@kenkaiiii/gg-editor 0.7.0 → 0.7.1

package/dist/skills.js.map

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package/dist/system-prompt.d.ts.map

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package/dist/system-prompt.js

@@ -70,6 +70,57 @@ ggeditor is for **long-form** and **short-form** video content.
 
 Motion graphics: simple text + lower-thirds via fusion_comp (Resolve only). VFX, generative video, animation, 3D, particles, complex compositing remain out of scope — if the user asks for those, say so and propose what we CAN do.
 
+# You are an editor, not an export pipeline (READ THIS FIRST)
+
+**This is the single most important rule. Internalize it.**
+
+When a host is connected (host=resolve / host=premiere), you EDIT THE LIVE TIMELINE. The user watches you work in their NLE — cuts appear on the timeline, SFX clips land on audio tracks, captions attach as a sidecar, markers document each decision. The user can play back, scrub, undo with ⌘Z, ask you to tweak, then ask you to tweak again. Render is the FINAL step that happens once — only when the user explicitly says "render" / "export" / "ship it" / equivalent.
+
+**You are FORBIDDEN from:**
+- Calling \`render(...)\` mid-edit. The user has not asked for an export.
+- Chaining file-only tools (\`face_reframe\` → \`burn_subtitles\` → \`add_sfx_at_cuts\` → \`normalize_loudness\`) when each step renders a new mp4 the user can't see in their NLE. That's an export pipeline, not an edit. Each step strands the user further from their timeline.
+- Producing a "deliverable" mp4 the user has to import back themselves. If you HAVE to bake a file (Fairlight ops, retimes, reframe, stabilization — see capability matrix), follow with \`import_to_media_pool\` + \`replace_clip\` so the user sees the result land in their timeline.
+
+**Tool selection in editing mode:**
+
+| Want to do this? | Use this (timeline-native) | NOT this (file-only export) |
+|---|---|---|
+| SFX on cuts | \`add_sfx_to_timeline\` | ~~\`add_sfx_at_cuts\`~~ (final-render only) |
+| Captions | \`write_srt\` + \`import_subtitles\` | ~~\`burn_subtitles\`~~ (final-render only) |
+| Cut filler / silence | \`cut_filler_words\` / \`detect_silence\` → \`import_edl\` | (already EDL-based — timeline-friendly) |
+| Re-cut a window | \`text_based_cut\` → \`import_edl\` | (already EDL-based) |
+| Reorder clips | \`reorder_timeline\` → \`import_edl\` | (already EDL-based) |
+| Multi-track / b-roll | \`insert_broll\` | (live API) |
+| Color | \`apply_lut\` / \`set_primary_correction\` / \`copy_grade\` (Resolve) | (live API) |
+| Markers / decisions | \`add_marker\` | (live API) |
+
+**The few file-only tools that genuinely have no scriptable equivalent** (Fairlight is closed, no scriptable retimes / face-reframe / stabilization): when you call them, you MUST \`import_to_media_pool\` the result + \`replace_clip\` the source clip on the timeline so the user sees it. The list of unavoidable file-only ops:
+
+- \`normalize_loudness\`, \`mix_audio\`, \`clean_audio\`, \`duck_audio\`, \`bleep_words\` (Fairlight closed)
+- \`speed_ramp\` (no scriptable speed curves)
+- \`face_reframe\`, \`stabilize_video\` (no scriptable equivalent)
+- \`burn_subtitles\` (only when the user wants pixel-baked vertical captions — default to sidecar SRT instead)
+- \`loop_match_short\` (only meaningful at final delivery)
+
+**\`render(...)\` and \`render_multi_format(...)\` are only called when the user has said "render" / "export" / "ship it".** Not when you've finished a section. Not when the agent thinks the cut is done. Only on explicit user intent.
+
+**When host=none** (no NLE attached): the editor-vs-exporter rule is moot — the user has no timeline. File-only tools are the only path. Use them, but say so up front: "No NLE attached — producing standalone mp4s. Open Resolve / Premiere if you want a timeline-native edit you can keep tweaking."
+
+# When the user says "make me a YouTube video"
+
+This is the orchestrator path — the single broad ask covers everything from cut to upload. Decide what to ship from the source, then run the canonical pipeline; do NOT ask for tool-mechanic details.
+
+**Decision tree:**
+
+1. **Probe the source** — \`probe_media(input)\` for duration. Check whether \`<cwd>/.gg/brand.json\` exists (see Brand kit section). Read it silently if so; ALL render-time tools should inherit its defaults.
+2. **Triage long-form vs short-form:**
+   - duration > 5 min, prompt silent on format → produce BOTH a long-form cut AND 1–3 Shorts via \`find_viral_moments\`. Default behaviour. Tell the user what you're going to ship before starting; don't ask permission.
+   - duration > 5 min, prompt explicit ("long-form only", "just the YouTube version") → only the long-form. Skip Shorts.
+   - duration ≤ 5 min → short-form pipeline.
+   - duration 4–6 min AND prompt silent → ASK once: "Long-form, Shorts, or both?". One question, then run.
+3. **Read the \`youtube-end-to-end\` skill** for the canonical pipeline. It composes long-form-content-edit + short-form-content-edit + chapter-markers + retention pipeline + metadata bundle. Don't re-derive it; the skill is authoritative.
+4. **Always close with the YouTube delivery checklist** (see section below). Title / description / tags / chapters / thumbnail / multi-format. A YouTube cut without metadata isn't shippable.
+
 ${HOST_BLOCK_TOKEN}
 
 cwd=${cwd}
@@ -98,6 +149,18 @@ cwd=${cwd}
 | Punch-in zoom on cuts | NO | NO | punch_in |
 | Keyword-highlighted captions | NO | NO | write_keyword_captions |
 | SFX on cuts (whoosh) | NO | NO | add_sfx_at_cuts |
+| Face-tracked vertical reframe | partial (smart_reframe — Studio only) | NO | face_reframe (MediaPipe + scenedetect) |
+| Music-synced cuts (beat snap) | NO | NO | snap_cuts_to_beats (librosa) |
+| B-roll search (Pexels) | NO | NO | suggest_broll → insert_broll |
+| Auto profanity bleep | NO | NO | bleep_words |
+| Multi-format render (16:9 + 9:16 + 1:1 + 4:5) | NO (one preset at a time) | NO | render_multi_format |
+| YouTube metadata (title/desc/tags/chapters) | NO | NO | generate_youtube_metadata |
+| Long-form → N Shorts orchestration | NO | NO | find_viral_moments + score_clip |
+| Outro card from brand kit | NO scriptable | NO scriptable | generate_outro |
+| Auto-emoji captions | NO | NO | write_keyword_captions(autoEmoji=true) |
+| Text-based cut (delete-list → EDL) | NO | NO | text_based_cut |
+| Trim head/tail dead air (one call) | NO | NO | trim_dead_air |
+| Thumbnail variants (A/B) | NO | NO | compose_thumbnail_variants |
 
 # Escape hatch — host_eval
 
@@ -154,6 +217,51 @@ Never ask the host for full timeline state when you only need a few clips. Token
 9. **Never invent timecodes** — read get_timeline first.
 10. **Never render until the user says "render".** Render and import_timeline are destructive (overwrite/replace work). Confirm before calling on a non-empty timeline.
 11. **Safety net before destructive ops.** Before import_edl / bulk replace_clip / first render: clone_timeline(newName="...") and save_project. Cheap insurance. Skip only when the user explicitly says "don't clone".
+12. **Lost in the registry?** Call \`search_tools(query="<what you need>")\` instead of re-scanning the prompt. With ~85 tools that's a real token win.
+
+# Brand kit (auto-load)
+
+If \`<cwd>/.gg/brand.json\` exists, treat it as the channel's render-time defaults. Schema (all fields optional, JSON):
+
+  channelName, logo, watermark, intro, outro: file paths relative to cwd
+  fonts: { heading: "path/to/.ttf", body: "path/to/.ttf" }
+  colors: { primary, secondary, accent } — 6-char hex (RRGGBB, no leading #)
+  ctaText: "Subscribe for more" — used by generate_outro
+  subscribeUrl: "youtube.com/@channel" — surfaced in description templates
+
+Behaviour:
+- \`generate_outro\` reads it directly — zero-arg call works once a brand kit is set up.
+- \`compose_thumbnail\` / \`compose_thumbnail_variants\` should default \`fontFile\` to \`brand.fonts.heading\` when present.
+- \`overlay_watermark\` should default to \`brand.watermark\` when present.
+- \`concat_videos\` for assembly should splice \`brand.intro\` and \`brand.outro\` around the main render unless the user opts out.
+- \`generate_youtube_metadata\` can use \`brand.channelName\` to phrase descriptions in the channel's voice.
+
+Don't pause to ask the user about typography or logos when a brand kit exists. Don't lecture them about it either — just inherit the defaults silently and mention which fields you used in the final summary.
+
+# YouTube delivery (REQUIRED before declaring done)
+
+A cut is not a deliverable. A YouTube upload-ready package is. Before you tell the user the run is finished, EVERY long-form deliverable must include:
+
+1. **Captions** — sidecar SRT attached (long-form) or burned-in (vertical). Caption everything that has speech.
+2. **Loudness** — normalised to -14 LUFS / -1 dBTP via \`normalize_loudness(platform="youtube")\`. ALWAYS run before render.
+3. **Chapters** — if duration > 5 min, drop YouTube chapter markers. They live both as Resolve markers (purple) AND in the description block.
+4. **Metadata** — \`generate_youtube_metadata(transcript)\` produces the title/description/tags/chapters/hashtags bundle. ALWAYS run before declaring done. Surface the 3 candidate titles to the user; let them pick.
+5. **Thumbnail variants** — \`compose_thumbnail_variants(input, count=3, text=<best title>)\` for A/B testing. YouTube native A/B is now standard.
+6. **Multi-format** — by default, ALSO produce a 9:16 highlight reel (1–3 Shorts via \`find_viral_moments\`) from the same source unless the user opted out. Use \`render_multi_format\` to dispatch the renders.
+7. **Pre-render check** — \`pre_render_check(timelineEmpty=false, expectCaptions=true, loudnessSource=..., loudnessTarget="youtube")\` before the final render. If any finding has \`severity="block"\`, fix it and re-check.
+
+The final reply to the user must list the deliverable paths + the metadata bundle in a single structured summary. See the \`youtube-end-to-end\` skill for the canonical reply shape.
+
+# Iteration loop
+
+Real creator usage is iterative — *"good but tighten the middle"*, *"hook is weak, try another"*, *"use clip B at 2:30 instead"*. Don't assume single-pass.
+
+When the user comes back with feedback after a first cut:
+1. **Read existing markers** via \`get_markers\` — they ARE the prior session's intent. Filter by colour / range / contains so you don't drown in them.
+2. **Diff against the user's new ask.** Identify the smallest re-render that satisfies it. The full pipeline is rarely needed.
+3. **Partial re-render.** When only a window changed, re-render that window and \`concat_videos\` it into the existing master, rather than rebuilding from scratch.
+4. **New decisions get new markers.** Always add a marker for what changed ("v2: re-cut hook to start at 03:14 — stronger cold open"). Future-you (or future-them) reads this on resume.
+5. **Brand kit + style presets** survive iterations. Don't reload them each turn; they're part of the stable session context.
 
 # Human-in-the-loop pause
 

package/dist/system-prompt.js.map

@@ -1 +1 @@
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package/dist/tools/add-fades.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"add-fades.d.ts","sourceRoot":"","sources":["../../src/tools/add-fades.ts"],"names":[],"mappings":"AAEA,OAAO,EAAE,CAAC,EAAE,MAAM,KAAK,CAAC;AACxB,OAAO,KAAK,EAAE,SAAS,EAAE,MAAM,qBAAqB,CAAC;AAIrD,QAAA,MAAM,cAAc;;;;;;;iBAelB,CAAC;AAEH,wBAAgB,kBAAkB,CAAC,GAAG,EAAE,MAAM,GAAG,SAAS,CAAC,OAAO,cAAc,CAAC,CAkEhF"}
+{"version":3,"file":"add-fades.d.ts","sourceRoot":"","sources":["../../src/tools/add-fades.ts"],"names":[],"mappings":"AAEA,OAAO,EAAE,CAAC,EAAE,MAAM,KAAK,CAAC;AACxB,OAAO,KAAK,EAAE,SAAS,EAAE,MAAM,qBAAqB,CAAC;AAKrD,QAAA,MAAM,cAAc;;;;;;;iBAelB,CAAC;AAEH,wBAAgB,kBAAkB,CAAC,GAAG,EAAE,MAAM,GAAG,SAAS,CAAC,OAAO,cAAc,CAAC,CAkEhF"}

package/dist/tools/add-fades.js

@@ -3,6 +3,7 @@ import { dirname, resolve as resolvePath } from "node:path";
 import { z } from "zod";
 import { compact, err } from "../core/format.js";
 import { checkFfmpeg, probeMedia, runFfmpeg } from "../core/media/ffmpeg.js";
+import { safeOutputPath } from "../core/safe-paths.js";
 const AddFadesParams = z.object({
     input: z.string().describe("Source video file."),
     output: z.string().describe("Output path."),
@@ -34,7 +35,7 @@ export function createAddFadesTool(cwd) {
             }
             try {
                 const inAbs = resolvePath(cwd, input);
-                const outAbs = resolvePath(cwd, output);
+                const outAbs = safeOutputPath(cwd, output);
                 if (inAbs === outAbs) {
                     return err("input and output paths are identical", "pick a different output");
                 }

package/dist/tools/add-fades.js.map

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package/dist/tools/add-sfx-at-cuts.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"add-sfx-at-cuts.d.ts","sourceRoot":"","sources":["../../src/tools/add-sfx-at-cuts.ts"],"names":[],"mappings":"AACA,OAAO,EAAE,CAAC,EAAE,MAAM,KAAK,CAAC;AACxB,OAAO,KAAK,EAAE,SAAS,EAAE,MAAM,qBAAqB,CAAC;AAOrD,QAAA,MAAM,kBAAkB;;;;;;;;;iBAoDtB,CAAC;AAEH;;;;;;;;GAQG;AACH,wBAAgB,sBAAsB,CAAC,GAAG,EAAE,MAAM,GAAG,SAAS,CAAC,OAAO,kBAAkB,CAAC,CAwFxF"}

package/dist/tools/add-sfx-at-cuts.js

@@ -1,19 +1,27 @@
 import { resolve as resolvePath } from "node:path";
 import { z } from "zod";
+import { bundledSfxDescriptionList, listBundledSfxNames, resolveSfx } from "../core/bundled-sfx.js";
 import { compact, err } from "../core/format.js";
 import { checkFfmpeg, probeMedia, runFfmpeg } from "../core/media/ffmpeg.js";
+import { safeOutputPath } from "../core/safe-paths.js";
 import { buildSfxOnCutsFilter } from "../core/sfx-on-cuts.js";
 const AddSfxAtCutsParams = z.object({
     input: z.string().describe("Source video / audio (relative resolves to cwd)."),
     sfx: z
         .string()
-        .describe("SFX file (whoosh, pop, swoosh, riser…). Stereo wav / mp3. 200ms-1s long is typical."),
+        .describe(`SFX. Pass a bundled name (synthesised on demand, cached at ~/.gg/sfx-cache/) OR a file path. ` +
+        `Bundled names: ${listBundledSfxNames().join(", ")}. ` +
+        `For a custom file: stereo wav / mp3, 200 ms–1 s long is typical.`),
     output: z.string().describe("Output file. Re-encoded; uses input video codec passthrough."),
     cutPoints: z
         .array(z.number().min(0))
         .min(1)
-        .describe("Timestamps (seconds) where the SFX should fire. Same list you'd pass to punch_in. " +
-        "Closer-than-minSpacingSec hits are deduped automatically."),
+        .describe("Timestamps (seconds) where the SFX should fire — RELATIVE TO THE INPUT FILE. ⚠️ If the " +
+        "input is a rendered cut (post-`cut_filler_words` / `text_based_cut`), pass the " +
+        "`timelineCutPoints` from that tool's result — NOT source-video transcript timestamps. " +
+        "Source-space points drift further out of sync after every cut (fine for the first " +
+        "~30 s, off by 20+ s by the end of a typical podcast). Closer-than-minSpacingSec hits " +
+        "are deduped automatically."),
     sfxGainDb: z
         .number()
         .min(-30)
@@ -50,22 +58,35 @@ const AddSfxAtCutsParams = z.object({
 export function createAddSfxAtCutsTool(cwd) {
     return {
         name: "add_sfx_at_cuts",
-        description: "Drop a SFX (whoosh / pop / swoosh) at each cut point and mix it onto the existing " +
-            "audio. The standard sound-design polish on every retention-tuned vlog or short. " +
-            "Default gain -8dB sits below the voice; optional -3 to -6dB voice ducking. Video is " +
-            "copied through untouched. File-only — works in every host. Pair with cut_filler_words " +
-            "/ detect_silence for automatic cut-point feeds.",
+        description: `BAKE SFX into a rendered mp4 — file-only, final-delivery tool. ` +
+            `⚠️ When a host (Resolve / Premiere) is connected, prefer ` +
+            `\`add_sfx_to_timeline\` instead — it places real audio clips on track A3 so ` +
+            `the user hears them on playback and can tune levels in Fairlight. Use this tool ONLY ` +
+            `when host=none OR the user has explicitly asked for a final flat mp4. ` +
+            `Bundled SFX (synthesised on demand): ${bundledSfxDescriptionList()}. ` +
+            `Default gain -8 dB sits below voice; optional -3 to -6 dB voice ducking. Video is ` +
+            `copied through untouched.`,
         parameters: AddSfxAtCutsParams,
         async execute(args, ctx) {
             if (!checkFfmpeg())
                 return err("ffmpeg not on PATH", "install ffmpeg");
             try {
                 const inAbs = resolvePath(cwd, args.input);
-                const sfxAbs = resolvePath(cwd, args.sfx);
-                const outAbs = resolvePath(cwd, args.output);
+                const outAbs = safeOutputPath(cwd, args.output);
                 if (inAbs === outAbs) {
                     return err("output and input are identical", "use a different output path");
                 }
+                // Resolve bundled name OR file path. Synthesises on first cache miss.
+                let sfxAbs;
+                let sfxInfo;
+                try {
+                    const r = await resolveSfx(args.sfx, cwd, ctx.signal);
+                    sfxAbs = r.path;
+                    sfxInfo = { bundled: r.bundled, name: r.name };
+                }
+                catch (e) {
+                    return err(e.message, "use a bundled SFX name or supply a real file path");
+                }
                 const probe = probeMedia(inAbs);
                 if (!probe)
                     return err(`probe failed for ${inAbs}`, "verify file exists and is media");
@@ -106,7 +127,11 @@ export function createAddSfxAtCutsTool(cwd) {
                 if (r.code !== 0) {
                     return err(`ffmpeg failed: ${tail(r.stderr)}`);
                 }
-                return compact({ path: outAbs, hits });
+                return compact({
+                    path: outAbs,
+                    hits,
+                    sfx: sfxInfo.bundled ? `bundled:${sfxInfo.name}` : sfxAbs,
+                });
             }
             catch (e) {
                 return err(e.message);

package/dist/tools/add-sfx-at-cuts.js.map

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package/dist/tools/add-sfx-to-timeline.d.ts

@@ -0,0 +1,34 @@
+import { z } from "zod";
+import type { AgentTool } from "@kenkaiiii/gg-agent";
+import type { VideoHost } from "../core/hosts/types.js";
+/**
+ * add_sfx_to_timeline — drop SFX clips DIRECTLY onto the active timeline's
+ * audio track at each cut point. Sibling of `add_sfx_at_cuts` but operates
+ * on the live host (Resolve / Premiere) instead of producing a new mp4.
+ *
+ * Why this exists: `add_sfx_at_cuts` is file-only — it bakes SFX into a
+ * rendered mp4. That's right for "ship the final file" workflows but wrong
+ * when the user wants the SFX in the timeline so they can keep editing,
+ * tune levels in Fairlight, or hear it on playback in Resolve.
+ *
+ * Mechanics:
+ *   1. Resolve the SFX (bundled name → synthesise via ffmpeg / cache;
+ *      file path → pass through).
+ *   2. Get the timeline frame rate (needed to convert seconds → record frames).
+ *   3. For each cut point: place the SFX wav at that record frame on the
+ *      target audio track via `host.insertClipOnTrack(mediaKind="audio")`.
+ *
+ * Volume / ducking: the inserted clips land at unity gain. Use Fairlight
+ * (Resolve) or Audio Mixer (Premiere) to adjust per-clip levels — Fairlight
+ * isn't scriptable so we don't try.
+ */
+declare const AddSfxToTimelineParams: z.ZodObject<{
+    sfx: z.ZodString;
+    cutPoints: z.ZodArray<z.ZodNumber>;
+    track: z.ZodOptional<z.ZodNumber>;
+    frameRate: z.ZodOptional<z.ZodNumber>;
+    minSpacingSec: z.ZodOptional<z.ZodNumber>;
+}, z.core.$strip>;
+export declare function createAddSfxToTimelineTool(host: VideoHost, cwd: string): AgentTool<typeof AddSfxToTimelineParams>;
+export {};
+//# sourceMappingURL=add-sfx-to-timeline.d.ts.map

package/dist/tools/add-sfx-to-timeline.d.ts.map

@@ -0,0 +1 @@
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package/dist/tools/add-sfx-to-timeline.js

@@ -0,0 +1,169 @@
+import { z } from "zod";
+import { bundledSfxDescriptionList, listBundledSfxNames, resolveSfx } from "../core/bundled-sfx.js";
+import { compact, err } from "../core/format.js";
+import { checkFfmpeg } from "../core/media/ffmpeg.js";
+/**
+ * add_sfx_to_timeline — drop SFX clips DIRECTLY onto the active timeline's
+ * audio track at each cut point. Sibling of `add_sfx_at_cuts` but operates
+ * on the live host (Resolve / Premiere) instead of producing a new mp4.
+ *
+ * Why this exists: `add_sfx_at_cuts` is file-only — it bakes SFX into a
+ * rendered mp4. That's right for "ship the final file" workflows but wrong
+ * when the user wants the SFX in the timeline so they can keep editing,
+ * tune levels in Fairlight, or hear it on playback in Resolve.
+ *
+ * Mechanics:
+ *   1. Resolve the SFX (bundled name → synthesise via ffmpeg / cache;
+ *      file path → pass through).
+ *   2. Get the timeline frame rate (needed to convert seconds → record frames).
+ *   3. For each cut point: place the SFX wav at that record frame on the
+ *      target audio track via `host.insertClipOnTrack(mediaKind="audio")`.
+ *
+ * Volume / ducking: the inserted clips land at unity gain. Use Fairlight
+ * (Resolve) or Audio Mixer (Premiere) to adjust per-clip levels — Fairlight
+ * isn't scriptable so we don't try.
+ */
+const AddSfxToTimelineParams = z.object({
+    sfx: z
+        .string()
+        .describe(`SFX. Pass a bundled name (synthesised on demand at ~/.gg/sfx-cache/) OR a file path. ` +
+        `Bundled names: ${listBundledSfxNames().join(", ")}.`),
+    cutPoints: z
+        .array(z.number().min(0))
+        .min(1)
+        .describe("TIMELINE-space timestamps (seconds) where the SFX should fire. ⚠️ These must be " +
+        "timeline-relative — NOT source-video timestamps from the transcript. After " +
+        "`cut_filler_words` runs, use the `timelineCutPoints` field from its result; passing " +
+        "source-space transcript timestamps causes the SFX to drift further out of sync after " +
+        "every cut (fine for the first ~30 s, off by 20+ s by the end). Closer-than-" +
+        "minSpacingSec hits are deduped."),
+    track: z
+        .number()
+        .int()
+        .min(1)
+        .optional()
+        .describe("Target audio track (1-indexed). Default 3 — keeps A1 (dialogue) and A2 (music) free. " +
+        "If the track doesn't exist, run add_track(kind='audio') first."),
+    frameRate: z
+        .number()
+        .positive()
+        .optional()
+        .describe("Override timeline frame rate. Auto-detected via get_timeline; pass when host_info " +
+        "shows an unusual project fps and the agent has it cached."),
+    minSpacingSec: z
+        .number()
+        .min(0)
+        .optional()
+        .describe("Min spacing between hits. Closer cuts are dropped (avoids 8 stacked whooshes on " +
+        "machine-gun edits). Default 0.25 s."),
+});
+export function createAddSfxToTimelineTool(host, cwd) {
+    return {
+        name: "add_sfx_to_timeline",
+        description: `Insert a SFX clip directly onto the active timeline's audio track at each cut point. ` +
+            `LIVE host operation \u2014 unlike add_sfx_at_cuts which bakes SFX into a rendered mp4, ` +
+            `this drops actual audio clips into Resolve/Premiere so the user hears them on ` +
+            `playback and can tune levels in Fairlight. Bundled SFX (synthesised on demand): ` +
+            `${bundledSfxDescriptionList()}. Defaults to track A3 (keeps A1 dialogue / A2 music free); ` +
+            `pass track= to override. Pair with cut_filler_words / detect_silence cut-point lists.`,
+        parameters: AddSfxToTimelineParams,
+        async execute(args, ctx) {
+            // ffmpeg only required if the user passed a bundled SFX name (we synthesise).
+            // For a literal file path, no ffmpeg dep here \u2014 Resolve/Premiere handles import.
+            try {
+                // Resolve SFX to an absolute path (synthesise bundled name if cache miss).
+                let sfxAbs;
+                let sfxInfo;
+                try {
+                    const r = await resolveSfx(args.sfx, cwd, ctx.signal);
+                    sfxAbs = r.path;
+                    sfxInfo = { bundled: r.bundled, name: r.name };
+                }
+                catch (e) {
+                    // Bundled-name failures often surface via ffmpeg synthesis errors;
+                    // surface ffmpeg presence in the fix hint when relevant.
+                    const msg = e.message;
+                    const hint = msg.includes("ffmpeg") || msg.includes("Bundled:")
+                        ? checkFfmpeg()
+                            ? "use a bundled SFX name or supply a real file path"
+                            : "ffmpeg not on PATH \u2014 install ffmpeg or use a literal file path"
+                        : "use a bundled SFX name or supply a real file path";
+                    return err(msg, hint);
+                }
+                // Determine timeline frame rate.
+                let fps = args.frameRate;
+                if (fps === undefined) {
+                    try {
+                        const tl = await host.getTimeline();
+                        fps = tl.frameRate;
+                    }
+                    catch (e) {
+                        return err(`cannot read timeline framerate: ${e.message}`, "open Resolve/Premiere with an active timeline OR pass frameRate=...");
+                    }
+                }
+                if (!fps || fps <= 0) {
+                    return err("could not determine timeline frame rate", "pass frameRate=24/25/30/60 explicitly");
+                }
+                // Sort + dedup cut points by minSpacingSec.
+                const minSpacing = args.minSpacingSec ?? 0.25;
+                const sortedCuts = [...args.cutPoints].sort((a, b) => a - b);
+                const filtered = [];
+                for (const c of sortedCuts) {
+                    if (c < 0)
+                        continue;
+                    if (filtered.length === 0 || c - filtered[filtered.length - 1] >= minSpacing) {
+                        filtered.push(c);
+                    }
+                }
+                if (filtered.length === 0) {
+                    return err("no usable cut points after filtering");
+                }
+                // Insert each SFX. Track failures per-cut so a single bad insertion
+                // doesn't kill the whole batch.
+                const track = args.track ?? 3;
+                const inserted = [];
+                const failed = [];
+                for (const atSec of filtered) {
+                    if (ctx.signal?.aborted) {
+                        return err("aborted");
+                    }
+                    const recordFrame = Math.round(atSec * fps);
+                    try {
+                        const r = await host.insertClipOnTrack({
+                            mediaPath: sfxAbs,
+                            track,
+                            recordFrame,
+                            mediaKind: "audio",
+                        });
+                        inserted.push({ atSec: +atSec.toFixed(3), recordFrame, clipId: r.id });
+                    }
+                    catch (e) {
+                        failed.push({ atSec: +atSec.toFixed(3), error: e.message });
+                    }
+                }
+                if (inserted.length === 0) {
+                    // Surface the first error so the user sees what went wrong (likely
+                    // missing audio track \u2014 the agent should add_track('audio') first).
+                    const firstErr = failed[0]?.error ?? "no clips inserted";
+                    return err(`no SFX clips inserted on track A${track}: ${firstErr}`, `track A${track} may not exist \u2014 run add_track(kind='audio') first, or pick a lower track`);
+                }
+                return compact({
+                    ok: true,
+                    inserted: inserted.length,
+                    failed: failed.length || undefined,
+                    track,
+                    fps,
+                    sfx: sfxInfo.bundled ? `bundled:${sfxInfo.name}` : sfxAbs,
+                    // Sample of inserted clips so the agent can quote what landed where.
+                    sample: inserted.slice(0, 5),
+                    // Per-failure detail for the agent to retry / diagnose.
+                    failures: failed.length ? failed.slice(0, 5) : undefined,
+                });
+            }
+            catch (e) {
+                return err(e.message);
+            }
+        },
+    };
+}
+//# sourceMappingURL=add-sfx-to-timeline.js.map

package/dist/tools/add-sfx-to-timeline.js.map

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package/dist/tools/add-sfx-to-timeline.test.d.ts

@@ -0,0 +1,2 @@
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