@libraz/libcantus 0.9.3 → 0.9.4

package/dist/chunk-C5XYKUVG.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/theory/chordscale/index.ts","../src/theory/spelling/index.ts","../src/theory/symbol/index.ts","../src/theory/voicing/internal.ts","../src/theory/voicing/leading.ts","../src/theory/voicing/satb.ts","../src/theory/voicing/styled.ts"],"sourcesContent":["import type { Chord } from '../chord/index.js';\nimport { chordPitchClasses } from '../chord/index.js';\nimport { NAMED_SCALES } from '../scale/index.js';\n\n/** Reduce a value to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Count the set bits (scale tones) in a 12-bit mode mask. */\nfunction popcount12(mask: number): number {\n  let count = 0;\n  for (let n = 0; n < 12; n += 1) {\n    count += (mask >> n) & 1;\n  }\n  return count;\n}\n\n/** Test whether a pitch class belongs to a mode mask rooted on `scaleRootPc`. */\nfunction maskHasPitchClass(mask: number, scaleRootPc: number, pc: number): boolean {\n  const offset = pitchClass(pc - scaleRootPc);\n  return ((mask >> offset) & 1) === 1;\n}\n\n/**\n * Test whether every chord pitch class is contained in a scale.\n *\n * @param chordPcs The chord's pitch classes (0..11).\n * @param scaleMask The scale's 12-bit mode mask.\n * @param scaleRootPc The pitch class the mask is rooted on.\n * @returns True if the scale is a superset of the chord.\n *\n * @category Scales\n */\nexport function scaleMatchesChord(\n  chordPcs: number[],\n  scaleMask: number,\n  scaleRootPc: number,\n): boolean {\n  for (const pc of chordPcs) {\n    if (!maskHasPitchClass(scaleMask, scaleRootPc, pc)) {\n      return false;\n    }\n  }\n  return true;\n}\n\n/**\n * A named scale rooted on a pitch class that fits over a chord.\n *\n * @category Scales\n */\nexport type ChordScaleMatch = {\n  name: string;\n  rootPc: number;\n};\n\n/**\n * Scale names whose mask duplicates another {@link NAMED_SCALES} entry\n * (major/ionian, naturalMinor/aeolian). Chord-scale analysis conventionally\n * speaks in mode names, so these aliases are skipped and only the modal name\n * is reported.\n */\nconst ALIASED_SCALE_NAMES = new Set(['major', 'naturalMinor']);\n\n/** Number of tones in a heptatonic (seven-note) scale. */\nconst HEPTATONIC_SIZE = 7;\n\n/**\n * List the scales that fit over a chord, best fit first.\n *\n * Only the chord root is considered as the scale root, matching the\n * conventional chord-scale relationship. Every entry of {@link NAMED_SCALES}\n * whose pitch-class set is a superset of the chord's is returned once per\n * distinct pitch-class set (aliased masks such as major/ionian report only the\n * modal name), ranked by fewest extra scale tones beyond the chord, then by\n * scale size (heptatonic before larger scales), then by scale name. For bare\n * triads and smaller chords, heptatonic scales rank before pentatonics and\n * other sizes: a pentatonic adds no modal color over a triad, so the seven-note\n * modes are the more useful answer. The chromatic scale is only returned as a\n * fallback when no other scale contains the chord.\n *\n * @param chord The chord to fit scales over.\n * @returns The matching scales rooted on the chord root, best fit first.\n *\n * @example\n * ```ts\n * import { makeChord, chordScales } from '@libraz/libcantus';\n * const scales = chordScales(makeChord(0, 'maj7'));\n * // scales for Cmaj7, best fit first; each is { name, rootPc: 0 }\n * ```\n *\n * @category Scales\n */\nexport function chordScales(chord: Chord): ChordScaleMatch[] {\n  const chordPcs = chordPitchClasses(chord);\n  const rootPc = pitchClass(chord.rootPc);\n  const ranked: { name: string; extra: number; size: number }[] = [];\n  const seenMasks = new Set<number>();\n  for (const name of Object.keys(NAMED_SCALES)) {\n    if (name === 'chromatic' || ALIASED_SCALE_NAMES.has(name)) {\n      continue;\n    }\n    const mask = NAMED_SCALES[name];\n    if (mask === undefined || seenMasks.has(mask)) {\n      continue;\n    }\n    seenMasks.add(mask);\n    if (scaleMatchesChord(chordPcs, mask, rootPc)) {\n      const size = popcount12(mask);\n      ranked.push({ name, extra: size - chordPcs.length, size });\n    }\n  }\n  if (ranked.length === 0) {\n    // No diatonic-style scale contains the chord; fall back to the chromatic\n    // scale, which trivially contains every pitch class.\n    if (NAMED_SCALES.chromatic !== undefined) {\n      return [{ name: 'chromatic', rootPc }];\n    }\n    return [];\n  }\n  const preferHeptatonic = chordPcs.length <= 3;\n  ranked.sort((a, b) => {\n    if (preferHeptatonic && (a.size === HEPTATONIC_SIZE) !== (b.size === HEPTATONIC_SIZE)) {\n      return a.size === HEPTATONIC_SIZE ? -1 : 1;\n    }\n    if (a.extra !== b.extra) {\n      return a.extra - b.extra;\n    }\n    if (a.size !== b.size) {\n      return a.size - b.size;\n    }\n    return a.name < b.name ? -1 : a.name > b.name ? 1 : 0;\n  });\n  return ranked.map((entry) => ({ name: entry.name, rootPc }));\n}\n\n/**\n * List a scale's avoid notes over a chord.\n *\n * An avoid note is a non-chord scale tone that lies a semitone directly above a\n * chord tone; sounding it against the chord clashes. The scale is rooted on the\n * chord root. If the scale does not contain the chord, no avoid notes exist.\n *\n * @param chord The chord providing the chord tones.\n * @param scaleName A key of {@link NAMED_SCALES}.\n * @returns The avoid-note pitch classes, sorted ascending in [0, 11].\n *\n * @category Scales\n */\nexport function avoidNotes(chord: Chord, scaleName: string): number[] {\n  const mask = NAMED_SCALES[scaleName];\n  if (mask === undefined) {\n    return [];\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const chordPcs = chordPitchClasses(chord);\n  if (!scaleMatchesChord(chordPcs, mask, rootPc)) {\n    return [];\n  }\n  const chordSet = new Set(chordPcs);\n  const avoid: number[] = [];\n  for (let pc = 0; pc < 12; pc += 1) {\n    if (!maskHasPitchClass(mask, rootPc, pc) || chordSet.has(pc)) {\n      continue;\n    }\n    if (chordSet.has(pitchClass(pc - 1))) {\n      avoid.push(pc);\n    }\n  }\n  return avoid.sort((a, b) => a - b);\n}\n\n/**\n * List a scale's available tensions over a chord.\n *\n * Available tensions are scale tones that are neither chord tones nor avoid\n * notes, i.e. the usable color tones (typically the 9/11/13 region). The scale\n * is rooted on the chord root. If the scale does not contain the chord, there\n * are no available tensions.\n *\n * @param chord The chord providing the chord tones.\n * @param scaleName A key of {@link NAMED_SCALES}.\n * @returns The available-tension pitch classes, sorted ascending in [0, 11].\n *\n * @example\n * ```ts\n * import { makeChord, availableTensions } from '@libraz/libcantus';\n * availableTensions(makeChord(0, 'maj7'), 'ionian'); // [2, 9] — color tones over Cmaj7\n * ```\n *\n * @category Scales\n */\nexport function availableTensions(chord: Chord, scaleName: string): number[] {\n  const mask = NAMED_SCALES[scaleName];\n  if (mask === undefined) {\n    return [];\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const chordPcs = chordPitchClasses(chord);\n  if (!scaleMatchesChord(chordPcs, mask, rootPc)) {\n    return [];\n  }\n  const chordSet = new Set(chordPcs);\n  const avoidSet = new Set(avoidNotes(chord, scaleName));\n  const tensions: number[] = [];\n  for (let pc = 0; pc < 12; pc += 1) {\n    if (!maskHasPitchClass(mask, rootPc, pc) || chordSet.has(pc) || avoidSet.has(pc)) {\n      continue;\n    }\n    tensions.push(pc);\n  }\n  return tensions.sort((a, b) => a - b);\n}\n\n/**\n * A scale fit over a chord together with its avoid notes and tensions.\n *\n * @category Scales\n */\nexport type ChordScaleReportEntry = {\n  name: string;\n  rootPc: number;\n  avoid: number[];\n  tensions: number[];\n};\n\n/**\n * Report the best-fitting scales for a chord with their avoid notes and tensions.\n *\n * Combines {@link chordScales}, {@link avoidNotes}, and {@link availableTensions}\n * into a single ergonomic result, ordered best fit first.\n *\n * @param chord The chord to analyze.\n * @param limit Optional maximum number of scales to report; all by default.\n * @returns One entry per reported scale, best fit first.\n *\n * @category Scales\n */\nexport function chordScaleReport(chord: Chord, limit?: number): ChordScaleReportEntry[] {\n  const matches = chordScales(chord);\n  const chosen = limit === undefined ? matches : matches.slice(0, Math.max(0, limit));\n  return chosen.map((match) => ({\n    name: match.name,\n    rootPc: match.rootPc,\n    avoid: avoidNotes(chord, match.name),\n    tensions: availableTensions(chord, match.name),\n  }));\n}\n\n/**\n * A chord paired with the scale chosen for it by {@link scalesForChanges}.\n *\n * @category Scales\n */\nexport type ScaleChoice = {\n  chord: Chord;\n  scale: ChordScaleMatch;\n};\n\n/**\n * Small per-candidate penalty added in {@link scalesForChanges} so that, among\n * choices of otherwise-equal transition cost, the tighter best-fit scale wins.\n */\nconst RANK_PENALTY = 0.01;\n\n/** Build the pitch-class set of a named scale rooted on `rootPc`. */\nfunction scalePitchClassSet(name: string, rootPc: number): Set<number> {\n  const mask = NAMED_SCALES[name];\n  const pcs = new Set<number>();\n  if (mask === undefined) {\n    return pcs;\n  }\n  for (let n = 0; n < 12; n += 1) {\n    if (((mask >> n) & 1) === 1) {\n      pcs.add(pitchClass(rootPc + n));\n    }\n  }\n  return pcs;\n}\n\n/** Count pitch classes that belong to exactly one of two sets. */\nfunction symmetricDifferenceSize(a: Set<number>, b: Set<number>): number {\n  let count = 0;\n  for (const pc of a) {\n    if (!b.has(pc)) {\n      count += 1;\n    }\n  }\n  for (const pc of b) {\n    if (!a.has(pc)) {\n      count += 1;\n    }\n  }\n  return count;\n}\n\n/**\n * Choose one scale per chord across a progression, favoring continuity.\n *\n * Each chord's {@link chordScales} candidates form a stage in a Viterbi-style\n * dynamic program. The transition cost between adjacent choices is the number\n * of pitch classes that differ between their pitch-class sets (the symmetric\n * difference), plus a small penalty for straying from a chord's best-fit scale\n * so that ties break toward the tighter fit. The minimum-total-cost path is\n * returned, one {@link ScaleChoice} per input chord in the original order.\n *\n * @param chords The chord sequence to choose scales for.\n * @returns One scale choice per chord, in input order.\n *\n * @category Scales\n */\nexport function scalesForChanges(chords: Chord[]): ScaleChoice[] {\n  if (chords.length === 0) {\n    return [];\n  }\n  const candidateLists = chords.map((chord) => chordScales(chord));\n  const pcSets = candidateLists.map((candidates) =>\n    candidates.map((match) => scalePitchClassSet(match.name, match.rootPc)),\n  );\n\n  const first = candidateLists[0] ?? [];\n  const dp: number[][] = [first.map((_, j) => j * RANK_PENALTY)];\n  const back: number[][] = [first.map(() => -1)];\n\n  for (let i = 1; i < candidateLists.length; i += 1) {\n    const candidates = candidateLists[i] ?? [];\n    const prevCosts = dp[i - 1] ?? [];\n    const prevSets = pcSets[i - 1] ?? [];\n    const curSets = pcSets[i] ?? [];\n    const stageCosts: number[] = [];\n    const stageBack: number[] = [];\n    for (let j = 0; j < candidates.length; j += 1) {\n      let bestCost = Number.POSITIVE_INFINITY;\n      let bestPrev = -1;\n      for (let k = 0; k < prevCosts.length; k += 1) {\n        const transition = symmetricDifferenceSize(\n          prevSets[k] ?? new Set(),\n          curSets[j] ?? new Set(),\n        );\n        const cost = (prevCosts[k] ?? 0) + transition;\n        if (cost < bestCost) {\n          bestCost = cost;\n          bestPrev = k;\n        }\n      }\n      stageCosts.push(bestCost + j * RANK_PENALTY);\n      stageBack.push(bestPrev);\n    }\n    dp.push(stageCosts);\n    back.push(stageBack);\n  }\n\n  const lastCosts = dp[dp.length - 1] ?? [];\n  let bestFinal = 0;\n  for (let j = 1; j < lastCosts.length; j += 1) {\n    if ((lastCosts[j] ?? Number.POSITIVE_INFINITY) < (lastCosts[bestFinal] ?? 0)) {\n      bestFinal = j;\n    }\n  }\n\n  const chosenIndices: number[] = new Array(candidateLists.length);\n  let current = bestFinal;\n  for (let i = candidateLists.length - 1; i >= 0; i -= 1) {\n    chosenIndices[i] = current;\n    current = back[i]?.[current] ?? -1;\n  }\n\n  return chords.map((chord, i) => {\n    const candidates = candidateLists[i] ?? [];\n    const scale = candidates[chosenIndices[i] ?? 0] ?? { name: 'chromatic', rootPc: chord.rootPc };\n    return { chord, scale };\n  });\n}\n","/**\n * Spelling: derive letter-name notes for scales and chords from a spelled tonic.\n *\n * The theory core works in pitch classes, which cannot choose between (say) a\n * G# and an Ab. Given a spelled tonic, this module assigns diatonic letters to\n * scale degrees and chord tones so a C major scale spells as C D E F G A B and\n * A harmonic minor spells its seventh as G#.\n */\n\nimport type { Note } from '../../core/pitch/index.js';\nimport { formatNote } from '../../core/pitch/index.js';\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../chord/index.js';\nimport { scaleTonesInDegreeOrder } from '../scale/index.js';\n\n/** Semitone offset of each natural letter above C: C D E F G A B. */\nconst LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11] as const;\n\n/**\n * Conventional degree assignment for each chromatic offset above the tonic.\n *\n * The letter is derived from the tonic's letter plus `degreeOffset` (so the\n * spelling follows the key's diatonic letters), and the accidental is recomputed\n * for that letter. This covers the flat-side alterations (b2, b3, b6, b7), the\n * raised fourth (#4), and the raised degrees of a minor key: the raised sixth\n * (#6) and the raised leading tone (#7). The latter two keep sharp-side minor\n * keys spelling their raised degrees with the key-correct letter (e.g. F# minor\n * spells its leading tone E#, not F).\n *\n * The `alter` field is illustrative only; `spellPitchClass` recomputes the\n * accidental from the chosen letter.\n */\nconst CHROMATIC_SPELLING: Record<number, { degreeOffset: number; alter: number }> = {\n  1: { degreeOffset: 1, alter: -1 }, // b2\n  3: { degreeOffset: 2, alter: -1 }, // b3\n  6: { degreeOffset: 3, alter: 1 }, // #4\n  8: { degreeOffset: 5, alter: -1 }, // b6\n  9: { degreeOffset: 5, alter: 1 }, // #6 (raised sixth of a minor key)\n  10: { degreeOffset: 6, alter: -1 }, // b7\n  11: { degreeOffset: 6, alter: 1 }, // #7 (raised leading tone of a minor key)\n};\n\nfunction mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\nfunction mod7(n: number): number {\n  return ((n % 7) + 7) % 7;\n}\n\n/** Natural pitch class of a letter (0 = C .. 6 = B). */\nfunction naturalPc(letter: number): number {\n  return LETTER_SEMITONES[mod7(letter)] ?? 0;\n}\n\n/** Shortest signed alteration (in [-6, 6]) taking a letter's natural pc to `pc`. */\nfunction alterFor(letter: number, pc: number): number {\n  let d = mod12(pc - naturalPc(letter));\n  if (d > 6) {\n    d -= 12;\n  }\n  return d;\n}\n\n/** Whether the key's scale is a seven-note (heptatonic) scale. */\nfunction isHeptatonic(key: KeyScale): boolean {\n  return scaleTonesInDegreeOrder(key).length === 7;\n}\n\n/**\n * Spell a single pitch class relative to a spelled tonic and key.\n *\n * Diatonic pitch classes take the scale's letter for their degree; the common\n * chromatic tones (b2, b3, #4, b6, b7) and a minor key's raised degrees (#6, #7)\n * take their conventional, key-correct accidental spelling; anything else falls\n * back to a sharp spelling of the nearest natural.\n *\n * @param pc The pitch class to spell.\n * @param tonic The spelled tonic (its letter anchors the spelling).\n * @param key The key/scale.\n * @returns The spelled note (without octave).\n * @category Pitch & Intervals\n */\nexport function spellPitchClass(pc: number, tonic: Note, key: KeyScale): Note {\n  const tonicPc = mod12(naturalPc(tonic.letter) + tonic.alter);\n  const offset = mod12(pc - tonicPc);\n  const tones = scaleTonesInDegreeOrder(key);\n\n  if (isHeptatonic(key)) {\n    const degree = tones.indexOf(mod12(pc));\n    if (degree >= 0) {\n      const letter = mod7(tonic.letter + degree);\n      return { letter, alter: alterFor(letter, pc) };\n    }\n    const chromatic = CHROMATIC_SPELLING[offset];\n    if (chromatic) {\n      const letter = mod7(tonic.letter + chromatic.degreeOffset);\n      return { letter, alter: alterFor(letter, pc) };\n    }\n  }\n\n  // Fallback: name the pitch class from the nearest natural, preferring a sharp.\n  for (let letter = 0; letter < 7; letter += 1) {\n    if (naturalPc(letter) === mod12(pc)) {\n      return { letter, alter: 0 };\n    }\n  }\n  const belowLetter = mod7([0, 0, 1, 1, 2, 3, 3, 4, 4, 5, 5, 6][mod12(pc)] ?? 0);\n  return { letter: belowLetter, alter: alterFor(belowLetter, pc) };\n}\n\n/**\n * Spell every pitch class of a scale, in ascending scale-degree order.\n *\n * Correct for heptatonic scales (each degree gets the next letter). Non-standard\n * scales are spelled tone-by-tone with a sharp preference.\n *\n * @param tonic The spelled tonic.\n * @param key The key/scale.\n * @returns Spelled notes, one per scale degree.\n * @example\n * ```ts\n * import { spellScale, noteNames, parseNote, majorKey } from '@libraz/libcantus';\n * noteNames(spellScale(parseNote('C'), majorKey(0)));\n * // ['C', 'D', 'E', 'F', 'G', 'A', 'B']\n * ```\n * @category Pitch & Intervals\n */\nexport function spellScale(tonic: Note, key: KeyScale): Note[] {\n  return scaleTonesInDegreeOrder(key).map((pc) => spellPitchClass(pc, tonic, key));\n}\n\n/**\n * Spell an arbitrary list of pitch classes relative to a key.\n *\n * @param pcs The pitch classes.\n * @param tonic The spelled tonic.\n * @param key The key/scale.\n * @returns Spelled notes, in input order.\n * @category Pitch & Intervals\n */\nexport function spellPitchClasses(pcs: number[], tonic: Note, key: KeyScale): Note[] {\n  return pcs.map((pc) => spellPitchClass(pc, tonic, key));\n}\n\n/**\n * Diatonic letter distance implied by a chord interval.\n *\n * Chord intervals are not merely pitch-class distances: 6 is a diminished\n * fifth in the basic chord templates while 18 is an augmented eleventh, and 9\n * is a diminished seventh in `dim7` but a sixth elsewhere. Keeping that\n * distinction is what prevents functional chord tones from being respelled by\n * their nearest key pitch (for example G# becoming Ab in E7).\n */\nfunction chordLetterOffset(interval: number, chord: Chord): number {\n  switch (interval) {\n    case 0:\n    case 12:\n      return 0;\n    case 1:\n    case 2:\n    case 13:\n    case 14:\n      return 1;\n    case 3:\n    case 4:\n    case 15:\n    case 16:\n      return 2;\n    case 5:\n    case 17:\n    case 18:\n      return 3;\n    case 6:\n    case 7:\n    case 8:\n    case 19:\n      return 4;\n    case 9:\n      return chord.quality === 'dim7' ? 6 : 5;\n    case 20:\n    case 21:\n      return 5;\n    case 10:\n    case 11:\n    case 22:\n    case 23:\n      return 6;\n    default: {\n      // Unknown/custom interval data gets the nearest conventional diatonic\n      // distance. Public builders use the explicit cases above.\n      const octaves = Math.floor(Math.max(0, interval) / 12);\n      const simple = mod12(interval);\n      const simpleOffset = [0, 1, 1, 2, 2, 3, 4, 4, 4, 5, 6, 6][simple] ?? 0;\n      return octaves * 7 + simpleOffset;\n    }\n  }\n}\n\n/**\n * Spell chord tones from an already chosen root spelling.\n *\n * This is exported for the model layer's inversion support; the package\n * barrels intentionally expose the key-aware {@link spellChord} entry point.\n */\nexport function spellChordFromRoot(chord: Chord, root: Note): Note[] {\n  return chord.intervals.map((interval) => {\n    const letter = mod7(root.letter + chordLetterOffset(interval, chord));\n    const pc = mod12(chord.rootPc + interval);\n    return { letter, alter: alterFor(letter, pc) };\n  });\n}\n\n/**\n * Spell a chord's tones, in the chord's own (tertian) order, relative to a key.\n *\n * Diatonic chords spell exactly (e.g. G7 in C major -> G B D F). Chromatic chord\n * tones take their conventional spelling; enharmonically ambiguous altered\n * tensions may be spelled by the general convention rather than by chord\n * function.\n *\n * @param chord The chord.\n * @param tonic The spelled tonic of the key.\n * @param key The key/scale.\n * @returns Spelled chord tones, root first.\n * @example\n * ```ts\n * import { spellChord, noteNames, parseNote, majorKey, makeChord } from '@libraz/libcantus';\n * // G7 in C major\n * noteNames(spellChord(makeChord(7, 'dom7'), parseNote('C'), majorKey(0)));\n * // ['G', 'B', 'D', 'F']\n * ```\n * @category Pitch & Intervals\n */\nexport function spellChord(chord: Chord, tonic: Note, key: KeyScale): Note[] {\n  const root = spellPitchClass(chord.rootPc, tonic, key);\n  return spellChordFromRoot(chord, root);\n}\n\n/**\n * Convenience: render spelled notes as letter-name strings.\n *\n * @param notes The notes.\n * @returns Their formatted names.\n * @category Pitch & Intervals\n */\nexport function noteNames(notes: Note[]): string[] {\n  return notes.map(formatNote);\n}\n","/**\n * Lead-sheet chord symbol parsing and formatting.\n *\n * Bridges the informal `<root><quality>[/<bass>]` notation musicians write\n * (`Cmaj7`, `F#m7b5`, `Bb7`, `C/G`) and the library's structured {@link Chord}\n * type, so callers can accept/emit plain text at the edges of the API.\n */\n\nimport {\n  formatNote,\n  midiToNote,\n  type Note,\n  noteToPitchClass,\n  parseNote,\n} from '../../core/pitch/index.js';\nimport { type Chord, type ChordQuality, makeChord, type PitchSpelling } from '../chord/index.js';\n\n/**\n * Matches a chord root: a letter A-G (case-insensitive, like {@link parseNote})\n * with an optional single-direction accidental.\n */\nconst ROOT_RE = /^[A-Ga-g](?:#{1,2}|b{1,2})?/;\n\n/** Matches a bare note usable as a slash-chord bass (no octave). */\nconst BASS_RE = /^[A-Ga-g](?:#{1,2}|b{1,2})?$/;\n\n/** Recognized quality suffixes, keyed by their exact lead-sheet spelling. */\nconst QUALITY_MAP: Record<string, ChordQuality> = {\n  '': 'maj',\n  m: 'min',\n  min: 'min',\n  '-': 'min',\n  dim: 'dim',\n  '°': 'dim',\n  aug: 'aug',\n  '+': 'aug',\n  maj7: 'maj7',\n  M7: 'maj7',\n  Δ: 'maj7',\n  Δ7: 'maj7',\n  m7: 'min7',\n  min7: 'min7',\n  '-7': 'min7',\n  '7': 'dom7',\n  dim7: 'dim7',\n  '°7': 'dim7',\n  m7b5: 'm7b5',\n  ø: 'm7b5',\n  ø7: 'm7b5',\n  min7b5: 'm7b5',\n  mMaj7: 'minMaj7',\n  mM7: 'minMaj7',\n  minMaj7: 'minMaj7',\n  aug7: 'aug7',\n  '+7': 'aug7',\n  '7#5': 'aug7',\n  augMaj7: 'augMaj7',\n  augM7: 'augMaj7',\n  '+maj7': 'augMaj7',\n  '+M7': 'augMaj7',\n  majb5: 'majb5',\n  'maj(b5)': 'majb5',\n  '(b5)': 'majb5',\n  '6': '6',\n  m6: 'min6',\n  min6: 'min6',\n  '6/9': '6/9',\n  '69': '6/9',\n  sus2: 'sus2',\n  sus: 'sus4',\n  sus4: 'sus4',\n  add9: 'add9',\n  add11: 'add11',\n  maj9: 'maj9',\n  M9: 'maj9',\n  m9: 'min9',\n  min9: 'min9',\n  '9': 'dom9',\n  '7b9': '7b9',\n  '7#9': '7#9',\n  '7#11': '7#11',\n  '7b13': '7b13',\n  '11': '11',\n  '13': '13',\n  '5': '5',\n};\n\n/** Canonical lead-sheet suffix emitted for each chord quality when formatting. */\nconst CANONICAL_SUFFIX: Record<ChordQuality, string> = {\n  maj: '',\n  min: 'm',\n  dim: 'dim',\n  aug: 'aug',\n  maj7: 'maj7',\n  min7: 'm7',\n  dom7: '7',\n  dim7: 'dim7',\n  m7b5: 'm7b5',\n  minMaj7: 'mMaj7',\n  aug7: 'aug7',\n  augMaj7: 'augMaj7',\n  majb5: 'maj(b5)',\n  '6': '6',\n  min6: 'm6',\n  '6/9': '6/9',\n  sus2: 'sus2',\n  sus4: 'sus4',\n  add9: 'add9',\n  add11: 'add11',\n  maj9: 'maj9',\n  min9: 'm9',\n  dom9: '9',\n  '7b9': '7b9',\n  '7#9': '7#9',\n  '7#11': '7#11',\n  '7b13': '7b13',\n  '11': '11',\n  '13': '13',\n  '5': '5',\n};\n\n/** Reduce a value to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Build a chord and record the parsed spellings as enharmonic hints. */\nfunction makeSpelledChord(root: Note, quality: ChordQuality, bass?: Note): Chord {\n  const chord = makeChord(\n    noteToPitchClass(root),\n    quality,\n    bass === undefined ? undefined : noteToPitchClass(bass),\n  );\n  chord.rootSpelling = { letter: root.letter, alter: root.alter };\n  if (bass !== undefined) {\n    chord.bassSpelling = { letter: bass.letter, alter: bass.alter };\n  }\n  return chord;\n}\n\n/**\n * Parse a lead-sheet chord symbol into a {@link Chord}.\n *\n * Accepts `<root><quality>[/<bass>]`, e.g. `Cmaj7`, `F#m7b5`, `Bb7`, `C/G`,\n * `C6/9`, `C6/9/E`. Root and bass letters are case-insensitive, matching\n * {@link parseNote}. A `/` is ambiguous between a slash bass and the `6/9`\n * quality; the text splits at the last `/` whose right-hand side is a valid\n * bare note preceded by a recognized quality, so `6/9` (with or without a\n * further slash bass) parses as a quality.\n *\n * The parsed chord carries the root/bass spellings as enharmonic hints\n * (`rootSpelling`/`bassSpelling`) so {@link formatChordSymbol} can reproduce\n * flat spellings such as `Bbmaj7` instead of respelling them with sharps.\n *\n * @param text The chord symbol text.\n * @returns The parsed chord.\n * @throws If the root or quality is not recognized.\n * @example\n * ```ts\n * import { parseChordSymbol, formatChordSymbol } from '@libraz/libcantus';\n * const c = parseChordSymbol('Bbmaj7');\n * formatChordSymbol(c); // 'Bbmaj7' — flat spelling is preserved on round-trip\n * ```\n * @category Chords\n */\nexport function parseChordSymbol(text: string): Chord {\n  const trimmed = text.trim();\n  const rootMatch = ROOT_RE.exec(trimmed);\n  if (!rootMatch) {\n    throw new Error(`Invalid chord symbol: ${text}`);\n  }\n  const rootToken = rootMatch[0];\n  const rootNote = parseNote(rootToken);\n  const rest = trimmed.slice(rootToken.length);\n\n  // Split at the last '/' so the '6/9' quality's own slash never masks a\n  // trailing slash bass (e.g. 'C6/9/E').\n  const slashIndex = rest.lastIndexOf('/');\n  if (slashIndex !== -1) {\n    const before = rest.slice(0, slashIndex);\n    const after = rest.slice(slashIndex + 1);\n    const beforeQuality = QUALITY_MAP[before];\n    if (beforeQuality !== undefined && BASS_RE.test(after)) {\n      return makeSpelledChord(rootNote, beforeQuality, parseNote(after));\n    }\n  }\n\n  const quality = QUALITY_MAP[rest];\n  if (quality === undefined) {\n    throw new Error(`Unrecognized chord quality: ${text}`);\n  }\n  return makeSpelledChord(rootNote, quality);\n}\n\n/**\n * Name a pitch class, preferring a spelling hint when it is still valid.\n *\n * A hint is used only when no explicit sharp/flat preference was given and the\n * hint still resolves to `pc` (a stale hint left over after transposition is\n * ignored). Otherwise the pitch class is respelled from the requested table.\n */\nfunction pitchClassName(pc: number, hint: PitchSpelling | undefined, flats?: boolean): string {\n  if (flats === undefined && hint !== undefined && noteToPitchClass(hint) === pc) {\n    return formatNote(hint);\n  }\n  const note = midiToNote(60 + pc, flats ? 'flat' : 'sharp');\n  return formatNote({ letter: note.letter, alter: note.alter });\n}\n\n/**\n * Format a {@link Chord} as a lead-sheet chord symbol.\n *\n * The inverse of {@link parseChordSymbol}: each quality maps to one canonical\n * suffix spelling, and a slash bass is appended only when it differs from the\n * root. When the chord carries `rootSpelling`/`bassSpelling` hints (as chords\n * from {@link parseChordSymbol} do) and no explicit `flats` preference is\n * given, the hints are reused so flat symbols round-trip unchanged.\n *\n * @param chord The chord to format.\n * @param opts Formatting options.\n * @param opts.flats Prefer flat spellings over sharps for altered roots/basses;\n *   passing either `true` or `false` overrides any spelling hints.\n * @returns The chord symbol text.\n * @example\n * ```ts\n * import { makeChord, formatChordSymbol } from '@libraz/libcantus';\n * formatChordSymbol(makeChord(0, 'min7')); // 'Cm7'\n * ```\n * @category Chords\n */\nexport function formatChordSymbol(chord: Chord, opts?: { flats?: boolean }): string {\n  const rootPc = pitchClass(chord.rootPc);\n  const rootName = pitchClassName(rootPc, chord.rootSpelling, opts?.flats);\n  const suffix = CANONICAL_SUFFIX[chord.quality];\n  let symbol = `${rootName}${suffix}`;\n  if (chord.bassPc !== undefined && pitchClass(chord.bassPc) !== rootPc) {\n    symbol += `/${pitchClassName(pitchClass(chord.bassPc), chord.bassSpelling, opts?.flats)}`;\n  }\n  return symbol;\n}\n\n/**\n * Transpose a chord symbol by a number of semitones.\n *\n * @param text The chord symbol text.\n * @param semitones Signed semitone offset to apply to the root and bass.\n * @param opts Formatting options for the result; see {@link formatChordSymbol}.\n * @returns The transposed chord symbol text.\n * @throws If `text` does not parse as a chord symbol.\n * @example\n * ```ts\n * import { transposeChordSymbol } from '@libraz/libcantus';\n * transposeChordSymbol('C/G', 2); // 'D/A'\n * ```\n * @category Chords\n */\nexport function transposeChordSymbol(\n  text: string,\n  semitones: number,\n  opts?: { flats?: boolean },\n): string {\n  const chord = parseChordSymbol(text);\n  const transposed: Chord = { ...chord, rootPc: pitchClass(chord.rootPc + semitones) };\n  if (chord.bassPc !== undefined) {\n    transposed.bassPc = pitchClass(chord.bassPc + semitones);\n  }\n  return formatChordSymbol(transposed, opts);\n}\n","import type { Chord } from '../chord/index.js';\nimport { chordPitchClasses } from '../chord/index.js';\nimport {\n  createsParallelPerfect,\n  createsVoiceCrossing,\n  createsVoiceOverlap,\n  exceedsSpacing,\n} from '../counterpoint/index.js';\nimport type { VoiceRange } from './satb.js';\n\n/** Default maximum spacing between adjacent upper voices (one octave). */\nexport const DEFAULT_MAX_SPACING = 12;\n\n/** Score penalty per counterpoint violation between consecutive voicings. */\nexport const VIOLATION_PENALTY = 1000;\n/** Score penalty per chord tone absent from a voicing. */\nconst MISSING_TONE_PENALTY = 500;\n/** Score penalty per doubled tone that is neither the root nor the fifth. */\nconst POOR_DOUBLING_PENALTY = 4;\n/** Hard cap on candidate voicings evaluated per chord, keeping the search bounded. */\nconst MAX_CANDIDATES = 4000;\n\n/** Reduce a value to a pitch class in [0, 11]. */\nexport function pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/**\n * All MIDI pitches of a pitch class inside an inclusive range, ordered from the\n * centre of the range outward (ties break toward the lower pitch). Enumerating\n * centre-outward keeps the candidate set balanced around the register when it\n * is truncated at {@link MAX_CANDIDATES}, instead of skewing to the low octaves\n * that a plain ascending scan would visit first.\n */\nfunction pitchesForPc(pc: number, range: VoiceRange): number[] {\n  const result: number[] = [];\n  for (let midi = Math.ceil(range.min); midi <= range.max; midi += 1) {\n    if (pitchClass(midi) === pc) {\n      result.push(midi);\n    }\n  }\n  const center = (range.min + range.max) / 2;\n  return result.sort((a, b) => {\n    const da = Math.abs(a - center);\n    const db = Math.abs(b - center);\n    return da === db ? a - b : da - db;\n  });\n}\n\n/**\n * Enumerate candidate voicings for a chord: the bass takes the chord's bass\n * (or root) pitch class at each available octave, and each upper voice takes\n * any chord pitch class within its range. Candidates are built in ascending\n * voice order and pruned to exclude voice crossings and over-wide adjacent\n * spacing (the bass–tenor pair is allowed an extra octave, per convention).\n * Enumeration is deterministic and capped at {@link MAX_CANDIDATES}.\n */\nexport function enumerateVoicings(\n  chord: Chord,\n  ranges: VoiceRange[],\n  maxSpacing: number,\n): number[][] {\n  const chordPcs = chordPitchClasses(chord);\n  const bassPc = pitchClass(chord.bassPc ?? chord.rootPc);\n  const results: number[][] = [];\n  const current: number[] = [];\n  const build = (voice: number): void => {\n    if (results.length >= MAX_CANDIDATES) {\n      return;\n    }\n    if (voice === ranges.length) {\n      results.push([...current]);\n      return;\n    }\n    const range = ranges[voice];\n    if (range === undefined) {\n      return;\n    }\n    const pcs = voice === 0 ? [bassPc] : chordPcs;\n    const prev = current[voice - 1];\n    for (const pc of pcs) {\n      for (const pitch of pitchesForPc(pc, range)) {\n        if (prev !== undefined) {\n          if (pitch < prev) {\n            continue; // would cross below the next lower voice\n          }\n          const spacingLimit = voice === 1 ? maxSpacing + 12 : maxSpacing;\n          if (pitch - prev > spacingLimit) {\n            continue;\n          }\n        }\n        current.push(pitch);\n        build(voice + 1);\n        current.pop();\n      }\n    }\n  };\n  build(0);\n  return results;\n}\n\n/**\n * Structural quality penalty of a single voicing: heavily penalize missing\n * chord tones, mildly penalize doubling anything other than the root or fifth.\n */\nexport function structuralPenalty(pitches: number[], chord: Chord): number {\n  const counts = new Map<number, number>();\n  for (const pitch of pitches) {\n    const pc = pitchClass(pitch);\n    counts.set(pc, (counts.get(pc) ?? 0) + 1);\n  }\n  let penalty = 0;\n  for (const pc of chordPitchClasses(chord)) {\n    if (!counts.has(pc)) {\n      penalty += MISSING_TONE_PENALTY;\n    }\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const fifthPc = pitchClass(chord.rootPc + 7);\n  for (const [pc, count] of counts) {\n    if (count > 1 && pc !== rootPc && pc !== fifthPc) {\n      penalty += (count - 1) * POOR_DOUBLING_PENALTY;\n    }\n  }\n  return penalty;\n}\n\n/**\n * Count counterpoint violations between two consecutive voicings of equal\n * length: parallel perfects (fifths and octaves alike, since octaves are the\n * perfect-class-zero case of {@link createsParallelPerfect}) on every voice\n * pair, voice crossings in the new voicing, and — on adjacent pairs — voice\n * overlaps and over-wide spacing between upper voices.\n */\nexport function violationCount(prev: number[], cur: number[], maxSpacing: number): number {\n  let count = 0;\n  for (let lower = 0; lower < cur.length; lower += 1) {\n    for (let upper = lower + 1; upper < cur.length; upper += 1) {\n      const prevLower = prev[lower];\n      const prevUpper = prev[upper];\n      const curLower = cur[lower];\n      const curUpper = cur[upper];\n      if (\n        prevLower === undefined ||\n        prevUpper === undefined ||\n        curLower === undefined ||\n        curUpper === undefined\n      ) {\n        continue;\n      }\n      if (createsParallelPerfect(prevUpper, curUpper, prevLower, curLower)) {\n        count += 1;\n      }\n      if (createsVoiceCrossing(curUpper, curLower)) {\n        count += 1;\n      }\n      if (upper === lower + 1) {\n        if (createsVoiceOverlap(prevUpper, curUpper, prevLower, curLower)) {\n          count += 1;\n        }\n        if (lower > 0 && exceedsSpacing(curUpper, curLower, maxSpacing)) {\n          count += 1;\n        }\n      }\n    }\n  }\n  return count;\n}\n","import type { Chord } from '../chord/index.js';\nimport { createsHiddenParallelPerfect } from '../counterpoint/index.js';\nimport {\n  DEFAULT_MAX_SPACING,\n  enumerateVoicings,\n  structuralPenalty,\n  VIOLATION_PENALTY,\n  violationCount,\n} from './internal.js';\nimport type { VoicingOptions } from './satb.js';\nimport { resolveRanges } from './satb.js';\n\n/**\n * Moderate penalty for a hidden/direct perfect fifth or octave reached on the\n * outer-voice (bass–soprano) pair. Unlike a true parallel perfect it is\n * discouraged rather than forbidden, so the weight sits alongside voice-leading\n * motion rather than the hard {@link VIOLATION_PENALTY}.\n */\nconst HIDDEN_PERFECT_PENALTY = 6;\n\n/**\n * Total voice-leading cost between two voicings: the sum of absolute semitone\n * motion across voices, plus a moderate {@link HIDDEN_PERFECT_PENALTY} when the\n * outer-voice (bass–soprano) pair reaches a hidden/direct perfect fifth or\n * octave by similar motion. The arrays must be the same length; when they\n * differ the voicings are not comparable and the cost is `Infinity`.\n *\n * @param from The previous voicing, one MIDI pitch per voice.\n * @param to The next voicing, one MIDI pitch per voice.\n * @returns The summed absolute motion (plus any hidden-perfect penalty), or\n *   `Infinity` when lengths differ.\n * @category Voicing & Counterpoint\n */\nexport function voiceLeadingCost(from: number[], to: number[]): number {\n  if (from.length !== to.length) {\n    return Number.POSITIVE_INFINITY;\n  }\n  let total = 0;\n  for (let i = 0; i < from.length; i += 1) {\n    const a = from[i];\n    const b = to[i];\n    if (a === undefined || b === undefined) {\n      continue;\n    }\n    total += Math.abs(b - a);\n  }\n  // Discourage hidden/direct perfects between the outermost voices, where they\n  // are most audible. True parallels are handled (and forbidden) elsewhere.\n  if (from.length >= 2) {\n    const bassPrev = from[0];\n    const bassCur = to[0];\n    const sopPrev = from[from.length - 1];\n    const sopCur = to[to.length - 1];\n    if (\n      bassPrev !== undefined &&\n      bassCur !== undefined &&\n      sopPrev !== undefined &&\n      sopCur !== undefined &&\n      createsHiddenParallelPerfect(bassPrev, bassCur, sopPrev, sopCur)\n    ) {\n      total += HIDDEN_PERFECT_PENALTY;\n    }\n  }\n  return total;\n}\n\n/**\n * Voice a single chord to follow smoothly from an arbitrary current voicing.\n *\n * Candidate voicings of `chord` are enumerated within ranges taken from `opts`,\n * or — when neither `voices` nor `ranges` is given — from a one-octave window\n * around each pitch of `current` (so the result matches `current`'s voice\n * count). Each candidate is scored by structural quality, voice-leading motion\n * from `current`, and a large penalty per counterpoint violation; the lowest\n * scoring candidate is returned, ascending.\n *\n * @param current The current voicing to lead from, ascending (index 0 = lowest).\n * @param chord The next chord to voice.\n * @param opts Voicing options; when omitted, ranges follow `current`'s span.\n * @returns The chosen voicing, ascending with one MIDI pitch per voice.\n * @throws If no voicing fits the derived ranges.\n * @category Voicing & Counterpoint\n */\nexport function nextVoicing(current: number[], chord: Chord, opts?: VoicingOptions): number[] {\n  const ranges =\n    opts?.ranges !== undefined || opts?.voices !== undefined\n      ? resolveRanges(opts)\n      : current.map((pitch) => {\n          // Window one octave around each current pitch, clamped so extreme-low\n          // or extreme-high input can never yield MIDI outside [0, 127].\n          const centre = Math.min(127, Math.max(0, pitch));\n          return { min: Math.max(0, centre - 12), max: Math.min(127, centre + 12) };\n        });\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n  let best: number[] | undefined;\n  let bestScore = Number.POSITIVE_INFINITY;\n  for (const candidate of candidates) {\n    const score =\n      structuralPenalty(candidate, chord) +\n      voiceLeadingCost(current, candidate) +\n      VIOLATION_PENALTY * violationCount(current, candidate, maxSpacing);\n    if (score < bestScore) {\n      bestScore = score;\n      best = candidate;\n    }\n  }\n  if (best === undefined) {\n    throw new Error('no voicing satisfies the given ranges');\n  }\n  return best;\n}\n","import {\n  assertFiniteNumber,\n  assertGenerationBudget,\n  assertPositiveInt,\n} from '../../core/validation/index.js';\nimport type { Chord } from '../chord/index.js';\nimport {\n  DEFAULT_MAX_SPACING,\n  enumerateVoicings,\n  structuralPenalty,\n  VIOLATION_PENALTY,\n  violationCount,\n} from './internal.js';\nimport { voiceLeadingCost } from './leading.js';\n\n/**\n * An inclusive MIDI pitch range for a single voice.\n *\n * @category Voicing & Counterpoint\n */\nexport type VoiceRange = {\n  min: number;\n  max: number;\n};\n\n/**\n * Default four-voice SATB ranges, ascending (index 0 = lowest):\n * bass E2–C4 (40–60), tenor C3–G4 (48–67), alto G3–D5 (55–74),\n * soprano C4–G5 (60–79).\n *\n * @category Voicing & Counterpoint\n */\nexport const SATB_RANGES: readonly VoiceRange[] = [\n  { min: 40, max: 60 },\n  { min: 48, max: 67 },\n  { min: 55, max: 74 },\n  { min: 60, max: 79 },\n];\n\n/**\n * Options controlling {@link voiceChord} and {@link voiceProgression}.\n *\n * @category Voicing & Counterpoint\n */\nexport type VoicingOptions = {\n  /**\n   * Number of voices to realize. Ignored when `ranges` is given.\n   *\n   * @defaultValue 4\n   */\n  voices?: number;\n  /** Explicit per-voice ranges, ascending (index 0 = lowest). Takes precedence over `voices`. */\n  ranges?: VoiceRange[];\n  /**\n   * Maximum spacing in semitones between adjacent upper voices.\n   *\n   * @defaultValue 12\n   */\n  maxSpacing?: number;\n};\n\n/** Overall pitch floor/ceiling used when deriving ranges for arbitrary voice counts. */\nconst DERIVED_LOW = 40;\nconst DERIVED_HIGH = 79;\n/** Span of each derived per-voice range in semitones. */\nconst DERIVED_SPAN = 19;\n\n/**\n * Resolve the per-voice ranges implied by the options: explicit `ranges` win,\n * four voices use {@link SATB_RANGES}, and other counts get evenly spaced\n * ranges spanning roughly the bass-to-soprano compass.\n */\nexport function resolveRanges(opts?: VoicingOptions): VoiceRange[] {\n  if (opts?.ranges !== undefined) {\n    if (opts.ranges.length === 0) {\n      throw new Error('ranges must contain at least one voice range');\n    }\n    assertGenerationBudget(opts.ranges.length, 'voice ranges', 128);\n    return opts.ranges.map((range, index) => {\n      assertFiniteNumber(range.min, `ranges[${index}].min`);\n      assertFiniteNumber(range.max, `ranges[${index}].max`);\n      if (range.min > range.max) {\n        throw new RangeError(`ranges[${index}].min must not exceed max`);\n      }\n      assertGenerationBudget(\n        Math.floor(range.max) - Math.ceil(range.min) + 1,\n        `ranges[${index}] span`,\n        4096,\n      );\n      return { ...range };\n    });\n  }\n  const voices = opts?.voices ?? 4;\n  assertPositiveInt(voices, 'voices', 128);\n  if (voices === 4) {\n    return SATB_RANGES.map((range) => ({ ...range }));\n  }\n  if (voices === 1) {\n    return [{ min: DERIVED_LOW, max: DERIVED_HIGH }];\n  }\n  const ranges: VoiceRange[] = [];\n  for (let i = 0; i < voices; i += 1) {\n    const min = Math.round(\n      DERIVED_LOW + (i * (DERIVED_HIGH - DERIVED_SPAN - DERIVED_LOW)) / (voices - 1),\n    );\n    ranges.push({ min, max: min + DERIVED_SPAN });\n  }\n  return ranges;\n}\n\n/**\n * Realize a single chord as one MIDI pitch per voice, ascending (index 0 =\n * lowest). The bass voice takes the chord's `bassPc` when set, otherwise the\n * root; upper voices take chord pitch classes, doubling the root or fifth as\n * needed to fill all voices. The result stays inside each voice's range, keeps\n * adjacent upper voices within `maxSpacing`, avoids voice crossing, and is\n * deterministic: a compact close-position voicing centered in the ranges.\n *\n * @param chord The chord to voice.\n * @param opts Voicing options; defaults to four voices in {@link SATB_RANGES}.\n * @returns MIDI pitches, ascending, one per voice.\n * @throws If no voicing fits the given ranges.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceChord } from '@libraz/libcantus';\n * const chord = parseChordSymbol('Cmaj7');\n * voiceChord(chord); // four ascending MIDI pitches within the SATB ranges\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceChord(chord: Chord, opts?: VoicingOptions): number[] {\n  const ranges = resolveRanges(opts);\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  assertFiniteNumber(maxSpacing, 'maxSpacing');\n  if (maxSpacing < 0) throw new RangeError('maxSpacing must be non-negative');\n  const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n  let best: number[] | undefined;\n  let bestScore = Number.POSITIVE_INFINITY;\n  for (const candidate of candidates) {\n    let score = structuralPenalty(candidate, chord);\n    for (let i = 0; i < candidate.length; i += 1) {\n      const pitch = candidate[i];\n      const range = ranges[i];\n      if (pitch === undefined || range === undefined) {\n        continue;\n      }\n      // Prefer pitches near the middle of each voice's range for a centered,\n      // compact default voicing.\n      score += Math.abs(pitch - (range.min + range.max) / 2);\n    }\n    if (score < bestScore) {\n      bestScore = score;\n      best = candidate;\n    }\n  }\n  if (best === undefined) {\n    throw new Error('no voicing satisfies the given ranges');\n  }\n  return best;\n}\n\n/**\n * Voice a chord progression with smooth voice leading. The first chord is\n * voiced with {@link voiceChord}; each subsequent chord picks, from a bounded\n * deterministic candidate set, the voicing minimizing the voice-leading cost\n * from the previous voicing plus a large penalty per counterpoint violation\n * (parallel perfects/octaves, voice crossing, voice overlap, and over-wide\n * upper-voice spacing).\n *\n * @param chords The chords to voice in order.\n * @param opts Voicing options; defaults to four voices in {@link SATB_RANGES}.\n * @returns One voicing per chord, each ascending with one MIDI pitch per voice.\n * @throws If any chord admits no voicing within the given ranges.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceProgression } from '@libraz/libcantus';\n * const chords = ['C', 'Am', 'F', 'G'].map((s) => parseChordSymbol(s));\n * voiceProgression(chords); // one four-voice voicing per chord, smoothly led\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceProgression(chords: Chord[], opts?: VoicingOptions): number[][] {\n  assertGenerationBudget(chords.length * 4000, 'voiced progression search');\n  const ranges = resolveRanges(opts);\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  assertFiniteNumber(maxSpacing, 'maxSpacing');\n  if (maxSpacing < 0) throw new RangeError('maxSpacing must be non-negative');\n  const result: number[][] = [];\n  let prev: number[] | undefined;\n  for (const chord of chords) {\n    if (prev === undefined) {\n      prev = voiceChord(chord, opts);\n      result.push(prev);\n      continue;\n    }\n    const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n    let best: number[] | undefined;\n    let bestScore = Number.POSITIVE_INFINITY;\n    for (const candidate of candidates) {\n      const score =\n        structuralPenalty(candidate, chord) +\n        voiceLeadingCost(prev, candidate) +\n        VIOLATION_PENALTY * violationCount(prev, candidate, maxSpacing);\n      if (score < bestScore) {\n        bestScore = score;\n        best = candidate;\n      }\n    }\n    if (best === undefined) {\n      throw new Error('no voicing satisfies the given ranges');\n    }\n    result.push(best);\n    prev = best;\n  }\n  return result;\n}\n","import { assertFiniteNumber, assertInteger } from '../../core/validation/index.js';\nimport type { Chord } from '../chord/index.js';\nimport { chordToneRole } from '../chord/index.js';\nimport { pitchClass } from './internal.js';\n\n/**\n * A tertian voicing style for {@link voiceChordStyled}.\n *\n * - `close`: the plain close-position tertian stack.\n * - `drop2`: the second voice from the top dropped an octave (drop-2 voicing).\n * - `drop3`: the third voice from the top dropped an octave (drop-3 voicing).\n * - `shell`: root plus guide tones (third and seventh) for seventh chords, or\n *   root/third/fifth for triads; the fifth and tensions are omitted.\n * - `rootless`: the root omitted, keeping third/fifth/seventh and tensions\n *   (a typical left-hand jazz voicing).\n *\n * @category Voicing & Counterpoint\n */\nexport type VoicingStyle = 'close' | 'drop2' | 'drop3' | 'shell' | 'rootless';\n\n/**\n * Options controlling {@link voiceChordStyled}.\n *\n * @category Voicing & Counterpoint\n */\nexport type StyledVoicingOptions = {\n  /**\n   * Voicing style to build.\n   *\n   * @defaultValue 'close'\n   */\n  style?: VoicingStyle;\n  /** Constrain the highest voice to this pitch class (0..11) when given. */\n  topNote?: number;\n  /**\n   * Base octave for the close stack; the stack begins near `12 * octave`.\n   *\n   * @defaultValue 4\n   */\n  octave?: number;\n  /**\n   * Omit the root regardless of style (relevant for jazz voicings).\n   *\n   * @defaultValue false\n   */\n  rootless?: boolean;\n};\n\n/** Default base octave for a styled close-position stack. */\nconst DEFAULT_STYLE_OCTAVE = 4;\n\n/** Return the pitch classes of a list in order, without duplicates. */\nfunction dedupePcs(pcs: number[]): number[] {\n  const seen = new Set<number>();\n  const result: number[] = [];\n  for (const pc of pcs) {\n    if (!seen.has(pc)) {\n      seen.add(pc);\n      result.push(pc);\n    }\n  }\n  return result;\n}\n\n/** The lowest MIDI pitch of a pitch class at or above a floor. */\nfunction lowestPitchAtOrAbove(pc: number, floor: number): number {\n  return floor + ((((pc - pitchClass(floor)) % 12) + 12) % 12);\n}\n\n/** The pitch class in `pcs` whose circular distance to `target` is smallest. */\nfunction nearestPc(target: number, pcs: number[]): number {\n  let best = pcs[0] ?? target;\n  let bestDist = 12;\n  for (const pc of pcs) {\n    const dist = Math.min((((pc - target) % 12) + 12) % 12, (((target - pc) % 12) + 12) % 12);\n    if (dist < bestDist) {\n      bestDist = dist;\n      best = pc;\n    }\n  }\n  return best;\n}\n\n/**\n * Realize a single chord as an explicit tertian voicing in a chosen style,\n * independent of the SATB range search used by {@link voiceChord}.\n *\n * The chord tones are stacked in close position from the bass (`bassPc`, else\n * `rootPc`) in the given scientific-pitch `octave` upward (octave 4 starts the\n * bass near C4 = MIDI 60, matching {@link midiToNote} and the bass module).\n * When `topNote` is given the stack is rotated so the highest voice's pitch\n * class equals that note (or the nearest chord tone). The chosen\n * {@link VoicingStyle} then transforms the stack, and the result is returned as\n * ascending MIDI pitches (index 0 = lowest).\n *\n * @param chord The chord to voice.\n * @param opts Styled voicing options; defaults to a close voicing at octave 4.\n * @returns MIDI pitches, ascending, one per retained voice.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceChordStyled } from '@libraz/libcantus';\n * const chord = parseChordSymbol('Dm7');\n * voiceChordStyled(chord, { style: 'drop2' }); // ascending MIDI pitches, drop-2 voicing\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceChordStyled(chord: Chord, opts?: StyledVoicingOptions): number[] {\n  const style = opts?.style ?? 'close';\n  const octave = opts?.octave ?? DEFAULT_STYLE_OCTAVE;\n  assertInteger(octave, 'styled voicing octave', -10, 10);\n  if (opts?.topNote !== undefined) {\n    assertFiniteNumber(opts.topNote, 'styled voicing topNote');\n  }\n  const base = 12 * (octave + 1);\n  const rootPc = pitchClass(chord.rootPc);\n  const bassPc = pitchClass(chord.bassPc ?? chord.rootPc);\n  const omitRoot = style === 'rootless' || opts?.rootless === true;\n\n  // Tertian chord tones in order, with the bass tone rotated to the bottom.\n  let order = dedupePcs(chord.intervals.map((interval) => pitchClass(chord.rootPc + interval)));\n  const bassIndex = order.indexOf(bassPc);\n  if (bassIndex > 0) {\n    order = [...order.slice(bassIndex), ...order.slice(0, bassIndex)];\n  } else if (bassIndex < 0) {\n    order = [bassPc, ...order];\n  }\n\n  if (style === 'shell') {\n    const roles = order.map((pc) => chordToneRole(pc, chord));\n    // The guide tone is the seventh when present; on a sixth chord the sixth\n    // stands in for it, and otherwise the voicing falls back to the fifth.\n    const guide = roles.includes('seventh')\n      ? 'seventh'\n      : roles.includes('sixth')\n        ? 'sixth'\n        : 'fifth';\n    order = order.filter((_pc, i) => {\n      const role = roles[i];\n      return _pc === bassPc || role === 'root' || role === 'third' || role === guide;\n    });\n  }\n\n  if (omitRoot) {\n    order = order.filter((pc) => pc !== rootPc || (chord.bassPc !== undefined && pc === bassPc));\n  }\n\n  if (order.length === 0) {\n    return [];\n  }\n\n  if (opts?.topNote !== undefined) {\n    const target = order.includes(pitchClass(opts.topNote))\n      ? pitchClass(opts.topNote)\n      : nearestPc(pitchClass(opts.topNote), order);\n    const targetIndex = order.indexOf(target);\n    order = [...order.slice(targetIndex + 1), ...order.slice(0, targetIndex + 1)];\n  }\n\n  // Stack the ordered pitch classes upward in close position.\n  const stack: number[] = [];\n  let prev: number | undefined;\n  for (const pc of order) {\n    if (prev === undefined) {\n      prev = lowestPitchAtOrAbove(pc, base);\n    } else {\n      let delta = (((pc - pitchClass(prev)) % 12) + 12) % 12;\n      if (delta === 0) {\n        delta = 12;\n      }\n      prev += delta;\n    }\n    stack.push(prev);\n  }\n\n  if (style === 'drop2' && stack.length >= 2) {\n    stack[stack.length - 2] = (stack[stack.length - 2] ?? 0) - 12;\n  } else if (style === 'drop3' && stack.length >= 3) {\n    stack[stack.length - 3] = (stack[stack.length - 3] ?? 0) - 12;\n  }\n\n  // An explicit slash bass is a structural requirement, including when it is\n  // not a chord member. Drop voicings and top-note rotation may have moved a\n  // different tone below it, so lower the retained bass by octaves before the\n  // final sort. This gives the bass priority over a conflicting top-note hint.\n  if (chord.bassPc !== undefined) {\n    const bassIndexInStack = stack.findIndex((pitch) => pitchClass(pitch) === bassPc);\n    if (bassIndexInStack >= 0) {\n      const otherLowest = Math.min(\n        ...stack.filter((_pitch, index) => index !== bassIndexInStack),\n        Number.POSITIVE_INFINITY,\n      );\n      while ((stack[bassIndexInStack] ?? 0) >= otherLowest) {\n        stack[bassIndexInStack] = (stack[bassIndexInStack] ?? 0) - 12;\n      }\n    }\n  }\n\n  return stack.sort((a, b) => a - 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package/dist/chunk-CHMXELDS.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/analyze/functional/internal.ts","../src/analyze/functional/roman.ts","../src/analyze/functional/borrowed.ts","../src/analyze/functional/function.ts","../src/analyze/functional/cadence.ts","../src/analyze/detect/index.ts"],"sourcesContent":["/**\n * Shared helpers for the functional-harmony modules.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { scaleTonesInDegreeOrder } from '../../theory/scale/index.js';\n\nexport function mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/** Diatonic pitch class of a 1-based scale degree in a key. */\nexport function degreeRootPc(degreeNumber: number, key: KeyScale): number {\n  const tones = scaleTonesInDegreeOrder(key);\n  if (tones.length === 0) {\n    return mod12(key.rootPc);\n  }\n  return tones[(degreeNumber - 1) % tones.length] ?? mod12(key.rootPc);\n}\n\n/** Whether a chord is the Neapolitan: a major triad on the flat second degree. */\nexport function isNeapolitan(chord: Chord, key: KeyScale): boolean {\n  return mod12(chord.rootPc - key.rootPc) === 1 && chord.quality === 'maj';\n}\n","/**\n * Roman-numeral parsing and formatting.\n *\n * The {@link ROMAN_STYLE} table is the single source of truth for both\n * directions, so {@link chordToRoman} and {@link romanToChord} stay mutual\n * inverses by construction.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { makeChord } from '../../theory/chord/index.js';\nimport { majorKey, scaleTonesInDegreeOrder } from '../../theory/scale/index.js';\nimport { degreeRootPc, mod12 } from './internal.js';\n\n/** Roman numeral glyphs indexed by degree number - 1. */\nconst ROMAN = ['I', 'II', 'III', 'IV', 'V', 'VI', 'VII'] as const;\n\n/** Roman glyph -> degree number (1..7). */\nconst ROMAN_TO_DEGREE: Record<string, number> = {\n  I: 1,\n  II: 2,\n  III: 3,\n  IV: 4,\n  V: 5,\n  VI: 6,\n  VII: 7,\n};\n\n/** Major-key Roman spelling for each semitone offset above the tonic. */\nconst OFFSET_SPELLING: readonly [number, string][] = [\n  [1, ''],\n  [2, 'b'],\n  [2, ''],\n  [3, 'b'],\n  [3, ''],\n  [4, ''],\n  [4, '#'],\n  [5, ''],\n  [6, 'b'],\n  [6, ''],\n  [7, 'b'],\n  [7, ''],\n];\n\n/** Choose a seventh-chord quality from a triad label and the numeral case. */\nfunction seventhQuality(base: 'maj' | 'min' | 'dim' | 'aug', halfDim: boolean): ChordQuality {\n  if (halfDim) {\n    return 'm7b5';\n  }\n  if (base === 'dim') {\n    return 'dim7';\n  }\n  if (base === 'aug') {\n    return 'aug7';\n  }\n  return base === 'maj' ? 'dom7' : 'min7';\n}\n\n/** Figure strings that denote a recognized figured-bass inversion. */\nconst INVERSION_FIGURES = new Set(['6', '64', '65', '43', '42', '2', '7']);\n\n/**\n * Canonical Roman-numeral rendering (numeral case and quality suffix) for every\n * supported chord quality. The table is the single source of truth for both\n * directions: {@link chordToRoman} renders from it and {@link romanToChord}\n * recognizes its exact case-sensitive suffixes, so the two stay mutual\n * inverses by construction. Suffixes are chosen to never collide with\n * figured-bass inversion digits (`6`, `64`, `65`, `43`, `42`, `2`) — the added\n * sixth is `add6`, the six-nine chord is `69` — and each (case, suffix) pair is\n * unique.\n */\nconst ROMAN_STYLE: Record<ChordQuality, { lower: boolean; suffix: string }> = {\n  maj: { lower: false, suffix: '' },\n  min: { lower: true, suffix: '' },\n  dim: { lower: true, suffix: 'o' },\n  aug: { lower: false, suffix: '+' },\n  maj7: { lower: false, suffix: 'maj7' },\n  min7: { lower: true, suffix: '7' },\n  dom7: { lower: false, suffix: '7' },\n  dim7: { lower: true, suffix: 'o7' },\n  m7b5: { lower: true, suffix: 'ø7' },\n  minMaj7: { lower: true, suffix: 'maj7' },\n  aug7: { lower: false, suffix: '+7' },\n  augMaj7: { lower: false, suffix: '+maj7' },\n  majb5: { lower: false, suffix: 'b5' },\n  '6': { lower: false, suffix: 'add6' },\n  min6: { lower: true, suffix: 'add6' },\n  '6/9': { lower: false, suffix: '69' },\n  sus2: { lower: false, suffix: 'sus2' },\n  sus4: { lower: false, suffix: 'sus4' },\n  add9: { lower: false, suffix: 'add9' },\n  add11: { lower: false, suffix: 'add11' },\n  maj9: { lower: false, suffix: 'maj9' },\n  min9: { lower: true, suffix: '9' },\n  dom9: { lower: false, suffix: '9' },\n  '7b9': { lower: false, suffix: '7b9' },\n  '7#9': { lower: false, suffix: '7#9' },\n  '7#11': { lower: false, suffix: '7#11' },\n  '7b13': { lower: false, suffix: '7b13' },\n  '11': { lower: false, suffix: '11' },\n  '13': { lower: false, suffix: '13' },\n  '5': { lower: false, suffix: '5' },\n};\n\n/** Reverse lookup of {@link ROMAN_STYLE}: `(case, exact suffix) -> quality`. */\nconst SUFFIX_QUALITY: ReadonlyMap<string, ChordQuality> = new Map(\n  (Object.entries(ROMAN_STYLE) as [ChordQuality, { lower: boolean; suffix: string }][]).map(\n    ([quality, style]) => [`${style.lower ? 'l' : 'u'}:${style.suffix}`, quality],\n  ),\n);\n\n/** Read figured-bass digits into a chord inversion and whether a seventh is implied. */\nfunction parseInversion(figures: string): { inversion: number; seventh: boolean } {\n  if (figures === '65') {\n    return { inversion: 1, seventh: true };\n  }\n  if (figures === '43') {\n    return { inversion: 2, seventh: true };\n  }\n  if (figures === '42' || figures === '2') {\n    return { inversion: 3, seventh: true };\n  }\n  if (figures === '7') {\n    return { inversion: 0, seventh: true };\n  }\n  if (figures === '64') {\n    return { inversion: 2, seventh: false };\n  }\n  if (figures === '6') {\n    return { inversion: 1, seventh: false };\n  }\n  return { inversion: 0, seventh: false };\n}\n\n/** Parse a Roman numeral (no secondary '/') into a root, quality, and inversion. */\nfunction parseSimpleRoman(\n  text: string,\n  key: KeyScale,\n): { rootPc: number; quality: ChordQuality; inversion: number } {\n  const match = /^([b#]?)([iIvV]+)(.*)$/.exec(text.trim());\n  if (!match) {\n    throw new Error(`Invalid Roman numeral: ${text}`);\n  }\n  const accidental = match[1] === 'b' ? -1 : match[1] === '#' ? 1 : 0;\n  const glyph = (match[2] ?? '').toUpperCase();\n  const degreeNumber = ROMAN_TO_DEGREE[glyph];\n  if (degreeNumber === undefined) {\n    throw new Error(`Invalid Roman numeral: ${text}`);\n  }\n  const isUpper = (match[2] ?? '')[0] === (match[2] ?? '')[0]?.toUpperCase();\n  const suffix = match[3] ?? '';\n  const rootPc = mod12(degreeRootPc(degreeNumber, key) + accidental);\n\n  // Canonical quality suffixes (exact match, case-sensitive on the numeral)\n  // come first so every chordToRoman rendering re-parses to the same quality:\n  // `V9` -> dom9 but `ii9` -> min9 and `Imaj9` -> maj9, and added-tone suffixes\n  // whose digits would otherwise be misread as figured bass (`Iadd6`, `I69`,\n  // `Isus2`, `Iadd11`) resolve to their qualities in root position.\n  const canonical = SUFFIX_QUALITY.get(`${isUpper ? 'u' : 'l'}:${suffix}`);\n  if (canonical !== undefined) {\n    return { rootPc, quality: canonical, inversion: 0 };\n  }\n\n  // Non-canonical spellings are limited to a complete quality marker followed\n  // by an optional major-seventh marker and a recognized figured bass. Never\n  // search substrings: `Vfoo` must not become diminished merely because it\n  // contains an \"o\", and unknown trailing text must be rejected in full.\n  const parsedSuffix = /^(o|°|dim|ø|\\+|aug)?(maj7|M7)?(65|64|43|42|7|6|2)?$/.exec(suffix);\n  if (!parsedSuffix) {\n    throw new Error(`Unsupported suffix \"${suffix}\" in Roman numeral: ${text}`);\n  }\n  const qualityMarker = parsedSuffix[1] ?? '';\n  const isDim = qualityMarker === 'o' || qualityMarker === '°' || qualityMarker === 'dim';\n  const isAug = qualityMarker === '+' || qualityMarker === 'aug';\n  const isHalfDim = qualityMarker === 'ø';\n  const explicitMaj7 = parsedSuffix[2] !== undefined;\n  const figures = parsedSuffix[3] ?? '';\n\n  // Reject figure strings that are neither a known figured-bass inversion nor a\n  // canonical quality suffix rather than silently degrading to a root triad.\n  if (figures !== '' && !INVERSION_FIGURES.has(figures)) {\n    throw new Error(`Unsupported figured-bass or extension \"${figures}\" in Roman numeral: ${text}`);\n  }\n\n  const { inversion, seventh } = parseInversion(figures);\n  // The ø glyph is the half-diminished seventh by definition (there is no\n  // half-diminished triad), so it always implies a seventh.\n  const hasSeventh = explicitMaj7 || seventh || isHalfDim;\n\n  let base: 'maj' | 'min' | 'dim' | 'aug';\n  if (isDim || isHalfDim) {\n    base = 'dim';\n  } else if (isAug) {\n    base = 'aug';\n  } else {\n    base = isUpper ? 'maj' : 'min';\n  }\n\n  let quality: ChordQuality;\n  if (explicitMaj7) {\n    quality = base === 'min' ? 'minMaj7' : base === 'aug' ? 'augMaj7' : 'maj7';\n  } else if (hasSeventh) {\n    quality = seventhQuality(base, isHalfDim);\n  } else if (base === 'dim') {\n    quality = 'dim';\n  } else if (base === 'aug') {\n    quality = 'aug';\n  } else {\n    quality = base;\n  }\n  return { rootPc, quality, inversion };\n}\n\n/** Build a chord from a parsed Roman numeral, attaching a bass for inversions. */\nfunction chordFromParsed(parsed: {\n  rootPc: number;\n  quality: ChordQuality;\n  inversion: number;\n}): Chord {\n  const chord = makeChord(parsed.rootPc, parsed.quality);\n  if (parsed.inversion > 0 && parsed.inversion < chord.intervals.length) {\n    chord.bassPc = mod12(parsed.rootPc + (chord.intervals[parsed.inversion] ?? 0));\n  }\n  return chord;\n}\n\n/**\n * Build the chord denoted by a Roman numeral in a key.\n *\n * Supports accidentals (`bVII`, `#iv`), case-based triad quality, the `o`/`ø`/`+`\n * suffixes, sevenths (`V7`, `viio7`, `Imaj7`), figured-bass inversions\n * (`V6`, `V64`, `V65`, `V43`, `V42`), and applied/secondary chords via a slash\n * (`V7/V`, `viio/ii`). The target after the slash is read as a scale degree\n * whose root becomes a local major tonic for the applied chord. Inverted chords\n * carry a `bassPc`.\n *\n * The `ø` glyph always denotes the half-diminished seventh (`iiø` == `iiø7` ==\n * `m7b5`), since no half-diminished triad exists. Extension and added-tone\n * suffixes are the canonical case-sensitive forms emitted by\n * {@link chordToRoman} and honor the numeral case: `V9` -> `dom9`, `ii9` ->\n * `min9`, `Imaj9` -> `maj9`, `V11` -> `11`, `V13` -> `13`, `Iadd6`/`iadd6` ->\n * `6`/`min6`, `I69` -> `6/9`, `Isus2`/`Isus4`, `Iadd9`/`Iadd11`, `Ib5` ->\n * `majb5`, `I5` -> `5`, and the altered dominants `V7b9`/`V7#9`/`V7#11`/`V7b13`.\n * A figure string that is neither a recognized inversion nor a supported\n * quality suffix throws rather than silently degrading to a triad.\n *\n * @param text The Roman numeral.\n * @param key The prevailing key.\n * @returns The chord.\n * @example\n * ```ts\n * import { romanToChord, majorKey } from '@libraz/libcantus';\n * romanToChord('V7', majorKey(0)); // G7 in C major: { rootPc: 7, quality: 'dom7', ... }\n * ```\n * @category Functional Harmony\n */\nexport function romanToChord(text: string, key: KeyScale): Chord {\n  const trimmed = text.trim();\n  const slash = trimmed.indexOf('/');\n  if (slash >= 0) {\n    const applied = trimmed.slice(0, slash);\n    const target = trimmed.slice(slash + 1);\n    const targetRoot = parseSimpleRoman(target, key).rootPc;\n    const localKey = majorKey(targetRoot);\n    return chordFromParsed(parseSimpleRoman(applied, localKey));\n  }\n  return chordFromParsed(parseSimpleRoman(trimmed, key));\n}\n\n/** Case and suffix for rendering a chord quality as a Roman numeral. */\nfunction romanStyle(quality: ChordQuality): { lower: boolean; suffix: string } {\n  return ROMAN_STYLE[quality];\n}\n\n/** Choose the degree number and accidental to spell a root as a Roman numeral. */\nfunction romanSpelling(\n  rootPc: number,\n  key: KeyScale,\n): { degreeNumber: number; accidental: string } {\n  const tones = scaleTonesInDegreeOrder(key);\n  const diatonic = tones.indexOf(mod12(rootPc));\n  if (diatonic >= 0) {\n    return { degreeNumber: diatonic + 1, accidental: '' };\n  }\n  // Chromatic root: prefer a flat of the diatonic degree a semitone above it,\n  // then a sharp of the degree a semitone below. Degree 1 (the tonic) and\n  // degree 5 (the dominant) are skipped in the flat pass, so a raised leading\n  // tone spells as `#vii` rather than a flat tonic `bI`, and the tritone above\n  // the tonic spells as `#iv` rather than a flat fifth `bV` (matching the\n  // conventional `OFFSET_SPELLING` for offset 6).\n  for (let i = 0; i < tones.length; i += 1) {\n    const degreeNumber = i + 1;\n    if (degreeNumber === 1 || degreeNumber === 5) {\n      continue;\n    }\n    if (mod12((tones[i] ?? 0) - 1) === mod12(rootPc)) {\n      return { degreeNumber, accidental: 'b' };\n    }\n  }\n  for (let i = 0; i < tones.length; i += 1) {\n    if (mod12((tones[i] ?? 0) + 1) === mod12(rootPc)) {\n      return { degreeNumber: i + 1, accidental: '#' };\n    }\n  }\n  const [degreeNumber, accidental] = OFFSET_SPELLING[mod12(rootPc - key.rootPc)] ?? [1, ''];\n  return { degreeNumber, accidental };\n}\n\n/** Quality marker (without the seventh digit) used when a figure carries the 7. */\nfunction baseMarker(quality: ChordQuality): string {\n  if (quality === 'dim' || quality === 'dim7') {\n    return 'o';\n  }\n  if (quality === 'm7b5') {\n    return 'ø';\n  }\n  if (quality === 'aug' || quality === 'aug7') {\n    return '+';\n  }\n  if (quality === 'augMaj7') {\n    return '+maj7';\n  }\n  if (quality === 'maj7' || quality === 'minMaj7') {\n    return 'maj7';\n  }\n  return '';\n}\n\nconst TRIAD_FIGURES: Record<number, string> = { 1: '6', 2: '64' };\nconst SEVENTH_FIGURES: Record<number, string> = { 1: '65', 2: '43', 3: '42' };\n\n/** Qualities whose inversions render as lossless triad figures (6, 64). */\nconst TRIAD_FIGURE_QUALITIES: ReadonlySet<ChordQuality> = new Set(['maj', 'min', 'dim', 'aug']);\n\n/**\n * Qualities carrying a chordal seventh, whose inversions render as seventh\n * figures (65, 43, 42). Membership is decided by the quality itself — a 7th\n * above the root (10 or 11 semitones, or the diminished 7th of `dim7`) — never\n * by interval count, which would turn added-tone chords into false sevenths.\n */\nconst SEVENTH_FIGURE_QUALITIES: ReadonlySet<ChordQuality> = new Set([\n  'maj7',\n  'min7',\n  'dom7',\n  'dim7',\n  'm7b5',\n  'minMaj7',\n  'aug7',\n  'augMaj7',\n]);\n\n/**\n * Render a chord as a Roman numeral relative to a key.\n *\n * Diatonic roots take their scale-degree numeral directly, so numerals are\n * correct in both major and minor keys (and any custom scale). The quality\n * selects the case and suffix; chromatic roots receive a flat/sharp spelling by\n * convention. When the chord carries a `bassPc` on a chord tone, a figured-bass\n * inversion (`6`, `64`, `65`, `43`, `42`) is emitted for plain triads and true\n * seventh chords; added-tone and extended qualities have no lossless figure and\n * render in root position instead (the bass is dropped, pitch classes are\n * preserved).\n *\n * @param chord The chord to name.\n * @param key The prevailing key.\n * @returns The Roman numeral string.\n * @example\n * ```ts\n * import { chordToRoman, makeChord, majorKey } from '@libraz/libcantus';\n * chordToRoman(makeChord(7, 'dom7'), majorKey(0)); // => 'V7' (G7 in C major)\n * ```\n * @category Functional Harmony\n */\nexport function chordToRoman(chord: Chord, key: KeyScale): string {\n  const { degreeNumber, accidental } = romanSpelling(chord.rootPc, key);\n  const { lower, suffix } = romanStyle(chord.quality);\n  const numeral: string = ROMAN[degreeNumber - 1] ?? 'I';\n  const cased = lower ? numeral.toLowerCase() : numeral;\n\n  let inversion = 0;\n  if (chord.bassPc !== undefined) {\n    const idx = chord.intervals.findIndex((iv) => mod12(chord.rootPc + iv) === chord.bassPc);\n    if (idx > 0) {\n      inversion = idx;\n    }\n  }\n  if (inversion > 0) {\n    const figure = SEVENTH_FIGURE_QUALITIES.has(chord.quality)\n      ? SEVENTH_FIGURES[inversion]\n      : TRIAD_FIGURE_QUALITIES.has(chord.quality)\n        ? TRIAD_FIGURES[inversion]\n        : undefined;\n    if (figure !== undefined) {\n      return `${accidental}${cased}${baseMarker(chord.quality)}${figure}`;\n    }\n    // No lossless figured-bass symbol exists — the quality is an added-tone or\n    // extended chord, or the bass falls on a tension beyond the seventh — so\n    // fall back to root-position rendering with the quality suffix rather than\n    // emitting a figure that would re-parse as a different chord.\n  }\n  return `${accidental}${cased}${suffix}`;\n}\n","/**\n * Borrowed chords (modal interchange) and the Neapolitan.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { HARMONIC_MINOR_MASK } from '../../theory/scale/index.js';\nimport { isDiatonic, isMinorKey, parallelKey } from './function.js';\nimport { isNeapolitan, mod12 } from './internal.js';\n\n/**\n * The origin of a recognized non-diatonic chord, or null when none applies.\n *\n * @category Functional Harmony\n */\nexport type BorrowedSource = 'parallel-minor' | 'parallel-major' | 'neapolitan' | null;\n\n/**\n * In a minor key, whether a non-diatonic chord is explained by the harmonic\n * minor scale on the same tonic (major V, V7, the raised-leading-tone viio).\n * Such chords are in-key chromatic alterations, not modal interchange.\n */\nfunction isHarmonicMinorAlteration(chord: Chord, key: KeyScale): boolean {\n  return (\n    isMinorKey(key) &&\n    isDiatonic(chord, { rootPc: mod12(key.rootPc), modeMask12: HARMONIC_MINOR_MASK })\n  );\n}\n\n/**\n * Whether a chord is borrowed from the parallel mode (modal interchange).\n *\n * True when the chord is not diatonic to `key` but is diatonic to its\n * {@link parallelKey} — e.g. iv, bVI, or bVII in a major key, or the Picardy\n * tonic and major IV in a minor key. Two non-diatonic families are excluded:\n * chords diatonic to neither mode (they are chromatic, not borrowed), and, in\n * a minor key, chords explained by the harmonic minor scale (the major\n * dominant and raised-leading-tone chords), which are in-key alterations\n * rather than interchange even though they happen to fit the parallel major.\n *\n * @param chord The chord to test.\n * @param key The prevailing key.\n * @returns True if the chord is borrowed from the parallel mode.\n * @category Functional Harmony\n */\nexport function isBorrowedChord(chord: Chord, key: KeyScale): boolean {\n  if (isDiatonic(chord, key)) {\n    return false;\n  }\n  if (isHarmonicMinorAlteration(chord, key)) {\n    return false;\n  }\n  return isDiatonic(chord, parallelKey(key));\n}\n\n/**\n * Identify where a non-diatonic chord comes from.\n *\n * The Neapolitan (major triad on b2) is recognized first, since it sits\n * outside both parallel modes; parallel-mode borrowing follows the\n * {@link isBorrowedChord} rules. Diatonic chords, harmonic-minor alterations,\n * and unrecognized chromatic chords all yield null.\n *\n * @param chord The chord to classify.\n * @param key The prevailing key.\n * @returns The borrowing source, or null.\n * @category Functional Harmony\n */\nexport function borrowedSource(chord: Chord, key: KeyScale): BorrowedSource {\n  if (isDiatonic(chord, key)) {\n    return null;\n  }\n  if (isNeapolitan(chord, key)) {\n    return 'neapolitan';\n  }\n  if (isBorrowedChord(chord, key)) {\n    return isMinorKey(key) ? 'parallel-major' : 'parallel-minor';\n  }\n  return null;\n}\n","/**\n * Harmonic function (tonic / subdominant / dominant), diatonicity, parallel-key\n * mirroring, and full chord analysis.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { chordPitchClasses, makeChord } from '../../theory/chord/index.js';\nimport { isScaleTone, MAJOR_MASK, NATURAL_MINOR_MASK } from '../../theory/scale/index.js';\nimport { type BorrowedSource, borrowedSource } from './borrowed.js';\nimport { degreeRootPc, isNeapolitan, mod12 } from './internal.js';\nimport { chordToRoman } from './roman.js';\n\n/**\n * The three broad harmonic functions of tonal music.\n *\n * @category Functional Harmony\n */\nexport type HarmonicFunction = 'tonic' | 'subdominant' | 'dominant';\n\n/** Harmonic function of each semitone offset above the tonic (major context). */\nconst FUNCTION_BY_OFFSET: readonly HarmonicFunction[] = [\n  'tonic', // 0  I\n  'subdominant', // 1  bII (Neapolitan)\n  'subdominant', // 2  ii\n  'tonic', // 3  bIII\n  'tonic', // 4  iii\n  'subdominant', // 5  IV\n  'dominant', // 6  #IV / bV\n  'dominant', // 7  V\n  'subdominant', // 8  bVI\n  'tonic', // 9  vi\n  'subdominant', // 10 bVII\n  'dominant', // 11 vii\n];\n\n/**\n * Whether a key's scale has a minor third and no major third (a minor key).\n *\n * @category Functional Harmony\n */\nexport function isMinorKey(key: KeyScale): boolean {\n  const hasMinorThird = (key.modeMask12 >> 3) & 1;\n  const hasMajorThird = (key.modeMask12 >> 4) & 1;\n  return Boolean(hasMinorThird) && !hasMajorThird;\n}\n\n/**\n * The harmonic function of a chord in a key, from its root's offset above the\n * tonic. The mapping follows common-practice major-key function and is a useful\n * approximation in minor and for borrowed chords.\n *\n * @param chord The chord.\n * @param key The prevailing key.\n * @returns The harmonic function.\n * @category Functional Harmony\n */\nexport function functionOf(chord: Chord, key: KeyScale): HarmonicFunction {\n  return FUNCTION_BY_OFFSET[mod12(chord.rootPc - key.rootPc)] ?? 'tonic';\n}\n\n/**\n * The result of {@link analyzeChord}: function, borrowing, and Roman numeral.\n *\n * @category Functional Harmony\n */\nexport type ChordAnalysis = {\n  function: HarmonicFunction;\n  borrowed: boolean;\n  source: BorrowedSource;\n  roman: string;\n};\n\n/**\n * Whether every pitch class of a chord belongs to the key's scale.\n *\n * The test is strict against the key's own mode mask: in a natural-minor key\n * the harmonic-minor dominant (major V) is *not* diatonic, since the raised\n * leading tone lies outside the mask. Borrowing predicates treat that case as\n * an in-key alteration separately (see {@link isBorrowedChord}).\n *\n * @param chord The chord to test.\n * @param key The prevailing key.\n * @returns True if all chord pitch classes are scale tones.\n * @category Functional Harmony\n */\nexport function isDiatonic(chord: Chord, key: KeyScale): boolean {\n  return chordPitchClasses(chord).every((pc) => isScaleTone(pc, key));\n}\n\n/**\n * The parallel key: same tonic, opposite mode.\n *\n * A key with a minor third (natural/harmonic/melodic minor, dorian, phrygian)\n * maps to the parallel major; any other key maps to the parallel natural minor.\n *\n * @param key The key to mirror.\n * @returns The parallel major or natural-minor key on the same tonic.\n * @category Functional Harmony\n */\nexport function parallelKey(key: KeyScale): KeyScale {\n  return {\n    rootPc: mod12(key.rootPc),\n    modeMask12: isMinorKey(key) ? MAJOR_MASK : NATURAL_MINOR_MASK,\n  };\n}\n\n/** Diminished-family qualities: diminished triad, dim7, half-diminished. */\nfunction isDiminishedQuality(quality: ChordQuality): boolean {\n  return quality === 'dim' || quality === 'dim7' || quality === 'm7b5';\n}\n\n/** Whether the chord's interval template carries a major third above the root. */\nfunction hasMajorThird(chord: Chord): boolean {\n  return chord.intervals.some((interval) => mod12(interval) === 4);\n}\n\n/**\n * Quality-aware harmonic function, refining the offset table where chord\n * quality disambiguates: diminished chords on the leading tone or the raised\n * subdominant resolve by semitone and act as dominants; the Neapolitan and the\n * major-third chords on bVI/bVII borrowed from the parallel minor act as\n * subdominant (predominant) harmony. All other chords keep {@link functionOf}.\n */\nfunction qualityAwareFunction(chord: Chord, key: KeyScale): HarmonicFunction {\n  const offset = mod12(chord.rootPc - key.rootPc);\n  if (isDiminishedQuality(chord.quality) && (offset === 11 || offset === 6)) {\n    return 'dominant';\n  }\n  if (isNeapolitan(chord, key)) {\n    return 'subdominant';\n  }\n  if (!isMinorKey(key) && hasMajorThird(chord) && (offset === 8 || offset === 10)) {\n    return 'subdominant';\n  }\n  return functionOf(chord, key);\n}\n\n/**\n * Analyze a chord in a key: harmonic function, borrowing, and Roman numeral.\n *\n * The function is quality-aware (see the predicates behind it), the source\n * follows {@link borrowedSource}, and the numeral comes from\n * {@link chordToRoman}. `borrowed` is true whenever a source is identified —\n * including the Neapolitan, which the stricter parallel-mode predicate\n * {@link isBorrowedChord} does not count.\n *\n * @param chord The chord to analyze.\n * @param key The prevailing key.\n * @returns The chord analysis.\n * @example\n * ```ts\n * import { analyzeChord, makeChord, majorKey } from '@libraz/libcantus';\n * analyzeChord(makeChord(7, 'dom7'), majorKey(0));\n * // { function: 'dominant', borrowed: false, source: null, roman: 'V7' }\n * ```\n * @category Functional Harmony\n */\nexport function analyzeChord(chord: Chord, key: KeyScale): ChordAnalysis {\n  const source = borrowedSource(chord, key);\n  return {\n    function: qualityAwareFunction(chord, key),\n    borrowed: source !== null,\n    source,\n    roman: chordToRoman(chord, key),\n  };\n}\n\n/**\n * The secondary dominant (V7) that tonicizes a scale degree.\n *\n * @param targetDegree 0-based scale degree to tonicize.\n * @param key The prevailing key.\n * @returns A dominant-seventh chord a fifth above the target's root.\n * @category Functional Harmony\n */\nexport function secondaryDominant(targetDegree: number, key: KeyScale): Chord {\n  const targetRoot = degreeRootPc(targetDegree + 1, key);\n  return makeChord(mod12(targetRoot + 7), 'dom7');\n}\n","/**\n * Cadence detection between two successive chords.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { isMinorKey } from './function.js';\nimport { mod12 } from './internal.js';\n\n/**\n * A recognized cadence type, or null when a chord pair forms none.\n *\n * @category Functional Harmony\n */\nexport type Cadence = 'authentic' | 'plagal' | 'half' | 'deceptive' | null;\n\n/**\n * Classify the cadence formed by moving from one chord to the next.\n *\n * - authentic: V (dominant a fifth above the tonic) to I\n * - plagal: IV (a fourth above the tonic) to I\n * - deceptive: V to the submediant (diatonic vi or borrowed bVI in major, VI in\n *   minor)\n * - half: any chord other than the dominant itself to V\n *\n * A static V-to-V repeat with no root motion is not a cadence and yields null.\n *\n * @param from The penultimate chord.\n * @param to The final chord.\n * @param key The prevailing key.\n * @returns The cadence type, or null.\n * @example\n * ```ts\n * import { detectCadence, makeChord, majorKey } from '@libraz/libcantus';\n * detectCadence(makeChord(7, 'maj'), makeChord(0, 'maj'), majorKey(0)); // => 'authentic'\n * ```\n * @category Functional Harmony\n */\nexport function detectCadence(from: Chord, to: Chord, key: KeyScale): Cadence {\n  const tonic = mod12(key.rootPc);\n  const fromOffset = mod12(from.rootPc - tonic);\n  const toOffset = mod12(to.rootPc - tonic);\n  // Deceptive targets: the diatonic submediant (vi at offset 9 in major, VI at\n  // offset 8 in minor) plus, in a major key, the borrowed flat-submediant bVI\n  // at offset 8.\n  const deceptiveTargets = isMinorKey(key) ? [8] : [8, 9];\n  if (fromOffset === 7 && toOffset === 0) {\n    return 'authentic';\n  }\n  if (fromOffset === 5 && toOffset === 0) {\n    return 'plagal';\n  }\n  if (fromOffset === 7 && deceptiveTargets.includes(toOffset)) {\n    return 'deceptive';\n  }\n  // A move to the dominant is a half cadence, but a no-root-motion V-to-V repeat\n  // is not a cadence at all.\n  if (toOffset === 7 && fromOffset !== 7) {\n    return 'half';\n  }\n  return null;\n}\n","/**\n * Recognition: infer a chord name from a set of pitches, or a key from a set of\n * pitch classes. This is the inverse direction of the chord/scale builders,\n * which only go name -> notes.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport { assertFiniteNumber, assertGenerationBudget } from '../../core/validation/index.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { chordPitchClasses, chordQualities, makeChord } from '../../theory/chord/index.js';\nimport {\n  HARMONIC_MINOR_MASK,\n  MAJOR_MASK,\n  MELODIC_MINOR_MASK,\n  majorKey,\n  minorKey,\n  NATURAL_MINOR_MASK,\n} from '../../theory/scale/index.js';\n\n/**\n * A candidate chord interpretation of a pitch set.\n *\n * @category Recognition\n */\nexport type ChordMatch = {\n  rootPc: number;\n  quality: ChordQuality;\n  /** Chord tones absent from the input (an incomplete voicing). */\n  missingPcs: number[];\n  /** Input pitch classes not belonging to the chord. */\n  extraPcs: number[];\n  /** True when the input pitch-class set equals the chord exactly. */\n  exact: boolean;\n  /** Inversion implied by a known bass, or null for an unordered pitch-class set. */\n  inversion: number | null;\n  /** Bass pitch class when inverted (the lowest note is not the root). */\n  bassPc?: number;\n};\n\n/** Input interpretation for {@link detectChord} and {@link detectChordBest}. */\nexport type DetectChordOptions = {\n  /**\n   * `midi` uses the numerically lowest pitch as bass; `pitchClass` treats the\n   * input as unordered. `auto` (default) selects pitch-class mode only when all\n   * values lie in 0..11.\n   */\n  input?: 'auto' | 'midi' | 'pitchClass';\n  /** Explicit bass pitch class, including for an unordered pitch-class set. */\n  bassPc?: number;\n};\n\n/**\n * A candidate key interpretation of a pitch-class set.\n *\n * @category Recognition\n */\nexport type KeyMatch = {\n  key: KeyScale;\n  mode: 'major' | 'minor';\n  /** Fraction of input pitch classes that are in the scale, in [0, 1]. */\n  fit: number;\n};\n\n/** Reduce any integer to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Unique pitch classes of the input, sorted ascending. */\nfunction uniquePitchClasses(pitches: number[]): number[] {\n  return [...new Set(pitches.map(pitchClass))].sort((a, b) => a - b);\n}\n\nfunction assertPitches(pitches: number[]): void {\n  assertGenerationBudget(pitches.length, 'detection pitches');\n  for (let index = 0; index < pitches.length; index += 1) {\n    assertFiniteNumber(pitches[index] ?? Number.NaN, `pitches[${index}]`);\n  }\n}\n\n/**\n * Identify chords matching a set of pitches.\n *\n * Every input pitch class is tried as a root against every known chord quality.\n * A match is reported when all of the chord's tones are present in the input, or\n * when the only absent tone is the perfect fifth (a common omission in shell\n * voicings); matches are ranked best-first by fewest extra notes, then fewest\n * missing notes, then most specific (largest) chord. An exact match (no extras,\n * no missing) is flagged and ranked first.\n *\n * @param pitches MIDI pitches or bare pitch classes (octave-agnostic).\n * @returns Ranked chord interpretations (may be empty).\n * @example\n * ```ts\n * import { detectChord } from '@libraz/libcantus';\n * const matches = detectChord([60, 64, 67]); // C E G\n * matches[0]; // { rootPc: 0, quality: 'maj', exact: true, ... }\n * ```\n * @category Recognition\n */\nexport function detectChord(pitches: number[], opts: DetectChordOptions = {}): ChordMatch[] {\n  assertPitches(pitches);\n  if (opts.bassPc !== undefined) assertFiniteNumber(opts.bassPc, 'bassPc');\n  const input = uniquePitchClasses(pitches);\n  if (input.length === 0) {\n    return [];\n  }\n  const inputKind =\n    opts.input === undefined || opts.input === 'auto'\n      ? pitches.every((pitch) => Number.isInteger(pitch) && pitch >= 0 && pitch <= 11)\n        ? 'pitchClass'\n        : 'midi'\n      : opts.input;\n  const bassPc =\n    opts.bassPc !== undefined\n      ? pitchClass(opts.bassPc)\n      : inputKind === 'midi'\n        ? pitchClass(pitches.reduce((lowest, pitch) => Math.min(lowest, pitch), Infinity))\n        : undefined;\n  const inputSet = new Set(input);\n  const matches: ChordMatch[] = [];\n  const qualities = chordQualities();\n  for (const rootPc of input) {\n    for (const quality of qualities) {\n      const chord = makeChord(rootPc, quality);\n      const tones = chordPitchClasses(chord);\n      const toneSet = new Set(tones);\n      const missingPcs = tones.filter((pc) => !inputSet.has(pc));\n      // Accept an exact-tone match, or one whose only absent tone is the perfect\n      // fifth; any other missing tone (third, sus tone, seventh, ...) rejects.\n      const fifthPc = pitchClass(rootPc + 7);\n      if (missingPcs.length > 1 || (missingPcs.length === 1 && missingPcs[0] !== fifthPc)) {\n        continue;\n      }\n      const extraPcs = input.filter((pc) => !toneSet.has(pc));\n      const bassIndex =\n        bassPc === undefined\n          ? -1\n          : chord.intervals.findIndex((iv) => pitchClass(rootPc + iv) === bassPc);\n      const inversion = bassPc === undefined ? null : bassIndex > 0 ? bassIndex : 0;\n      const match: ChordMatch = {\n        rootPc,\n        quality,\n        missingPcs,\n        extraPcs,\n        exact: extraPcs.length === 0 && missingPcs.length === 0,\n        inversion,\n      };\n      if (bassPc !== undefined && bassPc !== rootPc) {\n        match.bassPc = bassPc;\n      }\n      matches.push(match);\n    }\n  }\n  matches.sort((a, b) => {\n    if (a.extraPcs.length !== b.extraPcs.length) {\n      return a.extraPcs.length - b.extraPcs.length;\n    }\n    if (a.missingPcs.length !== b.missingPcs.length) {\n      return a.missingPcs.length - b.missingPcs.length;\n    }\n    // Prefer root position (the bass is the chord root) on a tie.\n    if ((a.inversion === 0) !== (b.inversion === 0)) {\n      return a.inversion === 0 ? -1 : 1;\n    }\n    const aSize = chordPitchClasses(makeChord(a.rootPc, a.quality)).length;\n    const bSize = chordPitchClasses(makeChord(b.rootPc, b.quality)).length;\n    return bSize - aSize;\n  });\n  return matches;\n}\n\n/**\n * The single best chord interpretation of a pitch set, or null if none.\n *\n * @param pitches MIDI pitches or bare pitch classes.\n * @returns The top-ranked chord, or null when nothing matches.\n * @example\n * ```ts\n * import { detectChordBest } from '@libraz/libcantus';\n * detectChordBest([60, 64, 67]); // C major triad: { rootPc: 0, quality: 'maj', ... }\n * ```\n * @category Recognition\n */\nexport function detectChordBest(pitches: number[], opts: DetectChordOptions = {}): Chord | null {\n  const best = detectChord(pitches, opts)[0];\n  if (!best) {\n    return null;\n  }\n  return makeChord(best.rootPc, best.quality, best.bassPc);\n}\n\n/**\n * Minor-scale variants scored for each minor-key candidate. Scoring against all\n * three lets the raised sixth and seventh (e.g. the leading tone G# in A minor)\n * count toward their own tonic instead of only penalizing it.\n */\nconst MINOR_MASK_VARIANTS = [NATURAL_MINOR_MASK, HARMONIC_MINOR_MASK, MELODIC_MINOR_MASK];\n\n/**\n * Rank major and minor keys by how well they contain a set of pitch classes.\n *\n * The tonic is weighted so that, among equally-fitting keys, the one whose root\n * appears in the input is preferred. Minor candidates are scored against the\n * natural, harmonic, and melodic minor variants and keep the best of the three,\n * so a minor cadence containing the leading tone still resolves to its own\n * tonic; the returned key is always the natural-minor scale. Returns all 24\n * keys ranked best-first, or an empty array for an empty input (mirroring\n * {@link detectChord}).\n *\n * @param pitches MIDI pitches or bare pitch classes.\n * @returns Ranked key interpretations (empty for an empty input).\n * @example\n * ```ts\n * import { detectKey } from '@libraz/libcantus';\n * const keys = detectKey([60, 62, 64, 65, 67, 69, 71]); // C major scale\n * keys[0].mode; // 'major', with keys[0].key.rootPc === 0\n * ```\n * @category Recognition\n */\nexport function detectKey(pitches: number[]): KeyMatch[] {\n  assertPitches(pitches);\n  const input = uniquePitchClasses(pitches);\n  if (input.length === 0) {\n    return [];\n  }\n  const counts = new Map<number, number>();\n  for (const pc of pitches.map(pitchClass)) {\n    counts.set(pc, (counts.get(pc) ?? 0) + 1);\n  }\n  const total = pitches.length;\n  const results: (KeyMatch & { score: number })[] = [];\n  for (let tonic = 0; tonic < 12; tonic += 1) {\n    for (const mode of ['major', 'minor'] as const) {\n      const key = mode === 'major' ? majorKey(tonic) : minorKey(tonic);\n      const masks = mode === 'major' ? [MAJOR_MASK] : MINOR_MASK_VARIANTS;\n      // Score each scale variant and keep the best; ties keep the earlier\n      // (more diatonic) variant.\n      let inScale = 0;\n      let weighted = Number.NEGATIVE_INFINITY;\n      for (const mask of masks) {\n        let variantInScale = 0;\n        let variantWeighted = 0;\n        for (const pc of input) {\n          const offset = (pc - tonic + 12) % 12;\n          if ((mask >> offset) & 1) {\n            variantInScale += 1;\n          }\n        }\n        for (const [pc, count] of counts) {\n          const offset = (pc - tonic + 12) % 12;\n          if ((mask >> offset) & 1) {\n            variantWeighted += count;\n          }\n        }\n        if (variantWeighted > weighted) {\n          weighted = variantWeighted;\n          inScale = variantInScale;\n        }\n      }\n      weighted += (counts.get(tonic) ?? 0) * 0.5;\n      results.push({\n        key,\n        mode,\n        fit: inScale / input.length,\n        score: weighted / total,\n      });\n    }\n  }\n  results.sort((a, b) => b.score - a.score);\n  return results.map(({ key, mode, fit }) => ({ key, mode, fit 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package/dist/chunk-DYWFNC4A.js

@@ -1,152 +0,0 @@
-// src/core/pitch/index.ts
-var LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11];
-var LETTER_NAMES = ["C", "D", "E", "F", "G", "A", "B"];
-function mod12(n) {
-  return (n % 12 + 12) % 12;
-}
-function mod7(n) {
-  return (n % 7 + 7) % 7;
-}
-function parseNote(text) {
-  const match = /^([A-Ga-g])([#x]*|b*)(-?\d+)?$/.exec(text.trim());
-  if (!match) {
-    throw new Error(`Invalid note: ${text}`);
-  }
-  const letterGlyph = (match[1] ?? "").toUpperCase();
-  const letter = LETTER_NAMES.indexOf(letterGlyph);
-  let alter = 0;
-  for (const ch of match[2] ?? "") {
-    if (ch === "#") {
-      alter += 1;
-    } else if (ch === "x") {
-      alter += 2;
-    } else if (ch === "b") {
-      alter -= 1;
-    }
-  }
-  const note = { letter, alter };
-  if (match[3] !== void 0) {
-    note.octave = Number.parseInt(match[3], 10);
-  }
-  return note;
-}
-function formatAlter(alter) {
-  if (alter > 0) {
-    return "#".repeat(alter);
-  }
-  if (alter < 0) {
-    return "b".repeat(-alter);
-  }
-  return "";
-}
-function formatNote(note) {
-  const glyph = LETTER_NAMES[mod7(note.letter)] ?? "C";
-  const octave = note.octave === void 0 ? "" : String(note.octave);
-  return `${glyph}${formatAlter(note.alter)}${octave}`;
-}
-function noteToPitchClass(note) {
-  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;
-  return mod12(natural + note.alter);
-}
-function noteToMidi(note) {
-  if (note.octave === void 0) {
-    throw new Error("noteToMidi requires an octave");
-  }
-  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;
-  return (note.octave + 1) * 12 + natural + note.alter;
-}
-var SHARP_SPELLING = [
-  [0, 0],
-  [0, 1],
-  [1, 0],
-  [1, 1],
-  [2, 0],
-  [3, 0],
-  [3, 1],
-  [4, 0],
-  [4, 1],
-  [5, 0],
-  [5, 1],
-  [6, 0]
-];
-var FLAT_SPELLING = [
-  [0, 0],
-  [1, -1],
-  [1, 0],
-  [2, -1],
-  [2, 0],
-  [3, 0],
-  [4, -1],
-  [4, 0],
-  [5, -1],
-  [5, 0],
-  [6, -1],
-  [6, 0]
-];
-function midiToNote(midi, spelling = "sharp") {
-  const rounded = Math.round(midi);
-  const pc = mod12(rounded);
-  const octave = Math.floor(rounded / 12) - 1;
-  const table = spelling === "sharp" ? SHARP_SPELLING : FLAT_SPELLING;
-  const entry = table[pc] ?? [0, 0];
-  return { letter: entry[0], alter: entry[1], octave };
-}
-var SIMPLE_REFERENCE = [0, 0, 2, 4, 5, 7, 9, 11];
-function isPerfectNumber(simpleNumber) {
-  return simpleNumber === 1 || simpleNumber === 4 || simpleNumber === 5;
-}
-function qualityFromSpan(numberValue, semitones) {
-  const octaves = Math.floor((numberValue - 1) / 7);
-  const simple = numberValue - 7 * octaves;
-  const reference = (SIMPLE_REFERENCE[simple] ?? 0) + 12 * octaves;
-  const delta = semitones - reference;
-  if (isPerfectNumber(simple)) {
-    if (delta === 0) {
-      return "P";
-    }
-    return delta > 0 ? "A".repeat(delta) : "d".repeat(-delta);
-  }
-  if (delta === 0) {
-    return "M";
-  }
-  if (delta === -1) {
-    return "m";
-  }
-  return delta > 0 ? "A".repeat(delta) : "d".repeat(-delta - 1);
-}
-function diatonicIndex(note) {
-  return mod7(note.letter) + 7 * (note.octave ?? 0);
-}
-function spelledInterval(a, b) {
-  const octaved = a.octave !== void 0 && b.octave !== void 0;
-  let letterSteps;
-  let semitones;
-  if (octaved) {
-    letterSteps = diatonicIndex(b) - diatonicIndex(a);
-    semitones = noteToMidi(b) - noteToMidi(a);
-  } else {
-    letterSteps = mod7(b.letter - a.letter);
-    let rawSemis = mod12(noteToPitchClass(b) - noteToPitchClass(a));
-    const reference = SIMPLE_REFERENCE[letterSteps + 1] ?? 0;
-    if (reference - rawSemis > 6) {
-      rawSemis += 12;
-    } else if (rawSemis - reference > 6) {
-      rawSemis -= 12;
-    }
-    semitones = rawSemis;
-  }
-  const absSteps = Math.abs(letterSteps);
-  const number = absSteps + 1;
-  const quality = qualityFromSpan(number, Math.abs(semitones));
-  return { number, quality, semitones };
-}
-
-export {
-  parseNote,
-  formatNote,
-  noteToPitchClass,
-  noteToMidi,
-  midiToNote,
-  spelledInterval
-};
-//# sourceMappingURL=chunk-DYWFNC4A.js.map

package/dist/chunk-DYWFNC4A.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/core/pitch/index.ts"],"sourcesContent":["/**\n * Pitch spelling: letter-name notes, enharmonic-aware conversion, and spelled\n * intervals.\n *\n * The rest of the library works in pitch classes (0..11), which cannot tell a\n * G# from an Ab or an augmented fourth from a diminished fifth. This module adds\n * an explicit spelling layer — a note is a diatonic letter plus a chromatic\n * alteration — so interval quality (P/M/m/A/d) and enharmonic identity are\n * preserved.\n */\n\n/** Semitone offset of each natural letter above C: C D E F G A B. */\nconst LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11] as const;\n\n/** Letter glyphs indexed by letter number (0 = C .. 6 = B). */\nconst LETTER_NAMES = ['C', 'D', 'E', 'F', 'G', 'A', 'B'] as const;\n\n/**\n * A spelled note: a diatonic letter, a chromatic alteration, and an optional\n * octave.\n *\n * - `letter` is 0..6 for C..B.\n * - `alter` is the number of semitones of alteration: -2 double-flat, -1 flat,\n *   0 natural, +1 sharp, +2 double-sharp.\n * - `octave` follows scientific pitch notation (middle C = C4 = MIDI 60). When\n *   absent, the note denotes a bare pitch class.\n *\n * @category Pitch & Intervals\n */\nexport type Note = {\n  letter: number;\n  alter: number;\n  octave?: number;\n};\n\n/**\n * A spelled interval: a diatonic number, a quality label, and its semitone span.\n *\n * @category Pitch & Intervals\n */\nexport type SpelledInterval = {\n  /** Diatonic size: 1 = unison, 2 = second, ... 8 = octave, and beyond. */\n  number: number;\n  /** Quality label: 'P', 'M', 'm', or repeated 'A'/'d' for (multiply) aug/dim. */\n  quality: string;\n  /** Signed semitone distance from the first note to the second. */\n  semitones: number;\n};\n\n/** Reduce any integer to a pitch class in [0, 11]. */\nfunction mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/** Reduce any integer to [0, 7). */\nfunction mod7(n: number): number {\n  return ((n % 7) + 7) % 7;\n}\n\n/**\n * Parse scientific pitch notation into a {@link Note}.\n *\n * Accepts a letter (case-insensitive) followed by any number of same-direction\n * accidentals and an optional octave, e.g. `\"C\"`, `\"C#4\"`, `\"Bb\"`, `\"F##3\"`,\n * `\"Ebb2\"`. Both `#` and `x` (double-sharp) are accepted for sharps; `b` for\n * flats. Mixing sharps and flats (e.g. `\"C#b\"`) is rejected.\n *\n * @param text The note text.\n * @returns The parsed note.\n * @throws If the text is not a valid note.\n * @example\n * ```ts\n * import { parseNote, noteToMidi } from '@libraz/libcantus';\n * const n = parseNote('C#4');\n * noteToMidi(n); // 61\n * ```\n * @category Pitch & Intervals\n */\nexport function parseNote(text: string): Note {\n  const match = /^([A-Ga-g])([#x]*|b*)(-?\\d+)?$/.exec(text.trim());\n  if (!match) {\n    throw new Error(`Invalid note: ${text}`);\n  }\n  const letterGlyph = (match[1] ?? '').toUpperCase();\n  const letter = LETTER_NAMES.indexOf(letterGlyph as (typeof LETTER_NAMES)[number]);\n  let alter = 0;\n  for (const ch of match[2] ?? '') {\n    if (ch === '#') {\n      alter += 1;\n    } else if (ch === 'x') {\n      alter += 2;\n    } else if (ch === 'b') {\n      alter -= 1;\n    }\n  }\n  const note: Note = { letter, alter };\n  if (match[3] !== undefined) {\n    note.octave = Number.parseInt(match[3], 10);\n  }\n  return note;\n}\n\n/** Render an alteration as accidental glyphs (`##`, `b`, empty for natural). */\nfunction formatAlter(alter: number): string {\n  if (alter > 0) {\n    return '#'.repeat(alter);\n  }\n  if (alter < 0) {\n    return 'b'.repeat(-alter);\n  }\n  return '';\n}\n\n/**\n * Render a {@link Note} as scientific pitch notation.\n *\n * @param note The note to format.\n * @returns The note text, including the octave when present.\n * @example\n * ```ts\n * import { formatNote, parseNote } from '@libraz/libcantus';\n * formatNote(parseNote('C#4')); // 'C#4'\n * ```\n * @category Pitch & Intervals\n */\nexport function formatNote(note: Note): string {\n  const glyph = LETTER_NAMES[mod7(note.letter)] ?? 'C';\n  const octave = note.octave === undefined ? '' : String(note.octave);\n  return `${glyph}${formatAlter(note.alter)}${octave}`;\n}\n\n/**\n * Pitch class (0..11) of a note, ignoring octave.\n *\n * @param note The note.\n * @returns The pitch class.\n * @example\n * ```ts\n * import { noteToPitchClass, parseNote } from '@libraz/libcantus';\n * noteToPitchClass(parseNote('Db')); // 1\n * ```\n * @category Pitch & Intervals\n */\nexport function noteToPitchClass(note: Note): number {\n  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;\n  return mod12(natural + note.alter);\n}\n\n/**\n * MIDI number of a note (middle C = C4 = 60).\n *\n * @param note The note; must carry an octave.\n * @returns The MIDI number.\n * @throws If the note has no octave.\n * @example\n * ```ts\n * import { noteToMidi, parseNote } from '@libraz/libcantus';\n * noteToMidi(parseNote('A4')); // 69\n * ```\n * @category Pitch & Intervals\n */\nexport function noteToMidi(note: Note): number {\n  if (note.octave === undefined) {\n    throw new Error('noteToMidi requires an octave');\n  }\n  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;\n  return (note.octave + 1) * 12 + natural + note.alter;\n}\n\n/** Preferred spelling when naming a black key from a bare MIDI number. */\nconst SHARP_SPELLING: readonly [number, number][] = [\n  [0, 0],\n  [0, 1],\n  [1, 0],\n  [1, 1],\n  [2, 0],\n  [3, 0],\n  [3, 1],\n  [4, 0],\n  [4, 1],\n  [5, 0],\n  [5, 1],\n  [6, 0],\n];\n\nconst FLAT_SPELLING: readonly [number, number][] = [\n  [0, 0],\n  [1, -1],\n  [1, 0],\n  [2, -1],\n  [2, 0],\n  [3, 0],\n  [4, -1],\n  [4, 0],\n  [5, -1],\n  [5, 0],\n  [6, -1],\n  [6, 0],\n];\n\n/**\n * Name a MIDI number as a {@link Note}, choosing sharp or flat spelling.\n *\n * The input is rounded to the nearest integer but is not clamped to the MIDI\n * range 0..127: out-of-range values extrapolate linearly (e.g. `-1` -> `B-2`,\n * `128` -> `G#9`) and remain an exact inverse of {@link noteToMidi}.\n *\n * @param midi The MIDI number.\n * @param spelling Whether to prefer sharps or flats for black keys.\n * @returns The spelled note, with octave.\n * @example\n * ```ts\n * import { midiToNote, formatNote } from '@libraz/libcantus';\n * formatNote(midiToNote(61)); // 'C#4'\n * formatNote(midiToNote(61, 'flat')); // 'Db4'\n * ```\n * @category Pitch & Intervals\n */\nexport function midiToNote(midi: number, spelling: 'sharp' | 'flat' = 'sharp'): Note {\n  const rounded = Math.round(midi);\n  const pc = mod12(rounded);\n  const octave = Math.floor(rounded / 12) - 1;\n  const table = spelling === 'sharp' ? SHARP_SPELLING : FLAT_SPELLING;\n  const entry = table[pc] ?? [0, 0];\n  return { letter: entry[0], alter: entry[1], octave };\n}\n\n/** Reference semitone span of a perfect/major simple interval by diatonic number. */\nconst SIMPLE_REFERENCE = [0, 0, 2, 4, 5, 7, 9, 11] as const;\n\n/** Whether a simple diatonic number (1..7 within an octave) is a perfect kind. */\nfunction isPerfectNumber(simpleNumber: number): boolean {\n  return simpleNumber === 1 || simpleNumber === 4 || simpleNumber === 5;\n}\n\n/** Quality label from a diatonic number and its actual semitone span. */\nfunction qualityFromSpan(numberValue: number, semitones: number): string {\n  const octaves = Math.floor((numberValue - 1) / 7);\n  const simple = numberValue - 7 * octaves;\n  const reference = (SIMPLE_REFERENCE[simple] ?? 0) + 12 * octaves;\n  const delta = semitones - reference;\n  if (isPerfectNumber(simple)) {\n    if (delta === 0) {\n      return 'P';\n    }\n    return delta > 0 ? 'A'.repeat(delta) : 'd'.repeat(-delta);\n  }\n  if (delta === 0) {\n    return 'M';\n  }\n  if (delta === -1) {\n    return 'm';\n  }\n  return delta > 0 ? 'A'.repeat(delta) : 'd'.repeat(-delta - 1);\n}\n\n/** Diatonic ladder index of a note (letter + 7 * octave when octave-bearing). */\nfunction diatonicIndex(note: Note): number {\n  return mod7(note.letter) + 7 * (note.octave ?? 0);\n}\n\n/**\n * The spelled interval from one note to another.\n *\n * When both notes carry octaves, the interval reflects their full signed\n * distance (so `C4 -> C5` is a perfect octave). When either lacks an octave the\n * interval is measured within a single ascending octave from `a` to `b`.\n *\n * @param a The lower/first note.\n * @param b The upper/second note.\n * @returns The diatonic number, quality, and semitone span.\n * @example\n * ```ts\n * import { spelledInterval, parseNote } from '@libraz/libcantus';\n * spelledInterval(parseNote('C4'), parseNote('G4'));\n * // { number: 5, quality: 'P', semitones: 7 }\n * ```\n * @category Pitch & Intervals\n */\nexport function spelledInterval(a: Note, b: Note): SpelledInterval {\n  const octaved = a.octave !== undefined && b.octave !== undefined;\n  let letterSteps: number;\n  let semitones: number;\n  if (octaved) {\n    letterSteps = diatonicIndex(b) - diatonicIndex(a);\n    // Signed pitch distance from a to b, so a note below a yields a negative span.\n    semitones = noteToMidi(b) - noteToMidi(a);\n  } else {\n    letterSteps = mod7(b.letter - a.letter);\n    let rawSemis = mod12(noteToPitchClass(b) - noteToPitchClass(a));\n    // Lift the chromatic span into the octave nearest the diatonic reference so\n    // wraparound intervals stay consistent with the diatonic number instead of\n    // collapsing modulo 12. 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package/dist/chunk-EH6EM37U.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/theory/safety/index.ts"],"sourcesContent":["import type { KeyScale } from '../../core/types.js';\nimport {\n  assertFiniteNumber,\n  assertGenerationBudget,\n  assertInteger,\n} from '../../core/validation/index.js';\nimport type { Chord } from '../chord/index.js';\nimport { chordPitchClasses } from '../chord/index.js';\nimport {\n  createsHiddenParallelPerfect,\n  createsParallelPerfect,\n  createsVerticalDissonance,\n  isForbiddenMelodicLeap,\n} from '../counterpoint/index.js';\nimport { isScaleTone } from '../scale/index.js';\n\n/**\n * Severity policy: `strict` counterpoint vs. lenient `pop` voice-leading.\n *\n * @category Arrangement & Analysis\n */\nexport type SafetyProfile = 'strict' | 'pop';\n\n/**\n * Overall placeability verdict for a candidate pitch.\n *\n * @category Arrangement & Analysis\n */\nexport enum NoteSafety {\n  Safe = 0,\n  Warning = 1,\n  Dissonant = 2,\n}\n\n/**\n * Bit flags describing why a pitch received its verdict.\n *\n * @category Arrangement & Analysis\n */\nexport enum ReasonFlag {\n  ChordTone = 1 << 0,\n  Tension = 1 << 1,\n  AvoidNote = 1 << 2,\n  ScaleTone = 1 << 3,\n  NonScale = 1 << 4,\n  OutOfRange = 1 << 5,\n  Tritone = 1 << 6,\n  LargeLeap = 1 << 7,\n  MinorSecond = 1 << 8,\n  MajorSeventh = 1 << 9,\n  VerticalDissonance = 1 << 10,\n  ParallelPerfect = 1 << 11,\n  HiddenParallel = 1 << 12,\n  VoiceCrossing = 1 << 13,\n  Suspension = 1 << 14,\n  NeedsResolution = 1 << 15,\n}\n\n/**\n * A neighbouring voice's current and previous pitch.\n *\n * @category Arrangement & Analysis\n */\nexport type VoiceSnapshot = {\n  pitch: number;\n  prevPitch?: number;\n};\n\n/**\n * Everything needed to evaluate one candidate pitch.\n *\n * @category Arrangement & Analysis\n */\nexport type SafetyQuery = {\n  profile: SafetyProfile;\n  candidatePitch: number;\n  prevPitch?: number;\n  chord: Chord | null;\n  key: KeyScale;\n  otherVoices: VoiceSnapshot[];\n  strongBeat: boolean;\n  vocalLow?: number;\n  vocalHigh?: number;\n};\n\n/**\n * The verdict, reason flags, and optional resolution guidance.\n *\n * @category Arrangement & Analysis\n */\nexport type SafetyResult = {\n  safety: NoteSafety;\n  reasons: number;\n  resolveTo?: number;\n  suggestions?: number[];\n  rationale?: string;\n};\n\n/** Semitone radius searched around a rejected candidate for safe alternatives. */\nconst SUGGESTION_WINDOW = 12;\n/** Maximum number of alternative pitches returned in `SafetyResult.suggestions`. */\nconst MAX_SUGGESTIONS = 3;\n\n/** Canonical minimum verdict contributed by each non-informational reason. */\nconst REASON_SEVERITY: ReadonlyArray<\n  readonly [flag: ReasonFlag, pop: NoteSafety, strict: NoteSafety]\n> = [\n  [ReasonFlag.Tension, NoteSafety.Warning, NoteSafety.Warning],\n  [ReasonFlag.AvoidNote, NoteSafety.Warning, NoteSafety.Dissonant],\n  [ReasonFlag.ScaleTone, NoteSafety.Warning, NoteSafety.Warning],\n  [ReasonFlag.NonScale, NoteSafety.Dissonant, NoteSafety.Dissonant],\n  [ReasonFlag.OutOfRange, NoteSafety.Warning, NoteSafety.Warning],\n  [ReasonFlag.Tritone, NoteSafety.Dissonant, NoteSafety.Dissonant],\n  [ReasonFlag.LargeLeap, NoteSafety.Warning, NoteSafety.Dissonant],\n  [ReasonFlag.VerticalDissonance, NoteSafety.Dissonant, NoteSafety.Dissonant],\n  [ReasonFlag.ParallelPerfect, NoteSafety.Warning, NoteSafety.Dissonant],\n  [ReasonFlag.HiddenParallel, NoteSafety.Warning, NoteSafety.Dissonant],\n  [ReasonFlag.VoiceCrossing, NoteSafety.Warning, NoteSafety.Dissonant],\n  [ReasonFlag.Suspension, NoteSafety.Dissonant, NoteSafety.Dissonant],\n  [ReasonFlag.NeedsResolution, NoteSafety.Warning, NoteSafety.Dissonant],\n];\n\nfunction minimumSafetyForReasons(reasons: number, profile: SafetyProfile): NoteSafety {\n  let minimum = NoteSafety.Safe;\n  const severityIndex = profile === 'strict' ? 2 : 1;\n  for (const entry of REASON_SEVERITY) {\n    if (reasons & entry[0]) {\n      minimum = Math.max(minimum, entry[severityIndex]) as NoteSafety;\n    }\n  }\n  return minimum;\n}\n\nfunction pitchClass(pitch: number): number {\n  return ((Math.trunc(pitch) % 12) + 12) % 12;\n}\n\nfunction intervalAboveRoot(pitch: number, chord: Chord): number {\n  return (((pitchClass(pitch) - pitchClass(chord.rootPc)) % 12) + 12) % 12;\n}\n\nfunction isChordMember(pitch: number, chord: Chord): boolean {\n  return chordPitchClasses(chord).includes(pitchClass(pitch));\n}\n\n/** Whether the perfect fourth is an avoid note over this chord. */\nfunction avoidsFourth(chord: Chord): boolean {\n  return chord.intervals.includes(4) && !chord.intervals.includes(5);\n}\n\n/** Whether the major seventh is an avoid note over this chord (dominant). */\nfunction avoidsMajorSeventh(chord: Chord): boolean {\n  return chord.intervals.includes(4) && chord.intervals.includes(10);\n}\n\n/** Nearest chord tone at or below the candidate, within two semitones. */\nfunction stepResolution(pitch: number, chord: Chord): number | undefined {\n  for (let delta = 1; delta <= 2; delta += 1) {\n    if (isChordMember(pitch - delta, chord)) {\n      return pitch - delta;\n    }\n  }\n  return undefined;\n}\n\n/**\n * Evaluate the safety of placing a candidate pitch in a voice.\n *\n * Reasons are merged from harmonic context (chord tone / tension / avoid / scale)\n * and counterpoint (vertical dissonance, parallels, voice crossing). The `strict`\n * profile treats avoid notes and parallels as dissonant; `pop` treats them as\n * warnings. The final verdict is the worst severity among the reasons.\n *\n * @param q The candidate and its harmonic/voice-leading context.\n * @returns The verdict, reason bitmask, and optional resolution guidance.\n * @example\n * ```ts\n * import { evaluateSafety, makeChord, majorKey, NoteSafety } from '@libraz/libcantus';\n * const result = evaluateSafety({\n *   profile: 'pop',\n *   candidatePitch: 60, // C over a C major chord\n *   chord: makeChord(0, 'maj'),\n *   key: majorKey(0),\n *   otherVoices: [],\n *   strongBeat: true,\n * });\n * result.safety === NoteSafety.Safe; // true — C is a chord tone\n * ```\n * @category Arrangement & Analysis\n */\nexport function evaluateSafety(q: SafetyQuery): SafetyResult {\n  assertSafetyContext(q);\n  assertFiniteNumber(q.candidatePitch, 'candidatePitch');\n  return evaluateInternal(q, true);\n}\n\n/** Validate all numeric context fields once at a public safety entry point. */\nfunction assertSafetyContext(q: Omit<SafetyQuery, 'candidatePitch'>): void {\n  if (q.prevPitch !== undefined) assertFiniteNumber(q.prevPitch, 'prevPitch');\n  if (q.vocalLow !== undefined) assertFiniteNumber(q.vocalLow, 'vocalLow');\n  if (q.vocalHigh !== undefined) assertFiniteNumber(q.vocalHigh, 'vocalHigh');\n  if (q.vocalLow !== undefined && q.vocalHigh !== undefined && q.vocalLow > q.vocalHigh) {\n    throw new RangeError('vocalLow must not exceed vocalHigh');\n  }\n  assertGenerationBudget(q.otherVoices.length, 'other voices');\n  for (let index = 0; index < q.otherVoices.length; index += 1) {\n    const voice = q.otherVoices[index];\n    if (!voice) continue;\n    assertFiniteNumber(voice.pitch, `otherVoices[${index}].pitch`);\n    if (voice.prevPitch !== undefined) {\n      assertFiniteNumber(voice.prevPitch, `otherVoices[${index}].prevPitch`);\n    }\n  }\n}\n\n/**\n * Core safety evaluation.\n *\n * @param q The candidate and its harmonic/voice-leading context.\n * @param collectSuggestions Whether to search for safe alternatives on a\n *   non-Safe verdict. Set false during that search itself to bound recursion.\n * @returns The verdict, reason bitmask, and optional guidance.\n */\nfunction evaluateInternal(q: SafetyQuery, collectSuggestions: boolean): SafetyResult {\n  let reasons = 0;\n  let level = NoteSafety.Safe;\n  let resolveTo: number | undefined;\n  const raise = (l: NoteSafety) => {\n    if (l > level) {\n      level = l;\n    }\n  };\n  const avoidSeverity = q.profile === 'strict' ? NoteSafety.Dissonant : NoteSafety.Warning;\n  const parallelSeverity = avoidSeverity;\n  const pitch = q.candidatePitch;\n\n  if (\n    (q.vocalLow !== undefined && pitch < q.vocalLow) ||\n    (q.vocalHigh !== undefined && pitch > q.vocalHigh)\n  ) {\n    reasons |= ReasonFlag.OutOfRange;\n    raise(NoteSafety.Warning);\n  }\n\n  const inScale = isScaleTone(pitch, q.key);\n  const chord = q.chord;\n\n  if (chord && isChordMember(pitch, chord)) {\n    reasons |= ReasonFlag.ChordTone;\n  } else if (chord) {\n    const ic = intervalAboveRoot(pitch, chord);\n    const isTension = ic === 2 || ic === 5 || ic === 9;\n    const avoid = (ic === 5 && avoidsFourth(chord)) || (ic === 11 && avoidsMajorSeventh(chord));\n    if (avoid) {\n      reasons |= ReasonFlag.AvoidNote;\n      if (isTension) {\n        reasons |= ReasonFlag.Tension;\n      }\n      reasons |= ReasonFlag.NeedsResolution;\n      resolveTo = stepResolution(pitch, chord);\n      raise(avoidSeverity);\n    } else if (isTension && inScale) {\n      reasons |= ReasonFlag.Tension;\n      raise(NoteSafety.Warning);\n    } else if (inScale) {\n      reasons |= ReasonFlag.ScaleTone;\n      raise(NoteSafety.Warning);\n    } else {\n      reasons |= ReasonFlag.NonScale;\n      raise(NoteSafety.Dissonant);\n    }\n  } else if (inScale) {\n    reasons |= ReasonFlag.ScaleTone;\n    raise(NoteSafety.Warning);\n  } else {\n    reasons |= ReasonFlag.NonScale;\n    raise(NoteSafety.Dissonant);\n  }\n\n  // Harmonic tritone against a chord tone (except in dominant chords, where the\n  // tritone is a defining, stable colour).\n  if (chord && !(chord.intervals.includes(4) && chord.intervals.includes(10))) {\n    const ic = intervalAboveRoot(pitch, chord);\n    const toneOffsets = chord.intervals.map((i) => ((i % 12) + 12) % 12);\n    if (toneOffsets.some((t) => Math.abs(ic - t) === 6)) {\n      reasons |= ReasonFlag.Tritone;\n    }\n  }\n\n  if (q.prevPitch !== undefined) {\n    // Quality flags reduce the melodic interval to its pitch-class interval so\n    // compound intervals are treated uniformly with their simple form. 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every policy flag above\n  // contributes at least its table severity.\n  raise(minimumSafetyForReasons(reasons, q.profile));\n\n  const result: SafetyResult = { safety: level, reasons, rationale: describe(reasons, q) };\n  if (resolveTo !== undefined) {\n    result.resolveTo = resolveTo;\n  }\n  if (collectSuggestions && level !== NoteSafety.Safe) {\n    const suggestions = findSafeNearby(q, pitch);\n    if (suggestions.length > 0) {\n      result.suggestions = suggestions;\n    }\n  }\n  return result;\n}\n\n/**\n * Find safe alternative pitches near a rejected candidate.\n *\n * Searches outward from the candidate within `SUGGESTION_WINDOW` semitones,\n * probing the pitch below before the one above at each distance so the result\n * is deterministic and ordered by nearness.\n *\n * @param q The safety context of the rejected candidate.\n * @param candidate The candidate pitch that was not Safe.\n * @returns Up to `MAX_SUGGESTIONS` safe pitches, nearest first.\n */\nfunction findSafeNearby(q: SafetyQuery, candidate: number): number[] {\n  const out: number[] = [];\n  for (let d = 1; d <= SUGGESTION_WINDOW; d += 1) {\n    for (const p of [candidate - d, candidate + d]) {\n      if (evaluateInternal({ ...q, candidatePitch: p }, false).safety === NoteSafety.Safe) {\n        out.push(p);\n        if (out.length >= MAX_SUGGESTIONS) {\n          return out;\n        }\n      }\n    }\n  }\n  return out;\n}\n\n/** Build a short human explanation from the reason flags. */\nfunction describe(reasons: number, q: SafetyQuery): string {\n  if (reasons & ReasonFlag.OutOfRange) {\n    return 'Outside the target vocal range';\n  }\n  if (reasons & ReasonFlag.Suspension) {\n    return 'Prepared suspension — a held consonance now dissonant, awaiting resolution';\n  }\n  if (reasons & ReasonFlag.VerticalDissonance) {\n    return 'Dissonant against a sounding voice on a strong beat';\n  }\n  if (reasons & ReasonFlag.AvoidNote) {\n    return 'Avoid note — clashes with a chord tone a semitone away';\n  }\n  if (reasons & ReasonFlag.ParallelPerfect) {\n    return 'Parallel perfect interval with another voice';\n  }\n  if (reasons & ReasonFlag.HiddenParallel) {\n    return 'Hidden perfect interval by similar motion';\n  }\n  if (reasons & ReasonFlag.VoiceCrossing) {\n    return 'Crosses another voice';\n  }\n  if (reasons & ReasonFlag.ChordTone) {\n    return 'Chord tone';\n  }\n  if (reasons & ReasonFlag.Tension) {\n    return 'Chord tension';\n  }\n  if (reasons & ReasonFlag.NonScale) {\n    return 'Outside the key';\n  }\n  if (reasons & ReasonFlag.ScaleTone) {\n    return 'Scale tone, not in the chord';\n  }\n  return q.chord ? 'Placeable' : 'No chord context';\n}\n\n/**\n * Enumerate placeable pitches in a range, chord tones first, descending.\n *\n * @param q The safety context minus the candidate pitch.\n * @param pitchLow Lowest MIDI pitch to consider (inclusive).\n * @param pitchHigh Highest MIDI pitch to consider (inclusive).\n * @returns Placeable pitches (non-dissonant), chord tones before others, each group descending.\n * @throws If either bound is non-finite/non-integral, reversed, or exceeds the generation budget.\n * @example\n * ```ts\n * import { enumerateSafePitches, makeChord, majorKey } from '@libraz/libcantus';\n * const pitches = enumerateSafePitches(\n *   { profile: 'pop', chord: makeChord(0, 'maj'), key: majorKey(0), otherVoices: [], strongBeat: true },\n *   60,\n *   72,\n * );\n * pitches; // placeable pitches in [60, 72], chord tones first, each group descending\n * ```\n * @category Arrangement & Analysis\n */\nexport function enumerateSafePitches(\n  q: Omit<SafetyQuery, 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