@hyperframes/core 0.8.49 → 0.8.51

package/dist/compiler/timingCompiler.d.ts

@@ -17,6 +17,7 @@
  * Relative `data-start` (`intro`, `intro + 0.5`) is not numeric — leave
  * `data-end` off so extract can resolve the id-ref later.
  */
+import type { RateSpec } from "../speedRamp.js";
 export interface UnresolvedElement {
     id: string;
     tagName: string;
@@ -25,7 +26,7 @@ export interface UnresolvedElement {
     end?: number;
     duration?: number;
     mediaStart: number;
-    playbackRate: number;
+    playbackRate: RateSpec;
     compositionSrc?: string;
 }
 export interface ResolvedDuration {
@@ -39,7 +40,7 @@ export interface ResolvedMediaElement {
     start: number;
     duration: number;
     mediaStart: number;
-    playbackRate: number;
+    playbackRate: RateSpec;
     loop: boolean;
 }
 export interface CompilationResult {

package/dist/compiler/timingCompiler.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"timingCompiler.d.ts","sourceRoot":"","sources":["../../src/compiler/timingCompiler.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;GAkBG;AAUH,MAAM,WAAW,iBAAiB;IAChC,EAAE,EAAE,MAAM,CAAC;IACX,OAAO,EAAE,MAAM,CAAC;IAChB,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,KAAK,EAAE,MAAM,CAAC;IACd,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,QAAQ,CAAC,EAAE,MAAM,CAAC;IAClB,UAAU,EAAE,MAAM,CAAC;IACnB,YAAY,EAAE,MAAM,CAAC;IACrB,cAAc,CAAC,EAAE,MAAM,CAAC;CACzB;AAED,MAAM,WAAW,gBAAgB;IAC/B,EAAE,EAAE,MAAM,CAAC;IACX,QAAQ,EAAE,MAAM,CAAC;CAClB;AAED,MAAM,WAAW,oBAAoB;IACnC,EAAE,EAAE,MAAM,CAAC;IACX,OAAO,EAAE,MAAM,CAAC;IAChB,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,KAAK,EAAE,MAAM,CAAC;IACd,QAAQ,EAAE,MAAM,CAAC;IACjB,UAAU,EAAE,MAAM,CAAC;IACnB,YAAY,EAAE,MAAM,CAAC;IACrB,IAAI,EAAE,OAAO,CAAC;CACf;AAED,MAAM,WAAW,iBAAiB;IAChC,IAAI,EAAE,MAAM,CAAC;IACb,UAAU,EAAE,iBAAiB,EAAE,CAAC;CACjC;AAID,eAAO,MAAM,oCAAoC,OAAO,CAAC;AAEzD,wBAAgB,wBAAwB,CAAC,gBAAgB,EAAE,MAAM,EAAE,WAAW,EAAE,MAAM,GAAG,OAAO,CAE/F;AAED;;;;;;GAMG;AACH,wBAAgB,gCAAgC,CAC9C,OAAO,EAAE,oBAAoB,CAAC,SAAS,CAAC,EACxC,gBAAgB,EAAE,MAAM,EACxB,WAAW,EAAE,MAAM,GAClB,OAAO,CAET;AAuLD;;;;;;;;;GASG;AACH,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,GAAG,iBAAiB,CA4ClE;AAED;;;;;;GAMG;AACH,wBAAgB,eAAe,CAAC,IAAI,EAAE,MAAM,EAAE,WAAW,EAAE,gBAAgB,EAAE,GAAG,MAAM,CAwBrF;AAMD;;;GAGG;AACH,wBAAgB,oBAAoB,CAAC,IAAI,EAAE,MAAM,GAAG,oBAAoB,EAAE,CA6BzE;AAED;;;;GAIG;AACH,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,EAAE,MAAM,EAAE,gBAAgB,EAAE,GAAG,MAAM,CAgB/E"}
+{"version":3,"file":"timingCompiler.d.ts","sourceRoot":"","sources":["../../src/compiler/timingCompiler.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;GAkBG;AAQH,OAAO,KAAK,EAAE,QAAQ,EAAE,MAAM,iBAAiB,CAAC;AAGhD,MAAM,WAAW,iBAAiB;IAChC,EAAE,EAAE,MAAM,CAAC;IACX,OAAO,EAAE,MAAM,CAAC;IAChB,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,KAAK,EAAE,MAAM,CAAC;IACd,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,QAAQ,CAAC,EAAE,MAAM,CAAC;IAClB,UAAU,EAAE,MAAM,CAAC;IACnB,YAAY,EAAE,QAAQ,CAAC;IACvB,cAAc,CAAC,EAAE,MAAM,CAAC;CACzB;AAED,MAAM,WAAW,gBAAgB;IAC/B,EAAE,EAAE,MAAM,CAAC;IACX,QAAQ,EAAE,MAAM,CAAC;CAClB;AAED,MAAM,WAAW,oBAAoB;IACnC,EAAE,EAAE,MAAM,CAAC;IACX,OAAO,EAAE,MAAM,CAAC;IAChB,GAAG,CAAC,EAAE,MAAM,CAAC;IACb,KAAK,EAAE,MAAM,CAAC;IACd,QAAQ,EAAE,MAAM,CAAC;IACjB,UAAU,EAAE,MAAM,CAAC;IACnB,YAAY,EAAE,QAAQ,CAAC;IACvB,IAAI,EAAE,OAAO,CAAC;CACf;AAED,MAAM,WAAW,iBAAiB;IAChC,IAAI,EAAE,MAAM,CAAC;IACb,UAAU,EAAE,iBAAiB,EAAE,CAAC;CACjC;AAID,eAAO,MAAM,oCAAoC,OAAO,CAAC;AAEzD,wBAAgB,wBAAwB,CAAC,gBAAgB,EAAE,MAAM,EAAE,WAAW,EAAE,MAAM,GAAG,OAAO,CAE/F;AAED;;;;;;GAMG;AACH,wBAAgB,gCAAgC,CAC9C,OAAO,EAAE,oBAAoB,CAAC,SAAS,CAAC,EACxC,gBAAgB,EAAE,MAAM,EACxB,WAAW,EAAE,MAAM,GAClB,OAAO,CAET;AAwMD;;;;;;;;;GASG;AACH,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,GAAG,iBAAiB,CA4ClE;AAED;;;;;;GAMG;AACH,wBAAgB,eAAe,CAAC,IAAI,EAAE,MAAM,EAAE,WAAW,EAAE,gBAAgB,EAAE,GAAG,MAAM,CAwBrF;AAMD;;;GAGG;AACH,wBAAgB,oBAAoB,CAAC,IAAI,EAAE,MAAM,GAAG,oBAAoB,EAAE,CA6BzE;AAED;;;;GAIG;AACH,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,EAAE,MAAM,EAAE,gBAAgB,EAAE,GAAG,MAAM,CAgB/E"}

package/dist/compiler/timingCompiler.js

@@ -18,7 +18,7 @@
  * `data-end` off so extract can resolve the id-ref later.
  */
 import { parseNumeric } from "@hyperframes/parsers/composition-contract";
-import { parseStrictFiniteTimingNumber, readElementPlaybackRate, readMediaStart, } from "../runtime/playbackRate.js";
+import { parseStrictFiniteTimingNumber, readElementRateSpec, readMediaStart, } from "../runtime/playbackRate.js";
 // ffprobe precision can differ slightly across local and CI media stacks, so
 // avoid shortening authored audio for insignificant probe drift.
 export const MEDIA_DURATION_CLAMP_EPSILON_SECONDS = 0.05;
@@ -43,8 +43,24 @@ function getAttr(tag, attr) {
     // made compileTag believe a Studio-stamped `data-hf-id`-only element already
     // had an `id`, so it skipped its `hf-video-N` injection — leaving the element
     // with no real `el.id`, which the render pipeline keys off of (blank wash).
-    const match = tag.match(new RegExp(`(?<![\\w-])${attr}=["']([^"']+)["']`));
-    return match ? (match[1] ?? null) : null;
+    const match = tag.match(new RegExp(`(?<![\\w-])${attr}=(?:"([^"]+)"|'([^']+)')`));
+    return match ? (match[1] ?? match[2] ?? null) : null;
+}
+/** An attribute reader over tag source that decodes the entities the DOM would, for JSON-valued attributes. */
+function tagAttrReader(tag) {
+    return {
+        getAttribute: (name) => {
+            const raw = getAttr(tag, name);
+            return raw && name === "data-automation"
+                ? raw
+                    .replace(/&quot;/g, '"')
+                    .replace(/&#39;/g, "'")
+                    .replace(/&lt;/g, "<")
+                    .replace(/&gt;/g, ">")
+                    .replace(/&amp;/g, "&")
+                : raw;
+        },
+    };
 }
 function hasAttr(tag, attr) {
     return new RegExp(`\\s${attr}(?:\\s|=|>|/)`).test(tag);
@@ -168,9 +184,9 @@ function compileTag(tag, isVideo, generateId) {
         startStr = "0";
     }
     const start = parseNumeric(startStr);
-    const attrReader = { getAttribute: (name) => getAttr(result, name) };
+    const attrReader = tagAttrReader(result);
     const mediaStart = readMediaStart(attrReader);
-    const playbackRate = readElementPlaybackRate(attrReader);
+    const playbackRate = readElementRateSpec(attrReader);
     // 1. Compute data-end from data-start + data-duration. Skip relative id-refs.
     if (!hasAttr(result, "data-end")) {
         const durationStr = getAttr(result, "data-duration");
@@ -301,7 +317,7 @@ export function extractResolvedMedia(html) {
             continue;
         const isVideo = /^<video/i.test(tag);
         const startStr = getAttr(tag, "data-start");
-        const attrReader = { getAttribute: (name) => getAttr(tag, name) };
+        const attrReader = tagAttrReader(tag);
         resolved.push({
             id,
             tagName: isVideo ? "video" : "audio",
@@ -309,7 +325,7 @@ export function extractResolvedMedia(html) {
             start: parseNumeric(startStr) ?? 0,
             duration,
             mediaStart: readMediaStart(attrReader),
-            playbackRate: readElementPlaybackRate(attrReader),
+            playbackRate: readElementRateSpec(attrReader),
             loop: hasAttr(tag, "loop"),
         });
     }

package/dist/compiler/timingCompiler.js.map

@@ -1 +1 @@
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package/dist/generated/audio-fx-runtime-inline.js

@@ -1,5 +1,5 @@
 // AUTO-GENERATED by scripts/build-audio-fx-runtime.ts - do not edit
-const AUDIO_FX_RUNTIME_IIFE = '"use strict";(()=>{var fe="data-fx-chain",ft=fe.slice(5),X=1,M=(e="frequency",t="Frequency",n=1e3,o=20,a=2e4)=>({kind:"number",key:e,label:t,unit:"Hz",min:o,max:a,step:1,default:n,scale:"log",automatable:!0}),O=(e=.707,t="Bandwidth \\u2014 higher is narrower.")=>({kind:"number",key:"q",label:"Q",unit:"",min:.1,max:20,step:.01,default:e,scale:"log",automatable:!0,hint:t}),R=(e=-40,t=40,n=0)=>({kind:"number",key:"gain",label:"Gain",unit:"dB",min:e,max:t,step:.1,default:n,automatable:!0}),W={kind:"enum",key:"poles",label:"Slope",options:[{value:"1",label:"6 dB/oct"},{value:"2",label:"12 dB/oct"}],default:"2",hint:"Two poles is the usual biquad; one pole is gentler."},z=[{id:"gain",label:"Gain",group:"dynamics",description:"Raise or lower the whole signal. Automate it to duck under something else.",params:[R(-60,12,0)],web:"gain-node"},{id:"peaking",label:"Peaking EQ",group:"filter",description:"Boost or cut a band, leaving everything either side alone.",params:[M("frequency","Frequency",1e3),R(-40,40,0),O(1)],web:"biquad-peaking"},{id:"lowshelf",label:"Low Shelf",group:"filter",description:"Lift or drop everything below the corner frequency.",params:[M("frequency","Frequency",200,20,2e3),R(-40,40,0)],web:"biquad-lowshelf"},{id:"highshelf",label:"High Shelf",group:"filter",description:"Lift or drop everything above the corner frequency.",params:[M("frequency","Frequency",4e3,500,2e4),R(-40,40,0)],web:"biquad-highshelf"},{id:"highpass",label:"High-pass",group:"filter",description:"Remove low frequencies \\u2014 the usual fix for rumble on a voice.",params:[M("frequency","Cutoff",300,20,2e4),O(.707),W],web:"biquad-highpass"},{id:"lowpass",label:"Low-pass",group:"filter",description:"Remove high frequencies \\u2014 darkens or muffles a track.",params:[M("frequency","Cutoff",8e3,100,2e4),O(.707),W],web:"biquad-lowpass"},{id:"compressor",label:"Compressor",group:"dynamics",description:"Pull loud parts down so the quiet ones can come up.",params:[{kind:"number",key:"threshold",label:"Threshold",unit:"dB",min:-60,max:0,step:.5,default:-24,hint:"Level above which the compressor starts working."},{kind:"number",key:"ratio",label:"Ratio",unit:":1",min:1,max:20,step:.1,default:4},{kind:"number",key:"attack",label:"Attack",unit:"ms",min:.01,max:2e3,step:.1,default:20,scale:"log"},{kind:"number",key:"release",label:"Release",unit:"ms",min:.01,max:9e3,step:1,default:250,scale:"log"},{kind:"number",key:"knee",label:"Knee",unit:"",min:1,max:8,step:.01,default:2.83,hint:"1 is a hard corner; higher eases into it."},{kind:"number",key:"makeup",label:"Makeup",unit:"dB",min:0,max:36,step:.1,default:0},{kind:"number",key:"mix",label:"Mix",unit:"",min:0,max:1,step:.01,default:1,hint:"Below 1 blends the dry signal back in."}],web:"worklet-compressor"},{id:"limiter",label:"Limiter",group:"dynamics",description:"Hard ceiling \\u2014 nothing gets past the limit.",params:[{kind:"number",key:"limit",label:"Ceiling",unit:"dB",min:-24,max:0,step:.1,default:-1},{kind:"number",key:"attack",label:"Attack",unit:"ms",min:.1,max:80,step:.1,default:5},{kind:"number",key:"release",label:"Release",unit:"ms",min:1,max:8e3,step:1,default:50,scale:"log"},{kind:"number",key:"level_out",label:"Output",unit:"dB",min:-24,max:24,step:.1,default:0}],web:"worklet-limiter"},{id:"gate",label:"Noise Gate",group:"dynamics",description:"Silence the track when it drops below the threshold.",params:[{kind:"number",key:"threshold",label:"Threshold",unit:"dB",min:-80,max:0,step:.5,default:-35},{kind:"number",key:"range",label:"Range",unit:"dB",min:-80,max:0,step:.5,default:-24,hint:"How far down the gate pulls when closed."},{kind:"number",key:"ratio",label:"Ratio",unit:":1",min:1,max:20,step:.1,default:10},{kind:"number",key:"attack",label:"Attack",unit:"ms",min:.01,max:9e3,step:.1,default:1,scale:"log"},{kind:"number",key:"release",label:"Release",unit:"ms",min:.01,max:9e3,step:1,default:100,scale:"log"},{kind:"number",key:"knee",label:"Knee",unit:"",min:1,max:8,step:.01,default:2.83}],web:"worklet-gate"},{id:"saturate",label:"Saturation",group:"nonlinear",description:"Soft-clip the waveform for warmth or outright distortion.",params:[{kind:"enum",key:"type",label:"Curve",options:[{value:"tanh",label:"Tanh"},{value:"atan",label:"Arctan"},{value:"cubic",label:"Cubic"},{value:"exp",label:"Exponential"},{value:"alg",label:"Algebraic"},{value:"quintic",label:"Quintic"},{value:"sin",label:"Sine"},{value:"erf",label:"Error function"},{value:"hard",label:"Hard clip"}],default:"tanh"},{kind:"number",key:"threshold",label:"Threshold",unit:"dB",min:-40,max:0,step:.1,default:-6},{kind:"number",key:"output",automatable:!0,label:"Output",unit:"dB",min:-24,max:24,step:.1,default:0},{kind:"number",key:"oversample",label:"Oversample",unit:"x",min:1,max:8,step:1,default:4,hint:"Higher costs more but keeps aliasing down."}],web:"waveshaper"},{id:"bitcrush",label:"Bitcrush",group:"nonlinear",description:"Drop bit depth and sample rate for a lo-fi, digital sound.",params:[{kind:"number",key:"bits",label:"Bit depth",unit:"bit",min:1,max:32,step:.1,default:8},{kind:"number",key:"samples",label:"Sample hold",unit:"x",min:1,max:250,step:1,default:1,hint:"Repeats each sample N times \\u2014 a crude downsample."},{kind:"number",key:"mix",label:"Mix",unit:"",min:0,max:1,step:.01,default:1}],web:"worklet-bitcrush"},{id:"pitchshift",label:"Pitch shift",group:"time",description:"Shifts pitch up or down without changing playback speed. Adds ~50 ms of latency.",params:[{kind:"number",key:"semitones",label:"Semitones",unit:"st",min:-12,max:12,step:1,default:0},{kind:"number",key:"mix",label:"Mix",unit:"",min:0,max:1,step:.01,default:1}],web:"worklet-pitchshift"},{id:"delay",label:"Delay",group:"time",description:"Repeating echoes behind the dry signal.",params:[{kind:"number",key:"time",automatable:!0,label:"Time",unit:"ms",min:1,max:5e3,step:1,default:250,scale:"log"},{kind:"number",key:"feedback",automatable:!0,label:"Feedback",unit:"",min:.01,max:.95,step:.01,default:.35},{kind:"number",key:"mix",automatable:!0,label:"Mix",unit:"",min:0,max:1,step:.01,default:.4}],web:"delay-feedback"},{id:"chorus",label:"Chorus",group:"time",description:"Detuned copies of the signal for width and thickness.",params:[{kind:"number",key:"delay",automatable:!0,label:"Delay",unit:"ms",min:1,max:100,step:.1,default:7},{kind:"number",key:"depth",automatable:!0,label:"Depth",unit:"ms",min:0,max:10,step:.01,default:2},{kind:"number",key:"speed",automatable:!0,label:"Rate",unit:"Hz",min:.01,max:10,step:.01,default:1},{kind:"number",key:"mix",automatable:!0,label:"Mix",unit:"",min:0,max:1,step:.01,default:.5}],web:"chorus-lfo"},{id:"phaser",label:"Phaser",group:"time",description:"Sweeping notches moving through the spectrum.",params:[{kind:"number",key:"in_gain",automatable:!0,label:"Input",unit:"",min:0,max:1,step:.01,default:.4},{kind:"number",key:"out_gain",automatable:!0,label:"Output",unit:"",min:0,max:2,step:.01,default:.74},{kind:"number",key:"delay",label:"Delay",unit:"ms",min:.1,max:5,step:.1,default:3},{kind:"number",key:"decay",label:"Decay",unit:"",min:0,max:.99,step:.01,default:.4},{kind:"number",key:"speed",automatable:!0,label:"Rate",unit:"Hz",min:.1,max:2,step:.01,default:.5},{kind:"enum",key:"type",label:"Waveform",options:[{value:"0",label:"Triangular"},{value:"1",label:"Sinusoidal"}],default:"0"}],web:"allpass-phaser"},{id:"reverb",label:"Reverb",group:"time",description:"Room tail. Both ends convolve the same generated impulse, so preview matches render.",params:[{kind:"number",key:"size",label:"Room size",unit:"",min:.05,max:1,step:.01,default:.7},{kind:"number",key:"damping",label:"Damping",unit:"",min:0,max:1,step:.01,default:.5,hint:"Higher rolls the top off the tail faster."},{kind:"number",key:"wet",automatable:!0,label:"Wet",unit:"",min:0,max:1,step:.01,default:.35},{kind:"number",key:"dry",automatable:!0,label:"Dry",unit:"",min:0,max:1,step:.01,default:.7}],web:"convolver"}],B=new Map(z.map(e=>[e.id,e]));function F(e){return B.get(e)}var bt=z.map(e=>e.id);function w(e,t){let n=B.get(e);if(!n)return{};let o={};for(let a of n.params){let i=t?.[a.key];if(a.kind==="enum"){let s=a.options.some(l=>l.value===i);o[a.key]=s?i:a.default;continue}let r=typeof i=="number"?i:typeof i=="string"&&i.trim()!==""?Number(i):Number.NaN;o[a.key]=Number.isFinite(r)?Math.min(a.max,Math.max(a.min,r)):a.default}return o}var A=class extends Error{constructor(t){super(t),this.name="AudioFxChainError"}};function Y(e){let t;try{t=JSON.parse(e)}catch(a){throw new A(`Chain file is not valid JSON: ${a.message}`)}if(typeof t!="object"||t===null)throw new A("Chain file must be a JSON object.");let n=t;if(n.version!==X)throw new A(`Unsupported chain version: ${String(n.version)}`);if(!Array.isArray(n.nodes))throw new A("Chain file is missing a `nodes` array.");let o=n.nodes.map(be);return{version:X,nodes:o}}function H(e){return e.nodes.filter(t=>t.enabled!==!1)}function be(e,t){if(typeof e!="object"||e===null)throw new A(`Node ${t} is not an object.`);let n=e;if(typeof n.type!="string"||!B.has(n.type))throw new A(`Node ${t} has unknown effect type: ${String(n.type)}`);return xe({type:n.type,id:C(n.id),fromCarve:j(n.fromCarve),fromPreset:C(n.fromPreset),label:C(n.label),fromEq:C(n.fromEq),fromLeveller:j(n.fromLeveller),presetAmount:ge(n.presetAmount),enabled:n.enabled!==!1,params:w(n.type,n.params??void 0)})}function C(e){return typeof e=="string"&&e?e:void 0}function j(e){return e===!0?!0:void 0}function ge(e){if(!(typeof e!="number"||!Number.isFinite(e)))return Math.min(1,Math.max(0,e))}function xe(e){for(let t of Object.keys(e))e[t]===void 0&&delete e[t];return e}var Ae=`\nconst dbToLin = (db) => Math.pow(10, db / 20);\n\n/**\n * One-pole envelope followers, one per channel.\n *\n * Per channel matters: the followers advance once per sample, so a single shared\n * follower stepped once per channel per sample. On stereo that ran a 20 ms attack\n * as 10 ms, and gave the right channel a gain computed from an envelope that had\n * already traversed the left \\u2014 so the two channels ducked by different amounts\n * from the same input and the image pumped.\n */\nclass EnvBank {\n  constructor(attackMs, releaseMs) { this.set(attackMs, releaseMs); this.values = []; }\n  set(attackMs, releaseMs) {\n    this.a = Math.exp(-1 / (sampleRate * Math.max(1e-5, attackMs / 1000)));\n    this.r = Math.exp(-1 / (sampleRate * Math.max(1e-5, releaseMs / 1000)));\n  }\n  push(ch, x) {\n    const prev = this.values[ch] ?? 0;\n    const m = Math.abs(x);\n    const c = m > prev ? this.a : this.r;\n    const next = m + c * (prev - m);\n    this.values[ch] = next;\n    return next;\n  }\n}\n\n/** Soft-knee gain computer in dB, matching acompressor\'s shape. */\nfunction kneeGain(envDb, thresholdDb, ratio, kneeDb) {\n  const over = envDb - thresholdDb;\n  if (kneeDb > 0 && over > -kneeDb && over < kneeDb) {\n    const t = (over + kneeDb) / (2 * kneeDb);\n    return -((1 - 1 / ratio) * kneeDb * t * t);\n  }\n  return over > 0 ? -(over * (1 - 1 / ratio)) : 0;\n}\n\n// log10/exp per sample is the single most expensive thing a dynamics processor\n// can do on the audio thread, and every sample below the knee needs neither:\n// its gain is exactly unity. Comparing envelopes in the linear domain lets the\n// quiet majority of samples skip the transcendentals entirely.\nconst LN10_OVER_20 = Math.LN10 / 20;\nconst dbToLinFast = (db) => Math.exp(db * LN10_OVER_20);\n\nclass HfCompressor extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 20, this.p.release ?? 250);\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 20, this.p.release ?? 250);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const makeup = dbToLin(p.makeup ?? 0);\n    const mix = p.mix ?? 1;\n    // Knee is expressed as a ratio in FFmpeg; convert to dB width.\n    const kneeDb = 20 * Math.log10(Math.max(1.0001, p.knee ?? 2.83));\n    const thresholdDb = p.threshold ?? -24;\n    const ratio = p.ratio ?? 4;\n    // Below this the gain computer returns unity, so the sample needs no\n    // logarithm at all.\n    const kneeStartLin = dbToLin(thresholdDb - kneeDb);\n    const dry = 1 - mix;\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        // Per-channel follower, and the sub-knee shortcut: below the knee the\n        // gain is exactly unity, so the sample needs no logarithm at all.\n        const env = this.env.push(ch, x);\n        if (env <= kneeStartLin) {\n          out[n] = x * makeup * mix + x * dry;\n          continue;\n        }\n        const envDb = 20 * Math.log10(env);\n        const g = dbToLinFast(kneeGain(envDb, thresholdDb, ratio, kneeDb));\n        out[n] = x * g * makeup * mix + x * dry;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-compressor", HfCompressor);\n\nclass HfLimiter extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 5, this.p.release ?? 50);\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 5, this.p.release ?? 50);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const ceiling = dbToLin(this.p.limit ?? -1);\n    const outGain = dbToLin(this.p.level_out ?? 0);\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        const env = this.env.push(ch, x);\n        // Only ever attenuate: a limiter that can raise level is a compressor.\n        const g = env > ceiling ? ceiling / env : 1;\n        out[n] = x * g * outGain;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-limiter", HfLimiter);\n\nclass HfGate extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 1, this.p.release ?? 100);\n    this.gains = [];\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 1, this.p.release ?? 100);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const threshold = dbToLin(p.threshold ?? -35);\n    const floor = dbToLin(p.range ?? -24);\n    const ratio = p.ratio ?? 10;\n    // Knee is declared in the registry as a ratio, like the compressor\'s; a\n    // hard threshold ignored it and chattered on material sitting right at the\n    // gate point.\n    const kneeDb = 20 * Math.log10(Math.max(1.0001, p.knee ?? 2.83));\n    const kneeLin = dbToLin((p.threshold ?? -35) + kneeDb);\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        const env = this.env.push(ch, x);\n        let target = 1;\n        // Above the threshold the gate is fully open; skip the pow entirely.\n        if (env < threshold) {\n          const under = env > 1e-9 ? threshold / env : 1e9;\n          target = Math.max(floor, 1 / Math.pow(under, ratio - 1));\n          if (!isFinite(target)) target = floor;\n        }\n        // Smooth toward the target so the gate does not click on every sample.\n        const held = this.gains[ch] ?? 1;\n        const c = target < held ? this.env.r : this.env.a;\n        const smoothed = target + c * (held - target);\n        this.gains[ch] = smoothed;\n        out[n] = x * smoothed;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-gate", HfGate);\n\nclass HfBitcrush extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.holds = [];\n    this.held = [];\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const levels = Math.pow(2, (p.bits ?? 8) - 1);\n    const step = Math.max(1, Math.round(p.samples ?? 1));\n    const mix = p.mix ?? 1;\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      if (this.held[ch] === undefined) this.held[ch] = 0;\n      if (this.holds[ch] === undefined) this.holds[ch] = 0;\n      for (let n = 0; n < inp.length; n++) {\n        // Per channel: advancing one shared counter only on the last channel\n        // left every earlier channel either unheld or frozen for a whole\n        // 128-sample quantum, clicking once a block.\n        if (this.holds[ch] === 0) this.held[ch] = Math.round(inp[n] * levels) / levels;\n        out[n] = this.held[ch] * mix + inp[n] * (1 - mix);\n        this.holds[ch] = (this.holds[ch] + 1) % step;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-bitcrush", HfBitcrush);\n\n/** Linear-interpolated read, \\`delaySamples\\` behind the write head. */\nfunction readTap(ring, write, delaySamples) {\n  const len = ring.length;\n  const pos = (write - 1 - delaySamples + len) % len;\n  const i0 = Math.floor(pos);\n  const frac = pos - i0;\n  const i1 = (i0 + 1) % len;\n  return ring[i0] * (1 - frac) + ring[i1] * frac;\n}\n\n/** Equal-power-ish crossfade, zero at a tap\'s reset point \\u2014 hides the splice. */\nfunction xfade(phase) {\n  return Math.sin(Math.PI * phase);\n}\n\n/**\n * Dual-tap granular delay line: two read taps 180\\xB0 apart in a 100 ms grain,\n * each sweeping at a speed relative to the write head that shifts pitch\n * without changing duration. One tap is always fading in as the other fades\n * out, which hides the splice each tap makes when it wraps.\n *\n * write/phase are block-level state, advanced once per SAMPLE across all\n * channels together (not once per channel) \\u2014 advancing them inside the\n * per-channel loop would move the tap 2x/4x too fast on a stereo/quad input.\n */\nclass HfPitchshift extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.grain = Math.round(sampleRate * 0.1);\n    this.buf = [];\n    this.write = 0;\n    this.phase = 0;\n    // Samples written so far, capped at one grain. The taps read up to a grain\n    // behind the write head, so until this fills they would read the ring\'s\n    // zeros \\u2014 the head of every clip came out attenuated or silent.\n    this.filled = 0;\n    // How much of the wet (pitch-shifted) path is currently in the output, and\n    // where it is heading. Crossing between dry and wet is a ~50 ms jump in the\n    // signal, so it is RAMPED rather than switched: a hard swap either way is a\n    // click. Ramping in both directions is also what lets a node return to true\n    // bypass at semitones 0 \\u2014 a one-way latch left preview stuck with the delay\n    // that the render, building a fresh node from the attribute, does not have.\n    this.wet = 0;\n    this.wetTarget = 0;\n    // ~15 ms one-pole, short enough to feel immediate on a slider drag and long\n    // enough that the splice is inaudible.\n    this.wetCoef = Math.exp(-1 / (sampleRate * 0.015));\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const semitones = Math.max(-12, Math.min(12, p.semitones ?? 0));\n    const mix = Math.max(0, Math.min(1, p.mix ?? 1));\n    const grain = this.grain;\n    const ringLen = grain * 2;\n    const n = i[0] ? i[0].length : 0;\n    for (let ch = 0; ch < i.length; ch++) {\n      if (!this.buf[ch]) this.buf[ch] = new Float32Array(ringLen);\n    }\n\n    // Nothing to shift, or mixed fully out. The grain delay is ~grain/2\n    // whatever the ratio, so at semitones=0 this degenerated into a pure 50 ms\n    // delay of the signal \\u2014 while the copy for that exact setting reads\n    // "Unchanged pitch".\n    this.wetTarget = semitones === 0 ? 0 : mix;\n\n    // Fully dry AND settled: take the cheap transparent path. The ring keeps\n    // filling, so a later shift does not start cold.\n    if (this.wetTarget === 0 && this.wet < 1e-4) {\n      this.wet = 0;\n      let w = this.write;\n      for (let s = 0; s < n; s++) {\n        for (let ch = 0; ch < i.length; ch++) {\n          const x = i[ch][s];\n          this.buf[ch][w] = x;\n          o[ch][s] = x;\n        }\n        w = (w + 1) % ringLen;\n      }\n      this.write = w;\n      this.filled = Math.min(grain, this.filled + n);\n      return true;\n    }\n\n    const ratio = Math.pow(2, semitones / 12);\n    const inc = (1 - ratio) / grain;\n    let write = this.write, phase = this.phase, filled = this.filled, wetNow = this.wet;\n    const target = this.wetTarget, coef = this.wetCoef;\n    for (let s = 0; s < n; s++) {\n      phase += inc;\n      phase -= Math.floor(phase);\n      const phaseB = (phase + 0.5) % 1;\n      const gA = xfade(phase), gB = xfade(phaseB);\n      // Ramp the wet path in as the ring fills rather than reading zeros:\n    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On stereo that ran a 20 ms attack\n * as 10 ms, and gave the right channel a gain computed from an envelope that had\n * already traversed the left \\u2014 so the two channels ducked by different amounts\n * from the same input and the image pumped.\n */\nclass EnvBank {\n  constructor(attackMs, releaseMs) { this.set(attackMs, releaseMs); this.values = []; }\n  set(attackMs, releaseMs) {\n    this.a = Math.exp(-1 / (sampleRate * Math.max(1e-5, attackMs / 1000)));\n    this.r = Math.exp(-1 / (sampleRate * Math.max(1e-5, releaseMs / 1000)));\n  }\n  push(ch, x) {\n    const prev = this.values[ch] ?? 0;\n    const m = Math.abs(x);\n    const c = m > prev ? this.a : this.r;\n    const next = m + c * (prev - m);\n    this.values[ch] = next;\n    return next;\n  }\n}\n\n/** Soft-knee gain computer in dB, matching acompressor\'s shape. */\nfunction kneeGain(envDb, thresholdDb, ratio, kneeDb) {\n  const over = envDb - thresholdDb;\n  if (kneeDb > 0 && over > -kneeDb && over < kneeDb) {\n    const t = (over + kneeDb) / (2 * kneeDb);\n    return -((1 - 1 / ratio) * kneeDb * t * t);\n  }\n  return over > 0 ? -(over * (1 - 1 / ratio)) : 0;\n}\n\n// log10/exp per sample is the single most expensive thing a dynamics processor\n// can do on the audio thread, and every sample below the knee needs neither:\n// its gain is exactly unity. Comparing envelopes in the linear domain lets the\n// quiet majority of samples skip the transcendentals entirely.\nconst LN10_OVER_20 = Math.LN10 / 20;\nconst dbToLinFast = (db) => Math.exp(db * LN10_OVER_20);\n\nclass HfCompressor extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 20, this.p.release ?? 250);\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 20, this.p.release ?? 250);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const makeup = dbToLin(p.makeup ?? 0);\n    const mix = p.mix ?? 1;\n    // Knee is expressed as a ratio in FFmpeg; convert to dB width.\n    const kneeDb = 20 * Math.log10(Math.max(1.0001, p.knee ?? 2.83));\n    const thresholdDb = p.threshold ?? -24;\n    const ratio = p.ratio ?? 4;\n    // Below this the gain computer returns unity, so the sample needs no\n    // logarithm at all.\n    const kneeStartLin = dbToLin(thresholdDb - kneeDb);\n    const dry = 1 - mix;\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        // Per-channel follower, and the sub-knee shortcut: below the knee the\n        // gain is exactly unity, so the sample needs no logarithm at all.\n        const env = this.env.push(ch, x);\n        if (env <= kneeStartLin) {\n          out[n] = x * makeup * mix + x * dry;\n          continue;\n        }\n        const envDb = 20 * Math.log10(env);\n        const g = dbToLinFast(kneeGain(envDb, thresholdDb, ratio, kneeDb));\n        out[n] = x * g * makeup * mix + x * dry;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-compressor", HfCompressor);\n\nclass HfLimiter extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 5, this.p.release ?? 50);\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 5, this.p.release ?? 50);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const ceiling = dbToLin(this.p.limit ?? -1);\n    const outGain = dbToLin(this.p.level_out ?? 0);\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        const env = this.env.push(ch, x);\n        // Only ever attenuate: a limiter that can raise level is a compressor.\n        const g = env > ceiling ? ceiling / env : 1;\n        out[n] = x * g * outGain;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-limiter", HfLimiter);\n\nclass HfGate extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.env = new EnvBank(this.p.attack ?? 1, this.p.release ?? 100);\n    this.gains = [];\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n      this.env.set(this.p.attack ?? 1, this.p.release ?? 100);\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const threshold = dbToLin(p.threshold ?? -35);\n    const floor = dbToLin(p.range ?? -24);\n    const ratio = p.ratio ?? 10;\n    // Knee is declared in the registry as a ratio, like the compressor\'s; a\n    // hard threshold ignored it and chattered on material sitting right at the\n    // gate point.\n    const kneeDb = 20 * Math.log10(Math.max(1.0001, p.knee ?? 2.83));\n    const kneeLin = dbToLin((p.threshold ?? -35) + kneeDb);\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      for (let n = 0; n < inp.length; n++) {\n        const x = inp[n];\n        const env = this.env.push(ch, x);\n        let target = 1;\n        // Above the threshold the gate is fully open; skip the pow entirely.\n        if (env < threshold) {\n          const under = env > 1e-9 ? threshold / env : 1e9;\n          target = Math.max(floor, 1 / Math.pow(under, ratio - 1));\n          if (!isFinite(target)) target = floor;\n        }\n        // Smooth toward the target so the gate does not click on every sample.\n        const held = this.gains[ch] ?? 1;\n        const c = target < held ? this.env.r : this.env.a;\n        const smoothed = target + c * (held - target);\n        this.gains[ch] = smoothed;\n        out[n] = x * smoothed;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-gate", HfGate);\n\nclass HfBitcrush extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.holds = [];\n    this.held = [];\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const levels = Math.pow(2, (p.bits ?? 8) - 1);\n    const step = Math.max(1, Math.round(p.samples ?? 1));\n    const mix = p.mix ?? 1;\n    for (let ch = 0; ch < i.length; ch++) {\n      const inp = i[ch], out = o[ch];\n      if (this.held[ch] === undefined) this.held[ch] = 0;\n      if (this.holds[ch] === undefined) this.holds[ch] = 0;\n      for (let n = 0; n < inp.length; n++) {\n        // Per channel: advancing one shared counter only on the last channel\n        // left every earlier channel either unheld or frozen for a whole\n        // 128-sample quantum, clicking once a block.\n        if (this.holds[ch] === 0) this.held[ch] = Math.round(inp[n] * levels) / levels;\n        out[n] = this.held[ch] * mix + inp[n] * (1 - mix);\n        this.holds[ch] = (this.holds[ch] + 1) % step;\n      }\n    }\n    return true;\n  }\n}\nregisterProcessor("hf-bitcrush", HfBitcrush);\n\n/** Linear-interpolated read, \\`delaySamples\\` behind the write head. */\nfunction readTap(ring, write, delaySamples) {\n  const len = ring.length;\n  const pos = (write - 1 - delaySamples + len) % len;\n  const i0 = Math.floor(pos);\n  const frac = pos - i0;\n  const i1 = (i0 + 1) % len;\n  return ring[i0] * (1 - frac) + ring[i1] * frac;\n}\n\n/** Equal-power-ish crossfade, zero at a tap\'s reset point \\u2014 hides the splice. */\nfunction xfade(phase) {\n  return Math.sin(Math.PI * phase);\n}\n\n/**\n * Dual-tap granular delay line: two read taps 180\\xB0 apart in a 100 ms grain,\n * each sweeping at a speed relative to the write head that shifts pitch\n * without changing duration. One tap is always fading in as the other fades\n * out, which hides the splice each tap makes when it wraps.\n *\n * write/phase are block-level state, advanced once per SAMPLE across all\n * channels together (not once per channel) \\u2014 advancing them inside the\n * per-channel loop would move the tap 2x/4x too fast on a stereo/quad input.\n */\nclass HfPitchshift extends AudioWorkletProcessor {\n  constructor(o) {\n    super();\n    this.p = o.processorOptions || {};\n    this.grain = Math.round(sampleRate * 0.1);\n    this.buf = [];\n    this.write = 0;\n    this.phase = 0;\n    // Samples written so far, capped at one grain. The taps read up to a grain\n    // behind the write head, so until this fills they would read the ring\'s\n    // zeros \\u2014 the head of every clip came out attenuated or silent.\n    this.filled = 0;\n    // How much of the wet (pitch-shifted) path is currently in the output, and\n    // where it is heading. Crossing between dry and wet is a ~50 ms jump in the\n    // signal, so it is RAMPED rather than switched: a hard swap either way is a\n    // click. Ramping in both directions is also what lets a node return to true\n    // bypass at semitones 0 \\u2014 a one-way latch left preview stuck with the delay\n    // that the render, building a fresh node from the attribute, does not have.\n    this.wet = 0;\n    this.wetTarget = 0;\n    // ~15 ms one-pole, short enough to feel immediate on a slider drag and long\n    // enough that the splice is inaudible.\n    this.wetCoef = Math.exp(-1 / (sampleRate * 0.015));\n    this.port.onmessage = (e) => {\n      if (e.data && e.data.__hfDispose) { this.dead = true; return; }\n      this.p = { ...this.p, ...e.data };\n    };\n  }\n  process(inputs, outputs) {\n    if (this.dead) return false;\n    const i = inputs[0], o = outputs[0];\n    if (!i || !i.length) return true;\n    const p = this.p;\n    const semitones = Math.max(-12, Math.min(12, p.semitones ?? 0));\n    const mix = Math.max(0, Math.min(1, p.mix ?? 1));\n    const grain = this.grain;\n    const ringLen = grain * 2;\n    const n = i[0] ? i[0].length : 0;\n    for (let ch = 0; ch < i.length; ch++) {\n      if (!this.buf[ch]) this.buf[ch] = new Float32Array(ringLen);\n    }\n\n    // Nothing to shift, or mixed fully out. The grain delay is ~grain/2\n    // whatever the ratio, so at semitones=0 this degenerated into a pure 50 ms\n    // delay of the signal \\u2014 while the copy for that exact setting reads\n    // "Unchanged pitch".\n    this.wetTarget = semitones === 0 ? 0 : mix;\n\n    // Fully dry AND settled: take the cheap transparent path. The ring keeps\n    // filling, so a later shift does not start cold.\n    if (this.wetTarget === 0 && this.wet < 1e-4) {\n      this.wet = 0;\n      let w = this.write;\n      for (let s = 0; s < n; s++) {\n        for (let ch = 0; ch < i.length; ch++) {\n          const x = i[ch][s];\n          this.buf[ch][w] = x;\n          o[ch][s] = x;\n        }\n        w = (w + 1) % ringLen;\n      }\n      this.write = w;\n      this.filled = Math.min(grain, this.filled + n);\n      return true;\n    }\n\n    const ratio = Math.pow(2, semitones / 12);\n    const inc = (1 - ratio) / grain;\n    let write = this.write, phase = this.phase, filled = this.filled, wetNow = this.wet;\n    const target = this.wetTarget, coef = this.wetCoef;\n    for (let s = 0; s < n; s++) {\n      phase += inc;\n      phase -= Math.floor(phase);\n      const phaseB = (phase + 0.5) % 1;\n      const gA = xfade(phase), gB = xfade(phaseB);\n      // Ramp the wet path in as the ring fills rather than reading zeros:\n    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 /** Returns the pre-built audio-FX runtime IIFE as a string constant. */
 export function getAudioFxRuntimeScript() {
     return AUDIO_FX_RUNTIME_IIFE;

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