@hyperframes/core 0.7.106 → 0.7.108

package/dist/audioAutomation.d.ts.map

@@ -0,0 +1 @@
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package/dist/audioAutomation.js

@@ -0,0 +1,488 @@
+/**
+ * Automation envelopes for audio tracks.
+ *
+ * A lane is a list of breakpoints over one parameter — track volume, or one
+ * knob of one effect in the track's FX chain. Ableton's clip-envelope model:
+ * times are clip-local, so an envelope travels with the clip when it moves.
+ *
+ * Nothing here touches Web Audio. This module owns the format and the
+ * interpolation, and the same `sampleAutomationLane` is used to draw the lane
+ * in the timeline, to schedule it in preview, and to bake it at render — one
+ * curve, three consumers, or the picture and the sound disagree.
+ */
+import { getAudioFxDef } from "./audioFx.js";
+export const HF_AUDIO_AUTOMATION_ATTR = "data-automation";
+/** The same attribute as a `dataset` / `dataAttributes` key. See `HF_AUDIO_FX_DATA_KEY`. */
+export const HF_AUDIO_AUTOMATION_DATA_KEY = HF_AUDIO_AUTOMATION_ATTR.slice("data-".length);
+/** Automation files are versioned; a reader must refuse a version it doesn't know. */
+export const HF_AUDIO_AUTOMATION_VERSION = 1;
+/**
+ * A pathological document should not be able to hang the scheduler, which
+ * expands every segment into scheduled ramps. Well past any hand-drawn
+ * envelope; a lane is dense at 100 points.
+ */
+export const MAX_AUTOMATION_POINTS = 512;
+export class AudioAutomationError extends Error {
+    constructor(message) {
+        super(message);
+        this.name = "AudioAutomationError";
+    }
+}
+export const VOLUME_TARGET = "volume";
+/** Split a target string. Returns null for anything unrecognised. */
+export function parseAutomationTarget(target) {
+    if (target === VOLUME_TARGET)
+        return { kind: "volume" };
+    const parts = target.split(".");
+    // `fx.preset.<id>` before the 3-part fx form, because it IS a 3-part fx form
+    // with a reserved node id — an effect can never be called "preset", since ids
+    // are minted `n1`, `n2`, ….
+    if (parts.length === 3 && parts[0] === "fx" && parts[1] === PRESET_TARGET_KEY) {
+        const presetId = parts[2];
+        return presetId ? { kind: "preset", presetId } : null;
+    }
+    if (parts.length !== 3 || parts[0] !== "fx")
+        return null;
+    const [, nodeId, param] = parts;
+    if (!nodeId || !param)
+        return null;
+    return { kind: "fx", nodeId, param };
+}
+export function fxAutomationTarget(nodeId, param) {
+    return `fx.${nodeId}.${param}`;
+}
+/** The reserved node-id slot that marks a whole-preset target. */
+const PRESET_TARGET_KEY = "preset";
+/**
+ * How much of a preset is applied, 0..1.
+ *
+ * A preset's nodes share no automatable parameter — and its worklet effects
+ * expose no AudioParams at all — so there is nothing to aim a lane at
+ * node-by-node. The graph wraps a preset's run in a wet/dry pair instead, and
+ * this drives the blend: 0 is the dry signal untouched, 1 is the preset fully
+ * applied, and between them it crossfades.
+ */
+export function presetAutomationTarget(presetId) {
+    return `fx.${PRESET_TARGET_KEY}.${presetId}`;
+}
+/** 0..1 blend, the same shape as a wet/dry mix knob. */
+export const PRESET_RANGE = {
+    min: 0,
+    max: 1,
+    step: 0.01,
+    unit: "",
+    label: "Amount",
+    scale: "linear",
+    default: 1,
+};
+export const VOLUME_RANGE = {
+    min: 0,
+    max: 1,
+    step: 0.01,
+    unit: "",
+    label: "Volume",
+    scale: "linear",
+    default: 1,
+};
+/**
+ * Resolve a lane's target against a chain. Returns null when the target names
+ * a node or parameter that is not there — the effect was deleted, or the
+ * parameter is an enum, which has no envelope between its values.
+ */
+export function resolveAutomationRange(target, chain) {
+    const parsed = parseAutomationTarget(target);
+    if (!parsed)
+        return null;
+    if (parsed.kind === "volume")
+        return VOLUME_RANGE;
+    if (parsed.kind === "preset") {
+        // Only for a preset the chain actually carries, so a lane left behind by a
+        // removed preset resolves to nothing and is dropped at read time — the same
+        // contract an orphaned node lane has.
+        const present = chain?.nodes.some((n) => n.fromPreset === parsed.presetId);
+        return present ? { ...PRESET_RANGE, label: `${parsed.presetId} · Amount` } : null;
+    }
+    const node = chain?.nodes.find((n) => n.id === parsed.nodeId);
+    if (!node)
+        return null;
+    const def = getAudioFxDef(node.type);
+    const param = def?.params.find((p) => p.key === parsed.param);
+    if (!param || param.kind !== "number")
+        return null;
+    return {
+        min: param.min,
+        max: param.max,
+        step: param.step,
+        unit: param.unit,
+        label: `${def?.label ?? node.type} · ${param.label}`,
+        scale: param.scale === "log" && param.min > 0 ? "log" : "linear",
+        default: param.default,
+    };
+}
+/**
+ * Coerce a JSON field to a number, treating anything that is not already one —
+ * or a string that plainly reads as one — as absent.
+ *
+ * Not `Number(raw)`: that turns `null`, `""` and `[]` into 0, which for an
+ * envelope means a silent drop to zero rather than a point the reader rejects.
+ */
+function numberOrNull(raw) {
+    if (typeof raw === "number")
+        return Number.isFinite(raw) ? raw : null;
+    if (typeof raw === "string" && raw.trim() !== "") {
+        const n = Number(raw);
+        return Number.isFinite(n) ? n : null;
+    }
+    return null;
+}
+function clampCurve(v) {
+    const n = numberOrNull(v);
+    if (n === null || n === 0)
+        return 0;
+    return Math.min(1, Math.max(-1, n));
+}
+/**
+ * A via point, or null when there isn't a usable one.
+ *
+ * Only two things disqualify one: a coordinate outside the segment, which names a
+ * point the curve does not travel through, and a point ON the straight line, which
+ * is a straight line — storing that would claim a bend the segment does not have.
+ *
+ * Depth is deliberately NOT limited. An earlier version held bends to a maximum
+ * slope so a segment could never leave a breakpoint steeply, and it was wrong twice
+ * over: it capped how far a curve could be pulled, and clamping the two coordinates
+ * separately could land a bend exactly on the straight line and flatten it mid-drag.
+ * A steep departure is a smooth curve doing what it was asked; what must never
+ * happen is a crease, and that is the sampler's job below, not a limit here.
+ */
+function clampVia(rawX, rawY) {
+    const x = numberOrNull(rawX);
+    const y = numberOrNull(rawY);
+    if (x === null || y === null)
+        return null;
+    const inside = (n) => Math.min(0.999, Math.max(0.001, n));
+    const cx = inside(x);
+    const cy = inside(y);
+    if (Math.abs(cx - cy) < 1e-6)
+        return null;
+    return { x: cx, y: cy };
+}
+/**
+ * The via point a segment will actually be drawn with, given one that was asked
+ * for — pulled into the steady region, or null when it describes no bend.
+ *
+ * Exported so an editor can write what the model will honour rather than what the
+ * pointer happened to ask for. Without it a lane's attribute claims a shape the
+ * renderer quietly declines to draw, and the two only agree once the file makes a
+ * round trip.
+ */
+export function steadyViaPoint(viaX, viaY) {
+    const via = clampVia(viaX, viaY);
+    return via ? { viaX: via.x, viaY: via.y } : null;
+}
+/**
+ * The shape fields a point carries, cleaned: whichever of `curve` and the via
+ * pair survive, each omitted when it describes nothing.
+ *
+ * The via pair is kept or dropped together. Half a via point says nothing, and
+ * letting one coordinate through would leave the segment's shape depending on
+ * which half survived a hand edit.
+ */
+function shapeFields(p) {
+    const curve = clampCurve(p?.curve);
+    const via = clampVia(p?.viaX, p?.viaY);
+    return {
+        ...(curve ? { curve } : {}),
+        ...(via ? { viaX: via.x, viaY: via.y } : {}),
+    };
+}
+/**
+ * Clean one point, or reject it.
+ *
+ * A missing or non-finite value reaching an AudioParam silences the node for
+ * the rest of the render, so such a point is dropped rather than coerced.
+ */
+function cleanPoint(p, range) {
+    const t = numberOrNull(p?.t);
+    const v = numberOrNull(p?.v);
+    if (t === null || v === null)
+        return null;
+    const clamped = range ? Math.min(range.max, Math.max(range.min, v)) : v;
+    return { t: Math.max(0, t), v: clamped, ...shapeFields(p) };
+}
+/**
+ * Order points, drop unusable ones, and collapse duplicate times.
+ *
+ * Later wins on a tie so that dragging a point onto another replaces it rather
+ * than leaving an invisible one underneath.
+ */
+function normalizePoints(points, range) {
+    const clean = points
+        .map((p) => cleanPoint(p, range))
+        .filter((p) => p !== null)
+        .sort((a, b) => a.t - b.t);
+    const out = [];
+    for (const p of clean) {
+        if (out.length > 0 && out[out.length - 1].t === p.t)
+            out[out.length - 1] = p;
+        else
+            out.push(p);
+    }
+    return out.slice(0, MAX_AUTOMATION_POINTS);
+}
+/**
+ * Structural normalisation, with no knowledge of the chain: sort and clean the
+ * points of every lane and drop lanes that carry none. Range clamping and
+ * orphan removal need the chain and happen in `resolveAutomation`.
+ */
+export function normalizeAutomation(automation) {
+    const lanes = [];
+    for (const lane of automation.lanes) {
+        if (!parseAutomationTarget(lane.target))
+            continue;
+        const range = lane.target === VOLUME_TARGET ? VOLUME_RANGE : null;
+        const points = normalizePoints(lane.points ?? [], range);
+        if (points.length > 0)
+            lanes.push({ target: lane.target, points });
+    }
+    return { version: HF_AUDIO_AUTOMATION_VERSION, lanes };
+}
+/**
+ * Bind automation to a chain: clamp each lane into its parameter's declared
+ * range and drop lanes whose target no longer exists.
+ *
+ * Dropping is deliberate. An envelope on a deleted effect has nothing to
+ * drive, and keeping it would silently reattach if an unrelated effect later
+ * took the same node id.
+ */
+export function resolveAutomation(automation, chain) {
+    const lanes = [];
+    for (const lane of automation.lanes) {
+        const range = resolveAutomationRange(lane.target, chain);
+        if (!range)
+            continue;
+        const points = normalizePoints(lane.points, range);
+        if (points.length > 0)
+            lanes.push({ target: lane.target, points });
+    }
+    return { version: HF_AUDIO_AUTOMATION_VERSION, lanes };
+}
+/**
+ * Parse an automation attribute.
+ *
+ * Malformed input throws rather than being skipped, matching the chain reader:
+ * a track that quietly loses its envelope renders differently from the project
+ * the author saved, which is worse than refusing.
+ */
+export function parseAutomation(json) {
+    let raw;
+    try {
+        raw = JSON.parse(json);
+    }
+    catch (err) {
+        throw new AudioAutomationError(`Automation is not valid JSON: ${err.message}`);
+    }
+    if (typeof raw !== "object" || raw === null) {
+        throw new AudioAutomationError("Automation must be a JSON object.");
+    }
+    const obj = raw;
+    if (obj.version !== HF_AUDIO_AUTOMATION_VERSION) {
+        throw new AudioAutomationError(`Unsupported automation version: ${String(obj.version)}`);
+    }
+    if (!Array.isArray(obj.lanes)) {
+        throw new AudioAutomationError("Automation is missing a `lanes` array.");
+    }
+    const lanes = obj.lanes.map((l, i) => {
+        if (typeof l !== "object" || l === null) {
+            throw new AudioAutomationError(`Lane ${i} is not an object.`);
+        }
+        const lane = l;
+        if (typeof lane.target !== "string" || !parseAutomationTarget(lane.target)) {
+            throw new AudioAutomationError(`Lane ${i} has an unreadable target: ${String(lane.target)}`);
+        }
+        if (!Array.isArray(lane.points)) {
+            throw new AudioAutomationError(`Lane ${i} is missing a \`points\` array.`);
+        }
+        return { target: lane.target, points: lane.points };
+    });
+    return normalizeAutomation({ version: HF_AUDIO_AUTOMATION_VERSION, lanes });
+}
+/** Serialise for the `data-automation` attribute. */
+export function serializeAutomation(automation) {
+    return JSON.stringify({
+        version: HF_AUDIO_AUTOMATION_VERSION,
+        lanes: automation.lanes.map((lane) => ({
+            target: lane.target,
+            points: lane.points.map((p) => ({
+                t: p.t,
+                v: p.v,
+                ...(p.curve ? { curve: p.curve } : {}),
+                ...(p.viaX !== undefined && p.viaY !== undefined ? { viaX: p.viaX, viaY: p.viaY } : {}),
+            })),
+        })),
+    });
+}
+/**
+ * Shape the 0..1 progress across a segment.
+ *
+ * `curve` is an exponent in disguise: 0 is linear, and the ends reach a
+ * quarter-power and a fourth-power bend, which is about the range a DAW's
+ * envelope handle covers before the segment stops reading as a curve.
+ */
+export function applyCurve(x, curve) {
+    if (!curve)
+        return x;
+    return Math.pow(x, Math.pow(2, 2 * curve));
+}
+/**
+ * The conic that carries a segment through its via point: control point and weight
+ * of a rational quadratic Bezier from (0,0) to (1,1).
+ *
+ * A rational quadratic at its own midparameter is `(P0 + 2wC + P1) / (2 + 2w)`, so
+ * demanding that equal the via point `Q` fixes the control point for any weight:
+ * `C = Q + (Q - M) / w`, with `M` the straight midpoint. The curve therefore passes
+ * exactly through `Q` whatever the weight, and — because it does so at the
+ * midparameter, with the two halves symmetric in parameter — its furthest departure
+ * from the straight line is at `Q` too. The pointer is the apex, by construction.
+ *
+ * The weight is what buys reach. A plain quadratic (`w = 1`) needs its control point
+ * at `2Q - M`, which leaves the segment as soon as `Q` is past the middle half — so
+ * a plain quadratic simply cannot pass through a deep or off-centre point. Raising
+ * the weight draws the control point back toward `Q`, so take the smallest weight
+ * that keeps `C` inside the segment: inside is what makes progress monotone, and
+ * smallest-that-fits is the broadest curve available through that point.
+ *
+ * Deep bends therefore come out tight and steep near the breakpoint they lean on.
+ * That is the shape being asked for, and it stays a single smooth arc while doing
+ * it — no join, no inflection, no crease.
+ */
+function viaConic(viaX, viaY) {
+    const dx = viaX - 0.5;
+    const dy = viaY - 0.5;
+    const edge = 0.999;
+    // Per axis, `C` stays inside when the weight is at least the pull divided by the
+    // room left in the pull's own direction. A via point clamped to `edge` itself
+    // leaves zero room — `edge - viaX` is exactly 0 — which would divide out to
+    // Infinity and carry NaN into every downstream sample. Capped rather than left
+    // unbounded: past this weight the arc already reads as touching the via point,
+    // so the cap costs no visible reach.
+    const MAX_WEIGHT = 1e6;
+    const needX = dx > 0 ? dx / (edge - viaX) : dx < 0 ? -dx / (viaX - (1 - edge)) : 0;
+    const needY = dy > 0 ? dy / (edge - viaY) : dy < 0 ? -dy / (viaY - (1 - edge)) : 0;
+    const w = Math.min(MAX_WEIGHT, Math.max(1, needX, needY));
+    return { cx: viaX + dx / w, cy: viaY + dy / w, w };
+}
+/**
+ * Progress through a segment that passes through its via point: one conic arc, from
+ * breakpoint to breakpoint.
+ *
+ * One curve, not two joined at the via point, because anything joined there can only
+ * be as smooth as the join — and keeping such a join monotone forces its tangent
+ * down to a fraction of the slope the curve arrives with, creasing the segment
+ * exactly where the pointer is. A conic has no join and no inflection: its slope
+ * moves one way from end to end, which is what makes it read as one curve rather
+ * than a shape with features in it.
+ */
+function shapeVia(x, viaX, viaY) {
+    const { cx, cy, w } = viaConic(viaX, viaY);
+    // Both coordinates are quadratics over one shared denominator, so `x(t) = x`
+    // rearranges into an ordinary quadratic in `t`: closed form, and the same answer on
+    // every machine, which a render that has to match its own preview depends on.
+    const spread = 2 - 2 * w;
+    const a = x * spread - 1 + 2 * w * cx;
+    const b = -x * spread - 2 * w * cx;
+    const t = conicParam(a, b, x);
+    const rest = 1 - t;
+    const denominator = rest * rest + 2 * w * t * rest + t * t;
+    if (!(denominator > 0))
+        return x;
+    return (2 * w * cy * t * rest + t * t) / denominator;
+}
+/** The root of `a*t^2 + b*t + c` that lies on the arc the segment travels. */
+function conicParam(a, b, c) {
+    if (Math.abs(a) < 1e-12)
+        return Math.abs(b) < 1e-12 ? c : -c / b;
+    const root = Math.sqrt(Math.max(0, b * b - 4 * a * c));
+    const first = (-b + root) / (2 * a);
+    const second = (-b - root) / (2 * a);
+    const onArc = (t) => t >= -1e-9 && t <= 1 + 1e-9;
+    if (onArc(first))
+        return Math.min(1, Math.max(0, first));
+    if (onArc(second))
+        return Math.min(1, Math.max(0, second));
+    return c;
+}
+/**
+ * The progress a segment leaving `point` has reached at normalised `x`.
+ *
+ * A via point wins when it is there, since it says strictly more than an
+ * exponent can. Everything authored before via points existed carries only
+ * `curve` and takes the exponent path unchanged.
+ */
+export function shapeProgress(x, point) {
+    const via = clampVia(point.viaX, point.viaY);
+    if (via)
+        return shapeVia(Math.min(1, Math.max(0, x)), via.x, via.y);
+    return applyCurve(x, point.curve);
+}
+function lerpValue(a, b, x, scale) {
+    // A frequency sweep interpolated linearly spends almost all its time in the
+    // top octave. Log-scaled parameters interpolate in log space so a 200 Hz to
+    // 8 kHz move sounds like an even sweep, which is what the knob's own scale
+    // already promises.
+    if (scale === "log" && a > 0 && b > 0) {
+        return Math.exp(Math.log(a) + (Math.log(b) - Math.log(a)) * x);
+    }
+    return a + (b - a) * x;
+}
+/**
+ * Value of a lane at a clip-local time.
+ *
+ * Outside the points, the envelope holds — the first value before it starts
+ * and the last value after it ends, so a lane never snaps to zero at the edges.
+ */
+export function sampleAutomationLane(lane, t, scale = "linear") {
+    const pts = lane.points;
+    if (pts.length === 0)
+        return 0;
+    const first = pts[0];
+    if (t <= first.t)
+        return first.v;
+    const last = pts[pts.length - 1];
+    if (t >= last.t)
+        return last.v;
+    let lo = 0;
+    let hi = pts.length - 1;
+    while (hi - lo > 1) {
+        const mid = (lo + hi) >> 1;
+        if (pts[mid].t <= t)
+            lo = mid;
+        else
+            hi = mid;
+    }
+    const a = pts[lo];
+    const b = pts[hi];
+    const span = b.t - a.t;
+    if (span <= 0)
+        return b.v;
+    return lerpValue(a.v, b.v, shapeProgress((t - a.t) / span, a), scale);
+}
+/** True when the lane is a single value, i.e. worth setting once and not scheduling. */
+export function isConstantLane(lane) {
+    return lane.points.length <= 1 || lane.points.every((p) => p.v === lane.points[0].v);
+}
+/**
+ * Sample a lane onto evenly spaced times, for consumers that want a plain
+ * curve rather than a breakpoint list: `setValueCurveAtTime`, the render-side
+ * volume envelope, and the lane's own drawing code.
+ */
+export function sampleAutomationCurve(lane, from, to, count, scale = "linear") {
+    const n = Math.max(2, Math.floor(count));
+    const out = new Float32Array(n);
+    const span = to - from;
+    for (let i = 0; i < n; i += 1) {
+        out[i] = sampleAutomationLane(lane, from + (span * i) / (n - 1), scale);
+    }
+    return out;
+}
+//# sourceMappingURL=audioAutomation.js.map

package/dist/audioAutomation.js.map

@@ -0,0 +1 @@
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