@clipkit/sfx 1.0.0

package/LICENSE

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package/README.md

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+# @clipkit/sfx
+
+> Procedural sound-effects synthesis engine — pure DSP, no dependencies, emits 16-bit stereo PCM audio.
+
+```bash
+npm install @clipkit/sfx
+```
+
+A lightweight procedural synth library for UI, game, and motion sound design. Generate 11 core SFX types (whoosh, impact, riser, pop, glitch, etc.) as raw stereo PCM, or render from a curated named catalog. Each synth layers filtered noise, pitched sweeps, and reverb tails—all deterministic and tunable in pitch and stereo. Route through a pro finishing chain (transient shape, air EQ, saturation, parallel compression, stereo width) and export as WAV.
+
+Built for @clipkit/score (sound design) and the editor's audio browser. Pure algorithm—no recordings, no impulse responses—so catalog entries are license-clean and infinitely reproducible.
+
+## Usage
+
+```typescript
+import { whoosh, riser, finish, encodeWav, renderSfx } from '@clipkit/sfx';
+
+// Generate raw synth
+const sfx = whoosh({ duration: 0.5, tune: 220, gain: 0.3 });
+
+// Polish through finishing chain
+const finished = finish(sfx);
+
+// Or render by catalog name (finishes by default)
+const impact = renderSfx('impact', { tune: 440 });
+
+// Export as 16-bit WAV bytes
+const wav = encodeWav(finished);
+```
+
+## API
+
+**Synth primitives** (all return `Sfx` — stereo PCM with sample rate):
+- `whoosh(opts)` — swish + vwoom sweep, tunable pitch, air
+- `impact(opts)` — thud + sub drop + click transient
+- `riser(opts)` — uplifter with rising tone + swell
+- `pop(opts)` — bright snap, scale-in blip + click
+- `tick(opts)` — tiny UI tap, high blip
+- `glitch(opts)` — bitcrushed stutter, sample-held tone+noise
+- `shimmer(opts)` — sparkle, stacked partials + tremolo
+- `braam(opts)` — cinematic dread hit, detuned brass cluster
+- `downlifter(opts)` — downer, tone pitching down
+- `sweep(opts)` — resonant filter sweep across stereo field
+- `subDrop(opts)` — low whump, sine drop
+- `glueBus(L, R, opts)` — shared reverb + saturation for cohesion
+
+**Finishing chain:**
+- `finish(audio, opts)` — transient shape, air EQ, saturation, compression, width, ceiling
+
+**Catalog (16 named entries):**
+- `renderSfx(name, opts)` — render by name (whoosh, impact, braam, pop, tick, glitch, shimmer, riser, downlifter, sweep, boom, ding-correct, buzzer-wrong, notification, power-up, coin)
+- `listSfx()` — all catalog entries
+- `sfxCategories()` — distinct categories
+
+**Export:**
+- `encodeWav(audio)` → `Uint8Array` (16-bit PCM WAV, ready to serve/save)
+
+## License
+
+Apache-2.0 · part of [ClipKit](https://clipkit.dev) · [source](https://github.com/clipkit-video/clipkit)

package/dist/catalog.d.ts

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+import { type Sfx } from './sfx.js';
+import { type FinishOptions } from './finish.js';
+export interface SfxEntry {
+    /** Unique id, e.g. "whoosh", "buzzer-wrong". */
+    name: string;
+    /** Display label. */
+    label: string;
+    /** transition · impact · riser · ui · feedback · game · magic · tech */
+    category: string;
+    tags: string[];
+    /** Synth recipe — every catalog entry is generated. */
+    make: (opts?: {
+        tune?: number;
+        seed?: number;
+    }) => Sfx;
+}
+export declare const SFX_CATALOG: SfxEntry[];
+/** The full catalog (for an editor audio tab to browse). */
+export declare function listSfx(): SfxEntry[];
+/** Distinct categories in the catalog. */
+export declare function sfxCategories(): string[];
+export interface RenderSfxOptions {
+    tune?: number;
+    seed?: number;
+    finish?: boolean | FinishOptions;
+}
+/** Render a named SFX → stereo PCM, finished by default. Null for unknown names. */
+export declare function renderSfx(name: string, opts?: RenderSfxOptions): Sfx | null;
+//# sourceMappingURL=catalog.d.ts.map

package/dist/catalog.d.ts.map

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package/dist/catalog.js

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+// The named SFX catalog — a browsable registry of popular sounds, all SYNTH:
+// generated by the engine, license-clean, deterministic, tunable. The editor's
+// audio tab lists these; renderSfx() previews.
+//
+// Scope is deliberately what synthesis nails — designed/abstract/tonal sounds
+// (whoosh, impact, riser, UI, game, glitch, feedback). Organic human/crowd
+// sounds (gasp, applause, cheering) want recordings, not synthesis, so they're
+// intentionally out of this catalog rather than faked.
+import { whoosh, impact, riser, downlifter, subDrop, pop, tick, sweep, glitch, shimmer, braam, } from './sfx.js';
+import { finish } from './finish.js';
+const SR = 44100;
+function notesToSfx(notes, totalDur) {
+    const N = Math.floor(totalDur * SR), buf = new Float32Array(N);
+    for (const nt of notes) {
+        const start = Math.floor(nt.t * SR), len = Math.floor(nt.d * SR), w = nt.wave ?? 'sine';
+        let ph = 0;
+        for (let i = 0; i < len; i++) {
+            const tt = i / SR;
+            ph += (2 * Math.PI * nt.f) / SR;
+            let v;
+            if (w === 'square')
+                v = Math.sin(ph) >= 0 ? 0.7 : -0.7;
+            else if (w === 'saw') {
+                let s = 0;
+                const K = Math.min(12, Math.floor(SR / 2 / nt.f));
+                for (let k = 1; k <= K; k++)
+                    s += Math.sin(k * ph) / k;
+                v = s * 0.5;
+            }
+            else
+                v = Math.sin(ph);
+            const env = Math.exp(-tt / (nt.d * 0.4)) * Math.min(1, tt / 0.005);
+            const idx = start + i;
+            if (idx < N)
+                buf[idx] += v * env * (nt.gain ?? 0.3);
+        }
+    }
+    return { left: buf, right: Float32Array.from(buf), sampleRate: SR };
+}
+const sc = (o) => (o?.tune ?? 220) / 220; // scale to key
+const dingCorrect = (o) => { const t = sc(o); return notesToSfx([{ f: 880 * t, t: 0, d: 0.5 }, { f: 1320 * t, t: 0.08, d: 0.6 }], 0.7); };
+const buzzerWrong = (o) => { const t = sc(o); return notesToSfx([{ f: 150 * t, t: 0, d: 0.18, wave: 'square', gain: 0.32 }, { f: 145 * t, t: 0.22, d: 0.24, wave: 'square', gain: 0.32 }], 0.5); };
+const notification = (o) => { const t = sc(o); return notesToSfx([{ f: 1318 * t, t: 0, d: 0.22, gain: 0.28 }, { f: 1760 * t, t: 0.11, d: 0.4, gain: 0.28 }], 0.5); };
+const powerUp = (o) => { const t = sc(o); return notesToSfx([523, 659, 784, 1046].map((f, i) => ({ f: f * t, t: i * 0.06, d: 0.2, wave: 'saw', gain: 0.22 })), 0.5); };
+const coin = (o) => { const t = sc(o); return notesToSfx([{ f: 988 * t, t: 0, d: 0.08, gain: 0.3 }, { f: 1318 * t, t: 0.06, d: 0.3, gain: 0.3 }], 0.4); };
+export const SFX_CATALOG = [
+    { name: 'whoosh', label: 'Whoosh', category: 'transition', tags: ['swoosh', 'slide', 'transition'], make: (o) => whoosh({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'sweep', label: 'Sweep', category: 'transition', tags: ['filter', 'transition'], make: (o) => sweep({ seed: o?.seed }) },
+    { name: 'impact', label: 'Impact / Hit', category: 'impact', tags: ['hit', 'boom', 'cut'], make: (o) => impact({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'boom', label: 'Boom / Sub Drop', category: 'impact', tags: ['sub', 'drop'], make: () => subDrop() },
+    { name: 'braam', label: 'Braam (cinematic)', category: 'impact', tags: ['trailer', 'dread'], make: (o) => braam({ tune: o?.tune ?? 110, seed: o?.seed }) },
+    { name: 'riser', label: 'Riser / Uplifter', category: 'riser', tags: ['build', 'tension'], make: (o) => riser({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'downlifter', label: 'Downlifter', category: 'riser', tags: ['downer', 'exit'], make: (o) => downlifter({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'pop', label: 'Pop', category: 'ui', tags: ['blip', 'appear'], make: (o) => pop({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'tick', label: 'Tick / Tap', category: 'ui', tags: ['click', 'counter'], make: (o) => tick({ tune: o?.tune, seed: o?.seed }) },
+    { name: 'notification', label: 'Notification', category: 'ui', tags: ['alert', 'message'], make: (o) => notification(o) },
+    { name: 'ding-correct', label: 'Correct / Ding', category: 'feedback', tags: ['right', 'success', 'chime'], make: (o) => dingCorrect(o) },
+    { name: 'buzzer-wrong', label: 'Wrong Answer Buzzer', category: 'feedback', tags: ['wrong', 'error', 'buzz'], make: (o) => buzzerWrong(o) },
+    { name: 'power-up', label: 'Power Up', category: 'game', tags: ['game', 'level up'], make: (o) => powerUp(o) },
+    { name: 'coin', label: 'Coin / Pickup', category: 'game', tags: ['game', 'collect'], make: (o) => coin(o) },
+    { name: 'shimmer', label: 'Shimmer / Sparkle', category: 'magic', tags: ['reveal', 'sparkle'], make: (o) => shimmer({ tune: o?.tune }) },
+    { name: 'glitch', label: 'Glitch', category: 'tech', tags: ['digital', 'stutter'], make: (o) => glitch({ tune: o?.tune, seed: o?.seed }) },
+];
+/** The full catalog (for an editor audio tab to browse). */
+export function listSfx() { return SFX_CATALOG; }
+/** Distinct categories in the catalog. */
+export function sfxCategories() { return [...new Set(SFX_CATALOG.map((e) => e.category))]; }
+/** Render a named SFX → stereo PCM, finished by default. Null for unknown names. */
+export function renderSfx(name, opts = {}) {
+    const e = SFX_CATALOG.find((x) => x.name === name);
+    if (!e)
+        return null;
+    let s = e.make({ tune: opts.tune, seed: opts.seed });
+    if (opts.finish !== false)
+        s = finish(s, typeof opts.finish === 'object' ? opts.finish : undefined);
+    return s;
+}
+//# sourceMappingURL=catalog.js.map

package/dist/catalog.js.map

@@ -0,0 +1 @@
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package/dist/encode-wav.d.ts

@@ -0,0 +1,4 @@
+import type { Sfx } from './sfx.js';
+/** Encode rendered stereo audio as a 16-bit PCM WAV (interleaved L/R). */
+export declare function encodeWav(audio: Sfx): Uint8Array;
+//# sourceMappingURL=encode-wav.d.ts.map

package/dist/encode-wav.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"encode-wav.d.ts","sourceRoot":"","sources":["../src/encode-wav.ts"],"names":[],"mappings":"AAKA,OAAO,KAAK,EAAE,GAAG,EAAE,MAAM,UAAU,CAAC;AAEpC,0EAA0E;AAC1E,wBAAgB,SAAS,CAAC,KAAK,EAAE,GAAG,GAAG,UAAU,CAoBhD"}

package/dist/encode-wav.js

@@ -0,0 +1,36 @@
+// Stereo 16-bit PCM WAV encoder. Turns a rendered Sfx into bytes you can serve,
+// write to disk, or wrap in a Blob/object-URL for an `audio` element's `source`.
+// Self-contained so the editor can render → encode → drop-on-timeline without a
+// dependency on @clipkit/score.
+/** Encode rendered stereo audio as a 16-bit PCM WAV (interleaved L/R). */
+export function encodeWav(audio) {
+    const { left, right, sampleRate } = audio;
+    const n = Math.min(left.length, right.length);
+    const bytes = new Uint8Array(44 + n * 4);
+    const dv = new DataView(bytes.buffer);
+    const put = (o, s) => { for (let i = 0; i < s.length; i++)
+        dv.setUint8(o + i, s.charCodeAt(i)); };
+    put(0, 'RIFF');
+    dv.setUint32(4, 36 + n * 4, true);
+    put(8, 'WAVE');
+    put(12, 'fmt ');
+    dv.setUint32(16, 16, true);
+    dv.setUint16(20, 1, true);
+    dv.setUint16(22, 2, true);
+    dv.setUint32(24, sampleRate, true);
+    dv.setUint32(28, sampleRate * 4, true);
+    dv.setUint16(32, 4, true);
+    dv.setUint16(34, 16, true);
+    put(36, 'data');
+    dv.setUint32(40, n * 4, true);
+    const clamp = (x) => Math.max(-1, Math.min(1, x));
+    let o = 44;
+    for (let i = 0; i < n; i++) {
+        dv.setInt16(o, Math.round(clamp(left[i]) * 32767), true);
+        o += 2;
+        dv.setInt16(o, Math.round(clamp(right[i]) * 32767), true);
+        o += 2;
+    }
+    return bytes;
+}
+//# sourceMappingURL=encode-wav.js.map

package/dist/encode-wav.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"encode-wav.js","sourceRoot":"","sources":["../src/encode-wav.ts"],"names":[],"mappings":"AAAA,gFAAgF;AAChF,iFAAiF;AACjF,gFAAgF;AAChF,gCAAgC;AAIhC,0EAA0E;AAC1E,MAAM,UAAU,SAAS,CAAC,KAAU;IAClC,MAAM,EAAE,IAAI,EAAE,KAAK,EAAE,UAAU,EAAE,GAAG,KAAK,CAAC;IAC1C,MAAM,CAAC,GAAG,IAAI,CAAC,GAAG,CAAC,IAAI,CAAC,MAAM,EAAE,KAAK,CAAC,MAAM,CAAC,CAAC;IAC9C,MAAM,KAAK,GAAG,IAAI,UAAU,CAAC,EAAE,GAAG,CAAC,GAAG,CAAC,CAAC,CAAC;IACzC,MAAM,EAAE,GAAG,IAAI,QAAQ,CAAC,KAAK,CAAC,MAAM,CAAC,CAAC;IACtC,MAAM,GAAG,GAAG,CAAC,CAAS,EAAE,CAAS,EAAQ,EAAE,GAAG,KAAK,IAAI,CAAC,GAAG,CAAC,EAAE,CAAC,GAAG,CAAC,CAAC,MAAM,EAAE,CAAC,EAAE;QAAE,EAAE,CAAC,QAAQ,CAAC,CAAC,GAAG,CAAC,EAAE,CAAC,CAAC,UAAU,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC;IAExH,GAAG,CAAC,CAAC,EAAE,MAAM,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,CAAC,EAAE,EAAE,GAAG,CAAC,GAAG,CAAC,EAAE,IAAI,CAAC,CAAC;IAAC,GAAG,CAAC,CAAC,EAAE,MAAM,CAAC,CAAC;IAClE,GAAG,CAAC,EAAE,EAAE,MAAM,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,EAAE,EAAE,IAAI,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,CAAC,EAAE,IAAI,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,CAAC,EAAE,IAAI,CAAC,CAAC;IAClG,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,UAAU,EAAE,IAAI,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,UAAU,GAAG,CAAC,EAAE,IAAI,CAAC,CAAC;IAC3E,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,CAAC,EAAE,IAAI,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,EAAE,EAAE,IAAI,CAAC,CAAC;IACtD,GAAG,CAAC,EAAE,EAAE,MAAM,CAAC,CAAC;IAAC,EAAE,CAAC,SAAS,CAAC,EAAE,EAAE,CAAC,GAAG,CAAC,EAAE,IAAI,CAAC,CAAC;IAE/C,MAAM,KAAK,GAAG,CAAC,CAAS,EAAU,EAAE,CAAC,IAAI,CAAC,GAAG,CAAC,CAAC,CAAC,EAAE,IAAI,CAAC,GAAG,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC,CAAC;IAClE,IAAI,CAAC,GAAG,EAAE,CAAC;IACX,KAAK,IAAI,CAAC,GAAG,CAAC,EAAE,CAAC,GAAG,CAAC,EAAE,CAAC,EAAE,EAAE,CAAC;QAC3B,EAAE,CAAC,QAAQ,CAAC,CAAC,EAAE,IAAI,CAAC,KAAK,CAAC,KAAK,CAAC,IAAI,CAAC,CAAC,CAAE,CAAC,GAAG,KAAK,CAAC,EAAE,IAAI,CAAC,CAAC;QAAC,CAAC,IAAI,CAAC,CAAC;QAClE,EAAE,CAAC,QAAQ,CAAC,CAAC,EAAE,IAAI,CAAC,KAAK,CAAC,KAAK,CAAC,KAAK,CAAC,CAAC,CAAE,CAAC,GAAG,KAAK,CAAC,EAAE,IAAI,CAAC,CAAC;QAAC,CAAC,IAAI,CAAC,CAAC;IACrE,CAAC;IACD,OAAO,KAAK,CAAC;AACf,CAAC"}

package/dist/finish.d.ts

@@ -0,0 +1,16 @@
+import type { Sfx } from './sfx.js';
+export interface FinishOptions {
+    /** Attack emphasis (snap/punch), 0..1. Default 0.3. */
+    transient?: number;
+    /** High-shelf "air" boost (crispness), 0..1. Default 0.5. */
+    air?: number;
+    /** Oversampled (anti-aliased) saturation amount, 0..1. Default 0.5. */
+    drive?: number;
+    /** Parallel-compression mix (density/punch), 0..1. Default 0.2. */
+    parallel?: number;
+    /** Stereo widening of the highs (lows stay mono), 0..1. Default 0.25. */
+    width?: number;
+}
+/** Run a sound through the finishing chain → a crisp, "mastered" version. */
+export declare function finish(audio: Sfx, opts?: FinishOptions): Sfx;
+//# sourceMappingURL=finish.d.ts.map

package/dist/finish.d.ts.map

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package/dist/finish.js

@@ -0,0 +1,99 @@
+// The FINISHING CHAIN — the polish pros put on every sound to make it crisp.
+// A synth produces a raw sound; this is the "mastering" stage every sound runs
+// through. Order matters (same as a real chain):
+//
+//   transient shape → air EQ → oversampled saturation → parallel comp → M/S width → ceiling
+//
+// All in code, license-clean. (Convolution reverb is the one technique we DON'T
+// do here — it needs an impulse response, which is a recording; deferred like
+// organic foley.)
+// ── 1. transient shaping: emphasise the attack (fast env above slow env) ──────
+function transientShape(L, R, sr, amount) {
+    if (amount <= 0)
+        return;
+    const fu = 1 - Math.exp(-1 / (0.0008 * sr)), fd = 1 - Math.exp(-1 / (0.02 * sr));
+    const su = 1 - Math.exp(-1 / (0.005 * sr)), sd = 1 - Math.exp(-1 / (0.08 * sr));
+    let ef = 0, es = 0;
+    for (let i = 0; i < L.length; i++) {
+        const m = Math.max(Math.abs(L[i]), Math.abs(R[i]));
+        ef += (m > ef ? fu : fd) * (m - ef);
+        es += (m > es ? su : sd) * (m - es);
+        const g = 1 + amount * Math.min(2, Math.max(0, ef - es) * 6);
+        L[i] *= g;
+        R[i] *= g;
+    }
+}
+// ── 2. air EQ: high-shelf boost (crisp) + sub-rumble cleanup ──────────────────
+function airEQ(L, R, sr, air) {
+    const a9 = 1 - Math.exp((-2 * Math.PI * 9000) / sr);
+    const a30 = 1 - Math.exp((-2 * Math.PI * 30) / sr);
+    let lp9L = 0, lp9R = 0, lp30L = 0, lp30R = 0;
+    for (let i = 0; i < L.length; i++) {
+        lp9L += a9 * (L[i] - lp9L);
+        lp30L += a30 * (L[i] - lp30L);
+        L[i] = (L[i] - lp30L) + air * (L[i] - lp9L);
+        lp9R += a9 * (R[i] - lp9R);
+        lp30R += a30 * (R[i] - lp30R);
+        R[i] = (R[i] - lp30R) + air * (R[i] - lp9R);
+    }
+}
+// ── 3. oversampled saturation: 2× to keep distortion harmonics from aliasing ──
+function oversampledSat(buf, drive) {
+    if (drive <= 0)
+        return;
+    const d = 1 + drive * 2, norm = Math.tanh(d) || 1;
+    let prev = 0;
+    for (let i = 0; i < buf.length; i++) {
+        const x = buf[i];
+        const a = Math.tanh(((prev + x) * 0.5) * d); // interpolated midpoint (the 2× sample)
+        const b = Math.tanh(x * d);
+        buf[i] = ((a + b) * 0.5) / norm; // average pair = lowpass before decimating
+        prev = x;
+    }
+}
+// ── 4. parallel ("New York") compression: add a squashed copy for density ─────
+function parallelComp(L, R, sr, amount) {
+    if (amount <= 0)
+        return;
+    const au = 1 - Math.exp(-1 / (0.002 * sr)), ad = 1 - Math.exp(-1 / (0.1 * sr));
+    const thr = 0.15, ratio = 4, makeup = 1.8;
+    let env = 0;
+    for (let i = 0; i < L.length; i++) {
+        const m = Math.max(Math.abs(L[i]), Math.abs(R[i]));
+        env += (m > env ? au : ad) * (m - env);
+        const gr = env > thr ? (thr + (env - thr) / ratio) / env : 1;
+        L[i] += amount * L[i] * gr * makeup;
+        R[i] += amount * R[i] * gr * makeup;
+    }
+}
+// ── 5. mid/side width: widen the highs, keep the lows mono (no phase mush) ─────
+function msWidth(L, R, sr, width) {
+    if (width <= 0)
+        return;
+    const a200 = 1 - Math.exp((-2 * Math.PI * 200) / sr);
+    let sLP = 0;
+    for (let i = 0; i < L.length; i++) {
+        const mid = (L[i] + R[i]) * 0.5, side = (L[i] - R[i]) * 0.5;
+        sLP += a200 * (side - sLP);
+        const s = sLP + (side - sLP) * (1 + width); // lows (sLP) mono, highs widened
+        L[i] = mid + s;
+        R[i] = mid - s;
+    }
+}
+/** Run a sound through the finishing chain → a crisp, "mastered" version. */
+export function finish(audio, opts = {}) {
+    const L = Float32Array.from(audio.left), R = Float32Array.from(audio.right);
+    const sr = audio.sampleRate;
+    transientShape(L, R, sr, opts.transient ?? 0.3);
+    airEQ(L, R, sr, opts.air ?? 0.5);
+    oversampledSat(L, opts.drive ?? 0.5);
+    oversampledSat(R, opts.drive ?? 0.5);
+    parallelComp(L, R, sr, opts.parallel ?? 0.2);
+    msWidth(L, R, sr, opts.width ?? 0.25);
+    for (let i = 0; i < L.length; i++) {
+        L[i] = Math.max(-1, Math.min(1, L[i]));
+        R[i] = Math.max(-1, Math.min(1, R[i]));
+    }
+    return { left: L, right: R, sampleRate: sr };
+}
+//# sourceMappingURL=finish.js.map

package/dist/finish.js.map

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package/dist/index.d.ts

@@ -0,0 +1,5 @@
+export { whoosh, impact, riser, subDrop, pop, tick, braam, downlifter, sweep, glitch, shimmer, glueBus, type Sfx, type Pan, type WhooshOptions, type ImpactOptions, type RiserOptions, type SubDropOptions, type PopOptions, type TickOptions, type BraamOptions, type DownlifterOptions, type SweepOptions, type GlitchOptions, type ShimmerOptions, } from './sfx.js';
+export { finish, type FinishOptions } from './finish.js';
+export { encodeWav } from './encode-wav.js';
+export { SFX_CATALOG, listSfx, sfxCategories, renderSfx, type SfxEntry, type RenderSfxOptions, } from './catalog.js';
+//# sourceMappingURL=index.d.ts.map

package/dist/index.d.ts.map

@@ -0,0 +1 @@
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package/dist/index.js

@@ -0,0 +1,12 @@
+// @clipkit/sfx — standalone procedural sound-effects engine.
+//
+//   • synthesis primitives (whoosh, impact, riser, pop, glitch, …)
+//   • a pro finishing chain (finish) — transient/air/anti-alias/comp/width
+//   • a browsable named catalog (listSfx / renderSfx) — for an editor audio tab
+//
+// Pure DSP, no dependencies. Used by @clipkit/score (sound design) and the editor.
+export { whoosh, impact, riser, subDrop, pop, tick, braam, downlifter, sweep, glitch, shimmer, glueBus, } from './sfx.js';
+export { finish } from './finish.js';
+export { encodeWav } from './encode-wav.js';
+export { SFX_CATALOG, listSfx, sfxCategories, renderSfx, } from './catalog.js';
+//# sourceMappingURL=index.js.map

package/dist/index.js.map

@@ -0,0 +1 @@
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package/dist/sfx.d.ts

@@ -0,0 +1,124 @@
+export interface Sfx {
+    left: Float32Array;
+    right: Float32Array;
+    sampleRate: number;
+}
+/** Static pan -1..1, or [from, to] to sweep across the stereo field (a slide). */
+export type Pan = number | [number, number];
+export interface WhooshOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** A swish into a cut: a noise BAND sweeping upward (movement) layered with a
+ *  pitched "vwoom" tuned to `tune` Hz, bell-shaped, with air. Place to END on the
+ *  cut. `reverb: 0` for a dry voice (glue with one shared reverb on the bus). */
+export declare function whoosh(o?: WhooshOptions): Sfx;
+export interface ImpactOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** A thud on the cut: sub sine drop (tuned low, around `tune`) + a filtered noise
+ *  body + a click transient, with a tail. Subtle by default. */
+export declare function impact(o?: ImpactOptions): Sfx;
+export interface RiserOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** An uplifter into a big moment: a noise band + rising tone (tuned), swelling. */
+export declare function riser(o?: RiserOptions): Sfx;
+export interface PopOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** A bright snap for a scale-in/bounce: a quick pitched blip (tuned high, around
+ *  2× `tune`) + a click + air. */
+export declare function pop(o?: PopOptions): Sfx;
+/**
+ * "Glue" a stereo SFX bus into one cohesive layer: a single SHARED reverb (so
+ * every SFX sits in the same space) + light saturation. Run this once on the
+ * summed bus AFTER placing dry SFX — the cohesion fix. In place.
+ */
+export declare function glueBus(L: Float32Array, R: Float32Array, opts?: {
+    space?: number;
+    drive?: number;
+}): void;
+export interface SubDropOptions {
+    duration?: number;
+    gain?: number;
+}
+/** A low whump after an impact — sine dropping in pitch. */
+export declare function subDrop(o?: SubDropOptions): Sfx;
+export interface TickOptions {
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** A tiny UI tick/tap — a short high blip + click. For small reveals/counters. */
+export declare function tick(o?: TickOptions): Sfx;
+export interface BraamOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    reverb?: number;
+    tune?: number;
+}
+/** Cinematic dread hit — a detuned low brass/saw cluster (root+fifth+octave) +
+ *  sub + noise rasp, slow swell, heavy saturation, long tail. Power & weight. */
+export declare function braam(o?: BraamOptions): Sfx;
+export interface DownlifterOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    reverb?: number;
+    tune?: number;
+}
+/** A downer — noise band + tone pitching DOWN, falling away. Scene exit / release. */
+export declare function downlifter(o?: DownlifterOptions): Sfx;
+export interface SweepOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    reverb?: number;
+}
+/** A wide resonant filter sweep — noise through a state-variable bandpass whose
+ *  cutoff sweeps up, panned across the field. A clean transition wash. */
+export declare function sweep(o?: SweepOptions): Sfx;
+export interface GlitchOptions {
+    duration?: number;
+    gain?: number;
+    seed?: number;
+    pan?: Pan;
+    tune?: number;
+}
+/** A digital glitch/stutter — bitcrushed + sample-held tone+noise, gated into
+ *  retriggered slices. Dry-ish, modern/tech. */
+export declare function glitch(o?: GlitchOptions): Sfx;
+export interface ShimmerOptions {
+    duration?: number;
+    gain?: number;
+    reverb?: number;
+    tune?: number;
+}
+/** A bright sparkle for reveals — stacked high partials (octaves + fifths) with
+ *  tremolo and a long bright tail. The "premium" sheen. */
+export declare function shimmer(o?: ShimmerOptions): Sfx;
+//# sourceMappingURL=sfx.d.ts.map

package/dist/sfx.d.ts.map

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package/dist/sfx.js

@@ -0,0 +1,320 @@
+// Sound-design kit — the layer that reads as "synced" in a pro promo. Built with
+// the real sound-design recipe (not just filtered noise): each SFX LAYERS a
+// swept noise band + a pitched sweep, shapes it with a bell envelope, and adds a
+// short reverb TAIL for air + stereo movement. Procedural, license-clean,
+// deterministic, infinitely tunable. (The same functions can be swapped for CC0
+// WAVs later — designSfxBus just needs audio.)
+//
+// whoosh → into a cut (anticipation), impact → on it (payoff), riser → builds in,
+// pop → a scale/snap. Each returns stereo PCM (encodeWav-able).
+const SR = 44100;
+function rng(seed) {
+    let a = seed >>> 0;
+    return () => {
+        a |= 0;
+        a = (a + 0x6d2b79f5) | 0;
+        let t = Math.imul(a ^ (a >>> 15), 1 | a);
+        t = (t + Math.imul(t ^ (t >>> 7), 61 | t)) ^ t;
+        return ((t ^ (t >>> 14)) >>> 0) / 4294967296;
+    };
+}
+// ── a small Schroeder reverb for "air" (4 combs + 2 allpass) ──────────────────
+function comb(x, D, g) {
+    const y = new Float32Array(x.length), z = new Float32Array(D);
+    let p = 0;
+    for (let i = 0; i < x.length; i++) {
+        const yn = x[i] + g * z[p];
+        z[p] = yn;
+        y[i] = yn;
+        p = (p + 1) % D;
+    }
+    return y;
+}
+function allpass(x, D, g) {
+    const y = new Float32Array(x.length), z = new Float32Array(D);
+    let p = 0;
+    for (let i = 0; i < x.length; i++) {
+        const bo = z[p];
+        y[i] = -g * x[i] + bo;
+        z[p] = x[i] + g * bo;
+        p = (p + 1) % D;
+    }
+    return y;
+}
+function reverbMono(x) {
+    const wet = new Float32Array(x.length);
+    for (const d of [1116, 1188, 1277, 1356]) {
+        const c = comb(x, d, 0.78);
+        for (let i = 0; i < x.length; i++)
+            wet[i] += c[i] * 0.25;
+    }
+    return allpass(allpass(wet, 556, 0.5), 441, 0.5);
+}
+/** Place a mono dry signal in stereo with a pan (or pan-sweep) and a reverb tail. */
+function spatialize(dry, pan, reverbMix, tailSec) {
+    const tail = Math.floor(tailSec * SR), n = dry.length, N = n + tail;
+    const src = new Float32Array(N);
+    src.set(dry);
+    const wet = reverbMix > 0 ? reverbMono(src) : null;
+    const L = new Float32Array(N), R = new Float32Array(N);
+    for (let i = 0; i < N; i++) {
+        const k = Math.min(1, i / n);
+        const p = Array.isArray(pan) ? pan[0] + (pan[1] - pan[0]) * k : pan;
+        const lg = Math.cos((p + 1) * Math.PI / 4), rg = Math.sin((p + 1) * Math.PI / 4);
+        const wv = wet ? wet[i] * reverbMix : 0;
+        L[i] = src[i] * lg + wv;
+        R[i] = src[i] * rg + wv;
+    }
+    return { left: L, right: R, sampleRate: SR };
+}
+/** A swish into a cut: a noise BAND sweeping upward (movement) layered with a
+ *  pitched "vwoom" tuned to `tune` Hz, bell-shaped, with air. Place to END on the
+ *  cut. `reverb: 0` for a dry voice (glue with one shared reverb on the bus). */
+export function whoosh(o = {}) {
+    const dur = o.duration ?? 0.5, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 1), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let hpState = 0, lpState = 0, lpState2 = 0, ph = 0;
+    for (let i = 0; i < n; i++) {
+        const k = i / n;
+        const fc = 300 + 2600 * k * k; // band centre sweeps up (capped lower = less fizz)
+        const aH = 1 - Math.exp((-2 * Math.PI * fc) / SR);
+        const aL = 1 - Math.exp((-2 * Math.PI * (fc * 2.2)) / SR);
+        const x = rand() * 2 - 1;
+        hpState += aH * (x - hpState); // highpass = x − lp
+        const hp = x - hpState;
+        lpState += aL * (hp - lpState); // two-pole lowpass (12 dB/oct) →
+        lpState2 += aL * (lpState - lpState2); // steeper roll-off = smooth, not grainy
+        const f = tune * (0.5 + 1.5 * k * k);
+        ph += (2 * Math.PI * f) / SR; // "vwoom", tuned
+        const tone = Math.sin(ph) * 0.22;
+        const env = Math.pow(Math.sin(Math.PI * Math.min(1, k / 0.96)), 1.4); // bell
+        dry[i] = (lpState2 * 1.1 + tone) * env * gain;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.28, 0.32);
+}
+/** A thud on the cut: sub sine drop (tuned low, around `tune`) + a filtered noise
+ *  body + a click transient, with a tail. Subtle by default. */
+export function impact(o = {}) {
+    const dur = o.duration ?? 0.3, gain = o.gain ?? 0.4, rand = rng(o.seed ?? 2), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let ph = 0, prev = 0, lp = 0, lp2 = 0;
+    const aBody = 1 - Math.exp((-2 * Math.PI * 900) / SR); // LOWPASS the body (round thump, not bright hiss)
+    for (let i = 0; i < n; i++) {
+        const t = i / SR;
+        const f = tune * 0.26 + tune * 0.32 * Math.exp(-t / 0.025);
+        ph += (2 * Math.PI * f) / SR;
+        const sub = Math.sin(ph) * Math.exp(-t / 0.12);
+        const x = rand() * 2 - 1;
+        lp += aBody * (x - lp);
+        lp2 += aBody * (lp - lp2); // 2-pole lowpassed noise
+        const body = lp2 * Math.exp(-t / 0.05) * 0.7;
+        const clk = i < 0.004 * SR ? (x - prev) * 0.4 : 0;
+        prev = x; // brief click only
+        dry[i] = (sub + body + clk) * gain;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.22, 0.36);
+}
+/** An uplifter into a big moment: a noise band + rising tone (tuned), swelling. */
+export function riser(o = {}) {
+    const dur = o.duration ?? 1.2, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 3), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let hpState = 0, lpState = 0, lpState2 = 0, ph = 0;
+    for (let i = 0; i < n; i++) {
+        const k = i / n;
+        const fc = 350 + 2800 * k;
+        const aH = 1 - Math.exp((-2 * Math.PI * fc) / SR);
+        const aL = 1 - Math.exp((-2 * Math.PI * (fc * 2.2)) / SR);
+        const x = rand() * 2 - 1;
+        hpState += aH * (x - hpState);
+        const hp = x - hpState;
+        lpState += aL * (hp - lpState);
+        lpState2 += aL * (lpState - lpState2); // 2-pole, smoother
+        const f = tune * (0.7 + 1.3 * k * k);
+        ph += (2 * Math.PI * f) / SR;
+        const tone = Math.sin(ph) * 0.28;
+        const env = k * k * gain;
+        dry[i] = (lpState2 * 1.05 + tone) * env;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.3, 0.4);
+}
+/** A bright snap for a scale-in/bounce: a quick pitched blip (tuned high, around
+ *  2× `tune`) + a click + air. */
+export function pop(o = {}) {
+    const dur = o.duration ?? 0.1, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 4), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let ph = 0, prev = 0;
+    for (let i = 0; i < n; i++) {
+        const t = i / SR;
+        const f = tune * 2 + tune * 4 * Math.exp(-t / 0.015);
+        ph += (2 * Math.PI * f) / SR;
+        const tone = Math.sin(ph) * Math.exp(-t / 0.03);
+        const x = rand() * 2 - 1;
+        const clk = i < 0.006 * SR ? (x - prev) * 0.6 : 0;
+        prev = x;
+        dry[i] = (tone * 0.7 + clk) * gain;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.18, 0.2);
+}
+/**
+ * "Glue" a stereo SFX bus into one cohesive layer: a single SHARED reverb (so
+ * every SFX sits in the same space) + light saturation. Run this once on the
+ * summed bus AFTER placing dry SFX — the cohesion fix. In place.
+ */
+export function glueBus(L, R, opts = {}) {
+    const space = opts.space ?? 0.25, drive = opts.drive ?? 0.15;
+    if (space > 0) {
+        const wl = reverbMono(L), wr = reverbMono(R);
+        for (let i = 0; i < L.length; i++) {
+            L[i] += wl[i] * space;
+            R[i] += wr[i] * space;
+        }
+    }
+    const d = 1 + drive * 2;
+    for (let i = 0; i < L.length; i++) {
+        L[i] = Math.tanh(L[i] * d);
+        R[i] = Math.tanh(R[i] * d);
+    }
+}
+/** A low whump after an impact — sine dropping in pitch. */
+export function subDrop(o = {}) {
+    const dur = o.duration ?? 0.6, gain = o.gain ?? 0.4;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let ph = 0;
+    for (let i = 0; i < n; i++) {
+        const t = i / SR;
+        const f = 70 * Math.exp(-t / 0.25) + 28;
+        ph += (2 * Math.PI * f) / SR;
+        dry[i] = Math.sin(ph) * Math.exp(-t / 0.3) * gain;
+    }
+    return spatialize(dry, 0, 0.15, 0.3);
+}
+/** A tiny UI tick/tap — a short high blip + click. For small reveals/counters. */
+export function tick(o = {}) {
+    const gain = o.gain ?? 0.25, rand = rng(o.seed ?? 5), tune = o.tune ?? 220;
+    const n = Math.floor(0.05 * SR), dry = new Float32Array(n);
+    let ph = 0, prev = 0;
+    for (let i = 0; i < n; i++) {
+        const t = i / SR;
+        ph += (2 * Math.PI * tune * 4) / SR;
+        const tone = Math.sin(ph) * Math.exp(-t / 0.01);
+        const x = rand() * 2 - 1;
+        const clk = i < 0.003 * SR ? (x - prev) * 0.6 : 0;
+        prev = x;
+        dry[i] = (tone * 0.5 + clk) * gain;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.1, 0.12);
+}
+/** Cinematic dread hit — a detuned low brass/saw cluster (root+fifth+octave) +
+ *  sub + noise rasp, slow swell, heavy saturation, long tail. Power & weight. */
+export function braam(o = {}) {
+    const dur = o.duration ?? 1.6, gain = o.gain ?? 0.5, rand = rng(o.seed ?? 6), tune = o.tune ?? 110;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    const freqs = [tune * 0.5, tune, tune * 1.498, tune * 2];
+    const det = [0, 0.4, -0.3, 0.6];
+    const phs = freqs.map(() => 0);
+    let lp = 0, lp2 = 0;
+    for (let i = 0; i < n; i++) {
+        const k = i / n;
+        let v = 0;
+        for (let j = 0; j < freqs.length; j++) {
+            phs[j] += (2 * Math.PI * (freqs[j] + det[j])) / SR;
+            v += Math.sin(phs[j]) + 0.4 * Math.sin(2 * phs[j]) + 0.2 * Math.sin(3 * phs[j]); // brassy harmonics
+        }
+        v /= freqs.length;
+        // rasp: LOWPASSED noise (a soft growl), not bright hiss
+        const x = rand() * 2 - 1;
+        lp += 0.06 * (x - lp);
+        lp2 += 0.06 * (lp - lp2);
+        const rasp = lp2 * 0.5;
+        const env = Math.min(1, k / 0.25) * Math.min(1, (1 - k) / 0.3);
+        dry[i] = Math.tanh((v * 0.5 + rasp) * env * 1.7) * gain; // moderate drive (less harsh)
+    }
+    return spatialize(dry, 0, o.reverb ?? 0.4, 0.6);
+}
+/** A downer — noise band + tone pitching DOWN, falling away. Scene exit / release. */
+export function downlifter(o = {}) {
+    const dur = o.duration ?? 1.0, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 7), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let hpState = 0, lpState = 0, lpState2 = 0, ph = 0;
+    for (let i = 0; i < n; i++) {
+        const k = i / n;
+        const fc = 3000 - 2500 * k;
+        const aH = 1 - Math.exp((-2 * Math.PI * fc) / SR);
+        const aL = 1 - Math.exp((-2 * Math.PI * (fc * 2.2)) / SR);
+        const x = rand() * 2 - 1;
+        hpState += aH * (x - hpState);
+        const hp = x - hpState;
+        lpState += aL * (hp - lpState);
+        lpState2 += aL * (lpState - lpState2);
+        const f = tune * (2 - 1.3 * k);
+        ph += (2 * Math.PI * Math.max(40, f)) / SR;
+        const tone = Math.sin(ph) * 0.28;
+        const env = Math.min(1, k / 0.03) * Math.pow(1 - k, 0.9) * gain;
+        dry[i] = (lpState2 * 1.05 + tone) * env;
+    }
+    return spatialize(dry, o.pan ?? 0, o.reverb ?? 0.3, 0.4);
+}
+/** A wide resonant filter sweep — noise through a state-variable bandpass whose
+ *  cutoff sweeps up, panned across the field. A clean transition wash. */
+export function sweep(o = {}) {
+    const dur = o.duration ?? 0.6, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 8);
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    let low = 0, band = 0;
+    const q = 0.6; // lower = more resonant
+    for (let i = 0; i < n; i++) {
+        const k = i / n;
+        const fc = 200 + 7000 * k * k;
+        const f = 2 * Math.sin((Math.PI * fc) / SR);
+        const x = rand() * 2 - 1;
+        const high = x - low - q * band;
+        band += f * high;
+        low += f * band;
+        const env = Math.pow(Math.sin(Math.PI * Math.min(1, k / 0.95)), 1.3) * gain;
+        dry[i] = band * env;
+    }
+    return spatialize(dry, [-0.7, 0.7], o.reverb ?? 0.25, 0.3);
+}
+/** A digital glitch/stutter — bitcrushed + sample-held tone+noise, gated into
+ *  retriggered slices. Dry-ish, modern/tech. */
+export function glitch(o = {}) {
+    const dur = o.duration ?? 0.25, gain = o.gain ?? 0.3, rand = rng(o.seed ?? 9), tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    const hold = 90; // sample-hold (downsample) → digital aliasing
+    const levels = 6; // bitcrush quantization
+    const slice = Math.floor(0.03 * SR); // stutter slice length
+    let held = 0, ph = 0;
+    for (let i = 0; i < n; i++) {
+        const posInSlice = i % slice;
+        if (i % hold === 0) {
+            ph += (2 * Math.PI * tune * 2 * hold) / SR;
+            const tone = Math.sin(ph) * 0.5;
+            const noise = (rand() * 2 - 1) * 0.5;
+            held = Math.round((tone + noise) * levels) / levels;
+        }
+        // gate: each slice fades fast → stutter feel
+        const gate = posInSlice < slice * 0.6 ? 1 : 0;
+        dry[i] = held * gate * gain;
+    }
+    return spatialize(dry, o.pan ?? 0, 0.08, 0.12);
+}
+/** A bright sparkle for reveals — stacked high partials (octaves + fifths) with
+ *  tremolo and a long bright tail. The "premium" sheen. */
+export function shimmer(o = {}) {
+    const dur = o.duration ?? 1.0, gain = o.gain ?? 0.22, tune = o.tune ?? 220;
+    const n = Math.floor(dur * SR), dry = new Float32Array(n);
+    const parts = [tune * 2, tune * 3, tune * 4, tune * 6, tune * 8];
+    const phs = parts.map(() => 0);
+    for (let i = 0; i < n; i++) {
+        const t = i / SR, k = i / n;
+        let v = 0;
+        for (let j = 0; j < parts.length; j++) {
+            phs[j] += (2 * Math.PI * parts[j]) / SR;
+            v += Math.sin(phs[j]) / (j + 1);
+        }
+        const trem = 0.7 + 0.3 * Math.sin(2 * Math.PI * 7 * t);
+        const env = Math.min(1, k / 0.1) * Math.pow(1 - k, 0.6) * gain * trem;
+        dry[i] = v * env;
+    }
+    return spatialize(dry, 0, o.reverb ?? 0.45, 0.7);
+}
+//# sourceMappingURL=sfx.js.map

package/dist/sfx.js.map

@@ -0,0 +1 @@
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package/package.json

@@ -0,0 +1,17 @@
+{
+  "name": "@clipkit/sfx",
+  "version": "1.0.0",
+  "description": "Standalone sound-effects engine for Clipkit — procedural SFX synthesis (whoosh/impact/riser/UI/glitch/…), a pro finishing chain, and a browsable named catalog. Pure DSP, no dependencies; used by @clipkit/score (sound design) and by the editor (an audio tab to browse/preview SFX).",
+  "license": "Apache-2.0",
+  "repository": { "type": "git", "url": "git+https://github.com/clipkit-video/clipkit.git", "directory": "packages/sfx" },
+  "homepage": "https://clipkit.dev",
+  "bugs": "https://github.com/clipkit-video/clipkit/issues",
+  "type": "module",
+  "main": "./dist/index.js",
+  "types": "./dist/index.d.ts",
+  "exports": { ".": { "import": "./dist/index.js", "types": "./dist/index.d.ts" } },
+  "files": ["dist", "README.md", "LICENSE"],
+  "scripts": { "build": "tsc", "dev": "tsc --watch", "typecheck": "tsc --noEmit", "clean": "rm -rf dist" },
+  "dependencies": {},
+  "devDependencies": { "@types/node": "^22.0.0", "typescript": "^5.7.3" }
+}