@koda-sl/baker-cli 0.432.0 → 0.434.0-dev.0af4c01ba

package/README.md

@@ -1121,6 +1121,7 @@ baker ads linkedin top-companies --campaign-id 1234 --last-days 30
 # most engaged first ({org, name, impressions, clicks, engagements, costLocal}).
 # Defaults: last 12 calendar months, the only selected ad account, top 100 (--full for all).
 baker ads linkedin companies --account-id 1234
+baker ads linkedin companies --page 2                              # companies 101-200, most engaged first
 baker ads linkedin companies --by month --min-impressions 50       # months[] per company
 baker ads linkedin companies --campaign-id 1,2 --by campaign       # campaigns[] per company
 baker ads linkedin companies --with-domains --stats --output csv   # + domain/domainSource; read-quality stats
@@ -1826,6 +1827,22 @@ baker gsc sitemaps --site-url "https://example.com/"
 
 ---
 
+### Making ads (`baker creatives brief` / `ideas` / `make`)
+
+Ads start from what customers said. Three commands carry the process; the agent writes the ideas and the copy.
+
+```bash
+baker creatives brief [--adset <id>] [--account-id act_<id>] [--no-research]   # one read: viewer, account bottleneck, what works, taste, customer quotes, ideas on file
+baker creatives ideas [--full]                                 # check and rank src/creatives/_ideas/*.md; build_next
+baker creatives make <idea> [--slug <s>] [--adset <id>] [--reference <adId>] [--spec <beats.json>] [--from-idea]
+baker creatives learn [--days <n>] [--dry-run]                 # what each idea's ads did, written back onto the idea
+```
+
+- `brief` returns a verdict, not raw numbers: `account.bottleneck` is `hook`, `after_click`, `none` or `too_little_data`. A part that cannot be read says `unavailable`; the market searches (the followed brands, and the library for what COMPANY.md's first line says the company sells, in a few words) run at once and get 12 seconds, so a slow ad library leaves them out rather than holding the brief. With few customer quotes on file it runs `research customers` itself alongside the reads (about 30 s) and returns what it wrote; `--no-research` skips that. With no ideas on file, its hint lists the values `awareness`, `angle` and `format` take. `market` says what competitors' ads already say (the followed brands, else the library), how sophisticated the market is, and which awareness stages nobody speaks to.
+- `ideas` is free and local. An idea's `evidence` resolves to `src/content/insights/` entries, or it is an `explore` bet. Numbers must be in the Knowledge or our own customers' quotes (a Reddit, forum or web quote never sources a claim), no two ideas may share an angle and format, and a review or testimonial format needs a quote from our own customer.
+- `learn` pools each built idea's creatives, judges them against the rest of the account's cost per result and writes `status` (`winner`, `failed`, `inconclusive`, `testing`) and a frozen `result` onto the idea. `ideas` then warns when a new idea repeats a failed one.
+- `make` builds one idea. A static searches the idea's container for ads made for our viewer, checks the closest three with `winning-ads fit` and scaffolds from the first that fits. For a new creative it starts scaffolding the best-ranked one while the fits are asked (kept when it fits, stopped and removed whole when another or none is kept), so the reference's describe pass no longer waits for them. Finding and describing a reference gets 50 seconds; past that the build is stopped and the static starts from the idea (`REFERENCE_SLOW` in the hint). A creative whose ad is already written is never built over (`ALREADY_MADE`): edit its `prompt.json`, or pass `--slug` for another ad of the same idea. A video idea takes its beats spec. Either way it records the idea on `_definition.md`, sets `prompt.json`'s `message` and syncs the definition. Drafted copy lines claiming a figure the company never wrote come back first in `hints`. When no proven ad fits (or with `--from-idea`), a static starts from the idea itself: `prompt.json` holds the message and placeholders, and `canvas run` refuses to render until the scene and copy are written.
+
 ### Competitive Intelligence (`baker research`)
 
 Market and competitor research powered by DataForSEO and AI-powered Google Search grounding. Shows who's competing for keywords, search intent classification, competitor keyword strategies, keyword gaps, landing page performance, and open-ended AI research.
@@ -1957,6 +1974,16 @@ Every search or thread item carries verbatim `text`, `author`, `score`, `created
 
 ---
 
+### `baker research customers`
+
+Finds what real customers say and writes each quote as an insight in `src/content/insights/` (type, quote, source, date, `status: observed`). Sources: the company's reviews library, Reddit, and with `--web` pages from web research. A quote is kept only when it appears word for word in the text that was fetched; the model classifies quotes and never writes them.
+
+```bash
+baker research customers --focus "solar panels"     # reviews + Reddit
+baker research customers --query "payroll mistakes" --web --limit 15
+baker research customers --dry-run                   # print, write nothing
+```
+
 ### `baker research advertisers "keyword"`
 
 Returns a ranked list of **domains** competing for one keyword in Google, with average SERP position, relevance rating, estimated traffic value and visibility — domain economics, **NOT ad copy**. Despite the name it returns no headlines, descriptions or creative of any kind; for a competitor's actual ad copy use `baker winning-ads content <adId>` (Meta/LinkedIn only — Google SERP ad copy is not available anywhere in Baker).
@@ -4018,13 +4045,14 @@ No write surface against HubSpot itself — a form's fields, redirect, or consen
 
 ### `baker accounts influenced | engagement | warm | company | campaigns | crm`
 
-Account insights: which companies the LinkedIn ads are warming, and which CRM deals they influenced. Reads Baker's nightly copy of LinkedIn and the CRM, so it is fast and covers up to 24 months; nothing is changed anywhere. Only for companies with Account insights switched on — otherwise every command exits 1 with `ACCOUNTS_NOT_ENABLED` and an `error.fix` pointing at the live read (`baker ads linkedin companies`, plus `baker hubspot companies search`). `--start`/`--end` must be real calendar days within 24 calendar months; a bad flag or an unsupported `--output` exits 1 with `INVALID_ARGS`.
+Account insights: which companies the LinkedIn ads are warming, and which CRM deals they influenced. Reads Baker's nightly copy of LinkedIn and the CRM, so it is fast and covers up to 24 months; nothing is changed anywhere. Every company has it once a LinkedIn ad account is chosen; before the first nightly read the reports are empty — read live with `baker ads linkedin companies`. `--start`/`--end` must be real calendar days within 24 calendar months; a bad flag or an unsupported `--output` exits 1 with `INVALID_ARGS`.
 
 ```bash
 baker accounts influenced                              # influenced pipeline, last 12 calendar months
 baker accounts influenced --basis revenue --start 2026-01-01 --end 2026-06-30
 baker accounts influenced --full                       # every deal in the period, influenced or not
 baker accounts engagement --last-months 3 --limit 50   # companies reached, New/Rising, CRM match and deals
+baker accounts engagement --last-months 3 --limit 50 --page 2   # the next 50 (pageInfo.total counts them all)
 baker accounts engagement --campaign-id 123456 --output csv
 baker accounts warm --output csv > warm.csv            # companyName,domain,organizationUrn
 baker accounts company acme.com                        # or a LinkedIn company id / urn:li:organization:N
@@ -4653,7 +4681,7 @@ Open record keyed by the composition's `meta.json` inputs.
 
 ##### `static_prefilter`
 
-Local; no credits (one box-reader call per variant, about $0.005, which rides on the run record's review spend). Ranks a static ad's variants before the judge by the deterministic checks (blocking defects, then every line of the ad spec's copy read back with its box, the brand's logo found, the button's words, every word and the logo inside the master's band) and passes on only the best-ranked, so the judge only breaks an exact tie. A variant the reader could not read ties with the best. **Inputs:** `images` (the variants' whole list), `spec` (the ad spec, `$ref:prompt.asset`). **Params:** `formats` (the delivered sizes). **Outputs:** `images` (the best-ranked variants, in an order seeded by the pictures rather than the render order; never empty: when every variant fails, the one with the fewest defects passes as `flagged`), `order` (which variant each of `images` is), `dropped` (each variant set aside, with its index and reasons), `flagged` (the variant kept when all failed) and `usage` (the reader's spend). Scaffolded by `scaffold-static-ad` between the variants and the judge.
+Local; no credits (one box-reader call per variant, about $0.005, which rides on the run record's review spend). Ranks a static ad's variants before the judge by the deterministic checks (blocking defects, then every line of the ad spec's copy read back with its box, the brand's logo found, the button's words, every word and the logo inside the master's band) and passes on only the best-ranked, so the judge only breaks an exact tie. A variant the reader could not read ties with the best. **Inputs:** `images` (the variants' whole list), `spec` (the ad spec, `$ref:prompt.asset`). **Params:** `formats` (the delivered sizes). **Outputs:** `images` (the best-ranked variants, in an order seeded by the pictures rather than the render order; never empty: when every variant fails, the one with the fewest defects passes as `flagged`), `order` (which variant each of `images` is), `dropped` (each variant set aside, with its index and reasons), `flagged` (the variant kept when all failed), `image` (the chosen picture: when a variant rendered at another shape, a 3:4 for a 4:5, would lose a word or the button to a cut about its centre, it comes cut to the master's frame where every word stays whole, else as rendered) and `usage` (the reader's spend). Scaffolded by `scaffold-static-ad` between the variants and the judge.
 
 ##### `static_safe_fit`
 
@@ -4803,7 +4831,7 @@ array as a literal list: `"reference": ["$ref:subject.sheet", "$ref:type.image"]
 |---|---|---|
 | `images` | image[] | `image/png \| image/jpeg \| image/webp` (provider-determined) |
 
-**Cost** — 5 credits estimate per image asked for (`n`, default 1), 20 on Gemini 3 Pro Image (as `image_aspect_adapt` quotes it) and 20 at quality `max` (a static ad's re-laid-out sizes); the backend charges the call's actual OpenRouter usage.
+**Cost** — 5 credits estimate per image asked for (`n`, default 1), 20 on Gemini 3 Pro Image (as `image_aspect_adapt` quotes it) and 20 at quality `max`; the backend charges the call's actual OpenRouter usage.
 
 **Several candidates from one call** — `n` (integer, default 1) asks one call for several images, returned together in `images`. Each image is billed as if it were its own call (`n: 3` costs three images); what it saves is requests and waiting. Only models that declare it take it (today `openai/gpt-image-2.5-sunburst`, up to 10); any other model refuses it before anything is billed. Wire the whole array into `image_select` to keep the best.
 
@@ -5858,8 +5886,8 @@ offered, or, for a viewer who does not know the brand, when the words say they a
 cart, a trial, a donation, a registration); who it is for is reported but never fails an ad alone. The viewer is the `viewer` recorded in
 `_definition.md`, else the one its `targetAdSet` reaches (as `baker ads meta adsets --audience` reads it), else
 the persona and `awareness` from the Knowledge, else a cold stranger. Not understood → exit 2 with
-`viewer_check_failed` and a `fix` naming what the viewer missed. Answers are cached per copy, scene and viewer.
-`baker canvas run` makes the same check on a static ad before it spends (skipped for `--fix`, an autofix round, `--use-variant`, a re-layout and resumed runs, never for an edit of the words;
+`viewer_check_failed` and a `fix` that starts with the one rewrite answering a missed offer (`Do this: make the biggest words say "<message>"`) and names what the viewer missed. After two failures of one ad in a chat turn the check no longer holds it back: the command answers `ok: true` with `understood: false` and what was missed, and `baker canvas run` renders it, printing the miss. The casting check is asked alongside the viewer. Answers are cached per copy, scene and viewer.
+Before either, a static ad whose scene quotes words, or names a price or a share, that the copy (or `scene_text`) does not hold is refused (`scene_words_not_in_copy`): the picture would print them and a correction round would erase them. An unreadable `prompt.json` names each wrong field in a line and shows that field's shape. `baker canvas run` makes the same check on a static ad before it spends (skipped for `--fix`, an autofix round, `--use-variant`, a re-layout and resumed runs, never for an edit of the words;
 `--skip-viewer-check` renders without it; a model outage lets the render through with a warning). `--full` adds
 the viewer's whole answer and how the viewer was chosen.
 
@@ -5905,7 +5933,7 @@ A completed render the review calls ready (`verdict` `ready` or `ready_with_note
 
 **Resuming an interrupted run.** A long `baker canvas run` (multi-clip video) that is killed mid-render — session end, sandbox pause — leaves a marker under the outputs dir. The next `baker canvas run` of the same canvas automatically **resumes** that run: it reuses the run id so still-running billed jobs re-attach instead of being abandoned and re-billed, and completed nodes come from the cache. A live render keeps its marker's heartbeat fresh, so a second `run` of the same canvas is refused while it is alive (checked with `kill(pid, 0)` plus the heartbeat, on Linux and macOS alike). Resume also works from a **different workspace or a fresh sandbox**: when no local marker survives, the run history is consulted for a resumable run of the same source (canvas, `prompt.json`, scenes, compositions and formats), and it is adopted when the backend says it may be: interrupted, stopped at a checkpoint, or a `running` row whose keepalive is older than the backend's staleness threshold. Ctrl-C / SIGTERM aborts gracefully — no new nodes dispatch, a resumable snapshot is flushed, and the marker survives. A clean completion (or a handled failure) clears the marker, so a normal re-run starts a fresh generation. Force a new run with `--fresh`, or pin a specific run with `--run-id <id>` (also the escape hatch to adopt a run that is reported as concurrently live). Independent same-layer nodes (e.g. video clips) fan out in parallel up to `--parallel`/`--concurrency` (default 8; env `BAKER_CANVAS_CONCURRENCY`).
 
-**Static ads: the run corrects a blocking defect itself.** When the review of a static ad finds a blocking defect, `baker canvas run` makes up to 2 more renders (`AUTO_FIX_ROUNDS` in `static-autofix.ts`) before it reports, correcting each defect at the layer that causes it: words or a logo where an interface covers them (Reels, Stories) or the frame cuts them are **placed and extended** (`withExtendedSizes`): a `static_place` node reads where everything sits and shrinks the ad (to 60% at most) into the size's safe area, and a `static_extend_merge` node has the ad's own model paint only the margins that leaves and lays the ad's own pixels back over the painting, so the model is never asked to move anything (a size already inside its area is passed on with nothing painted or billed, and one whose words sit too far out for a shrink to clear is laid out again instead); a defect the spec asked for (a second subject, stars with no named source, a concept that does not read) and any defect of a native screen corrects the spec first (`static-spec-repair.ts`: a model rewrites `prompt.json` for those findings alone, every line of the copy kept word for word), then draws the ad again from it (a native screen redraws free); a picture wrong as a whole or in three places or more is made again from its brief, told what the last one got wrong, but only in a round with another after it unless the brief caused the defect; anything else on the picture is a `--fix` of the chosen picture for its own findings (`correctionOf`: the words to erase, the line to re-letter or add), naming what the last edit was already asked for, while each re-laid size follows as an edit of its own last layout (`withSizesFollowingFix`), keeping what an earlier round fixed in it; anything else on a re-laid size alone edits just that size from its own last layout (`withRelayEdit`). A size a round did not touch (its file the same byte for byte) keeps the round before's verdict (`carryUnchanged`), so the review's second look at the same pixels never counts as a new defect. Each round is one render (a fix, or one request per re-laid size) and prints `[autofix] round N of 2: …` on stdout; the final JSON's hints start with "Corrected automatically before this result, …" and its review is of the corrected version. Blocking findings left after the rounds keep the hints below. A round that would only repeat the correction that just left its defect in place (a chosen option, `--use-variant`, is only ever corrected) is not run: that version is reported as it is. `--no-autofix` reports after the first render.
+**Static ads: the run corrects a blocking defect itself.** When the review of a static ad finds a blocking defect, `baker canvas run` makes up to 2 more renders (`AUTO_FIX_ROUNDS` in `static-autofix.ts`) before it reports, correcting each defect at the layer that causes it: words or a logo where an interface covers them (Reels, Stories) or the frame cuts them are **placed and extended** (`withExtendedSizes`): a `static_place` node reads where everything sits and shrinks the ad (to 60% at most) into the size's safe area, and a `static_extend_merge` node has the ad's own model paint only the margins that leaves and lays the ad's own pixels back over the painting, so the model is never asked to move anything (a size already inside its area is passed on with nothing painted or billed, and one whose words sit too far out for a shrink to clear, or that the placing found inside its area while the review still blocks it, is laid out again instead, never placed the same way twice; a button is placed by its shape, its words grown by 0.7 of their height on every side, as the review judges it); a defect the spec asked for (a second subject, stars with no named source, a concept that does not read) and any defect of a native screen corrects the spec first (`static-spec-repair.ts`: a model rewrites `prompt.json` for those findings alone, every line of the copy kept word for word), then draws the ad again from it (a native screen redraws free); a picture wrong as a whole or in three places or more is made again from its brief, told what the last one got wrong, but only in a round with another after it unless the brief caused the defect; anything else on the picture is a `--fix` of the chosen picture for its own findings (`correctionOf`: the words to erase, the line to re-letter or add), naming what the last edit was already asked for, while each re-laid size the review flagged follows as an edit of its own last layout (`withSizesFollowingFix`), keeping what an earlier round fixed in it, and a size it found nothing blocking on is delivered as it was (`keep`, nothing in it made again or placed); anything else on a re-laid size alone edits just that size from its own last layout (`withRelayEdit`); sizes that do not show the same ad (`SIZES:`) are always the re-laid ones' fault, since every size follows the chosen picture, so they are laid out again to show exactly what it shows, never the picture edited to match them. A size a round did not touch (its file the same byte for byte) keeps the round before's verdict (`carryUnchanged`) and is not read again: the review reads only the sizes the round changed. Each round is one render (a fix, or one request per re-laid size) and prints `[autofix] round N of 2: …` on stdout; the final JSON's hints start with "Corrected automatically before this result, …" and its review is of the corrected version. Blocking findings left after the rounds keep the hints below. A round that would only repeat the correction that just left its defect in place (a chosen option, `--use-variant`, is only ever corrected) is not run: that version is reported as it is. `--no-autofix` reports after the first render.
 
 **Static ads: correct a version, or use another of its variants.** Correct a finished version with `--fix "<what to change>"`: one render takes that version (the last one, or `--from <run_id>`) as its first reference and changes only what you said, keeping the picture, the layout and every other word; it replaces the variants and the judge, and every size is made again from the corrected picture. **A `prompt.json` changed only in its words, their positions or its colours** since the version shown is made the same way, as an edit of that version (`[edit]` in the output, the instruction read off the change); three new options are asked for only with `--regenerate static_variants`. A `--fix` whose defect is still blocking afterwards is recorded, and asking for it again with the same words exits 2 with `no_progress`. When every blocking finding is on re-laid-out sizes, the first hint says to lay out those sizes again (`--regenerate adapt_<size>`) before any `--fix`. Every static run's hints say what it cost in credits and what for. There is no render limit per creative. Use another variant with `--use-variant <sha256>` (`--from <run_id>`, default the last render): when the person chose another of a version's variants over the judge's pick, every size is made again from that picture, and the only requests re-lay it out for each other size; `--regenerate adapt_9x16` lays out one size again from the same chosen picture when only that size came out wrong (after a `--fix` or `--use-variant`, from that corrected or chosen picture, so the size never brings back the uncorrected one; `--from <run_id>` names another version); `baker creatives feedback --slug <slug>` prints the choice (`variantChoice`) and the exact command.
 
@@ -6018,14 +6046,14 @@ The two scaffold passes are billed (the full `video_deconstruct` is the heavy on
 
 Turn a source/inspiration image into a **runnable, self-validated static-ad canvas** — the static counterpart of `scaffold-video`. It runs **billed Gemini passes** up front:
 
-1. **`image_describe`** (`~google/gemini-pro-latest`) — reverse-engineers the image (layout by what fills each region, copy verbatim, typefaces, capture in words, the `mechanism` and the `audience` it is built for) and writes it next to the canvas as **`prompt.json`**, an **ad spec** (`"schema": "baker-static-ad/3"`; `/2` still reads) you rewrite into the ad you want: `viewer` (who sees it and what they already know), `message` (the one thing it tells them, never printed), `copy` (each line with `lettering`: `in_scene`, written on something in the picture (`on`, `look`), or `designed`, set in the brand's face), `scene` (`description`, `look`: photo | designed | illustration, `capture` in words, `mood`, `layout`), `brand`, `colors` (each tied to an object, from the brand palette), `references` (one picture each, labelled by role: `PERSON_1`, `ANIMAL_1`, `PRODUCT_1`, `BADGE_1`, `PROP_1`), `logo` (and `logo_position`), `third_party_brands` (other brands the offer is about, a car brand on a car loan: `name`, `what`, and `logo` naming the `BADGE_n` reference of its logo; their logos may appear), an optional `direction`, the `mechanism` to rebuild for our brand, and in `/3`: `viewer.market` (`country`, `language`, `currency`), `brand_presence` (`standard` | `native`: a native disguise carries the logo as its sender and no big button), `recognition` (the kind of product a stranger must take it for at a glance, never the format), `native` (the ad is a screen people know, drawn exactly from HTML at every size by the free `static_native` node instead of painted: `x_post` (a post or a thread, with `reply_to`), `whatsapp`, `imessage`, `trustpilot`, `google_reviews`, `notes`, `slack`; on a 9:16 the app is drawn full screen as a phone shows it: status bar and app header pinned at the top, the reply bar and tab bar (or a keyboard under a chat or note) pinned at the bottom, the posts or messages as large as the clear band holds, and the frame's headline, caption and logo a card in the brand's colours under the app's header; a wall of reviews (`trustpilot`, `google_reviews`) takes up to 16 real reviews, the first two (`FEATURED_REVIEWS`) the ad's copy set whole in the safe area and the rest filling the whole frame behind them as large, sharp cards, turned and cut by its edges, because a wall wins on how many there are; a review longer than 160 characters is shown cut at a word with "…", and that cut text is the copy the review reads back; a chat (`whatsapp`, `imessage`) on a 9:16 never shrinks below about 62% of the phone scale: its earliest messages scroll up under the header, as the app does, the node's optional `scrolled` output lists the copy lines scrolled off that size, and the run review expects those lines nowhere on it; a logo file whose drawing runs off its own edge is set aside for a whole one, and a square mark where a wordmark goes is drawn larger; the run review never flags the app's own interface words (status bar, keyboard) as under Reels; the image model renders only the screen's `photos`, each a plain phone photo of ordinary people of the market; adding the block switches an existing ad on its next run, `--fix` does not apply, an invented brand handle or a rating the Knowledge does not hold (either decimal mark) is refused as `native_screen_invalid`, and a photo of ours goes in as its `image`: a native photo takes no `avatar`, since nothing would cast it), a role on each third-party brand (`partner` | `proof` | `category_signal`), a reference's `image` (wired as a picture of ours) and a person's `avatar` (the company avatar cast), and `concept` (`why_it_wins` in five layers, `load_bearing` elements with `have`/`adapt`/`missing` and `ours`, `verdict` `use`|`adapt`|`reject`, `transfer_note`; seeded from `baker winning-ads fit`). Every render keeps the load-bearing elements; `validate`/`run` refuse a `reject` or a `missing` element with nothing named (`concept_does_not_fit`) and a rating the Knowledge does not hold (`proof_without_source`); a line citing a review platform gets its real badge wired. **You never write a model prompt**: every render prompt is compiled from this file for the model it runs on (short labelled sections for gpt-image, sentences with reasons for Gemini; each line quoted once; pictures numbered with one role each; colours from the brand; realism as capture cues; the safe area from its one owner; constraints last), on every `validate` and `run`, and shown on its node. A `prompt.json` written before the ad spec (the describe blueprint) is read through an adapter and keeps working. The source's own read (`source`, and the library's `reference`) stays as bookkeeping and is never sent to a model.
+1. **`image_describe`** (`~google/gemini-pro-latest`) — reverse-engineers the image (layout by what fills each region, copy verbatim, typefaces, capture in words, the `mechanism` and the `audience` it is built for) and writes it next to the canvas as **`prompt.json`**, an **ad spec** (`"schema": "baker-static-ad/3"`; `/2` still reads) you rewrite into the ad you want: `viewer` (who sees it and what they already know), `message` (the one thing it tells them, never printed), `copy` (each line with `lettering`: `in_scene`, written on something in the picture (`on`, `look`), or `designed`, set in the brand's face), `scene` (`description`, `look`: photo | designed | illustration, `capture` in words, `mood`, `layout`), `brand`, `colors` (each tied to an object, from the brand palette), `references` (one picture each, labelled by role: `PERSON_1`, `ANIMAL_1`, `PRODUCT_1`, `BADGE_1`, `PROP_1`), `logo` (and `logo_position`), `third_party_brands` (other brands the offer is about, a car brand on a car loan: `name`, `what`, and `logo` naming the `BADGE_n` reference of its logo; their logos may appear), an optional `direction`, the `mechanism` to rebuild for our brand, and in `/3`: `viewer.market` (`country`, `language`, `currency`), `brand_presence` (`standard` | `native`: a native disguise carries the logo as its sender and no big button), `recognition` (the kind of product a stranger must take it for at a glance, never the format), `native` (the ad is a screen people know, drawn exactly from HTML at every size by the free `static_native` node instead of painted: `x_post` (a post or a thread, with `reply_to`), `whatsapp`, `imessage`, `trustpilot`, `google_reviews`, `notes`, `slack`; on a 9:16 the app is drawn full screen as a phone shows it: status bar and app header pinned at the top, the reply bar and tab bar (or a keyboard under a chat or note) pinned at the bottom, the posts or messages as large as the clear band holds, and the frame's headline, caption and logo a card in the brand's colours under the app's header; a wall of reviews (`trustpilot`, `google_reviews`) takes up to 16 real reviews, the first two (`FEATURED_REVIEWS`) the ad's copy set whole in the safe area and the rest filling the whole frame behind them as large, sharp cards, turned and cut by its edges, because a wall wins on how many there are; a review longer than 160 characters is shown cut at a word with "…", and that cut text is the copy the review reads back; a chat (`whatsapp`, `imessage`) on a 9:16 never shrinks below about 62% of the phone scale: its earliest messages scroll up under the header, as the app does, the node's optional `scrolled` output lists the copy lines scrolled off that size, and the run review expects those lines nowhere on it; a logo file whose drawing runs off its own edge is set aside for a whole one, and a square mark where a wordmark goes is drawn larger; the run review never flags the app's own interface words (status bar, keyboard) as under Reels; the image model renders only the screen's `photos`, each a plain phone photo of ordinary people of the market; adding the block switches an existing ad on its next run, `--fix` does not apply, an invented brand handle or a rating the Knowledge does not hold (either decimal mark) is refused as `native_screen_invalid`, and a photo of ours goes in as its `image`: a native photo takes no `avatar`, since nothing would cast it), a role on each third-party brand (`partner` | `proof` | `category_signal`), a reference's `image` (wired as a picture of ours) and a person's `avatar` (the company avatar cast), and `concept` (`why_it_wins` in five layers, `load_bearing` elements with `have`/`adapt`/`missing` and `ours`, `verdict` `use`|`adapt`|`reject`, `transfer_note`; seeded from `baker winning-ads fit`). Every render keeps the load-bearing elements; `validate`/`run` refuse a `reject` or a `missing` element with nothing named (`concept_does_not_fit`) and a rating, or a promised price, share, multiple or time, the Knowledge does not hold with that unit, a number spelled in words included, or a superlative it does not state in the same words (`proof_without_source`); a line citing a review platform gets its real badge wired. **You never write a model prompt**: every render prompt is compiled from this file for the model it runs on (short labelled sections for gpt-image, sentences with reasons for Gemini; each line quoted once; pictures numbered with one role each; colours from the brand; realism as capture cues; the safe area from its one owner; constraints last), on every `validate` and `run`, and shown on its node. A `prompt.json` written before the ad spec (the describe blueprint) is read through an adapter and keeps working. The source's own read (`source`, and the library's `reference`) stays as bookkeeping and is never sent to a model.
 2. **element selection** (`~google/gemini-flash-latest`) — picks the **main, identity-critical** elements (the brand logo, a showcased product, a trust badge) **plus any foreground/hero person or animal** — the emotional focal point — even a generic one, because a free-generated face/muzzle reads as AI and grows artifacts; the emotional hero always gets a real-reference slot. When the advertiser's logo appears in **more than one lockup** (a square/icon **mark** and a horizontal **wordmark**), each is emitted as its **own** element (e.g. `LOGO_MARK`, `LOGO_WORDMARK`). The describe pass also records the ad's **typography** (each typeface's classification, a best-guess family, and its weight/case), which seeds the spec's `brand.typeface`. Background extras are dropped. Each element becomes a `references` entry in the spec, named by its role and naming the canvas slot it fills, so the file says which slot grounds which subject.
 
 It then scaffolds a canvas on which **the image model designs the finished ad**, holding only what `prompt.json` holds; no element is mandatory:
 
-- Up to **three variants** (`--takes`, default 3) render on the model the router picks for the concept (today `openai/gpt-image-2.5-sunburst` at quality `max`; `--gen-model` overrides), each a finished ad: the picture and every word of the copy. Each variant is **its own request** (tagged `static_variant_call`), run in parallel on its own direction (the scene as written; another picture of the same message, by the scene's look; another line leading, named by number so no word changes), and a `collect` tagged `static_variants` gathers them, on every model: one request with `n` costs the same (`n` is billed per picture) but gave fewer distinct options, so the graph never uses it. The brief quotes every line of `copy` verbatim and asks for each once; it is compiled again from `prompt.json` on every `validate` and `run`, so an edit re-keys exactly the renders it touches. The brand's **typeface** is shown to the model as a `font_specimen` set on the `designed` lines: a file in `src/brand/fonts/` (via `src/brand/tokens.json` when present), else the heading family `tokens.json` or `BRAND.md` names, fetched as a web font file; an `in_scene` line keeps its own lettering only on the real packaging, signage or screen its `on` names (handwriting on post-its, whiteboards or chalkboards, and a line naming no surface, are set as designed type). Each line's `role` sets its size: a price or stat (else the headline) leads, the `cta` is a large solid button, fine print is smallest. **The logo is optional**: the real file in `src/brand/logos/` goes to the model as a reference to reproduce once, at least a fifth of the frame wide, where it contrasts or on a small brand-colour plate, only when `prompt.json` has `"logo": true` (an older blueprint: an `advertiser_brand` entry in `brands_logos`) and the file exists; no logo is never an error, never a slot to fill and never a stand-in. Setting it false drops the logo on the next run; adding one to a canvas scaffolded without the file needs the file in `src/brand/logos/` and a re-scaffold. `prompt.json` also carries a **`brand`** block (ground, ink, accent, CTA and palette, from `src/brand/tokens.json` roles or `BRAND.md`); a colour outside it never reaches the model. The brief describes a complete ad at the master's shape and asks only for its edge margin (see below). `baker canvas set-prompt` refuses these nodes and names `prompt.json`.
+- Up to **three variants** (`--takes`, default 3) render on the model the router picks for the concept (today `openai/gpt-image-2.5-sunburst` at quality `xhigh`, about 45 s a picture against 80 s at `max`; `--gen-model` overrides), each a finished ad: the picture and every word of the copy. Each variant is **its own request** (tagged `static_variant_call`), run in parallel on its own direction (the scene as written; another picture of the same message, by the scene's look; another line leading, named by number so no word changes), and a `collect` tagged `static_variants` gathers them, on every model: one request with `n` costs the same (`n` is billed per picture) but gave fewer distinct options, so the graph never uses it. The brief quotes every line of `copy` verbatim and asks for each once; it is compiled again from `prompt.json` on every `validate` and `run`, so an edit re-keys exactly the renders it touches. The brand's **typeface** is shown to the model as a `font_specimen` set on the `designed` lines: a file in `src/brand/fonts/` (via `src/brand/tokens.json` when present), else the heading family `tokens.json` or `BRAND.md` names, fetched as a web font file; an `in_scene` line keeps its own lettering only on the real packaging, signage or screen its `on` names (handwriting on post-its, whiteboards or chalkboards, and a line naming no surface, are set as designed type). Each line's `role` sets its size: a price or stat (else the headline) leads, the `cta` is a large solid button, fine print is smallest. **The logo is optional**: the real file in `src/brand/logos/` goes to the model as a reference to reproduce once, at least a fifth of the frame wide, where it contrasts or on a small brand-colour plate, only when `prompt.json` has `"logo": true` (an older blueprint: an `advertiser_brand` entry in `brands_logos`) and the file exists; no logo is never an error, never a slot to fill and never a stand-in. Setting it false drops the logo on the next run; adding one to a canvas scaffolded without the file needs the file in `src/brand/logos/` and a re-scaffold. `prompt.json` also carries a **`brand`** block (ground, ink, accent, CTA and palette, from `src/brand/tokens.json` roles or `BRAND.md`); a colour outside it never reaches the model. The brief describes a complete ad at the master's shape and asks only for its edge margin (see below). `baker canvas set-prompt` refuses these nodes and names `prompt.json`.
 - A **`static_prefilter`** node (tagged `variant_prefilter`) drops variants that fail the deterministic checks before the judge sees them, never all of them; its **judge** (`judge_model`, `judge_prompt`) compares the rest pairwise against the compiled brief when the checks tie (one variant passes through unjudged). A canvas scaffolded with a separate `image_select` judge (tagged `pick`) has it folded into the prefilter on its next run.
-- **Every placement format is made from the chosen picture, and no size is a crop or a paste of another.** The pick goes to exact pixels as the master (an `imagemagick` node tagged `static_master`) at the lead size: the 4:5 when a feed size is delivered, else the square, else the first portrait size, rendered at the model's nearest ratio (3:4 on GPT Image) and filled to Meta's pixels. It is delivered as it is. Every other size (9:16, 1:1, 16:9, …) is **re-laid out** from the master by one request (`image_generate` node `adapt_<size>`, tagged `static_adapt_format`, on the router's `relayout` model, GPT Image 2.5 at quality `max`): the master, the variants' own product and people pictures and the logo file as references and a brief compiled from `prompt.json` for that frame on every run (`static-adapt.ts`): the exact lines and their hierarchy, the same people (same face, same clothes), product and label, logo and none the chosen ad does not show, the words and the button re-scaled for the frame, the frame stated as zones inside its safe area, never the master shrunk onto a background, set as a square or cut. A `size_<size>` node (`static_size`) brings it to Meta's exact pixels (1:1 at 1080×1080; a landscape size the same way). Every 9:16 Reels or Stories covers then passes a free `static_safe_fit` node (`safe_<size>`), which shrinks and shifts the picture just enough (to 85% at most) to bring a word or the logo a few points past the band back inside it; a layout further out passes unchanged and the run lays it out again. The 9:16 is never extended instead (the 4:5 set whole in the clear band, its scene continued to the frame) nor set over its own blurred copy: rated in October 2026, the first showed the ad small inside a continued scene ("text super tiny") and the second "looks bad". The master shape is one decision in the code (`DEFAULT_MASTER_SHAPE`: `relayout`; the `9x16_band` and `4x5_adapt` shapes, kept for the bench, make the sizes by cutting or reframing the master, and the person rating them rejected every such way; a canvas from the retired band master, which extended a square master into the 9:16, is upgraded to the re-layout graph on its next run). Placing the logo file on every size instead of having the model draw it (`logo_composite` nodes) is a scaffold option, off until it is proven on the bench.
+- **Every placement format is made from the chosen picture, and no size is a crop or a paste of another.** The pick goes to exact pixels as the master (an `imagemagick` node tagged `static_master`) at the lead size: the 4:5 when a feed size is delivered, else the square, else the first portrait size, rendered at the model's nearest ratio (3:4 on GPT Image) and filled to Meta's pixels. It is delivered as it is. Every other size (9:16, 1:1, 16:9, …) is **re-laid out** from the master by one request (`image_generate` node `adapt_<size>`, tagged `static_adapt_format`, on the router's `relayout` model, GPT Image 2.5 at quality `xhigh`): the master, the variants' own product and people pictures and the logo file as references and a brief compiled from `prompt.json` for that frame on every run (`static-adapt.ts`): the exact lines and their hierarchy, the same people (same face, same clothes), product and label, logo and none the chosen ad does not show, the words and the button re-scaled for the frame, the frame stated as zones inside its safe area, never the master shrunk onto a background, set as a square or cut. A `size_<size>` node (`static_size`) brings it to Meta's exact pixels (1:1 at 1080×1080; a landscape size the same way). Every 9:16 Reels or Stories covers then passes a free `static_safe_fit` node (`safe_<size>`), which shrinks and shifts the picture just enough (to 85% at most) to bring a word or the logo a few points past the band back inside it; a layout further out passes unchanged and the run lays it out again. The 9:16 is never extended instead (the 4:5 set whole in the clear band, its scene continued to the frame) nor set over its own blurred copy: rated in October 2026, the first showed the ad small inside a continued scene ("text super tiny") and the second "looks bad". The master shape is one decision in the code (`DEFAULT_MASTER_SHAPE`: `relayout`; the `9x16_band` and `4x5_adapt` shapes, kept for the bench, make the sizes by cutting or reframing the master, and the person rating them rejected every such way; a canvas from the retired band master, which extended a square master into the 9:16, is upgraded to the re-layout graph on its next run). Placing the logo file on every size instead of having the model draw it (`logo_composite` nodes) is a scaffold option, off until it is proven on the bench.
 - Readers go by these roles, never by node ids: the run review, `--fix`, `--use-variant`, `--regenerate static_variants`, and the dashboard. A static ad scaffolded before this graph (`ad_a`/`ad_b`/`ad_c`, `pick`, re-lays `ad_4x5`/`ad_9x16`, `fit_4x5`) is **upgraded in place** on its next `validate` or `run`: prompt.json, every asset slot, the model and the formats are kept, the render part becomes this graph, and the creative is not reported as changed by the upgrade. Its old runs stay readable.
 - Detected elements are **never slots to fill**: the source's people, products, animals and badges are its world. The original image stays on the canvas as the record of the source; when `prompt.json` keeps its concept (`concept.verdict` `use` or `adapt`) the first renders are shown it **for its structure only**, and otherwise it never reaches a render. Only the people cast from a company Avatar and the brand's logo become pictures on the canvas; everything else is described in words (a picture of ours is added through a reference's `image`). A **person** with no avatar needs no slot and no casting: the render draws an invented, realistic person from the element's description. With `--avatar <handle>` (for an actor who recurs across ads) the slot ingests the Avatar's identity sheet and `prompt.json` describes that person in the Avatar's own words. A reference's `avatar` names who was cast and draws no face on its own: its face reaches the render only with a picture behind it (the `--avatar` slot, or the identity sheet URL from `baker avatars get <handle>` as the reference's `image`).
 
@@ -6035,7 +6063,7 @@ The canvas is validated before it is written. stdout returns `{ ok, canvas_path,
 
 **Who sees the ad.** `--target-adset <id>` names the Meta ad set the ad will run in. Before anything is billed, the viewer its targeting reaches is read exactly as `baker ads meta adsets --audience` reads it (`temperature`, what they already `knows`, `placements`) and written to `_definition.md` as `targetAdSet` and `viewer` (an existing definition keeps every other field). The sizes, the brief and the prefilter keep clear of that viewer's placements (`staticSafeArea`; `automatic`, a bare `facebook`/`instagram` or no placements is Advantage+, Reels included), and every `baker canvas run` checks the ad against that viewer. With no ad account, give the viewer from the Knowledge: `--viewer-temperature cold|warm|hot [--viewer-knows brand,offer,product] [--viewer-placements <placement,…>]`, recorded with `source: knowledge`; next to `--target-adset` they correct the read, and its `reasons` say so. A bad value exits 2 (`invalid_viewer`) before any billed pass; an ad set that cannot be read never stops the scaffold (a hint says why, and the sizes keep clear of every placement). With neither flag, a `viewer` (or `targetAdSet`) already in `_definition.md` is used as it is. stdout carries `target_adset`, `viewer` and a `checklist.viewer` line.
 
-**After a run** the CLI reads the finished ad back on what makes a static win, not a checklist of elements: every delivered image's pixel shape against its format; **every line of `prompt.json`'s copy (in-scene and designed alike) read back with its box by a box reader and compared** (a line more than 2% off, missing, or joined by words nobody asked for is blocking; case and punctuation fold, as does a capital I read as an l (one stroke in a sans-serif), accents do not; words the picture adds are blocking only when set at the copy's usual size or making a claim (a figure, a price, an offer), and otherwise a note, as a screen's code, a poster or a mug in the scene; a copy line is "on the ad twice" only when most of its words repeat, never a word or two echoed on a prop; on a native screen, which code typesets from the spec, a line read differently is the reader's error and only a missing one counts); **the ad's own copy and its logo measured against the format's safe area** (`staticSafeArea`, the one owner of those areas; `must-show.ts` decides what is measured: never what the scene prints, nor a copy line printed again in the scene while the line itself sits clear). On a 9:16, which runs in Stories and Reels alike, what Stories' header or bottom bar covers (and any other app's interface named) is said as "where Stories and Reels cover it" ("where Reels covers it" for an ad set that runs only in Reels) and blocks for the logo, the button, the headline, the figure and the offer, while a supporting line (body, caption, label, small print) there is a note; what only Reels' taller footer covers is one note, and only for the lead line, since Stories shows it and the 9:16 is laid out in Stories' band; words merely close to where an app draws are no finding. The steps that place a size clear of an interface (`static_safe_fit`, `static_place`) are told the same copy (`prompt.json`'s lines, their roles, and the brand's name and the logo's words, a wordmark read close to them counting as the logo) and move the ad for those alone, a supporting line included only where the frame cuts it; on a feed image such as a 4:5, only a design margin, so words close to the edge are a warning and only words the frame cuts are blocking); a copy line written over two lines (`"15%\noff"`) is matched part by part wherever the reader finds each; designed type in a colour far from the brand palette is a warning; supporting lines too small to read on a phone are one note per size; the main line set smaller than a supporting one is a note, the brand's wordmark never counted as part of a line that starts with its name; the logo set twice is a note, a far smaller mark printed on something in the scene (a hoodie, a bag) is not. When the copy names a real person ("Lautaro Suarez, CTO at Vibiz"), the run casts them as themselves before it renders (`baker avatars research --create`, their avatar's sheet added to `prompt.json` `references` as a `PERSON_n`), and a face shown as a named person the ad has no photo of is blocking. When the reader cannot answer, the vision pass transcribes the copy instead and judges the safe zones by eye. Then one vision pass for clipping, overlaps, artifacts, one dominant idea, the brand with the logo covered and the concept's mechanisms, with every format shown a second time at phone-feed thumbnail size (240px wide, same call): a lead message unreadable at that size is blocking. A missing logo, CTA or copy is never a finding; a logo that is drawn and broken is. stdout carries `verdict` (`ready` | `ready_with_notes` | `needs_fixes` | `not_reviewed`), `judge` (the per-candidate scores) and hints that end with what the run made; the findings are stored on the run as its `review`. `needs_fixes` means the ad is not done even though every node completed, and the run is recorded with `presentable: false` so it is never shown as a version; every fix is an edit to `prompt.json` and a re-run (wrong words: the lines in `copy`; wrong picture: the `scene`; a bad roll: `--regenerate static_variants`; one size wrong while the chosen picture is right: `--regenerate adapt_<size>`, which re-lays it out, named in the hints); a blocking defect is first corrected by the run itself (`--autofix`, above). The checks rank the variants before the pick and the judge only breaks an exact tie, comparing pairwise against the compiled brief, knowing the brand and the viewer; every variant stays on offer to the person in Baker. There is no render limit. When a defect still stands after the automatic rounds, the hints say to fix it with a `--fix`, then by changing the spec or the approach, and if it still cannot be fixed to show the best version and name what is left in one plain sentence, without a question.
+**After a run** the CLI reads the finished ad back on what makes a static win, not a checklist of elements: every delivered image's pixel shape against its format; **every line of `prompt.json`'s copy (in-scene and designed alike) read back with its box by a box reader and compared** (a line more than 2% off, missing, or joined by words nobody asked for is blocking; case and punctuation fold, as does a capital I read as an l (one stroke in a sans-serif), accents do not; words the picture adds are blocking only when set at the copy's usual size or making a claim (a figure, a price, an offer), and otherwise a note, as a screen's code, a poster or a mug in the scene, except a price (a currency sign beside a figure) the copy does not hold, blocking at any size and blurred by the correction, the document it is on kept; every render is asked for no readable prices on a bill, quote, receipt, screen or price tag beyond the copy; a copy line is "on the ad twice" only when most of its words repeat, never a word or two echoed on a prop; on a native screen, which code typesets from the spec, a line read differently is the reader's error and only a missing one counts); **the ad's own copy and its logo measured against the format's safe area** (`staticSafeArea`, the one owner of those areas; `must-show.ts` decides what is measured: never what the scene prints, nor a copy line printed again in the scene while the line itself sits clear). On a 9:16, which runs in Stories and Reels alike, what Stories' header or bottom bar covers (and any other app's interface named) is said as "where Stories and Reels cover it" ("where Reels covers it" for an ad set that runs only in Reels) and blocks for the logo, the button, the headline, the figure and the offer, while a supporting line (body, caption, label, small print) there is a note; what only Reels' taller footer covers is one note, and only for the lead line, since Stories shows it and the 9:16 is laid out in Stories' band; words merely close to where an app draws are no finding. The steps that place a size clear of an interface (`static_safe_fit`, `static_place`) are told the same copy (`prompt.json`'s lines, their roles, and the brand's name and the logo's words, a wordmark read close to them counting as the logo) and move the ad for those alone, a supporting line included only where the frame cuts it; on a feed image such as a 4:5, only a design margin, so words close to the edge are a warning and only words the frame cuts are blocking); a copy line written over two lines (`"15%\noff"`) is matched part by part wherever the reader finds each; designed type in a colour far from the brand palette is a warning; supporting lines too small to read on a phone are one note per size; the main line set smaller than a supporting one is a note, the brand's wordmark never counted as part of a line that starts with its name; the logo set twice is a note, a far smaller mark printed on something in the scene (a hoodie, a bag) is not. When the copy names a real person ("Lautaro Suarez, CTO at Vibiz"), the run casts them as themselves before it renders (`baker avatars research --create`, their avatar's sheet added to `prompt.json` `references` as a `PERSON_n`), and a face shown as a named person the ad has no photo of is blocking. When the reader cannot answer, the vision pass transcribes the copy instead and judges the safe zones by eye. Then one vision pass for clipping, overlaps, artifacts, one dominant idea, the brand with the logo covered and the concept's mechanisms, with every format shown a second time at phone-feed thumbnail size (240px wide, same call): a lead message unreadable at that size is blocking. A missing logo, CTA or copy is never a finding; a logo that is drawn and broken is. stdout carries `verdict` (`ready` | `ready_with_notes` | `needs_fixes` | `not_reviewed`), `judge` (the per-candidate scores) and hints that end with what the run made; the findings are stored on the run as its `review`. `needs_fixes` means the ad is not done even though every node completed, and the run is recorded with `presentable: false` so it is never shown as a version; every fix is an edit to `prompt.json` and a re-run (wrong words: the lines in `copy`; wrong picture: the `scene`; a bad roll: `--regenerate static_variants`; one size wrong while the chosen picture is right: `--regenerate adapt_<size>`, which re-lays it out, named in the hints); a blocking defect is first corrected by the run itself (`--autofix`, above). The checks rank the variants before the pick and the judge only breaks an exact tie, comparing pairwise against the compiled brief, knowing the brand and the viewer; every variant stays on offer to the person in Baker. Within one chat turn an ad gets two runs you start (each with its automatic corrections) and about 8 minutes in all: a correction round that would take it past that is not started (`[autofix] not started`), the version shown as it stands, and no render starts once it is spent or once the ad is `ready` or `ready_with_notes`: the next is refused (`CONFLICT`, exit 2) with what to show instead; the person's next message starts a new turn (`turn-renders.ts`). When a defect still stands after the automatic rounds, the hints say to fix it with a `--fix`, then by changing the spec or the approach, and if it still cannot be fixed to show the best version and name what is left in one plain sentence, without a question.
 
 The render prompt is **model-aware**: each model's profile (`src/engine/lib/prompt-profiles.ts`) sets its shape, word budget, picture order and request params. gpt-image gets short labelled sections with the constraints last; Gemini gets sentences that give the reason and a positive closing list of the only words allowed. A profile change, or a new model on the router (`src/engine/lib/image-model-router.ts`), is re-run on the static bench (`scripts/creative-evals`, `--job static`) before it ships. Run `baker canvas critique` on the scaffolded canvas for an advisory read before you spend.
 
@@ -6562,7 +6590,7 @@ import {
 
 ## Creatives
 
-Publish an approved canvas render as a first-class Baker creative: a static image (PNG, JPG, WebP) or a finished video (MP4, MOV, WebM). An image uploads to the Baker image library (tagged `creative`); a video uploads to the Baker video library and is saved once it plays (bounded at 3 minutes). A creative record is created/updated, and the command prints the creative reference JSON the dashboard renders in chat.
+Save a finished canvas render as a Baker creative: a static image (PNG, JPG, WebP) or a finished video (MP4, MOV, WebM). Choose and save the best finished version without waiting for the user to choose, including in the turn that rendered it. Saving pins the version as the agent's choice without recording user approval or putting an ad live. An image uploads to the Baker image library (tagged `creative`); a video uploads to the Baker video library and is saved once it plays (bounded at 3 minutes). A creative record is created/updated, and the command prints the creative reference JSON the dashboard renders in chat.
 
 ```bash
 baker creatives publish --title "Spring Offer 4x5" \
@@ -6580,7 +6608,7 @@ baker creatives publish ./canvas/<run_id>/final.mp4 --title "Spring Offer Reel"
 | `<file>` | The image or video. For an image it is optional with `--run-id`: the run's own saved output (from its run record, sha-verified) is used instead, so a workspace that never had the run's folder can publish it. |
 | `--title <text>` | Required. Human title for the creative. |
 | `--slug <slug>` | Creative slug (`src/creatives/<slug>/`): attaches the image or video to that creative's row, marks it `published`. Required for a video. With `--run-id` an image publish also sets `status: published` in the creative's `_definition.md` (`definitionStatus` in the output). |
-| `--run-id <r_…>` | Pins the approved generation from the creative's run history as the published one. |
+| `--run-id <r_…>` | Pins the finished generation from the creative's run history as the saved one. |
 | `--output <label\|slot\|n>` | With `--run-id` and no file: which of the run's images to save when it made several (a label such as `4:5`, a slot, or a 1-based number). |
 | `--source-reference-url <url>` | Original reference ad URL, recorded on the creative. |
 | `--context <text>` | Optional describe context for the uploaded image or video. |
@@ -6625,7 +6653,7 @@ With `--slug`, `data.variantChoice` (`runId`, `option`, `sha256`) says which var
 Record what the person said about one version in a chat: an approval, or a rejection with reasons and their own words. It is stored like the Approve / Not this one buttons, as the verdict of the person who wrote the chat's latest message (`recordedFor: "sender"`), or of the chat itself when nobody has written in it (`"chat"`). One verdict per person per version or option: a later one replaces theirs. Must run from a chat.
 
 ```bash
-baker creatives feedback record --slug spring-offer --run r_01K… --verdict rejected \
+baker creatives feedback record --slug spring-offer --verdict rejected \
   --reasons text_mistakes,weak_hook --note "the price is 49 not 59"
 baker creatives feedback record --slug spring-offer --run r_01K… --option 2 --verdict approved
 ```
@@ -6633,7 +6661,7 @@ baker creatives feedback record --slug spring-offer --run r_01K… --option 2 --
 | Flag | Effect |
 |---|---|
 | `--slug <slug>` | Required. The creative (`src/creatives/<slug>/`). |
-| `--run <r_…>` | Required. The version. |
+| `--run <r_…>` | The version. Left out, the one the creative shows now (its last render in this workspace). |
 | `--verdict approved\|rejected` | Required. |
 | `--option <o>` | One option of a version that made several: its label, its number (`2`) or its slot. |
 | `--reasons <a,b>` | Comma-separated: `text_mistakes`, `logo_or_brand_wrong`, `weak_hook`, `wrong_message`, `looks_fake`, `not_our_style`, `voice_or_sound`, `pacing`, `other`. The two video reasons: `voice_or_sound` (the voiceover, music or mix) and `pacing` (too slow, too fast, the hook lands late). A rejection needs reasons or a note. |
@@ -6643,10 +6671,10 @@ After a rejection, `hints[]` restates what to change, starting from that version
 
 ### `baker creatives select`
 
-Choose the version of a creative to keep, or only some of its options, the way choosing it in Baker does: the creative shows that version as the chosen one, and the choice records the chat sender's approval (`source: "selection"`). Naming options replaces the earlier pick. It does not add the image to the library; that is `baker creatives publish`, which, given `--run-id`, also counts as choosing that version.
+Record the user's choice of a creative version, or only some of its options, the way choosing it in Baker does: the creative shows that version as the chosen one, and the choice records the chat sender's approval (`source: "selection"`). Naming options replaces the earlier pick. It does not add the image to the library; that is `baker creatives publish`, which pins the agent's saved version without recording user approval. Use `select` only for a choice the user actually made; autonomous saving uses `publish`.
 
 ```bash
-baker creatives select --slug spring-offer --run r_01K…
+baker creatives select --slug spring-offer                      # the version it shows now
 baker creatives select --slug spring-offer --run r_01K… --options "beach,2"
 ```
 

package/dist/{chunk-X46KRGZU.js → chunk-7THIX4WW.js}

@@ -1,10 +1,10 @@
 import {
   debugLogHttp,
   readBodyForLog
-} from "./chunk-LDS7LUKK.js";
+} from "./chunk-EURJVJQY.js";
 import {
   getEnv
-} from "./chunk-SPPJRGQF.js";
+} from "./chunk-F7LXMR73.js";
 
 // src/client.ts
 var MAX_RATE_LIMIT_RETRIES = 3;
@@ -211,4 +211,4 @@ export {
   apiGet,
   apiPost
 };
-//# sourceMappingURL=chunk-X46KRGZU.js.map
+//# sourceMappingURL=chunk-7THIX4WW.js.map