@motionscript/audio 0.0.0-stage → 0.1.0-alpha.10

package/CHANGELOG.md

@@ -0,0 +1,75 @@
+# @motionscript/audio
+
+## 0.1.0-alpha.10
+
+## 0.1.0-alpha.9
+
+## 0.1.0-alpha.8
+
+## 0.1.0-alpha.7
+
+## 0.1.0-alpha.6
+
+### Minor Changes
+
+- 163b708: Node types are components: one spec object handed to `component2d`, `component3d` or `componentAudio`, with no classes, decorators or JSX.
+
+  - **Writing a node type.** A component is one object literal: `key`, `state` (literals and `Types`), `defaults`, `commands`, `children`, `allowedChildren`/`allowedParents`, `provide`, `load`, and its tree's own fields (`measure`, `layout`, `render` for 2D). Behaviour comes from modules you spread in and call: `Paint`, `Flow`, `Shapes`, `Typeface`, `TextLayout`, `Aim`, `Material`, `View3D`. ADR 0007 and the custom-node docs cover it.
+  - **Building nodes in code** uses calls: `Rect({ fill: 'tomato', children: [Text({ text: 'Hi' })] })`, or `new Rect({...})` for the node itself.
+  - **Every built-in and every kit node is a component**, under the same document key. Code that tested `instanceof` a class now uses the component's `.is`, or `instanceof X.node`. Changed members:
+    - `SurfacePlot3d.valueAt` and `FunctionPlot.valueAt` are now the functions `surfaceValueAt` and `curveValue`.
+    - A system's `coordinates` is replaced by `planeMap`/`axesMap`/`systemMap`.
+    - `PieChart.isSelected` is replaced by `isSliceSelected`.
+    - `ItemGrid` is a kit module (`ItemGrid.isGrid`, `ItemGrid.define`), not a base class.
+  - **The sdk no longer exports the class surface:**
+    - the decorators: `node`, `property` and every `*Property`, `command`, `withdraw`, `driveCommand`;
+    - the authoring bases: `PaintNode`, `ShapeNode`, `TextBase`, `Mesh3DBase`, `Canvas3DBase` and the `*Base` geometry classes;
+    - `asCommand`, `compose`, `drive` and `declarePaints` from `@motionscript/sdk/component`;
+    - the `jsx-runtime` and `jsx-dev-runtime` subpaths.
+    - `Node`, `Node2D`, `Node3D` and `NodeAudio` remain as types.
+  - **Editor metadata leaves the engine.** The kits no longer declare `parentKey`, `forkable`, `layout`, `seed`, `within`, `beside` or `closed`; a host keeps those in its own configs. `describe()` now reports `holds`, the trees a type takes children from, and the placement checks use it, so a 2D viewport of your own that takes 3D children places them.
+  - A command called from code with no argument runs, and a refused child is told what its parent takes (`allowedChildren`) or where it goes (`allowedParents`).
+
+## 0.1.0-alpha.5
+
+### Patch Changes
+
+- da6f97a: Every package ships a `NOTICE`, and a browser build lists what it bundles.
+
+  - Each tarball carries the repository `NOTICE`: the copyright line and the MIT attributions for the noise functions in `skia-render`'s fractal-noise fill (David Hoskins' "Hash without Sine", Inigo Quilez's 2D simplex noise).
+  - `@motionscript/canvaskit` ships `THIRD_PARTY_NOTICES.txt` with the licences of the libraries compiled into the binary: FreeType, HarfBuzz, ICU 74, zlib, libpng, Brotli, WOFF2, Emscripten and musl.
+  - `dist/browser/manifest.json` gains `thirdParty`, the packages the browser build bundled (`name`, `version`, `license`), and their licence and NOTICE files are written to `dist/browser/THIRD_PARTY_LICENSES.txt`. `@motionscript/browser` bundles mediabunny (MPL-2.0, unmodified; source at https://github.com/Vanilagy/mediabunny), esbuild-wasm and three; `@motionscript/math` bundles MathJax.
+
+## 0.1.0-alpha.4
+
+### Patch Changes
+
+- ad28707: Component kit fixes.
+
+  - Charts: a bar chart maps its columns across the plot panel as laid out (and takes the line chart's top headroom), so a column ends on its marker's grid line. A pie chart's wedges, labels and legend follow `data` and the palette once they are set. A restated value-axis or y/x-axis `range` or `ticks` in `to()` rescales continuously from the axis as drawn, instead of cutting at the midpoint. Without a legend (or without series) the entrance keeps that beat's share, so the call-out and legend land where the slot lays them out. A constant line series gets a scale with width, a `NaN` or infinite cell reads as 0, and tick captions gain decimals when the step is finer than 0.1.
+  - Code: the compiled highlighter is cached per style object, so two styles sharing a name no longer colour alike. A `CodeRanges` chain serialises as its ranges, so a stored `highlight` target selects what it did before it was saved.
+  - LaTeX: seeking from inside a morph to a time before it restores the source formula instead of leaving the last morph frame.
+  - Geo: custom border rings are wound for d3, so a GeoJSON counter-clockwise ring draws as the small region it encloses; a great-circle path between antipodal points runs over the north pole instead of wherever rounding lands.
+  - Audio: bottom-aligned waveform bars stand on the floor of the box instead of hanging from the top.
+  - `Code` and `Latex` take an optional props bag, so `new Registry({ nodes: NODES })` and `createBrowserEngine({ nodes: NODES })` type-check without a cast.
+
+- e78f716: Kit gaps in waveforms, item grids, graphs and protein node.
+
+  - `@motionscript/audio`: documents that the host supplies the baked envelope and states its JSON form. `AudioEnvelope.magnitude` and `speaker` are typed `ArrayLike<number>`, which accepts the plain arrays a document stores as well as typed arrays. The package description no longer claims the meter responds to a signal.
+  - `@motionscript/grids`: the grids' descriptors name `children: "freeform"`, the one answer that is true of slot-placed children, in place of `flow` and `grid`.
+  - `@motionscript/molecule`: `Protein` refuses children, as its descriptor says, and declares `quality` non-animatable.
+  - `@motionscript/plot`: new `curveEquationIssues`, `surfaceEquationIssues` and `equationIssues` return a `ValidationIssue` for each equation whose expression does not compile and so is not drawn, which `validateDocument` cannot see. The `Canvas3D` scene props that `Graph3D` inherits and ignores are documented in its docs and a README.
+
+## 0.1.0-alpha.3
+
+## 0.1.0-alpha.2
+
+## 0.1.0-alpha.1
+
+### Minor Changes
+
+- 59cecba: Build on `@motionscript/sdk` instead of `@motionscript/core`. The peer dependency is now `@motionscript/sdk`, every import goes through it (and `@motionscript/sdk/component` for the component machinery), and the browser build leaves `@motionscript/sdk` an import, so an import map names it once. A component copied with `ms add` imports the SDK too, and its registry item depends on `@motionscript/sdk` rather than `@motionscript/core`. `@motionscript/charts/kit` re-exports `@motionscript/sdk/component` where it re-exported `@motionscript/core/component`.
+
+## 0.1.0-alpha.0
+
+Initial release.

package/LICENSE

@@ -0,0 +1,201 @@
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package/NOTICE

@@ -0,0 +1,49 @@
+Motionscript
+Copyright 2026 Motionscript LLC
+
+This product includes the third-party code below, each part under the MIT
+License reproduced at the end of this file.
+
+- packages/renderer/crates/renderer/src/shaders/prim.wgsl (`fn_hash2`):
+  "Hash without Sine" by David Hoskins (https://www.shadertoy.com/view/4djSRW).
+  Copyright (c) 2014 David Hoskins.
+
+- packages/renderer/crates/renderer/src/shaders/prim.wgsl (`simplex_noise`): "Noise - simplex - 2D" by Inigo Quilez
+  (https://www.shadertoy.com/view/Msf3WH). Copyright (c) 2013 Inigo Quilez.
+
+- packages/renderer/crates/render3d (in @motionscript/renderer's WebAssembly):
+  its shaders (src/shaders/mesh.wgsl) port three.js r185's mesh programs and
+  src/geometry.rs its primitive generators (https://threejs.org).
+  Copyright (c) 2010-2026 three.js authors.
+
+@motionscript/renderer's WebAssembly (dist/ms_renderer_bg.wasm) compiles in
+Rust crates under MIT, Apache-2.0, Zlib and Unicode-3.0 terms (wgpu, naga,
+harfrust, read-fonts, kurbo, wasm-bindgen and others); their notices are in
+packages/renderer/THIRD_PARTY_NOTICES.txt.
+
+MP3 export loads @mediabunny/mp3-encoder (MPL-2.0), a WebAssembly build of
+the LAME MP3 encoder (LGPL, https://lame.sourceforge.io), on first use.
+
+The browser builds under dist/browser/ bundle each package's npm dependencies;
+dist/browser/THIRD_PARTY_LICENSES.txt in each package lists them with their
+licences.
+
+MIT License
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
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+furnished to do so, subject to the following conditions:
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+copies or substantial portions of the Software.
+
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+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/README.md

@@ -1,4 +1,92 @@
-# Temporary Holding Version
+# @motionscript/audio
 
-This version is a temporary placeholder for this package. An operational version to replace this has been submitted for review and is awaiting a staged release.
-If no other versions are published within 30 days, this package and version will be deleted.
+Waveform components for [Motion Script](https://motionscript.dev): `fullWaveform`
+draws a whole recording as bars with a played portion that advances, and
+`liveWaveform` draws a meter that moves with playback.
+
+```ts
+import { FullWaveform, LiveWaveform } from '@motionscript/audio';
+
+export const nodes = [FullWaveform, LiveWaveform];
+```
+
+## The host supplies the envelope
+
+Nothing in the engine or in this package decodes audio. Both nodes draw the
+loudness `envelope` they are handed in their `envelope` prop. A render has no
+audio device and no analyser, so the picture has to be a pure function of time:
+scrubbing backwards, jumping ahead and exporting frames out of order all draw the
+same frame. Decoding a file into an envelope is the host's job, done once per
+file before the document is built. The nodes declare no audio source and are not
+tied to a clip: where a recording sits on the audio lane is the author's timing,
+which is why `follow` is opt-in.
+
+### The JSON form
+
+A document stores the envelope as plain JSON:
+
+```json
+{
+  "magnitude": [0, 0.25, 0.5, 1, 0.5, 0],
+  "duration": 6,
+  "speaker": [0, 0, 0, 1, 1, -1],
+  "speakers": 2
+}
+```
+
+- `magnitude`: peak loudness per bucket, `0` to `1`. The buckets divide
+  `duration` seconds evenly.
+- `duration`: the recording's length in seconds.
+- `speaker`: one voice index per bucket (parallel to `magnitude`), `-1` for
+  nobody identified, or `null` when the recording was never diarized.
+- `speakers`: how many distinct voices there are; `0` when `speaker` is `null`.
+
+`Float32Array` and `Int16Array` are accepted too, but `JSON.stringify` writes a
+typed array as an object of indices, so a host that holds the typed form converts
+with `Array.from` before it puts the envelope in a document.
+
+## Nodes
+
+| Key | Made for (w x h) | Commands | Notes |
+|---|---|---|---|
+| `fullWaveform` | 900 x 160 | `sweep` | whole recording; `progress` is the played share, or with `follow` the node's elapsed time over `envelope.duration`. `sweep` is a `to` of `progress` to 1 |
+| `liveWaveform` | 420 x 220 | none | a `window` of seconds centred on `offset + elapsed` (or frozen at `offset` when `playing` is off); `style` is `bars`, `line` or `blocks`; `speaker` (-1 is every voice) filters to one voice |
+
+Both take `byVoice` and `voiceColors` (a missing colour takes `VOICE_PALETTE`, eight
+hues), and `align` of `center` or `bottom`. A voice colour is a plain string, never a
+gradient or an image, so a voice declares no asset.
+
+- **A column is the loudest bucket in it, not the mean** (`sampleEnvelope`), so
+  transients survive downsampling.
+- **A silent bar is a hairline, never a hole**: every bar is at least 1 px wide and
+  tall, and the minimum height is taken before the bar is positioned, so it stays
+  inside the box.
+- **Bars are batched by paint**, so two voices are two draws however long the
+  recording.
+- **The frame is a function of the document and the node's clock**, so a seek redraws
+  what was drawn the first time.
+
+## Entry points
+
+`@motionscript/audio` exports the two nodes, `NODES`, the envelope type and
+`EMPTY_ENVELOPE`, and the pure helpers (`sampleEnvelope`, `forSpeaker`, `layOutBars`,
+`paintBars`, `groupByPaint`, `voiceColor`). `@motionscript/audio/kit` (`src/kit.ts`)
+exports the same helpers plus `clamp01` and `livePaintKey`. A copy of `full-waveform` or
+`live-waveform` (`registry.json`) takes three files into the project (`envelope.ts`,
+`shared.ts` and the node); the copy's imports stay relative, so none is rewritten to
+the kit specifier.
+
+## Usage
+
+```bash
+npm install @motionscript/audio @motionscript/sdk
+```
+
+## Development
+
+From the monorepo root:
+
+```bash
+pnpm --filter @motionscript/audio build
+pnpm --filter @motionscript/audio test
+```

package/dist/browser/chunks/chunk-DD3KHRUL.js

@@ -0,0 +1,2 @@
+var E={magnitude:new Float32Array(0),duration:0,speaker:null,speakers:0};function y(t,r,e,o){let n=Math.max(0,Math.floor(o)),a=new Array(n);for(let i=0;i<n;i++)a[i]={magnitude:0,speaker:-1};let l=t.magnitude.length;if(n===0||l===0||t.duration<=0)return a;let m=l/t.duration,s=(e-r)/n;for(let i=0;i<n;i++){let f=(r+s*i)*m,x=(r+s*(i+1))*m,p=Math.floor(f),u=Math.max(p,Math.ceil(x)-1),g=0,d=-1;for(let c=p;c<=u;c++){if(c<0||c>=l)continue;let h=t.magnitude[c];h<g||(g=h,d=t.speaker?t.speaker[c]:-1)}a[i]={magnitude:g,speaker:d}}return a}function A(t,r){return r===null?t:t.map(e=>e.speaker===r?e:{magnitude:0,speaker:e.speaker})}import{Graphics2D as w}from"@motionscript/sdk";var S=["center","bottom"],T=["bars","line","blocks"],M=["#6366f1","#14b8a6","#f59e0b","#ec4899","#22c55e","#3b82f6","#f97316","#a855f7"];function L(t){return M[(t%M.length+M.length)%M.length]}function _(t,r){let{width:e,height:o,gap:n,align:a,gain:l,floor:m}=r,s=t.length;if(s===0||e<=0||o<=0)return[];let i=e/s,f=Math.max(1,i*(1-k(n))),x=a==="center"?o/2:o,p=new Array(s);for(let u=0;u<s;u++){let g=k(t[u].magnitude*l),d=Math.max(x*k(m),x*g),c=-e/2+i*u+(i-f)/2,h=Math.max(1,a==="center"?d*2:d);p[u]=a==="center"?{x:c,y:-h/2,width:f,height:h}:{x:c,y:o/2-h,width:f,height:h}}return p}function b(t,r,e){if(t.length===0||r.length===0)return null;let o=new w;for(let n of t)o.rect({x:n.x+n.width/2,y:-(n.y+n.height/2),width:n.width,height:n.height,cornerRadius:Math.min(e,n.width/2,n.height/2)});return o.fill(r)}function B(t,r){let e=new Map;for(let o=0;o<t.length;o++){let n=r(o),a=e.get(n);a?a.push(t[o]):e.set(n,[t[o]])}return e}function k(t){return t<0?0:t>1?1:t}function F(t,r,e){return e!==null?`voice:${e}`:r?`voice:${t}`:"all"}export{E as a,y as b,A as c,S as d,T as e,M as f,L as g,_ as h,b as i,B as j,k,F as l};
+//# sourceMappingURL=chunk-DD3KHRUL.js.map

package/dist/browser/chunks/chunk-DD3KHRUL.js.map

@@ -0,0 +1,7 @@
+{
+  "version": 3,
+  "sources": ["../../../src/waveform/envelope.ts", "../../../src/waveform/shared.ts"],
+  "sourcesContent": ["/**\n * The shape of a recording, as the waveform nodes draw it.\n *\n * ## How an envelope reaches a node: the host supplies it\n *\n * Nothing in the engine, and nothing in this kit, decodes audio. A waveform node\n * does not read a `sound` node's `src`, declares no audio asset and is not tied\n * to a clip: it draws the {@link AudioEnvelope} it is handed in its `envelope`\n * prop. Decoding a file into an envelope is the host's job, done once per file\n * before the document is built. Where the recording sits on the audio lane is\n * the author's timing too, which is why `FullWaveform.follow` is opt-in.\n *\n * ### The JSON form\n *\n * A document holds the envelope as plain JSON, because a prop value in a\n * document is JSON. The typed arrays in {@link AudioEnvelope} are one spelling of\n * it; `ArrayLike<number>` also accepts the plain arrays a document stores:\n *\n * ```json\n * {\n *   \"magnitude\": [0, 0.25, 0.5, 1, 0.5, 0],\n *   \"duration\": 6,\n *   \"speaker\": [0, 0, 0, 1, 1, -1],\n *   \"speakers\": 2\n * }\n * ```\n *\n * `magnitude` is the peak loudness, `0`…`1`, of buckets that divide `duration`\n * seconds evenly. `speaker` is `null` when nobody was identified; otherwise it is parallel to `magnitude`, one voice\n * index per bucket, `-1` for \"nobody\". `speakers` is the voice count, `0` when\n * `speaker` is `null`. A `Float32Array` or `Int16Array` is not JSON-serialisable\n * (`JSON.stringify` writes an object of indices), so a host that holds the typed\n * form converts with `Array.from` before storing it in a document.\n *\n * ## Why the data is baked rather than listened to\n *\n * A scene has to render identically in the preview and in a headless export,\n * and an export has no audio device, no `AudioContext` and no playback to\n * analyse. So a \"live\" visualiser cannot read a Web Audio analyser: what it\n * reads is a *pre-computed envelope*, indexed by the scene clock. The picture is\n * then a pure function of time, which is what makes scrubbing backwards, jumping\n * to frame 900, and rendering out of order all produce the same frame.\n *\n * The decode happens in the host, once per file, and arrives here through the\n * build — the same arrangement a chart's rows and a protein's atoms already use,\n * and for the same reason: the build is synchronous and cannot await a fetch.\n *\n * ## Why magnitude rather than min/max\n *\n * An editor's waveform is drawn from per-bucket minima *and* maxima, because an\n * editor is a measuring instrument. These nodes are neither — they are a bar\n * chart of loudness that happens to be shaped like a recording — and audio is\n * near enough symmetric that a mirrored magnitude is indistinguishable at the\n * size a node draws. Half the numbers, and one array to reason about.\n */\n\n/**\n * A decoded recording, reduced to a uniform grid of loudness — plus, when the\n * host knows it, who is talking in each bucket.\n *\n * The speaker track is **not** something a decoder can produce; it comes from a\n * diarized transcript and is folded in by the host before the build. It lives\n * here rather than in a parallel structure because every reader of it is also a\n * reader of the magnitudes at the same index, and two arrays that must stay the\n * same length are better as one object than as two arguments.\n */\nexport interface AudioEnvelope {\n  /**\n   * Peak magnitude per bucket, 0…1. Buckets span {@link duration} evenly. A\n   * `Float32Array`, or the plain `number[]` a document stores.\n   */\n  magnitude: ArrayLike<number>\n  /** The decoded length in seconds. */\n  duration: number\n  /**\n   * Which voice is speaking in each bucket, as an index into the recording's\n   * own numbering, or `-1` for \"nobody identified\". Parallel to\n   * {@link magnitude}, or `null` when the track was never diarized.\n   */\n  speaker: ArrayLike<number> | null\n  /** How many distinct voices the diarizer found. Zero when it did not run. */\n  speakers: number\n}\n\n/** The envelope of a track that hasn't loaded — or isn't there. */\nexport const EMPTY_ENVELOPE: AudioEnvelope = {\n  magnitude: new Float32Array(0),\n  duration: 0,\n  speaker: null,\n  speakers: 0,\n}\n\n/** One drawn bar: how loud, and whose. */\nexport interface EnvelopeBar {\n  /** 0…1. */\n  magnitude: number\n  /** The voice index, or -1. */\n  speaker: number\n}\n\n/**\n * Resamples `[from, to)` seconds of an envelope down to `bars` columns.\n *\n * Peak-preserving rather than averaging, which is the whole difference between\n * a waveform and a blur: averaging a hundred buckets into one column flattens\n * every transient, and transients are what makes a drawn recording read as\n * speech rather than as noise. The speaker of a column is the speaker of its\n * *loudest* bucket, on the same reasoning — a column straddling a turn belongs\n * to whoever is actually audible in it.\n *\n * A window past either end of the recording yields silent, unattributed\n * columns rather than clamping onto the nearest real one. That matters for the\n * live visualiser, which is handed a window centred on the playhead and would\n * otherwise smear the first bucket across the whole run-up to a track's start.\n */\nexport function sampleEnvelope(\n  envelope: AudioEnvelope,\n  from: number,\n  to: number,\n  bars: number\n): EnvelopeBar[] {\n  const count = Math.max(0, Math.floor(bars))\n  const out: EnvelopeBar[] = new Array(count)\n  for (let i = 0; i < count; i++) out[i] = { magnitude: 0, speaker: -1 }\n\n  const buckets = envelope.magnitude.length\n  if (count === 0 || buckets === 0 || envelope.duration <= 0) return out\n\n  const perSecond = buckets / envelope.duration\n  const span = (to - from) / count\n\n  for (let i = 0; i < count; i++) {\n    const start = (from + span * i) * perSecond\n    const end = (from + span * (i + 1)) * perSecond\n\n    // At least one bucket per column, so a window zoomed in past the grid draws\n    // the sample it is standing on rather than an empty band.\n    const first = Math.floor(start)\n    const last = Math.max(first, Math.ceil(end) - 1)\n\n    let loudest = 0\n    let speaker = -1\n    for (let b = first; b <= last; b++) {\n      if (b < 0 || b >= buckets) continue\n      const value = envelope.magnitude[b]\n      if (value < loudest) continue\n      loudest = value\n      speaker = envelope.speaker ? envelope.speaker[b] : -1\n    }\n\n    out[i] = { magnitude: loudest, speaker }\n  }\n\n  return out\n}\n\n/**\n * The same window, with everything that isn't `voice` silenced.\n *\n * The point of the speaker filter, and the reason it silences rather than\n * *drops*: a podcast visualiser filtered to one host should go quiet while the\n * other one talks, not compress their turn out of existence. Keeping the bars\n * and zeroing them is what makes the picture read as \"this person is not\n * speaking right now\" instead of as a jump cut.\n *\n * `voice` of `null` returns the bars untouched, which is the unfiltered node.\n */\nexport function forSpeaker(\n  bars: EnvelopeBar[],\n  voice: number | null\n): EnvelopeBar[] {\n  if (voice === null) return bars\n  return bars.map((bar) =>\n    bar.speaker === voice ? bar : { magnitude: 0, speaker: bar.speaker }\n  )\n}\n", "import { Graphics2D, type Fill, type FillResolved } from \"@motionscript/sdk\"\n\nimport type { EnvelopeBar } from \"./envelope\"\n\n/**\n * Geometry and paint shared by the two waveform nodes.\n *\n * They draw the same object — a row of bars whose heights are loudness — and\n * differ only in what decides the heights: the whole file for one, a window\n * around the playhead for the other. Everything about *how a row of bars is\n * laid out and painted* is therefore common, and lives here so the two cannot\n * drift into looking like different components.\n */\n\n/** How a bar is grown out of its baseline. */\nexport const WAVEFORM_ALIGNMENTS = [\"center\", \"bottom\"] as const\nexport type WaveformAlignment = (typeof WAVEFORM_ALIGNMENTS)[number]\n\n/** What the bars are shaped like. */\nexport const WAVEFORM_STYLES = [\"bars\", \"line\", \"blocks\"] as const\nexport type WaveformStyle = (typeof WAVEFORM_STYLES)[number]\n\n/**\n * The colours voices are drawn in when nobody has assigned any.\n *\n * Eight hues that can be told apart at a glance, handed out by voice index. They\n * are literals rather than looked up, because a scene has to build in a\n * headless render with no database in scope; a host that names its voices\n * supplies its own colours instead.\n */\nexport const VOICE_PALETTE = [\n  \"#6366f1\",\n  \"#14b8a6\",\n  \"#f59e0b\",\n  \"#ec4899\",\n  \"#22c55e\",\n  \"#3b82f6\",\n  \"#f97316\",\n  \"#a855f7\",\n] as const\n\n/** The colour a voice takes, wrapping past the end of the palette. */\nexport function voiceColor(index: number): string {\n  return VOICE_PALETTE[\n    ((index % VOICE_PALETTE.length) + VOICE_PALETTE.length) %\n      VOICE_PALETTE.length\n  ]\n}\n\n/**\n * Where one bar sits and how tall it came out: its top-left corner and size, in\n * the node's own pixels with **y pointing down** from the middle of the box.\n * {@link paintBars} turns that into the centred, y-up rect the renderer draws.\n */\nexport interface BarBox {\n  x: number\n  y: number\n  width: number\n  height: number\n}\n\n/**\n * Lays a row of bars out across a box.\n *\n * The gap is stated as a *fraction of the pitch* rather than in pixels, and\n * that is the one decision here worth stating out loud: the bar count is a\n * control, so a gap in pixels would silently become a solid block at 200 bars\n * and a picket fence at 20. As a fraction, the row keeps the same rhythm at\n * every density — which is what lets the count be a slider anyone can drag.\n *\n * A bar is never thinner than a hairline and never shorter than one either: a\n * silent passage has to read as \"audio, and nothing here\" rather than as a hole\n * in the drawing.\n */\nexport function layOutBars(\n  bars: readonly EnvelopeBar[],\n  options: {\n    width: number\n    height: number\n    gap: number\n    align: WaveformAlignment\n    /** Multiplies every magnitude before it is clamped back into 0…1. */\n    gain: number\n    /** Fraction of the box a silent bar still occupies. */\n    floor: number\n  }\n): BarBox[] {\n  const { width, height, gap, align, gain, floor } = options\n  const count = bars.length\n  if (count === 0 || width <= 0 || height <= 0) return []\n\n  const pitch = width / count\n  const barWidth = Math.max(1, pitch * (1 - clamp01(gap)))\n  // The tallest a bar may be. Centre-aligned bars grow both ways from the\n  // middle, so the *half* is what a magnitude of 1 fills.\n  const full = align === \"center\" ? height / 2 : height\n\n  const out: BarBox[] = new Array(count)\n  for (let i = 0; i < count; i++) {\n    const magnitude = clamp01(bars[i].magnitude * gain)\n    const reach = Math.max(full * clamp01(floor), full * magnitude)\n    const x = -width / 2 + pitch * i + (pitch - barWidth) / 2\n\n    // A hairline minimum, taken before the position so the bar stays inside the\n    // box: a silent bar 1px tall that kept the position of a zero-height one\n    // would hang half a pixel (centred) or a whole pixel (bottom) outside it.\n    const h = Math.max(1, align === \"center\" ? reach * 2 : reach)\n    out[i] =\n      align === \"center\"\n        ? { x, y: -h / 2, width: barWidth, height: h }\n        : { x, y: height / 2 - h, width: barWidth, height: h }\n  }\n  return out\n}\n\n/**\n * Draws a run of bars in one paint.\n *\n * Batched by colour by the caller, and this is why: every `Graphics2D` handed to\n * `ctx.draw` is a surface the renderer composites, so a bar apiece would be a\n * thousand surfaces a frame. Chaining the rects of one colour into a single\n * `Graphics2D` before filling makes it one — and, as a bonus, a gradient fill\n * maps across the whole run rather than restarting inside every bar, which is\n * the behaviour anyone reaching for a gradient here actually wants.\n */\nexport function paintBars(\n  boxes: readonly BarBox[],\n  fill: Fill,\n  radius: number\n): Graphics2D | null {\n  if (boxes.length === 0) return null\n  if ((fill as FillResolved[]).length === 0) return null\n\n  const graphics = new Graphics2D()\n  for (const box of boxes) {\n    graphics.rect({\n      x: box.x + box.width / 2,\n      // The box is stated y-down and the rect is drawn y-up. A centred bar is\n      // symmetric about the middle, so only a bottom-aligned one shows the flip.\n      y: -(box.y + box.height / 2),\n      width: box.width,\n      height: box.height,\n      // Never rounder than the bar is wide, or a thin bar becomes a lozenge\n      // whose ends taper away to nothing.\n      cornerRadius: Math.min(radius, box.width / 2, box.height / 2),\n    })\n  }\n  return graphics.fill(fill)\n}\n\n/**\n * Groups bars by the paint they take, preserving order within each group.\n *\n * The seam that makes {@link paintBars} worth batching: a diarized waveform has\n * as many colours as it has voices, not as many as it has bars, so a\n * conversation of two people is two draws however long it runs.\n */\nexport function groupByPaint<K>(\n  boxes: readonly BarBox[],\n  keyOf: (index: number) => K\n): Map<K, BarBox[]> {\n  const groups = new Map<K, BarBox[]>()\n  for (let i = 0; i < boxes.length; i++) {\n    const key = keyOf(i)\n    const run = groups.get(key)\n    if (run) run.push(boxes[i])\n    else groups.set(key, [boxes[i]])\n  }\n  return groups\n}\n\nexport function clamp01(value: number): number {\n  return value < 0 ? 0 : value > 1 ? 1 : value\n}\n\n/**\n * The {@link groupByPaint} key one bar of a live visualiser takes.\n *\n * Filtered to one voice, every bar is that voice regardless of `byVoice` or\n * whose turn the bucket originally belonged to. That second part is the one\n * worth spelling out: {@link forSpeaker} silences a bar by zeroing its\n * magnitude but leaves `speaker` exactly as it was, so a bar sitting in the\n * middle of a *different* voice's turn is still stamped with that voice's\n * index — grouping by `byVoice`'s usual per-bar key would paint those silent\n * stretches in whoever used to be talking there, in flickers too short to\n * read as anything but noise. Forcing every bar under the filtered voice's own\n * key is the true picture instead: the node is drawing exactly one person, on\n * or off, never anyone else's colour.\n */\nexport function livePaintKey(\n  barSpeaker: number,\n  byVoice: boolean,\n  filteredVoice: number | null\n): string {\n  if (filteredVoice !== null) return `voice:${filteredVoice}`\n  return byVoice ? `voice:${barSpeaker}` : \"all\"\n}\n"],
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+  "names": ["EMPTY_ENVELOPE", "sampleEnvelope", "envelope", "from", "to", "bars", "count", "out", "buckets", "perSecond", "span", "start", "end", "first", "last", "loudest", "speaker", "b", "value", "forSpeaker", "voice", "bar", "Graphics2D", "WAVEFORM_ALIGNMENTS", "WAVEFORM_STYLES", "VOICE_PALETTE", "voiceColor", "index", "layOutBars", "bars", "options", "width", "height", "gap", "align", "gain", "floor", "count", "pitch", "barWidth", "clamp01", "full", "out", "i", "magnitude", "reach", "x", "paintBars", "boxes", "fill", "radius", "graphics", "box", "groupByPaint", "keyOf", "groups", "key", "run", "value", "livePaintKey", "barSpeaker", "byVoice", "filteredVoice"]
+}

package/dist/browser/index.js

@@ -0,0 +1,2 @@
+import{a as p,b as s,c as w,d as W,e as L,f as T,g as f,h as c,i as u,j as m,k as g,l as B}from"./chunks/chunk-DD3KHRUL.js";import{Types as M,component2d as C,easeInOut as S,fillOps as N}from"@motionscript/sdk";var P=o=>M.custom(o,{resolve:N.resolve,lerp:N.lerp}),O=C({key:"fullWaveform",state:{envelope:M.custom(p),bars:120,gap:.3,radius:2,progress:0,follow:!1,gain:1,floor:.015,align:M.custom("center"),byVoice:!1,voiceColors:M.custom([]),fill:P("#5b5b7a"),playedFill:P("#6366f1")},load:(o,e)=>{o.fill(e.fill),o.fill(e.playedFill)},commands:{sweep:(o,e)=>{let r=o.easing?null:S(),n=e.progress;return o.animate(t=>({progress:n+(1-n)*(r?r(t):t)}))}},render:(o,e)=>{_(o,e),o.children()}});function _(o,e){let{width:r,height:n}=o.size;if(r<=0||n<=0)return;let t=Math.max(1,Math.round(e.bars)),a=s(e.envelope,0,e.envelope.duration,t),l=c(a,{width:r,height:n,gap:e.gap,align:e.align,gain:e.gain,floor:e.floor});if(l.length===0)return;let v=A(o,e)*l.length,h=m(l,i=>e.byVoice?`voice:${a[i].speaker}`:i<v?"played":"ahead");for(let[i,y]of h){let E=u(y,Y(e,i),e.radius);E&&o.draw(E)}}function A(o,e){if(!e.follow)return g(e.progress);let r=e.envelope.duration;return r<=0?0:g(o.time.elapsed/r)}function Y(o,e){if(e==="played")return o.playedFill;if(e==="ahead")return o.fill;let r=Number(e.slice(6));return!Number.isFinite(r)||r<0?o.fill:o.voiceColors[r]??f(r)}import{Types as d,component2d as I,fillOps as x}from"@motionscript/sdk";var F=I({key:"liveWaveform",state:{envelope:d.custom(p),bars:48,gap:.35,radius:4,window:3,offset:0,playing:!0,gain:1.4,floor:.04,align:d.custom("center"),style:d.custom("bars"),speaker:-1,byVoice:!1,voiceColors:d.custom([]),fill:d.custom("#6366f1",{resolve:x.resolve,lerp:x.lerp})},load:(o,e)=>o.fill(e.fill),render:(o,e)=>{D(o,e),o.children()}});function z(o,e){return e.offset+(e.playing?Math.max(0,o.time.elapsed):0)}function D(o,e){let{width:r,height:n}=o.size;if(r<=0||n<=0)return;let t=Math.max(1,Math.round(e.bars)),a=Math.max(.05,e.window),l=z(o,e),v=e.speaker<0?null:Math.round(e.speaker),h=w(s(e.envelope,l-a/2,l+a/2,t),v),i=e.style==="line"?G(h):h,y=c(i,{width:r,height:n,gap:e.style==="blocks"?.12:e.gap,align:e.align,gain:e.gain,floor:e.floor});if(y.length===0)return;let E=m(y,b=>B(i[b].speaker,e.byVoice,v));for(let[b,V]of E){let k=u(V,R(e,b),e.radius);k&&o.draw(k)}}function R(o,e){if(e==="all")return o.fill;let r=Number(e.slice(6));return!Number.isFinite(r)||r<0?o.fill:o.voiceColors[r]??f(r)}function G(o){let e=o.length;if(e<3)return[...o];let r=Math.max(1,Math.floor(e/5));return o.map((n,t)=>{let a=Math.min(t,e-1-t),l=g(a/r);return{magnitude:n.magnitude*l,speaker:n.speaker}})}var K=[O,F];export{p as EMPTY_ENVELOPE,O as FullWaveform,F as LiveWaveform,K as NODES,T as VOICE_PALETTE,W as WAVEFORM_ALIGNMENTS,L as WAVEFORM_STYLES,w as forSpeaker,m as groupByPaint,c as layOutBars,u as paintBars,s as sampleEnvelope,f as voiceColor};
+//# sourceMappingURL=index.js.map

package/dist/browser/index.js.map

@@ -0,0 +1,7 @@
+{
+  "version": 3,
+  "sources": ["../../src/waveform/full-waveform.ts", "../../src/waveform/live-waveform.ts", "../../src/nodes.ts"],
+  "sourcesContent": ["import {\n  Types,\n  component2d,\n  easeInOut,\n  fillOps,\n  type Fill,\n  type FillResolved,\n  type NodeOf,\n  type RenderContext,\n  // Named so the emitted declaration reaches these through the sdk, not core.\n  type Node2D as _Node2D,\n  type Node2DProps as _Node2DProps,\n} from \"@motionscript/sdk\"\n\nimport { EMPTY_ENVELOPE, sampleEnvelope, type AudioEnvelope } from \"./envelope\"\nimport {\n  clamp01,\n  groupByPaint,\n  layOutBars,\n  paintBars,\n  voiceColor,\n  type WaveformAlignment,\n} from \"./shared\"\n\n/** A paint entry as the waveforms declare theirs: resolved and tweened like a fill, its kind read off the default. */\nconst paint = (initial: string) =>\n  Types.custom<Fill, FillResolved[]>(initial, { resolve: fillOps.resolve, lerp: fillOps.lerp })\n\n/**\n * A **waveform overview**: the whole recording's shape, drawn at once.\n *\n * The picture every audio editor opens with, and the one a podcast clip puts\n * under its caption — a static silhouette of the file, with a played portion\n * that advances. It answers \"how long is this and where are the loud parts\",\n * which is a question about the *file*, not about the moment; its sibling\n * {@link LiveWaveform} answers the other one.\n *\n * ## Progress is authored, not assumed\n *\n * `follow` is off by default, and that default is the considered one. A\n * scene has no idea where the recording it is drawing sits on the video's audio\n * lane — a clip is placed, trimmed and sped up out there, and none of that is\n * visible from in here. So the honest default is that the fill is *animation*:\n * the author sweeps it with a command, the same as any other tween, and it lands\n * wherever they put it. `follow` is the shortcut for the common arrangement\n * where the node appears exactly as the track starts, and it says so by being a\n * switch someone has to turn on rather than a behaviour that quietly disagrees\n * with the mix.\n *\n * ## Voices instead of progress\n *\n * With `byVoice` on, the played/ahead split is replaced by one colour per\n * speaking voice, at a size you can read. For a two-hander it is a map of the conversation: who has the\n * floor, where the turns are, how long each one ran. It replaces the progress\n * colours rather than combining with them, because a bar cannot mean two things\n * at once and \"played, and also Grace\" is a legend nobody can hold in their\n * head.\n */\nexport const FullWaveform = component2d({\n  key: \"fullWaveform\",\n  state: {\n    /** The baked recording. See {@link AudioEnvelope} for why it is baked. */\n    envelope: Types.custom<AudioEnvelope>(EMPTY_ENVELOPE),\n    /** How many columns the whole file is drawn as. */\n    bars: 120,\n    /** Space between bars, as a fraction of the pitch. See {@link layOutBars}. */\n    gap: 0.3,\n    /** Corner radius of a bar, capped at half its width. */\n    radius: 2,\n    /** How much of the file reads as played, `0`–`1`. Tweenable. */\n    progress: 0,\n    /** Drive `progress` from the node's own clock instead of the prop. */\n    follow: false,\n    /** Multiplies every magnitude — a quiet track pulled up to fill its box. */\n    gain: 1,\n    /** How much of the box a silent bar still occupies, `0`–`1`. */\n    floor: 0.015,\n    align: Types.custom<WaveformAlignment>(\"center\"),\n    /** Colour each voice's turns rather than splitting on played / not played. */\n    byVoice: false,\n    /** A colour per voice index. Short or empty falls back to the palette. */\n    voiceColors: Types.custom<string[]>([]),\n    /** The bars ahead of the playhead. */\n    fill: paint(\"#5b5b7a\"),\n    /** …and the bars behind it. */\n    playedFill: paint(\"#6366f1\"),\n  },\n  // Nothing declares a component's paints but itself: `fill` and `playedFill` both.\n  load: (loader, state) => {\n    loader.fill(state.fill)\n    loader.fill(state.playedFill)\n  },\n  commands: {\n    /**\n     * Fill the waveform in, left to right — the node's one command, since\n     * everything else about it is expressible as an ordinary `to`. Eased in-out\n     * unless it is given an easing of its own.\n     */\n    sweep: (timeline, state) => {\n      const ease = timeline.easing ? null : easeInOut()\n      const from = state.progress\n      return timeline.animate((t) => ({ progress: from + (1 - from) * (ease ? ease(t) : t) }))\n    },\n  },\n  render: (ctx, state) => {\n    drawBars(ctx, state)\n    ctx.children()\n  },\n})\n\nexport type FullWaveform = NodeOf<typeof FullWaveform>\nexport type FullWaveformProps = NonNullable<Parameters<typeof FullWaveform>[0]>\n\ninterface FullState {\n  readonly envelope: AudioEnvelope\n  readonly bars: number\n  readonly gap: number\n  readonly radius: number\n  readonly progress: number\n  readonly follow: boolean\n  readonly gain: number\n  readonly floor: number\n  readonly align: WaveformAlignment\n  readonly byVoice: boolean\n  readonly voiceColors: string[]\n  readonly fill: FillResolved[]\n  readonly playedFill: FillResolved[]\n}\n\nfunction drawBars(ctx: RenderContext, s: FullState): void {\n  const { width, height } = ctx.size\n  if (width <= 0 || height <= 0) return\n\n  const count = Math.max(1, Math.round(s.bars))\n  const sampled = sampleEnvelope(s.envelope, 0, s.envelope.duration, count)\n  const boxes = layOutBars(sampled, {\n    width,\n    height,\n    gap: s.gap,\n    align: s.align,\n    gain: s.gain,\n    floor: s.floor,\n  })\n  if (boxes.length === 0) return\n\n  // One draw per colour rather than per bar — see {@link paintBars}. The key\n  // is a string because it has to be comparable; the paint it stands for is\n  // resolved after the grouping.\n  const edge = played(ctx, s) * boxes.length\n  const groups = groupByPaint(boxes, (i) =>\n    s.byVoice\n      ? `voice:${sampled[i].speaker}`\n      : i < edge\n        ? \"played\"\n        : \"ahead\"\n  )\n\n  for (const [key, run] of groups) {\n    const graphics = paintBars(run, paintFor(s, key), s.radius)\n    if (graphics) ctx.draw(graphics)\n  }\n}\n\n/** Where the fill has reached, from whichever source is in charge. */\nfunction played(ctx: RenderContext, s: FullState): number {\n  if (!s.follow) return clamp01(s.progress)\n  const length = s.envelope.duration\n  if (length <= 0) return 0\n  return clamp01(ctx.time.elapsed / length)\n}\n\n/**\n * The paint a group takes.\n *\n * A voice's colour is a **colour string**, never one of the node's two fill\n * props, and that is deliberate: a voice is identified by hue, so a gradient\n * or an image there would defeat the only thing the colour is for. It also\n * means these paints declare no assets, which is why `load` only has to account\n * for the two real fill props.\n */\nfunction paintFor(s: FullState, key: string): Fill {\n  if (key === \"played\") return s.playedFill\n  if (key === \"ahead\") return s.fill\n\n  const voice = Number(key.slice(\"voice:\".length))\n  if (!Number.isFinite(voice) || voice < 0) return s.fill\n  return s.voiceColors[voice] ?? voiceColor(voice)\n}\n", "import {\n  Types,\n  component2d,\n  fillOps,\n  type Fill,\n  type FillResolved,\n  type NodeOf,\n  type RenderContext,\n  // Named so the emitted declaration reaches these through the sdk, not core.\n  type Node2D as _Node2D,\n  type Node2DProps as _Node2DProps,\n} from \"@motionscript/sdk\"\n\nimport {\n  EMPTY_ENVELOPE,\n  forSpeaker,\n  sampleEnvelope,\n  type AudioEnvelope,\n  type EnvelopeBar,\n} from \"./envelope\"\nimport {\n  clamp01,\n  groupByPaint,\n  layOutBars,\n  livePaintKey,\n  paintBars,\n  voiceColor,\n  type WaveformAlignment,\n  type WaveformStyle,\n} from \"./shared\"\n\n/**\n * A **live audio visualiser**: bars that move with the recording as it plays.\n *\n * The thing every podcast-to-video tool puts beside the artwork. It is not a\n * picture of the file — that is {@link FullWaveform} — it is a picture of *this\n * moment*, and what it is for is making a static frame of a talking head feel\n * like it is playing.\n *\n * ## \"Live\" without listening\n *\n * Nothing here reads an audio device. The bars are sampled out of a baked\n * envelope at the node's own elapsed time, which is what makes the visualiser\n * survive the thing it exists for: an **export**, where there is no playback to\n * analyse and frames may be rendered out of order or in parallel. A frame is a\n * pure function of its time, so scrubbing back and forth over the visualiser\n * redraws exactly what it drew the first time — which an analyser node, by\n * construction, cannot promise. See {@link AudioEnvelope}.\n *\n * ## The speaker filter\n *\n * `speaker` narrows the node to one voice of a diarized recording, and it\n * is the reason this node knows about transcripts at all. Two visualisers beside\n * two headshots, each filtered to its own host, is a podcast edit that would\n * otherwise be done by hand for every turn — and because the filter *silences*\n * rather than skips (see {@link forSpeaker}), the quiet host visibly stops\n * talking instead of vanishing. Nothing about that requires the words: only who\n * is talking when, which is what the diarizer produces.\n *\n * A filter naming a voice the recording doesn't have draws a resting row rather\n * than everything — a picture of \"this person never speaks here\", which is\n * true, where falling back to the unfiltered mix would be a silent lie about\n * whose voice you were watching.\n */\nexport const LiveWaveform = component2d({\n  key: \"liveWaveform\",\n  state: {\n    /** The baked recording. See {@link AudioEnvelope} for why it is baked. */\n    envelope: Types.custom<AudioEnvelope>(EMPTY_ENVELOPE),\n    /** How many bars the visualiser is made of. */\n    bars: 48,\n    /** Space between bars, as a fraction of the pitch. */\n    gap: 0.35,\n    radius: 4,\n    /** How many seconds of audio are on screen at once. */\n    window: 3,\n    /** Seconds into the file the node's first frame shows. */\n    offset: 0,\n    /** Advance with the scene clock. Off freezes the picture at `offset`. */\n    playing: true,\n    /** Multiplies every magnitude before it is clamped. */\n    gain: 1.4,\n    /** How much of the box a silent bar still occupies, `0`–`1`. */\n    floor: 0.04,\n    align: Types.custom<WaveformAlignment>(\"center\"),\n    style: Types.custom<WaveformStyle>(\"bars\"),\n    /**\n     * Show only this voice's activity, by index into the recording's own\n     * numbering. `-1` — the default — is every voice.\n     */\n    speaker: -1,\n    /** Colour each bar by whoever is speaking in it. */\n    byVoice: false,\n    /** A colour per voice index. Short or empty falls back to the palette. */\n    voiceColors: Types.custom<string[]>([]),\n    fill: Types.custom<Fill, FillResolved[]>(\"#6366f1\", { resolve: fillOps.resolve, lerp: fillOps.lerp }),\n  },\n  // Nothing declares a component's paints but itself.\n  load: (loader, state) => loader.fill(state.fill),\n  render: (ctx, state) => {\n    drawBars(ctx, state)\n    ctx.children()\n  },\n})\n\nexport type LiveWaveform = NodeOf<typeof LiveWaveform>\nexport type LiveWaveformProps = NonNullable<Parameters<typeof LiveWaveform>[0]>\n\ninterface LiveState {\n  readonly envelope: AudioEnvelope\n  readonly bars: number\n  readonly gap: number\n  readonly radius: number\n  readonly window: number\n  readonly offset: number\n  readonly playing: boolean\n  readonly gain: number\n  readonly floor: number\n  readonly align: WaveformAlignment\n  readonly style: WaveformStyle\n  readonly speaker: number\n  readonly byVoice: boolean\n  readonly voiceColors: string[]\n  readonly fill: FillResolved[]\n}\n\n/**\n * The second of the recording the visualiser is showing.\n *\n * Off the node's own clock rather than the scene's, which is what \"from the\n * moment this node appeared\" means — the same clock the engine's own\n * `Video` times its picture from, and the same one that makes a node dropped\n * halfway through a clip start its recording at its entrance rather than\n * partway in.\n */\nfunction at(ctx: RenderContext, s: LiveState): number {\n  return s.offset + (s.playing ? Math.max(0, ctx.time.elapsed) : 0)\n}\n\nfunction drawBars(ctx: RenderContext, s: LiveState): void {\n  const { width, height } = ctx.size\n  if (width <= 0 || height <= 0) return\n\n  const count = Math.max(1, Math.round(s.bars))\n  const span = Math.max(0.05, s.window)\n  const now = at(ctx, s)\n  const voice = s.speaker < 0 ? null : Math.round(s.speaker)\n\n  // The window is centred on the playhead, so the bars run *toward* the\n  // middle and away again — the arrangement every mixer's meter uses, and the\n  // one that reads as sound arriving rather than as a strip scrolling past.\n  const sampled = forSpeaker(\n    sampleEnvelope(s.envelope, now - span / 2, now + span / 2, count),\n    voice\n  )\n\n  const shaped = s.style === \"line\" ? taper(sampled) : sampled\n  const boxes = layOutBars(shaped, {\n    width,\n    height,\n    gap: s.style === \"blocks\" ? 0.12 : s.gap,\n    align: s.align,\n    gain: s.gain,\n    floor: s.floor,\n  })\n  if (boxes.length === 0) return\n\n  const groups = groupByPaint(boxes, (i) =>\n    livePaintKey(shaped[i].speaker, s.byVoice, voice)\n  )\n\n  for (const [key, run] of groups) {\n    const graphics = paintBars(run, paintFor(s, key), s.radius)\n    if (graphics) ctx.draw(graphics)\n  }\n}\n\n/** See `FullWaveform`'s paints — a voice is a hue, never a gradient. */\nfunction paintFor(s: LiveState, key: string): Fill {\n  if (key === \"all\") return s.fill\n  const voice = Number(key.slice(\"voice:\".length))\n  if (!Number.isFinite(voice) || voice < 0) return s.fill\n  return s.voiceColors[voice] ?? voiceColor(voice)\n}\n\n/**\n * Rolls the ends of a window off toward silence.\n *\n * What separates the `line` style from `bars`: a hard-edged window makes the\n * loud bar entering at the right edge appear from nothing, which reads as a\n * glitch rather than as sound arriving. Fading the outer fifth turns the same\n * data into a shape that grows out of the baseline — the profile a spectrum\n * display has, and the reason it looks like one object rather than a row of\n * separate meters.\n */\nfunction taper(bars: readonly EnvelopeBar[]): EnvelopeBar[] {\n  const count = bars.length\n  if (count < 3) return [...bars]\n  const edge = Math.max(1, Math.floor(count / 5))\n\n  return bars.map((bar, i) => {\n    const fromEnd = Math.min(i, count - 1 - i)\n    const weight = clamp01(fromEnd / edge)\n    return { magnitude: bar.magnitude * weight, speaker: bar.speaker }\n  })\n}\n", "import { FullWaveform } from \"./waveform/full-waveform\";\nimport { LiveWaveform } from \"./waveform/live-waveform\";\n\n/**\n * Every node type this package publishes.\n *\n * A host registers these by handing the array to an engine —\n * `new Engine(platform, { nodes: NODES })` — which reads each component's key.\n * Defining a component only *declares* that key: nothing is registered by\n * importing a module, so a registry holds exactly what its owner asked for.\n *\n * Listing the component **values** is also what survives bundling: this package\n * declares `sideEffects: false`, and a document names a node type by string, so\n * an import kept only for its side effect is exactly what gets shaken out.\n */\n// Typed by name, so the declaration names each component rather than spelling out its type through core.\nexport const NODES: (typeof FullWaveform | typeof LiveWaveform)[] = [FullWaveform, LiveWaveform];\n"],
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+  "names": ["Types", "component2d", "easeInOut", "fillOps", "paint", "initial", "Types", "fillOps", "FullWaveform", "component2d", "EMPTY_ENVELOPE", "loader", "state", "timeline", "ease", "easeInOut", "from", "ctx", "drawBars", "s", "width", "height", "count", "sampled", "sampleEnvelope", "boxes", "layOutBars", "edge", "played", "groups", "groupByPaint", "key", "run", "graphics", "paintBars", "paintFor", "clamp01", "length", "voice", "voiceColor", "Types", "component2d", "fillOps", "LiveWaveform", "component2d", "Types", "EMPTY_ENVELOPE", "fillOps", "loader", "state", "ctx", "drawBars", "at", "s", "width", "height", "count", "span", "now", "voice", "sampled", "forSpeaker", "sampleEnvelope", "shaped", "taper", "boxes", "layOutBars", "groups", "groupByPaint", "i", "livePaintKey", "key", "run", "graphics", "paintBars", "paintFor", "voiceColor", "bars", "edge", "bar", "fromEnd", "weight", "clamp01", "NODES", "FullWaveform", "LiveWaveform"]
+}

package/dist/browser/kit.js

@@ -0,0 +1,2 @@
+import{a as E,b as e,c as o,d as r,e as a,f as p,g as l,h as t,i,j as O,k as P,l as T}from"./chunks/chunk-DD3KHRUL.js";export{E as EMPTY_ENVELOPE,p as VOICE_PALETTE,r as WAVEFORM_ALIGNMENTS,a as WAVEFORM_STYLES,P as clamp01,o as forSpeaker,O as groupByPaint,t as layOutBars,T as livePaintKey,i as paintBars,e as sampleEnvelope,l as voiceColor};
+//# sourceMappingURL=kit.js.map

package/dist/browser/kit.js.map

@@ -0,0 +1,7 @@
+{
+  "version": 3,
+  "sources": [],
+  "sourcesContent": [],
+  "mappings": "",
+  "names": []
+}

package/dist/browser/manifest.json

@@ -0,0 +1,13 @@
+{
+  "name": "@motionscript/audio",
+  "version": "0.1.0-alpha.9",
+  "exports": {
+    ".": "dist/browser/index.js",
+    "./kit": "dist/browser/kit.js"
+  },
+  "peers": [
+    "@motionscript/sdk"
+  ],
+  "assets": {},
+  "thirdParty": []
+}

package/dist/index.d.ts

@@ -0,0 +1,3 @@
+export * from "./waveform/index.js";
+export { NODES } from "./nodes.js";
+//# sourceMappingURL=index.d.ts.map

package/dist/index.d.ts.map

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package/dist/index.js

@@ -0,0 +1,3 @@
+export * from "./waveform/index.js";
+export { NODES } from "./nodes.js";
+//# sourceMappingURL=index.js.map

package/dist/index.js.map

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package/dist/kit.d.ts

@@ -0,0 +1,13 @@
+/**
+ * What the two waveform nodes share, importable without copying it.
+ *
+ * A registry item copies `envelope.ts` and `shared.ts` beside its node: they
+ * hold no class and no registered state, so a fork owning its own copy splits
+ * no identity. This is the same surface for a host that samples envelopes or
+ * lays bars out itself, and for a fork that keeps only its node file.
+ */
+export { EMPTY_ENVELOPE, forSpeaker, sampleEnvelope } from "./waveform/envelope.js";
+export type { AudioEnvelope, EnvelopeBar } from "./waveform/envelope.js";
+export { VOICE_PALETTE, WAVEFORM_ALIGNMENTS, WAVEFORM_STYLES, clamp01, groupByPaint, layOutBars, livePaintKey, paintBars, voiceColor, } from "./waveform/shared.js";
+export type { BarBox, WaveformAlignment, WaveformStyle } from "./waveform/shared.js";
+//# sourceMappingURL=kit.d.ts.map

package/dist/kit.d.ts.map

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package/dist/kit.js

@@ -0,0 +1,11 @@
+/**
+ * What the two waveform nodes share, importable without copying it.
+ *
+ * A registry item copies `envelope.ts` and `shared.ts` beside its node: they
+ * hold no class and no registered state, so a fork owning its own copy splits
+ * no identity. This is the same surface for a host that samples envelopes or
+ * lays bars out itself, and for a fork that keeps only its node file.
+ */
+export { EMPTY_ENVELOPE, forSpeaker, sampleEnvelope } from "./waveform/envelope.js";
+export { VOICE_PALETTE, WAVEFORM_ALIGNMENTS, WAVEFORM_STYLES, clamp01, groupByPaint, layOutBars, livePaintKey, paintBars, voiceColor, } from "./waveform/shared.js";
+//# sourceMappingURL=kit.js.map