@kenlo/sds-design-system 0.9.9 → 1.0.2
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/README.md +58 -7
- package/components/Avatar/Avatar.css +22 -0
- package/components/Button/Button.css +95 -8
- package/components/Card/Card.css +16 -6
- package/components/Card/card-variants.js +18 -0
- package/components/Card/card.marko +12 -2
- package/components/Checkbox/Checkbox.css +56 -0
- package/components/ColorPicker/ColorPicker.css +25 -2
- package/components/ColorPicker/color-picker.marko +25 -4
- package/components/DatePicker/DatePicker.css +22 -0
- package/components/Floating/focus-when-ready.js +59 -0
- package/components/Incrementer/Incrementer.css +22 -0
- package/components/Input/Input.css +25 -2
- package/components/Menu/Menu.css +21 -11
- package/components/Menu/menu-variants.js +12 -0
- package/components/Menu/menu.marko +11 -7
- package/components/Pill/Pill.css +46 -0
- package/components/Radio/Radio.css +75 -0
- package/components/Select/Select.css +21 -1
- package/components/Select/select-options.js +10 -1
- package/components/Select/select.marko +112 -5
- package/components/Table/Table.css +73 -2
- package/components/Table/table-column-picker.marko +161 -0
- package/components/Table/table-logic.js +56 -0
- package/components/Table/table.marko +50 -12
- package/components/TextEditor/TextEditor.css +2 -2
- package/components/Toggle/Toggle.css +40 -0
- package/components/Tooltip/Tooltip.css +2 -2
- package/components/Uploader/Uploader.css +23 -0
- package/foundations/custom-scheme.js +128 -10
- package/foundations/fonts/OFL.txt +114 -0
- package/foundations/fonts/fonts.json +152 -0
- package/foundations/fonts/manrope-cyrillic-ext.woff2 +0 -0
- package/foundations/fonts/manrope-cyrillic.woff2 +0 -0
- package/foundations/fonts/manrope-greek.woff2 +0 -0
- package/foundations/fonts/manrope-latin-ext.woff2 +0 -0
- package/foundations/fonts/manrope-latin.woff2 +0 -0
- package/foundations/fonts/manrope-vietnamese.woff2 +0 -0
- package/foundations/tokens.css +1095 -15
- package/icons/generated/fluent-chevron-down-filled.marko +3 -0
- package/icons/generated/fluent-chevron-up-filled.marko +3 -0
- package/icons/generated/fluent-column-triple-regular.marko +3 -0
- package/icons/manifest.json +3 -0
- package/marko.json +3 -0
- package/package.json +8 -3
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import { pickLabelColour, FALLBACK_TOKENS } from './contrast.js';
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const STYLE_ID = 'sds-custom-scheme';
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/**
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* What the document wears while the primary slot holds a gradient.
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*
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* `border-color` and `color` reject a gradient, so a stroke reads the `-solid` companion —
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* the first stop, flat. Painting a gradient ON a stroke needs a different shape of rule
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* altogether: a two-layer background over a transparent border. A stylesheet cannot ask
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* what a custom property contains, so the JavaScript that fills the slot says it here.
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*
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* KDLS wrote those rules under `[data-color-scheme="lya"]`, its own brand gradient. This
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* says the thing that is actually true — the slot holds a gradient — rather than which
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* brand is in use, so it works for any site's gradient.
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*/
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const GRADIENT_MARK = 'data-primary-gradient';
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/** The complement's own element — see applyComplementColor for why it is not the same one. */
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const COMPLEMENT_STYLE_ID = 'sds-custom-complement';
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const TONES = [10, 20, 30, 40, 50, 60, 70, 80, 90];
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/** The tones a component uses as a surface, and therefore needs a label colour for. */
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const SURFACE_TONES = [10, 20, 30, 40, 50];
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@@ -125,23 +140,67 @@ export function generateGradientPalette(hexes) {
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}, {});
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}
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/** WCAG relative luminance
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export function onPrimaryToken(hex) {
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return FALLBACK_TOKENS[onPrimaryColor(hex)];
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}
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export function onPrimaryColor(hex) {
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/** WCAG relative luminance. */
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function luminance(hex) {
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const clean = assertHex(hex).replace(/^#/, '').slice(0, 6);
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const n = parseInt(clean, 16);
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const toLinear = (c) => (c <= 0.04045 ? c / 12.92 : ((c + 0.055) / 1.055) ** 2.4);
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const r = toLinear(((n >> 16) & 255) / 255);
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const g = toLinear(((n >> 8) & 255) / 255);
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const b = toLinear((n & 255) / 255);
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return 0.2126 * r + 0.7152 * g + 0.0722 * b;
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}
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/** WCAG contrast between a surface and white or black. */
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const contrastWithWhite = (hex) => 1.05 / (luminance(hex) + 0.05);
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const contrastWithBlack = (hex) => (luminance(hex) + 0.05) / 0.05;
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/** The ratio below which WCAG stops calling normal text readable. */
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const AA = 4.5;
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/** The token for the contrast pick, so a literal never reaches the stylesheet. */
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export function onPrimaryToken(hex) {
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return FALLBACK_TOKENS[onPrimaryColor(hex)];
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}
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export function onPrimaryColor(hex) {
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return contrastWithWhite(hex) >= contrastWithBlack(hex) ? '#FFFFFF' : '#000000';
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}
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/**
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* The label for a surface made of several stops, judged by the WORST of them.
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*
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* A label is as readable as its least readable part, and a gradient draws the text across
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* every stop. Choosing against the first one — which is what this did — picked white for
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* `#2E7D32 → #BF71E5`, the portal's own default pair: 5.13:1 on the green end and 3.13:1
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* on the purple, under AA, on the half of the control nobody looks at.
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*
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* It warns rather than throws when neither choice clears AA, because that is a fact about
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* the two colours somebody chose, not a bug: no label clears 4.5:1 over that pair. The
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* system picks the better of the two and says so, so a CMS can tell the estate agency
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* before the site is published. Silently shipping 3.13:1 is how a design system becomes
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* the reason a site cannot be read.
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*/
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export function onGradientColor(hexes) {
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const worst = (against) => Math.min(...hexes.map(against));
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const best = worst(contrastWithWhite) >= worst(contrastWithBlack) ? '#FFFFFF' : '#000000';
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const ratio = best === '#FFFFFF' ? worst(contrastWithWhite) : worst(contrastWithBlack);
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if (ratio < AA) {
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const weakest = hexes
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.map((hex) => [hex, best === '#FFFFFF' ? contrastWithWhite(hex) : contrastWithBlack(hex)])
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.sort((a, b) => a[1] - b[1])[0];
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console.warn(
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`[sds] no label colour reaches ${AA}:1 across this gradient — `
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+ `the best available is ${best} at ${ratio.toFixed(2)}:1, weakest on ${weakest[0]}. `
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+ 'Choose a pair with less distance in lightness.',
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);
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}
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return best;
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}
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export const onGradientToken = (hexes) => FALLBACK_TOKENS[onGradientColor(hexes)];
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function invertPalette(light) {
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return {
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10: light[90], 20: light[80], 30: light[70], 40: light[60], 50: light[50],
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/** Fills the primary slot with a solid ramp generated from one hex. */
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export function applyCustomColor(hex) {
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inject(generatePalette(hex), onPrimaryToken(hex), (value) => value);
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document.documentElement.removeAttribute(GRADIENT_MARK);
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}
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/**
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* where a label starts.
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*/
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export function applyCustomGradient(hexes) {
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inject(generateGradientPalette(hexes),
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inject(generateGradientPalette(hexes), onGradientToken(hexes), firstStopOf);
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document.documentElement.setAttribute(GRADIENT_MARK, '');
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}
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/**
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* The complementary colour — the second of the two a site's brand actually has.
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*
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* A brand has a highlight and a complement. The highlight fills the primary slot and
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* paints everything; the complement paints one thing, the ghost button, which is the
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* outlined control. SDS could only receive the first of the two, so a product that
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* modelled both had to drop one at the border.
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*
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* It is a LAYER rather than a third mode, and that is the whole design:
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*
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* applyCustomColor(highlight) one solid
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* applyCustomColor(highlight) + this two solids
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* applyCustomGradient([start, end]) gradient — this is not used
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*
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* So "two solids" is "one solid" with one more call, and no component needs to be told
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* which of the three is in effect. `Button.css` reads `var(--color-complement-50,
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* var(--color-primary-50-solid))`: with no complement set the fallback fires and the ghost
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* button is byte for byte what it has always been, in every consumer that never uses this.
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*
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* Its own <style> element, not the primary's. One replacing the other would mean that
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* re-picking the highlight silently dropped the complement — two answers, not one.
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*
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* No `-solid` twins. That suffix exists because the primary slot may hold a gradient and
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* `color` / `box-shadow` reject one; this slot is solid by definition, so the twin would
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* be the same value under a longer name. No `-on` labels either: the ghost button paints
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* the complement ON the complement's own pale tones, which is the contrast the primary
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* ramp already answers for.
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*/
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export function applyComplementColor(hex) {
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const light = generatePalette(hex);
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const dark = invertPalette(light);
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const vars = (palette) => TONES
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.map((tone) => `--color-complement-${tone}:${palette[tone]};`)
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.join('');
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let el = document.getElementById(COMPLEMENT_STYLE_ID);
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if (!el) {
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el = document.createElement('style');
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el.id = COMPLEMENT_STYLE_ID;
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document.head.appendChild(el);
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}
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el.textContent = `:root{${vars(light)}}[data-theme="dark"]{${vars(dark)}}`;
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}
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export function clearComplementColor() {
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document.getElementById(COMPLEMENT_STYLE_ID)?.remove();
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}
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/**
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* Drops both layers.
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*
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* Both, because this is what runs when the reader picks an installed scheme — `leaf`,
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* `sea` — and at that moment the site is not on custom colours at all. Leaving the
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* complement behind would paint the ghost button a colour nothing else on screen explains.
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*/
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export function clearCustomScheme() {
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document.getElementById(STYLE_ID)?.remove();
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document.documentElement.removeAttribute(GRADIENT_MARK);
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clearComplementColor();
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}
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Manrope
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Designed by Mikhail Sharanda.
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Licensed under the SIL Open Font License, Version 1.1.
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Obtained from Google Fonts (https://fonts.google.com/specimen/Manrope), which reports the
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licence as "ofl". The .woff2 files in this directory are Google's own subsets, downloaded
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unmodified by scripts/gen-font.mjs — run `npm run gen:font` to refresh them.
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Manrope is the only typeface this package REDISTRIBUTES, which is why it is the only one
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this file has to cover. The four opt-in families the picker offers — Inter, Montserrat,
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Nunito and Source Sans 3 — are also SIL OFL 1.1, and are equally covered where they are
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actually served from: Kenlo's bucket, published by the kdls-design-system pipeline.
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Referencing a file by URL is not redistribution; carrying it in a package is.
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The full licence text follows, as published by SIL at https://openfontlicense.org.
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-------------------------------------------------------------------------------
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Copyright (c) <dates>, <Copyright Holder> (<URL|email>),
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with Reserved Font Name <Reserved Font Name>.
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Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>),
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with Reserved Font Name <additional Reserved Font Name>.
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Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>).
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This Font Software is licensed under the SIL Open Font License, Version 1.1.
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This license is copied below, and is also available with a FAQ at:
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https://openfontlicense.org
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-----------------------------------------------------------
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SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
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-----------------------------------------------------------
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PREAMBLE
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The goals of the Open Font License (OFL) are to stimulate worldwide
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development of collaborative font projects, to support the font creation
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efforts of academic and linguistic communities, and to provide a free and
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open framework in which fonts may be shared and improved in partnership
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with others.
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The OFL allows the licensed fonts to be used, studied, modified and
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redistributed freely as long as they are not sold by themselves. The
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fonts, including any derivative works, can be bundled, embedded,
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redistributed and/or sold with any software provided that any reserved
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names are not used by derivative works. The fonts and derivatives,
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however, cannot be released under any other type of license. The
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requirement for fonts to remain under this license does not apply
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to any document created using the fonts or their derivatives.
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DEFINITIONS
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"Font Software" refers to the set of files released by the Copyright
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Holder(s) under this license and clearly marked as such. This may
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include source files, build scripts and documentation.
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"Reserved Font Name" refers to any names specified as such after the
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copyright statement(s).
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"Original Version" refers to the collection of Font Software components as
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distributed by the Copyright Holder(s).
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"Modified Version" refers to any derivative made by adding to, deleting,
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or substituting -- in part or in whole -- any of the components of the
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Original Version, by changing formats or by porting the Font Software to a
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new environment.
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"Author" refers to any designer, engineer, programmer, technical
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writer or other person who contributed to the Font Software.
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PERMISSION & CONDITIONS
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Permission is hereby granted, free of charge, to any person obtaining
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a copy of the Font Software, to use, study, copy, merge, embed, modify,
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redistribute, and sell modified and unmodified copies of the Font
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Software, subject to the following conditions:
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1) Neither the Font Software nor any of its individual components,
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in Original or Modified Versions, may be sold by itself.
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2) Original or Modified Versions of the Font Software may be bundled,
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redistributed and/or sold with any software, provided that each copy
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contains the above copyright notice and this license. These can be
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included either as stand-alone text files, human-readable headers or
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in the appropriate machine-readable metadata fields within text or
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binary files as long as those fields can be easily viewed by the user.
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3) No Modified Version of the Font Software may use the Reserved Font
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Name(s) unless explicit written permission is granted by the corresponding
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Copyright Holder. This restriction only applies to the primary font name as
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presented to the users.
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