@kensio/pinyinjs 1.7.4 → 1.7.5

package/dist/transcription/gwoyeu.js

@@ -35,546 +35,8 @@ import { NEUTRAL_TONE } from "../tone/tone.js";
  * The four tones, for building the index.
  */
 const CONTOUR_TONES = [1, 2, 3, 4];
-/**
- * How each initial is spelled.
- *
- * GR uses the voiced letters for the unaspirated series, as pinyin does, so
- * this half of the table is nearly pinyin's own. The three that differ are the
- * alveolar affricates — `tz` and `ts` for pinyin z and c — and the palatals,
- * which GR does not distinguish from the retroflexes at all: `j`, `ch` and `sh`
- * stand for both series, and it is the following `i` that says which. That is
- * why pinyin zhu, ju and jiu come out as `ju`, `jiu` and `jiou`.
- */
-const INITIAL_SPELLINGS = new Map([
-    ["b", "b"],
-    ["p", "p"],
-    ["m", "m"],
-    ["f", "f"],
-    ["d", "d"],
-    ["t", "t"],
-    ["n", "n"],
-    ["l", "l"],
-    ["g", "g"],
-    ["k", "k"],
-    ["h", "h"],
-    ["j", "j"],
-    ["q", "ch"],
-    ["x", "sh"],
-    ["zh", "j"],
-    ["ch", "ch"],
-    ["sh", "sh"],
-    ["r", "r"],
-    ["z", "tz"],
-    ["c", "ts"],
-    ["s", "s"],
-]);
-/**
- * How each final is spelled in the basic form.
- *
- * Written out in full, as the finals table of *Spelling in Gwoyeu Romatzyh*
- * has them: `iou` and `uei` rather than pinyin's contracted iu and ui, `iu` for
- * ü, `au` for ao, and `el` for er — the `-r` being spoken for by the second
- * tone.
- */
-const FINAL_SPELLINGS = {
-    a: "a",
-    o: "o",
-    e: "e",
-    ê: "è",
-    er: "el",
-    ai: "ai",
-    ei: "ei",
-    ao: "au",
-    ou: "ou",
-    an: "an",
-    en: "en",
-    ang: "ang",
-    eng: "eng",
-    ong: "ong",
-    i: "i",
-    ia: "ia",
-    io: "io",
-    ie: "ie",
-    iao: "iau",
-    iou: "iou",
-    ian: "ian",
-    in: "in",
-    iang: "iang",
-    ing: "ing",
-    iong: "iong",
-    u: "u",
-    ua: "ua",
-    uo: "uo",
-    uai: "uai",
-    uei: "uei",
-    uan: "uan",
-    uen: "uen",
-    uang: "uang",
-    ueng: "ueng",
-    ü: "iu",
-    üe: "iue",
-    üan: "iuan",
-    ün: "iun",
-    m: "m",
-    n: "n",
-    ng: "ng",
-};
-/**
- * The initials after which the empty rhyme is written `-y`.
- *
- * 詩 shī is `shy` and 斯 sī is `sy`, which is the same observation Yale makes
- * with its `r` and `z`: the i of shi is a continuation of the initial rather
- * than a vowel. GR spends a letter of its own on it, and that letter behaves
- * as a vowel for every tonal rule below — `shy`, `shyr`, `shyy`, `shyh`.
- */
-const EMPTY_RHYME_INITIALS = new Set([
-    "zh",
-    "ch",
-    "sh",
-    "r",
-    "z",
-    "c",
-    "s",
-]);
-/**
- * The sonorant initials, which swap what the first two tones do.
- *
- * A syllable beginning l-, m-, n- or r- takes an `-h-` as its second letter in
- * the first tone and is left alone in the second: 媽 mā is `mha` and 麻 má is
- * `ma`. The reason is frequency rather than phonology — these initials carry
- * far more second tones than first ones — and it is the one place where the
- * basic form is not the first tone.
- */
-const SONORANT_INITIALS = new Set(["l", "m", "n", "r"]);
-/**
- * The letters that count as a vowel for the tonal rules.
- *
- * `y` is the empty rhyme and `è` is pinyin's ê; both are the whole of the rime
- * they appear in, so both take the doubling and the `-r` exactly as a vowel
- * does.
- */
-const VOWELS = "aeiouyè";
-/**
- * The vowels a tone mark can sit on in pinyin, in the order the rule tries
- * them, which is what "the main vowel" means for the third tone's doubling.
- */
-const MAIN_VOWELS = ["a", "o", "e"];
-/**
- * The letter 儿化 is written with.
- *
- * `-l` rather than `-r`, the second tone having spoken for the r.
- */
-const ERHUA_SUFFIX = "l";
-/**
- * The rime each final takes once it is rhotacised, before the `-l`.
- *
- * **GR transcribes 儿化 as it is said rather than as it is spelled**, which is
- * what makes this a table rather than a suffix. 玩儿 wánr is `wal` and not
- * `wanl`, because the -n is not there to hear; 事儿 shìr is `shell`, the empty
- * rhyme having gone entirely; 今儿 jīnr and 鸡儿 jīr are both `jiel`, which is
- * the collapse *Spelling in Gwoyeu Romatzyh* names.
- *
- * The rules it gives, applied here as stated:
- *
- * - `-y`, the empty rhyme, becomes `e`
- * - `i` and `in` become `ie`; `iu` (ü) and `iun` (ün) become `iue`
- * - `ing` becomes `ieng`
- * - every other `-n` disappears without trace
- * - the asyllabic `-i` of `ai`, `uai`, `iai` and `uei` disappears
- *
- * So `al` covers a, an and ai; `el` covers en, ei and the empty rhyme; `uel`
- * covers uen and uei. The tonal rules then apply to the result, which is where
- * `dial` becomes 一點兒's `deal`.
- */
-const RHOTACISED_RIMES = {
-    a: "a",
-    o: "o",
-    e: "e",
-    ê: "è",
-    // 兒 is already the rhotic syllable; nothing else attaches to it.
-    er: "el",
-    ai: "a",
-    ei: "e",
-    ao: "au",
-    ou: "ou",
-    an: "a",
-    en: "e",
-    ang: "ang",
-    eng: "eng",
-    ong: "ong",
-    i: "ie",
-    ia: "ia",
-    io: "io",
-    ie: "ie",
-    iao: "iau",
-    iou: "iou",
-    ian: "ia",
-    in: "ie",
-    iang: "iang",
-    ing: "ieng",
-    iong: "iong",
-    u: "u",
-    ua: "ua",
-    uo: "uo",
-    uai: "ua",
-    uei: "ue",
-    uan: "ua",
-    uen: "ue",
-    uang: "uang",
-    ueng: "ueng",
-    ü: "iue",
-    üe: "iue",
-    üan: "iua",
-    ün: "iue",
-    // The syllabic nasals, which GR does not spell at all: see writeGwoyeu.
-    m: "m",
-    n: "n",
-    ng: "ng",
-};
-/**
- * The rhotacised rime of the empty rhyme, which `-y` becomes.
- */
-const RHOTACISED_EMPTY_RHYME = "e";
-/**
- * The last tone in which a final writes an apostrophe before the `-l`.
- *
- * Three finals need one, because the fusion above has made them collide with a
- * rime that was already there. `e` rhotacised is `e'l`, `er'l` and `ee'l`, to
- * keep it apart from the `el`, `erl` and `eel` that en, ei and the empty rhyme
- * give; `ie` and `iue` take one in the first two tones only, since in the third
- * and fourth they merge with i and iu anyway. The fourth tone of `e` needs no
- * apostrophe either, `ehl` being distinct from `ell` on its own.
- */
-const APOSTROPHE_TONES = new Map([
-    ["e", 3],
-    ["ie", 2],
-    ["üe", 2],
-]);
-/**
- * The apostrophe those three finals take.
- */
-const APOSTROPHE = "'";
-/**
- * The dot written in front of a neutral-tone syllable.
- *
- * A full stop, which is how GR writes it in print. Chao's own practice is to
- * use it on a word's first appearance rather than throughout; this module
- * always writes it, because it is the only thing in GR that can say "neutral"
- * rather than leaving it to be inferred.
- */
-const NEUTRAL_MARK = ".";
-/**
- * Whether a letter is one the tonal rules treat as a vowel.
- *
- * Spelled out rather than written `VOWELS.includes(letter)` because
- * `"aeiouyè".includes("")` is true, and the letter before the first one of a
- * spelling is exactly that: the empty string. A rule asking "is the letter
- * before this one a vowel" would silently say yes at the start of every
- * syllable.
- */
-function isVowel(letter) {
-    return letter !== undefined && letter !== "" && VOWELS.includes(letter);
-}
-/**
- * How a final is spelled after a given initial.
- */
-function rimeSpelling(initial, final) {
-    return final === "i" && EMPTY_RHYME_INITIALS.has(initial)
-        ? "y"
-        : FINAL_SPELLINGS[final];
-}
-/**
- * The basic form of a syllable: the spelling every tonal rule starts from.
- */
-function basicForm(syllable) {
-    const { initial, final } = syllable;
-    const spelt = INITIAL_SPELLINGS.get(initial) ?? "";
-    return `${spelt}${rimeSpelling(initial, final)}`;
-}
-/**
- * Where the rime's vowels start and end.
- *
- * The five syllables with no vowel letter at all — the syllabic nasals 呣, 唔,
- * 嗯 and their aspirated pair — fall back to the last letter, so that the rules
- * asking for "the vowel" have something to work on. GR has no attested
- * spelling for any of them; see `docs/romanization/`.
- */
-function vowelSpan(form) {
-    let start = 0;
-    while (start < form.length && !isVowel(form[start])) {
-        start += 1;
-    }
-    if (start === form.length) {
-        return [form.length - 1, form.length - 1];
-    }
-    let end = start;
-    while (isVowel(form[end + 1])) {
-        end += 1;
-    }
-    return [start, end];
-}
-/**
- * Tone 1: the basic form, with `-h-` inserted after a sonorant initial.
- */
-function firstTone(form, initial) {
-    return SONORANT_INITIALS.has(initial)
-        ? `${form.slice(0, 1)}h${form.slice(1)}`
-        : form;
-}
-/**
- * The i or u a glide can be written on, turned into y or w.
- *
- * The rule is `NiV → NyV` and `NuV → NwV`, where N is a non-vowel or nothing at
- * all: the i or u has to be the medial rather than part of a diphthong, which
- * is what the "not preceded by a vowel" test says. The `+ -i if final` clause
- * covers the rimes that are nothing but the medial — `i` becomes `yi` and not
- * a bare `y`.
- */
-function glided(form) {
-    for (const [letter, glide] of [
-        ["i", "y"],
-        ["u", "w"],
-    ]) {
-        const at = form.indexOf(letter);
-        if (at !== -1 && !isVowel(form[at - 1])) {
-            const rest = form.slice(at + 1);
-            return `${form.slice(0, at)}${glide}${rest === "" ? letter : rest}`;
-        }
-    }
-    return undefined;
-}
-/**
- * Tone 2: i/u to y/w, or an `-r` after the vowels.
- */
-function secondTone(form, initial) {
-    if (SONORANT_INITIALS.has(initial)) {
-        return form;
-    }
-    const glide = glided(form);
-    if (glide !== undefined) {
-        return glide;
-    }
-    const [, end] = vowelSpan(form);
-    return `${form.slice(0, end + 1)}r${form.slice(end + 1)}`;
-}
-/**
- * The i or u a third tone can be swapped for e or o.
- *
- * `Vi`/`iV` becomes `Ve`/`eV` and `Vu`/`uV` becomes `Vo`/`oV`, so the letter
- * has to sit beside a vowel; where both an i and a u are available it is
- * whichever comes *first* that changes, which is why 交 jiǎo is `jeau` and not
- * `jiao`. The swap is abandoned where it would produce `ee` or `oo`, both of
- * which are the doubling below and would collide with it.
- */
-function swapped(form) {
-    const found = [
-        ["i", "e"],
-        ["u", "o"],
-    ]
-        .map(([letter, swap]) => [form.indexOf(letter), swap])
-        .filter(([at]) => at !== -1)
-        .toSorted((one, other) => one[0] - other[0])[0];
-    if (found === undefined) {
-        return undefined;
-    }
-    const [at, swap] = found;
-    const before = form[at - 1];
-    const after = form[at + 1];
-    const isBeside = isVowel(before) || isVowel(after);
-    const isDoubles = before === swap || after === swap;
-    return isBeside && !isDoubles
-        ? `${form.slice(0, at)}${swap}${form.slice(at + 1)}`
-        : undefined;
-}
-/**
- * Tone 3, where the swap does not apply: double the main vowel.
- *
- * The main vowel is the one a pinyin tone mark would sit on — a, then o or e,
- * then the last vowel there is — so 請 qǐng is `chiing` and 給 gěi is `geei`.
- */
-function doubled(form) {
-    const [start, end] = vowelSpan(form);
-    const rime = form.slice(start, end + 1);
-    const main = MAIN_VOWELS.map((vowel) => rime.indexOf(vowel)).find((at) => at !== -1);
-    const at = start + (main ?? rime.length - 1);
-    return `${form.slice(0, at + 1)}${form.slice(at, at + 1)}${form.slice(at + 1)}`;
-}
-/**
- * Tone 3: i/u to e/o beside a vowel, or the main vowel doubled.
- */
-function thirdTone(form) {
-    return swapped(form) ?? doubled(form);
-}
-/**
- * Tone 4: change or double the last letter, or add `-h`.
- *
- * The `⇏iw` clause is why 去 qù is `chiuh` and not `chiw`: the u of `iu` is the
- * ü rather than the second half of a diphthong, and turning it into a w would
- * say the wrong thing about the vowel.
- */
-function fourthTone(form) {
-    const last = form.slice(-1);
-    const before = form.slice(-2, -1);
-    if (last === "i" && isVowel(before)) {
-        return `${form.slice(0, -1)}y`;
-    }
-    if (last === "u" && isVowel(before) && before !== "i") {
-        return `${form.slice(0, -1)}w`;
-    }
-    if (form.endsWith("ng")) {
-        return `${form.slice(0, -2)}nq`;
-    }
-    if (last === "n" || last === "l") {
-        return `${form}${last}`;
-    }
-    return `${form}h`;
-}
-/**
- * Put the y- or w- on a syllable that has no initial, in tones 3 and 4.
- *
- * **This is the one place where the published rules needed amending, and the
- * amendment is a correction of one word.** They say that a basic form starting
- * i- or u- has that letter *replaced* by y- or w- (tone 4), or changed to e- or
- * o- with a y- or w- added (tone 3). Applied literally that deletes a vowel the
- * attested spellings keep: 一 yī's basic form is `i`, and tone 4 comes out `yh`
- * where the source has `yih`. Nine cells of the syllabary fail that way, all of
- * them a rime that is bare or closed by a consonant — `yii`, `yih`, `wuu`,
- * `wuh`, `yiin`, `yinn`, `yiing`, `yinq`, `yuh`.
- *
- * The rime table of *Spelling in Gwoyeu Romatzyh* says what actually happens,
- * and it is one rule rather than two: **the letter replaced is a medial**, so
- * it goes only when a different vowel follows it. `iuh` has a u after the i and
- * becomes `yuh`; `ih` has an h and becomes `yih`; `ii` has the same vowel
- * doubled, which is not a following vowel at all, and becomes `yii`. Tone 3
- * needs no separate clause once that is said, because its own swap has already
- * eaten the medial wherever there was one.
- */
-function zeroInitial(form, basic) {
-    const onset = basic.slice(0, 1);
-    if (onset !== "i" && onset !== "u") {
-        return form;
-    }
-    const glide = onset === "i" ? "y" : "w";
-    const next = form[1];
-    const isMedial = form.slice(0, 1) === onset && isVowel(next) && next !== onset;
-    return `${glide}${isMedial ? form.slice(1) : form}`;
-}
-/**
- * Apply the tonal rules to a basic form, which is the whole of them.
- */
-function tonalForm(basic, initial, tone) {
-    if (tone === 1) {
-        return firstTone(basic, initial);
-    }
-    if (tone === 2) {
-        return secondTone(basic, initial);
-    }
-    const changed = tone === 3 ? thirdTone(basic) : fourthTone(basic);
-    return initial === "" ? zeroInitial(changed, basic) : changed;
-}
-/**
- * Spell a syllable in a given tone.
- */
-function toneForm(syllable, tone) {
-    return tonalForm(basicForm(syllable), syllable.initial, tone);
-}
-/**
- * The basic rhotacised form of a syllable: the spelling before the `-l`.
- */
-function rhotacisedForm(syllable) {
-    const { initial, final } = syllable;
-    const rime = final === "i" && EMPTY_RHYME_INITIALS.has(initial)
-        ? RHOTACISED_EMPTY_RHYME
-        : RHOTACISED_RIMES[final];
-    return `${INITIAL_SPELLINGS.get(initial) ?? ""}${rime}`;
-}
-/**
- * Whether a rhotacised rime spells its fourth tone rather than doubling the l.
- *
- * The fourth tone of a rhotacised syllable doubles the `-l` — `nal` becomes
- * `nall` — except where the rime has a fourth tone of its own to spell, and
- * then it spells that and adds the l on the end: `aul` becomes `awl` and `angl`
- * becomes `anql`. *Spelling in Gwoyeu Romatzyh* lists the exceptions as
- * `awl, owl, anql, enql, onql` and `ehl`, which is every rime ending in a
- * diphthong's -u or in -ng, plus the `e` that takes the apostrophe.
- */
-function isOwnFourthTone(final, rime) {
-    return final === "e" || /(?:[aeiou]u|ng)$/u.test(rime);
-}
-/**
- * Spell a rhotacised syllable in a given tone.
- */
-function rhotacisedTone(syllable, tone) {
-    const { initial, final } = syllable;
-    const basic = rhotacisedForm(syllable);
-    if (tone === 4) {
-        const spelt = isOwnFourthTone(final, basic)
-            ? `${fourthTone(basic)}${ERHUA_SUFFIX}`
-            : `${basic}${ERHUA_SUFFIX}${ERHUA_SUFFIX}`;
-        return initial === "" ? zeroInitial(spelt, basic) : spelt;
-    }
-    const apostrophe = tone <= (APOSTROPHE_TONES.get(final) ?? 0) ? APOSTROPHE : "";
-    return `${tonalForm(basic, initial, tone)}${apostrophe}${ERHUA_SUFFIX}`;
-}
-/**
- * Spell a syllable in a given tone, rhotacised or not.
- */
-function spelling(syllable, tone) {
-    return syllable.erhua === true
-        ? rhotacisedTone(syllable, tone)
-        : toneForm(syllable, tone);
-}
-/**
- * The basic form of a syllable, rhotacised or not.
- *
- * The spelling before any tonal rule has touched it, which is the first tone
- * for every initial but the sonorants and the second tone for those. It is
- * what a neutral syllable with no original tone is written as.
- */
-function basicSpelling(syllable) {
-    if (syllable.erhua !== true) {
-        return basicForm(syllable);
-    }
-    const apostrophe = APOSTROPHE_TONES.has(syllable.final) ? APOSTROPHE : "";
-    return `${rhotacisedForm(syllable)}${apostrophe}${ERHUA_SUFFIX}`;
-}
-/**
- * Write a syllable in Gwoyeu Romatzyh: 就 jiù becomes `jiow`.
- *
- * An unwritten tone is written as the first-tone form, because GR has no other
- * form to write — which means it reads back as a first tone, exactly as
- * bopomofo's unmarked syllable does.
- *
- * The neutral tone takes the dot in front, and behind it goes the syllable's
- * original tonal spelling where {@link Syllable.originalTone} says what that
- * was: 没有 méiyou is `mei.yeou`. Where it does not, the basic form goes there
- * instead — which is what GR itself writes for a syllable that is neutral in
- * its own right, 什么 shénme being `shern.me`. The basic form is not the first
- * tone for a sonorant initial, and writing `.mhe` would say the 么 was one.
- */
-export function writeGwoyeu(syllable) {
-    const { tone, originalTone } = syllable;
-    if (tone === NEUTRAL_TONE) {
-        const spelt = originalTone === undefined || originalTone === NEUTRAL_TONE
-            ? basicSpelling(syllable)
-            : spelling(syllable, originalTone);
-        return `${NEUTRAL_MARK}${spelt}`;
-    }
-    return spelling(syllable, tone ?? 1);
-}
-/**
- * Write a word in Gwoyeu Romatzyh, one syllable after another.
- *
- * Solid, as GR writes a word: 北京 is `Beeijing`, which is the convention
- * pinyin inherited. GR uses an apostrophe where the join is ambiguous — its own
- * name for pinyin, `Pin'in`, is the standard example — and that is not written
- * here, for the same reason `readGwoyeu` takes one syllable at a time: knowing
- * where the boundary is ambiguous means being able to split the word, and
- * nothing here splits a GR word.
- */
-export function writeGwoyeuWord(syllables) {
-    return syllables.map((syllable) => writeGwoyeu(syllable)).join("");
-}
+import { NEUTRAL_MARK, rhotacisedTone, toneForm } from "./gwoyeu-spelling.js";
+export { writeGwoyeu, writeGwoyeuWord } from "./gwoyeu-spelling.js";
 /**
  * Every syllable each spelling stands for, keyed per tone.
  *

package/dist/transcription/gwoyeu.js.map

@@ -1 +1 @@
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package/dist/transcription/ipa-symbols.d.ts

@@ -0,0 +1,67 @@
+/**
+ * The IPA symbols each part of a syllable is written with, as tables.
+ *
+ * A broad transcription rather than a narrow one — see `ipa.ts` for what that
+ * settles and what it leaves out.
+ */
+import type { Final, Initial } from "../syllable/phonology.js";
+/**
+ * The symbol each initial is transcribed with.
+ *
+ * The aspiration series is where pinyin's letters mislead most: pinyin b is
+ * [p], and pinyin p is [pʰ]. Nothing in Mandarin is voiced here, which is what
+ * both Wade-Giles and Yale are working around in their own directions.
+ */
+export declare const INITIAL_SYMBOLS: Map<Initial, string>;
+/**
+ * The symbols each final is transcribed with.
+ *
+ * The vowels are where the transcription and the spelling part company: pinyin
+ * writes one e for [ɤ], [ə] and [ɛ], and one i for [i] and [ɨ], because a
+ * spelling can let the context do the work and a transcription cannot. 天 tiān
+ * is [tʰiɛn] and 恩 ēn is [ən].
+ */
+export declare const FINAL_SYMBOLS: Record<Final, string>;
+/**
+ * The initials after which the i final is the empty rhyme [ɨ].
+ */
+export declare const EMPTY_RHYME_INITIALS: Set<Initial>;
+/**
+ * The initials after which pinyin's -o final is [uo] rather than [ɔ].
+ */
+export declare const LABIAL_INITIALS: Set<Initial>;
+/**
+ * What 儿化 adds.
+ *
+ * A suffix, and that is an approximation this module states rather than hides:
+ * a rhotacised syllable is not the plain one with [ɚ] after it. 玩儿 wánr is
+ * [wɑɚ̯] with the nasal gone, and 味儿 wèir keeps its glide while 事儿 shìr
+ * loses its empty rhyme entirely. Modelling that needs a rhyme-by-rhyme table
+ * of fused forms, which is a phonological claim rather than a transcription
+ * convention, and it is not made here.
+ */
+export declare const ERHUA_SUFFIX = "\u025A";
+/**
+ * The Chao tone letter each tone is written with.
+ *
+ * The neutral tone has none: it has no contour of its own, taking its pitch
+ * from the syllable before it, and the transcription leaves it unwritten. That
+ * is bopomofo's problem in reverse — bopomofo cannot say "no tone", and this
+ * cannot say "neutral".
+ */
+export declare const TONE_LETTERS: Map<1 | 2 | 3 | 4 | 5, string>;
+/**
+ * How an IPA syllable writes its tone.
+ *
+ * Chao's tone letters are the standard notation and the default; `numbers`
+ * writes his pitch numerals instead (55, 35, 214, 51), which is what a plain
+ * ASCII field wants.
+ */
+export interface IpaOptions {
+    readonly tones?: "letters" | "numbers" | "none";
+}
+/**
+ * The pitch value each tone is numbered with, in Chao's own notation.
+ */
+export declare const TONE_NUMBERS: Map<1 | 2 | 3 | 4 | 5, string>;
+//# sourceMappingURL=ipa-symbols.d.ts.map

package/dist/transcription/ipa-symbols.d.ts.map

@@ -0,0 +1 @@
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