@gitruck/cli 1.2.0 → 1.2.1

package/README.en.md

@@ -41,7 +41,7 @@
 | 🔎 | `gtrk matrix` | B-roll retrieval + **candidate track laying**: consumes the FILM_BROLL dispatch → produces a candidate list + downloads preview proxies and lays N candidate tracks (`--lay N`, default 1; open it in opencut and toggle track visibility to compare; `--lay 0` produces the list only); `matrix search "<query>"` is a one-off ad-hoc search; `matrix fetch <clip_id...>` pulls raw footage during the fine cut (free re-signing + download for already-granted materials, drag straight into Jianying); **local-footage mode**: `matrix index --dirs <folders>` builds a slice-free index → `--local --dirs` retrieves and lays tracks (**your footage never leaves your machine**) → `matrix lay` consumes the (editable) plan; `matrix describe` understands candidates on demand |
 | 🎨 | `gtrk mg` | MG motion-graphics particle laying: consumes the MG dispatch → lays html-particle assets (transparent overlay / full-screen bed, produced by your show's MG skill) into the `.gtrk` `beat_track`; `mg lint <particle.html>` runs the statically checkable subset of the house rules, `mg status --project <dir>` is an orchestration dashboard; `mg render <particle.html> --duration <sec>` renders a single particle in the cloud, independent of any project, into a Jianying-readable qtrle transparent MOV (the fine-cut supplement channel); aux overlay particles can be layered on the same span (one beat derives a main particle plus `-aux<n>`). The old name `gtrk rrv` remains as a deprecated alias; `gtrk mg fetch` pulls neutral block skeletons from the HyperFrames registry (offline snapshot candidates, three-source fetch with our mirror first, mechanical rewrite then lint) |
 | 🎙️ | `gtrk project init` | Audio-first project bootstrap: build a `.gtrk` project from a voice-over — main path `--tts-task <task_id>` references a completed TTS task (fetches the audio plus sentence timecodes directly, zero ASR); fallback path `--audio`+`--transcript` takes your own voice-over as a pair. Once landed, `gtrk split --project` continues the production pipeline as usual |
-| 🎼 | `gtrk audio lay` / `tighten` | Audio-track atoms: `lay` appends an audio track to a `.gtrk` project (BGM/score; idempotent same-source replacement, no track pile-up); `--beat-align` runs cloud beat analysis and snaps the in-point to the nearest downbeat (billed once; degrades gracefully without a key or on failure). `tighten` tightens the pauses between sentences in the voice-over (purely local, zero billing; only silence straddling a sentence boundary is compressed, within-sentence breaths untouched) |
+| 🎼 | `gtrk audio lay` / `tighten` | Audio-track atoms: `lay` appends an audio track to a `.gtrk` project (BGM/score; idempotent same-source replacement, no track pile-up); `--beat-align` runs cloud analysis and **pins the BGM’s emotional peak onto the cut’s climax**, tiling outward on bar lines and tiling **not at all** when both sides are already long enough (billed once; the climax comes from the `split.beats` criterion chain and can be overridden with `--climax <track-sec>`; `--no-loop` lays only the anchored span and leaves head/tail silence; without a key / on failure / when the track has no highlight it degrades to no anchoring and the command still succeeds). `tighten` tightens the pauses between sentences in the voice-over (purely local, zero billing; only silence straddling a sentence boundary is compressed, within-sentence breaths untouched) |
 | 🎯 | `gtrk audio align` | Audio-video alignment part (fully local, zero billing): cross-correlates an external audio recording (lav mic / recorder) against the video to measure offset + confidence; high confidence swaps the track directly (video stream untouched byte-for-byte), low confidence emits an alignment project for the client timeline, then `--resume` reads the confirmed offset back; `--offset` swaps at an explicit offset |
 | 🧰 | `gtrk tool <name>` | Single-shot tool family: image-to-camera-move, image/video matting, image black-border removal / aspect adaptation / cleanup / square conversion / LivePhoto, smart collage covers and vertical stitching (multi-image input), video black-border removal / aspect adaptation / stabilization / vaporwave filter / mechanical & semantic shot segmentation / motion highlights / AI subtitles, vocal-accompaniment separation / speaker diarization / pitch-and-tempo shift, piano-to-MIDI and piano restoration, audio denoising, silence removal, MAD, and more; `gtrk tool list` shows every input/output/live price/status. Single request, single result, shared runner — adding a tool means adding one descriptor |
 | 💬 | `gtrk feedback` | Tell us what feels wrong: `gtrk feedback "<one line>" --command <command>`. **Disclosed submission** — when an assistant files it for you it must first read the exact content back to you and only add `--disclosed` once you agree; in a pipe or any non-interactive environment, sending without that declaration is refused outright. Content is redacted before it leaves your machine (local paths, credentials, e-mail addresses, phone numbers and the like are replaced by shape), so what you are shown is exactly what gets sent |
@@ -555,6 +555,7 @@ gtrk matrix --local --dirs <folder-or-file,...> --project <dir>  # ② local ret
 gtrk matrix lay --project <dir> [--plan <path>]                # ③ consume the (edited) plan and lay tracks, zero retrieval cost
 ```
 
+- **Repeat the flag when a path contains an ASCII comma**: `--dirs` / `--materials` split on ASCII commas by default; when a path carries one, repeat the flag instead (`--dirs "A" --dirs "B"` — it **accumulates**, it does not overwrite). A whole string that exists on disk is never split, and the full-width comma "，" never participates in splitting. **When enumeration reports `0/0`, check this first**, then check the folder for broken symlinks.
 - **Your footage never leaves your machine**: only 512px sampled frames are sent to Gitruck Cloud's own embed endpoint for vectorization, discarded on arrival; results reference your local originals by absolute path (no downloads, no proxies). Indexing is metered by frames actually sampled (pre-held before the run, settled to actual usage afterwards); text-side retrieval costs zero credits.
 - **Images are first-class**: images are indexed, retrievable and layable; when selected, an image goes through cloud `image_move` and lands as a 5-second camera-move video — **the image itself does go to the cloud** (2 credits per image, summarized for confirmation before laying; same image + same params is reused forever, never re-billed). Zero images to the cloud → `--no-image-broll`.
 - **No material reuse**: within one laying round each material unit is used once globally (local video per scene, images per file); when candidates run dry, slots stay empty rather than repeat; `--dedup-scope material` tightens to file level.
@@ -624,11 +625,16 @@ Project entry points that start from **a voice-over** instead of a talking-head
 | `gtrk project init --tts-task <task_id>` | **Main path**: references a completed `audio_tts_clone` task — the server hands over the audio and sentence timecodes directly (zero ASR, zero extra billing); the audio download lands in the project's `audio/` |
 | `gtrk project init --audio <voice-over> --transcript <transcript.json>` | **Fallback path**: your own voice-over audio plus its sentence-timecoded transcript as a pair (produced by `gtrk transcript <voice-over> --json`; for TTS-synthesized voice-overs take the main path instead of re-running ASR) |
 | `gtrk audio lay --project <dir> --file <bgm.mp3>` | Appends an audio track to the project; **idempotent same-source replacement** (re-running with the same source replaces instead of piling up tracks; zero-reference protection when stripping the old one); `--volume <0..1>` (default 0.1, bed volume — the contract carries linear gain only, never dB; the client's volume panel shows -20.0, the same scale on both sides), `--offset <ms>` sets the in-point |
-| `gtrk audio lay … --beat-align` | Cloud beat analysis (`audio_music_analyze`, billed once) snaps the in-point to the nearest downbeat; without a key / on analysis failure / out of range it degrades to no alignment — the command never fails over it |
+| `gtrk audio lay … --beat-align` | **Climax anchoring** (`audio_music_analyze`, billed once): pins the BGM’s emotional peak `H` (the server’s `highlight.time`) onto the cut’s climax `A`; the mapping is always `track_sec = A + (bgm_sec − H)`. **Both sides long enough ⇒ zero tiling** (exactly one clip); only a short side is tiled outward, with seams snapped to downbeats (the two hard track boundaries are cut without snapping). `A` comes from the criterion chain over `struct_meta.split.beats`: elevation → container flip → callback closure → `0.75×total` fallback, and **the CLI reports which rung was used — the fallback is explicitly flagged as a guess**. Without a key / on analysis failure / when the track has no highlight it degrades to no anchoring and the command never fails over it |
+| `gtrk audio lay … --beat-align --climax <track-sec>` | Climax **escape hatch**: always overrides the chain above. Out of range (≤ `--offset` or ≥ the project end) or non-numeric **errors out immediately** rather than falling back silently — an explicitly wrong value should be visible at once. Must be used together with `--beat-align` |
+| `gtrk audio lay … --no-loop` | No tiling: with `--beat-align` it lays only the anchored span and leaves head/tail silence (**the silent seconds are reported**); without `--beat-align` it keeps a single pass instead of looping to fill the project |
 | `gtrk audio tighten --project <dir>` | Tightens the pauses **between sentences** in the voice-over track (**purely local, zero billing**): only silence that straddles a sentence boundary is compressed — **within-sentence breaths and quoted original-audio spans are left alone** — and the output honestly reports how many within-sentence breaths were skipped. `--keep <sec>` silence to keep after tightening, `--min-silence <sec>` leave anything shorter untouched, `--boundary-tol <sec>` tolerance for "sits on a sentence boundary", `--dry-run` report how many spots and how many seconds would be compressed without writing. For the three defaults see `gtrk audio tighten --help` (measured, accepted values — tune them for another subject or voice) |
 
 `project init` also takes `--canvas <WxH>` (default 1080x1920), `-o/--out`, `--reupload`, `--no-open` and `--json` with the same semantics as `oralcut`; with `--json` both commands emit a single-line result JSON on stdout (human logs go to stderr).
 
+> ⚠️ **`--beat-align` was redesigned wholesale on 2026-09-02** (change `redesign-beat-align-climax-anchor`). The old implementation pushed the whole BGM back by `firstDownbeat` seconds — it analysed the **BGM’s own timeline**, which has no consumer on the project timeline at all, so the net effect was **paying for one cloud analysis in exchange for an equally long silence at the head of the cut**.
+> ⇒ **Artifacts produced with `--beat-align` are no longer byte-reproducible**; the default path without that flag is **byte-for-byte unchanged**.
+
 > **Run `tighten` before laying tracks**: it changes the voice-over track's length, and `gtrk split` / `gtrk matrix` reproject beat timecodes against the project as it stands — tighten first and you save a round of rework. To get it right at synthesis time instead, in-house voices accept `--fragment-interval` during TTS (see `audio_tts_clone` below); cloud voices do not support that parameter, which is when you tighten after synthesis instead.
 
 ### `gtrk tool <name> [inputs...]` — the single-shot tool family
@@ -643,13 +649,13 @@ Standalone single-request capabilities, kept separate from the pipeline's lane c
 | `image_matting` | One image | Transparent-background png (`--param` can request a backing plate) | Queried live before the run | Live |
 | `image_blackborder_remove` | One local image | Image with black borders removed | Queried live before the run | Live |
 | `image_canvas_adapt` | One local image; optional target width/height and `normal` / `rectangle` / `square` | Aspect-adapted image | Queried live before the run | Live |
-| `image_purify` | One local image (only material you have the rights to process) | Image cleaned of watermarks, logos or overlays | Queried live before the run | Live |
+| `image_purify` | One local image; optional `full_screen` / `region` and region boxes (only material you have the rights to process) | Image cleaned of watermarks, logos or overlays | Queried live before the run | Live |
 | `video_matting` | One video (**≤ 10 minutes**, uploaded as-is with no proxy) | Transparent-background webm | Queried live before the run | Live |
 | `video_blackborder_remove` | One local video | Video with black borders removed | Queried live before the run | Live |
 | `video_canvas_adapt` | One local video; optional target width/height, clip range, canvas mode and audio-free output | Aspect-adapted video | Queried live before the run | Live |
 | `video_stabilizer` | One local video; optional `fast` / `exp` / `turbo` | Stabilized video | Queried live before the run | Live |
 | `video_vaporwave` | One local video; the filter takes an exact preset name | Vaporwave-filtered video | Queried live before the run | Live |
-| `video_purify` | One local video; optional `full_screen` / `subtitle` / `custom`, `ffmpeg` / `raft` and a normalized ROI (only material you have the rights to modify) | One cleaned video | Queried live before the run | Live |
+| `video_purify` | One local video; optional `full_screen` / `subtitle` / `custom` / `region`, `ffmpeg` / `raft`, a normalized ROI and region boxes with optional time ranges (only material you have the rights to modify) | One cleaned video | Queried live before the run | Live |
 | `video_upscale` | One local video (**≤ 1 minute**); optional `2` / `3` / `4`× and `Reality` / `Anime` | One upscaled video | Queried live before the run | Live |
 | `video_interpolate` | One local video; optional `2` / `3` / `4`×, with no extra one-minute limit | One frame-interpolated video | Queried live before the run | Live |
 | `video_segment` | One local video; optional `--detector content\|adaptive`, `--threshold` | Shot-range structure in `result-output.json` (structured data, not a downloadable file) | Queried live before the run | Live |
@@ -686,11 +692,13 @@ The seven shared video tools — black-border removal, aspect adaptation, stabil
 - `gtrk tool image_blackborder_remove ./photo.jpg [--json]` — automatically crops black borders from one image.
 - `gtrk tool image_canvas_adapt ./photo.jpg --canvas-width 1080 --canvas-height 1920 --canvas-type rectangle [--json]` — image aspect conversion; omitting the canvas parameters uses the server defaults. Per the actual runtime contract the canvas mode accepts only `normal`, `rectangle` and `square`, not the `fit` from older docs.
 - `gtrk tool image_purify ./photo.jpg [--json]` — clean watermarks, logos or overlays from an image you have the rights to process.
+- `gtrk tool image_purify ./photo.jpg --purify-scope region --purify-region 0.02,0.02,0.15,0.08 [--json]` — remove a box directly: no recognition, **everything inside the box is processed**; smaller boxes that fit the element tightly give better results.
 - `gtrk tool video_blackborder_remove ./clip.mp4 [--json]` — automatically crops black borders from one video while keeping the original audio.
 - `gtrk tool video_canvas_adapt ./clip.mp4 --canvas-width 1080 --canvas-height 1920 --canvas-type rectangle --clip-start 12 --clip-end 60 --without-audio [--json]` — video aspect conversion; `--clip-start/--clip-end` are start/end frame numbers, omitted fields use the server defaults, and the canvas mode accepts only `normal`, `rectangle`, `square`.
 - `gtrk tool video_stabilizer ./clip.mp4 --stabilizer-method turbo [--json]` — video stabilization; supports `fast`, `exp` and `turbo`, where `exp` is experimental and you should check the result yourself.
 - `gtrk tool video_vaporwave ./clip.mp4 --vaporwave-filter "灼熱苦夏" [--json]` — add a vaporwave filter using an exact preset name; omitting it explicitly uses `愈漸升溫`.
 - `gtrk tool video_purify ./clip.mp4 --purify-scope custom --purify-method ffmpeg --purify-roi 0,0.78,1,0.2 [--json]` — clean a video you have the rights to modify; the ROI is a normalized `x,y,w,h` and is only used together with `custom`. `raft` supports videos under 20 minutes, `ffmpeg` has no such limit; restoring occluded content is not promised.
+- `gtrk tool video_purify ./clip.mp4 --purify-scope region --purify-region 0.8,0.02,0.18,0.08,0,5 --purify-region 0.3,0.85,0.4,0.1,120 [--json]` — remove boxes directly; repeat the option for more boxes (up to 16), each optionally followed by `start,end` in seconds (omit `end` to run to the end). No recognition — **everything inside the box is processed, including the main subject**; `ffmpeg` blurs the box while `raft` repaints it, and tighter boxes give better results. `--purify-region` only works with `region`.
 - `gtrk tool video_upscale ./clip.mp4 --upscale-times 3 --upscale-type Anime [--json]` — experimental video upscaling; input up to 60 seconds, neither side may exceed 4000 px after scaling, supports `2`, `3`, `4`× and `Reality`, `Anime`.
 - `gtrk tool video_interpolate ./clip.mp4 --interpolate-multiplier 3 [--json]` — frame interpolation; supports `2`, `3`, `4`×, does not apply the one-minute limit from older docs, and neither side of the source may exceed 4000 px.
 - `gtrk tool video_segment ./clip.mp4 [--detector adaptive] [--threshold 27] [--json]` — mechanical shot segmentation; produces **structured** `result-output.json` (`scene_list` with each range's start/end/duration), not a downloadable file.

package/README.md

@@ -41,7 +41,7 @@
 | 🔎 | `gtrk matrix` | B-roll 检索+**候选铺轨**：消费 FILM_BROLL 派单 → 产候选清单 + 下载 preview 代理铺 N 条候选轨（`--lay N` 默认 1，opencut 打开即可用轨道小眼睛对比；`--lay 0` 只出清单）；`matrix search "<词>"` 单条 ad-hoc；`matrix fetch <clip_id...>` 精剪期拉原片（已授予素材免费重签+下载落盘，直接拖进剪映）；**本地素材模式**：`matrix index --dirs <素材夹>` 免切片建索引 → `--local --dirs` 检索铺轨（**素材本体不上云**）→ `matrix lay` 消费（可编辑的）plan；`matrix describe` 按需理解候选 |
 | 🎨 | `gtrk mg` | MG 动态图颗粒铺轨：消费 MG 派单 → 把 html-particle 颗粒（透明叠加 / 满屏底层，由你栏目的 MG 生产 skill 所产）铺进 `.gtrk` 的 beat_track；`mg lint <颗粒.html>` 铁律静态子集校验、`mg status --project <dir>` 编排看板（缺 HTML / 已产未铺 / 已铺）；`mg render <颗粒.html> --duration <sec>` 脱离工程独立云渲单颗颗粒为剪映可读 qtrle 透明 MOV（精剪补给口）；aux 叠层颗粒同段多铺（一 beat 派生主 + `-aux<n>`）。旧名 `gtrk rrv` 保留为弃用别名；`gtrk mg fetch` 从 Hyperframes registry 取中性块骨架（快照随包离线候选、三源取块我方镜像优先、机械改写后过 lint） |
 | 🎙️ | `gtrk project init` | 音频驱动工程起盘：从一条配音建 `.gtrk` 工程——主路 `--tts-task <task_id>` 引用已完成的 TTS 配音任务（直取产物音频+句级时码，零 ASR）；兜底 `--audio`+`--transcript` 自备配音成对给。落好即可 `gtrk split --project` 接成片流水线 |
-| 🎼 | `gtrk audio lay` / `tighten` | 音频轨零件：`lay` 往 `.gtrk` 工程追加一条音频轨（BGM/配乐上轨，同源幂等替换不堆轨）；`--beat-align` 云端节拍分析把入点吸附最近 downbeat（计费一次，无 Key/失败自动降级不失败）。`tighten` 收紧配音的句间停顿（纯本地零计费，只压跨句界的静音、句内换气不动） |
+| 🎼 | `gtrk audio lay` / `tighten` | 音频轨零件：`lay` 往 `.gtrk` 工程追加一条音频轨（BGM/配乐上轨，同源幂等替换不堆轨）；`--beat-align` 云端分析把 **BGM 的情绪峰值压到成片的高潮点上**，锚点前后按小节线平铺补齐、两侧都够长时零平铺（计费一次；高潮点取自 `split.beats` 的判据链，可用 `--climax <轨秒>` 覆盖；`--no-loop` 只放锚点那一段、头尾留白；无 Key / 失败 / 曲子缺高潮点自动降级为不锚定，命令不失败）。`tighten` 收紧配音的句间停顿（纯本地零计费，只压跨句界的静音、句内换气不动） |
 | 🎯 | `gtrk audio align` | 音画对轨零件（纯本地零计费）：外录音轨（领夹麦/录音笔）与视频互相关测偏移+置信度；高置信直接换轨（视频流零像素改动），低置信产对齐工程交客户端拖齐后 `--resume` 读回；`--offset` 显式偏移直换 |
 | 🧰 | `gtrk tool <name>` | 单点工具族：图转运镜、图片/视频抠像、图片去黑边/比例转换/净化/转方图/LivePhoto、智能拼图封面/拼长图（多图输入）、视频去黑边/比例转换/防抖/蒸汽波滤镜/机械·智能分镜/运镜高光/智能字幕、人声伴奏分离/说话人分轨/变调变速、钢琴转MIDI/修复、音视频降噪、静音移除、MAD 等；`gtrk tool list` 查全部输入/产物/实时价格/状态。单发单收、共享 runner，接新工具只加一个 descriptor |
 | 💬 | `gtrk feedback` | 把用得不顺手的地方反馈给我们：`gtrk feedback "<一句话>" --command <命令名>`。**告知式提交**——助手代提时必须先把要发的内容原样念给你、得到同意后才加 `--disclosed` 重跑；管道/非交互环境下没有这句声明会直接拒发。发送前内容会先做一遍脱敏（本机路径、凭据、邮箱、手机号等按形态替换），你看到的就是将要发出的那一份 |
@@ -571,6 +571,7 @@ gtrk matrix --local --dirs <素材夹或素材文件,...> --project <目录>  #
 gtrk matrix lay --project <目录> [--plan <path>]               # ③ 消费（可编辑后的）plan 铺轨，零检索开销
 ```
 
+- **路径里有英文半角逗号就重复传**：`--dirs` / `--materials` 缺省按半角逗号分隔；路径自带逗号时改成重复传（`--dirs "A" --dirs "B"`，**累加不覆盖**）。整串在盘上存在时会自动不拆，中文全角「，」从不参与拆分。**枚举报 `0/0` 时先看这一条**，其次看素材夹里有没有断链（失效的软链接）。
 - **素材本体永不上云**：只把 512px 抽帧图送同合云自建 embed 端点向量化、即传即弃；产物以绝对路径直引本地原文件（免下载免代理）。索引按实际抽帧张数会话计量（跑前预扣、跑完多退少不补），文本检索零积分。
 - **图片一视同仁**：图片可检索可铺轨；被选中时经云端 `image_move` 转 5 秒运镜视频入轨——**图片本体会上云**（2 积分/张，铺轨前汇总确认；同图同参恒复用不重复扣费）。零图片上云 → `--no-image-broll`。
 - **同素材不二用**：单轮铺轨一个素材单元全局只用一次（本地视频按场景、图片按文件），候选枯竭宁空不重复；`--dedup-scope material` 收严到文件级。
@@ -640,11 +641,16 @@ gtrk matrix lay --project <目录> [--plan <path>]               # ③ 消费（
 | `gtrk project init --tts-task <task_id>` | **主路**：引用一个已完成的 `audio_tts_clone` 配音任务——服务端直取产物音频与句级时码（零 ASR、零额外计费），音频下载落工程 `audio/` |
 | `gtrk project init --audio <配音> --transcript <transcript.json>` | **兜底路**：自备配音音频 + 句级时码稿成对给（时码稿由 `gtrk transcript <配音音频> --json` 产出；TTS 合成的配音请走主路，别重跑 ASR） |
 | `gtrk audio lay --project <目录> --file <bgm.mp3>` | 往工程追加一条音频轨；**同源幂等替换**（同一来源重跑替换不堆轨、零引用保护剥旧）；`--volume <0..1>`（默认 0.1 垫底音量——契约 volume 只写线性增益、不写 dB；客户端音量面板显示 -20.0，两侧同一标尺）、`--offset <ms>` 定入点 |
-| `gtrk audio lay … --beat-align` | 云端节拍分析（`audio_music_analyze`，计费一次）把入点吸附最近 downbeat；无 Key / 分析失败 / 出界一律自动降级为不对齐，命令不失败 |
+| `gtrk audio lay … --beat-align` | **高潮点锚定**（`audio_music_analyze`，计费一次）：把 BGM 的情绪峰值 `H`（服务端 `highlight.time`）压到成片高潮点 `A` 上，映射恒为 `轨秒 = A + (BGM 秒 − H)`；**两侧都够长就零平铺**（恰好 1 个 clip），不够长才按小节线平铺补齐、接缝吸附 downbeat（轨的两个硬边界处的截断不吸附）。`A` 取自 `struct_meta.split.beats` 的判据链：升华段 → 容器转折 → 回扣段 → `0.75×全片`兜底，**命中哪一档 CLI 如实报出，兜底档会明示是猜的**。无 Key / 分析失败 / 曲子缺高潮点一律降级为不锚定，命令不失败 |
+| `gtrk audio lay … --beat-align --climax <轨秒>` | 高潮点**逃生门**：一律覆盖上面那条判据链。越界（≤ `--offset` 或 ≥ 工程末尾）或非数**直接报错**，不静默回落 —— 显式给错了值要当场知道。须与 `--beat-align` 同用 |
+| `gtrk audio lay … --no-loop` | 不平铺补齐：开了 `--beat-align` 时只放锚点那一段、头尾留白（**留白秒数如实报出**）；未开 `--beat-align` 时保留单次、不循环叠满至工程末尾 |
 | `gtrk audio tighten --project <目录>` | 收紧配音轨的**句间**停顿（**纯本地、零计费**）：只压跨句界的静音，**句内换气与原声引用段不动**，出参如实报「跳过句内换气 N 处」。`--keep <秒>` 收紧后保留的静音、`--min-silence <秒>` 短于此不动、`--boundary-tol <秒>` 判「贴着句界」的容差、`--dry-run` 只报会压几处共几秒、不写盘。三个缺省值见 `gtrk audio tighten --help`（实测认可值，换题材/音色可调） |
 
 `project init` 另有 `--canvas <WxH>`（默认 1080x1920）、`-o/--out`、`--reupload`、`--no-open`、`--json`，语义与 `oralcut` 一致；两命令 `--json` 恒出单行结果 JSON（人读日志走 stderr）。
 
+> ⚠️ **`--beat-align` 的语义在 2026-09-02 整套换过**（change `redesign-beat-align-climax-anchor`，主理人拍板）。旧实现是「把整条 BGM 后推 `firstDownbeat` 秒」—— 分析的是 **BGM 自己的时间轴**，工程时间轴里根本没有它的消费方，净效果只是**付一次云端分析的钱换来片头一段等长静音**。
+> ⇒ **开过 `--beat-align` 的旧产物不再逐字节可复现**；没开这个 flag 的缺省路径产物**字节零变化**。
+
 > **`tighten` 该在铺轨之前跑**：它会改配音轨时长，`gtrk split` / `gtrk matrix` 的 beat 时码按当刻工程重投影——先收紧再铺轨，省一次返工。想要合成时就对，自训音色可在 TTS 阶段直接传 `--fragment-interval`（见下节 `audio_tts_clone`）；云引擎音色不支持该参数，才用本命令在合成之后收。
 
 ### `gtrk tool <name> [输入...]` — 单点工具族
@@ -659,13 +665,13 @@ gtrk matrix lay --project <目录> [--plan <path>]               # ③ 消费（
 | `image_matting` | 单张图片 | 透明背景 png（可 `--param` 请求背景底板） | 运行前实时查询 | 已上线 |
 | `image_blackborder_remove` | 单张本地图片 | 去黑边图片 | 运行前实时查询 | 已上线 |
 | `image_canvas_adapt` | 单张本地图片；可选目标宽高与 `normal` / `rectangle` / `square` | 比例适配图片 | 运行前实时查询 | 已上线 |
-| `image_purify` | 单张本地图片（仅处理你有权处理的素材） | 清理水印、Logo 或叠加元素后的净化图片 | 运行前实时查询 | 已上线 |
+| `image_purify` | 单张本地图片；可选 `full_screen` / `region` 与区域框（仅处理你有权处理的素材） | 清理水印、Logo 或叠加元素后的净化图片 | 运行前实时查询 | 已上线 |
 | `video_matting` | 单条视频（**≤10 分钟**，原片直传不压代理） | 透明背景 webm | 运行前实时查询 | 已上线 |
 | `video_blackborder_remove` | 单条本地视频 | 去黑边视频 | 运行前实时查询 | 已上线 |
 | `video_canvas_adapt` | 单条本地视频；可选目标宽高、片段、画布模式和无音轨输出 | 比例适配视频 | 运行前实时查询 | 已上线 |
 | `video_stabilizer` | 单条本地视频；可选 `fast` / `exp` / `turbo` | 防抖视频 | 运行前实时查询 | 已上线 |
 | `video_vaporwave` | 单条本地视频；滤镜使用精确预设名称 | 蒸汽波滤镜视频 | 运行前实时查询 | 已上线 |
-| `video_purify` | 单条本地视频；可选 `full_screen` / `subtitle` / `custom`、`ffmpeg` / `raft` 与归一化 ROI（仅处理有权修改的素材） | 一条净化视频 | 运行前实时查询 | 已上线 |
+| `video_purify` | 单条本地视频；可选 `full_screen` / `subtitle` / `custom` / `region`、`ffmpeg` / `raft`、归一化 ROI 与可带时间段的区域框（仅处理有权修改的素材） | 一条净化视频 | 运行前实时查询 | 已上线 |
 | `video_upscale` | 单条本地视频（**≤1 分钟**）；可选 `2` / `3` / `4` 倍与 `Reality` / `Anime` | 一条超分视频 | 运行前实时查询 | 已上线 |
 | `video_interpolate` | 单条本地视频；可选 `2` / `3` / `4` 倍，不附加 1 分钟限制 | 一条插帧视频 | 运行前实时查询 | 已上线 |
 | `video_segment` | 单条本地视频；可选 `--detector content\|adaptive`、`--threshold` | 分镜区间结构 `result-output.json`（结构化数据，非下载文件） | 运行前实时查询 | 已上线 |
@@ -702,11 +708,13 @@ gtrk matrix lay --project <目录> [--plan <path>]               # ③ 消费（
 - `gtrk tool image_blackborder_remove ./photo.jpg [--json]` — 自动裁去单张图片四周黑边。
 - `gtrk tool image_canvas_adapt ./photo.jpg --canvas-width 1080 --canvas-height 1920 --canvas-type rectangle [--json]` — 图片比例转换；省略画布参数时沿用服务端默认。画布模式按实际运行时契约只接受 `normal`、`rectangle`、`square`，不接受旧文档中的 `fit`。
 - `gtrk tool image_purify ./photo.jpg [--json]` — 清理你有权处理的图片中的水印、Logo 或叠加元素。
+- `gtrk tool image_purify ./photo.jpg --purify-scope region --purify-region 0.02,0.02,0.15,0.08 [--json]` — 按框直接去除：不做识别，**框内全部内容都会被处理**；框越小、越贴近要去除的元素效果越好。
 - `gtrk tool video_blackborder_remove ./clip.mp4 [--json]` — 自动裁去单条视频四周黑边并保留原音轨。
 - `gtrk tool video_canvas_adapt ./clip.mp4 --canvas-width 1080 --canvas-height 1920 --canvas-type rectangle --clip-start 12 --clip-end 60 --without-audio [--json]` — 视频比例转换；`--clip-start/--clip-end` 是起止帧序号，省略字段时沿用服务端默认，画布模式只接受 `normal`、`rectangle`、`square`。
 - `gtrk tool video_stabilizer ./clip.mp4 --stabilizer-method turbo [--json]` — 视频防抖；支持 `fast`、`exp`、`turbo`，其中 `exp` 为实验方式，产物观感需自行检查。
 - `gtrk tool video_vaporwave ./clip.mp4 --vaporwave-filter "灼熱苦夏" [--json]` — 使用精确预设名称添加蒸汽波滤镜；省略时显式使用 `愈漸升溫`。
 - `gtrk tool video_purify ./clip.mp4 --purify-scope custom --purify-method ffmpeg --purify-roi 0,0.78,1,0.2 [--json]` — 净化用户有权修改的视频；ROI 为归一化 `x,y,w,h` 且只和 `custom` 同用。`raft` 仅支持 20 分钟以内视频，`ffmpeg` 不套用该限制；不承诺还原被遮挡内容。
+- `gtrk tool video_purify ./clip.mp4 --purify-scope region --purify-region 0.8,0.02,0.18,0.08,0,5 --purify-region 0.3,0.85,0.4,0.1,120 [--json]` — 按框直接去除，可重复给多个框（最多 16 个）；框后可带 `start,end`（秒，`end` 省略即到结尾）。不做识别，**框内全部内容都会被处理（包括画面主体）**；`ffmpeg` 在框内做模糊、`raft` 做修复补全，框越小、越贴边效果越好。`--purify-region` 只能和 `region` 同用。
 - `gtrk tool video_upscale ./clip.mp4 --upscale-times 3 --upscale-type Anime [--json]` — 实验性视频超分；输入最多 60 秒，放大后任一边不得超过 4000 px，支持 `2`、`3`、`4` 倍和 `Reality`、`Anime`。
 - `gtrk tool video_interpolate ./clip.mp4 --interpolate-multiplier 3 [--json]` — 视频插帧；支持 `2`、`3`、`4` 倍，不套用旧文档中的 1 分钟限制，原视频任一边不得超过 4000 px。
 - `gtrk tool video_segment ./clip.mp4 [--detector adaptive] [--threshold 27] [--json]` — 机械分镜；产**结构化** `result-output.json`（`scene_list` 各段起止/时长），非下载文件。