@mkbabb/glass-ui 3.11.2 → 3.13.0

package/dist/styles/tokens/glass.css

@@ -0,0 +1,440 @@
+/* tokens/glass.css
+   §8 glassmorphism — the five-tier surface ladder (bg/blur/border/shadow rungs + the glass-level + tint axes).
+   Carved from the tokens.css cascade root; @import-ed by tokens.css in
+   cascade order. Same :root cascade context as its siblings. */
+:root {
+    /* ═══════════════════════════════════════════════
+       §8  GLASSMORPHISM — Five-tier surface ladder (v0.8.0)
+
+       Tier semantics, alpha-monotonic:
+         wash      ~0.30α  + light blur      (was `subtle`)
+         quiet     ~0.50α  + medium blur     (the formerly missing rung)
+         resting   ~0.65α  + canonical blur  (was `default`; the speedtest plate)
+         floating  ~0.80α  + heavier blur    (was `elevated`)
+         overlay   ~0.95α  + heaviest blur   (NEW; modal-over-modal)
+
+       v0.8.0 retires the four-tier `subtle | default | medium | elevated`
+       ladder outright. No legacy aliases. Consumers migrate at the same
+       breaking change. R3-spec §A.
+       ═══════════════════════════════════════════════ */
+
+    /* Opacity primitives */
+    --glass-opacity-wash:     0.30;
+    --glass-opacity-quiet:    0.50;
+    --glass-opacity-resting:  0.65;
+    --glass-opacity-floating: 0.80;
+    --glass-opacity-overlay:  0.95;
+
+    /* Blur primitives. The radii here feather the dock + meter card to a
+       barely-perceptible diffusion that lets the substrate behind it bleed
+       through cleanly while keeping hero typography crisp at meter scale.
+       The resting blur sits at 12px so a glass plate reads as a diffusion
+       without consumer-side override. */
+    --glass-blur-wash-radius:     1px;
+    --glass-blur-quiet-radius:    10px;
+    --glass-blur-resting-radius:  12px;
+    --glass-blur-floating-radius: 16px;
+    /* AV.W7 F2 — clamped from 24px into the 8–15px budget band. A blur radius
+       past ~20px is exponentially costlier (`backdrop-filter` is glass-ui's most
+       expensive idiom — the radius is the dominant cost). 15px is the band
+       ceiling; the lower rungs (wash/quiet/resting 1/10/12) sit in-band and the
+       floating 16px is the design ceiling at the band edge (left as-is). A
+       high-resolution display restores the richer 24px wash via the @media arm
+       below — the cost is amortised by the extra device pixels. */
+    --glass-blur-overlay-radius:  15px;
+    /* Dock blur radius — 11px, paired with the 0.42 opacity below: a crisp
+       glass pill (the iOS Control Center register), not a feathered wash.
+       The dock composes `blur()` only (no saturate); the
+       `prefers-reduced-transparency` bracket at glass.css maps it to the
+       opacity-only register. */
+    --glass-blur-dock-radius:     11px;
+
+    /* AX.W54 — each blur radius is scaled by the ONE `--glass-level` scalar (in
+       lockstep with the opacity seam above): level=1 byte-identical; level=0 →
+       blur(0) (the clean solid floor with the opacity); level>1 → more diffusion.
+       The per-rung `saturate()`/`brightness()` companions are UNTOUCHED (the level
+       scales the RADIUS, not the saturation — W52's calm light-concentration). */
+    --glass-blur-wash:     blur(calc(var(--glass-blur-wash-radius) * var(--glass-level))) saturate(1.05);
+    /* AV.W15 M1 — the `quiet` rung gained `saturate(1.05) brightness(1.02)`
+       so the lower ladder reads with the same saturation life as `resting`+
+       (Apple: Liquid Glass concentrates light, it does not desaturate). The
+       `brightness(1.02)` is the small lift the spec names — it lands `quiet`
+       between bare `wash` and `resting` without over-brightening the rung.
+       The `prefers-reduced-transparency: reduce` bracket at glass.css maps
+       `--glass-blur-quiet: none`, so this whole chain drops with the blur. */
+    --glass-blur-quiet:    blur(calc(var(--glass-blur-quiet-radius) * var(--glass-level))) saturate(1.05) brightness(1.02);
+    --glass-blur-resting:  blur(calc(var(--glass-blur-resting-radius) * var(--glass-level))) saturate(1.05);
+    /* AX.W52 D19 — the floating/overlay backdrop saturate tamed from 1.4/1.5 to a
+       gentle ~1.18/1.2 (real liquid glass concentrates light ~1.1–1.2×; the prior
+       1.4–1.5× over-juiced the bleed-through into a garish smear over a colored
+       substrate). wash/quiet/resting already sit at 1.05 — untouched. */
+    --glass-blur-floating: blur(calc(var(--glass-blur-floating-radius) * var(--glass-level))) saturate(1.18);
+    --glass-blur-overlay:  blur(calc(var(--glass-blur-overlay-radius) * var(--glass-level))) saturate(1.2);
+    /* Dock blur composes blur() only — no saturate. */
+    --glass-blur-dock:     blur(calc(var(--glass-blur-dock-radius) * var(--glass-level)));
+
+    /* AX.W52 — the GLASS BUTTON blur. The `glass`/`glass-wash` button variants
+       compose the `.glass-wash` tier (`--glass-blur-wash` = blur(1px)) — a
+       sub-perceptual diffusion authored for a small detail TILE, not a button
+       the user reads as "glass." A button is a hero control: it wants a real
+       glass blur. `--glass-blur-btn` lifts the variant onto the `quiet`-tier
+       radius (10px — a genuine liquid-glass diffusion) with the same gentle
+       `saturate(1.05) brightness(1.02)` light-concentration the quiet rung
+       carries (NOT a colour-juice). The wash TILE tier (MetricCell et al.) keeps
+       its 1px — only the glass BUTTON variants reach for this. */
+    --glass-blur-btn:      blur(calc(var(--glass-blur-quiet-radius) * var(--glass-level))) saturate(1.05) brightness(1.02);
+
+    /* Dock-specific opacity (0.42) — lighter than `resting` (0.65) so the dock
+       reads as a translucent overlay rather than a panel, backdrop bleed
+       visible through it. Consumed by `.glass-dock` via `--glass-bg-dock`. The
+       value holds the surface register against the tightened 11px blur so the
+       dock reads as painted chrome, not a frosted ghost. */
+    --glass-opacity-dock: 0.42;
+
+    /* Dock foreground over an animated backdrop. A dock floating over an
+       aurora/animated surface (`value.js` dock-over-aurora, a slides routed
+       control, bbnf) sits on a mid-luminance, shifting field where the muted
+       default fg can drop below contrast. This token is the dock control's
+       foreground base — a complete `hsl()` color consumed via `var()`; for the
+       muted icon weight the control mixes it down with `--opacity-icon-muted`.
+       Defaults to `var(--foreground)` so the dock paints byte-identically to
+       today; a consumer overrides it per-backdrop (e.g. a near-white over a
+       dark aurora) without touching library source.
+
+       AX.W55 — this is the FOREGROUND half of the adaptive story, now reconciled
+       INTO the `--glass-backdrop` probe (not a third fork): under the bright bucket
+       (`@container style(--glass-backdrop: light)` in dock.css) it re-points toward
+       the contrast-clearing ink, and an `@supports (color: contrast-color(…))`
+       block flips it natively on supporting engines. The `var(--foreground)`
+       default keeps the zero-delta rest state. */
+    --dock-fg-on-aurora: var(--foreground);
+
+    /* Chassis-specific opacity. Looser than `default` (0.50) so the
+       <InstrumentChassis> surface reads as glass-over-aurora at its
+       64rem-wide footprint; the default tier stays calibrated for cards.
+       Mirrors the dock-tier pattern (own opacity primitive + composed bg).
+       Light 0.28 sits in the gap between dock (0.32) and a hypothetical
+       wash tier; dark 0.36 mirrors the +0.08 step the dock takes from
+       `glass-bg-medium` (0.65) down to its own 0.32. */
+    --glass-opacity-chassis: 0.28;
+
+    /* Composed backgrounds — AX.W54: the opacity is threaded through the ONE
+       `--glass-level` clarity scalar. Each rung's effective alpha is
+       `1 - (1 - <rung-opacity>) * --glass-level`: at level=1 it collapses to the
+       hand-tuned `<rung-opacity>` (byte-identical); at level=0 it resolves `1`
+       (solid `--card` — the opaque escape); at level>1 it goes clearer. ONE
+       expression, the same seven rungs. */
+    --glass-bg-wash:     color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-wash)) * var(--glass-level)) * 100%), transparent);
+    --glass-bg-quiet:    color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-quiet)) * var(--glass-level)) * 100%), transparent);
+    --glass-bg-resting:  color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-resting)) * var(--glass-level)) * 100%), transparent);
+    --glass-bg-floating: color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-floating)) * var(--glass-level)) * 100%), transparent);
+    --glass-bg-overlay:  color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-overlay)) * var(--glass-level)) * 100%), transparent);
+    /* The dock bg ALSO rides the oklab tint seam (AX.W54 amendment): the same
+       `color-mix(in oklab, …, --glass-tint-source --glass-tint-strength)` wrapper
+       the rungs reach for, ZERO-delta at `--glass-tint-strength: 0%` — so W55's
+       adaptive darken can reach the dock (the G2 over-light surface) without a
+       second hand-rolled recipe. */
+    --glass-bg-dock:     color-mix(in oklab, color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-dock)) * var(--glass-level)) * 100%), transparent), var(--glass-tint-source) var(--glass-tint-strength));
+    --glass-bg-chassis:  color-mix(in srgb, var(--card) calc((1 - (1 - var(--glass-opacity-chassis)) * var(--glass-level)) * 100%), transparent);
+
+    /* Composed borders — foreground-tinted */
+    --glass-border-wash:     color-mix(in srgb, var(--foreground) 8%, transparent);
+    --glass-border-quiet:    color-mix(in srgb, var(--foreground) 10%, transparent);
+    --glass-border-resting:  color-mix(in srgb, var(--foreground) 12%, transparent);
+    --glass-border-floating: color-mix(in srgb, var(--foreground) 15%, transparent);
+    --glass-border-overlay:  color-mix(in srgb, var(--foreground) 18%, transparent);
+    --glass-border-dock:     color-mix(in srgb, var(--foreground) 11%, transparent);
+    --glass-border:          var(--glass-border-quiet);
+    --glass-border-strong:   var(--glass-border-floating);
+
+    /* Shared decorative. Light grain dropped 0.035 → 0.025 in P.W1.B —
+       at the chassis scale the original alpha read as crawl over the new
+       lower-alpha chassis bg; the grain's role is texture, not reading,
+       so it sits at the perceptual floor. Dark companion drops 0.06 →
+       0.045 below to keep the soft-light blend alive without stippling. */
+    --glass-grain-opacity: 0.025;
+    --glass-grain-opacity-disco: 0.08;
+    --glass-highlight: inset 0 0.5px 0 0 hsl(0 0% 100% / 0.25);
+
+    /* Hairline-accent — 0.5px catch-light + under-shadow pair.
+       Single token composes the canonical 2-stop hairline used by dock,
+       instrument-chassis. The `.hairline-accent` utility
+       (utilities.css §hairline) adopts these via `box-shadow:`. */
+    --hairline-catch-light: inset 0 0.5px 0 0 rgb(255 255 255 / 0.06);
+    --hairline-under-shadow: 0 0.5px 0 0 rgb(0 0 0 / 0.04);
+    --border-hairline: var(--hairline-catch-light), var(--hairline-under-shadow);
+
+    /* Specular catch-light — 1.5px-tall top-edge highlight that swaps in for
+       --glass-highlight on interactive moments (e.g. primary-action hover).
+       Reads as a real catch-light on a curved surface. The `-dark` companion
+       is overridden inside `.dark`; the named token here is the explicit
+       handle consumers can reference to compose dark-aware layers. */
+    --glass-specular: inset 0 1.5px 0 0 hsl(0 0% 100% / 0.45);
+    --glass-specular-dark: inset 0 1.5px 0 0 hsl(0 0% 100% / 0.30);
+
+    /* AV.W15 M3 — Full-perimeter rim light (the "rim that defines the
+       silhouette", WWDC25 sess. 219). Distinct from the top-only
+       `--glass-highlight` (a 0.5px top-edge catch-light): this is a 0.75px
+       inset ring around the WHOLE silhouette, four edges, reading as the
+       catch-light that wraps the glass plate the way iOS-26 Liquid Glass
+       carries a rim, not just a top highlight. Composed as a SECOND inset
+       box-shadow layer alongside `--glass-highlight` on the floating/dock
+       tiers (glass.css wires it). The alpha is deliberately low (0.18 light
+       / 0.10 dark) — the rim is decoration and must not eat AA legibility
+       over a busy backdrop; it sits below the perceptual reading threshold
+       on text. The `-dark` companion is overridden inside `.dark` mirroring
+       the `--glass-specular-dark` precedent. */
+    --glass-edge-light:      inset 0 0 0 0.75px hsl(0 0% 100% / 0.18);
+    --glass-edge-light-dark: inset 0 0 0 0.75px hsl(0 0% 100% / 0.10);
+
+    /* AW.W23 — content-aware adaptive tint (the Baseline-2025 "tint informed by
+       surrounding content" axis, WWDC25 sess. 219). A surface can tint toward a
+       consumer-provided dominant backdrop color via a `color-mix(in oklab, …)`
+       recipe (oklab is the mwg-preferred space for tint generation; NEVER a
+       lightness-shift in `oklch(from …)` — browsers don't gamut-map yet).
+
+       DEFAULT is zero delta: `--glass-tint-source` is the warm-white card itself
+       and `--glass-tint-strength` is 0%, so the rung background mixes 0% toward
+       the source = byte-identical to today. A consumer sets `--glass-tint-source`
+       to a sampled aurora hue + a strength ≤30% to bias the surface. Alpha-safe:
+       the mix is bounded ≤30% and never re-points the card's own alpha.
+
+       AX.W55 — the DEFAULTS stay `var(--card)`/`0%` (the zero-delta rest state).
+       The backdrop-luminance probe (`--glass-backdrop`, below) is what OVERRIDES
+       them under a bright backdrop; the `:root` defaults are NEVER touched — the
+       bucket blocks (glass.css / dock.css `@container style(--glass-backdrop:
+       light)`) do the lift, so a surface over today's rich/dark background reads
+       byte-identical. */
+    --glass-tint-source:   var(--card);
+    --glass-tint-strength: 0%;
+
+    /* AX.W55 — adaptive glass legibility (the iOS-26/27 "locally darken the glass
+       over light content" move; G2). There is NO web API that reads the pixels
+       painted BEHIND a `backdrop-filter` element, so the backdrop-luminance signal
+       is a DECLARATIVE BUCKET a consumer sets where it KNOWS the backdrop is bright
+       (a near-white card surface, a pale aurora bleed, a bright data grid). It is
+       read by the `@container style(--glass-backdrop: light)` blocks on every glass
+       family (the shipped density-cascade mechanism — utilities.css §density) which
+       lift `--glass-tint-strength` toward the AA floor + re-point `--glass-tint-
+       source` to the warm-ink below, mixing the rung TOWARD ink via the EXISTING
+       `color-mix(in oklab)` seam — ZERO new compositing seam.
+
+         --glass-backdrop:      the bucket. `dark` (or unset) = today's zero-delta;
+                                `light` engages the bright-bucket darken. An
+                                INHERITING ident set on any ancestor reaches every
+                                descendant glass surface (the @container read).
+         --glass-backdrop-luma: the numeric escape hatch — a sampled backdrop
+                                relative-luminance (0..1) a heavier JS observer sets
+                                when the declarative bucket is too coarse. The TOKEN
+                                is minted (the cascade reads it if set); the OBSERVER
+                                that sets it stays demo-private until a 2nd consumer
+                                arrives (the no-overfitting bar — the DEFAULT path is
+                                the declarative bucket, not a speculative sampler).
+         --glass-tint-ink:      the LOW-LUMINANCE warm-ink the bright bucket re-points
+                                `--glass-tint-source` to — the warm dark `--foreground`
+                                family (NOT white; a lightener over light content is
+                                exactly the W52-fixed wrong direction). It auto-flips
+                                with `--foreground` (dark-mode it resolves the light
+                                warm ink — but the bright-backdrop case is a light-mode
+                                concern). Overridable like every magnitude here.
+
+       The bright-bucket `--glass-tint-strength` is clamped to a BOUNDED AA-clearing
+       floor — `--glass-tint-strength-aa` (≤24%, the iOS clamp; the lowest value that
+       clears 4.5:1 over synthetic white, capped LOW so the surface STAYS translucent,
+       "let as much content through as possible"). Recorded here as the ceiling the
+       bucket blocks drive to; the live 4.5:1 readback (proof:adaptive-glass π arm)
+       ratifies the exact value. */
+    --glass-backdrop:           dark;
+    --glass-backdrop-luma:      ;
+    --glass-tint-ink:           var(--foreground);
+    /* AZ.W-ADAPTIVE-AUTO Arm 1 — recalibrated 18% → 20%. The bump strengthens the
+       G2 surface-SILHOUETTE darken (ΔL ≈ 0.40 over synthetic white, the plate is
+       distinguishable from a bright page behind) while staying bounded ≤ 24% (the
+       iOS clamp — the surface STAYS translucent, "let content through"). The body
+       register over the engaged plate is the full warm-ink `--foreground` (~10.6:1
+       over white at 20%) — the muted L40 tier is lifted to the full ink by the
+       self-engage rules (it cannot clear 4.5:1 on a translucent darkened plate;
+       darkening moves the plate toward muted's own luminance). The shipped overlay-
+       band engaged appearance re-ratifies at the new floor: `--foreground` reads
+       ~10.6–10.9:1 (within the ~11:1 ratified register — the bump is a silhouette
+       strengthening, not a silent re-tint below AA). The live π readback ratifies. */
+    --glass-tint-strength-aa:   20%;
+
+    /* R5-7 — the VEIL text-plate feather. The `veil-surface` decoration
+       (cards.css) paints a borderless/rimless translucent glass plate as a LOCAL
+       text-legibility surface over a busy backdrop; its `--veil-feather` axis is
+       an OPTIONAL `mask-image` that fades the plate edges into the page (the
+       soft-edged "bleed" the slides deck text plates use). The default is `none`
+       (a clean rectangle); a consumer opts into the feather by pointing
+       `--veil-feather` at this ready-made radial, or any `mask-image` value.
+       The 70%→100% falloff feathers the outer ~30% of the plate; override the
+       token to retune the fade radius library-wide. */
+    --veil-feather-radial: radial-gradient(
+        ellipse 100% 100% at 50% 50%,
+        black 0%,
+        black 70%,
+        transparent 100%
+    );
+
+    /* AW.W23 — chromatic edge dispersion (the "polished glass" rim fringe Apple
+       shows). A warm fringe on one edge + a cool fringe on the other, low-alpha,
+       biased warm-cream/NCSU-red (NOT iOS-blue). Composed OVER the W22 uniform
+       rim under `prefers-reduced-transparency: no-preference`; dropped under
+       `reduce` (it is a transparency garnish). The two directional inset rings
+       read as light refracting through the glass edge. */
+    --glass-fringe-warm: oklch(0.92 0.06 40 / 0.22);
+    --glass-fringe-cool: oklch(0.90 0.05 230 / 0.16);
+    --glass-edge-dispersion:
+        inset 0.75px 0 0 0 var(--glass-fringe-warm),
+        inset -0.75px 0 0 0 var(--glass-fringe-cool);
+
+    /* AX.W52 D19 — the moving-specular gleam radius (glass.css `.glass-material::
+       before`). The ONE knob that BOUNDS the gleam geometry as a percentage of the
+       plate so it can NEVER again become a whole-surface disc (the prior implicit
+       `circle at …` ran its stops to 55–75% of the half-diagonal — a wash on a
+       small tile). 36% reads as a tracked edge glint. Override on `:root` to retune
+       library-wide; a per-surface override clips the gleam tighter/wider. */
+    --glass-specular-size: 36%;
+
+    /* Chassis curvature illusion — a subtle radial gradient at the chassis
+       top centre that lifts the surface without committing to literal 3D.
+       Composed into <InstrumentChassis>'s background stack. AX.W52 D19 — the
+       prior pure-white `hsl(0 0% 100% / 0.06)` reaching `transparent 60%` was a
+       broad top-centre WASH (the #1 fixed-anchor rest-bloom culprit). Re-derived
+       onto the warm-cream house identity (`hsl(40 30% 96%)`, L < 100% so the warm
+       hue survives — mirroring the moving gleam), the alpha routed through the
+       SINGLE overridable `--glass-curvature-intensity` knob (0.02 default, a third
+       of the old 0.06), and the ellipse tightened to `transparent 38%` so it reads
+       as a thin top-edge sheen, not a central wash. */
+    --glass-curvature-intensity: 0.02;
+    --glass-curvature-overlay: radial-gradient(
+        ellipse at 50% -20%,
+        hsl(40 30% 96% / var(--glass-curvature-intensity)),
+        transparent 38%
+    );
+    /* The light-arm dark alias kept on the same warm-cream + token recipe so a
+       non-`.dark` consumer reading `…-overlay-dark` still resolves a softened
+       sheen; the `.dark` block below lowers `--glass-curvature-intensity` so the
+       deep-canvas arm is genuinely softer (the prior byte-identical dark arm read
+       HARDER over the dark canvas). */
+    --glass-curvature-overlay-dark: var(--glass-curvature-overlay);
+
+    /* Chart palette aliases — speedtest et al. read these for phase tinting.
+       Defaults map to viz-basis hues; consumers can override per app. */
+    --chart-ping:     var(--viz-chebyshev);
+    --chart-download: var(--viz-fourier);
+    --chart-upload:   var(--viz-amber);
+    --chart-jitter:   var(--viz-legendre);
+
+    /* O.W6 Lane D — WCAG companion `--chart-{phase}-label` tokens
+       (speedtest AC.W6c.T2 — F1.V-04 closure).
+
+       The canvas-side hues above preserve their saturated brand register
+       (correct against the meter dial); the COMPANION tokens darken to
+       L≈0.40 so phase-label text on `--background` clears the WCAG 2.1
+       AA-body 4.5:1 contrast floor. Mirrors the two-token discipline
+       already established by `--meter-{background-color,track-stroke}`:
+       one token feeds the canvas/visual, the second feeds the label
+       text.
+
+       Light-mode L≈0.40 in OKLCH preserves the hue rotation while
+       dropping luminance enough for body contrast; dark-mode flips to
+       L≈0.85 against the dark canvas. Consumers reach these via
+       `color: var(--chart-ping-label)` (etc.) on label elements ONLY —
+       chart strokes/fills continue to read `--chart-ping`. */
+    --chart-ping-label:     oklch(0.40 0.18 230);
+    --chart-download-label: oklch(0.40 0.20 22);
+    --chart-upload-label:   oklch(0.40 0.16 55);
+    --chart-jitter-label:   oklch(0.40 0.20 305);
+
+    /* O.W6 Lane D — Meter track stroke (speedtest AC.W6c.T3 — F1.V-02
+       closure). Promoted from speedtest's consumer-side declaration so
+       glass-ui owns the canonical light + dark values. The light-mode
+       value reads opaque foreground (composes through canvas
+       `globalAlpha` in consumer renderers; e.g., speedtest's `rings.ts`
+       `globalAlpha = 0.22` lands the phantom-track at the perceptual
+       sweet-spot). The dark-mode companion lives under `.dark` below
+       and ALSO reads `var(--foreground)` — the prior speedtest value
+       `var(--background)` rendered bg-on-bg invisible at dark mode. */
+    --meter-track-stroke: var(--foreground);
+
+    /* Shadow per tier — complete box-shadow lists for glass surface classes */
+    --glass-shadow-wash:     var(--shadow-sm), var(--glass-highlight);
+    --glass-shadow-quiet:    var(--shadow-md), var(--glass-highlight);
+    --glass-shadow-resting:  var(--shadow-lg), var(--glass-highlight);
+    --glass-shadow-floating: var(--shadow-xl),
+        0 0 0 0.5px color-mix(in srgb, var(--shadow-color) 5%, transparent),
+        var(--glass-highlight);
+    --glass-shadow-overlay:  var(--shadow-2xl),
+        0 0 0 0.5px color-mix(in srgb, var(--shadow-color) 8%, transparent),
+        var(--glass-highlight);
+    --glass-shadow:    var(--glass-shadow-quiet);
+    --glass-shadow-lg: var(--glass-shadow-floating);
+
+    /* ─────────────────────────────────────────────────────────────
+       AL-W1-α augmented — SPINE 8th tier (HOUSING register)
+
+       Closes the AK W2 chassis-spine architectural underclaim per
+       AL-X5 §4.1. The spine register is a polished SLEEVE, not glass:
+       NO backdrop-filter, NO plate opacity, hairline outer stroke,
+       interior radial vignette that subtly carries the phase-color
+       cascade. Consumed exclusively by `<InstrumentChassis variant="spine">`
+       at App-level mount paths (quiet-content routes).
+
+       The 4 tokens here cover the minimum viable substrate the SLIM
+       Y4/Y6/Y7 retention set ratified. The 35 rejected axes (saturate
+       band, edge-light per tier, depth-shadow per tier, tier-up macro)
+       stay rejected per the conservative-creation mandate.
+       ───────────────────────────────────────────────────────────── */
+    --glass-spine-opacity: 0;
+    --glass-spine-blur: 0px;
+    --glass-spine-border: var(--surface-tint-8);
+    --glass-spine-vignette: radial-gradient(
+        ellipse at 50% 0%,
+        color-mix(in oklab, var(--phase-color, var(--surface-tint-8)) 8%, transparent),
+        transparent 60%
+    );
+
+    /* ─────────────────────────────────────────────────────────────
+       AL-W10 SLIM — UNDER-SHADOW recipe rungs
+
+       Per AL-X5 §4 + Y7 §3. iOS Liquid Glass surfaces carry a 0.5px
+       dark hairline along the bottom edge (reads as under-shadow /
+       glass thickness). The substrate `--hairline-under-shadow`
+       already publishes one quiet rung; the four-rung ladder here
+       names the SLIM retention set (Y4 §3.2 / Y6 §4.3) — `quiet`,
+       `default`, `vivid`, `spine` cover the consumer landings without
+       multiplying tokens per tier. The 3 hand-rolled literals at
+       `instrument-chassis.css:52`, `dock.css:279`, `dock.css:952`
+       retire to these.
+
+       Composes as a NON-INSET box-shadow layer alongside the existing
+       `--glass-shadow-*` recipe (the inset under-shadow stays at the
+       hand-rolled literal where it's load-bearing on chassis-internal
+       surfaces).
+       ───────────────────────────────────────────────────────────── */
+    --glass-under-shadow-quiet:   0 2px 8px -1px oklch(0 0 0 / 0.04);
+    --glass-under-shadow-default: 0 4px 16px -2px oklch(0 0 0 / 0.08);
+    --glass-under-shadow-vivid:   0 8px 32px -4px oklch(0 0 0 / 0.12);
+    --glass-under-shadow-spine:   0 1px 0 0 oklch(0 0 0 / 0.06);
+
+    /* Overlay scrim rungs — substrate-aware modal/dialog backdrop tints.
+       Three weights cover the deployed range: dialog-scroll (subtle),
+       canonical modal (default), drawer/full-cover (strong).
+
+       AY.W-PRIM-POLISH D3 — the scrim is its OWN identity token, NOT derived
+       from `--shadow-color`. A scrim's role is to RECEDE: it must pin to INK in
+       BOTH modes. The cartoon-shadow family rides `--shadow-color: var(--foreground)`
+       (correct — a shadow re-tints under `.dark` by construction), but a scrim
+       that does the same FLOODS the dark room with a cream fog (the old dark
+       overlay painted `srgb(0.91… / 0.5)`, a near-white wash that BRIGHTENED the
+       page at the modal moment). `--overlay-scrim-ink` is a fixed warm near-black
+       (the light-mode `--foreground` value), re-resolved verbatim in `.dark` so
+       the scrim recedes in both modes. Clean break, no alias (no-backwards-compat).
+       The `--shadow-color` / `--shadow-cartoon-*` family is UNTOUCHED. */
+    --overlay-scrim-ink:     hsl(24 10% 10%);
+    --overlay-scrim:         color-mix(in srgb, var(--overlay-scrim-ink) 50%, transparent);
+    --overlay-scrim-strong:  color-mix(in srgb, var(--overlay-scrim-ink) 80%, transparent);
+    --overlay-scrim-subtle:  color-mix(in srgb, var(--overlay-scrim-ink) 40%, transparent);
+
+}

package/dist/styles/tokens/light-dark.css

@@ -0,0 +1,158 @@
+/* tokens/light-dark.css
+   §-1a coarse-pointer comfort + §-1b light-dark() color architecture — the @media (pointer:coarse) / @media (min-resolution) / @supports (light-dark()) overrides. After the master token partials (overrides them).
+   Carved from the tokens.css cascade root; @import-ed by tokens.css in
+   cascade order. Same :root cascade context as its siblings. */
+
+/* AX.W51 D18 — the GLOBAL coarse-pointer comfort amplification. The WHOLE library
+   — buttons, inputs, badges, toggles, the dock (a specialization that reads
+   `--ui-scale`) — grows ~1.5× on touch from this ONE place, the W45 dock-only 1.5×
+   lifted to the master scalar so the touch scale is CONSISTENT across the library
+   (at HEAD the dock grew but the buttons did not — the three-scale split). The
+   WCAG-2.5.5 44px touch floor is enforced HERE too: `--control-floor` lifts to
+   `--touch-target`, so every scaled control-height `max(scaled, floor)` clamps at
+   ≥ 44px regardless of the scalar (a consumer dialing `--ui-scale` below 1 still
+   cannot drop a control under the target). Fine-pointer is byte-identical
+   (`--ui-scale` stays 1). `--ui-coarse-scale` is the public default a consumer
+   retunes. */
+@media (pointer: coarse) {
+    :root {
+        --ui-scale: var(--ui-coarse-scale, 1.5);
+        --control-floor: var(--touch-target, 2.75rem);
+    }
+}
+
+/* AV.W7 F2 — high-resolution overlay-blur restore. On a 2dppx+ display the
+   richer 24px overlay wash is amortised by the extra device pixels (the blur
+   samples a denser backing store), so the design ceiling is restored where it
+   is affordable. Standard-density displays keep the 15px budget radius set in
+   §-1a `:root`. Token-only override — every overlay surface that reads
+   `--glass-blur-overlay-radius` inherits the restored value automatically. */
+@media (min-resolution: 2dppx) {
+    :root {
+        --glass-blur-overlay-radius: 24px;
+    }
+}
+
+/* ═══════════════════════════════════════════════
+   §-1b  LIGHT-DARK() COLOR ARCHITECTURE (AQ.W2 §2)
+
+   Every PAIRED color token (a token whose `:root` and `.dark` values are
+   BOTH a <color> and differ) folds onto one `light-dark(light, dark)`
+   declaration, keyed off the element's `color-scheme` (§-1). This is the
+   single-source-of-truth collapse of the `.dark` mirror AND the dynamism
+   win: an unregistered custom property holding a `light-dark()` expression
+   re-resolves under a descendant `color-scheme` override (a `.dark`
+   code-block embedded in a light page, or vice-versa).
+
+   DISCIPLINE (§2b — BINDING): these tokens MUST stay UNREGISTERED (no
+   `@property … syntax:"<color>"`). A registered <color> would resolve ONCE
+   at the declaring element and inherit the RESOLVED color, freezing the
+   descendant re-resolution. glass-ui's only `@property` registrations (§18)
+   are non-color (percentage/length), so the discipline holds — W2 adds NO
+   color `@property`.
+
+   The semantic `var()`-aliases (`--background`, `--muted`, `--border`,
+   `--secondary`, `--accent`, `--card-foreground`, …) do NOT appear here:
+   they point at the SAME source name in both modes and auto-track once the
+   `--neutral-*` ladder + `--foreground` resolve via `light-dark()`. Their
+   redundant `.dark` re-declarations DELETE below.
+
+   FALLBACK (§2c): this whole block is `@supports`-gated, so an engine
+   WITHOUT `light-dark()` skips it and the retained `.dark` class block (the
+   SOLE fallback floor) drives dark exactly as at HEAD. `light-dark()` is the
+   enhancement OVER the class — not a parallel alias. Baseline Newly
+   Available; the fallback floor is the pre-existing class block (net-zero
+   new fallback LOC).
+   ═══════════════════════════════════════════════ */
+@supports (color: light-dark(white, black)) {
+    :root {
+        /* Neutral ladder — the source the var()-aliases track */
+        --neutral-0: light-dark(hsl(48 12% 98%), hsl(24 8% 6%));
+        --neutral-1: light-dark(hsl(48 10% 95%), hsl(24 6% 11%));
+        --neutral-2: light-dark(hsl(48  9% 90%), hsl(24 5% 16%));
+        --neutral-3: light-dark(hsl(48  8% 82%), hsl(24 5% 22%));
+        --neutral-4: light-dark(hsl(48  7% 70%), hsl(24 5% 34%));
+        --neutral-5: light-dark(hsl(48  6% 40%), hsl(48 5% 62%));
+        --neutral-6: light-dark(hsl(48  7% 30%), hsl(48 6% 72%));
+
+        /* Core surfaces + ink */
+        --foreground:                 light-dark(hsl(24 10% 10%), hsl(48 10% 90%));
+        --card:                       light-dark(var(--neutral-0), hsl(24 8% 10%));
+        --popover:                    light-dark(var(--neutral-0), hsl(24 8% 10%));
+        --surface-public-data-panel:  light-dark(hsl(44 16% 96%), hsl(36 9% 12%));
+
+        --primary:                 light-dark(hsl(24 10% 10%), hsl(48 10% 90%));
+        --primary-foreground:      light-dark(var(--neutral-0), hsl(24 10% 10%));
+        /* AX.W44 — dark-arm lift. The stock shadcn dark `hsl(0 62.8% 30.6%)`
+           (L≈30.6) was a saturated-PLATE value used AS INK over `--card` by the
+           Alert destructive variant — 1.75:1 over card (illegible) / 1.91:1 vs the
+           page. Lifted to `hsl(0 80% 60%)`: 4.60:1 as text over `--card` (clears the
+           4.5 body floor) AND 5.03:1 as a plate vs the dark page (clears the 3.0
+           graphic floor). The light arm is UNCHANGED (already 4.70:1). Lockstep with
+           the `.dark` fallback floor below (§2c). */
+        --destructive:             light-dark(hsl(0 72% 50%), hsl(0 80% 60%));
+        --destructive-foreground:  light-dark(var(--neutral-0), hsl(48 10% 90%));
+        --ring:                    light-dark(hsl(24 10% 10%), hsl(48 10% 70%));
+        --shadow:                  light-dark(hsl(24 10% 10%), hsl(0 0% 5%));
+
+        /* §4 native-control accent — the per-mode arms (dark reads the
+           mid-tone ring for checkmark-glyph contrast headroom, NOT the
+           near-white dark primary). Joins the light-dark() collapse; still
+           re-specified as `accent-color` inside `.dark` per §2b. */
+        --accent-color:            light-dark(var(--primary), var(--ring));
+
+        /* Section palette — jewel tones brightened L for dark (oklch pairs;
+           AV.W16 TW2 — hue preserved, L evened) */
+        --section-color-0:   light-dark(oklch(0.552 0.192 359.8), oklch(0.721 0.145 354.0));
+        --section-color-1:   light-dark(oklch(0.502 0.165 305.9), oklch(0.733 0.113 308.2));
+        --section-color-2:   light-dark(oklch(0.484 0.163 265.5), oklch(0.718 0.107 268.4));
+        --section-color-3:   light-dark(oklch(0.542 0.089 222.8), oklch(0.767 0.091 219.9));
+        --section-color-4:   light-dark(oklch(0.551 0.088 171.1), oklch(0.776 0.105 172.6));
+        --section-color-5:   light-dark(oklch(0.623 0.124 69.6),  oklch(0.813 0.109 78.2));
+        --section-color-6:   light-dark(oklch(0.579 0.201 30.4),  oklch(0.693 0.151 28.1));
+        --section-color-7:   light-dark(oklch(0.532 0.180 317.5), oklch(0.739 0.134 318.1));
+        --section-color-8:   light-dark(oklch(0.520 0.176 8.4),   oklch(0.709 0.142 2.3));
+        --section-color-9:   light-dark(oklch(0.492 0.038 239.6), oklch(0.763 0.032 239.0));
+        --section-color-10:  light-dark(oklch(0.556 0.103 128.8), oklch(0.794 0.116 127.9));
+        --section-color-11:  light-dark(oklch(0.601 0.092 208.0), oklch(0.805 0.095 206.7));
+        --section-color-12:  light-dark(oklch(0.513 0.163 291.9), oklch(0.719 0.115 295.6));
+
+        --accent-pink:     light-dark(oklch(0.613 0.197 353.8), oklch(0.683 0.131 354.7));
+        --section-heading: light-dark(oklch(0.545 0.189 352.8), oklch(0.711 0.123 349.3));
+        --accent-red:      light-dark(oklch(0.574 0.216 27.5),  oklch(0.644 0.165 22.9));
+
+        /* Viz basis (amber/green stay var()-aliases → auto-track) */
+        --viz-fourier:   light-dark(oklch(0.579 0.201 30.4),  oklch(0.693 0.151 28.1));
+        --viz-chebyshev: light-dark(oklch(0.484 0.163 265.5), oklch(0.718 0.107 268.4));
+        --viz-legendre:  light-dark(oklch(0.532 0.180 317.5), oklch(0.739 0.134 318.1));
+
+        /* WCAG companion chart labels */
+        --chart-ping-label:     light-dark(oklch(0.40 0.18 230), oklch(0.85 0.12 230));
+        --chart-download-label: light-dark(oklch(0.40 0.20 22),  oklch(0.85 0.14 22));
+        --chart-upload-label:   light-dark(oklch(0.40 0.16 55),  oklch(0.85 0.12 55));
+        --chart-jitter-label:   light-dark(oklch(0.40 0.20 305), oklch(0.85 0.14 305));
+
+        /* Semantic UI accents */
+        --tier-featured: light-dark(oklch(0.841 0.173 84.2),  oklch(0.867 0.165 88.7));
+        --tier-saved:    light-dark(oklch(0.676 0.176 252.3), oklch(0.748 0.135 250.1));
+        --like:          light-dark(oklch(0.633 0.200 24.9),  oklch(0.690 0.162 22.2));
+        --success:       light-dark(oklch(0.720 0.192 149.5), oklch(0.805 0.186 151.6));
+        --warning:       light-dark(oklch(0.770 0.165 70.6),  oklch(0.809 0.150 76.6));
+        --info:          light-dark(oklch(0.626 0.186 259.6), oklch(0.713 0.138 259.5));
+        --delete:        light-dark(oklch(0.597 0.198 25.5),  oklch(0.644 0.170 23.1));
+
+        /* Semantic foregrounds (warning-foreground is identical both modes
+           → stays a single light-mode declaration, no light-dark() needed) */
+        --success-foreground: light-dark(var(--neutral-0), hsl(48 10% 96%));
+        --info-foreground:    light-dark(var(--neutral-0), hsl(48 10% 96%));
+
+        /* Cartoon-shadow color primitives (§2d — plain colors, convert) */
+        --shadow-cartoon-color:      light-dark(rgb(0 0 0 / 0.12), rgb(255 255 255 / 0.07));
+        --shadow-cartoon-color-soft: light-dark(rgb(0 0 0 / 0.06), rgb(255 255 255 / 0.03));
+
+        /* Gold family */
+        --gold:       light-dark(oklch(0.751 0.147 84.2), oklch(0.784 0.143 86.0));
+        --gold-light: light-dark(oklch(0.890 0.183 96.1), oklch(0.898 0.182 97.4));
+        --gold-dark:  light-dark(oklch(0.599 0.132 64.2), oklch(0.678 0.150 63.8));
+    }
+}