@motionscript/audio 0.1.0-alpha.7 → 0.1.0-alpha.9

package/dist/waveform/shared.js.map

@@ -1 +1 @@
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Everything about *how a row of bars is\r\n * laid out and painted* is therefore common, and lives here so the two cannot\r\n * drift into looking like different components.\r\n */\r\n\r\n/** How a bar is grown out of its baseline. */\r\nexport const WAVEFORM_ALIGNMENTS = [\"center\", \"bottom\"] as const\r\nexport type WaveformAlignment = (typeof WAVEFORM_ALIGNMENTS)[number]\r\n\r\n/** What the bars are shaped like. */\r\nexport const WAVEFORM_STYLES = [\"bars\", \"line\", \"blocks\"] as const\r\nexport type WaveformStyle = (typeof WAVEFORM_STYLES)[number]\r\n\r\n/**\r\n * The colours voices are drawn in when nobody has assigned any.\r\n *\r\n * Eight hues that can be told apart at a glance, handed out by voice index. They\r\n * are literals rather than looked up, because a scene has to build in a\r\n * headless render with no database in scope; a host that names its voices\r\n * supplies its own colours instead.\r\n */\r\nexport const VOICE_PALETTE = [\r\n  \"#6366f1\",\r\n  \"#14b8a6\",\r\n  \"#f59e0b\",\r\n  \"#ec4899\",\r\n  \"#22c55e\",\r\n  \"#3b82f6\",\r\n  \"#f97316\",\r\n  \"#a855f7\",\r\n] as const\r\n\r\n/** The colour a voice takes, wrapping past the end of the palette. */\r\nexport function voiceColor(index: number): string {\r\n  return VOICE_PALETTE[\r\n    ((index % VOICE_PALETTE.length) + VOICE_PALETTE.length) %\r\n      VOICE_PALETTE.length\r\n  ]\r\n}\r\n\r\n/**\r\n * Where one bar sits and how tall it came out: its top-left corner and size, in\r\n * the node's own pixels with **y pointing down** from the middle of the box.\r\n * {@link paintBars} turns that into the centred, y-up rect the renderer draws.\r\n */\r\nexport interface BarBox {\r\n  x: number\r\n  y: number\r\n  width: number\r\n  height: number\r\n}\r\n\r\n/**\r\n * Lays a row of bars out across a box.\r\n *\r\n * The gap is stated as a *fraction of the pitch* rather than in pixels, and\r\n * that is the one decision here worth stating out loud: the bar count is a\r\n * control, so a gap in pixels would silently become a solid block at 200 bars\r\n * and a picket fence at 20. As a fraction, the row keeps the same rhythm at\r\n * every density — which is what lets the count be a slider anyone can drag.\r\n *\r\n * A bar is never thinner than a hairline and never shorter than one either: a\r\n * silent passage has to read as \"audio, and nothing here\" rather than as a hole\r\n * in the drawing.\r\n */\r\nexport function layOutBars(\r\n  bars: readonly EnvelopeBar[],\r\n  options: {\r\n    width: number\r\n    height: number\r\n    gap: number\r\n    align: WaveformAlignment\r\n    /** Multiplies every magnitude before it is clamped back into 0…1. */\r\n    gain: number\r\n    /** Fraction of the box a silent bar still occupies. */\r\n    floor: number\r\n  }\r\n): BarBox[] {\r\n  const { width, height, gap, align, gain, floor } = options\r\n  const count = bars.length\r\n  if (count === 0 || width <= 0 || height <= 0) return []\r\n\r\n  const pitch = width / count\r\n  const barWidth = Math.max(1, pitch * (1 - clamp01(gap)))\r\n  // The tallest a bar may be. Centre-aligned bars grow both ways from the\r\n  // middle, so the *half* is what a magnitude of 1 fills.\r\n  const full = align === \"center\" ? height / 2 : height\r\n\r\n  const out: BarBox[] = new Array(count)\r\n  for (let i = 0; i < count; i++) {\r\n    const magnitude = clamp01(bars[i].magnitude * gain)\r\n    const reach = Math.max(full * clamp01(floor), full * magnitude)\r\n    const x = -width / 2 + pitch * i + (pitch - barWidth) / 2\r\n\r\n    // A hairline minimum, taken before the position so the bar stays inside the\r\n    // box: a silent bar 1px tall that kept the position of a zero-height one\r\n    // would hang half a pixel (centred) or a whole pixel (bottom) outside it.\r\n    const h = Math.max(1, align === \"center\" ? reach * 2 : reach)\r\n    out[i] =\r\n      align === \"center\"\r\n        ? { x, y: -h / 2, width: barWidth, height: h }\r\n        : { x, y: height / 2 - h, width: barWidth, height: h }\r\n  }\r\n  return out\r\n}\r\n\r\n/**\r\n * Draws a run of bars in one paint.\r\n *\r\n * Batched by colour by the caller, and this is why: every `Graphics2D` handed to\r\n * `ctx.draw` is a surface the renderer composites, so a bar apiece would be a\r\n * thousand surfaces a frame. Chaining the rects of one colour into a single\r\n * `Graphics2D` before filling makes it one — and, as a bonus, a gradient fill\r\n * maps across the whole run rather than restarting inside every bar, which is\r\n * the behaviour anyone reaching for a gradient here actually wants.\r\n */\r\nexport function paintBars(\r\n  boxes: readonly BarBox[],\r\n  fill: Fill,\r\n  radius: number\r\n): Graphics2D | null {\r\n  if (boxes.length === 0) return null\r\n  if ((fill as FillResolved[]).length === 0) return null\r\n\r\n  const graphics = new Graphics2D()\r\n  for (const box of boxes) {\r\n    graphics.rect({\r\n      x: box.x + box.width / 2,\r\n      // The box is stated y-down and the rect is drawn y-up. A centred bar is\r\n      // symmetric about the middle, so only a bottom-aligned one shows the flip.\r\n      y: -(box.y + box.height / 2),\r\n      width: box.width,\r\n      height: box.height,\r\n      // Never rounder than the bar is wide, or a thin bar becomes a lozenge\r\n      // whose ends taper away to nothing.\r\n      cornerRadius: Math.min(radius, box.width / 2, box.height / 2),\r\n    })\r\n  }\r\n  return graphics.fill(fill)\r\n}\r\n\r\n/**\r\n * Groups bars by the paint they take, preserving order within each group.\r\n *\r\n * The seam that makes {@link paintBars} worth batching: a diarized waveform has\r\n * as many colours as it has voices, not as many as it has bars, so a\r\n * conversation of two people is two draws however long it runs.\r\n */\r\nexport function groupByPaint<K>(\r\n  boxes: readonly BarBox[],\r\n  keyOf: (index: number) => K\r\n): Map<K, BarBox[]> {\r\n  const groups = new Map<K, BarBox[]>()\r\n  for (let i = 0; i < boxes.length; i++) {\r\n    const key = keyOf(i)\r\n    const run = groups.get(key)\r\n    if (run) run.push(boxes[i])\r\n    else groups.set(key, [boxes[i]])\r\n  }\r\n  return groups\r\n}\r\n\r\nexport function clamp01(value: number): number {\r\n  return value < 0 ? 0 : value > 1 ? 1 : value\r\n}\r\n\r\n/**\r\n * The {@link groupByPaint} key one bar of a live visualiser takes.\r\n *\r\n * Filtered to one voice, every bar is that voice regardless of `byVoice` or\r\n * whose turn the bucket originally belonged to. That second part is the one\r\n * worth spelling out: {@link forSpeaker} silences a bar by zeroing its\r\n * magnitude but leaves `speaker` exactly as it was, so a bar sitting in the\r\n * middle of a *different* voice's turn is still stamped with that voice's\r\n * index — grouping by `byVoice`'s usual per-bar key would paint those silent\r\n * stretches in whoever used to be talking there, in flickers too short to\r\n * read as anything but noise. Forcing every bar under the filtered voice's own\r\n * key is the true picture instead: the node is drawing exactly one person, on\r\n * or off, never anyone else's colour.\r\n */\r\nexport function livePaintKey(\r\n  barSpeaker: number,\r\n  byVoice: boolean,\r\n  filteredVoice: number | null\r\n): string {\r\n  if (filteredVoice !== null) return `voice:${filteredVoice}`\r\n  return byVoice ? `voice:${barSpeaker}` : \"all\"\r\n}\r\n"]}
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Everything about *how a row of bars is\n * laid out and painted* is therefore common, and lives here so the two cannot\n * drift into looking like different components.\n */\n\n/** How a bar is grown out of its baseline. */\nexport const WAVEFORM_ALIGNMENTS = [\"center\", \"bottom\"] as const\nexport type WaveformAlignment = (typeof WAVEFORM_ALIGNMENTS)[number]\n\n/** What the bars are shaped like. */\nexport const WAVEFORM_STYLES = [\"bars\", \"line\", \"blocks\"] as const\nexport type WaveformStyle = (typeof WAVEFORM_STYLES)[number]\n\n/**\n * The colours voices are drawn in when nobody has assigned any.\n *\n * Eight hues that can be told apart at a glance, handed out by voice index. They\n * are literals rather than looked up, because a scene has to build in a\n * headless render with no database in scope; a host that names its voices\n * supplies its own colours instead.\n */\nexport const VOICE_PALETTE = [\n  \"#6366f1\",\n  \"#14b8a6\",\n  \"#f59e0b\",\n  \"#ec4899\",\n  \"#22c55e\",\n  \"#3b82f6\",\n  \"#f97316\",\n  \"#a855f7\",\n] as const\n\n/** The colour a voice takes, wrapping past the end of the palette. */\nexport function voiceColor(index: number): string {\n  return VOICE_PALETTE[\n    ((index % VOICE_PALETTE.length) + VOICE_PALETTE.length) %\n      VOICE_PALETTE.length\n  ]\n}\n\n/**\n * Where one bar sits and how tall it came out: its top-left corner and size, in\n * the node's own pixels with **y pointing down** from the middle of the box.\n * {@link paintBars} turns that into the centred, y-up rect the renderer draws.\n */\nexport interface BarBox {\n  x: number\n  y: number\n  width: number\n  height: number\n}\n\n/**\n * Lays a row of bars out across a box.\n *\n * The gap is stated as a *fraction of the pitch* rather than in pixels, and\n * that is the one decision here worth stating out loud: the bar count is a\n * control, so a gap in pixels would silently become a solid block at 200 bars\n * and a picket fence at 20. As a fraction, the row keeps the same rhythm at\n * every density — which is what lets the count be a slider anyone can drag.\n *\n * A bar is never thinner than a hairline and never shorter than one either: a\n * silent passage has to read as \"audio, and nothing here\" rather than as a hole\n * in the drawing.\n */\nexport function layOutBars(\n  bars: readonly EnvelopeBar[],\n  options: {\n    width: number\n    height: number\n    gap: number\n    align: WaveformAlignment\n    /** Multiplies every magnitude before it is clamped back into 0…1. */\n    gain: number\n    /** Fraction of the box a silent bar still occupies. */\n    floor: number\n  }\n): BarBox[] {\n  const { width, height, gap, align, gain, floor } = options\n  const count = bars.length\n  if (count === 0 || width <= 0 || height <= 0) return []\n\n  const pitch = width / count\n  const barWidth = Math.max(1, pitch * (1 - clamp01(gap)))\n  // The tallest a bar may be. Centre-aligned bars grow both ways from the\n  // middle, so the *half* is what a magnitude of 1 fills.\n  const full = align === \"center\" ? height / 2 : height\n\n  const out: BarBox[] = new Array(count)\n  for (let i = 0; i < count; i++) {\n    const magnitude = clamp01(bars[i].magnitude * gain)\n    const reach = Math.max(full * clamp01(floor), full * magnitude)\n    const x = -width / 2 + pitch * i + (pitch - barWidth) / 2\n\n    // A hairline minimum, taken before the position so the bar stays inside the\n    // box: a silent bar 1px tall that kept the position of a zero-height one\n    // would hang half a pixel (centred) or a whole pixel (bottom) outside it.\n    const h = Math.max(1, align === \"center\" ? reach * 2 : reach)\n    out[i] =\n      align === \"center\"\n        ? { x, y: -h / 2, width: barWidth, height: h }\n        : { x, y: height / 2 - h, width: barWidth, height: h }\n  }\n  return out\n}\n\n/**\n * Draws a run of bars in one paint.\n *\n * Batched by colour by the caller, and this is why: every `Graphics2D` handed to\n * `ctx.draw` is a surface the renderer composites, so a bar apiece would be a\n * thousand surfaces a frame. Chaining the rects of one colour into a single\n * `Graphics2D` before filling makes it one — and, as a bonus, a gradient fill\n * maps across the whole run rather than restarting inside every bar, which is\n * the behaviour anyone reaching for a gradient here actually wants.\n */\nexport function paintBars(\n  boxes: readonly BarBox[],\n  fill: Fill,\n  radius: number\n): Graphics2D | null {\n  if (boxes.length === 0) return null\n  if ((fill as FillResolved[]).length === 0) return null\n\n  const graphics = new Graphics2D()\n  for (const box of boxes) {\n    graphics.rect({\n      x: box.x + box.width / 2,\n      // The box is stated y-down and the rect is drawn y-up. A centred bar is\n      // symmetric about the middle, so only a bottom-aligned one shows the flip.\n      y: -(box.y + box.height / 2),\n      width: box.width,\n      height: box.height,\n      // Never rounder than the bar is wide, or a thin bar becomes a lozenge\n      // whose ends taper away to nothing.\n      cornerRadius: Math.min(radius, box.width / 2, box.height / 2),\n    })\n  }\n  return graphics.fill(fill)\n}\n\n/**\n * Groups bars by the paint they take, preserving order within each group.\n *\n * The seam that makes {@link paintBars} worth batching: a diarized waveform has\n * as many colours as it has voices, not as many as it has bars, so a\n * conversation of two people is two draws however long it runs.\n */\nexport function groupByPaint<K>(\n  boxes: readonly BarBox[],\n  keyOf: (index: number) => K\n): Map<K, BarBox[]> {\n  const groups = new Map<K, BarBox[]>()\n  for (let i = 0; i < boxes.length; i++) {\n    const key = keyOf(i)\n    const run = groups.get(key)\n    if (run) run.push(boxes[i])\n    else groups.set(key, [boxes[i]])\n  }\n  return groups\n}\n\nexport function clamp01(value: number): number {\n  return value < 0 ? 0 : value > 1 ? 1 : value\n}\n\n/**\n * The {@link groupByPaint} key one bar of a live visualiser takes.\n *\n * Filtered to one voice, every bar is that voice regardless of `byVoice` or\n * whose turn the bucket originally belonged to. That second part is the one\n * worth spelling out: {@link forSpeaker} silences a bar by zeroing its\n * magnitude but leaves `speaker` exactly as it was, so a bar sitting in the\n * middle of a *different* voice's turn is still stamped with that voice's\n * index — grouping by `byVoice`'s usual per-bar key would paint those silent\n * stretches in whoever used to be talking there, in flickers too short to\n * read as anything but noise. Forcing every bar under the filtered voice's own\n * key is the true picture instead: the node is drawing exactly one person, on\n * or off, never anyone else's colour.\n */\nexport function livePaintKey(\n  barSpeaker: number,\n  byVoice: boolean,\n  filteredVoice: number | null\n): string {\n  if (filteredVoice !== null) return `voice:${filteredVoice}`\n  return byVoice ? `voice:${barSpeaker}` : \"all\"\n}\n"]}

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@motionscript/audio",
-  "version": "0.1.0-alpha.7",
+  "version": "0.1.0-alpha.9",
   "type": "module",
   "description": "Waveform components for Motion Script: a full recording drawn as bars, and a live meter that moves with playback. Both draw a loudness envelope the host supplies.",
   "repository": {
@@ -48,8 +48,9 @@
     "animation"
   ],
   "license": "Apache-2.0",
+  "author": "Motionscript",
   "peerDependencies": {
-    "@motionscript/sdk": "^0.1.0-alpha.7"
+    "@motionscript/sdk": "^0.1.0-alpha.9"
   },
   "devDependencies": {
     "@types/node": "^25.6.2",
@@ -60,8 +61,8 @@
     "typescript": "^6.0.3",
     "typescript-eslint": "^8.48.0",
     "vitest": "^4.1.5",
-    "@motionscript/core": "0.1.0-alpha.7",
-    "@motionscript/sdk": "0.1.0-alpha.7"
+    "@motionscript/core": "0.1.0-alpha.9",
+    "@motionscript/sdk": "0.1.0-alpha.9"
   },
   "scripts": {
     "build": "tsc -p tsconfig.build.json && tsc-alias -p tsconfig.build.json --resolve-full-paths && node ../../../scripts/build-browser.mjs",

package/registry.json

@@ -1,28 +1,28 @@
-{
-  "kit": {
-    "barrel": "src/kit.ts",
-    "specifier": "@motionscript/audio/kit"
-  },
-  "items": [
-    {
-      "name": "full-waveform",
-      "description": "A whole recording drawn as bars, with a played portion that advances.",
-      "root": "src/waveform",
-      "files": [
-        "envelope.ts",
-        "full-waveform.ts",
-        "shared.ts"
-      ]
-    },
-    {
-      "name": "live-waveform",
-      "description": "A visualiser whose bars move with the recording as it plays, coloured by voice.",
-      "root": "src/waveform",
-      "files": [
-        "envelope.ts",
-        "live-waveform.ts",
-        "shared.ts"
-      ]
-    }
-  ]
-}
+{
+  "kit": {
+    "barrel": "src/kit.ts",
+    "specifier": "@motionscript/audio/kit"
+  },
+  "items": [
+    {
+      "name": "full-waveform",
+      "description": "A whole recording drawn as bars, with a played portion that advances.",
+      "root": "src/waveform",
+      "files": [
+        "envelope.ts",
+        "full-waveform.ts",
+        "shared.ts"
+      ]
+    },
+    {
+      "name": "live-waveform",
+      "description": "A visualiser whose bars move with the recording as it plays, coloured by voice.",
+      "root": "src/waveform",
+      "files": [
+        "envelope.ts",
+        "live-waveform.ts",
+        "shared.ts"
+      ]
+    }
+  ]
+}

package/src/index.ts

@@ -1,2 +1,2 @@
-export * from "./waveform"
-export { NODES } from "./nodes";
+export * from "./waveform"
+export { NODES } from "./nodes";

package/src/kit.ts

@@ -1,22 +1,22 @@
-/**
- * What the two waveform nodes share, importable without copying it.
- *
- * A registry item copies `envelope.ts` and `shared.ts` beside its node: they
- * hold no class and no registered state, so a fork owning its own copy splits
- * no identity. This is the same surface for a host that samples envelopes or
- * lays bars out itself, and for a fork that keeps only its node file.
- */
-export { EMPTY_ENVELOPE, forSpeaker, sampleEnvelope } from "./waveform/envelope"
-export type { AudioEnvelope, EnvelopeBar } from "./waveform/envelope"
-export {
-  VOICE_PALETTE,
-  WAVEFORM_ALIGNMENTS,
-  WAVEFORM_STYLES,
-  clamp01,
-  groupByPaint,
-  layOutBars,
-  livePaintKey,
-  paintBars,
-  voiceColor,
-} from "./waveform/shared"
-export type { BarBox, WaveformAlignment, WaveformStyle } from "./waveform/shared"
+/**
+ * What the two waveform nodes share, importable without copying it.
+ *
+ * A registry item copies `envelope.ts` and `shared.ts` beside its node: they
+ * hold no class and no registered state, so a fork owning its own copy splits
+ * no identity. This is the same surface for a host that samples envelopes or
+ * lays bars out itself, and for a fork that keeps only its node file.
+ */
+export { EMPTY_ENVELOPE, forSpeaker, sampleEnvelope } from "./waveform/envelope"
+export type { AudioEnvelope, EnvelopeBar } from "./waveform/envelope"
+export {
+  VOICE_PALETTE,
+  WAVEFORM_ALIGNMENTS,
+  WAVEFORM_STYLES,
+  clamp01,
+  groupByPaint,
+  layOutBars,
+  livePaintKey,
+  paintBars,
+  voiceColor,
+} from "./waveform/shared"
+export type { BarBox, WaveformAlignment, WaveformStyle } from "./waveform/shared"

package/src/nodes.ts

@@ -1,17 +1,17 @@
-import { FullWaveform } from "./waveform/full-waveform";
-import { LiveWaveform } from "./waveform/live-waveform";
-
-/**
- * Every node type this package publishes.
- *
- * A host registers these by handing the array to an engine —
- * `new Engine(platform, { nodes: NODES })` — which reads each component's key.
- * Defining a component only *declares* that key: nothing is registered by
- * importing a module, so a registry holds exactly what its owner asked for.
- *
- * Listing the component **values** is also what survives bundling: this package
- * declares `sideEffects: false`, and a document names a node type by string, so
- * an import kept only for its side effect is exactly what gets shaken out.
- */
-// Typed by name, so the declaration names each component rather than spelling out its type through core.
-export const NODES: (typeof FullWaveform | typeof LiveWaveform)[] = [FullWaveform, LiveWaveform];
+import { FullWaveform } from "./waveform/full-waveform";
+import { LiveWaveform } from "./waveform/live-waveform";
+
+/**
+ * Every node type this package publishes.
+ *
+ * A host registers these by handing the array to an engine —
+ * `new Engine(platform, { nodes: NODES })` — which reads each component's key.
+ * Defining a component only *declares* that key: nothing is registered by
+ * importing a module, so a registry holds exactly what its owner asked for.
+ *
+ * Listing the component **values** is also what survives bundling: this package
+ * declares `sideEffects: false`, and a document names a node type by string, so
+ * an import kept only for its side effect is exactly what gets shaken out.
+ */
+// Typed by name, so the declaration names each component rather than spelling out its type through core.
+export const NODES: (typeof FullWaveform | typeof LiveWaveform)[] = [FullWaveform, LiveWaveform];

package/src/waveform/envelope.ts

@@ -1,176 +1,176 @@
-/**
- * The shape of a recording, as the waveform nodes draw it.
- *
- * ## How an envelope reaches a node: the host supplies it
- *
- * Nothing in the engine, and nothing in this kit, decodes audio. A waveform node
- * does not read a `sound` node's `src`, declares no audio asset and is not tied
- * to a clip: it draws the {@link AudioEnvelope} it is handed in its `envelope`
- * prop. Decoding a file into an envelope is the host's job, done once per file
- * before the document is built. Where the recording sits on the audio lane is
- * the author's timing too, which is why `FullWaveform.follow` is opt-in.
- *
- * ### The JSON form
- *
- * A document holds the envelope as plain JSON, because a prop value in a
- * document is JSON. The typed arrays in {@link AudioEnvelope} are one spelling of
- * it; `ArrayLike<number>` also accepts the plain arrays a document stores:
- *
- * ```json
- * {
- *   "magnitude": [0, 0.25, 0.5, 1, 0.5, 0],
- *   "duration": 6,
- *   "speaker": [0, 0, 0, 1, 1, -1],
- *   "speakers": 2
- * }
- * ```
- *
- * `magnitude` is the peak loudness, `0`…`1`, of buckets that divide `duration`
- * seconds evenly. `speaker` is `null` when nobody was identified; otherwise it is parallel to `magnitude`, one voice
- * index per bucket, `-1` for "nobody". `speakers` is the voice count, `0` when
- * `speaker` is `null`. A `Float32Array` or `Int16Array` is not JSON-serialisable
- * (`JSON.stringify` writes an object of indices), so a host that holds the typed
- * form converts with `Array.from` before storing it in a document.
- *
- * ## Why the data is baked rather than listened to
- *
- * A scene has to render identically in the preview and in a headless export,
- * and an export has no audio device, no `AudioContext` and no playback to
- * analyse. So a "live" visualiser cannot read a Web Audio analyser: what it
- * reads is a *pre-computed envelope*, indexed by the scene clock. The picture is
- * then a pure function of time, which is what makes scrubbing backwards, jumping
- * to frame 900, and rendering out of order all produce the same frame.
- *
- * The decode happens in the host, once per file, and arrives here through the
- * build — the same arrangement a chart's rows and a protein's atoms already use,
- * and for the same reason: the build is synchronous and cannot await a fetch.
- *
- * ## Why magnitude rather than min/max
- *
- * An editor's waveform is drawn from per-bucket minima *and* maxima, because an
- * editor is a measuring instrument. These nodes are neither — they are a bar
- * chart of loudness that happens to be shaped like a recording — and audio is
- * near enough symmetric that a mirrored magnitude is indistinguishable at the
- * size a node draws. Half the numbers, and one array to reason about.
- */
-
-/**
- * A decoded recording, reduced to a uniform grid of loudness — plus, when the
- * host knows it, who is talking in each bucket.
- *
- * The speaker track is **not** something a decoder can produce; it comes from a
- * diarized transcript and is folded in by the host before the build. It lives
- * here rather than in a parallel structure because every reader of it is also a
- * reader of the magnitudes at the same index, and two arrays that must stay the
- * same length are better as one object than as two arguments.
- */
-export interface AudioEnvelope {
-  /**
-   * Peak magnitude per bucket, 0…1. Buckets span {@link duration} evenly. A
-   * `Float32Array`, or the plain `number[]` a document stores.
-   */
-  magnitude: ArrayLike<number>
-  /** The decoded length in seconds. */
-  duration: number
-  /**
-   * Which voice is speaking in each bucket, as an index into the recording's
-   * own numbering, or `-1` for "nobody identified". Parallel to
-   * {@link magnitude}, or `null` when the track was never diarized.
-   */
-  speaker: ArrayLike<number> | null
-  /** How many distinct voices the diarizer found. Zero when it did not run. */
-  speakers: number
-}
-
-/** The envelope of a track that hasn't loaded — or isn't there. */
-export const EMPTY_ENVELOPE: AudioEnvelope = {
-  magnitude: new Float32Array(0),
-  duration: 0,
-  speaker: null,
-  speakers: 0,
-}
-
-/** One drawn bar: how loud, and whose. */
-export interface EnvelopeBar {
-  /** 0…1. */
-  magnitude: number
-  /** The voice index, or -1. */
-  speaker: number
-}
-
-/**
- * Resamples `[from, to)` seconds of an envelope down to `bars` columns.
- *
- * Peak-preserving rather than averaging, which is the whole difference between
- * a waveform and a blur: averaging a hundred buckets into one column flattens
- * every transient, and transients are what makes a drawn recording read as
- * speech rather than as noise. The speaker of a column is the speaker of its
- * *loudest* bucket, on the same reasoning — a column straddling a turn belongs
- * to whoever is actually audible in it.
- *
- * A window past either end of the recording yields silent, unattributed
- * columns rather than clamping onto the nearest real one. That matters for the
- * live visualiser, which is handed a window centred on the playhead and would
- * otherwise smear the first bucket across the whole run-up to a track's start.
- */
-export function sampleEnvelope(
-  envelope: AudioEnvelope,
-  from: number,
-  to: number,
-  bars: number
-): EnvelopeBar[] {
-  const count = Math.max(0, Math.floor(bars))
-  const out: EnvelopeBar[] = new Array(count)
-  for (let i = 0; i < count; i++) out[i] = { magnitude: 0, speaker: -1 }
-
-  const buckets = envelope.magnitude.length
-  if (count === 0 || buckets === 0 || envelope.duration <= 0) return out
-
-  const perSecond = buckets / envelope.duration
-  const span = (to - from) / count
-
-  for (let i = 0; i < count; i++) {
-    const start = (from + span * i) * perSecond
-    const end = (from + span * (i + 1)) * perSecond
-
-    // At least one bucket per column, so a window zoomed in past the grid draws
-    // the sample it is standing on rather than an empty band.
-    const first = Math.floor(start)
-    const last = Math.max(first, Math.ceil(end) - 1)
-
-    let loudest = 0
-    let speaker = -1
-    for (let b = first; b <= last; b++) {
-      if (b < 0 || b >= buckets) continue
-      const value = envelope.magnitude[b]
-      if (value < loudest) continue
-      loudest = value
-      speaker = envelope.speaker ? envelope.speaker[b] : -1
-    }
-
-    out[i] = { magnitude: loudest, speaker }
-  }
-
-  return out
-}
-
-/**
- * The same window, with everything that isn't `voice` silenced.
- *
- * The point of the speaker filter, and the reason it silences rather than
- * *drops*: a podcast visualiser filtered to one host should go quiet while the
- * other one talks, not compress their turn out of existence. Keeping the bars
- * and zeroing them is what makes the picture read as "this person is not
- * speaking right now" instead of as a jump cut.
- *
- * `voice` of `null` returns the bars untouched, which is the unfiltered node.
- */
-export function forSpeaker(
-  bars: EnvelopeBar[],
-  voice: number | null
-): EnvelopeBar[] {
-  if (voice === null) return bars
-  return bars.map((bar) =>
-    bar.speaker === voice ? bar : { magnitude: 0, speaker: bar.speaker }
-  )
-}
+/**
+ * The shape of a recording, as the waveform nodes draw it.
+ *
+ * ## How an envelope reaches a node: the host supplies it
+ *
+ * Nothing in the engine, and nothing in this kit, decodes audio. A waveform node
+ * does not read a `sound` node's `src`, declares no audio asset and is not tied
+ * to a clip: it draws the {@link AudioEnvelope} it is handed in its `envelope`
+ * prop. Decoding a file into an envelope is the host's job, done once per file
+ * before the document is built. Where the recording sits on the audio lane is
+ * the author's timing too, which is why `FullWaveform.follow` is opt-in.
+ *
+ * ### The JSON form
+ *
+ * A document holds the envelope as plain JSON, because a prop value in a
+ * document is JSON. The typed arrays in {@link AudioEnvelope} are one spelling of
+ * it; `ArrayLike<number>` also accepts the plain arrays a document stores:
+ *
+ * ```json
+ * {
+ *   "magnitude": [0, 0.25, 0.5, 1, 0.5, 0],
+ *   "duration": 6,
+ *   "speaker": [0, 0, 0, 1, 1, -1],
+ *   "speakers": 2
+ * }
+ * ```
+ *
+ * `magnitude` is the peak loudness, `0`…`1`, of buckets that divide `duration`
+ * seconds evenly. `speaker` is `null` when nobody was identified; otherwise it is parallel to `magnitude`, one voice
+ * index per bucket, `-1` for "nobody". `speakers` is the voice count, `0` when
+ * `speaker` is `null`. A `Float32Array` or `Int16Array` is not JSON-serialisable
+ * (`JSON.stringify` writes an object of indices), so a host that holds the typed
+ * form converts with `Array.from` before storing it in a document.
+ *
+ * ## Why the data is baked rather than listened to
+ *
+ * A scene has to render identically in the preview and in a headless export,
+ * and an export has no audio device, no `AudioContext` and no playback to
+ * analyse. So a "live" visualiser cannot read a Web Audio analyser: what it
+ * reads is a *pre-computed envelope*, indexed by the scene clock. The picture is
+ * then a pure function of time, which is what makes scrubbing backwards, jumping
+ * to frame 900, and rendering out of order all produce the same frame.
+ *
+ * The decode happens in the host, once per file, and arrives here through the
+ * build — the same arrangement a chart's rows and a protein's atoms already use,
+ * and for the same reason: the build is synchronous and cannot await a fetch.
+ *
+ * ## Why magnitude rather than min/max
+ *
+ * An editor's waveform is drawn from per-bucket minima *and* maxima, because an
+ * editor is a measuring instrument. These nodes are neither — they are a bar
+ * chart of loudness that happens to be shaped like a recording — and audio is
+ * near enough symmetric that a mirrored magnitude is indistinguishable at the
+ * size a node draws. Half the numbers, and one array to reason about.
+ */
+
+/**
+ * A decoded recording, reduced to a uniform grid of loudness — plus, when the
+ * host knows it, who is talking in each bucket.
+ *
+ * The speaker track is **not** something a decoder can produce; it comes from a
+ * diarized transcript and is folded in by the host before the build. It lives
+ * here rather than in a parallel structure because every reader of it is also a
+ * reader of the magnitudes at the same index, and two arrays that must stay the
+ * same length are better as one object than as two arguments.
+ */
+export interface AudioEnvelope {
+  /**
+   * Peak magnitude per bucket, 0…1. Buckets span {@link duration} evenly. A
+   * `Float32Array`, or the plain `number[]` a document stores.
+   */
+  magnitude: ArrayLike<number>
+  /** The decoded length in seconds. */
+  duration: number
+  /**
+   * Which voice is speaking in each bucket, as an index into the recording's
+   * own numbering, or `-1` for "nobody identified". Parallel to
+   * {@link magnitude}, or `null` when the track was never diarized.
+   */
+  speaker: ArrayLike<number> | null
+  /** How many distinct voices the diarizer found. Zero when it did not run. */
+  speakers: number
+}
+
+/** The envelope of a track that hasn't loaded — or isn't there. */
+export const EMPTY_ENVELOPE: AudioEnvelope = {
+  magnitude: new Float32Array(0),
+  duration: 0,
+  speaker: null,
+  speakers: 0,
+}
+
+/** One drawn bar: how loud, and whose. */
+export interface EnvelopeBar {
+  /** 0…1. */
+  magnitude: number
+  /** The voice index, or -1. */
+  speaker: number
+}
+
+/**
+ * Resamples `[from, to)` seconds of an envelope down to `bars` columns.
+ *
+ * Peak-preserving rather than averaging, which is the whole difference between
+ * a waveform and a blur: averaging a hundred buckets into one column flattens
+ * every transient, and transients are what makes a drawn recording read as
+ * speech rather than as noise. The speaker of a column is the speaker of its
+ * *loudest* bucket, on the same reasoning — a column straddling a turn belongs
+ * to whoever is actually audible in it.
+ *
+ * A window past either end of the recording yields silent, unattributed
+ * columns rather than clamping onto the nearest real one. That matters for the
+ * live visualiser, which is handed a window centred on the playhead and would
+ * otherwise smear the first bucket across the whole run-up to a track's start.
+ */
+export function sampleEnvelope(
+  envelope: AudioEnvelope,
+  from: number,
+  to: number,
+  bars: number
+): EnvelopeBar[] {
+  const count = Math.max(0, Math.floor(bars))
+  const out: EnvelopeBar[] = new Array(count)
+  for (let i = 0; i < count; i++) out[i] = { magnitude: 0, speaker: -1 }
+
+  const buckets = envelope.magnitude.length
+  if (count === 0 || buckets === 0 || envelope.duration <= 0) return out
+
+  const perSecond = buckets / envelope.duration
+  const span = (to - from) / count
+
+  for (let i = 0; i < count; i++) {
+    const start = (from + span * i) * perSecond
+    const end = (from + span * (i + 1)) * perSecond
+
+    // At least one bucket per column, so a window zoomed in past the grid draws
+    // the sample it is standing on rather than an empty band.
+    const first = Math.floor(start)
+    const last = Math.max(first, Math.ceil(end) - 1)
+
+    let loudest = 0
+    let speaker = -1
+    for (let b = first; b <= last; b++) {
+      if (b < 0 || b >= buckets) continue
+      const value = envelope.magnitude[b]
+      if (value < loudest) continue
+      loudest = value
+      speaker = envelope.speaker ? envelope.speaker[b] : -1
+    }
+
+    out[i] = { magnitude: loudest, speaker }
+  }
+
+  return out
+}
+
+/**
+ * The same window, with everything that isn't `voice` silenced.
+ *
+ * The point of the speaker filter, and the reason it silences rather than
+ * *drops*: a podcast visualiser filtered to one host should go quiet while the
+ * other one talks, not compress their turn out of existence. Keeping the bars
+ * and zeroing them is what makes the picture read as "this person is not
+ * speaking right now" instead of as a jump cut.
+ *
+ * `voice` of `null` returns the bars untouched, which is the unfiltered node.
+ */
+export function forSpeaker(
+  bars: EnvelopeBar[],
+  voice: number | null
+): EnvelopeBar[] {
+  if (voice === null) return bars
+  return bars.map((bar) =>
+    bar.speaker === voice ? bar : { magnitude: 0, speaker: bar.speaker }
+  )
+}