@hcu-lab.me/mcp-device 1.0.10 → 1.0.12

package/control-plane/scripts/skills/finishing-a-development-branch/SKILL.md

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+---
+name: finishing-a-development-branch
+description: Use when implementation is complete, all tests pass, and you need to decide how to integrate the work
+---
+
+# Finishing a Development Branch
+
+## Overview
+
+**Core principle:** Verify tests → Detect environment → Present options → Execute choice → Clean up.
+
+**Announce at start:** "I'm using the finishing-a-development-branch skill to complete this work."
+
+## Step 1: Verify Tests
+
+Run the project's full test suite (`npm test` / `cargo test` / `pytest` / `go test ./...`).
+
+**If tests fail**, report the failures and stop — the menu comes after a green suite:
+
+```
+Tests failing (<N> failures). Must fix before completing:
+
+[Show failures]
+```
+
+**If tests pass:** continue to Step 2.
+
+## Step 2: Detect Environment
+
+```bash
+GIT_DIR=$(cd "$(git rev-parse --git-dir)" 2>/dev/null && pwd -P)
+GIT_COMMON=$(cd "$(git rev-parse --git-common-dir)" 2>/dev/null && pwd -P)
+# Capture now, while still inside the workspace — Step 5 changes directory
+# before cleanup (Step 6) needs this value
+WORKTREE_PATH=$(git rev-parse --show-toplevel)
+```
+
+This determines which menu to show and how cleanup works:
+
+| State | Menu | Cleanup |
+|-------|------|---------|
+| `GIT_DIR == GIT_COMMON` (normal repo) | Standard 3 options | No worktree to clean up |
+| `GIT_DIR != GIT_COMMON`, named branch | Standard 3 options | Provenance-based (see Step 6) |
+| `GIT_DIR != GIT_COMMON`, detached HEAD | Reduced 2 options (no merge) | Externally managed — leave in place |
+
+## Step 3: Determine Base Branch
+
+The base branch is whatever this work forked from — usually named in the
+plan, the conversation, or the branch's upstream. If it is not already
+known, ask: "This branch split from <your best guess> - is that correct?"
+Confirm before merging: merging into the wrong base is expensive to undo.
+
+## Step 4: Present Options
+
+**Normal repo and named-branch worktree — present exactly these 3 options:**
+
+```
+Implementation complete. What would you like to do?
+
+1. Merge back to <base-branch> locally
+2. Push and create a Pull Request
+3. Keep the branch as-is (I'll handle it later)
+
+Which option?
+```
+
+**Detached HEAD — present exactly these 2 options:**
+
+```
+Implementation complete. You're on a detached HEAD (externally managed workspace).
+
+1. Push as new branch and create a Pull Request
+2. Keep as-is (I'll handle it later)
+
+Which option?
+```
+
+Present the menu exactly as written — concise, with every option coming
+from the list above. Discarding the work happens only in response to your
+human partner explicitly asking for it (see "If your human partner asks to
+discard the work" below). Wait for their answer; the integration decision
+is theirs.
+
+## Step 5: Execute Choice
+
+### Option 1: Merge Locally
+
+```bash
+# Get main repo root for CWD safety
+MAIN_ROOT=$(git -C "$(git rev-parse --git-common-dir)/.." rev-parse --show-toplevel)
+cd "$MAIN_ROOT"
+
+# Merge first — verify success before removing anything
+git checkout <base-branch>
+git pull
+git merge <feature-branch>
+
+# Verify tests on merged result
+<test command>
+```
+
+If tests fail on the merged result: stop, leave the worktree and branch in
+place, and investigate — nothing has been pushed, so the merge is local
+and recoverable.
+
+Once the merged result is green: clean up the worktree (Step 6), then
+delete the branch:
+
+```bash
+git branch -d <feature-branch>
+```
+
+### Option 2: Push and Create PR
+
+```bash
+git push -u origin <feature-branch>
+# From a detached HEAD, name the new branch on the remote:
+# git push origin HEAD:refs/heads/<new-branch>
+```
+
+Then create the pull/merge request against <base-branch> with the forge's
+tooling — its CLI if one is available, or the creation URL most forges
+print when you push — following the repo's PR template and conventions if
+present, and report the URL to your human partner.
+
+Keep the worktree — your human partner iterates on PR feedback there.
+
+### Option 3: Keep As-Is
+
+Report: "Keeping branch <name>. Worktree preserved at <path>."
+
+### If your human partner asks to discard the work
+
+This path exists only as a response to an explicit request to throw the
+work away. Confirm first:
+
+```
+This will permanently delete:
+- Branch <name>
+- All commits: <commit-list>
+- Worktree at <path>
+
+Type 'discard' to confirm.
+```
+
+Wait for that exact confirmation. When it arrives:
+
+```bash
+MAIN_ROOT=$(git -C "$(git rev-parse --git-common-dir)/.." rev-parse --show-toplevel)
+cd "$MAIN_ROOT"
+```
+
+Then clean up the worktree (Step 6) and force-delete the branch:
+
+```bash
+git branch -D <feature-branch>
+```
+
+## Step 6: Cleanup Workspace
+
+**Runs for Option 1 and confirmed discards.** Options 2 and 3 always
+preserve the worktree. Both callers have already changed directory to the
+main repo root — worktree removal must run from outside the worktree —
+and use the `GIT_DIR`/`GIT_COMMON`/`WORKTREE_PATH` values captured in
+Step 2, from before that directory change.
+
+**If `GIT_DIR == GIT_COMMON`:** Normal repo, no worktree to clean up. Done.
+
+**If `WORKTREE_PATH` is under `.worktrees/` or `worktrees/`:** Superpowers
+created this worktree — we own cleanup:
+
+```bash
+git worktree remove "$WORKTREE_PATH"
+git worktree prune  # Self-healing: clean up any stale registrations
+```
+
+**If removal is refused** (`contains modified or untracked files`): the
+worktree holds files that exist nowhere else — uncommitted plans, notes,
+or scratch work. Never `--force` on your own initiative. Show your human
+partner what is at stake and ask:
+
+```bash
+git -C "$WORKTREE_PATH" status --porcelain -uall
+```
+
+```
+Worktree removal refused — these files were never committed:
+
+<file list>
+
+1. Commit them to <branch> before cleanup
+2. Move them into <main repo root>
+3. Delete them (unrecoverable)
+
+Which?
+```
+
+Carry out the choice, then remove the worktree.
+
+**Otherwise:** The host environment owns this workspace — leave it in
+place. If your platform provides a workspace-exit tool, use it.
+
+## Quick Reference
+
+| Option | Merge | Push | Keep Worktree | Cleanup Branch |
+|--------|-------|------|---------------|----------------|
+| 1. Merge locally | yes | - | - | yes |
+| 2. Create PR | - | yes | yes | - |
+| 3. Keep as-is | - | - | yes | - |
+| Discard (explicit request only) | - | - | - | yes (force) |
+
+## Common Rationalizations
+
+| Excuse | Reality |
+|--------|---------|
+| "Tests passed earlier this session" | Run the suite on the tree you are about to integrate. A green run only proves the tree it ran on. |
+| "They obviously want it merged" | Integration is your human partner's decision. Present the menu and wait. |
+| "They seem done with this feature — I'll offer to discard it" | The menu is complete as written. Discard happens only when your human partner asks for it in so many words. |
+| "'Yeah, get rid of it' counts as confirmation" | Only the typed word `discard` authorizes deletion. |
+| "The PR is up, so the worktree is clutter now" | PR feedback gets fixed in that worktree. It stays until the work lands. |
+| "This other worktree looks stale — I'll clean it too" | Clean up only worktrees under `.worktrees/` or `worktrees/`. Everything else belongs to the host. |
+| "Removal refused — `--force` is just finishing the cleanup" | The refusal means files exist only in that worktree. `--force` destroys them permanently. Show your human partner and ask. |
+| "The merged-result failure is probably flaky" | A failing merged result stops everything. Branch and worktree stay put while you investigate. |
+| "The base branch is obviously main" | Confirm the fork point or ask. Merging into the wrong base is expensive to undo. |
+| "The push was rejected — force-push will fix it" | A rejected push means the remote moved. Investigate; force-push only on your human partner's explicit request. |

package/control-plane/scripts/skills/frontend-design/LICENSE.txt

@@ -0,0 +1,177 @@
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package/control-plane/scripts/skills/frontend-design/SKILL.md

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+---
+name: frontend-design
+description: Use when designing, building, or materially reshaping a web or application UI that needs visual direction, typography, layout, responsive behavior, interaction design, or implementation-level aesthetic decisions.
+license: Complete terms in LICENSE.txt
+---
+
+# Frontend Design
+
+Approach this as the design lead at a design studio known for giving every client a distinct visual identity that is not mistaken for anyone else's. This client has already rejected proposals that felt cliché or templated, and is paying for a distinctive point of view: make deliberate, opinionated choices about palette, typography, and layout that are specific to this brief, and take aesthetic risk if justified.
+
+## Ground your designs in the subject matter
+
+If the brief does not identify what the product or subject matter is, identify it yourself before designing, and confirm with the client. You can come up with one concrete subject, the design's audience, and the design's primary job, as a proposal. If there's any information in your memory about the client's preferences or context about what they're building, use that as a hint. The subject's industry, subject matter, materials, and vernacular are where distinctive visual choices come from — a design for a toy for girls aged 8–11 will be very aesthetically different from a dashboard for financial analysts. Build with the brief's real content and subject matter throughout.
+
+## Design principles
+
+For web designs, the hero is the first thing viewers will see. Open with the most characteristic thing in the subject's world, in the form that is most appropriate: a headline, an image, an animation, a live demo, an interactive moment, or other treatments. Be deliberate with your choice: a big number with a small label, supporting stats, and a gradient accent is the default treatment, so only use it if that's truly the best option.
+
+Typography carries the personality of the page. You don't need a different typeface for display or headline text and body content: use one family or two, and if two, make them clearly distinct.
+
+Choose your typefaces deliberately, not the default families you would reach for on any other project, and set a clear type scale following the default guidance of The Elements of Typographic Style with intentional weights, widths, and spacing. When type is used as a headline or visual element, use the type treatment itself as an active part of the design, not a neutral delivery vehicle for the content.
+
+Default to line lengths of less than 80 characters. Serif typefaces can have slightly longer line lengths; give serif body text slightly more line-height than a sans-serif.
+
+Avoid these default typographic treatments; they are the commonest tells of a generated page:
+- Accenting just a single word or phrase in a headline, like putting one word in italic/bold or a different color.
+- Using all caps for labels.
+- Adding unnecessary typographic labels above content.
+
+Visual structure is information. Structural devices like outlines, borders, numbering, eyebrows, dividers, labels, etc., encode useful information about the content rather than decorate it. Many generic designs use numbered markers (01 / 02 / 03), but that's only appropriate if the content actually is a sequence — like a stepped process or a timeline. Before adding numbered markers, check the content really is a sequence.
+
+Use non-user-triggered motion sparingly and deliberately, only to draw attention. A single orchestrated moment — one page-load sequence or one reveal — lands better than scattered effects; fade-and-slide-up entrances on each section and hover transitions on every card are the generic default and read as AI-generated. Motion that answers a person's action (opening, expanding, confirming) is welcome when it shows what changed.
+
+Consider written content carefully. Often a design brief may not contain real content, and it's up to you to come up with copy and placeholder content. Copy can make a design feel as templated as the design itself. See the below section on writing for more guidance.
+
+## Process: plan, review against the brief, build, critique
+
+For calibration, AI-generated design right now clusters around some traits:
+1. a warm cream background (near #F4F1EA) with a high-contrast serif display and a terracotta or warm-clay accent (often near #D97757 — Anthropic's own Claude-interaction accent, so on a user's brief it reads as a tell);
+2. a near-black background with a single bright acid-green or vermilion accent;
+3. a broadsheet-style layout with hairline rules, zero border-radius, and dense newspaper-like columns;
+4. the SaaS-card kit: content chopped into identical rounded cards, one border-radius on everything regardless of hierarchy, the same soft grey shadow (rgba(0,0,0,.1)) under each, and gradient washes as decoration;
+5. template chrome that appears whatever the subject: a tracked-out ALL-CAPS eyebrow label above every heading; meta strings joined with middle dots ('A · B · C'); labels built as 'WORD — fragment' with a spaced em dash; tinted near-black (#0B0B0B, #111) standing in for black; a monospace face for small data labels; a '→' appended to link and button text.
+
+All traits are legitimate for some briefs, but they are defaults rather than choices, and they appear regardless of subject. Where the brief pins down a visual direction, follow it exactly — the brief's own words always win, including when it asks for one of these looks. Where it leaves an axis free, don't spend that freedom on one of these defaults. As with a hired human designer, there's often a careful balance between doing what you're good at and taking each project as a chance to experiment and learn.
+
+Work in two passes. First, brainstorm a short design plan based on the client's design brief: create a compact token system with color, type, layout, and principles.
+- Color: describe the core base palette as 4–6 named hex values.
+- Type: the typefaces and their roles.
+- Layout: a layout concept, using one-sentence prose descriptions and ASCII wireframes to ideate and compare. Include alignment guidance; should the content be left aligned, center aligned, justified?
+- Principles: the high-level guidance for what makes this page unique.
+
+Then review that plan against the brief before building: if any part of it reads like the generic default you would produce for any similar page (work through a similar prompt to see if you arrive somewhere similar) rather than a choice made for this specific brief — revise that part, say what you changed and why. Only after you've confirmed the relative uniqueness of your design plan should you start to write the code, following the revised plan.
+
+When writing the code, be careful of structuring your CSS selector specificities. It's easy to generate CSS classes that cancel each other out (especially with a type-based selector like .section and an element-based selector like .cta). This can happen often with padding/margin between sections.
+
+## Restraint and self-critique
+
+Spend your boldness in one place. Let one element be the memorable thing, keep everything around it quiet and disciplined, and cut any decoration that does not serve the brief. Build to a quality floor without announcing it: responsive down to mobile, visible keyboard focus, reduced motion respected, visually accessible, harmonious color palettes. Critique your own work as you build, taking screenshots to review if your environment supports it — a picture is worth 1000 tokens. Consider Chanel's advice: before leaving the house, take a look in the mirror and remove one accessory. Human creatives have memory and always try to do something new, so if you have a space to quickly jot down notes about what you've tried, it can help you in future passes.
+
+## More on writing in design
+
+Words appear in a design for one reason: to make it easier to understand and use. They are design content, not decoration. Bring the same intentionality and minimalism to copywriting that you would bring to spacing and color. Before writing anything, ask what the design needs to say, and how it can best be said to help the person navigate the experience.
+
+Write from the end user's perspective. Name things by what users will understand in simple language, not by how the system is built. A user manages notifications, not webhook config. Describe what something is or does in plain terms rather than selling it. Being specific and legible to new users is always better than being clever.
+
+Use active voice as default. A CTA says exactly what happens when it is used: "Save changes," not "Submit." An action keeps the same name through the whole flow, so the button that says "Publish" produces a toast that says "Published." The vocabulary of an interface is the signposting for someone navigating the product. Cohesion and consistency are how people learn their way around.
+
+Treat failure and emptiness as moments for direction, not mood. Explain what went wrong and how to fix it, in the interface's voice rather than a person's. Errors don't apologize, and they are never vague about what happened. An empty screen is an invitation to act.
+
+Keep the tone conversational: plain verbs, sentence case, no filler, with tone matched to the brand and the audience. Let each written element do exactly one job.