@motionscript/browser 0.0.0-stage → 0.1.0-alpha.0

package/CHANGELOG.md

@@ -0,0 +1,5 @@
+# @motionscript/browser
+
+## 0.1.0-alpha.0
+
+Initial release.

package/LICENSE

@@ -0,0 +1,201 @@
+                                 Apache License
+                           Version 2.0, January 2004
+                        http://www.apache.org/licenses/
+
+   TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
+
+   1. Definitions.
+
+      "License" shall mean the terms and conditions for use, reproduction,
+      and distribution as defined by Sections 1 through 9 of this document.
+
+      "Licensor" shall mean the copyright owner or entity authorized by
+      the copyright owner that is granting the License.
+
+      "Legal Entity" shall mean the union of the acting entity and all
+      other entities that control, are controlled by, or are under common
+      control with that entity. For the purposes of this definition,
+      "control" means (i) the power, direct or indirect, to cause the
+      direction or management of such entity, whether by contract or
+      otherwise, or (ii) ownership of fifty percent (50%) or more of the
+      outstanding shares, or (iii) beneficial ownership of such entity.
+
+      "You" (or "Your") shall mean an individual or Legal Entity
+      exercising permissions granted by this License.
+
+      "Source" form shall mean the preferred form for making modifications,
+      including but not limited to software source code, documentation
+      source, and configuration files.
+
+      "Object" form shall mean any form resulting from mechanical
+      transformation or translation of a Source form, including but
+      not limited to compiled object code, generated documentation,
+      and conversions to other media types.
+
+      "Work" shall mean the work of authorship, whether in Source or
+      Object form, made available under the License, as indicated by a
+      copyright notice that is included in or attached to the work
+      (an example is provided in the Appendix below).
+
+      "Derivative Works" shall mean any work, whether in Source or Object
+      form, that is based on (or derived from) the Work and for which the
+      editorial revisions, annotations, elaborations, or other modifications
+      represent, as a whole, an original work of authorship. For the purposes
+      of this License, Derivative Works shall not include works that remain
+      separable from, or merely link (or bind by name) to the interfaces of,
+      the Work and Derivative Works thereof.
+
+      "Contribution" shall mean any work of authorship, including
+      the original version of the Work and any modifications or additions
+      to that Work or Derivative Works thereof, that is intentionally
+      submitted to Licensor for inclusion in the Work by the copyright owner
+      or by an individual or Legal Entity authorized to submit on behalf of
+      the copyright owner. For the purposes of this definition, "submitted"
+      means any form of electronic, verbal, or written communication sent
+      to the Licensor or its representatives, including but not limited to
+      communication on electronic mailing lists, source code control systems,
+      and issue tracking systems that are managed by, or on behalf of, the
+      Licensor for the purpose of discussing and improving the Work, but
+      excluding communication that is conspicuously marked or otherwise
+      designated in writing by the copyright owner as "Not a Contribution."
+
+      "Contributor" shall mean Licensor and any individual or Legal Entity
+      on behalf of whom a Contribution has been received by Licensor and
+      subsequently incorporated within the Work.
+
+   2. Grant of Copyright License. Subject to the terms and conditions of
+      this License, each Contributor hereby grants to You a perpetual,
+      worldwide, non-exclusive, no-charge, royalty-free, irrevocable
+      copyright license to reproduce, prepare Derivative Works of,
+      publicly display, publicly perform, sublicense, and distribute the
+      Work and such Derivative Works in Source or Object form.
+
+   3. Grant of Patent License. Subject to the terms and conditions of
+      this License, each Contributor hereby grants to You a perpetual,
+      worldwide, non-exclusive, no-charge, royalty-free, irrevocable
+      (except as stated in this section) patent license to make, have made,
+      use, offer to sell, sell, import, and otherwise transfer the Work,
+      where such license applies only to those patent claims licensable
+      by such Contributor that are necessarily infringed by their
+      Contribution(s) alone or by combination of their Contribution(s)
+      with the Work to which such Contribution(s) was submitted. If You
+      institute patent litigation against any entity (including a
+      cross-claim or counterclaim in a lawsuit) alleging that the Work
+      or a Contribution incorporated within the Work constitutes direct
+      or contributory patent infringement, then any patent licenses
+      granted to You under this License for that Work shall terminate
+      as of the date such litigation is filed.
+
+   4. Redistribution. You may reproduce and distribute copies of the
+      Work or Derivative Works thereof in any medium, with or without
+      modifications, and in Source or Object form, provided that You
+      meet the following conditions:
+
+      (a) You must give any other recipients of the Work or
+          Derivative Works a copy of this License; and
+
+      (b) You must cause any modified files to carry prominent notices
+          stating that You changed the files; and
+
+      (c) You must retain, in the Source form of any Derivative Works
+          that You distribute, all copyright, patent, trademark, and
+          attribution notices from the Source form of the Work,
+          excluding those notices that do not pertain to any part of
+          the Derivative Works; and
+
+      (d) If the Work includes a "NOTICE" text file as part of its
+          distribution, then any Derivative Works that You distribute must
+          include a readable copy of the attribution notices contained
+          within such NOTICE file, excluding those notices that do not
+          pertain to any part of the Derivative Works, in at least one
+          of the following places: within a NOTICE text file distributed
+          as part of the Derivative Works; within the Source form or
+          documentation, if provided along with the Derivative Works; or,
+          within a display generated by the Derivative Works, if and
+          wherever such third-party notices normally appear. The contents
+          of the NOTICE file are for informational purposes only and
+          do not modify the License. You may add Your own attribution
+          notices within Derivative Works that You distribute, alongside
+          or as an addendum to the NOTICE text from the Work, provided
+          that such additional attribution notices cannot be construed
+          as modifying the License.
+
+      You may add Your own copyright statement to Your modifications and
+      may provide additional or different license terms and conditions
+      for use, reproduction, or distribution of Your modifications, or
+      for any such Derivative Works as a whole, provided Your use,
+      reproduction, and distribution of the Work otherwise complies with
+      the conditions stated in this License.
+
+   5. Submission of Contributions. Unless You explicitly state otherwise,
+      any Contribution intentionally submitted for inclusion in the Work
+      by You to the Licensor shall be under the terms and conditions of
+      this License, without any additional terms or conditions.
+      Notwithstanding the above, nothing herein shall supersede or modify
+      the terms of any separate license agreement you may have executed
+      with Licensor regarding such Contributions.
+
+   6. Trademarks. This License does not grant permission to use the trade
+      names, trademarks, service marks, or product names of the Licensor,
+      except as required for reasonable and customary use in describing the
+      origin of the Work and reproducing the content of the NOTICE file.
+
+   7. Disclaimer of Warranty. Unless required by applicable law or
+      agreed to in writing, Licensor provides the Work (and each
+      Contributor provides its Contributions) on an "AS IS" BASIS,
+      WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or
+      implied, including, without limitation, any warranties or conditions
+      of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A
+      PARTICULAR PURPOSE. You are solely responsible for determining the
+      appropriateness of using or redistributing the Work and assume any
+      risks associated with Your exercise of permissions under this License.
+
+   8. Limitation of Liability. In no event and under no legal theory,
+      whether in tort (including negligence), contract, or otherwise,
+      unless required by applicable law (such as deliberate and grossly
+      negligent acts) or agreed to in writing, shall any Contributor be
+      liable to You for damages, including any direct, indirect, special,
+      incidental, or consequential damages of any character arising as a
+      result of this License or out of the use or inability to use the
+      Work (including but not limited to damages for loss of goodwill,
+      work stoppage, computer failure or malfunction, or any and all
+      other commercial damages or losses), even if such Contributor
+      has been advised of the possibility of such damages.
+
+   9. Accepting Warranty or Additional Liability. While redistributing
+      the Work or Derivative Works thereof, You may choose to offer,
+      and charge a fee for, acceptance of support, warranty, indemnity,
+      or other liability obligations and/or rights consistent with this
+      License. However, in accepting such obligations, You may act only
+      on Your own behalf and on Your sole responsibility, not on behalf
+      of any other Contributor, and only if You agree to indemnify,
+      defend, and hold each Contributor harmless for any liability
+      incurred by, or claims asserted against, such Contributor by reason
+      of your accepting any such warranty or additional liability.
+
+   END OF TERMS AND CONDITIONS
+
+   APPENDIX: How to apply the Apache License to your work.
+
+      To apply the Apache License to your work, attach the following
+      boilerplate notice, with the fields enclosed by brackets "[]"
+      replaced with your own identifying information. (Don't include
+      the brackets!)  The text should be enclosed in the appropriate
+      comment syntax for the file format. We also recommend that a
+      file or class name and description of purpose be included on the
+      same "printed page" as the copyright notice for easier
+      identification within third-party archives.
+
+   Copyright [yyyy] [name of copyright owner]
+
+   Licensed under the Apache License, Version 2.0 (the "License");
+   you may not use this file except in compliance with the License.
+   You may obtain a copy of the License at
+
+       http://www.apache.org/licenses/LICENSE-2.0
+
+   Unless required by applicable law or agreed to in writing, software
+   distributed under the License is distributed on an "AS IS" BASIS,
+   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
+   See the License for the specific language governing permissions and
+   limitations under the License.

package/README.md

@@ -1,4 +1,69 @@
-# Temporary Holding Version
+# @motionscript/browser
 
-This version is a temporary placeholder for this package. An operational version to replace this has been submitted for review and is awaiting a staged release.
-If no other versions are published within 30 days, this package and version will be deleted.
+The browser rendering backend for [Motion Script](https://motionscript.dev),
+built on Skia via [`@motionscript/canvaskit`](../canvaskit). It implements the
+`platform`/`render` abstractions from [`@motionscript/core`](../core) so
+documents can be drawn to a canvas, played back with synchronized audio, and
+exported to video all in the browser.
+
+## What's in here
+
+- **Engine**: `createBrowserEngine` wires every platform seam below into a
+  `@motionscript/core` `Engine`. Await it once at app start and share it.
+- **Render context**: `WebRenderContext` draws the `@motionscript/core` scene
+  graph (shapes, fills, strokes, effects, text, video, masks) onto a CanvasKit
+  surface.
+- **Exporter**: `exportVideo` renders a document offline and muxes video and
+  audio into an MP4 using [mediabunny](https://github.com/Vanilagy/mediabunny).
+- **Stills**: `StillRenderer` (from `createStillRenderer`) is a long-lived
+  renderer that repaints single frames into a canvas the host owns, for
+  thumbnails and previews; `exportScreenshot` is the one-shot wrapper over it.
+- **Concat**: `concatVideoSegments` joins separately encoded MP4 segments
+  without re-encoding, so an export can be split across workers.
+  `mixTimelineAudio` mixes the whole timeline's audio once for the joined file.
+  Every segment must share one encoder configuration; a mismatch throws
+  `ConcatMismatchError`.
+- **3D**: importing this package registers the WebGL renderer that makes
+  `Canvas3D` draw (three.js, loaded lazily). Import from the package root,
+  not a deep path, or 3D renders empty.
+- **Audio**: `WebAudioPlayer` drives playback through the Web Audio API;
+  `mixAudio` and `encodeWav` (also on the `@motionscript/browser/audio`
+  subpath, which skips CanvasKit) mix down offline.
+- **Storage / assets**: `WebStorageAdapter` and `WebMeasureContext` implement the
+  asset-loading and text-measurement abstractions `@motionscript/core` needs.
+- **Clock**: `WebTicker` synchronizes scene playback to `requestAnimationFrame` while calculating dt from audio context to ensure audio and animation line up.
+- **CanvasKit access**: `getCanvasKit` loads and caches the CanvasKit/Skia
+  WebAssembly module used for rendering.
+
+## Usage
+
+```bash
+npm install @motionscript/browser @motionscript/core @motionscript/canvaskit
+```
+
+```ts
+import { createBrowserEngine } from '@motionscript/browser';
+
+const engine = await createBrowserEngine({ wasmUrl: '/canvaskit.wasm', nodes: [MyNode] });
+const session = engine.open({ document, target: canvasEl });
+session.playback!.play();
+
+const mp4 = await session.export();
+```
+
+Serve `canvaskit.wasm` from `@motionscript/canvaskit` as a static asset and pass
+its URL as `wasmUrl`.
+
+See the [docs](https://motionscript.dev/docs) for the full feature set and API
+reference.
+
+## Development
+
+From the monorepo root:
+
+```bash
+pnpm --filter @motionscript/browser build
+pnpm --filter @motionscript/browser test
+```
+
+See [CONTRIBUTING.md](../../CONTRIBUTING.md) for the architecture overview.

package/dist/asset-bytes.d.ts

@@ -0,0 +1,50 @@
+/**
+ * Where a source URL's bytes may come from, other than the network.
+ *
+ * ## Why the web adapter needs this at all
+ *
+ * `WebStorageAdapter` addresses every asset by URL and fetches it. That is
+ * right for an asset that lives somewhere, and wrong for one whose bytes the
+ * host already has in hand — a file the user has just chosen, a render a local
+ * model has just produced, a picture whose upload has not finished or cannot
+ * start because there is no network. In all three the adapter downloads bytes
+ * that never needed to travel.
+ *
+ * `NodeStorageAdapter` has had the answer since it was written: an injected
+ * `AssetLoader`, with an `inline` map consulted ahead of the disk. This is the
+ * same seam for the browser.
+ *
+ * ## Why it is module-level
+ *
+ * `WebStorageAdapter` is constructed at five sites *inside* these packages —
+ * the React player backend, the exporter, the audio mixer, and both still
+ * renderers — none of which a host can reach. A constructor argument would
+ * therefore cover the preview and leave export and stills on the network,
+ * which is the worst of both: the picture a user sees would come from local
+ * bytes and the one they render would not.
+ *
+ * So this is an *injection point*, not a cache. The adapter still owns every
+ * decode, every cache, every size ceiling and every eviction rule; all this
+ * changes is where the compressed bytes came from. A source that answers `null`
+ * — which is what an unregistered URL, an evicted entry or a host with no local
+ * store does — leaves the adapter exactly as it was.
+ */
+/** Local bytes for a source URL, or `null` to go to the network. */
+export type AssetByteSource = (src: string) => Promise<Blob | null>;
+/**
+ * Installs the byte source for this browsing context, or clears it with `null`.
+ *
+ * Called once per window that renders. Later calls replace the previous source
+ * rather than stacking, because two sources disagreeing about one URL has no
+ * sensible answer.
+ */
+export declare function setAssetByteSource(next: AssetByteSource | null): void;
+/**
+ * The bytes for `src`, or `null`.
+ *
+ * Swallows a throwing source on purpose. A host's local store failing is a
+ * cache miss, not a render failure — the caller falls through to `fetch`, which
+ * is what it would have done had the source never been installed.
+ */
+export declare function localAssetBytes(src: string): Promise<Blob | null>;
+//# sourceMappingURL=asset-bytes.d.ts.map

package/dist/asset-bytes.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"asset-bytes.d.ts","sourceRoot":"","sources":["../src/asset-bytes.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;GA8BG;AAEH,oEAAoE;AACpE,MAAM,MAAM,eAAe,GAAG,CAAC,GAAG,EAAE,MAAM,KAAK,OAAO,CAAC,IAAI,GAAG,IAAI,CAAC,CAAC;AAIpE;;;;;;GAMG;AACH,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,eAAe,GAAG,IAAI,GAAG,IAAI,CAErE;AAED;;;;;;GAMG;AACH,wBAAsB,eAAe,CAAC,GAAG,EAAE,MAAM,GAAG,OAAO,CAAC,IAAI,GAAG,IAAI,CAAC,CAOvE"}

package/dist/asset-bytes.js

@@ -0,0 +1,60 @@
+/**
+ * Where a source URL's bytes may come from, other than the network.
+ *
+ * ## Why the web adapter needs this at all
+ *
+ * `WebStorageAdapter` addresses every asset by URL and fetches it. That is
+ * right for an asset that lives somewhere, and wrong for one whose bytes the
+ * host already has in hand — a file the user has just chosen, a render a local
+ * model has just produced, a picture whose upload has not finished or cannot
+ * start because there is no network. In all three the adapter downloads bytes
+ * that never needed to travel.
+ *
+ * `NodeStorageAdapter` has had the answer since it was written: an injected
+ * `AssetLoader`, with an `inline` map consulted ahead of the disk. This is the
+ * same seam for the browser.
+ *
+ * ## Why it is module-level
+ *
+ * `WebStorageAdapter` is constructed at five sites *inside* these packages —
+ * the React player backend, the exporter, the audio mixer, and both still
+ * renderers — none of which a host can reach. A constructor argument would
+ * therefore cover the preview and leave export and stills on the network,
+ * which is the worst of both: the picture a user sees would come from local
+ * bytes and the one they render would not.
+ *
+ * So this is an *injection point*, not a cache. The adapter still owns every
+ * decode, every cache, every size ceiling and every eviction rule; all this
+ * changes is where the compressed bytes came from. A source that answers `null`
+ * — which is what an unregistered URL, an evicted entry or a host with no local
+ * store does — leaves the adapter exactly as it was.
+ */
+let source = null;
+/**
+ * Installs the byte source for this browsing context, or clears it with `null`.
+ *
+ * Called once per window that renders. Later calls replace the previous source
+ * rather than stacking, because two sources disagreeing about one URL has no
+ * sensible answer.
+ */
+export function setAssetByteSource(next) {
+    source = next;
+}
+/**
+ * The bytes for `src`, or `null`.
+ *
+ * Swallows a throwing source on purpose. A host's local store failing is a
+ * cache miss, not a render failure — the caller falls through to `fetch`, which
+ * is what it would have done had the source never been installed.
+ */
+export async function localAssetBytes(src) {
+    if (!source)
+        return null;
+    try {
+        return await source(src);
+    }
+    catch {
+        return null;
+    }
+}
+//# sourceMappingURL=asset-bytes.js.map

package/dist/asset-bytes.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"asset-bytes.js","sourceRoot":"","sources":["../src/asset-bytes.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;GA8BG;AAKH,IAAI,MAAM,GAA2B,IAAI,CAAC;AAE1C;;;;;;GAMG;AACH,MAAM,UAAU,kBAAkB,CAAC,IAA4B;IAC3D,MAAM,GAAG,IAAI,CAAC;AAClB,CAAC;AAED;;;;;;GAMG;AACH,MAAM,CAAC,KAAK,UAAU,eAAe,CAAC,GAAW;IAC7C,IAAI,CAAC,MAAM;QAAE,OAAO,IAAI,CAAC;IACzB,IAAI,CAAC;QACD,OAAO,MAAM,MAAM,CAAC,GAAG,CAAC,CAAC;IAC7B,CAAC;IAAC,MAAM,CAAC;QACL,OAAO,IAAI,CAAC;IAChB,CAAC;AACL,CAAC","sourcesContent":["/**\n * Where a source URL's bytes may come from, other than the network.\n *\n * ## Why the web adapter needs this at all\n *\n * `WebStorageAdapter` addresses every asset by URL and fetches it. That is\n * right for an asset that lives somewhere, and wrong for one whose bytes the\n * host already has in hand — a file the user has just chosen, a render a local\n * model has just produced, a picture whose upload has not finished or cannot\n * start because there is no network. In all three the adapter downloads bytes\n * that never needed to travel.\n *\n * `NodeStorageAdapter` has had the answer since it was written: an injected\n * `AssetLoader`, with an `inline` map consulted ahead of the disk. This is the\n * same seam for the browser.\n *\n * ## Why it is module-level\n *\n * `WebStorageAdapter` is constructed at five sites *inside* these packages —\n * the React player backend, the exporter, the audio mixer, and both still\n * renderers — none of which a host can reach. A constructor argument would\n * therefore cover the preview and leave export and stills on the network,\n * which is the worst of both: the picture a user sees would come from local\n * bytes and the one they render would not.\n *\n * So this is an *injection point*, not a cache. The adapter still owns every\n * decode, every cache, every size ceiling and every eviction rule; all this\n * changes is where the compressed bytes came from. A source that answers `null`\n * — which is what an unregistered URL, an evicted entry or a host with no local\n * store does — leaves the adapter exactly as it was.\n */\n\n/** Local bytes for a source URL, or `null` to go to the network. */\nexport type AssetByteSource = (src: string) => Promise<Blob | null>;\n\nlet source: AssetByteSource | null = null;\n\n/**\n * Installs the byte source for this browsing context, or clears it with `null`.\n *\n * Called once per window that renders. Later calls replace the previous source\n * rather than stacking, because two sources disagreeing about one URL has no\n * sensible answer.\n */\nexport function setAssetByteSource(next: AssetByteSource | null): void {\n    source = next;\n}\n\n/**\n * The bytes for `src`, or `null`.\n *\n * Swallows a throwing source on purpose. A host's local store failing is a\n * cache miss, not a render failure — the caller falls through to `fetch`, which\n * is what it would have done had the source never been installed.\n */\nexport async function localAssetBytes(src: string): Promise<Blob | null> {\n    if (!source) return null;\n    try {\n        return await source(src);\n    } catch {\n        return null;\n    }\n}\n"]}

package/dist/audio/bus-graph.d.ts

@@ -0,0 +1,43 @@
+import type { AudioBusStop } from "@motionscript/core";
+/**
+ * The live chains for one audio context's buses.
+ *
+ * Held per context rather than per clip, because that is the whole difference
+ * between a bus and per-clip processing: every clip naming a bus connects into
+ * the *same* nodes, so a reverb on a bus is one tail the group shares rather
+ * than one tail each. Flattening the levels into per-clip gain would sound
+ * right; flattening the effects would not.
+ */
+export declare class AudioBusGraph {
+    private readonly ctx;
+    /** Where the last bus in a chain connects — the master, or the destination. */
+    private readonly destination;
+    constructor(ctx: BaseAudioContext, 
+    /** Where the last bus in a chain connects — the master, or the destination. */
+    destination: AudioNode);
+    /**
+     * The input node a clip on `bus` should connect to, building the chain the
+     * first time it is asked for.
+     *
+     * `bus` is source-adjacent first, so `bus[0]` is the one the clip feeds and
+     * each stop after it is that bus's own parent. An empty or absent chain
+     * returns the destination, which is what every clip did before buses
+     * existed.
+     */
+    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number): AudioNode;
+    /** Disconnect every live bus node. Safe to call more than once. */
+    dispose(): void;
+    private readonly inputs;
+    private readonly nodes;
+    private readonly oscillators;
+    /**
+     * Build (or reuse) the chain for `bus[index]`, connected to whatever
+     * `bus[index + 1]` resolves to.
+     *
+     * Recursive rather than iterative because a bus's *output* has to exist
+     * before its own nodes can connect to it, and the outermost bus is the last
+     * entry.
+     */
+    private chainFrom;
+}
+//# sourceMappingURL=bus-graph.d.ts.map

package/dist/audio/bus-graph.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"bus-graph.d.ts","sourceRoot":"","sources":["../../src/audio/bus-graph.ts"],"names":[],"mappings":"AAAA,OAAO,KAAK,EAAE,YAAY,EAAE,MAAM,oBAAoB,CAAC;AAGvD;;;;;;;;GAQG;AACH,qBAAa,aAAa;IAElB,OAAO,CAAC,QAAQ,CAAC,GAAG;IACpB,+EAA+E;IAC/E,OAAO,CAAC,QAAQ,CAAC,WAAW;gBAFX,GAAG,EAAE,gBAAgB;IACtC,+EAA+E;IAC9D,WAAW,EAAE,SAAS;IAG3C;;;;;;;;OAQG;IACH,QAAQ,CAAC,GAAG,EAAE,SAAS,YAAY,EAAE,GAAG,SAAS,EAAE,SAAS,EAAE,MAAM,GAAG,SAAS;IAKhF,mEAAmE;IACnE,OAAO,IAAI,IAAI;IAYf,OAAO,CAAC,QAAQ,CAAC,MAAM,CAAgC;IACvD,OAAO,CAAC,QAAQ,CAAC,KAAK,CAAmB;IACzC,OAAO,CAAC,QAAQ,CAAC,WAAW,CAAwB;IAEpD;;;;;;;OAOG;IACH,OAAO,CAAC,SAAS;CA+BpB"}

package/dist/audio/bus-graph.js

@@ -0,0 +1,104 @@
+import { buildAudioFilterGraph } from "./filter-graph";
+/**
+ * The live chains for one audio context's buses.
+ *
+ * Held per context rather than per clip, because that is the whole difference
+ * between a bus and per-clip processing: every clip naming a bus connects into
+ * the *same* nodes, so a reverb on a bus is one tail the group shares rather
+ * than one tail each. Flattening the levels into per-clip gain would sound
+ * right; flattening the effects would not.
+ */
+export class AudioBusGraph {
+    ctx;
+    destination;
+    constructor(ctx, 
+    /** Where the last bus in a chain connects — the master, or the destination. */
+    destination) {
+        this.ctx = ctx;
+        this.destination = destination;
+    }
+    /**
+     * The input node a clip on `bus` should connect to, building the chain the
+     * first time it is asked for.
+     *
+     * `bus` is source-adjacent first, so `bus[0]` is the one the clip feeds and
+     * each stop after it is that bus's own parent. An empty or absent chain
+     * returns the destination, which is what every clip did before buses
+     * existed.
+     */
+    inputFor(bus, startTime) {
+        if (!bus || bus.length === 0)
+            return this.destination;
+        return this.chainFrom(bus, 0, startTime);
+    }
+    /** Disconnect every live bus node. Safe to call more than once. */
+    dispose() {
+        for (const node of this.nodes) {
+            try {
+                node.disconnect();
+            }
+            catch { /* already torn down */ }
+        }
+        for (const osc of this.oscillators) {
+            try {
+                osc.stop();
+            }
+            catch { /* never started, or already stopped */ }
+        }
+        this.nodes.length = 0;
+        this.oscillators.length = 0;
+        this.inputs.clear();
+    }
+    inputs = new Map();
+    nodes = [];
+    oscillators = [];
+    /**
+     * Build (or reuse) the chain for `bus[index]`, connected to whatever
+     * `bus[index + 1]` resolves to.
+     *
+     * Recursive rather than iterative because a bus's *output* has to exist
+     * before its own nodes can connect to it, and the outermost bus is the last
+     * entry.
+     */
+    chainFrom(bus, index, startTime) {
+        if (index >= bus.length)
+            return this.destination;
+        const stop = bus[index];
+        const existing = this.inputs.get(stop.id);
+        if (existing)
+            return existing;
+        const output = this.chainFrom(bus, index + 1, startTime);
+        // A pass-through head every clip connects to, so the bus has one input
+        // whatever its filters turn out to be.
+        const input = this.ctx.createGain();
+        input.gain.value = 1;
+        const level = this.ctx.createGain();
+        level.gain.value = stop.mute ? 0 : levelOf(stop);
+        // `clipDuration` is 0 and `elapsed` 0: a bus is not a clip, so a curve on
+        // one is authored against the timeline rather than against a source's
+        // length. `applyParam` resolves a curve of its own duration from that.
+        const graph = buildAudioFilterGraph(this.ctx, input, stop.filters ?? [], startTime, 0, 0);
+        graph.output.connect(level);
+        level.connect(output);
+        this.nodes.push(input, level, ...graph.nodes);
+        this.oscillators.push(...graph.oscillators);
+        for (const osc of graph.oscillators)
+            osc.start(startTime);
+        this.inputs.set(stop.id, input);
+        return input;
+    }
+}
+/**
+ * A bus's gain as a plain number.
+ *
+ * A curve-valued bus level is scheduled by the filter chain a bus carries, not
+ * here: this node is created once for the whole bus and shared by every clip on
+ * it, so there is no single clip start to resolve a curve against. Authoring a
+ * bus fade as `filters: AudioFilters.gain(fadeOut(1))` puts it on the chain,
+ * where it is scheduled against the context clock like any other.
+ */
+function levelOf(stop) {
+    const value = typeof stop.volume === "number" ? stop.volume : 1;
+    return Number.isFinite(value) ? value : 1;
+}
+//# sourceMappingURL=bus-graph.js.map

package/dist/audio/bus-graph.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"bus-graph.js","sourceRoot":"","sources":["../../src/audio/bus-graph.ts"],"names":[],"mappings":"AACA,OAAO,EAAE,qBAAqB,EAAE,MAAM,gBAAgB,CAAC;AAEvD;;;;;;;;GAQG;AACH,MAAM,OAAO,aAAa;IAED;IAEA;IAHrB,YACqB,GAAqB;IACtC,+EAA+E;IAC9D,WAAsB;QAFtB,QAAG,GAAH,GAAG,CAAkB;QAErB,gBAAW,GAAX,WAAW,CAAW;IACvC,CAAC;IAEL;;;;;;;;OAQG;IACH,QAAQ,CAAC,GAAwC,EAAE,SAAiB;QAChE,IAAI,CAAC,GAAG,IAAI,GAAG,CAAC,MAAM,KAAK,CAAC;YAAE,OAAO,IAAI,CAAC,WAAW,CAAC;QACtD,OAAO,IAAI,CAAC,SAAS,CAAC,GAAG,EAAE,CAAC,EAAE,SAAS,CAAC,CAAC;IAC7C,CAAC;IAED,mEAAmE;IACnE,OAAO;QACH,KAAK,MAAM,IAAI,IAAI,IAAI,CAAC,KAAK,EAAE,CAAC;YAC5B,IAAI,CAAC;gBAAC,IAAI,CAAC,UAAU,EAAE,CAAC;YAAC,CAAC;YAAC,MAAM,CAAC,CAAC,uBAAuB,CAAC,CAAC;QAChE,CAAC;QACD,KAAK,MAAM,GAAG,IAAI,IAAI,CAAC,WAAW,EAAE,CAAC;YACjC,IAAI,CAAC;gBAAC,GAAG,CAAC,IAAI,EAAE,CAAC;YAAC,CAAC;YAAC,MAAM,CAAC,CAAC,uCAAuC,CAAC,CAAC;QACzE,CAAC;QACD,IAAI,CAAC,KAAK,CAAC,MAAM,GAAG,CAAC,CAAC;QACtB,IAAI,CAAC,WAAW,CAAC,MAAM,GAAG,CAAC,CAAC;QAC5B,IAAI,CAAC,MAAM,CAAC,KAAK,EAAE,CAAC;IACxB,CAAC;IAEgB,MAAM,GAAG,IAAI,GAAG,EAAqB,CAAC;IACtC,KAAK,GAAgB,EAAE,CAAC;IACxB,WAAW,GAAqB,EAAE,CAAC;IAEpD;;;;;;;OAOG;IACK,SAAS,CAAC,GAA4B,EAAE,KAAa,EAAE,SAAiB;QAC5E,IAAI,KAAK,IAAI,GAAG,CAAC,MAAM;YAAE,OAAO,IAAI,CAAC,WAAW,CAAC;QAEjD,MAAM,IAAI,GAAG,GAAG,CAAC,KAAK,CAAC,CAAC;QACxB,MAAM,QAAQ,GAAG,IAAI,CAAC,MAAM,CAAC,GAAG,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC;QAC1C,IAAI,QAAQ;YAAE,OAAO,QAAQ,CAAC;QAE9B,MAAM,MAAM,GAAG,IAAI,CAAC,SAAS,CAAC,GAAG,EAAE,KAAK,GAAG,CAAC,EAAE,SAAS,CAAC,CAAC;QAEzD,uEAAuE;QACvE,uCAAuC;QACvC,MAAM,KAAK,GAAG,IAAI,CAAC,GAAG,CAAC,UAAU,EAAE,CAAC;QACpC,KAAK,CAAC,IAAI,CAAC,KAAK,GAAG,CAAC,CAAC;QAErB,MAAM,KAAK,GAAG,IAAI,CAAC,GAAG,CAAC,UAAU,EAAE,CAAC;QACpC,KAAK,CAAC,IAAI,CAAC,KAAK,GAAG,IAAI,CAAC,IAAI,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,OAAO,CAAC,IAAI,CAAC,CAAC;QAEjD,0EAA0E;QAC1E,sEAAsE;QACtE,uEAAuE;QACvE,MAAM,KAAK,GAAG,qBAAqB,CAAC,IAAI,CAAC,GAAG,EAAE,KAAK,EAAE,IAAI,CAAC,OAAO,IAAI,EAAE,EAAE,SAAS,EAAE,CAAC,EAAE,CAAC,CAAC,CAAC;QAC1F,KAAK,CAAC,MAAM,CAAC,OAAO,CAAC,KAAK,CAAC,CAAC;QAC5B,KAAK,CAAC,OAAO,CAAC,MAAM,CAAC,CAAC;QAEtB,IAAI,CAAC,KAAK,CAAC,IAAI,CAAC,KAAK,EAAE,KAAK,EAAE,GAAG,KAAK,CAAC,KAAK,CAAC,CAAC;QAC9C,IAAI,CAAC,WAAW,CAAC,IAAI,CAAC,GAAG,KAAK,CAAC,WAAW,CAAC,CAAC;QAC5C,KAAK,MAAM,GAAG,IAAI,KAAK,CAAC,WAAW;YAAE,GAAG,CAAC,KAAK,CAAC,SAAS,CAAC,CAAC;QAE1D,IAAI,CAAC,MAAM,CAAC,GAAG,CAAC,IAAI,CAAC,EAAE,EAAE,KAAK,CAAC,CAAC;QAChC,OAAO,KAAK,CAAC;IACjB,CAAC;CACJ;AAED;;;;;;;;GAQG;AACH,SAAS,OAAO,CAAC,IAAkB;IAC/B,MAAM,KAAK,GAAG,OAAO,IAAI,CAAC,MAAM,KAAK,QAAQ,CAAC,CAAC,CAAC,IAAI,CAAC,MAAM,CAAC,CAAC,CAAC,CAAC,CAAC;IAChE,OAAO,MAAM,CAAC,QAAQ,CAAC,KAAK,CAAC,CAAC,CAAC,CAAC,KAAK,CAAC,CAAC,CAAC,CAAC,CAAC;AAC9C,CAAC","sourcesContent":["import type { AudioBusStop } from \"@motionscript/core\";\nimport { buildAudioFilterGraph } from \"./filter-graph\";\n\n/**\n * The live chains for one audio context's buses.\n *\n * Held per context rather than per clip, because that is the whole difference\n * between a bus and per-clip processing: every clip naming a bus connects into\n * the *same* nodes, so a reverb on a bus is one tail the group shares rather\n * than one tail each. Flattening the levels into per-clip gain would sound\n * right; flattening the effects would not.\n */\nexport class AudioBusGraph {\n    constructor(\n        private readonly ctx: BaseAudioContext,\n        /** Where the last bus in a chain connects — the master, or the destination. */\n        private readonly destination: AudioNode,\n    ) { }\n\n    /**\n     * The input node a clip on `bus` should connect to, building the chain the\n     * first time it is asked for.\n     *\n     * `bus` is source-adjacent first, so `bus[0]` is the one the clip feeds and\n     * each stop after it is that bus's own parent. An empty or absent chain\n     * returns the destination, which is what every clip did before buses\n     * existed.\n     */\n    inputFor(bus: readonly AudioBusStop[] | undefined, startTime: number): AudioNode {\n        if (!bus || bus.length === 0) return this.destination;\n        return this.chainFrom(bus, 0, startTime);\n    }\n\n    /** Disconnect every live bus node. Safe to call more than once. */\n    dispose(): void {\n        for (const node of this.nodes) {\n            try { node.disconnect(); } catch { /* already torn down */ }\n        }\n        for (const osc of this.oscillators) {\n            try { osc.stop(); } catch { /* never started, or already stopped */ }\n        }\n        this.nodes.length = 0;\n        this.oscillators.length = 0;\n        this.inputs.clear();\n    }\n\n    private readonly inputs = new Map<string, AudioNode>();\n    private readonly nodes: AudioNode[] = [];\n    private readonly oscillators: OscillatorNode[] = [];\n\n    /**\n     * Build (or reuse) the chain for `bus[index]`, connected to whatever\n     * `bus[index + 1]` resolves to.\n     *\n     * Recursive rather than iterative because a bus's *output* has to exist\n     * before its own nodes can connect to it, and the outermost bus is the last\n     * entry.\n     */\n    private chainFrom(bus: readonly AudioBusStop[], index: number, startTime: number): AudioNode {\n        if (index >= bus.length) return this.destination;\n\n        const stop = bus[index];\n        const existing = this.inputs.get(stop.id);\n        if (existing) return existing;\n\n        const output = this.chainFrom(bus, index + 1, startTime);\n\n        // A pass-through head every clip connects to, so the bus has one input\n        // whatever its filters turn out to be.\n        const input = this.ctx.createGain();\n        input.gain.value = 1;\n\n        const level = this.ctx.createGain();\n        level.gain.value = stop.mute ? 0 : levelOf(stop);\n\n        // `clipDuration` is 0 and `elapsed` 0: a bus is not a clip, so a curve on\n        // one is authored against the timeline rather than against a source's\n        // length. `applyParam` resolves a curve of its own duration from that.\n        const graph = buildAudioFilterGraph(this.ctx, input, stop.filters ?? [], startTime, 0, 0);\n        graph.output.connect(level);\n        level.connect(output);\n\n        this.nodes.push(input, level, ...graph.nodes);\n        this.oscillators.push(...graph.oscillators);\n        for (const osc of graph.oscillators) osc.start(startTime);\n\n        this.inputs.set(stop.id, input);\n        return input;\n    }\n}\n\n/**\n * A bus's gain as a plain number.\n *\n * A curve-valued bus level is scheduled by the filter chain a bus carries, not\n * here: this node is created once for the whole bus and shared by every clip on\n * it, so there is no single clip start to resolve a curve against. Authoring a\n * bus fade as `filters: AudioFilters.gain(fadeOut(1))` puts it on the chain,\n * where it is scheduled against the context clock like any other.\n */\nfunction levelOf(stop: AudioBusStop): number {\n    const value = typeof stop.volume === \"number\" ? stop.volume : 1;\n    return Number.isFinite(value) ? value : 1;\n}\n"]}

package/dist/audio/filter-graph.d.ts

@@ -0,0 +1,58 @@
+import { AudioFilterItem } from "@motionscript/core";
+/**
+ * Result of building an audio-filter graph for one source.
+ *
+ * - `output` is the last node in the chain; connect it downstream (e.g. to the
+ *   per-request gain node).
+ * - `nodes` are every intermediate node, so callers can `disconnect()` them on
+ *   teardown.
+ * - `oscillators` are LFOs (from `tremolo`) the caller must `start()` — and may
+ *   `stop()` — alongside the source, since oscillators need an explicit start.
+ */
+export interface AudioFilterGraph {
+    output: AudioNode;
+    nodes: AudioNode[];
+    oscillators: OscillatorNode[];
+}
+/**
+ * Builds the Web Audio graph for a clip's filter chain, returning the node to
+ * connect downstream. Shared by live playback ({@link WebAudioSink}) and
+ * offline export (`mixAudio`) so both paths sound identical.
+ *
+ * Filters apply in array order (index 0 closest to the source). `speed` filters
+ * are intentionally ignored here — they're realized via `source.playbackRate`
+ * by the caller (and affect timeline scheduling), not as a graph node.
+ *
+ * `startTime` is the AudioContext time the source starts; `clipDuration` is the
+ * clip's scene-time length; `elapsed` is scene-seconds already played at a mid-clip
+ * seek (0 for a clean start). These let curve-valued params schedule and align.
+ *
+ * Pass the already-created `source` so its `playbackRate` can be set by the
+ * caller; this function only wires nodes *after* the source.
+ */
+export declare function buildAudioFilterGraph(ctx: BaseAudioContext, source: AudioNode, filters: readonly AudioFilterItem[], startTime?: number, clipDuration?: number, elapsed?: number): AudioFilterGraph;
+/**
+ * Net *constant* playback-rate multiplier from any scalar `speed` filters in the
+ * chain (product of all), defaulting to 1. Curve-valued speeds contribute 1 here
+ * and are scheduled separately by {@link applySpeedToPlaybackRate}. Mirrors
+ * `Sound.effectiveSpeed()` so the renderer applies the same rate the core timeline
+ * reserved time for.
+ */
+export declare function effectiveSpeed(filters: readonly AudioFilterItem[] | undefined): number;
+/** The first curve-valued `speed` filter in the chain, if any. */
+export declare function speedCurveOf(filters: readonly AudioFilterItem[] | undefined): import("@motionscript/core").Curve | undefined;
+/**
+ * Schedule a time-varying speed curve onto an `AudioBufferSourceNode.playbackRate`.
+ *
+ * The curve is authored over **source time** (rate as a function of how far through
+ * the source we've played). `setValueAtTime`/`linearRampToValueAtTime` schedule in
+ * **context time**, so we walk scene-time forward in small steps, convert each to a
+ * source-time offset via the integral inverse, read the curve there, and lay down a
+ * value point at the matching context time. `scalar` folds in any constant speed
+ * filters (they scale the whole rate uniformly).
+ *
+ * `elapsed` is scene-seconds already played at a mid-clip seek, so the schedule
+ * starts at the seek point and aligns the playbackRate to the clip's true position.
+ */
+export declare function applySpeedToPlaybackRate(rate: AudioParam, curve: ReturnType<typeof speedCurveOf>, sourceLength: number, sceneDuration: number, scalar: number, startTime: number, elapsed: number): void;
+//# sourceMappingURL=filter-graph.d.ts.map

package/dist/audio/filter-graph.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"filter-graph.d.ts","sourceRoot":"","sources":["../../src/audio/filter-graph.ts"],"names":[],"mappings":"AAAA,OAAO,EAAE,eAAe,EAA4C,MAAM,oBAAoB,CAAC;AAE/F;;;;;;;;;GASG;AACH,MAAM,WAAW,gBAAgB;IAC7B,MAAM,EAAE,SAAS,CAAC;IAClB,KAAK,EAAE,SAAS,EAAE,CAAC;IACnB,WAAW,EAAE,cAAc,EAAE,CAAC;CACjC;AAyFD;;;;;;;;;;;;;;;GAeG;AACH,wBAAgB,qBAAqB,CACjC,GAAG,EAAE,gBAAgB,EACrB,MAAM,EAAE,SAAS,EACjB,OAAO,EAAE,SAAS,eAAe,EAAE,EACnC,SAAS,GAAE,MAAwB,EACnC,YAAY,GAAE,MAAU,EACxB,OAAO,GAAE,MAAU,GACpB,gBAAgB,CAwFlB;AAYD;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,SAAS,eAAe,EAAE,GAAG,SAAS,GAAG,MAAM,CAOtF;AAED,kEAAkE;AAClE,wBAAgB,YAAY,CAAC,OAAO,EAAE,SAAS,eAAe,EAAE,GAAG,SAAS,kDAM3E;AAED;;;;;;;;;;;;GAYG;AACH,wBAAgB,wBAAwB,CACpC,IAAI,EAAE,UAAU,EAChB,KAAK,EAAE,UAAU,CAAC,OAAO,YAAY,CAAC,EACtC,YAAY,EAAE,MAAM,EACpB,aAAa,EAAE,MAAM,EACrB,MAAM,EAAE,MAAM,EACd,SAAS,EAAE,MAAM,EACjB,OAAO,EAAE,MAAM,GAChB,IAAI,CAgBN"}