@jarrodmedrano/claude-skills 1.0.4 → 1.0.5

package/.claude/skills/guitar-fretboard-mastery/SKILL.md

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+---
+name: guitar-fretboard-mastery
+description: >
+  Comprehensive guitar theory consulting based on the Fret Science system by Keith Martin.
+  Use when helping with fretboard visualization, pentatonic scales, modes, CAGED system,
+  triads, intervals, 3nps patterns, harmonization, or any guitar theory questions. Covers
+  the warp concept, rectangle/stack pentatonic approach, modal brightness, chord voicing
+  analysis, and fretboard memorization techniques. Philosophy: Understand more, memorize less.
+---
+
+# Guitar Fretboard Mastery (Fret Science System)
+
+A systematic approach to guitar theory emphasizing geometric patterns and understanding over rote memorization.
+
+## Core Concept: The Warp
+
+The most important fretboard concept: **the G-B string boundary shifts patterns by one fret**.
+
+- Standard tuning uses perfect 4ths (5 semitones) between strings, EXCEPT G-to-B which is a major 3rd (4 semitones)
+- Any pattern crossing G↔B shifts one fret toward the bridge (G→B) or toward the nut (B→G)
+- This explains why chord shapes change when moved across strings
+
+## Pentatonic Scale: Rectangle & Stack
+
+The pentatonic scale is a **5-string repeating pattern** with two geometric shapes:
+
+### The Rectangle (Red)
+- Two notes on adjacent strings spanning 3 frets each
+- Contains: 1, 5, b3, b7 (minor) or 6, 3, 1, 5 (major)
+- Both right-hand notes can be bent a full step
+
+### The Stack (Blue)  
+- Three adjacent strings with 2-fret intervals
+- Contains: b3, b7, 4, 1, 5 (minor) or 1, 5, 2, 6, 3 (major)
+- Top-right corner bends full step; lower-right notes bend 1.5 steps
+
+### Navigation
+- Rectangle and stack **alternate vertically** in each pentatonic form
+- Rectangle and stack **alternate horizontally** with slight diagonal descent
+- Stack connects diagonally to itself one octave higher (Clapton pathway)
+
+### Five Forms
+All forms derive from shifting the 5-string repeating pattern up strings (accounting for warp):
+Form 1 → Form 4 → Form 2 → Form 5 → Form 3 → Form 1
+
+## Modes: Pentatonic + Fill-in Notes
+
+Six modes are pentatonic scales with two notes added inside the rectangle:
+
+| Mode       | Type  | Fill Position | Brightness |
+|------------|-------|---------------|------------|
+| Lydian     | Major | Both right    | Brightest  |
+| Ionian     | Major | Staggered     | Medium     |
+| Mixolydian | Major | Both left     | Darker     |
+| Dorian     | Minor | Both right    | Brightest  |
+| Aeolian    | Minor | Staggered     | Medium     |
+| Phrygian   | Minor | Both left     | Darkest    |
+
+Locrian (b5) doesn't fit this system—it's not built on major/minor pentatonic.
+
+### Brightness Order (each differs by one semitone)
+Lydian (#4) → Ionian → Mixolydian (b7) → Dorian (b3,b7) → Aeolian (b3,b6,b7) → Phrygian (b2,b3,b6,b7) → Locrian
+
+## 3nps (Three-Notes-Per-String)
+
+A 7-string universal pattern with only **3 fingering shapes**:
+- **1-2-4** (half-whole): Scale degrees 7, 3
+- **1-3-4** (whole-half): Scale degrees 6, 2  
+- **1-3-5** (whole-whole): Scale degrees 5, 1, 4
+
+### Phone Numbers for String Movement
+- Going UP: 7-3-6-2-5-1-4
+- Going DOWN: 4-1-5-2-6-3-7
+
+Pattern 4→7 transition shifts one fret (can combine with warp for 2-fret shift).
+
+### String Pairs (for horizontal movement)
+Memorize the 7 pairs—great for melodic sequences:
+- Pair 1: 4/1 → 5/2 → 6/3 (same shape as Pair 5)
+- Pairs 2-7 follow sequentially
+
+## CAGED System
+
+Five open chord shapes (C-A-G-E-D) become a **pegboard** for the entire fretboard.
+
+### Root Locations
+Memorize where roots fall in each CAGED shape—snap any pattern onto these positions.
+
+### Layered Hierarchy (for improvisation)
+1. **Root** — Home base, most stable
+2. **Triad** (1-3-5) — Always consonant, great phrase endings
+3. **Pentatonic** — Adds melodic options
+4. **Mode** — Full color palette
+
+## Triads
+
+### Four Types (stacked thirds)
+| Triad      | Formula   | Lower 3rd | Upper 3rd |
+|------------|-----------|-----------|-----------|
+| Major      | 1-3-5     | Major (4) | Minor (3) |
+| Minor      | 1-b3-5    | Minor (3) | Major (4) |
+| Diminished | 1-b3-b5   | Minor (3) | Minor (3) |
+| Augmented  | 1-3-#5    | Major (4) | Major (4) |
+
+### Inversions
+- Root position: 1-3-5
+- 1st inversion: 3-5-1
+- 2nd inversion: 5-1-3
+
+Nine closed-form shapes exist (3 inversions × 3 string groups, warped versions for G-B crossing).
+
+### Quick Modifications
+From Major: lower 3rd → minor, raise 5th → augmented, lower root 1 fret → maj7, lower root 2 frets → dom7
+From Minor: raise 3rd → major, lower 5th → diminished, lower root 2 frets → m7
+
+## Intervals
+
+### Counting System
+- Horizontal: +1 fret toward bridge, -1 toward nut
+- Vertical: +5 per string up (toward floor), -5 per string down
+- **Warp crossing**: count diagonally
+
+### Reference Table
+| Semitones | Interval | Semitones | Complement |
+|-----------|----------|-----------|------------|
+| 0         | Unison   | 12        | Octave     |
+| 1         | m2       | 11        | M7         |
+| 2         | M2       | 10        | m7         |
+| 3         | m3       | 9         | M6         |
+| 4         | M3       | 8         | m6         |
+| 5         | P4       | 7         | P5         |
+| 6         | #4/b5    | 6         | Tritone    |
+
+9th = 2nd, 11th = 4th, 13th = 6th (subtract 7)
+
+## Harmonization with Thirds
+
+### Which Scale Degrees Get Major/Minor Thirds
+- **Major thirds** (4 frets): 1, 4, 5
+- **Minor thirds** (3 frets): 2, 3, 6, 7
+
+### Technique
+1. Play melody on one string
+2. Add third on adjacent string (major or minor based on scale degree)
+3. Keep one finger anchored, shift other finger for major/minor
+
+### Spread Thirds with Pedal Tone
+Capture open string as pedal, play thirds 2+ strings away. Assign scale degree to the note matching the open string to create any modal sound.
+
+## Circle of 4ths/5ths
+
+### Vertical Movement
+Moving up a string = up a 4th (clockwise on circle)
+Moving down a string = down a 4th (counterclockwise)
+
+### The Sequence
+4ths: B-E-A-D-G-C-F-Bb-Eb-Ab-Db-Gb
+5ths: Reverse order with sharp names
+
+Wraps diagonally around fretboard due to warp.
+
+## Fretboard Memorization Exercises
+
+1. **Combine with pentatonic**: Find note everywhere using octave jumps, build pentatonic each time
+2. **Follow progressions**: Find roots and build triads for each chord in a song
+3. **Cycle of 4ths on one string**: Play B-E-A-D-G-C-F-Bb-Eb-Ab-Db-Gb
+4. **Chromatic one-note-per-string**: Move chromatically while changing strings
+
+## Octave Shapes (CAGED Backbone)
+
+Two "chess moves" for octave jumps:
+- +2 strings, +2 frets (no warp) → +3, +2 with warp
+- +2 strings, -3 frets (no warp) → +2, -3 with warp
+
+These shapes connect CAGED positions.
+
+---
+
+For detailed diagrams, fingering charts, and visual references, consult the `references/` folder.

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@jarrodmedrano/claude-skills",
-  "version": "1.0.4",
+  "version": "1.0.5",
   "description": "Reusable Claude Code skills for web development projects",
   "main": "index.js",
   "bin": {