@clipkit/music-analysis 1.0.0

package/LICENSE

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package/README.md

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+# @clipkit/music-analysis
+
+Analyze an audio file into a **beat map** — tempo, beat grid, downbeats,
+transient onsets, and structural sections — so motion graphics can be synced to
+music.
+
+Think of it as an importer with the last step removed. The After Effects and
+Lottie importers parse a foreign format into an IR and then *convert* that IR to
+a Clipkit Source. This package parses audio into an IR — the `BeatMap` — and
+**stops there**. It does not emit a Source.
+
+## Where it sits
+
+```
+audio file ─▶ @clipkit/music-analysis ─▶ BeatMap ─▶ @clipkit/patterns helpers ─▶ keyframes
+                  (analysis: churns)      (stable     (mapping: intent → exact
+                                           contract)    times) + the AI's taste
+```
+
+Three jobs, deliberately split:
+
+1. **Analysis** (this package) — produce the facts: *where are the beats?*
+2. **Mapping** (`@clipkit/patterns`) — turn intent into exact keyframes:
+   *punch the logo on each downbeat.*
+3. **Taste** (the AI agent, via `@clipkit/mcp-server`) — decide *which* moment
+   gets *which* move, reading the beat map as authoring context.
+
+## Not part of the protocol
+
+The beat map is **authoring-time data**. The runtime never reads it. Consumers
+bake it down to ordinary keyframes / pure expressions, so the rendered Source
+stays a deterministic function of time with **no audio dependency** — same
+document, same pixels, on every backend. Resist the urge to let an expression
+sample an audio envelope at render time; bake to keyframes instead.
+
+## Two tiers of sync
+
+- **Tier 1 — tempo-parametric (pure).** Just `bpm` + `phase` drive a pure
+  expression that breathes on the beat (e.g.
+  `1 + 0.05 * max(0, sin(TAU * (bpm/60) * (t - phase)))`). ~70% of the feel,
+  zero new runtime concepts.
+- **Tier 2 — event-baked (precise).** `downbeats` / `onsets` / `sections` place
+  accents and transitions on exact musical time.
+
+## Status
+
+Scaffold. The `BeatMap` contract (`src/beat-map.ts`) and the `analyzeAudio`
+signature (`src/analyze.ts`) are the stable parts; the analyzer behind them is
+where the experimentation happens. `analyzeAudio` currently returns an empty map
+so the contract and downstream wiring can be built against a real type today.
+
+## Usage
+
+```ts
+// analyzeAudio reads files (node:fs) → import it from the Node-only subpath.
+import { analyzeAudio } from '@clipkit/music-analysis/node';
+import type { BeatMap } from '@clipkit/music-analysis';
+
+const map: BeatMap = await analyzeAudio('track.mp3');
+// → feed to a patterns helper, or hand to an agent as authoring context
+
+// Browser-safe helpers (beatGrid, decodeWav, analyzePcm, types) live on the
+// main entry: import { beatGrid } from '@clipkit/music-analysis';
+```

package/dist/analyze.d.ts

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+import type { BeatMap } from './beat-map.js';
+export interface AnalyzeOptions {
+    /** Decoded mono (or multi-channel) PCM. When given, `source` is only a label
+     *  and no decoding happens. */
+    samples?: Float32Array;
+    /** Sample rate of `samples`, Hz. Required when `samples` is given. */
+    sampleRate?: number;
+    /** Beats per bar for downbeat spacing. Default 4. */
+    beatsPerBar?: number;
+}
+/**
+ * Analyze an audio file (or raw PCM) into a {@link BeatMap}: detected `bpm`,
+ * `phase`, the implied beat/downbeat grid, detected `onsets` (hits), and
+ * energy-based `sections`. WAV files decode directly; for other formats pass
+ * decoded `samples`/`sampleRate` via {@link AnalyzeOptions}.
+ */
+export declare function analyzeAudio(source: string, options?: AnalyzeOptions): Promise<BeatMap>;
+//# sourceMappingURL=analyze.d.ts.map

package/dist/analyze.d.ts.map

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package/dist/analyze.js

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+// analyzeAudio — audio in, beat map out. The real analyzer (see dsp.ts):
+// decode → spectral-flux onsets + autocorrelation tempo/phase + energy-novelty
+// sections. Deterministic: same bytes → same map.
+//
+// Decoding is WAV-only here (decode-wav.ts, no deps). For other containers
+// (mp3/aac/…), decode upstream and pass `samples` + `sampleRate` via options —
+// the DSP is container-agnostic. Tempo detection from raw audio lives here;
+// when you already know the BPM, beatGrid() is the cheaper path.
+import { analyzePcm } from './dsp.js';
+import { decodeWav } from './decode-wav.js';
+async function loadWav(source) {
+    let bytes;
+    if (/^https?:\/\//.test(source)) {
+        const res = await fetch(source);
+        if (!res.ok)
+            throw new Error(`analyzeAudio: fetch ${source} → ${res.status}`);
+        bytes = new Uint8Array(await res.arrayBuffer());
+    }
+    else {
+        // Local path — Node only (authoring-time tool).
+        const { readFile } = await import('node:fs/promises');
+        bytes = new Uint8Array(await readFile(source));
+    }
+    return decodeWav(bytes);
+}
+/**
+ * Analyze an audio file (or raw PCM) into a {@link BeatMap}: detected `bpm`,
+ * `phase`, the implied beat/downbeat grid, detected `onsets` (hits), and
+ * energy-based `sections`. WAV files decode directly; for other formats pass
+ * decoded `samples`/`sampleRate` via {@link AnalyzeOptions}.
+ */
+export async function analyzeAudio(source, options = {}) {
+    let samples;
+    let sampleRate;
+    if (options.samples) {
+        samples = options.samples;
+        sampleRate = options.sampleRate ?? 44100;
+    }
+    else {
+        ({ samples, sampleRate } = await loadWav(source));
+    }
+    const a = analyzePcm(samples, sampleRate, options.beatsPerBar ?? 4);
+    return {
+        source,
+        duration: Math.round((samples.length / sampleRate) * 1000) / 1000,
+        bpm: a.bpm,
+        phase: a.phase,
+        beats: a.beats,
+        downbeats: a.downbeats,
+        onsets: a.onsets,
+        sections: a.sections,
+    };
+}
+//# sourceMappingURL=analyze.js.map

package/dist/analyze.js.map

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package/dist/beat-map.d.ts

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+/** A musical event detected in the audio, at a point in time. */
+export interface Marker {
+    /** Time of the event, in seconds from the start of the audio. */
+    time: number;
+    /**
+     * Relative salience of the event, 0..1. For onsets this is transient
+     * strength; for beats/downbeats it is detection confidence. Authoring uses
+     * it to scale accent magnitude — strong hits get bigger moves.
+     */
+    strength: number;
+}
+/** Frequency band an onset's energy is concentrated in. */
+export type Band = 'low' | 'mid' | 'high';
+/** A transient hit — a drum, a stab, a vocal onset. The "hit points" that
+ *  discrete accents (punch, flash, shake) sync to. */
+export interface Onset extends Marker {
+    /** Dominant band of the transient — lets authoring route kicks vs. hats to
+     *  different motions (bass → scale pulse, highs → shimmer). */
+    band: Band;
+}
+/** A structural region of the track (intro / build / drop / verse / …). The
+ *  unit at which scene changes and major reveals belong. */
+export interface Section {
+    /** Start time, seconds. */
+    start: number;
+    /** End time, seconds (== next section's start, or track end). */
+    end: number;
+    /**
+     * Coarse label when the analyzer can infer one. Free-form on purpose — the
+     * analyzer may only know boundaries, not names — so authoring should treat an
+     * unknown label as "a boundary worth cutting on", not rely on the string.
+     */
+    label?: string;
+    /** Mean energy of the region, 0..1. The jump between adjacent sections is the
+     *  "drop" signal: a low region followed by a high one. */
+    energy: number;
+}
+/**
+ * The full analysis of one audio file. Start minimal — tempo + the event
+ * tracks below cover Tier-1 tempo-pulse and Tier-2 accents. Add sampled band
+ * envelopes (continuous drivers) only once a consumer needs them; an IR field
+ * nothing reads is just maintenance.
+ */
+export interface BeatMap {
+    /** Source audio URL or path this map was computed from. */
+    source: string;
+    /** Total duration of the audio, seconds. */
+    duration: number;
+    /** Estimated global tempo, beats per minute. */
+    bpm: number;
+    /**
+     * Time of the first beat (beat 0), seconds. With `bpm` this defines the whole
+     * grid: beat k ≈ phase + k·60/bpm. Tier-1 tempo-pulse needs only these two
+     * numbers — a pure expression can breathe on the beat from them alone.
+     */
+    phase: number;
+    /** Every detected beat (the full grid, including downbeats). */
+    beats: Marker[];
+    /** Beats that fall on bar boundaries — where the BIG moves go. */
+    downbeats: Marker[];
+    /** Transient hits, for discrete accents. */
+    onsets: Onset[];
+    /** Structural regions, for scene changes / major reveals. */
+    sections: Section[];
+}
+//# sourceMappingURL=beat-map.d.ts.map

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package/dist/beat-map.js

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+// The beat map — the intermediate artifact this package produces and the
+// stable seam between audio analysis and motion authoring.
+//
+// Analysis (which DSP/ML approach, JS vs. a server-side analyzer) will churn;
+// the motion side (AI agents, @clipkit/patterns helpers) reads ONLY this shape.
+// Keep the two decoupled the way the importers keep `ir-types` between their
+// parser and converter, so the analyzer can be rewritten without touching the
+// authoring layer.
+//
+// This is AUTHORING-TIME data. It is deliberately NOT part of the Clipkit
+// Protocol: the runtime never reads a beat map. A patterns helper consumes it
+// and emits ordinary keyframes/expressions, so the rendered Source stays a pure,
+// deterministic function of time with no audio dependency.
+//
+// ── Units ──────────────────────────────────────────────────────────────────
+// ALL times are in SECONDS, matching the protocol's element `time` and keyframe
+// `time`. (The AE importer's IR is in frames because AE is; here we line up with
+// the Source directly, so a marker time drops straight into a keyframe.)
+export {};
+//# sourceMappingURL=beat-map.js.map

package/dist/beat-map.js.map

@@ -0,0 +1 @@
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package/dist/decode-wav.d.ts

@@ -0,0 +1,6 @@
+export interface DecodedAudio {
+    samples: Float32Array;
+    sampleRate: number;
+}
+export declare function decodeWav(bytes: Uint8Array): DecodedAudio;
+//# sourceMappingURL=decode-wav.d.ts.map

package/dist/decode-wav.d.ts.map

@@ -0,0 +1 @@
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package/dist/decode-wav.js

@@ -0,0 +1,72 @@
+// Minimal WAV decoder → mono Float32 samples. No dependencies; handles PCM
+// (8/16/24/32-bit) and 32-bit float, any channel count (downmixed to mono).
+// Other containers (mp3/aac/ogg) are out of scope here — decode them upstream
+// and hand `analyzeAudio` the raw samples via AnalyzeOptions.
+function str(b, o, n) {
+    let s = '';
+    for (let i = 0; i < n; i++)
+        s += String.fromCharCode(b[o + i]);
+    return s;
+}
+export function decodeWav(bytes) {
+    const dv = new DataView(bytes.buffer, bytes.byteOffset, bytes.byteLength);
+    if (str(bytes, 0, 4) !== 'RIFF' || str(bytes, 8, 4) !== 'WAVE') {
+        throw new Error('decodeWav: not a RIFF/WAVE file');
+    }
+    let fmt = null;
+    let dataOff = -1;
+    let dataLen = 0;
+    // Walk chunks.
+    let p = 12;
+    while (p + 8 <= bytes.length) {
+        const id = str(bytes, p, 4);
+        const size = dv.getUint32(p + 4, true);
+        const body = p + 8;
+        if (id === 'fmt ') {
+            fmt = {
+                audioFormat: dv.getUint16(body, true),
+                channels: dv.getUint16(body + 2, true),
+                sampleRate: dv.getUint32(body + 4, true),
+                bits: dv.getUint16(body + 14, true),
+            };
+        }
+        else if (id === 'data') {
+            dataOff = body;
+            dataLen = size;
+        }
+        p = body + size + (size & 1); // chunks are word-aligned
+    }
+    if (!fmt || dataOff < 0)
+        throw new Error('decodeWav: missing fmt/data chunk');
+    const { channels, sampleRate, bits, audioFormat } = fmt;
+    const bytesPerSample = bits >> 3;
+    const frameCount = Math.floor(dataLen / (bytesPerSample * channels));
+    const out = new Float32Array(frameCount);
+    const isFloat = audioFormat === 3;
+    const read = (off) => {
+        if (isFloat)
+            return bits === 64 ? dv.getFloat64(off, true) : dv.getFloat32(off, true);
+        switch (bits) {
+            case 8: return (dv.getUint8(off) - 128) / 128; // 8-bit PCM is unsigned
+            case 16: return dv.getInt16(off, true) / 32768;
+            case 24: {
+                const b0 = dv.getUint8(off), b1 = dv.getUint8(off + 1), b2 = dv.getUint8(off + 2);
+                let v = b0 | (b1 << 8) | (b2 << 16);
+                if (v & 0x800000)
+                    v -= 0x1000000;
+                return v / 8388608;
+            }
+            case 32: return dv.getInt32(off, true) / 2147483648;
+            default: throw new Error(`decodeWav: unsupported bit depth ${bits}`);
+        }
+    };
+    for (let i = 0; i < frameCount; i++) {
+        let acc = 0;
+        const base = dataOff + i * bytesPerSample * channels;
+        for (let c = 0; c < channels; c++)
+            acc += read(base + c * bytesPerSample);
+        out[i] = acc / channels; // downmix
+    }
+    return { samples: out, sampleRate };
+}
+//# sourceMappingURL=decode-wav.js.map

package/dist/decode-wav.js.map

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package/dist/dsp.d.ts

@@ -0,0 +1,13 @@
+import type { Marker, Onset, Section } from './beat-map.js';
+export interface PcmAnalysis {
+    bpm: number;
+    phase: number;
+    beats: Marker[];
+    downbeats: Marker[];
+    onsets: Onset[];
+    sections: Section[];
+}
+/** Full analysis of mono PCM. Beats/downbeats are the regular grid implied by
+ *  the detected tempo+phase; onsets are the actual detected transients. */
+export declare function analyzePcm(samples: Float32Array, sr: number, beatsPerBar?: number): PcmAnalysis;
+//# sourceMappingURL=dsp.d.ts.map

package/dist/dsp.d.ts.map

@@ -0,0 +1 @@
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package/dist/dsp.js

@@ -0,0 +1,295 @@
+// The analysis pipeline: PCM samples → tempo, phase, onsets, sections.
+// Deterministic, dependency-free, built on the FFT in fft.ts.
+//
+//   STFT → spectral flux ─┬─ peak-pick → onsets (the actual hits, w/ band)
+//                         └─ autocorrelation → tempo + phase → beat grid
+//   frame RMS → novelty  ──→ section boundaries (structure)
+//
+// Tuned for music, verified against click tracks of known tempo. Section
+// detection here is ENERGY-based (a build/drop reads as an energy jump); a
+// timbral self-similarity pass is the future refinement.
+import { magnitudeSpectrum } from './fft.js';
+const FRAME = 2048;
+const HOP = 512;
+function hann(n) {
+    const w = new Float64Array(n);
+    for (let i = 0; i < n; i++)
+        w[i] = 0.5 - 0.5 * Math.cos((2 * Math.PI * i) / (n - 1));
+    return w;
+}
+/** STFT-derived per-frame features: spectral flux (overall + 3 bands) and RMS. */
+function analyzeFrames(samples, sr) {
+    const win = hann(FRAME);
+    const nFrames = Math.max(1, Math.floor((samples.length - FRAME) / HOP) + 1);
+    const flux = new Float64Array(nFrames);
+    const low = new Float64Array(nFrames);
+    const mid = new Float64Array(nFrames);
+    const high = new Float64Array(nFrames);
+    const rms = new Float64Array(nFrames);
+    const half = FRAME >> 1;
+    // band edges in bins (bin width = sr / FRAME)
+    const binHz = sr / FRAME;
+    const loEdge = Math.round(200 / binHz);
+    const hiEdge = Math.round(5000 / binHz);
+    let prev = new Float64Array(half);
+    const frame = new Float64Array(FRAME);
+    for (let f = 0; f < nFrames; f++) {
+        const start = f * HOP;
+        let energy = 0;
+        for (let i = 0; i < FRAME; i++) {
+            const s = samples[start + i] ?? 0;
+            energy += s * s;
+            frame[i] = s * win[i];
+        }
+        rms[f] = Math.sqrt(energy / FRAME);
+        const mag = magnitudeSpectrum(frame);
+        let fl = 0, fLo = 0, fMid = 0, fHi = 0;
+        for (let b = 1; b < half; b++) {
+            const m = Math.log1p(mag[b]); // log-compress for musical dynamics
+            const d = m - prev[b];
+            if (d > 0) {
+                fl += d;
+                if (b < loEdge)
+                    fLo += d;
+                else if (b < hiEdge)
+                    fMid += d;
+                else
+                    fHi += d;
+            }
+            prev[b] = m;
+        }
+        flux[f] = fl;
+        low[f] = fLo;
+        mid[f] = fMid;
+        high[f] = fHi;
+    }
+    // normalize flux to [0,1]
+    let mx = 0;
+    for (let f = 0; f < nFrames; f++)
+        if (flux[f] > mx)
+            mx = flux[f];
+    if (mx > 0)
+        for (let f = 0; f < nFrames; f++)
+            flux[f] /= mx;
+    return { flux, bandFlux: [low, mid, high], rms, dt: HOP / sr };
+}
+/** Peak-pick onsets from the flux envelope: local maxima above an adaptive
+ *  threshold, with a minimum inter-onset gap. */
+function pickOnsets(fr) {
+    const { flux, bandFlux, dt } = fr;
+    const n = flux.length;
+    const w = Math.max(2, Math.round(0.05 / dt)); // local window ~50ms
+    const meanW = Math.max(4, Math.round(0.1 / dt));
+    const minGap = 0.07; // seconds
+    const out = [];
+    let lastT = -Infinity;
+    for (let i = 1; i < n - 1; i++) {
+        const v = flux[i];
+        if (v < 0.06)
+            continue;
+        // local max?
+        let isMax = true;
+        for (let k = -w; k <= w; k++)
+            if (flux[i + k] !== undefined && flux[i + k] > v) {
+                isMax = false;
+                break;
+            }
+        if (!isMax)
+            continue;
+        // adaptive threshold: above the local mean by a margin
+        let sum = 0, cnt = 0;
+        for (let k = -meanW; k <= meanW; k++) {
+            const x = flux[i + k];
+            if (x !== undefined) {
+                sum += x;
+                cnt++;
+            }
+        }
+        if (v < (sum / cnt) * 1.4 + 0.03)
+            continue;
+        const t = i * dt;
+        if (t - lastT < minGap)
+            continue;
+        lastT = t;
+        // dominant band at this frame
+        const lo = bandFlux[0][i], md = bandFlux[1][i], hi = bandFlux[2][i];
+        const band = lo >= md && lo >= hi ? 'low' : hi >= md ? 'high' : 'mid';
+        out.push({ time: t, strength: Math.min(1, v), band });
+    }
+    return out;
+}
+/** Autocorrelation tempo over 60–180 BPM, picking the strongest lag. */
+function detectTempo(flux, dt) {
+    const n = flux.length;
+    // de-mean
+    let mean = 0;
+    for (let i = 0; i < n; i++)
+        mean += flux[i];
+    mean /= n;
+    const env = new Float64Array(n);
+    for (let i = 0; i < n; i++)
+        env[i] = flux[i] - mean;
+    const lagMin = Math.max(1, Math.round((60 / 200) / dt));
+    const lagMax = Math.round((60 / 60) / dt);
+    const acf = new Float64Array(lagMax + 1);
+    let bestLag = lagMin;
+    let bestScore = -Infinity;
+    for (let lag = lagMin; lag <= lagMax; lag++) {
+        let s = 0;
+        for (let i = 0; i + lag < n; i++)
+            s += env[i] * env[i + lag];
+        acf[lag] = s;
+        // Perceptual tempo prior: a log-normal centred on 120 BPM nudges the octave
+        // ambiguity toward the tactus humans tap.
+        const bpm = 60 / (lag * dt);
+        const score = s * Math.exp(-0.5 * (Math.log2(bpm / 120) / 0.8) ** 2);
+        if (score > bestScore) {
+            bestScore = score;
+            bestLag = lag;
+        }
+    }
+    // Octave-doubling: a four-on-the-floor track correlates strongly at the
+    // half-bar (e.g. 60) because the backbeat repeats there — but if the
+    // double-tempo pulse (the kick, 120) is well-supported, that's the real beat.
+    for (;;) {
+        const half = Math.round(bestLag / 2);
+        const bpmD = 60 / (half * dt);
+        if (half < lagMin || bpmD > 185 || acf[half] < 0.5 * acf[bestLag])
+            break;
+        bestLag = half;
+    }
+    return Math.round((60 / (bestLag * dt)) * 10) / 10;
+}
+/** Best phase (time of beat 0) for a known tempo: the grid offset that lands on
+ *  the most onset-envelope energy. */
+function detectPhase(flux, bpm, dt) {
+    const periodF = 60 / bpm / dt; // frames per beat (float)
+    const steps = Math.max(1, Math.round(periodF));
+    let bestOff = 0;
+    let bestScore = -Infinity;
+    for (let o = 0; o < steps; o++) {
+        let s = 0;
+        for (let k = 0; o + k * periodF < flux.length; k++)
+            s += flux[Math.round(o + k * periodF)];
+        if (s > bestScore) {
+            bestScore = s;
+            bestOff = o;
+        }
+    }
+    return Math.round(bestOff * dt * 1000) / 1000;
+}
+/** Energy-novelty section boundaries: sustained RMS changes split the track. */
+function detectSections(rms, dt, duration) {
+    const n = rms.length;
+    // smooth RMS over ~0.4s
+    const sw = Math.max(1, Math.round(0.4 / dt));
+    const sm = new Float64Array(n);
+    for (let i = 0; i < n; i++) {
+        let s = 0, c = 0;
+        for (let k = -sw; k <= sw; k++) {
+            const x = rms[i + k];
+            if (x !== undefined) {
+                s += x;
+                c++;
+            }
+        }
+        sm[i] = s / c;
+    }
+    // novelty = |future mean − past mean| over a ~1.5s half-window
+    const hw = Math.max(2, Math.round(1.5 / dt));
+    const nov = new Float64Array(n);
+    for (let i = 0; i < n; i++) {
+        let pa = 0, pc = 0, fa = 0, fc = 0;
+        for (let k = 1; k <= hw; k++) {
+            if (sm[i - k] !== undefined) {
+                pa += sm[i - k];
+                pc++;
+            }
+            if (sm[i + k] !== undefined) {
+                fa += sm[i + k];
+                fc++;
+            }
+        }
+        nov[i] = pc && fc ? Math.abs(fa / fc - pa / pc) : 0;
+    }
+    // peak-pick boundaries: local maxima, min section length, relative threshold
+    let mx = 0;
+    for (let i = 0; i < n; i++)
+        if (nov[i] > mx)
+            mx = nov[i];
+    const minLenF = Math.round(4 / dt); // ≥ 4s sections
+    const boundaries = [0];
+    if (mx > 0) {
+        let last = -minLenF;
+        for (let i = hw; i < n - hw; i++) {
+            const v = nov[i];
+            if (v < mx * 0.35)
+                continue;
+            let isMax = true;
+            for (let k = -hw; k <= hw; k++)
+                if (nov[i + k] !== undefined && nov[i + k] > v) {
+                    isMax = false;
+                    break;
+                }
+            if (isMax && i - last >= minLenF) {
+                boundaries.push(i);
+                last = i;
+            }
+        }
+    }
+    // build sections, energy normalized to the loudest section
+    const segs = [];
+    for (let b = 0; b < boundaries.length; b++) {
+        const s = boundaries[b];
+        const e = b + 1 < boundaries.length ? boundaries[b + 1] : n;
+        let sum = 0;
+        for (let i = s; i < e; i++)
+            sum += sm[i];
+        segs.push({ start: s * dt, end: (b + 1 < boundaries.length ? e * dt : duration), energy: sum / Math.max(1, e - s) });
+    }
+    let emax = 0;
+    for (const g of segs)
+        if (g.energy > emax)
+            emax = g.energy;
+    return segs.map((g) => {
+        const energy = emax > 0 ? Math.round((g.energy / emax) * 1000) / 1000 : 0;
+        const label = energy < 0.34 ? 'low' : energy < 0.7 ? 'mid' : 'high';
+        return { start: Math.round(g.start * 1000) / 1000, end: Math.round(g.end * 1000) / 1000, label, energy };
+    });
+}
+/** Full analysis of mono PCM. Beats/downbeats are the regular grid implied by
+ *  the detected tempo+phase; onsets are the actual detected transients. */
+export function analyzePcm(samples, sr, beatsPerBar = 4) {
+    const duration = samples.length / sr;
+    const fr = analyzeFrames(samples, sr);
+    const onsets = pickOnsets(fr);
+    // Tempo/phase run on an ENERGY-flux envelope (half-wave-rectified RMS diff),
+    // not the spectral flux: spectral flux over-weights broadband hits (claps,
+    // snares) which biases toward the half-bar, while the energy envelope tracks
+    // the kick pulse — the tactus. (Spectral flux still drives onset timing.)
+    const tempoEnv = new Float64Array(fr.rms.length);
+    for (let i = 1; i < fr.rms.length; i++) {
+        const d = fr.rms[i] - fr.rms[i - 1];
+        tempoEnv[i] = d > 0 ? d : 0;
+    }
+    const bpm = detectTempo(tempoEnv, fr.dt);
+    const phase = detectPhase(tempoEnv, bpm, fr.dt);
+    const interval = 60 / bpm;
+    const beats = [];
+    const downbeats = [];
+    for (let k = 0;; k++) {
+        const t = phase + k * interval;
+        if (t > duration)
+            break;
+        if (t < 0)
+            continue;
+        const isDown = k % beatsPerBar === 0;
+        const m = { time: Math.round(t * 1000) / 1000, strength: isDown ? 1 : 0.7 };
+        beats.push(m);
+        if (isDown)
+            downbeats.push(m);
+    }
+    const sections = detectSections(fr.rms, fr.dt, duration);
+    return { bpm, phase, beats, downbeats, onsets, sections };
+}
+//# sourceMappingURL=dsp.js.map

package/dist/dsp.js.map

@@ -0,0 +1 @@
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package/dist/fft.d.ts

@@ -0,0 +1,8 @@
+/** In-place complex FFT. `re`/`im` length MUST be a power of two. */
+export declare function fft(re: Float64Array, im: Float64Array): void;
+/** Smallest power of two ≥ n. */
+export declare function nextPow2(n: number): number;
+/** Magnitude spectrum (first n/2 bins) of a real, already-windowed frame. The
+ *  frame is copied and zero-padded to a power of two. */
+export declare function magnitudeSpectrum(frame: Float64Array): Float64Array;
+//# sourceMappingURL=fft.d.ts.map

package/dist/fft.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"fft.d.ts","sourceRoot":"","sources":["../src/fft.ts"],"names":[],"mappings":"AAIA,qEAAqE;AACrE,wBAAgB,GAAG,CAAC,EAAE,EAAE,YAAY,EAAE,EAAE,EAAE,YAAY,GAAG,IAAI,CAiC5D;AAED,iCAAiC;AACjC,wBAAgB,QAAQ,CAAC,CAAC,EAAE,MAAM,GAAG,MAAM,CAI1C;AAED;yDACyD;AACzD,wBAAgB,iBAAiB,CAAC,KAAK,EAAE,YAAY,GAAG,YAAY,CAUnE"}

package/dist/fft.js

@@ -0,0 +1,67 @@
+// Iterative in-place radix-2 Cooley–Tukey FFT. The one piece of heavy math the
+// analyzer leans on; everything else (flux, tempo, sections) is built on the
+// magnitude spectra this produces. Pure and deterministic.
+/** In-place complex FFT. `re`/`im` length MUST be a power of two. */
+export function fft(re, im) {
+    const n = re.length;
+    // bit-reversal permutation
+    for (let i = 1, j = 0; i < n; i++) {
+        let bit = n >> 1;
+        for (; j & bit; bit >>= 1)
+            j ^= bit;
+        j ^= bit;
+        if (i < j) {
+            const tr = re[i];
+            re[i] = re[j];
+            re[j] = tr;
+            const ti = im[i];
+            im[i] = im[j];
+            im[j] = ti;
+        }
+    }
+    for (let len = 2; len <= n; len <<= 1) {
+        const ang = (-2 * Math.PI) / len;
+        const wr = Math.cos(ang);
+        const wi = Math.sin(ang);
+        const half = len >> 1;
+        for (let i = 0; i < n; i += len) {
+            let cr = 1;
+            let ci = 0;
+            for (let k = 0; k < half; k++) {
+                const a = i + k;
+                const b = a + half;
+                const xr = re[b] * cr - im[b] * ci;
+                const xi = re[b] * ci + im[b] * cr;
+                re[b] = re[a] - xr;
+                im[b] = im[a] - xi;
+                re[a] = re[a] + xr;
+                im[a] = im[a] + xi;
+                const ncr = cr * wr - ci * wi;
+                ci = cr * wi + ci * wr;
+                cr = ncr;
+            }
+        }
+    }
+}
+/** Smallest power of two ≥ n. */
+export function nextPow2(n) {
+    let p = 1;
+    while (p < n)
+        p <<= 1;
+    return p;
+}
+/** Magnitude spectrum (first n/2 bins) of a real, already-windowed frame. The
+ *  frame is copied and zero-padded to a power of two. */
+export function magnitudeSpectrum(frame) {
+    const n = nextPow2(frame.length);
+    const re = new Float64Array(n);
+    const im = new Float64Array(n);
+    re.set(frame);
+    fft(re, im);
+    const half = n >> 1;
+    const mag = new Float64Array(half);
+    for (let i = 0; i < half; i++)
+        mag[i] = Math.hypot(re[i], im[i]);
+    return mag;
+}
+//# sourceMappingURL=fft.js.map

package/dist/fft.js.map

@@ -0,0 +1 @@
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package/dist/grid.d.ts

@@ -0,0 +1,21 @@
+import type { BeatMap } from './beat-map.js';
+export interface BeatGridOptions {
+    /** Tempo, beats per minute. Must be > 0. */
+    bpm: number;
+    /** Total span to fill with beats, seconds. */
+    duration: number;
+    /** Time of beat 0, seconds. Default 0. */
+    phase?: number;
+    /** Beats per bar — a downbeat lands every Nth beat from beat 0. Default 4. */
+    beatsPerBar?: number;
+    /** Label recorded as the map's `source`. Default "synthetic:bpm". */
+    source?: string;
+}
+/**
+ * Build a {@link BeatMap} from a known tempo. Populates `bpm`, `phase`,
+ * `beats`, and `downbeats`; `onsets` and `sections` are left empty (those need
+ * real audio analysis). The first beat at or after `phase` is beat 0, and every
+ * `beatsPerBar`-th beat from there is a downbeat.
+ */
+export declare function beatGrid(opts: BeatGridOptions): BeatMap;
+//# sourceMappingURL=grid.d.ts.map

package/dist/grid.d.ts.map

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package/dist/grid.js

@@ -0,0 +1,51 @@
+// beatGrid — synthesize a BeatMap from a KNOWN tempo.
+//
+// Tempo detection from raw audio is the analyzer's job (see analyze.ts) and is
+// still ahead of us. But the moment you know the BPM — and you very often do
+// (the track's metadata, a creator who typed it in, a loop at a fixed tempo) —
+// the entire grid is determined: beat k sits at `phase + k·60/bpm`. This builds
+// that grid as a real, fully-formed BeatMap, so motion can be synced to music
+// today while the detector is built behind the same BeatMap contract.
+//
+// Deterministic and pure: same options → same map.
+/**
+ * Build a {@link BeatMap} from a known tempo. Populates `bpm`, `phase`,
+ * `beats`, and `downbeats`; `onsets` and `sections` are left empty (those need
+ * real audio analysis). The first beat at or after `phase` is beat 0, and every
+ * `beatsPerBar`-th beat from there is a downbeat.
+ */
+export function beatGrid(opts) {
+    const { bpm, duration } = opts;
+    const phase = opts.phase ?? 0;
+    const beatsPerBar = opts.beatsPerBar ?? 4;
+    if (!(bpm > 0))
+        throw new RangeError(`beatGrid: bpm must be > 0, got ${bpm}`);
+    const interval = 60 / bpm; // seconds per beat
+    const beats = [];
+    const downbeats = [];
+    // Beat 0 is the first beat at or after `phase`; index counts from there so
+    // the downbeat phase is stable regardless of where `phase` falls.
+    for (let k = 0;; k++) {
+        const time = phase + k * interval;
+        if (time > duration)
+            break;
+        if (time < 0)
+            continue;
+        const isDownbeat = k % beatsPerBar === 0;
+        const marker = { time, strength: isDownbeat ? 1 : 0.7 };
+        beats.push(marker);
+        if (isDownbeat)
+            downbeats.push(marker);
+    }
+    return {
+        source: opts.source ?? `synthetic:${bpm}bpm`,
+        duration,
+        bpm,
+        phase,
+        beats,
+        downbeats,
+        onsets: [],
+        sections: [],
+    };
+}
+//# sourceMappingURL=grid.js.map

package/dist/grid.js.map

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package/dist/index.d.ts

@@ -0,0 +1,5 @@
+export { beatGrid, type BeatGridOptions } from './grid.js';
+export { decodeWav, type DecodedAudio } from './decode-wav.js';
+export { analyzePcm, type PcmAnalysis } from './dsp.js';
+export type * from './beat-map.js';
+//# sourceMappingURL=index.d.ts.map

package/dist/index.d.ts.map

@@ -0,0 +1 @@
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package/dist/index.js

@@ -0,0 +1,14 @@
+// @clipkit/music-analysis — audio → beat map.
+//
+// Produces an authoring-time beat map (tempo, downbeats, onsets, sections) that
+// AI agents and @clipkit/patterns helpers read to sync motion to music. The
+// beat map is NOT part of the rendered protocol; consumers bake it down to
+// ordinary keyframes/expressions so renders stay deterministic.
+// analyzeAudio reads files (node:fs) — it lives behind the Node-only
+// '@clipkit/music-analysis/node' subpath so importing the browser-safe helpers
+// below (beatGrid etc.) doesn't drag node:fs into client bundles. Mirrors the
+// node/browser export split in @clipkit/speech-to-text.
+export { beatGrid } from './grid.js';
+export { decodeWav } from './decode-wav.js';
+export { analyzePcm } from './dsp.js';
+//# sourceMappingURL=index.js.map

package/dist/index.js.map

@@ -0,0 +1 @@
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package/dist/node.d.ts

@@ -0,0 +1,2 @@
+export { analyzeAudio, type AnalyzeOptions } from './analyze.js';
+//# sourceMappingURL=node.d.ts.map

package/dist/node.d.ts.map

@@ -0,0 +1 @@
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package/dist/node.js

@@ -0,0 +1,10 @@
+// Node-only entry for @clipkit/music-analysis.
+//
+// analyzeAudio reads audio files from disk (node:fs/promises), so it can't be
+// part of the browser-safe barrel (index.ts) — importing the barrel for a pure
+// helper like beatGrid would otherwise drag node:fs into client bundles and
+// break the web build. Authoring-time / CLI / MCP code imports it from here:
+//
+//   import { analyzeAudio } from '@clipkit/music-analysis/node';
+export { analyzeAudio } from './analyze.js';
+//# sourceMappingURL=node.js.map

package/dist/node.js.map

@@ -0,0 +1 @@
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package/package.json

@@ -0,0 +1,38 @@
+{
+  "name": "@clipkit/music-analysis",
+  "version": "1.0.0",
+  "description": "Analyze an audio file into a Clipkit beat map — tempo, downbeats, onsets, and sections. The beat map is an authoring-time artifact: AI agents and @clipkit/patterns helpers read it to place transitions, accents, and reveals on musical time. It is NOT part of the rendered protocol — the runtime never sees it.",
+  "license": "Apache-2.0",
+  "repository": { "type": "git", "url": "git+https://github.com/clipkit-video/clipkit.git", "directory": "packages/music-analysis" },
+  "homepage": "https://clipkit.dev",
+  "bugs": "https://github.com/clipkit-video/clipkit/issues",
+  "type": "module",
+  "main": "./dist/index.js",
+  "types": "./dist/index.d.ts",
+  "exports": {
+    ".": {
+      "import": "./dist/index.js",
+      "types": "./dist/index.d.ts"
+    },
+    "./node": {
+      "import": "./dist/node.js",
+      "types": "./dist/node.d.ts"
+    }
+  },
+  "files": [
+    "dist",
+    "README.md",
+    "LICENSE"
+  ],
+  "scripts": {
+    "build": "tsc",
+    "dev": "tsc --watch",
+    "typecheck": "tsc --noEmit",
+    "clean": "rm -rf dist"
+  },
+  "dependencies": {},
+  "devDependencies": {
+    "@types/node": "^22.0.0",
+    "typescript": "^5.7.3"
+  }
+}