@heyramzi/ui 6.0.1 → 7.0.0

package/src/agents/vendor/draw.ts

@@ -0,0 +1,840 @@
+// @ts-nocheck WHY: vendored engine, kept as upstream wrote it so a re-sync stays a clean diff. Strict flags in consumers (review) would flag ~870 spots.
+/* The renderer. The body is a stack of copies of its outline, spaced along
+   a depth axis with a pillow profile (smaller at the caps); each copy is
+   projected with the head's yaw and pitch, so the stack reads as a rounded
+   extruded solid that turns, flips and shows its side. Nearest copies are
+   lit with a directional gradient, the far side sits in shade. The face
+   lives on the front cap and follows it. */
+
+import type { Pose } from "./engine";
+import type { BotAvatarFace, BotAvatarShading } from "./types";
+import { shade } from "./color";
+import { drawPlasticCap, mulAffine, surfaceAt, type FurStyle } from "./plastic";
+import {
+  drawGlasses,
+  drawWearBehind,
+  drawWearFront,
+  type EyeSpot,
+  type Wear,
+  type WearRig,
+} from "./wear";
+
+export interface DrawConfig {
+  path: Path2D;
+  face: BotAvatarFace;
+  faceX: number;
+  faceY: number;
+  faceScale: number;
+  color: string;
+  ink: string;
+  shading: BotAvatarShading;
+  /** intensities and geometry of the lighting; omitted means the stock look */
+  shadow?: number;
+  highlight?: number;
+  depth?: number;
+  /** degrees clockwise from the top, where the light comes from */
+  light?: number;
+  rim?: number;
+  spread?: number;
+  /** plastic and fabric: the profile through the depth — 1 (the default) a
+      cushion, thickest in the middle and rounding off to nothing at the
+      outline all round; toward 0 a slab with softened edges */
+  roundness?: number;
+  /** fabric: the pile's style — length, density, edge fuzz, tufts, curl */
+  fur?: FurStyle;
+  /** plastic and fabric: 0–1, how much colour the light keeps past the
+      palette's full saturation — highlights, sheen and rim stay coloured
+      rather than paling toward white */
+  vivid?: number;
+  /** fabric: where the back light comes from, degrees clockwise from the
+      top; by default above the toy, toward the side away from the key */
+  backLight?: number;
+  /** fabric: how far round to the front the key sits, degrees — 0 grazes
+      the toy from the side, 90 lights it from the camera (default 32) */
+  lightFront?: number;
+  /** fabric: the strength of the highlights along single fibres (default 0) */
+  shine?: number;
+  /** fabric: 0–1, how soft the back light is — 0 a small source caught on
+      single fibres, 1 a large one, an even glow (default 1) */
+  backSoftness?: number;
+  /** fabric: the smooth, satin sheen over the body's edge — the key's
+      sheen and the back light's band as even gradients (default 0) */
+  sheen?: number;
+  /** identifies the outline for the material caches (the type name) */
+  typeKey?: string;
+  /** no animation loop follows this draw (reduced motion, paused): build
+   * materials now instead of on idle time */
+  still?: boolean;
+  /** with `still`, bake fabric's pile on idle time all the same; the caller
+   * draws again when it lands (`takeMissed` and `onLanded` in plastic.ts),
+   * as the component does */
+  furOnIdle?: boolean;
+  /** thin parts (antennae) drawn behind the body with `partsDepth` of its
+      depth; a list draws each piece as its own solid */
+  parts?: Path2D | Path2D[];
+  partsDepth?: number;
+  /** the resolved surface: the whirl is white on dark, black on light */
+  theme?: "dark" | "light";
+  /** the device pixel ratio the context is scaled by: with it given the
+      context's transform is taken as that scale and never read back */
+  dpr?: number;
+  /** plastic's side slices: filled as vectors, or blitted from sprites of
+      the outline. `auto` (the default) blits on WebKit, where a
+      conic-gradient fill costs thirty times a flat one. */
+  sides?: "auto" | "vector" | "sprite";
+  /** the whirl's knobs; 1 everywhere is the stock look */
+  whirl?: { strength: number; size: number; width: number; length: number; tilt: number };
+  /** what the bot wears: a hat, glasses, headphones, a bow tie */
+  wear?: Wear;
+}
+
+/* The canvas is drawn larger than the avatar's layout box, so a hop or a
+   flip can leave the box without being clipped. */
+export const OVERSCAN = 1.5;
+/** the body's centre sits this fraction of the box below the canvas
+    centre: hops and flips need the room above, not below */
+export const RISE = 0.1;
+
+/* Copies through the depth, and the stock half-depth in body units. */
+const SLICES = 17;
+const HALF_DEPTH = 15;
+/* Cap scale at the ends of the pillow, at the stock rim width. */
+const CAP = 0.9;
+const profile = (z: number, cap: number) => cap + (1 - cap) * Math.sqrt(Math.max(0, 1 - z * z));
+
+/* Big, plain dark eyes: they carry the face at 24px. */
+const EYE_GAP = 25;
+const EYE_RX = 6.3;
+const EYE_Y = { eyes: 1, mouth: -3.5 } as const;
+
+interface Palette {
+  base: string;
+  far: string;
+  near: string;
+  light: string;
+  dark: string;
+  capTop: string;
+  capBottom: string;
+  /** the slice colours by draw order (far → near), crisp and smooth */
+  crispMix: string[];
+  smoothMix: string[];
+  /** crisp: the lit side and cap gradients, for a light direction */
+  grad: { lx: number; ly: number; lit: CanvasGradient; cap: CanvasGradient } | null;
+}
+const paletteCache = new Map<string, Palette>();
+function palette(color: string, shadow: number, highlight: number): Palette {
+  const key = `${color}|${shadow}|${highlight}`;
+  let p = paletteCache.get(key);
+  if (!p) {
+    const far = shade(color, -0.3 * shadow, 0.05 * shadow);
+    const near = shade(color, -0.12 * shadow, 0.03 * shadow);
+    const crispMix: string[] = [],
+      smoothMix: string[] = [];
+    for (let j = 0; j < SLICES; j++) {
+      const t = j / (SLICES - 1);
+      crispMix.push(t > 0.6 ? "" : mixCss(far, near, t / 0.6));
+      smoothMix.push(t >= 0.5 ? color : mixCss(far, color, t / 0.5));
+    }
+    p = {
+      base: color,
+      far,
+      near,
+      light: shade(color, 0.04 * highlight),
+      dark: shade(color, -0.3 * shadow, 0.05 * shadow),
+      capTop: shade(color, 0.035 * highlight),
+      capBottom: shade(color, -0.035 * shadow),
+      crispMix,
+      smoothMix,
+      grad: null,
+    };
+    if (paletteCache.size > 200) paletteCache.clear();
+    paletteCache.set(key, p);
+  }
+  return p;
+}
+
+/* the numbers of an hsl() string; any other colour is normalised through shade() first */
+const hslNums = (c: string) =>
+  (c.startsWith("hsl(") ? c : shade(c, 0)).match(/[\d.]+/g)!.map(Number);
+function mixCss(a: string, b: string, t: number): string {
+  /* interpolate the hsl numbers */
+  const pa = hslNums(a);
+  const pb = hslNums(b);
+  const m = pa.map((v, i) => v + (pb[i] - v) * t);
+  return `hsl(${m[0].toFixed(1)} ${m[1].toFixed(1)}% ${m[2].toFixed(1)}%)`;
+}
+
+/* The whirl: the cartoon motion round a spinning body — one tapered
+   trail on a tilted ring, made of the body's own material: a translucent
+   plastic tube in the body colour, lit from the same light — a lighter
+   flank toward it, a darker underside, a white specular ridge along the
+   top — with a soft halo so it reads as a puff of plastic cloud. The
+   ring lies in the body's equatorial plane seen a little from above,
+   with a touch of perspective: the near half (sin > 0) is larger,
+   thicker and stronger and is drawn over the body and face, casting a
+   soft shadow on them; the far half is smaller and fainter and goes
+   behind. */
+const WHIRL_SEGMENTS = 34;
+const WHIRL_SPAN = Math.PI * 1.55;
+const WHIRL_RX = 57;
+const WHIRL_RATIO = 0.4;
+const WHIRL_TILT = -0.28;
+interface WhirlInk {
+  base: string;
+  light: string;
+  dark: string;
+  halo: string;
+}
+const whirlInkCache = new Map<string, WhirlInk>();
+function whirlInk(color: string): WhirlInk {
+  let w = whirlInkCache.get(color);
+  if (!w) {
+    w = {
+      base: shade(color, 0.1, 0.02),
+      light: shade(color, 0.3, 0.04),
+      dark: shade(color, -0.22, 0.08),
+      halo: shade(color, 0.2),
+    };
+    if (whirlInkCache.size > 200) whirlInkCache.clear();
+    whirlInkCache.set(color, w);
+  }
+  return w;
+}
+/* an hsl() from shade() with an alpha */
+const withAlpha = (hsl: string, a: number) =>
+  hsl.replace(")", ` / ${Math.max(0, Math.min(1, a)).toFixed(3)})`);
+
+function drawWhirl(
+  ctx: CanvasRenderingContext2D,
+  pose: Pose,
+  color: string,
+  lx: number,
+  ly: number,
+  near: boolean,
+  knobs?: DrawConfig["whirl"],
+) {
+  const strength = knobs?.strength ?? 0;
+  const k = Math.min(1, pose.whirl * strength);
+  if (k <= 0.01) return;
+  const sizeK = knobs?.size ?? 1,
+    widthK = knobs?.width ?? 1,
+    lengthK = knobs?.length ?? 1,
+    tiltK = knobs?.tilt ?? 1;
+  const span = WHIRL_SPAN * lengthK;
+  const ink = whirlInk(color);
+  /* the ring runs the way the body's near face moves: to the right */
+  const head = -pose.whirlAngle;
+  const rx = WHIRL_RX * sizeK;
+  const ry = rx * WHIRL_RATIO * tiltK * (near ? 1.14 : 0.86);
+  /* where round the ring the light falls, in the ring's own frame */
+  const lightA = Math.atan2(ly, lx) - WHIRL_TILT;
+  ctx.save();
+  ctx.rotate(WHIRL_TILT);
+  ctx.translate(0, 5);
+  ctx.lineCap = "butt";
+  const seg = (a0: number, a1: number, width: number, style: string, dy: number) => {
+    ctx.strokeStyle = style;
+    ctx.lineWidth = width;
+    ctx.beginPath();
+    ctx.ellipse(0, dy, rx, ry, 0, a0, a1, false);
+    ctx.stroke();
+  };
+  /* the near half casts a soft shadow on the body it crosses */
+  if (near) {
+    for (let i = 0; i < WHIRL_SEGMENTS; i++) {
+      const f = i / WHIRL_SEGMENTS;
+      const a1 = head + f * span,
+        a0 = a1 + span / WHIRL_SEGMENTS + 0.012;
+      if (Math.sin((a0 + a1) / 2) <= 0) continue;
+      const fade = Math.pow(1 - f, 1.3);
+      seg(a1, a0, (2 + 8 * fade) * 1.5 * widthK, `rgba(0,0,0,${(0.2 * k * fade).toFixed(3)})`, 3.5);
+    }
+  }
+  for (let i = 0; i < WHIRL_SEGMENTS; i++) {
+    const f = i / WHIRL_SEGMENTS;
+    /* the trail lies at the angles the head has already passed */
+    const a1 = head + f * span,
+      a0 = a1 + span / WHIRL_SEGMENTS + 0.012;
+    const mid = (a0 + a1) / 2;
+    if (Math.sin(mid) > 0 !== near) continue;
+    /* perspective and depth: the nearest point of the ring is fullest */
+    const depth = 0.6 + 0.4 * Math.sin(mid);
+    const fade = Math.pow(1 - f, 1.3);
+    /* a gentle puff along the trail */
+    const puff = 1 + 0.18 * Math.sin(f * 9 + 1.2);
+    const width = (2 + 8 * fade) * depth * widthK * puff;
+    const a = k * (0.3 + 0.7 * fade) * depth;
+    /* how much this stretch of the ring faces the light */
+    const facing = 0.5 + 0.5 * Math.cos(mid - lightA);
+    /* halo, underside, body, lit flank, specular ridge: a plastic tube */
+    seg(a1, a0, width * 2.6, withAlpha(ink.halo, a * 0.2), 0);
+    seg(a1, a0, width * 0.8, withAlpha(ink.dark, a * 0.45), width * 0.32);
+    seg(a1, a0, width, withAlpha(ink.base, a * 0.72), 0);
+    seg(a1, a0, width * 0.62, withAlpha(ink.light, a * 0.78 * (0.4 + 0.6 * facing)), -width * 0.16);
+    seg(
+      a1,
+      a0,
+      width * 0.24,
+      `rgba(255,255,255,${(a * 0.9 * (0.15 + 0.85 * facing * facing)).toFixed(3)})`,
+      -width * 0.3,
+    );
+  }
+  ctx.restore();
+}
+
+/**
+ * Draw one frame. `box` is the avatar's layout size in CSS px; the canvas
+ * is `box * OVERSCAN` square with the body's centre `RISE * box` below
+ * its middle, and the context already scaled for the device pixel ratio.
+ */
+/* the back light's direction on screen from its angle, when one is given */
+const backOf = (deg: number | undefined): { bx?: number; by?: number } => {
+  if (deg === undefined || !Number.isFinite(deg)) return {};
+  const a = (deg * Math.PI) / 180;
+  return { bx: Math.sin(a), by: -Math.cos(a) };
+};
+
+/** The light each material looks its best in where the config leaves it:
+    a plush pile wants a broad, low studio light that shows its lobes and
+    grain, a clear coat a brighter one for its gloss. */
+export const LIGHT_DEFAULTS = {
+  fabric: { shadow: 1.15, highlight: 1.45, light: 295, rim: 0.6, spread: 1.6 },
+  other: { shadow: 0.35, highlight: 1.3, light: 300, rim: 0.5, spread: 1.55 },
+};
+
+export function draw(ctx: CanvasRenderingContext2D, box: number, pose: Pose, cfg: DrawConfig) {
+  const full = box * OVERSCAN;
+  ctx.clearRect(0, 0, full, full);
+  const S = box / 100;
+  /* the context's transform as given (the device scale) is the base of
+     every transform set here; known from `dpr`, else read once */
+  let dpr: number, base: readonly number[];
+  if (cfg.dpr !== undefined) {
+    dpr = cfg.dpr;
+    base = [dpr, 0, 0, dpr, 0, 0];
+  } else if (ctx.getTransform) {
+    const t = ctx.getTransform();
+    base = [t.a, t.b, t.c, t.d, t.e, t.f];
+    dpr = t.a || 1;
+  } else {
+    dpr = 1;
+    base = [1, 0, 0, 1, 0, 0];
+  }
+  const lit = LIGHT_DEFAULTS[cfg.shading === "fabric" ? "fabric" : "other"];
+  const shadow = cfg.shadow ?? lit.shadow,
+    highlight = cfg.highlight ?? lit.highlight;
+  const halfDepth = HALF_DEPTH * (cfg.depth ?? 0.65);
+  const rimK = cfg.rim ?? lit.rim;
+  const cap = 1 - (1 - CAP) * rimK;
+  const spread = cfg.spread ?? lit.spread;
+  /* the light's direction on screen: a unit vector toward the source */
+  const la = ((cfg.light ?? lit.light) * Math.PI) / 180;
+  const lx = Math.sin(la),
+    ly = -Math.cos(la);
+  const pal = palette(cfg.color, shadow, highlight);
+
+  const cy0 = Math.cos(pose.yaw),
+    sy = Math.sin(pose.yaw);
+  const cp0 = Math.cos(pose.pitch),
+    sp = Math.sin(pose.pitch);
+  /* which cap faces the viewer: the front while this is positive */
+  const facing = cy0 * cp0;
+  /* edge-on, every slice would thin to a line and the stack would show
+     gaps; a floor on the foreshortening keeps it a solid */
+  const floor = (v: number) => (Math.abs(v) < 0.22 ? (v < 0 ? -0.22 : 0.22) : v);
+  const cy = floor(cy0),
+    cp = floor(cp0);
+
+  /* body space: the box centre plus the pose's offset, its roll and
+     squash. The squash and stretch scale about the body's base (y = 50),
+     so a landing keeps the feet on the ground and presses the top down,
+     and a stretch rises from the base. */
+  const cr = Math.cos(pose.roll),
+    sr = Math.sin(pose.roll),
+    kx = pose.sx * S,
+    ky = pose.sy * S;
+  const lift = 50 * (1 - pose.sy) * S;
+  const body = mulAffine(base, [
+    cr * kx,
+    sr * kx,
+    -sr * ky,
+    cr * ky,
+    full / 2 + pose.x * S - sr * lift,
+    full / 2 + RISE * box + pose.y * S + cr * lift,
+  ]);
+  ctx.save();
+  ctx.setTransform(body[0], body[1], body[2], body[3], body[4], body[5]);
+  ctx.lineCap = "round";
+  ctx.lineJoin = "round";
+
+  const mode = cfg.shading;
+  /* one solid: the slice stack (or the plastic material) for an outline
+     at a depth; the thin parts come first with a fraction of the depth,
+     then the body over them. A plush toy's antennae are moulded plastic:
+     a pile on a rod that thin is all fringe, so parts take the plastic
+     when the body is fabric (`plush` false) */
+  const drawSolid = (path: Path2D, key: string, halfDepth: number, plush = true): boolean => {
+    /* the lit gradient, in the body's own space: light from the upper left */
+    let lit: CanvasGradient | string = pal.near;
+    let capFill: CanvasGradient | string = pal.base;
+    if (mode === "crisp") {
+      if (!pal.grad || pal.grad.lx !== lx || pal.grad.ly !== ly) {
+        const g = ctx.createLinearGradient(lx * 56, ly * 56, -lx * 56, -ly * 56);
+        g.addColorStop(0, pal.light);
+        g.addColorStop(0.45, pal.near);
+        g.addColorStop(1, pal.dark);
+        const c = ctx.createLinearGradient(lx * 46, ly * 46, -lx * 46, -ly * 46);
+        c.addColorStop(0, pal.capTop);
+        c.addColorStop(1, pal.capBottom);
+        pal.grad = { lx, ly, lit: g, cap: c };
+      }
+      lit = pal.grad.lit;
+      capFill = pal.grad.cap;
+    }
+
+    /* plastic and fabric: the material module draws the whole body, an
+       inflated relief of the lit texture. While a form is still baking on
+       idle time it declines, and the stock slices with the smooth overlay
+       stand in for that frame. */
+    let plasticDone = false;
+    if (mode === "plastic" || mode === "fabric") {
+      plasticDone = drawPlasticCap(
+        ctx,
+        { ...cfg, path, typeKey: key, shading: plush ? mode : "plastic" },
+        {
+          cy,
+          sy,
+          cp,
+          sp,
+          facing,
+          roll: pose.roll,
+          halfDepth,
+          cap,
+          lx,
+          ly,
+          ...backOf(cfg.backLight),
+          dev: box * dpr,
+          ctm: body,
+          still: cfg.still,
+          round: cfg.roundness ?? 1,
+        },
+        pal,
+        null,
+        {
+          shadow,
+          highlight,
+          spread,
+          rim: rimK,
+          vivid: cfg.vivid ?? 0,
+          front: (Math.min(85, Math.max(0, cfg.lightFront ?? 32)) * Math.PI) / 180,
+          shine: cfg.shine ?? 0,
+          sheen: cfg.sheen ?? 0,
+          backSoft: cfg.backSoftness ?? 1,
+        },
+      );
+    }
+    const mode2: BotAvatarShading =
+      (mode === "plastic" || mode === "fabric") && !plasticDone ? "smooth" : mode;
+    const soft = mode2 === "smooth";
+    const union = soft && typeof Path2D === "function" ? new Path2D() : null;
+    /* slices, far to near; each sets its transform outright from the
+       body's, no save/restore */
+    const order = facing >= 0 ? 1 : -1;
+    const [ca, cb, cc, cd, ce, cf] = body;
+    let fill: CanvasGradient | string | null = null;
+    /* each slice's affine is applied relative to the previous slice's: one
+       transform() per slice, no save/restore */
+    let pa = 1,
+      pb = 0,
+      pc = 0,
+      pd = 1,
+      pe = 0,
+      pf = 0;
+    for (let j = 0; j < SLICES && !plasticDone; j++) {
+      const k = order > 0 ? j : SLICES - 1 - j;
+      const z = -1 + (2 * k) / (SLICES - 1);
+      const s = profile(z, cap);
+      const near = j / (SLICES - 1);
+      /* yaw about Y then pitch about X, orthographic: an affine per slice,
+         then the path's own origin at its centre */
+      const m0 = cy * s,
+        m1 = sy * sp * s,
+        m3 = cp * s;
+      const e = z * sy * halfDepth - 50 * m0,
+        fo = -z * cy * sp * halfDepth - 50 * m1 - 50 * m3;
+      const det = pa * pd - pb * pc;
+      const ia = pd / det,
+        ib = -pb / det,
+        ic = -pc / det,
+        id = pa / det,
+        ie = (pc * pf - pd * pe) / det,
+        jf = (pb * pe - pa * pf) / det;
+      ctx.transform(
+        ia * m0 + ic * m1,
+        ib * m0 + id * m1,
+        ic * m3,
+        id * m3,
+        ia * e + ic * fo + ie,
+        ib * e + id * fo + jf,
+      );
+      pa = m0;
+      pb = m1;
+      pc = 0;
+      pd = m3;
+      pe = e;
+      pf = fo;
+      let style: CanvasGradient | string;
+      /* smooth: one colour ramp through the depth to the front, no edge at the cap */
+      if (soft) style = pal.smoothMix[j];
+      else if (j === SLICES - 1) style = capFill;
+      else if (near > 0.6) style = lit;
+      else style = pal.crispMix[j];
+      if (style !== fill) ctx.fillStyle = fill = style;
+      ctx.fill(path);
+      if (union) union.addPath(path, { a: m0, b: m1, c: 0, d: m3, e, f: fo });
+    }
+    if (!plasticDone) ctx.setTransform(ca, cb, cc, cd, ce, cf);
+
+    /* smooth: a soft shadow from the lower right and a light from the upper
+       left, laid over the whole form so nothing has an edge */
+    if (union && mode2 === "smooth") {
+      /* the two gradients are made per frame on purpose: a kept one is
+         slower to use in Safari than a fresh one */
+      ctx.save();
+      ctx.clip(union);
+      const sa = Math.min(1, 0.34 * shadow);
+      const sg = ctx.createRadialGradient(
+        -lx * 45,
+        -ly * 45,
+        4 * spread,
+        -lx * 45,
+        -ly * 45,
+        84 * spread,
+      );
+      sg.addColorStop(0, `rgba(0,0,0,${sa})`);
+      sg.addColorStop(0.5, `rgba(0,0,0,${sa * 0.35})`);
+      sg.addColorStop(1, "rgba(0,0,0,0)");
+      ctx.globalCompositeOperation = "multiply";
+      ctx.fillStyle = sg;
+      ctx.fillRect(-120, -120, 240, 240);
+      ctx.globalCompositeOperation = "source-over";
+      const ha = Math.min(1, 0.22 * highlight);
+      const hg = ctx.createRadialGradient(lx * 37, ly * 37, 0, lx * 37, ly * 37, 62 * spread);
+      hg.addColorStop(0, `rgba(255,255,255,${ha})`);
+      hg.addColorStop(0.6, `rgba(255,255,255,${ha * 0.23})`);
+      hg.addColorStop(1, "rgba(255,255,255,0)");
+      ctx.fillStyle = hg;
+      ctx.fillRect(-120, -120, 240, 240);
+      ctx.restore();
+    }
+
+    return plasticDone;
+  };
+
+  /* the far half of the whirl sits behind everything */
+  drawWhirl(ctx, pose, cfg.color, lx, ly, false, cfg.whirl);
+
+  /* what the bot wears, placed on its own geometry and turned with it */
+  const wear = cfg.wear;
+  const worn =
+    !!wear && (wear.hat !== "none" || wear.glasses !== "none" || wear.headphones || wear.bowTie);
+  const wr: WearRig = { cy, sy, cp, sp, facing, halfDepth, lx, ly };
+  if (worn) drawWearBehind(ctx, cfg.path, wr, wear!);
+
+  const key = cfg.typeKey ?? "custom";
+  /* each piece rounds on its own: two antennae inflated as one shape
+     would be scaled toward the middle between them, slice by slice */
+  const parts = cfg.parts ? (Array.isArray(cfg.parts) ? cfg.parts : [cfg.parts]) : [];
+  for (let i = 0; i < parts.length; i++)
+    drawSolid(
+      parts[i],
+      Array.isArray(cfg.parts) ? `${key}:parts${i}/${parts.length}` : `${key}:parts`,
+      halfDepth * (cfg.partsDepth ?? 0.4),
+      false,
+    );
+  const plasticDone = drawSolid(cfg.path, key, halfDepth);
+
+  /* the face: each feature sits on a sphere behind the front cap, so a
+     turn slides it round the head — the eye moving toward the edge
+     narrows, the other comes to the front, and past the side they go */
+  /* the front's outline in body space: the face's clip, and where worn
+     things cast their shadows. The extruded modes have a front cap; the
+     cushion of plastic and fabric has none, so its outline is taken a
+     little over halfway up the face's own height */
+  const zf = facing >= 0 ? 1 : -1;
+  const round = cfg.roundness ?? 1;
+  const cushion = plasticDone;
+  const sf = cushion ? 1 : profile(zf, cap);
+  const surface = (x: number, y: number) =>
+    cushion ? (surfaceAt(key, halfDepth, x, y, round) ?? 0.8 * halfDepth) : halfDepth * sf;
+  const zFace = cushion ? 0.55 * surface(cfg.faceX, cfg.faceY) : halfDepth;
+  const fm0 = cy * sf,
+    fm1 = sy * sp * sf,
+    fm3 = cp * sf;
+  const fe = zf * sy * zFace - 50 * fm0;
+  const ffo = -zf * cy * sp * zFace - 50 * fm1 - 50 * fm3;
+  let frontClip: Path2D | null = null;
+  if (worn && typeof Path2D === "function") {
+    frontClip = new Path2D();
+    frontClip.addPath(cfg.path, { a: fm0, b: fm1, c: 0, d: fm3, e: fe, f: ffo });
+  }
+
+  if (facing > -0.2) {
+    ctx.save();
+    /* The face is printed on the front of the body, so it cannot leave
+       it: clip to the front slice's own outline first. On a wide turn a
+       feature's place on the sphere can reach past the body's foreshortened
+       silhouette, and without this it floats off the side. */
+    {
+      const [ca, cb, cc, cd, ce, cf] = body;
+      ctx.setTransform(
+        ca * fm0 + cc * fm1,
+        cb * fm0 + cd * fm1,
+        cc * fm3,
+        cd * fm3,
+        ca * fe + cc * ffo + ce,
+        cb * fe + cd * ffo + cf,
+      );
+      ctx.clip(cfg.path);
+      ctx.setTransform(ca, cb, cc, cd, ce, cf);
+    }
+    ctx.translate(cfg.faceX - 50, cfg.faceY - 50);
+    ctx.scale(cfg.faceScale, cfg.faceScale);
+    /* under a clear coat the print shows the gloss faintly through it */
+    if (mode === "plastic" && plasticDone) ctx.globalAlpha = 0.93;
+    const eyes = drawFace(ctx, pose, cfg);
+    ctx.globalAlpha = 1;
+    /* glasses: their shadow falls on the face (inside its clip), the frames
+       themselves may reach past the body's edge */
+    const glasses = wear && wear.glasses !== "none" ? wear.glasses : null;
+    const turn = { yaw: pose.yaw, pitch: pose.pitch };
+    if (glasses) drawGlasses(ctx, glasses, eyes, { lx, ly }, "shadow", turn);
+    ctx.restore();
+    if (glasses) {
+      ctx.save();
+      ctx.translate(cfg.faceX - 50, cfg.faceY - 50);
+      ctx.scale(cfg.faceScale, cfg.faceScale);
+      drawGlasses(ctx, glasses, eyes, { lx, ly }, "frame", turn);
+      ctx.restore();
+    }
+  }
+  if (worn)
+    drawWearFront(ctx, cfg.path, wr, wear!, frontClip, surface, {
+      y: cfg.faceY,
+      scale: cfg.faceScale,
+    });
+  /* the near half of the whirl passes in front of the face */
+  drawWhirl(ctx, pose, cfg.color, lx, ly, true, cfg.whirl);
+  ctx.restore();
+}
+
+/* Radius of the sphere the face is drawn on, in body units. */
+const FACE_R = 30;
+
+/* A feature's place on the sphere: longitude and latitude from its
+   design position, turned by the head. Returns its screen offset, its
+   foreshortening, and how much it faces the viewer. */
+function onSphere(x: number, y: number, yaw: number, pitch: number) {
+  const lon = Math.asin(Math.max(-1, Math.min(1, x / FACE_R))) + yaw;
+  const lat = Math.asin(Math.max(-1, Math.min(1, -y / FACE_R))) + pitch;
+  const cl = Math.cos(lat);
+  return {
+    x: FACE_R * Math.sin(lon) * cl,
+    y: -FACE_R * Math.sin(lat),
+    sx: Math.cos(lon),
+    sy: cl,
+    z: Math.cos(lon) * cl,
+  };
+}
+
+/* An eye's curve as a short polyline with round joins, cached by its
+   numbers. Stroking the open eye's hairpin curve directly gives a pill in
+   Chrome but a teardrop in Safari, whose stroker does not round a cusp;
+   both stroke a polyline the same way. */
+const EYE_STEPS = 8;
+const eyePaths = new Map<number, Path2D>();
+function eyePath(x0: number, y0: number, cy: number): Path2D {
+  const qx = Math.round(x0 * 50),
+    qy = Math.round(y0 * 50),
+    qc = Math.round(cy * 50);
+  const key = qx + 2000 * qy + 4e6 * qc;
+  let p = eyePaths.get(key);
+  if (!p) {
+    const ax = qx / 50,
+      ay = qy / 50,
+      ac = qc / 50;
+    let d = `M${-ax} ${ay}`;
+    for (let i = 1; i <= EYE_STEPS; i++) {
+      const t = i / EYE_STEPS,
+        mt = 1 - t;
+      d += ` L${(mt * mt * -ax + t * t * ax).toFixed(3)} ${((mt * mt + t * t) * ay + 2 * mt * t * ac).toFixed(3)}`;
+    }
+    p = new Path2D(d);
+    if (eyePaths.size > 256) eyePaths.clear();
+    eyePaths.set(key, p);
+  }
+  return p;
+}
+
+/* The mouth's outline as a path, cached by its numbers: corners at ±hw on
+   y = 0, a top edge from the left corner to the right with its controls
+   a·hw in from the corners at depth yt, a bottom edge back at depth yb
+   with controls ab·hw in, and round caps of radius t0 round each corner,
+   set square to the smile's end slope. */
+interface Mouth {
+  hw: number;
+  t0: number;
+  a: number;
+  yt: number;
+  ab: number;
+  yb: number;
+}
+const MOUTH_SIN = Math.sin(0.684),
+  MOUTH_COS = Math.cos(0.684);
+const mouthPaths = new Map<string, Path2D>();
+function mouthPath(m: Mouth): Path2D {
+  const q = (v: number) => Math.round(v * 50) / 50;
+  const hw = q(m.hw),
+    t0 = q(m.t0),
+    a = q(m.a),
+    yt = q(m.yt),
+    ab = q(m.ab),
+    yb = q(m.yb);
+  const key = `${hw},${t0},${a},${yt},${ab},${yb}`;
+  let p = mouthPaths.get(key);
+  if (p) return p;
+  const f = (v: number) => v.toFixed(3);
+  /* the corners, offset along the end normal for the caps */
+  const nx = t0 * MOUTH_SIN,
+    ny = t0 * MOUTH_COS;
+  const ltx = -hw + nx,
+    lty = -ny,
+    rtx = hw - nx,
+    rty = -ny;
+  const lbx = -hw - nx,
+    lby = ny,
+    rbx = hw + nx,
+    rby = ny;
+  /* the caps bulge outward along the end tangents */
+  const cx = (4 / 3) * t0 * MOUTH_COS,
+    cy = (4 / 3) * t0 * MOUTH_SIN;
+  const d =
+    `M${f(ltx)} ${f(lty)}` +
+    `C${f(-hw + a * hw)} ${f(yt - t0)} ${f(hw - a * hw)} ${f(yt - t0)} ${f(rtx)} ${f(rty)}` +
+    `C${f(rtx + cx)} ${f(rty - cy)} ${f(rbx + cx)} ${f(rby - cy)} ${f(rbx)} ${f(rby)}` +
+    `C${f(hw - ab * hw)} ${f(yb + t0)} ${f(-hw + ab * hw)} ${f(yb + t0)} ${f(lbx)} ${f(lby)}` +
+    `C${f(lbx - cx)} ${f(lby - cy)} ${f(ltx - cx)} ${f(lty - cy)} ${f(ltx)} ${f(lty)}Z`;
+  p = new Path2D(d);
+  if (mouthPaths.size > 256) mouthPaths.clear();
+  mouthPaths.set(key, p);
+  return p;
+}
+
+function drawFace(ctx: CanvasRenderingContext2D, pose: Pose, cfg: DrawConfig): [EyeSpot, EyeSpot] {
+  const [wd, ww, ws] = pose.w;
+  const ink = cfg.ink;
+  const ey = EYE_Y[cfg.face];
+  const half = EYE_GAP / 2;
+  const lx = pose.lookX,
+    ly = pose.lookY;
+  const { yaw, pitch } = pose;
+
+  /* place a feature: skip it once it has gone round the side */
+  const at = (x: number, y: number, fn: () => void, alpha = 1) => {
+    const q = onSphere(x, y, yaw, pitch);
+    if (q.z <= 0.02 || alpha <= 0.01) return;
+    ctx.save();
+    ctx.globalAlpha = alpha * Math.min(1, q.z * 5);
+    ctx.translate(q.x, q.y);
+    ctx.scale(Math.max(0.02, q.sx), Math.max(0.02, q.sy));
+    fn();
+    ctx.restore();
+  };
+
+  /* Each eye is one stroked curve — endpoints at ±x0,y0, a control point
+     at 0,cy, width w, round caps — so every look is the same shape with
+     different numbers, and a blend of the numbers is a real morph: the
+     upright pill of an open eye squashes into a shut line, swings up into
+     a laughing arc, or droops into a sleeping lid. */
+  /* the eyes take the head's aim, but only once it really aims
+     somewhere: at rest and through the small drift of a breath they keep
+     their own shape, and past that they draw taller looking up, shorter
+     looking down, and a little wider from the corner of a sideways
+     glance — the mimic that makes a turn read as a look */
+  const past = (v: number, d: number) =>
+    Math.abs(v) <= d ? 0 : (Math.sign(v) * (Math.abs(v) - d)) / (1 - d);
+  const clamp1 = (v: number) => Math.max(-1, Math.min(1, v));
+  const up = past(clamp1(-pose.pitch / 0.26 - pose.lookY / 7), 0.34);
+  const side = Math.abs(past(clamp1(pose.lookX / 4.5), 0.4));
+  const tall = Math.max(0.3, 1 + 0.55 * up - 0.1 * side);
+  const wide = 1 - 0.05 * up + 0.12 * side;
+  const open = wd + ww * (1 - pose.laugh);
+  const laugh = ww * pose.laugh;
+  const lift = Math.max(0, -pose.y) / 26;
+  const sag = 0.5 + 0.5 * pose.breath;
+  for (const side of [-1, 1] as const) {
+    const lid = side < 0 ? pose.blinkL : pose.blinkR;
+    const e = Math.max(0, Math.min(1, pose.eyeOpen * (1 - lid)));
+    const kOpen = open * e,
+      kShut = open * (1 - e),
+      kLaugh = laugh,
+      kSleep = ws;
+    const x0 = kOpen * 0.01 + kShut * 5.4 + kLaugh * 6.2 + kSleep * 6;
+    const y0 =
+      kOpen * 1.1 * tall + kShut * 0.6 + kLaugh * (2.2 - lift * 1.5) + kSleep * (-1.4 + sag);
+    const cy =
+      kOpen * -3.3 * tall + kShut * 0.6 + kLaugh * (-11.4 - 4 * lift) + kSleep * (5.4 + 2 * sag);
+    const w = kOpen * EYE_RX * 2 * wide + kShut * 2.8 + kLaugh * 4.4 + kSleep * 4;
+    /* the eyes drift toward the look when open, less so when shut */
+    const dx = lx * (kOpen + 0.5 * (kShut + kLaugh)),
+      dy = ly * (kOpen + 0.5 * kShut);
+    at(side * half + dx, ey + dy, () => {
+      ctx.strokeStyle = ink;
+      ctx.lineWidth = w;
+      ctx.stroke(eyePath(x0, y0, cy));
+    });
+  }
+
+  if (cfg.face === "mouth") {
+    const mx = lx * 0.35;
+    /* One mouth for every state, so a switch morphs it rather than fading
+       one shape into another: two cubic edges between the corners, round
+       caps of radius t0 at the corners (the smile is a thick line; the
+       open mouth and the sleeping "o" have sharp corners), every number a
+       blend of the three states'. The smile widens on the in-breath, the
+       open mouth at the top of a hop, the "o" swells with each breath. */
+    const kd = (0.6 + 0.4 * wd) * (1 + 0.06 * pose.breath);
+    const kw = (0.6 + 0.4 * ww) * (1 + (0.25 * Math.max(0, -pose.y)) / 26);
+    const r = 2.7 * ws * (1 + 0.25 * pose.breath);
+    const b = (d: number, w: number, s: number) => wd * d + ww * w + ws * s;
+    const m = {
+      hw: b(6.5 * kd, 9.5 * kw, r),
+      t0: b(1.9, 0, 0),
+      a: b(2 / 3, 2 / 3, 0),
+      yt: b(3.53 * kd, 1.6 * kw, (-4 * r) / 3),
+      ab: b(2 / 3, 0, 0),
+      yb: b(3.53 * kd, 17.3 * kw, (4 * r) / 3),
+    };
+    at(mx, b(12.5, 11.6, 15.5), () => {
+      ctx.fillStyle = ink;
+      ctx.fill(mouthPath(m));
+    });
+  }
+
+  /* where the eyes sit on the face, for anything worn over them: the
+     design spots on the sphere, without the look's drift */
+  const spot = (x: number): EyeSpot => {
+    const q = onSphere(x, ey, yaw, pitch);
+    return {
+      x: q.x,
+      y: q.y,
+      sx: q.sx,
+      sy: q.sy,
+      z: q.z,
+      ox: x,
+      oy: ey,
+      fz: Math.sqrt(Math.max(0, FACE_R * FACE_R - x * x - ey * ey)),
+    };
+  };
+  return [spot(-half), spot(half)];
+}