@maccesar/titools 5.1.1 → 5.2.0

package/skills/ti-synthengine/references/examples.md

@@ -1,4 +1,4 @@
-> Source snapshot: official TiSynthEngine 1.0.0 documentation at commit `6685b81` (2026-08-29).
+> Source snapshot: official TiSynthEngine 1.0.0 beta documentation from the reviewed working tree based on `95901c98af5353b86d9dc7c60b29ab9186b038cd` (2026-10-14), including uncommitted statistics changes. Upstream `documentation/examples.md` SHA-256: `53a8bd95215cc24a35776edb8686fa0d60c5399be0b4ff2685eee1563738f6cb`.
 
 # Examples
 
@@ -19,7 +19,12 @@ if (contract.apiVersion !== '1.0.0') {
 ## Contents
 
 - [Start once after layout](#start-once-after-layout)
-- [Five waveforms](#five-waveforms)
+- [Built-in waveforms](#built-in-waveforms)
+- [Variable-rate filtered noise](#variable-rate-filtered-noise)
+- [Pulse-width sweep](#pulse-width-sweep)
+- [Stepped wavetable](#stepped-wavetable)
+- [Fixed controls on a chord](#fixed-controls-on-a-chord)
+- [Wave-shaping pattern overrides](#wave-shaping-pattern-overrides)
 - [Pitch sweep and pan movement](#pitch-sweep-and-pan-movement)
 - [Vibrato](#vibrato)
 - [Chord with an even spread](#chord-with-an-even-spread)
@@ -30,9 +35,17 @@ if (contract.apiVersion !== '1.0.0') {
 - [Noise percussion](#noise-percussion)
 - [Xylophone sketch](#xylophone-sketch)
 - [Simon-style pads](#simon-style-pads)
+- [Pluck and electric piano](#pluck-and-electric-piano)
+- [Bell](#bell)
+- [Wah and filtered laser](#wah-and-filtered-laser)
+- [Kick and hi-hat in one pattern](#kick-and-hi-hat-in-one-pattern)
+- [Detuned chords](#detuned-chords)
+- [Chain patterns with `patternend`](#chain-patterns-with-patternend)
+- [Rules across keys](#rules-across-keys)
 - [Speaker-safe startup](#speaker-safe-startup)
 - [Validation at an input boundary](#validation-at-an-input-boundary)
 - [Stop and clean up](#stop-and-clean-up)
+- [Positioned headphone effect](#positioned-headphone-effect)
 
 <!-- TOC-END -->
 
@@ -65,7 +78,7 @@ win.addEventListener('close', cleanup)
 win.open()
 ```
 
-## Five waveforms
+## Built-in waveforms
 
 ```javascript
 var names = ['SINE', 'SQUARE', 'SAWTOOTH', 'TRIANGLE', 'NOISE']
@@ -86,6 +99,121 @@ names.forEach(function (name, index) {
 
 Noise ignores pitch, but `note` keeps the event shape valid.
 
+## Variable-rate filtered noise
+
+```javascript
+synth.playTone({
+  frequency: 100,
+  duration: 760,
+  attack: 1,
+  release: 580,
+  volume: 0.65,
+  waveType: WAVE.NOISE,
+  noiseRate: 12000,
+  noiseRateEnd: 600,
+  lowPassHz: 2400,
+  bitDepth: 8
+})
+```
+
+`noiseRate` starts at 12 kHz and falls to 600 Hz. `lowPassHz` removes high
+frequency energy after the 8-bit source quantizer.
+
+## Pulse-width sweep
+
+```javascript
+synth.playTone({
+  note: 'A3',
+  duration: 700,
+  attack: 3,
+  release: 180,
+  volume: 0.55,
+  waveType: WAVE.SQUARE,
+  pulseWidth: 0.1,
+  pulseWidthEnd: 0.86
+})
+```
+
+The square duty cycle moves from 10 percent to 86 percent over the event.
+
+## Stepped wavetable
+
+```javascript
+synth.playTone({
+  note: 'D4',
+  duration: 650,
+  attack: 4,
+  release: 220,
+  volume: 0.58,
+  waveType: WAVE.WAVETABLE,
+  waveTable: [-1, -0.7, -0.1, 0.8, 1, 0.35, -0.25, -0.55],
+  bitDepth: 8
+})
+```
+
+The table repeats as a stepped cycle. `bitDepth: 8` quantizes each table value
+before filtering and the amplitude envelope.
+
+## Fixed controls on a chord
+
+```javascript
+synth.playChord({
+  notes: ['A3', 'E4', 'A4'],
+  duration: 900,
+  attack: 8,
+  release: 220,
+  volume: 0.5,
+  waveType: WAVE.SQUARE,
+  pulseWidth: 0.22,
+  lowPassHz: 3600,
+  bitDepth: 8,
+  pans: [-0.65, 0, 0.65]
+})
+```
+
+Chord voices share fixed shaping controls. Sweep fields such as
+`pulseWidthEnd` and `noiseRateEnd` are not accepted by `playChord()`.
+
+## Wave-shaping pattern overrides
+
+```javascript
+synth.playPattern({
+  stepDuration: 210,
+  attack: 2,
+  release: 80,
+  volume: 0.48,
+  waveType: WAVE.NOISE,
+  noiseRate: 12000,
+  lowPassHz: 2600,
+  bitDepth: 8,
+  steps: [
+    { frequency: 120, duration: 180, release: 150, noiseRateEnd: 800 },
+    { rest: true, duration: 100 },
+    {
+      note: 'A3',
+      duration: 300,
+      release: 120,
+      waveType: WAVE.SQUARE,
+      pulseWidth: 0.1,
+      pulseWidthEnd: 0.82,
+      lowPassHz: 0,
+      bitDepth: 0
+    },
+    {
+      note: 'D4',
+      duration: 360,
+      release: 160,
+      waveType: WAVE.WAVETABLE,
+      waveTable: [-1, -0.7, -0.1, 0.8, 1, 0.35, -0.25, -0.55]
+    }
+  ]
+})
+```
+
+Pattern roots provide inherited values. Each sounding step can override the
+source and any shaping control; a `WAVETABLE` step needs a local or inherited
+`waveTable`.
+
 ## Pitch sweep and pan movement
 
 ```javascript
@@ -166,37 +294,41 @@ synth.playPattern({
   volume: 0.55,
   waveType: WAVE.SQUARE,
   steps: [
-    { note: 'C4', duration: 150 },
-    { note: 'E4', duration: 150 },
+    { note: 'C4' },
+    { note: 'E4' },
     { rest: true },
-    { note: 'G4', duration: 150 },
-    { note: 'C5', duration: 280, noteValue: '4n' }
+    { note: 'G4' },
+    { note: 'C5', noteValue: '4n' }
   ]
 })
 ```
 
-Positive swing lengthens one step and shortens the next. Negative swing flips
-that relationship. Keep it subtle unless the lurch is the intended effect.
+Swing offsets scheduled starts without changing voice durations: positive swing delays even steps and advances odd steps (zero-based); negative swing reverses those offsets. Each offset is the swing value times that step's duration, and a start before the call time is clamped to zero. This can overlap voices. Keep it subtle unless the lurch is the intended effect.
 
 ## Millisecond pattern
 
 ```javascript
 synth.playPattern({
-  stepDuration: 110,
   pan: -0.4,
   panEnd: 0.4,
   waveType: WAVE.TRIANGLE,
   steps: [
     { note: 'C5', duration: 90 },
+    { rest: true, duration: 20 },
     { note: 'D5', duration: 90 },
+    { rest: true, duration: 20 },
     { note: 'E5', duration: 90 },
+    { rest: true, duration: 20 },
     { note: 'G5', duration: 180 }
   ]
 })
 ```
 
-`stepDuration` controls spacing. Per-step `duration` controls how long the
-sound itself lasts. The pattern root does not accept `duration`.
+Each `duration` sets both the voice length and the advance to the next step.
+The 90 ms tones followed by 20 ms rests put the first four notes 110 ms apart;
+the last tone lasts 180 ms. Rests provide actual silence. `release` only fades
+within a sounding step, not a separate gate. The pattern root does not accept
+`duration`, and `stepDuration` is only a fallback when a step has no timing.
 
 ## Step overrides
 
@@ -233,16 +365,18 @@ synth.playPattern({
   volume: 0.32,
   waveType: WAVE.NOISE,
   steps: [
-    { frequency: 200, duration: 70, attack: 1, release: 60 },
+    { frequency: 200, attack: 1, decay: 70, sustain: 0, release: 60 },
     { rest: true },
-    { frequency: 200, duration: 32, attack: 1, release: 25 },
-    { frequency: 200, duration: 32, attack: 1, release: 25 },
+    { frequency: 200, attack: 1, decay: 32, sustain: 0, release: 25 },
+    { frequency: 200, attack: 1, decay: 32, sustain: 0, release: 25 },
     { rest: true },
-    { frequency: 200, duration: 52, attack: 1, release: 44 }
+    { frequency: 200, attack: 1, decay: 52, sustain: 0, release: 44 }
   ]
 })
 ```
 
+The steps retain the sixteenth-note grid. Short decay with `sustain: 0` makes
+each hit settle to silence before its step ends, without changing that grid.
 Every sounding step needs `frequency` or `note`, including a noise step. Do not
 write a primitive step such as `200`; primitive steps return
 `invalid_step_type`.
@@ -300,6 +434,229 @@ function playAllPads () {
 }
 ```
 
+## Pluck and electric piano
+
+`decay` and `sustain` turn a flat tone into an instrument. The electric piano
+adds an FM index that falls with the level, so the attack is bright and the
+tail is mellow.
+
+```javascript
+function pluck (note) {
+  return synth.playTone({
+    note: note,
+    duration: 900,
+    attack: 2,
+    decay: 260,
+    sustain: 0.18,
+    release: 380,
+    volume: 0.6,
+    waveType: WAVE.TRIANGLE
+  })
+}
+
+function electricPiano (note) {
+  return synth.playTone({
+    note: note,
+    duration: 1800,
+    attack: 3,
+    decay: 700,
+    sustain: 0.3,
+    release: 600,
+    volume: 0.55,
+    waveType: WAVE.SINE,
+    fmRatio: 1,
+    fmDepth: 2.2,
+    fmDepthEnd: 0.25
+  })
+}
+```
+
+## Bell
+
+```javascript
+synth.playTone({
+  note: 'C5',
+  duration: 2600,
+  attack: 1,
+  decay: 2000,
+  sustain: 0.02,
+  release: 500,
+  volume: 0.5,
+  waveType: WAVE.SINE,
+  fmRatio: 3.5,
+  fmDepth: 4,
+  fmDepthEnd: 0
+})
+```
+
+A fractional `fmRatio` puts the overtones between harmonics, which reads as
+metal. `fmDepthEnd: 0` lets the brightness die away completely.
+
+## Wah and filtered laser
+
+```javascript
+synth.playTone({
+  note: 'A2',
+  duration: 1000,
+  attack: 10,
+  release: 200,
+  volume: 0.5,
+  waveType: WAVE.SAWTOOTH,
+  filterType: 'bandpass',
+  filterHz: 350,
+  filterHzEnd: 2400,
+  filterQ: 5
+})
+
+setTimeout(function () {
+  synth.playTone({
+    frequency: 1600,
+    frequencyEnd: 160,
+    duration: 340,
+    attack: 2,
+    release: 90,
+    volume: 0.4,
+    waveType: WAVE.SAWTOOTH,
+    filterType: 'lowpass',
+    filterHz: 7000,
+    filterHzEnd: 500,
+    filterQ: 4
+  })
+}, 1300)
+```
+
+The cutoff sweep spans the whole event, so a longer note sweeps more slowly.
+
+## Kick and hi-hat in one pattern
+
+Each step can carry its own envelope and filter.
+
+```javascript
+synth.playPattern({
+  bpm: 110,
+  noteValue: '8n',
+  steps: [
+    {
+      frequency: 150,
+      frequencyEnd: 42,
+      noteValue: '4n',
+      attack: 1,
+      decay: 140,
+      sustain: 0.3,
+      release: 120,
+      volume: 0.85
+    },
+    {
+      frequency: 440,
+      waveType: WAVE.NOISE,
+      attack: 1,
+      decay: 30,
+      sustain: 0.25,
+      release: 45,
+      volume: 0.45,
+      filterType: 'highpass',
+      filterHz: 7000
+    },
+    { rest: true },
+    {
+      frequency: 440,
+      waveType: WAVE.NOISE,
+      attack: 1,
+      decay: 30,
+      sustain: 0.25,
+      release: 45,
+      volume: 0.45,
+      filterType: 'highpass',
+      filterHz: 7000
+    }
+  ]
+})
+```
+
+## Detuned chords
+
+Repeat a pitch with small offsets in `detunes` to make it beat and widen. Two
+copies 12 cents apart at 440 Hz beat about three times a second.
+
+```javascript
+synth.playChord({
+  frequencies: [440, 440],
+  detunes: [-6, 6],
+  duration: 2000,
+  attack: 200,
+  release: 600,
+  volume: 0.55,
+  waveType: WAVE.SINE
+})
+
+setTimeout(function () {
+  synth.playChord({
+    notes: ['A3', 'E4', 'A3', 'E4', 'A3', 'E4'],
+    detunes: [-9, -9, 0, 0, 9, 9],
+    duration: 3200,
+    attack: 700,
+    release: 1300,
+    volume: 0.5,
+    waveType: WAVE.SAWTOOTH,
+    filterType: 'lowpass',
+    filterHz: 1500,
+    panSpread: 0.8
+  })
+}, 2400)
+```
+
+Each repeated pitch is a voice. The second chord needs `maxVoices` of at least
+6.
+
+## Chain patterns with `patternend`
+
+```javascript
+var jingles = [
+  [{ note: 'C5' }, { note: 'E5' }, { note: 'G5' }],
+  [{ note: 'G5' }, { note: 'E5' }, { note: 'C5' }]
+]
+var nextJingle = 0
+
+function playNextJingle () {
+  if (nextJingle >= jingles.length) return false
+  return synth.playPattern({
+    noteValue: '8n',
+    attack: 5,
+    release: 60,
+    volume: 0.5,
+    waveType: WAVE.SQUARE,
+    steps: jingles[nextJingle++]
+  })
+}
+
+function onPatternEnd (event) {
+  if (event.completed) playNextJingle()
+}
+
+synth.addEventListener('patternend', onPatternEnd)
+playNextJingle()
+
+// When the audio owner closes:
+synth.removeEventListener('patternend', onPatternEnd)
+```
+
+The event reports `completed: false` when another pattern replaces the running
+one, so a listener that only chains on `completed: true` never double-starts.
+
+## Rules across keys
+
+Some combinations are rejected even when every value is in range. This call
+returns `false` with `sustain_without_decay`, because a sustain below 1 with no
+decay would jump in level and click:
+
+```javascript
+// Rejected on purpose: sustain needs a decay.
+var accepted = synth.playTone({ note: 'A4', sustain: 0.5 })
+
+// Accepted: the same note with a decay.
+synth.playTone({ note: 'A4', decay: 200, sustain: 0.5, duration: 800 })
+```
+
 ## Speaker-safe startup
 
 ```javascript
@@ -345,4 +702,26 @@ synth.shutdown()
 `stopAll()` fades current voices but leaves pending pattern scheduling alone.
 `shutdown()` cancels the scheduler and releases the native stream.
 
-The complete interactive demo is `example/app.js` in the upstream TiSynthEngine repository. For additional retro effects, playable xylophone interaction, memory pads, layered polyphony and cancellable repetition, continue with [Curated sound and interaction recipes](recipes.md).
+The last committed interactive demo is in the upstream [`example/app.js`](https://github.com/macCesar/TiSynthEngine/blob/95901c98af5353b86d9dc7c60b29ab9186b038cd/example/app.js); that commit does not contain the pending statistics example. For additional retro effects, playable xylophone interaction, memory pads, layered polyphony and cancellable repetition, continue with [Curated sound and interaction recipes](recipes.md).
+
+## Positioned headphone effect
+
+Check the installed coordinate limits and keep the engine running. This JavaScript places one generated noise effect above and to the right; it does not change other sound calls:
+
+```javascript
+if (!contract.limits.spatialX || !contract.limits.spatialY) {
+  throw new Error('This installed module does not report binaural support')
+}
+if (!synth.playTone({
+  frequency: 90,
+  waveType: WAVE.NOISE,
+  duration: 500,
+  attack: 2,
+  release: 200,
+  volume: 0.3,
+  spatialX: 0.8,
+  spatialY: 0.75
+})) Ti.API.warn('Positioned effect rejected')
+```
+
+For app switches, amplitude sliders, all nine screen positions and routing multiple effects through one service, use the [binaural integration guide](guide.md#integrate-binaural-in-a-2d-app). Omitting both coordinates disables binaural for that event; setting both to zero keeps it enabled at the front center.