@koda-sl/baker-cli 0.123.0-dev.4a85b9f30 → 0.123.0-dev.8e4328629

package/README.md

@@ -1142,7 +1142,7 @@ Notes:
 - All write commands take `--file <json>` payloads; explicit flags override file keys. `baker schema ads.linkedin.campaigns.create` for exact args.
 - Money flags (`--bid`, `--daily-budget`, `--total-budget`) require `--currency`.
 - Creative media comes from the Baker library (`--image-id`/`--video-id` from `baker images`/`baker videos` — uploaded to LinkedIn at publish) or as LinkedIn URNs (`--image-urn`/`--video-urn`). Formats: `image|video|text|spotlight|follower|document|carousel|conversation|tla|jobs`; complex formats take `--file` with the full content object; conversation ads take `--file` with the message flow (`{message: {subject, body, senderName?, buttons[]}}` — buttons `NESTED` (with `nestedMessage`) or `LANDING_PAGE` (with `landingPageUrl`), ≤25 messages, bodies ≤500 chars, labels ≤25). Limits: headline ≤70, text-ad 25/75, intro soft-truncates at 600 chars. TLA sponsors an existing post via `--post-urn`.
-- Lead forms are file-first (`lead-forms create --file form.json`). Required: name, headline (≤60), privacyPolicyUrl, questions[] (≤12; playbook: ≤4 for completion). Each question is a predefined profile field (`{ name, predefinedField: "EMAIL" }` — Contact/Work/Company/Education/Demographic library) or a custom question (`{ name, questionType: "SINGLE_LINE_TEXT" | "MULTIPLE_CHOICE", options?: [...] }`; ≤3 custom, MULTIPLE_CHOICE needs 2–30 options). Also supported: `locale {country,language}`, `formImageId`/`formImageUrn` (banner), `privacyPolicyText`, `consents[]` (≤5 disclosure checkboxes `{text, required}`), `hiddenFields[]` (≤20 `{name, value}` tracking fields), `legalDisclaimer`, `thankYou {message, cta, landingUrl | appointmentUrl}` (Calendly/Chili Piper booking link). The staged preview emits non-blocking best-practice warnings when a form has no qualifying question, no confirmation message/action, or no consent checkbox.
+- Lead forms are file-first (`lead-forms create --file form.json`). Required: name, headline (≤60), privacyPolicyUrl, questions[] (≤12; playbook: ≤4 for completion). Each question is a predefined profile field (`{ name, predefinedField: "EMAIL" }` — Contact/Work/Company/Education/Demographic library) or a custom question (`{ name, questionType: "SINGLE_LINE_TEXT" | "MULTIPLE_CHOICE", options?: [...] }`; ≤3 custom, MULTIPLE_CHOICE needs 2–30 options). Also supported: `locale {country,language}`, `formImageId`/`formImageUrn` (banner), `consents[]` (≤5 disclosure checkboxes `{text, required}`), `hiddenFields[]` (≤20 `{name, value}` tracking fields), `legalDisclaimer`, `thankYou {message, cta, landingUrl | appointmentUrl}` (Calendly/Chili Piper booking link). The staged preview emits non-blocking best-practice warnings when a form has no qualifying question, no confirmation message/action, or no consent checkbox.
 
 #### `audit` — playbook diagnostic
 
@@ -3964,7 +3964,7 @@ It then scaffolds the full pipeline like an **editing timeline**: each clip gets
 
 **Montage flashes held as stills — unless the picture really moves.** A rapid-cut beat shorter than ~2s with no spoken line is a **flash** — Seedance's shortest clip is 4s, so generating one (then trimming away most of it) burns credits for motion no viewer perceives. The scaffold instead **holds one keyframe as a still** for the scene length (a cheap ffmpeg loop, no billed `video_generate`), same look at a fraction of the cost. The deconstruct now stamps each scene's **`motion_level`** (`static` / `subtle` / `dynamic`): a **dynamic** flash (pouring chocolate, hands working, walking) keeps a **real trimmed clip** — freezing a moving montage turns it into a slideshow — while genuinely static beats (a logo card, a pinned photo, a product still) keep the cheap hold. Talking/ambient beats always keep a real clip (they need motion + native audio). The deconstruct also stamps each dialogue line's **`on_camera`** flag — a voice playing over b-roll, a graphic, or a mere *photo* of the speaker stays voiceover, so the scaffold never lip-syncs a scene with no speaking face (the polaroid close-up failure).
 
-**The phrase model (voice cut at pauses, not at visual cuts).** The voice is grouped into **phrases** — runs of continuous speech with no real pause, which may span several visual scenes. A phrase is voiced ONCE (so a sentence the deconstruct split at a visual cut never breaks mid-word): if the speaker is **shown** anywhere in the phrase it's a single Seedance clip (`s<anchor>_clip`, native lip-sync + audio) re-voiced to the brand voice; if the speaker is **never shown** it's one ElevenLabs `tts` read. The picture is then assembled **scene by scene**: a scene that shows the speaker **slices its window** out of the phrase clip (`s<i>_seg`, an ffmpeg `-ss`/`-t` cut — video and audio come from the *same* clip, so lip-sync holds), and a **b-roll cutaway** gets its own silent clip while the phrase's voice plays underneath. **Consecutive** shown scenes of one phrase clip are **merged into a single segment** (they're one continuous take with no real cut between them) — a run that tiles the whole clip rides the raw clip with no `_seg` at all, so a fast montage no longer explodes into one trim per micro-scene. "Shown" is decided by the **presenter element's per-scene presence**, not just who's speaking — a scene where a cast member narrates over b-roll (their element absent) is treated as a cutaway, so the talking head never appears where the original cut away. A presenter run longer than the **gateway-safe ~10s clip ceiling splits at a scene boundary** into contiguous takes (joined by the shared boundary frame), so a sliced window never reads past its clip. A run also splits when its **accumulated spoken words exceed ~16** — Seedance's lip-sync drifts on a long continuous monologue (ByteDance's own guidance is ~5–10 words per line), so a dense read is broken into shorter, lip-sync-clean takes at the same boundary (a few more billed clips for legible mouths). (Seedance's *API* max is 15s, but the generation gateway frequently times out — **HTTP 524** — before it can deliver a clip longer than ~10s, so the scaffold never asks for one that long; 10s is a Seedance-allowed duration, so the split clip still snaps cleanly.) A b-roll cutaway *inside* a phrase lands at an **approximate** time (Seedance exposes no word timing) — nudge the scene boundary if it's off its beat.
+**One clip per shot — separated at complete breaks.** A video is a sequence of clear **shots** with **complete breaks** (hard cuts) between them, and that is what the scaffold separates by: **two adjacent presenter shots at a hard cut become TWO clips**, never glued into one invented take just because the speech runs continuously across the cut. Each presenter shot is one Seedance clip (`s<anchor>_clip`, native lip-sync + audio) re-voiced to the brand voice. What is **NOT** split: a **voiceover** narration stays ONE ElevenLabs `tts` read across the b-roll it plays over, and a **b-roll cutaway** between two on-camera moments leaves the presenter shot continuous — the shown scenes aren't adjacent (the insert sits between them), so the clip covers both on-camera windows (sliced as `s<i>_seg`, an ffmpeg `-ss`/`-t` cut — video+audio from the *same* clip so lip-sync holds) while the cutaway plays its own silent clip over the continuing voice. "Shown" is decided by the **presenter element's per-scene presence**, not just who's speaking — a scene where a cast member narrates over b-roll (their element absent) is a cutaway, so the talking head never appears where the original cut away. A single shot longer than the **gateway-safe ~10s clip ceiling** (Seedance's *API* max is 15s, but the gateway often times out — **HTTP 524** — past ~10s) **splits into contiguous takes joined by a shared boundary frame**; the spine then **seam-dedups** that duplicated frame so the concat doesn't freeze on it (`--seam-dedup head|tail|off`, default `head` = drop the second clip's first frame). Timbre stays consistent across all the separate shot clips because every clip's native audio is re-voiced in **one merged per-speaker pass** (not per clip). A b-roll cutaway *inside* a phrase lands at an **approximate** time (Seedance exposes no word timing) — nudge the scene boundary if it's off its beat.
 
 **A starting point, not a locked render.** The canvas mirrors the reference's structure to give you a faithful scaffold, but `metadata.todo.full_flexibility` makes explicit that the agent has **full editing freedom**: add / delete / reorder / split / merge scenes, re-prompt any frame or motion brief, change a scene's layout (full-frame ↔ composite), or rewrite any line — the content-addressed cache re-bills only what changes, and `baker canvas validate` re-checks timing/lip-sync after any edit.
 
@@ -4004,6 +4004,7 @@ baker canvas run ./reference-ad.video.canvas.json
 | `--slug <slug>` | — | Creative slug (lowercase kebab): writes the canvas to `src/creatives/<slug>/<slug>.canvas.json` — the repo convention that attaches every run to the creative's dashboard generation history. `--out` wins over `--slug`. |
 | `--frames <mode>` | `generate` | `generate` emits ONE recast keyframe per scene (the original frame is dropped so the dropped `el_*` assets drive identity); `reuse` wires the real extracted first+last frames straight into the clips (faithful, cheaper, no recast). |
 | `--ambient` | off | Give silent **b-roll** scenes native diegetic ambient (Seedance `generate_audio`), mixed deep under the music bed. Talking scenes already carry voice; check levels don't muddy the mix before keeping it. |
+| `--seam-dedup <mode>` | `head` | How to dedup the boundary frame two clips SHARE when a long shot is split for length (the second clip's first frame IS the first clip's last frame, so a plain concat freezes on it for a frame). `head` drops the second clip's first frame, `tail` drops the first clip's last frame, `off` keeps both. Only touches shared-frame continuation joins — a hard cut between two shots shares no frame. |
 | `--max-scenes <n>` | all source scenes | **Cost lever that reduces fidelity** — caps the deconstruct, MERGING away every scene beyond the cap (fewer cuts, lost beats). Prints a warning when set; omit it to reproduce every scene. |
 | `--language <code>` | auto | Transcript/dialogue language hint (e.g. `fr`, `en`). |
 | `--focus <text>` | — | Known provenance/emphasis to ground the deconstruct. |
@@ -4026,10 +4027,10 @@ The two scaffold passes are billed (the full `video_deconstruct` is the heavy on
 Turn a source/inspiration image into a **runnable, self-validated static-ad canvas** — the static counterpart of `scaffold-video`. Like the video scaffold, this runs **billed Gemini passes** up front:
 
 1. **`image_describe`** (`~google/gemini-pro-latest`) — reverse-engineers the image into a blueprint JSON, written next to the canvas as **`prompt.json`**. This is the editable "prompt": you rewrite it by hand into the ad you want (palette, copy, claims, subjects). It feeds the generator directly — there is **no automatic brand-transform step**. The blueprint also names the **`winning_mechanisms`** — the special sauce that makes the ad a candidate winner, each tagged `kind` (verbal: rhyme/pun/rhythm; visual: unexpected crop, visual gag, juxtaposition, pattern interrupt, before/after; structural: hook order/reveal) with a `device` and `why_it_works` — so your rewrite rebuilds the mechanism that makes the ad win instead of adapting only the surface and losing it.
-2. **element selection** (`~google/gemini-flash-latest`) — picks the **main, identity-critical** elements (the brand logo, a showcased product, a trust badge) **plus any foreground/hero person or animal** — the emotional focal point — even a generic one, because a free-generated face/muzzle reads as AI and grows artifacts; the emotional hero always gets a real-reference slot. Background extras are dropped. Each is stamped back onto its blueprint entry as a `reference_image` label so the JSON self-documents which slot grounds which subject.
+2. **element selection** (`~google/gemini-flash-latest`) — picks the **main, identity-critical** elements (the brand logo, a showcased product, a trust badge) **plus any foreground/hero person or animal** — the emotional focal point — even a generic one, because a free-generated face/muzzle reads as AI and grows artifacts; the emotional hero always gets a real-reference slot. When the advertiser's logo appears in **more than one lockup** (a square/icon **mark** and a horizontal **wordmark**), each is emitted as its **own** element (e.g. `LOGO_MARK`, `LOGO_WORDMARK`) so you drop the right file in each slot instead of stretching one logo to cover both. The describe pass also records the ad's **typography** under a `fonts` block (each typeface's classification, a best-guess family, and its weight/case) so you know exactly what to drop at the brand-font slot. Background extras are dropped. Each element is stamped back onto its blueprint entry as a `reference_image` label so the JSON self-documents which slot grounds which subject.
 3. **global layout** (`~google/gemini-flash-latest`) — produces a structured `layout` block in `prompt.json`: the column/row grid, each region's `x_pct`/`y_pct` bounds, panel splits, background/shape, and every text block's relative size/weight/case/alignment. This is what gives the generator a precise composition to rebuild.
 
-It then scaffolds a canvas that ingests `prompt.json`, wires **one `[TODO]` ingest slot per detected element** (plus an optional brand-font → type-specimen) into `image_generate`, and wires the original image in for composition only. The canvas is validated before it's written. stdout returns `{ ok, canvas_path, prompt_path, models, layout_regions, stats, checklist }` — the **checklist** lists every real asset to drop in.
+It then scaffolds a canvas that ingests `prompt.json`, wires **one `[TODO]` ingest slot per detected element** (plus an optional brand-font → type-specimen) into `image_generate`, and wires the original image in for composition only. Each **person/animal hero** is additionally fused into a generated **multi-view reference sheet** (`image_reference_sheet`, a turnaround built from the one dropped photo) that the render grounds on instead of the lone flat snapshot — the same identity lock the video scaffold uses, so the face/muzzle stays consistent and artifact-free from a single reference. Pass `--skip-actor-sheets` to ground straight on the dropped photo. The canvas is validated before it's written. stdout returns `{ ok, canvas_path, prompt_path, models, layout_regions, stats, checklist }` — the **checklist** lists every real asset to drop in (and which heroes get a sheet).
 
 ```bash
 baker canvas scaffold-static-ad ./reference-ad.png --context "competitor ad for <brand>, <category>, <market>"
@@ -4050,6 +4051,7 @@ baker canvas run ./static-ad.canvas.json
 | `--gen-model <id>` | registry default (`openai/gpt-5.4-image-2`) | Override the `image_generate` model. |
 | `--aspect <ratio>` | inferred from the image, else `9:16` | Force the output aspect ratio. |
 | `--skip-font` | off | Skip the brand-font → type-specimen slot. |
+| `--skip-actor-sheets` | off | Ground each person/animal on its lone dropped photo instead of a generated multi-view reference sheet. |
 
 Scaffolding runs (and bills) the two vision passes; **running** the result generates a billed image. `baker canvas validate` does not check that the `[TODO]` paths exist — supply the real files before `run`.
 
@@ -4573,6 +4575,7 @@ This CLI is designed for AI agent consumption. Key patterns:
 - **0.105.0**: `baker images ...`, `baker videos ...`, and `baker testimonials ...` commands now type their `/api/{images,videos,testimonials}/...` request/response payloads from the shared `@baker/api` contract package instead of hand-written local interfaces. No command, flag, or output-shape changes.
 - **0.106.0**: `baker ads linkedin` gains staged write commands — `campaign-groups`/`campaigns`/`creatives` create|update|pause|resume|(archive|)duplicate, `audiences create|upload`, `conversions create|update`, `lead-forms create|update`, plus `draft [remove|clear]` for review/undo. Ops validate at stage time, apply on chat publish, and run simulated (`urn:li:simulated:*`) unless LinkedIn writes are enabled for the company.
 - **0.116.0**: `lead-forms create` models the full Campaign Manager form — `locale`, form banner image (`formImageId`/`formImageUrn`), predefined profile-field questions (validated enum) vs custom questions (`SINGLE_LINE_TEXT`/`MULTIPLE_CHOICE` with `options`, ≤3 custom), `privacyPolicyText`, disclosure `consents[]` (≤5), tracking `hiddenFields[]` (≤20), and `thankYou` confirmation CTA + landing/appointment link. Staged preview surfaces best-practice warnings (no qualifying question, no confirmation, no consent). No breaking flag changes.
+- **0.121.0**: `lead-forms create` drops the `privacyPolicyText` field — LinkedIn's versioned lead-form API has no privacy-policy-text slot, so it was silently discarded on publish. Use `legalDisclaimer` (shown under the form) or `consents[]` (disclosure checkboxes) instead. (Companion backend fix: staged lead-form questions were serialized in a shape LinkedIn dropped — they now publish correctly, and the staged preview lists each question.)
 - **0.119.0**: `draft amend`/`draft show` land on both `baker ads google` and `baker ads linkedin` — a generic JSON-merge-patch to update any staged op in place plus a full-payload receipt, replacing remove+recreate as the correction path. Google gains `assets update` and `asset-groups create|update` (Performance Max asset groups are now their own entity — `ads create --format performanceMaxAssetGroup` never worked and is gone); `ads create --format video` moves from a bare YouTube id to `--video-assets` refs (**breaking flag change** — stage the video as an asset first); `--format demandGen` gains `--image-assets`/`--square-image-assets`/`--logo-image-assets` and flag-building for headlines/descriptions. LinkedIn's `draft list` now renders a readable Campaign group ▸ Campaign ▸ Creative tree by default (`--json` for raw), `creatives update` gains `--campaign` (re-parent while staged), and `campaigns update` passes create-only fields (`--group`/`--type`/`--locale`/`--associated-entity`) through when amending a `li_temp_*` staged create instead of always stripping them.
 
 ## Publishing