * `clipTime` the same instant in the stops' own seconds. A curve on a stop
      * runs over its `startAt`–`endAt`, so the two are what place it.
      */
-    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number, sceneTime: number): AudioNode;
+    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number, clipTime: number): AudioNode;
     /** Disconnect every live bus node, so the next {@link inputFor} builds afresh. Safe to call more than once. */
     dispose(): void;
     private readonly inputs;

package/dist/audio/bus-graph.d.ts.map

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package/dist/audio/bus-graph.js

@@ -28,13 +28,13 @@ export class AudioBusGraph {
      * existed.
      *
      * `startTime` is the context time a new chain's schedule starts from, and
-     * `sceneTime` the same instant in the stops' own seconds. A curve on a stop
+     * `clipTime` the same instant in the stops' own seconds. A curve on a stop
      * runs over its `startAt`–`endAt`, so the two are what place it.
      */
-    inputFor(bus, startTime, sceneTime) {
+    inputFor(bus, startTime, clipTime) {
         if (!bus || bus.length === 0)
             return this.destination;
-        return this.chainFrom(bus, 0, startTime, sceneTime);
+        return this.chainFrom(bus, 0, startTime, clipTime);
     }
     /** Disconnect every live bus node, so the next {@link inputFor} builds afresh. Safe to call more than once. */
     dispose() {
@@ -70,7 +70,7 @@ export class AudioBusGraph {
      * tracks, is a different chain, and one built for the first would play the
      * second through stale levels and a curve anchored to the wrong span.
      */
-    chainFrom(bus, index, startTime, sceneTime) {
+    chainFrom(bus, index, startTime, clipTime) {
         if (index >= bus.length)
             return this.destination;
         const stop = bus[index];
@@ -78,7 +78,7 @@ export class AudioBusGraph {
         const existing = this.inputs.get(key);
         if (existing)
             return existing;
-        const output = this.chainFrom(bus, index + 1, startTime, sceneTime);
+        const output = this.chainFrom(bus, index + 1, startTime, clipTime);
         // A pass-through head every clip connects to, so the bus has one input
         // whatever its filters turn out to be.
         const input = this.ctx.createGain();
@@ -86,7 +86,7 @@ export class AudioBusGraph {
         // The level is a gain after the filters, as a sound's own level is, so a
         // curve on it is scheduled exactly as one in `filters` is.
         const level = { type: "gain", value: stop.mute ? 0 : stop.volume };
-        const graph = buildAudioFilterGraph(this.ctx, input, [...(stop.filters ?? []), level], startTime, stop.endAt - stop.startAt, sceneTime - stop.startAt);
+        const graph = buildAudioFilterGraph(this.ctx, input, [...(stop.filters ?? []), level], startTime, stop.endAt - stop.startAt, clipTime - stop.startAt);
         graph.output.connect(output);
         this.nodes.push(input, ...graph.nodes);
         this.oscillators.push(...graph.oscillators);

package/dist/audio/bus-graph.js.map

@@ -1 +1 @@
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Flattening the levels into per-clip gain would sound\n * right; flattening the effects would not.\n */\nexport class AudioBusGraph {\n    constructor(\n        private readonly ctx: BaseAudioContext,\n        /** Where the last bus in a chain connects — the master, or the destination. */\n        private readonly destination: AudioNode,\n    ) { }\n\n    /**\n     * The input node a clip on `bus` should connect to, building the chain the\n     * first time it is asked for.\n     *\n     * `bus` is source-adjacent first, so `bus[0]` is the one the clip feeds and\n     * each stop after it is that bus's own parent. An empty or absent chain\n     * returns the destination, which is what every clip did before buses\n     * existed.\n     *\n     * `startTime` is the context time a new chain's schedule starts from, and\n     * `sceneTime` the same instant in the stops' own seconds. A curve on a stop\n     * runs over its `startAt`–`endAt`, so the two are what place it.\n     */\n    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number, sceneTime: number): AudioNode {\n        if (!bus || bus.length === 0) return this.destination;\n        return this.chainFrom(bus, 0, startTime, sceneTime);\n    }\n\n    /** Disconnect every live bus node, so the next {@link inputFor} builds afresh. Safe to call more than once. */\n    dispose(): void {\n        for (const node of this.nodes) {\n            try { node.disconnect(); } catch { /* already torn down */ }\n        }\n        for (const osc of this.oscillators) {\n            try { osc.stop(); } catch { /* never started, or already stopped */ }\n        }\n        this.nodes.length = 0;\n        this.oscillators.length = 0;\n        this.inputs.clear();\n    }\n\n    private readonly inputs = new Map<string, AudioNode>();\n    private readonly nodes: AudioNode[] = [];\n    private readonly oscillators: OscillatorNode[] = [];\n\n    /**\n     * Build (or reuse) the chain for `bus[index]`, connected to whatever\n     * `bus[index + 1]` resolves to.\n     *\n     * Recursive rather than iterative because a bus's *output* has to exist\n     * before its own nodes can connect to it, and the outermost bus is the last\n     * entry.\n     *\n     * Reused by everything that changes what it sounds like, down to the master,\n     * not by id alone: a bus edited under a playing device, or one id on two\n     * tracks, is a different chain, and one built for the first would play the\n     * second through stale levels and a curve anchored to the wrong span.\n     */\n    private chainFrom(bus: readonly AudioBusStop[], index: number, startTime: number, sceneTime: number): AudioNode {\n        if (index >= bus.length) return this.destination;\n\n        const stop = bus[index];\n        const key = bus.slice(index).map(busStopKey).join(\">\");\n        const existing = this.inputs.get(key);\n        if (existing) return existing;\n\n        const output = this.chainFrom(bus, index + 1, startTime, sceneTime);\n\n        // A pass-through head every clip connects to, so the bus has one input\n        // whatever its filters turn out to be.\n        const input = this.ctx.createGain();\n        input.gain.value = 1;\n\n        // The level is a gain after the filters, as a sound's own level is, so a\n        // curve on it is scheduled exactly as one in `filters` is.\n        const level: AudioFilterItem = { type: \"gain\", value: stop.mute ? 0 : stop.volume };\n        const graph = buildAudioFilterGraph(\n            this.ctx, input, [...(stop.filters ?? []), level],\n            startTime, stop.endAt - stop.startAt, sceneTime - stop.startAt,\n        );\n        graph.output.connect(output);\n\n        this.nodes.push(input, ...graph.nodes);\n        this.oscillators.push(...graph.oscillators);\n        for (const osc of graph.oscillators) osc.start(startTime);\n\n        this.inputs.set(key, input);\n        return input;\n    }\n}\n"]}
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Flattening the levels into per-clip gain would sound\r\n * right; flattening the effects would not.\r\n */\r\nexport class AudioBusGraph {\r\n    constructor(\r\n        private readonly ctx: BaseAudioContext,\r\n        /** Where the last bus in a chain connects — the master, or the destination. */\r\n        private readonly destination: AudioNode,\r\n    ) { }\r\n\r\n    /**\r\n     * The input node a clip on `bus` should connect to, building the chain the\r\n     * first time it is asked for.\r\n     *\r\n     * `bus` is source-adjacent first, so `bus[0]` is the one the clip feeds and\r\n     * each stop after it is that bus's own parent. An empty or absent chain\r\n     * returns the destination, which is what every clip did before buses\r\n     * existed.\r\n     *\r\n     * `startTime` is the context time a new chain's schedule starts from, and\r\n     * `clipTime` the same instant in the stops' own seconds. A curve on a stop\r\n     * runs over its `startAt`–`endAt`, so the two are what place it.\r\n     */\r\n    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number, clipTime: number): AudioNode {\r\n        if (!bus || bus.length === 0) return this.destination;\r\n        return this.chainFrom(bus, 0, startTime, clipTime);\r\n    }\r\n\r\n    /** Disconnect every live bus node, so the next {@link inputFor} builds afresh. Safe to call more than once. */\r\n    dispose(): void {\r\n        for (const node of this.nodes) {\r\n            try { node.disconnect(); } catch { /* already torn down */ }\r\n        }\r\n        for (const osc of this.oscillators) {\r\n            try { osc.stop(); } catch { /* never started, or already stopped */ }\r\n        }\r\n        this.nodes.length = 0;\r\n        this.oscillators.length = 0;\r\n        this.inputs.clear();\r\n    }\r\n\r\n    private readonly inputs = new Map<string, AudioNode>();\r\n    private readonly nodes: AudioNode[] = [];\r\n    private readonly oscillators: OscillatorNode[] = [];\r\n\r\n    /**\r\n     * Build (or reuse) the chain for `bus[index]`, connected to whatever\r\n     * `bus[index + 1]` resolves to.\r\n     *\r\n     * Recursive rather than iterative because a bus's *output* has to exist\r\n     * before its own nodes can connect to it, and the outermost bus is the last\r\n     * entry.\r\n     *\r\n     * Reused by everything that changes what it sounds like, down to the master,\r\n     * not by id alone: a bus edited under a playing device, or one id on two\r\n     * tracks, is a different chain, and one built for the first would play the\r\n     * second through stale levels and a curve anchored to the wrong span.\r\n     */\r\n    private chainFrom(bus: readonly AudioBusStop[], index: number, startTime: number, clipTime: number): AudioNode {\r\n        if (index >= bus.length) return this.destination;\r\n\r\n        const stop = bus[index];\r\n        const key = bus.slice(index).map(busStopKey).join(\">\");\r\n        const existing = this.inputs.get(key);\r\n        if (existing) return existing;\r\n\r\n        const output = this.chainFrom(bus, index + 1, startTime, clipTime);\r\n\r\n        // A pass-through head every clip connects to, so the bus has one input\r\n        // whatever its filters turn out to be.\r\n        const input = this.ctx.createGain();\r\n        input.gain.value = 1;\r\n\r\n        // The level is a gain after the filters, as a sound's own level is, so a\r\n        // curve on it is scheduled exactly as one in `filters` is.\r\n        const level: AudioFilterItem = { type: \"gain\", value: stop.mute ? 0 : stop.volume };\r\n        const graph = buildAudioFilterGraph(\r\n            this.ctx, input, [...(stop.filters ?? []), level],\r\n            startTime, stop.endAt - stop.startAt, clipTime - stop.startAt,\r\n        );\r\n        graph.output.connect(output);\r\n\r\n        this.nodes.push(input, ...graph.nodes);\r\n        this.oscillators.push(...graph.oscillators);\r\n        for (const osc of graph.oscillators) osc.start(startTime);\r\n\r\n        this.inputs.set(key, input);\r\n        return input;\r\n    }\r\n}\r\n"]}

package/dist/audio/filter-graph.d.ts

@@ -24,8 +24,8 @@ export interface AudioFilterGraph {
  * by the caller (and affect timeline scheduling), not as a graph node.
  *
  * `startTime` is the AudioContext time the source starts; `clipDuration` is the
- * scene-time length the curves run over (a clip's, or a bus's span); `elapsed` is
- * scene-seconds already played at a mid-clip seek (0 for a clean start, negative
+ * clip-time length the curves run over (a clip's, or a bus's span); `elapsed` is
+ * clip-seconds already played at a mid-clip seek (0 for a clean start, negative
  * before the span begins). These let curve-valued params schedule and align.
  *
  * Pass the already-created `source` so its `playbackRate` can be set by the
@@ -47,13 +47,13 @@ export declare function speedCurveOf(filters: readonly AudioFilterItem[] | undef
  *
  * The curve is authored over **source time** (rate as a function of how far through
  * the source we've played). `setValueAtTime`/`linearRampToValueAtTime` schedule in
- * **context time**, so we walk scene-time forward in small steps, convert each to a
+ * **context time**, so we walk clip-time forward in small steps, convert each to a
  * source-time offset via the integral inverse, read the curve there, and lay down a
  * value point at the matching context time. `scalar` folds in any constant speed
  * filters (they scale the whole rate uniformly).
  *
- * `elapsed` is scene-seconds already played at a mid-clip seek, so the schedule
+ * `elapsed` is clip-seconds already played at a mid-clip seek, so the schedule
  * starts at the seek point and aligns the playbackRate to the clip's true position.
  */
-export declare function applySpeedToPlaybackRate(rate: AudioParam, curve: ReturnType<typeof speedCurveOf>, sourceLength: number, sceneDuration: number, scalar: number, startTime: number, elapsed: number): void;
+export declare function applySpeedToPlaybackRate(rate: AudioParam, curve: ReturnType<typeof speedCurveOf>, sourceLength: number, clipDuration: number, scalar: number, startTime: number, elapsed: number): void;
 //# sourceMappingURL=filter-graph.d.ts.map

package/dist/audio/filter-graph.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"filter-graph.d.ts","sourceRoot":"","sources":["../../src/audio/filter-graph.ts"],"names":[],"mappings":"AAAA,OAAO,EAAE,eAAe,EAA2C,MAAM,oBAAoB,CAAC;AAE9F;;;;;;;;;GASG;AACH,MAAM,WAAW,gBAAgB;IAC7B,MAAM,EAAE,SAAS,CAAC;IAClB,KAAK,EAAE,SAAS,EAAE,CAAC;IACnB,WAAW,EAAE,cAAc,EAAE,CAAC;CACjC;AA8FD;;;;;;;;;;;;;;;;GAgBG;AACH,wBAAgB,qBAAqB,CACjC,GAAG,EAAE,gBAAgB,EACrB,MAAM,EAAE,SAAS,EACjB,OAAO,EAAE,SAAS,eAAe,EAAE,EACnC,SAAS,GAAE,MAAwB,EACnC,YAAY,GAAE,MAAU,EACxB,OAAO,GAAE,MAAU,GACpB,gBAAgB,CAwFlB;AAYD;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,SAAS,eAAe,EAAE,GAAG,SAAS,GAAG,MAAM,CAOtF;AAED,kEAAkE;AAClE,wBAAgB,YAAY,CAAC,OAAO,EAAE,SAAS,eAAe,EAAE,GAAG,SAAS,kDAM3E;AAED;;;;;;;;;;;;GAYG;AACH,wBAAgB,wBAAwB,CACpC,IAAI,EAAE,UAAU,EAChB,KAAK,EAAE,UAAU,CAAC,OAAO,YAAY,CAAC,EACtC,YAAY,EAAE,MAAM,EACpB,YAAY,EAAE,MAAM,EACpB,MAAM,EAAE,MAAM,EACd,SAAS,EAAE,MAAM,EACjB,OAAO,EAAE,MAAM,GAChB,IAAI,CAgBN"}

package/dist/audio/filter-graph.js

@@ -1,4 +1,4 @@
-import { isCurve, sourceTimeAtSceneElapsed } from "@motionscript/core";
+import { isCurve, sourceTimeAtClipElapsed } from "@motionscript/core";
 /**
  * How many sample points per second to bake an eased curve segment into for
  * `setValueCurveAtTime`. 200/s (≈ every 5ms) is smooth to the ear and cheap.
@@ -12,7 +12,7 @@ const CURVE_SAMPLES_PER_SECOND = 200;
  *   - linear segments via `setValueAtTime` + `linearRampToValueAtTime`,
  *   - eased segments baked into a `Float32Array` via `setValueCurveAtTime`.
  *
- * `elapsed` (scene-seconds already played when a mid-clip seek starts the source)
+ * `elapsed` (clip-seconds already played when a mid-clip seek starts the source)
  * shifts the schedule back by `elapsed` so "now" reads the curve's value at the
  * clip's *current* position, not its start. A `clamp(v)` hook lets a param keep a
  * valid range (e.g. echo mix 0–1) at every sampled point.
@@ -87,8 +87,8 @@ function applyParam(ctx, audioParam, param, startTime, clipDuration, elapsed, cl
  * by the caller (and affect timeline scheduling), not as a graph node.
  *
  * `startTime` is the AudioContext time the source starts; `clipDuration` is the
- * scene-time length the curves run over (a clip's, or a bus's span); `elapsed` is
- * scene-seconds already played at a mid-clip seek (0 for a clean start, negative
+ * clip-time length the curves run over (a clip's, or a bus's span); `elapsed` is
+ * clip-seconds already played at a mid-clip seek (0 for a clean start, negative
  * before the span begins). These let curve-valued params schedule and align.
  *
  * Pass the already-created `source` so its `playbackRate` can be set by the
@@ -212,29 +212,29 @@ export function speedCurveOf(filters) {
  *
  * The curve is authored over **source time** (rate as a function of how far through
  * the source we've played). `setValueAtTime`/`linearRampToValueAtTime` schedule in
- * **context time**, so we walk scene-time forward in small steps, convert each to a
+ * **context time**, so we walk clip-time forward in small steps, convert each to a
  * source-time offset via the integral inverse, read the curve there, and lay down a
  * value point at the matching context time. `scalar` folds in any constant speed
  * filters (they scale the whole rate uniformly).
  *
- * `elapsed` is scene-seconds already played at a mid-clip seek, so the schedule
+ * `elapsed` is clip-seconds already played at a mid-clip seek, so the schedule
  * starts at the seek point and aligns the playbackRate to the clip's true position.
  */
-export function applySpeedToPlaybackRate(rate, curve, sourceLength, sceneDuration, scalar, startTime, elapsed) {
+export function applySpeedToPlaybackRate(rate, curve, sourceLength, clipDuration, scalar, startTime, elapsed) {
     if (!curve)
         return;
-    const step = 1 / CURVE_SAMPLES_PER_SECOND; // scene-time sampling step
-    let scene = Math.max(0, elapsed);
+    const step = 1 / CURVE_SAMPLES_PER_SECOND; // clip-time sampling step
+    const seekAt = Math.max(0, elapsed);
     // Seed the value exactly at the seek point.
-    const seedSrc = sourceTimeAtSceneElapsed(curve, sourceLength, scene);
+    const seedSrc = sourceTimeAtClipElapsed(curve, sourceLength, seekAt);
     rate.setValueAtTime(Math.max(1e-4, curve.sampleAt(seedSrc, sourceLength, 1) * scalar), startTime);
-    for (let s = scene + step; s <= sceneDuration + step; s += step) {
-        const clampedScene = Math.min(s, sceneDuration);
-        const srcT = sourceTimeAtSceneElapsed(curve, sourceLength, clampedScene);
+    for (let s = seekAt + step; s <= clipDuration + step; s += step) {
+        const clampedElapsed = Math.min(s, clipDuration);
+        const srcT = sourceTimeAtClipElapsed(curve, sourceLength, clampedElapsed);
         const value = Math.max(1e-4, curve.sampleAt(srcT, sourceLength, 1) * scalar);
-        const ctxTime = startTime + (clampedScene - scene);
+        const ctxTime = startTime + (clampedElapsed - seekAt);
         rate.linearRampToValueAtTime(value, ctxTime);
-        if (clampedScene >= sceneDuration)
+        if (clampedElapsed >= clipDuration)
             break;
     }
 }

package/dist/audio/filter-graph.js.map

@@ -1 +1 @@
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{ AudioFilterItem, Param, isCurve, sourceTimeAtSceneElapsed } from \"@motionscript/core\";\n\n/**\n * Result of building an audio-filter graph for one source.\n *\n * - `output` is the last node in the chain; connect it downstream (e.g. to the\n *   per-request gain node).\n * - `nodes` are every intermediate node, so callers can `disconnect()` them on\n *   teardown.\n * - `oscillators` are LFOs (from `tremolo`) the caller must `start()` — and may\n *   `stop()` — alongside the source, since oscillators need an explicit start.\n */\nexport interface AudioFilterGraph {\n    output: AudioNode;\n    nodes: AudioNode[];\n    oscillators: OscillatorNode[];\n}\n\n/**\n * How many sample points per second to bake an eased curve segment into for\n * `setValueCurveAtTime`. 200/s (≈ every 5ms) is smooth to the ear and cheap.\n */\nconst CURVE_SAMPLES_PER_SECOND = 200;\n\n/**\n * Apply a (possibly time-varying) {@link Param} to a Web Audio {@link AudioParam}.\n *\n * - **number** → set once (today's behavior; zero scheduling overhead).\n * - **Curve** → resolve against `clipDuration` and schedule each segment:\n *   - linear segments via `setValueAtTime` + `linearRampToValueAtTime`,\n *   - eased segments baked into a `Float32Array` via `setValueCurveAtTime`.\n *\n * `elapsed` (scene-seconds already played when a mid-clip seek starts the source)\n * shifts the schedule back by `elapsed` so \"now\" reads the curve's value at the\n * clip's *current* position, not its start. A `clamp(v)` hook lets a param keep a\n * valid range (e.g. echo mix 0–1) at every sampled point.\n */\nfunction applyParam(\n    ctx: BaseAudioContext,\n    audioParam: AudioParam,\n    param: Param,\n    startTime: number,\n    clipDuration: number,\n    elapsed: number,\n    clamp: (v: number) => number = (v) => v,\n): void {\n    // Coerce to a finite value before touching an AudioParam — the platform throws\n    // on NaN/Infinity. Falls back to the current param value (never undefined here).\n    const finite = (v: number): number => {\n        const c = clamp(v);\n        return Number.isFinite(c) ? c : audioParam.value;\n    };\n\n    if (!isCurve(param)) {\n        audioParam.value = finite(param);\n        return;\n    }\n\n    // A non-finite clip length yields no usable schedule; hold the curve's start value.\n    if (!Number.isFinite(clipDuration) || clipDuration <= 0) {\n        audioParam.value = finite(param.staticValue(audioParam.value));\n        return;\n    }\n\n    const base = startTime - elapsed; // map curve t=0 to here so seeks line up\n    const resolved = param.resolve(clipDuration, audioParam.value);\n    if (resolved.length === 0) return;\n\n    // Anchor the starting value at `startTime` (the seek point) so there is no\n    // jump from the param's default before the first scheduled segment runs.\n    const startValue = param.sampleAt(Math.max(0, elapsed), clipDuration, audioParam.value);\n    audioParam.setValueAtTime(finite(startValue), startTime);\n\n    for (const seg of resolved) {\n        const segStart = base + seg.startTime;\n        const segEnd = base + seg.endTime;\n        // Skip segments wholly in the past relative to the seek point, or any with a\n        // non-finite boundary (degenerate resolve) that would throw on schedule.\n        if (segEnd <= startTime || !Number.isFinite(segStart) || !Number.isFinite(segEnd)) continue;\n\n        const span = seg.endTime - seg.startTime;\n\n        if (span <= 0) {\n            audioParam.setValueAtTime(finite(seg.to), Math.max(segStart, startTime));\n            continue;\n        }\n\n        // How far through this segment the seek lands. A segment already under way\n        // carries on from the anchor rather than starting over from its `from` —\n        // the case a bus hits whenever its first clip enters partway through it.\n        const done = Math.max(0, (startTime - segStart) / span);\n        const curveStart = Math.max(segStart, startTime);\n\n        if (seg.isLinear) {\n            if (done === 0) audioParam.setValueAtTime(finite(seg.from), curveStart);\n            audioParam.linearRampToValueAtTime(finite(seg.to), segEnd);\n        } else {\n            const curveDur = segEnd - curveStart;\n            if (curveDur <= 0) continue;\n            const count = Math.max(2, Math.ceil(curveDur * CURVE_SAMPLES_PER_SECOND));\n            const samples = new Float32Array(count);\n            for (let i = 0; i < count; i++) {\n                const local = done + (1 - done) * (i / (count - 1));\n                samples[i] = finite(seg.from + (seg.to - seg.from) * seg.ease(local));\n            }\n            audioParam.setValueCurveAtTime(samples, curveStart, curveDur);\n        }\n    }\n}\n\n/**\n * Builds the Web Audio graph for a clip's filter chain, returning the node to\n * connect downstream. Shared by live playback ({@link WebAudioSink}) and\n * offline export (`mixAudio`) so both paths sound identical.\n *\n * Filters apply in array order (index 0 closest to the source). `speed` filters\n * are intentionally ignored here — they're realized via `source.playbackRate`\n * by the caller (and affect timeline scheduling), not as a graph node.\n *\n * `startTime` is the AudioContext time the source starts; `clipDuration` is the\n * scene-time length the curves run over (a clip's, or a bus's span); `elapsed` is\n * scene-seconds already played at a mid-clip seek (0 for a clean start, negative\n * before the span begins). These let curve-valued params schedule and align.\n *\n * Pass the already-created `source` so its `playbackRate` can be set by the\n * caller; this function only wires nodes *after* the source.\n */\nexport function buildAudioFilterGraph(\n    ctx: BaseAudioContext,\n    source: AudioNode,\n    filters: readonly AudioFilterItem[],\n    startTime: number = ctx.currentTime,\n    clipDuration: number = 0,\n    elapsed: number = 0,\n): AudioFilterGraph {\n    const nodes: AudioNode[] = [];\n    const oscillators: OscillatorNode[] = [];\n    let cursor: AudioNode = source;\n\n    const series = (node: AudioNode): void => {\n        cursor.connect(node);\n        nodes.push(node);\n        cursor = node;\n    };\n\n    const apply = (p: AudioParam, v: Param, clamp?: (n: number) => number): void =>\n        applyParam(ctx, p, v, startTime, clipDuration, elapsed, clamp);\n\n    for (const filter of filters) {\n        switch (filter.type) {\n            case \"gain\": {\n                const gain = ctx.createGain();\n                apply(gain.gain, filter.value);\n                series(gain);\n                break;\n            }\n            case \"highpass\":\n            case \"lowpass\": {\n                const biquad = ctx.createBiquadFilter();\n                biquad.type = filter.type === \"highpass\" ? \"highpass\" : \"lowpass\";\n                apply(biquad.frequency, filter.frequency);\n                if (filter.q !== undefined) apply(biquad.Q, filter.q);\n                series(biquad);\n                break;\n            }\n            case \"tremolo\": {\n                // Carrier gain whose value is modulated by an LFO. With depth d the\n                // carrier base = (1 - d/2) and the LFO swing gain = d/2. The clamp\n                // hook applies these transforms whether depth is scalar or a curve.\n                const carrier = ctx.createGain();\n                const lfo = ctx.createOscillator();\n                const lfoDepth = ctx.createGain();\n\n                apply(carrier.gain, filter.depth, (d) => 1 - clamp01(d) / 2);\n                apply(lfoDepth.gain, filter.depth, (d) => clamp01(d) / 2);\n                apply(lfo.frequency, filter.rate);\n\n                lfo.connect(lfoDepth);\n                lfoDepth.connect(carrier.gain);\n\n                nodes.push(lfoDepth);\n                oscillators.push(lfo);\n                series(carrier);\n                break;\n            }\n            case \"echo\": {\n                // Dry + wet split. The wet path is a delay with feedback; both sum\n                // into a merge node that becomes the new cursor.\n                const split = cursor;\n                const merge = ctx.createGain();\n\n                const dry = ctx.createGain();\n                apply(dry.gain, filter.mix ?? 0.5, (m) => 1 - clamp01(m));\n                split.connect(dry);\n                dry.connect(merge);\n\n                // Delay buffer must accommodate the max delay; size from the static value.\n                const maxDelay = staticOf(filter.delay);\n                const delay = ctx.createDelay(Math.max(1, maxDelay + 1));\n                apply(delay.delayTime, filter.delay);\n                const feedbackGain = ctx.createGain();\n                apply(feedbackGain.gain, filter.feedback, (f) => Math.max(0, Math.min(0.99, f)));\n                const wet = ctx.createGain();\n                apply(wet.gain, filter.mix ?? 0.5, (m) => clamp01(m));\n\n                split.connect(delay);\n                delay.connect(feedbackGain);\n                feedbackGain.connect(delay); // feedback loop\n                delay.connect(wet);\n                wet.connect(merge);\n\n                nodes.push(dry, delay, feedbackGain, wet, merge);\n                cursor = merge;\n                break;\n            }\n            case \"speed\":\n                // Realized via source.playbackRate by the caller; no graph node.\n                break;\n        }\n    }\n\n    return { output: cursor, nodes, oscillators };\n}\n\n/** Clamp to [0, 1]. */\nfunction clamp01(v: number): number {\n    return Math.max(0, Math.min(1, v));\n}\n\n/** The static/representative number of a param (number itself, or curve's t=0 value). */\nfunction staticOf(p: Param): number {\n    return isCurve(p) ? p.staticValue(0) : p;\n}\n\n/**\n * Net *constant* playback-rate multiplier from any scalar `speed` filters in the\n * chain (product of all), defaulting to 1. Curve-valued speeds contribute 1 here\n * and are scheduled separately by {@link applySpeedToPlaybackRate}. Mirrors\n * `Sound.effectiveSpeed()` so the renderer applies the same rate the core timeline\n * reserved time for.\n */\nexport function effectiveSpeed(filters: readonly AudioFilterItem[] | undefined): number {\n    if (!filters) return 1;\n    let speed = 1;\n    for (const f of filters) {\n        if (f.type === \"speed\" && !isCurve(f.value) && f.value > 0) speed *= f.value;\n    }\n    return speed;\n}\n\n/** The first curve-valued `speed` filter in the chain, if any. */\nexport function speedCurveOf(filters: readonly AudioFilterItem[] | undefined) {\n    if (!filters) return undefined;\n    for (const f of filters) {\n        if (f.type === \"speed\" && isCurve(f.value)) return f.value;\n    }\n    return undefined;\n}\n\n/**\n * Schedule a time-varying speed curve onto an `AudioBufferSourceNode.playbackRate`.\n *\n * The curve is authored over **source time** (rate as a function of how far through\n * the source we've played). `setValueAtTime`/`linearRampToValueAtTime` schedule in\n * **context time**, so we walk scene-time forward in small steps, convert each to a\n * source-time offset via the integral inverse, read the curve there, and lay down a\n * value point at the matching context time. `scalar` folds in any constant speed\n * filters (they scale the whole rate uniformly).\n *\n * `elapsed` is scene-seconds already played at a mid-clip seek, so the schedule\n * starts at the seek point and aligns the playbackRate to the clip's true position.\n */\nexport function applySpeedToPlaybackRate(\n    rate: AudioParam,\n    curve: ReturnType<typeof speedCurveOf>,\n    sourceLength: number,\n    sceneDuration: number,\n    scalar: number,\n    startTime: number,\n    elapsed: number,\n): void {\n    if (!curve) return;\n    const step = 1 / CURVE_SAMPLES_PER_SECOND; // scene-time sampling step\n    let scene = Math.max(0, elapsed);\n    // Seed the value exactly at the seek point.\n    const seedSrc = sourceTimeAtSceneElapsed(curve, sourceLength, scene);\n    rate.setValueAtTime(Math.max(1e-4, curve.sampleAt(seedSrc, sourceLength, 1) * scalar), startTime);\n\n    for (let s = scene + step; s <= sceneDuration + step; s += step) {\n        const clampedScene = Math.min(s, sceneDuration);\n        const srcT = sourceTimeAtSceneElapsed(curve, sourceLength, clampedScene);\n        const value = Math.max(1e-4, curve.sampleAt(srcT, sourceLength, 1) * scalar);\n        const ctxTime = startTime + (clampedScene - scene);\n        rate.linearRampToValueAtTime(value, ctxTime);\n        if (clampedScene >= sceneDuration) break;\n    }\n}\n"]}
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AudioParam}.\r\n *\r\n * - **number** → set once (today's behavior; zero scheduling overhead).\r\n * - **Curve** → resolve against `clipDuration` and schedule each segment:\r\n *   - linear segments via `setValueAtTime` + `linearRampToValueAtTime`,\r\n *   - eased segments baked into a `Float32Array` via `setValueCurveAtTime`.\r\n *\r\n * `elapsed` (clip-seconds already played when a mid-clip seek starts the source)\r\n * shifts the schedule back by `elapsed` so \"now\" reads the curve's value at the\r\n * clip's *current* position, not its start. 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Falls back to the current param value (never undefined here).\r\n    const finite = (v: number): number => {\r\n        const c = clamp(v);\r\n        return Number.isFinite(c) ? c : audioParam.value;\r\n    };\r\n\r\n    if (!isCurve(param)) {\r\n        audioParam.value = finite(param);\r\n        return;\r\n    }\r\n\r\n    // A non-finite clip length yields no usable schedule; hold the curve's start value.\r\n    if (!Number.isFinite(clipDuration) || clipDuration <= 0) {\r\n        audioParam.value = finite(param.staticValue(audioParam.value));\r\n        return;\r\n    }\r\n\r\n    const base = startTime - elapsed; // map curve t=0 to here so seeks line up\r\n    const resolved = param.resolve(clipDuration, audioParam.value);\r\n    if (resolved.length === 0) return;\r\n\r\n    // Anchor the starting value at `startTime` (the seek point) so there is no\r\n    // jump from the param's default before the first scheduled segment runs.\r\n    const startValue = param.sampleAt(Math.max(0, elapsed), clipDuration, audioParam.value);\r\n    audioParam.setValueAtTime(finite(startValue), startTime);\r\n\r\n    for (const seg of resolved) {\r\n        const segStart = base + seg.startTime;\r\n        const segEnd = base + seg.endTime;\r\n        // Skip segments wholly in the past relative to the seek point, or any with a\r\n        // non-finite boundary (degenerate resolve) that would throw on schedule.\r\n        if (segEnd <= startTime || !Number.isFinite(segStart) || !Number.isFinite(segEnd)) continue;\r\n\r\n        const span = seg.endTime - seg.startTime;\r\n\r\n        if (span <= 0) {\r\n            audioParam.setValueAtTime(finite(seg.to), Math.max(segStart, startTime));\r\n            continue;\r\n        }\r\n\r\n        // How far through this segment the seek lands. A segment already under way\r\n        // carries on from the anchor rather than starting over from its `from` —\r\n        // the case a bus hits whenever its first clip enters partway through it.\r\n        const done = Math.max(0, (startTime - segStart) / span);\r\n        const curveStart = Math.max(segStart, startTime);\r\n\r\n        if (seg.isLinear) {\r\n            if (done === 0) audioParam.setValueAtTime(finite(seg.from), curveStart);\r\n            audioParam.linearRampToValueAtTime(finite(seg.to), segEnd);\r\n        } else {\r\n            const curveDur = segEnd - curveStart;\r\n            if (curveDur <= 0) continue;\r\n            const count = Math.max(2, Math.ceil(curveDur * CURVE_SAMPLES_PER_SECOND));\r\n            const samples = new Float32Array(count);\r\n            for (let i = 0; i < count; i++) {\r\n                const local = done + (1 - done) * (i / (count - 1));\r\n                samples[i] = finite(seg.from + (seg.to - seg.from) * seg.ease(local));\r\n            }\r\n            audioParam.setValueCurveAtTime(samples, curveStart, curveDur);\r\n        }\r\n    }\r\n}\r\n\r\n/**\r\n * Builds the Web Audio graph for a clip's filter chain, returning the node to\r\n * connect downstream. Shared by live playback ({@link WebAudioSink}) and\r\n * offline export (`mixAudio`) so both paths sound identical.\r\n *\r\n * Filters apply in array order (index 0 closest to the source). `speed` filters\r\n * are intentionally ignored here — they're realized via `source.playbackRate`\r\n * by the caller (and affect timeline scheduling), not as a graph node.\r\n *\r\n * `startTime` is the AudioContext time the source starts; `clipDuration` is the\r\n * clip-time length the curves run over (a clip's, or a bus's span); `elapsed` is\r\n * clip-seconds already played at a mid-clip seek (0 for a clean start, negative\r\n * before the span begins). These let curve-valued params schedule and align.\r\n *\r\n * Pass the already-created `source` so its `playbackRate` can be set by the\r\n * caller; this function only wires nodes *after* the source.\r\n */\r\nexport function buildAudioFilterGraph(\r\n    ctx: BaseAudioContext,\r\n    source: AudioNode,\r\n    filters: readonly AudioFilterItem[],\r\n    startTime: number = ctx.currentTime,\r\n    clipDuration: number = 0,\r\n    elapsed: number = 0,\r\n): AudioFilterGraph {\r\n    const nodes: AudioNode[] = [];\r\n    const oscillators: OscillatorNode[] = [];\r\n    let cursor: AudioNode = source;\r\n\r\n    const series = (node: AudioNode): void => {\r\n        cursor.connect(node);\r\n        nodes.push(node);\r\n        cursor = node;\r\n    };\r\n\r\n    const apply = (p: AudioParam, v: Param, clamp?: (n: number) => number): void =>\r\n        applyParam(ctx, p, v, startTime, clipDuration, elapsed, clamp);\r\n\r\n    for (const filter of filters) {\r\n        switch (filter.type) {\r\n            case \"gain\": {\r\n                const gain = ctx.createGain();\r\n                apply(gain.gain, filter.value);\r\n                series(gain);\r\n                break;\r\n            }\r\n            case \"highpass\":\r\n            case \"lowpass\": {\r\n                const biquad = ctx.createBiquadFilter();\r\n                biquad.type = filter.type === \"highpass\" ? \"highpass\" : \"lowpass\";\r\n                apply(biquad.frequency, filter.frequency);\r\n                if (filter.q !== undefined) apply(biquad.Q, filter.q);\r\n                series(biquad);\r\n                break;\r\n            }\r\n            case \"tremolo\": {\r\n                // Carrier gain whose value is modulated by an LFO. With depth d the\r\n                // carrier base = (1 - d/2) and the LFO swing gain = d/2. The clamp\r\n                // hook applies these transforms whether depth is scalar or a curve.\r\n                const carrier = ctx.createGain();\r\n                const lfo = ctx.createOscillator();\r\n                const lfoDepth = ctx.createGain();\r\n\r\n                apply(carrier.gain, filter.depth, (d) => 1 - clamp01(d) / 2);\r\n                apply(lfoDepth.gain, filter.depth, (d) => clamp01(d) / 2);\r\n                apply(lfo.frequency, filter.rate);\r\n\r\n                lfo.connect(lfoDepth);\r\n                lfoDepth.connect(carrier.gain);\r\n\r\n                nodes.push(lfoDepth);\r\n                oscillators.push(lfo);\r\n                series(carrier);\r\n                break;\r\n            }\r\n            case \"echo\": {\r\n                // Dry + wet split. The wet path is a delay with feedback; both sum\r\n                // into a merge node that becomes the new cursor.\r\n                const split = cursor;\r\n                const merge = ctx.createGain();\r\n\r\n                const dry = ctx.createGain();\r\n                apply(dry.gain, filter.mix ?? 0.5, (m) => 1 - clamp01(m));\r\n                split.connect(dry);\r\n                dry.connect(merge);\r\n\r\n                // Delay buffer must accommodate the max delay; size from the static value.\r\n                const maxDelay = staticOf(filter.delay);\r\n                const delay = ctx.createDelay(Math.max(1, maxDelay + 1));\r\n                apply(delay.delayTime, filter.delay);\r\n                const feedbackGain = ctx.createGain();\r\n                apply(feedbackGain.gain, filter.feedback, (f) => Math.max(0, Math.min(0.99, f)));\r\n                const wet = ctx.createGain();\r\n                apply(wet.gain, filter.mix ?? 0.5, (m) => clamp01(m));\r\n\r\n                split.connect(delay);\r\n                delay.connect(feedbackGain);\r\n                feedbackGain.connect(delay); // feedback loop\r\n                delay.connect(wet);\r\n                wet.connect(merge);\r\n\r\n                nodes.push(dry, delay, feedbackGain, wet, merge);\r\n                cursor = merge;\r\n                break;\r\n            }\r\n            case \"speed\":\r\n                // Realized via source.playbackRate by the caller; no graph node.\r\n                break;\r\n        }\r\n    }\r\n\r\n    return { output: cursor, nodes, oscillators };\r\n}\r\n\r\n/** Clamp to [0, 1]. */\r\nfunction clamp01(v: number): number {\r\n    return Math.max(0, Math.min(1, v));\r\n}\r\n\r\n/** The static/representative number of a param (number itself, or curve's t=0 value). */\r\nfunction staticOf(p: Param): number {\r\n    return isCurve(p) ? p.staticValue(0) : p;\r\n}\r\n\r\n/**\r\n * Net *constant* playback-rate multiplier from any scalar `speed` filters in the\r\n * chain (product of all), defaulting to 1. Curve-valued speeds contribute 1 here\r\n * and are scheduled separately by {@link applySpeedToPlaybackRate}. Mirrors\r\n * `Sound.effectiveSpeed()` so the renderer applies the same rate the core timeline\r\n * reserved time for.\r\n */\r\nexport function effectiveSpeed(filters: readonly AudioFilterItem[] | undefined): number {\r\n    if (!filters) return 1;\r\n    let speed = 1;\r\n    for (const f of filters) {\r\n        if (f.type === \"speed\" && !isCurve(f.value) && f.value > 0) speed *= f.value;\r\n    }\r\n    return speed;\r\n}\r\n\r\n/** The first curve-valued `speed` filter in the chain, if any. */\r\nexport function speedCurveOf(filters: readonly AudioFilterItem[] | undefined) {\r\n    if (!filters) return undefined;\r\n    for (const f of filters) {\r\n        if (f.type === \"speed\" && isCurve(f.value)) return f.value;\r\n    }\r\n    return undefined;\r\n}\r\n\r\n/**\r\n * Schedule a time-varying speed curve onto an `AudioBufferSourceNode.playbackRate`.\r\n *\r\n * The curve is authored over **source time** (rate as a function of how far through\r\n * the source we've played). `setValueAtTime`/`linearRampToValueAtTime` schedule in\r\n * **context time**, so we walk clip-time forward in small steps, convert each to a\r\n * source-time offset via the integral inverse, read the curve there, and lay down a\r\n * value point at the matching context time. `scalar` folds in any constant speed\r\n * filters (they scale the whole rate uniformly).\r\n *\r\n * `elapsed` is clip-seconds already played at a mid-clip seek, so the schedule\r\n * starts at the seek point and aligns the playbackRate to the clip's true position.\r\n */\r\nexport function applySpeedToPlaybackRate(\r\n    rate: AudioParam,\r\n    curve: ReturnType<typeof speedCurveOf>,\r\n    sourceLength: number,\r\n    clipDuration: number,\r\n    scalar: number,\r\n    startTime: number,\r\n    elapsed: number,\r\n): void {\r\n    if (!curve) return;\r\n    const step = 1 / CURVE_SAMPLES_PER_SECOND; // clip-time sampling step\r\n    const seekAt = Math.max(0, elapsed);\r\n    // Seed the value exactly at the seek point.\r\n    const seedSrc = sourceTimeAtClipElapsed(curve, sourceLength, seekAt);\r\n    rate.setValueAtTime(Math.max(1e-4, curve.sampleAt(seedSrc, sourceLength, 1) * scalar), startTime);\r\n\r\n    for (let s = seekAt + step; s <= clipDuration + step; s += step) {\r\n        const clampedElapsed = Math.min(s, clipDuration);\r\n        const srcT = sourceTimeAtClipElapsed(curve, sourceLength, clampedElapsed);\r\n        const value = Math.max(1e-4, curve.sampleAt(srcT, sourceLength, 1) * scalar);\r\n        const ctxTime = startTime + (clampedElapsed - seekAt);\r\n        rate.linearRampToValueAtTime(value, ctxTime);\r\n        if (clampedElapsed >= clipDuration) break;\r\n    }\r\n}\r\n"]}

package/dist/audio/index.js.map

@@ -1 +1 @@
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+{"version":3,"file":"index.js","sourceRoot":"","sources":["../../src/audio/index.ts"],"names":[],"mappings":"AAAA,4EAA4E;AAC5E,qBAAqB;AACrB,EAAE;AACF,+EAA+E;AAC/E,+EAA+E;AAC/E,wEAAwE;AAExE,OAAO,EAAE,QAAQ,EAAE,SAAS,EAAE,aAAa,EAAE,mBAAmB,EAAE,MAAM,SAAS,CAAC;AAGlF,OAAO,EAAE,YAAY,EAAE,YAAY,IAAI,cAAc,EAAE,MAAM,UAAU,CAAC;AAExE,+EAA+E;AAC/E,yEAAyE;AACzE,OAAO,EAAE,aAAa,EAAE,MAAM,aAAa,CAAC","sourcesContent":["// @motionscript/browser/audio — stacked-audio playback and mixdown, with no\r\n// renderer attached.\r\n//\r\n// A separate entry point from the package barrel on purpose: that barrel loads\r\n// the CanvasKit/Skia backend at module scope, and nothing here draws anything.\r\n// A host building an audio timeline should not pay for the WASM module.\r\n\r\nexport { mixAudio, encodeWav, WebAudioMixer, DEFAULT_SAMPLE_RATE } from \"./mixer\";\r\nexport type { MixAudioOptions } from \"./mixer\";\r\n\r\nexport { WebAudioSink, WebAudioSink as WebAudioPlayer } from \"./player\";\r\n\r\n// The bus layer both of those share. Exported so a host writing its own device\r\n// or mixer builds the same chains, rather than a second set that drifts.\r\nexport { AudioBusGraph } from \"./bus-graph\";\r\n"]}

package/dist/audio/loop-region.d.ts

@@ -0,0 +1,31 @@
+import type { AudioRequest } from "@motionscript/core";
+/** The span of a decoded buffer a looping request repeats, in source seconds. */
+export interface LoopRegion {
+    start: number;
+    end: number;
+}
+/**
+ * The region a looping request repeats: from its in-point to its out-point, or to
+ * the end of the buffer when it has none. `null` for a request that does not loop,
+ * and for a degenerate region (an out-point at or before the in-point), where the
+ * device falls back to wrapping the whole buffer.
+ *
+ * Shared by the live device and the offline mixer so a preview and an export loop
+ * the same samples.
+ */
+export declare function loopRegionOf(request: AudioRequest, bufferDuration: number): LoopRegion | null;
+/**
+ * Configure `source` to play `request`'s loop: on or off, and over the trimmed
+ * region rather than the whole buffer (`loopStart`/`loopEnd` default to the
+ * whole buffer, which is how a trim used to be lost).
+ */
+export declare function applyLoop(source: AudioBufferSourceNode, request: AudioRequest): LoopRegion | null;
+/**
+ * Fold a source offset into a loop region.
+ *
+ * A seek into the middle of a looping clip lands at `trimStart + elapsed`, which
+ * can be many passes past the region's end; the device would not wrap an offset
+ * that starts outside the region, so it is wrapped here.
+ */
+export declare function wrapIntoRegion(region: LoopRegion | null, offset: number): number;
+//# sourceMappingURL=loop-region.d.ts.map

package/dist/audio/loop-region.d.ts.map

@@ -0,0 +1 @@
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