@clipkit/mcp-server 1.0.0

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+// AUTO-GENERATED — do not edit by hand.
+// Source: scripts/embed-docs.mjs (run via npm run prebuild).
+// Re-run `npm run build` to regenerate after editing the source docs.
+export const AGENTS_MD = `# Clipkit — Authoring guide (AGENTS.md)
+
+> This file is the authoring-time context for AI tools (and humans)
+> writing Clipkit videos. Paste it into a system prompt or attach it
+> to a Claude project. For the **formal protocol spec** — element types,
+> field semantics, conformance levels, normative MUST/SHOULD/MAY — see
+> [\`PROTOCOL.md\`](./PROTOCOL.md).
+
+Clipkit is a protocol for describing motion-graphics videos as JSON.
+A \`Source\` document is the list of \`elements\` (with timing and
+animations) that a conforming runtime turns into frames or MP4.
+
+There are two layers you work with as an author:
+
+1. **Primitives** — the element types defined by the Clipkit Protocol.
+   The formal spec is in [PROTOCOL.md](./PROTOCOL.md). Section 1 below
+   is a quick cheat sheet so you don't have to bounce out for common
+   lookups, but PROTOCOL.md is the source of truth.
+2. **Patterns** — authoring-time TypeScript helpers in \`@clipkit/patterns\`
+   that produce primitive elements. You never reference patterns in
+   a Source JSON; you call them in TS/JS and inline their output.
+   Patterns are documented in section 2 (Pattern catalog).
+
+Section 3 (Recipes) walks through complete example videos showing how
+patterns compose into a full piece.
+
+---
+
+## 0. Which surface to use
+
+Before authoring anything, pick the right surface for your context.
+There are two — they layer cleanly, no overlap.
+
+| You are running in… | Use… | How |
+|---|---|---|
+| **Claude Code, Cursor, Replit Agent, or any IDE-embedded AI with file + shell access** | \`@clipkit/cli\` | Write files (\`video.ts\` or a JSON source) using this doc as context. Run \`npx @clipkit/cli render\`, \`validate\`, or \`preview\` via Bash. Skip MCP entirely. |
+| **Claude.ai chat, Claude Desktop without local tools, or any chat-mode AI without filesystem access** | \`@clipkit/mcp-server\` | Call the MCP tools — \`set_project\` to build (the full creative canvas), \`create_promo\` to compose from prebuilt scenes, \`add_element\`/\`edit_element\`/\`delete_element\` to tweak, \`preview_still\`/\`validate_project\`/\`describe_project\` to check, \`open_in_editor\`/\`render_video\` to deliver. The server holds state for you. |
+| **A human developer** | \`@clipkit/cli\` | \`npx @clipkit/cli init my-video\`, edit files, \`npx @clipkit/cli render\`. Same path as IDE-embedded AI. |
+| **CI / a build script** | \`@clipkit/cli\` | One-shot \`clipkit render input.json --out out.mp4\`. |
+
+A few clarifications agents sometimes need:
+
+- **The CLI and the MCP server are not interchangeable.** They target
+  different deployments. CLI assumes you have a shell. MCP assumes you
+  don't.
+- **If you can run \`Bash\`, you're in CLI territory.** You don't need
+  MCP at all — go straight to files + CLI.
+- **There is no "Clipkit Skill."** The skill concept was considered and
+  dropped because everything it would do (auto-load this doc, wrap CLI
+  commands as slash commands) is already covered by the CLI and by MCP
+  resource-loading. If a user asks about installing the skill, redirect
+  them to the CLI.
+
+Once you know your surface, continue to §1 for the schema cheat sheet.
+
+---
+
+## 1. Schema cheat sheet
+
+Authoritative spec: **[PROTOCOL.md](./PROTOCOL.md)** (CKP/1.0). What
+follows is the at-a-glance reference for things you look up constantly.
+
+### Source root
+
+\`\`\`json
+{
+  "clipkit_version": "1.0",
+  "output_format": "mp4",
+  "width": 1920, "height": 1080,
+  "duration": 30, "frame_rate": 30,
+  "background_color": "#000000",
+  "elements": [ /* ... */ ]
+}
+\`\`\`
+
+Optional root field \`motion_blur: { "samples": 8, "shutter": 0.5 }\`
+adds whole-frame motion blur at render time — the frame becomes the
+exact average of \`samples\` sub-frame renders across a shutter window
+(\`shutter\` = fraction of the frame interval; 0.5 ≈ a film camera's
+180° shutter). Use it when fast motion strobes: whip-pans, fast
+travel, spinning elements. Renders cost \`samples\`× the frames, so keep
+samples at 8 (default) unless trails visibly stair-step. Previews play
+unblurred; the blur appears in the exported file.
+
+### Element types
+
+| \`type\` | Renders | Key fields |
+|---|---|---|
+| \`shape\` | rect / ellipse / rounded rect, **or** vector paths | primitive: \`shape\`, \`fill_color\`, \`gradient\`, \`border_radius\`; path form: \`paths[]\`, \`view_box\`, \`gradients\` |
+| \`text\` | one-line text | \`text\`, \`spans\`, \`font_family\`, \`font_size\`, \`background_color\`, \`text_shadow\`, \`mask\` |
+| \`image\` | bitmap | \`source\`, \`fit\`, \`crop_*\` |
+| \`video\` | video frame at element time | \`source\`, \`volume\`, \`trim_start\`, \`loop\`, \`fit\`, \`crop_*\` |
+| \`audio\` | non-visual; mixed in export | \`source\`, \`volume\` |
+| \`caption\` | word-timed captions | \`words\`, \`style\`, \`highlight_color\` |
+| \`particles\` | ballistic or convergence | \`rate\`/\`burst\`/\`target_points\`, \`lifetime\`, \`velocity\`, \`z_velocity\` |
+| \`group\` | container; transforms/animates children as one | \`elements[]\`, \`clip\`, \`mask\`, \`time_remap\` |
+
+A \`shape\` is **either** a primitive (\`shape: "rectangle" | "ellipse"\`, default
+rectangle) **or** vector geometry (\`paths\`) — never both on one element. When
+\`paths\` is present it wins and the primitive fields (\`shape\`, \`fill_color\`,
+\`gradient\`, \`border_radius\`, \`stroke_*\`) are ignored; geometry and fill come
+from inside each path. There is no \`triangle\`/\`polygon\` primitive — use \`paths\`
+(e.g. \`"M ... L ... L ... Z"\`) for triangles and any arbitrary/morphing shape.
+
+\`text\` and \`caption\` take \`background_color\` (+ \`background_border_radius\`,
+\`background_padding\` as a number or \`[x, y]\`) for a solid bg drawn as **one
+band per line**, each shrink-wrapped to that line's glyphs (the social-
+caption look) — don't put a separate shape behind text; the integral bg
+auto-sizes to the wrapped / auto-fit text and moves with it.
+
+For text shadows: \`text_shadow\` ({\`color\`, \`offset_x\`, \`offset_y\`, \`blur\`,
+\`opacity\`}, or an **array** for stacked / 3D-extrusion shadows) is
+**per-glyph** — each letter casts its own, tracking per-letter animation.
+Use the \`drop_shadow\` *effect* instead for one soft shadow of the whole
+text silhouette.
+
+\`image\` and \`video\` take \`fit\` (CSS \`object-fit\`: \`cover\` default,
+\`contain\`, \`fill\`, \`none\`) and a source **crop** — \`crop_x\` / \`crop_y\` /
+\`crop_width\` / \`crop_height\`, normalized \`0..1\` of the source, origin
+top-left, default \`0,0,1,1\` (whole source). Crop selects a sub-rectangle
+of the media BEFORE \`fit\` maps it into the box; the element box is
+unchanged. Each crop component is keyframeable — animate the origin to
+pan and the size to zoom (Ken Burns) without touching layout.
+
+There is deliberately NO nested-composition ("pre-comp") element. Reuse
+is an authoring-time concern — component patterns in \`@clipkit/patterns\`
+(section 2) expand into plain elements before serialization. Nested
+timing (speed-ramp / freeze / reverse a whole scene) is \`time_remap\` on
+a plain \`group\`.
+
+### Shared transform fields (every element)
+
+\`x\`, \`y\`, \`x_anchor\` (0..1), \`y_anchor\` (0..1), \`width\`, \`height\`,
+\`rotation\` (degrees), \`scale\`, \`opacity\` (0..1 — CSS convention),
+and the CKP/1.0 3D fields \`x_rotation\` / \`y_rotation\` / \`z_rotation\` /
+\`z\` (see "3D transforms" below).
+
+All of \`x\` / \`y\` / \`width\` / \`height\` accept numbers (pixels) or
+length strings — \`"50%"\`, \`"10vw"\`, \`"15vh"\`, \`"5vmin"\`, \`"5vmax"\`.
+
+> ⚠️ **\`%\` is relative to the CANVAS, not the parent** (unlike CSS).
+> \`"50%"\` on \`x\` means half the canvas width regardless of nesting.
+> \`vw\`/\`vh\`/\`vmin\`/\`vmax\` likewise resolve against the canvas. There is
+> no parent-relative percentage; use pixels inside groups when you need
+> child-relative sizing.
+
+### Coming from CSS/HTML
+
+Clipkit deliberately tracks CSS where an agent's CSS prior would
+otherwise misfire, and deliberately diverges where the protocol earns
+it. Aligned (write them like CSS): **\`opacity\`** is \`0..1\` (default 1);
+**gradient \`angle\`** is the CSS convention (\`0deg\` = to top, clockwise,
+so \`90\` = to right, \`180\`/default = to bottom); **colors** accept hex,
+\`rgb()/rgba()\`, \`hsl()/hsla()\`, the 148 CSS named colors, and
+\`transparent\`. Field name map:
+
+| CSS | Clipkit | Note |
+|---|---|---|
+| \`left\` / \`top\` | \`x\` / \`y\` | top-left corner, like CSS |
+| \`width\` / \`height\` | \`width\` / \`height\` | px or canvas-% / vw / vh |
+| \`opacity\` | \`opacity\` | \`0..1\`, default 1 |
+| \`border-radius\` | \`border_radius\` | px |
+| \`color\` / \`background\` | \`fill_color\` | SVG-flavored name |
+| \`border\` color | \`stroke_color\` / \`stroke_width\` | |
+| \`z-index\` | \`z\` (+ \`layer\`) | see below |
+| \`transform: rotate()\` | \`rotation\` (= \`z_rotation\`) | degrees |
+| \`transform: scale()\` | \`scale\` / \`x_scale\` / \`y_scale\` | |
+| \`linear-gradient(θ)\` | \`gradient.angle\` | same θ convention |
+| \`transition\` / \`@keyframes\` | \`animations\` / \`keyframe_animations\` | declarative timeline |
+
+**Positioning is the CSS model:** \`x\`/\`y\` place the element's **top-left
+corner** (\`x_anchor\`/\`y_anchor\` default \`0\`), exactly like \`left\`/\`top\` /
+SVG / Canvas. Set \`x_anchor: 0.5, y_anchor: 0.5\` to position by center
+(or \`1\` for the far edge). Rotation and scale always pivot the element's
+center — like CSS \`transform-origin\` — independent of the anchor. So a
+full-frame layer is just \`x:0, y:0, width:W, height:H\`.
+
+**Layers (required).** Every element gets its own integer \`layer\` (1..1000),
+like an After Effects layer: **layer 1 is on top**, higher numbers go toward
+the back. Give each element a UNIQUE layer — number them 1..N within a container
+(the top-level \`elements\`, each group's \`elements\`, each group mask's
+\`elements\`). Duplicate layers are a validation error. \`z\` depth still wins over
+\`layer\`; \`layer\` orders elements within equal depth.
+
+Kept divergences (intentional — don't "fix" them):
+- **\`z\` not \`z_index\`.** \`z\` is the single depth axis (layering +
+  perspective foreshortening); \`layer\` orders within equal depth (lower = front). See "3D
+  transforms".
+- **snake_case keys** and SVG-flavored \`fill_color\` / \`stroke_color\`.
+- **Easing names are a superset of CSS** (\`ease-out-back\`, springs, …).
+
+### Expressions (procedural motion)
+
+A numeric property can be a **formula** instead of a number or a keyframe
+table — a pure function of the element's own clock. Reach for it on the
+motions that are one line as math and a nightmare as keyframes: bobs,
+orbits, spins, handheld shake, staggered reveals.
+
+\`\`\`jsonc
+{ "y": { "expr": "540 + sin(t * PI) * 30" } }      // bob ±30px at 0.5 Hz
+{ "rotation": { "expr": "t * 90" } }                // 90°/s spin
+{ "x": { "expr": "960 + wiggle(3, 12)" } }          // handheld shake, ±12px
+{ "opacity": { "expr": "clamp(t / 0.4, 0, 1)" } }   // 0.4s linear fade-in
+\`\`\`
+
+In scope: \`t\` (element-local seconds), \`dur\`, \`i\` (index in a generated
+set), \`n\` (sibling count), \`value\` (the property's base default); the
+constants \`PI\`/\`TAU\`/\`E\`; and a fixed function set (\`sin cos … clamp lerp
+smoothstep linear ease noise wiggle random\`). Operators \`+ - * / % ^\`,
+comparisons, \`&& || !\`, and \`cond ? a : b\`. The full normative grammar is
+PROTOCOL.md §3.6.
+
+Use \`i\` for staggered fleets — give every generated element the **same**
+expression and they self-offset by index:
+
+\`\`\`jsonc
+{ "y": { "expr": "300 + i * 80" },                       // stack by index
+  "opacity": { "expr": "clamp((t - i * 0.1) / 0.3, 0, 1)" } }  // ripple-in
+\`\`\`
+
+The rules that keep it safe and portable (all NORMATIVE):
+- **No cross-element references, no runtime inputs.** An \`expr\` sees only
+  its own clock — never another element, the mouse, or audio. (Those are
+  "Tier-B" and permanently unsupported. If you're tempted, bake the
+  relationship into keyframes, or parent the elements.)
+- **Deterministic.** \`noise\`/\`wiggle\`/\`random\` are seeded hashes, not
+  wall-clock RNG, so every render is identical; \`seed\` defaults to \`0\`.
+- **Bakeable.** An expression and a \`Keyframe[]\` are interchangeable — the
+  importer/editor can sample one into the other.
+- A typo (unknown name, member access, a string) does **not** stop the
+  render — the property silently falls back to its base value. So if a
+  move "does nothing," check the formula.
+
+### 3D transforms (CKP/1.0)
+
+Every element also takes \`x_rotation\` (tip top edge away), \`y_rotation\`
+(turn right edge away), \`z_rotation\` (alias of \`rotation\` — author one
+or the other, both is a validation error), and \`z\` — **the one depth
+axis** (px toward the viewer). \`z\` is also the stacking control: it
+orders elements always (higher \`z\` = in front), and *additionally*
+foreshortens once a camera is present. There is no separate \`z_index\` —
+use \`z\` for layering, \`layer\` orders within equal depth (lower = front, unique per container). Add a
+Source-level camera for true perspective:
+
+\`\`\`jsonc
+{ "camera": { "perspective": 1200 },          // px; smaller = stronger
+  "elements": [{ "type": "group", "clip": true, "y_rotation": -24,
+                 "width": 620, "height": 420, "elements": [ /* UI mock */ ] }] }
+\`\`\`
+
+The tilted-UI promo recipe: put the screenshot/mock in a \`clip: true\`
+group and rotate THE GROUP — the flattened layer projects as one card.
+
+The camera also MOVES (CKP/1.0): \`x\`/\`y\`/\`z\` position and \`x_rotation\`/
+\`y_rotation\`/\`z_rotation\` Euler orientation (all keyframeable) orbit,
+pan, tilt, and dolly the viewpoint — not just push/pull on \`perspective\`.
+A "look at the logo" move is authored as resolved orientation angles
+(there is no \`target\` field). Identity pose = the plain perspective lens.
+
+GOTCHAS:
+- **Paint order is by \`z\` depth — always.** Sibling cards paint
+  back-to-front by \`z\` (nearer = in front), whether or not there's a
+  camera; a camera just adds perspective on top. So adding/removing a
+  camera never reorders — only the foreshortening appears. With every
+  \`z = 0\` it collapses to \`layer\` order (layer 1 on top, like a plain 2D doc).
+  Set \`camera.sort: "paint"\` to force fixed \`layer\` order under a camera.
+  The sort is whole-card (no per-pixel depth buffer): interpenetrating or
+  depth-ambiguous cards can mis-order — keep cards from crossing, or use
+  \`sort: "paint"\`.
+- **Animate 3D via \`keyframe_animations\`** (\`property: "y_rotation"\`),
+  not a keyframe array in the field itself (same rule as \`rotation\`).
+- **No camera = affine + flat.** 3D rotations still foreshorten (a
+  y-rotated card narrows) but edges stay parallel, and \`z\` orders the
+  stack without adding perspective; add the camera for converging
+  perspective and parallax.
+- **Glass works in 3D** — tilt a glass pane (\`y_rotation\` + camera)
+  and the whole optical model rides the plane: footprint, refraction,
+  highlights and shadow all project correctly. Signature move: a glass
+  panel swinging over a UI card. (Edge-on with no camera = invisible.)
+- **Plain groups nest 3D for free** (children live in the parent's 3D
+  space); \`clip\`/\`mask\` groups flatten, then the layer tilts as a unit.
+  Filter fields and \`effects\` evaluate on the PROJECTED pixels — glow
+  radius / stroke width stay uniform in screen px on a tilted card.
+
+3D text reveals — \`{ "type": "text-flip", "axis": "x" }\` flips each
+letter in from 90° to flat about its own center (AE's classic 3D
+per-character entrance). \`axis: "y"\` swings units in sideways, \`"z"\`
+spins them in-plane; \`split: "word"\` flips whole words as rigid slabs;
+\`rotation\` sets the start angle (try 180 for a full tumble). Composes
+with \`text-slide\` (units slide AND flip). Pair with a \`camera\` for true
+perspective on the mid-flip letters; without one the flip still reads
+(pure foreshortening). Captions don't take text-* animations.
+
+### Lighting + materials (CKP/1.0)
+
+Surfaces can respond to light — PBR. **Opt-in:** with no \`lights\` and no
+\`material\`, everything renders unlit exactly as before. Add scene
+\`lights\` + a \`material\` on an element and the runtime shades it (the
+element's own pixels are the albedo).
+
+\`\`\`jsonc
+{ "lights": [ { "type": "ambient", "intensity": 0.4 },
+              { "type": "directional", "azimuth": 45, "elevation": 30, "intensity": 1.2 } ],
+  "environment": { "type": "gradient",
+                   "stops": [ { "offset": 0, "color": "#0b0f1a" },
+                              { "offset": 1, "color": "#7da2ff" } ] },
+  "camera": { "perspective": 1400 },
+  "elements": [ { "type": "group", "clip": true, "y_rotation": -20,
+                  "material": { "roughness": 0.25, "metalness": 0.6, "reflectivity": 1 },
+                  "elements": [ /* dark UI */ ] } ] }
+\`\`\`
+
+- **\`material\`**: \`roughness\` (0 glossy/tight .. 1 matte), \`metalness\`
+  (0 dielectric .. 1 metal), \`reflectivity\` (env-reflection strength),
+  \`emissive\` (self-lit), \`normal_map\` (tangent-space normal map URL for
+  surface detail/bumps — flat = \`#8080ff\`) + \`normal_scale\`. Scalars
+  animatable.
+- **The reflection sweeps with the camera.** Specular + environment
+  reflection are view-dependent, so orbiting/dollying the camera slides
+  the highlight across a glossy dark UI — the premium look. In 2D (no
+  camera) animate the **lights** instead for the sweep.
+- **\`environment\`** is what reflective surfaces mirror: either a gradient
+  "sky" (\`{ type: 'gradient', stops }\`, offset 0 = down, 1 = up) or an
+  **equirectangular image** (\`{ type: 'image', src }\`) for real
+  photographic reflections. Roughness blurs the reflection toward the
+  environment average. It's what makes glossy screens/metal look
+  expensive.
+- **Works on shapes AND textured surfaces** — images, video, and
+  flattened \`clip\` groups light from their own pixels, so a whole UI card
+  wrapped in a clip group shades as one lit plane. \`@clipkit/patterns\`
+  ships \`litSurface()\` for exactly this.
+- **Bloom** (\`source.bloom { threshold, knee, intensity, radius }\`): a
+  whole-frame post that makes BRIGHT things bleed light (specular hits,
+  emissive surfaces, bright media) — driven by each pixel's brightness,
+  not a per-element knob. For a deliberate per-element halo (even on a
+  dark element), use the \`glow\` effect instead.
+- **Editor authoring:** Material is a per-element inspector block; Lights,
+  Environment, and Bloom live under Video settings (source scope).
+- Local illumination only (no cast shadows yet). Flat 2.5D surfaces.
+
+### Blend modes + filters (every element)
+
+\`blend_mode\`: \`"multiply"\` (darken; white neutral), \`"screen"\`
+(lighten; black neutral), \`"add"\` (glow). Element-local. On a group it
+needs \`clip: true\` or a \`mask\` (the group must flatten to a layer).
+
+Filters, all animatable, CSS semantics: \`blur_radius\` (Gaussian σ px),
+\`brightness\` / \`contrast\` / \`saturation\` (multipliers, 1 = unchanged,
+\`saturation: 0\` = grayscale). Work on any element including groups —
+a group filters as one flattened image.
+
+There is no \`color_overlay\` field — it decomposes: put a same-sized
+shape of the overlay color on a lower layer, in front of the element (use
+\`opacity\` or \`blend_mode: "multiply"\` for tint strength). For a
+grayscale-then-tint look, combine \`saturation: 0\` with an overlay.
+
+### Stylize effects (every element)
+
+\`effects\` is an ordered array of passes, applied after the filters:
+
+\`\`\`json
+"effects": [{ "type": "pixelate", "cell_size": 12 }]
+\`\`\`
+
+Types: \`pixelate\` (\`cell_size\`), \`dither\` (\`levels\`, 2 = 1-bit retro),
+\`halftone\` (\`cell_size\`, \`angle\`), \`ascii\` (\`cell_size\`). Every param
+takes a number or keyframes (element-local time) — animating
+\`cell_size\` from 1 upward makes a great "depixelate" reveal. Effects
+chain in array order and work on groups (the subtree flattens first).
+Layer styles — \`glow\` (\`radius\`, \`intensity\`, \`color\`), \`drop_shadow\`
+(\`offset_x/y\`, \`blur\`, \`color\`, \`opacity\`), \`stroke\` (\`width\`,
+\`color\`) — composite beneath the element and work on text, images,
+and groups (not just shapes).
+
+Group time remapping — \`time_remap\` on a GROUP warps the clock for
+everything inside it: slow a whole composed scene to 20% at the
+dramatic beat, freeze it, or run it backwards — children's animations
+and nested videos all follow — and so does AUDIO, varispeed-style
+(ramps pitch with speed, freezes silent, reverse plays backwards).
+The group's own position/opacity still animate on real time, so you
+can move a frozen scene around. Same keyframe shape as video
+time_remap below.
+
+Time remapping — \`time_remap\` on a video element maps element-local
+time → media seconds with plain keyframes: \`[{time: 0, value: 0},
+{time: 1, value: 3}]\` is a 3× speed ramp, a flat segment is a freeze
+frame, decreasing values play in reverse, easings make the ramps
+cinematic. It replaces \`trim_start\`/\`playback_rate\`/\`loop\`. Audio
+follows the warp VARISPEED, like tape: ramps pitch up/down with
+speed, freezes go silent, reverse plays the sound backwards — usually
+exactly the cinematic speed-ramp sound you want.
+
+GOTCHA: the runtime keys ONE decoder + texture per unique video URL.
+Two video elements with the same URL but different playheads
+(different \`time_remap\`, trims, or rates) will fight over it — all
+copies display the same frames and seeking thrashes. Give each its
+own URL; a query suffix on the same file (\`clip.mp4?copy=2\`) is
+enough.
+
+Trim paths — on any shape path: \`trim_start\`/\`trim_end\` draw only that
+slice of the stroke (animate \`trim_end\` 0\\u21921 for the logo-draws-itself
+reveal), \`trim_offset\` rotates the window with wrap (animate it for
+the traveling-dash "snake"). \`stroke_progress\` is the simple sugar.
+Path morphing: keyframe the \`d\` itself — values with the SAME command
+structure (e.g. two cubics with equal point counts) tween smoothly;
+mismatched structures snap. Author morph targets with matching
+commands, like every motion tool expects.
+
+Living motion, one line each — \`drift\` (seeded organic float; the
+"alive logo" look: \`{type: "drift", distance: 20}\`), \`breathe\` (gentle
+scale pulse), \`orbit\` (circular motion: \`distance\` radius,
+\`direction: "left"\` for counter-clockwise). All run the element's full
+life by default and are exactly seeded — same seed, same motion. And
+any keyframe_animation can now \`loop: true\` (repeat) or
+\`loop: "ping-pong"\` (back-and-forth) — build one cycle, loop forever.
+
+Motion paths — \`keyframe_animations\` with \`property: "position"\` and
+\`[x, y]\` values moves an element along a bezier path: \`out_tangent\` /
+\`in_tangent\` on the keyframes shape the curve (omit them for straight
+polyline hops), \`auto_orient: true\` turns the element to face its
+travel direction. Speed is arc-length-true: linear easing = constant
+speed; easings shape acceleration along the path. Use for swooping
+entrances, orbit flybys, anything that should move like it has
+momentum instead of lerping x and y separately.
+
+3D paths — use \`[x, y, z]\` values (and optionally \`[dx, dy, dz]\`
+tangents) to carve the path through depth; the path then drives \`z\`
+too, and arc-length speed is true in 3D. Don't mix \`[x, y]\` and
+\`[x, y, z]\` keyframes in one path (validation error). Two gotchas:
+path z is invisible without a \`camera\` (same as the \`z\` field), and
+\`auto_orient\` stays in-plane — it spins \`rotation\` from the xy
+direction but never tilts the element's plane (add \`x_rotation\` /
+\`y_rotation\` yourself if you want banking). Signature move: fly an
+element from deep background to right up against the camera along a
+curve.
+
+Procedural noise — \`fractal_noise\` (\`scale\`, \`evolution\`, \`offset_x/y\`,
+\`octaves\`, \`seed\`) fills the element's footprint with seeded grayscale
+fBM: animate \`evolution\` for churning fog/plasma, chain \`levels\` to
+shape contrast and a duotone \`lut\` for color (grayscale has no hue, so
+\`hue_rotate\` alone can't tint it), or put it on TEXT for noise-filled
+type. \`turbulent_displace\` (\`amount\`, \`scale\`, \`evolution\`, \`octaves\`,
+\`seed\`) warps the element's own pixels — wavy text, heat shimmer.
+Same seed = same pixels, always (the noise function is normative).
+
+Grading — the \`hue_rotate\` filter field (degrees, joins
+blur/brightness/contrast/saturation on every element) plus two
+effects: \`levels\` (\`in_black\`, \`in_white\`, \`gamma\`, \`out_black\`,
+\`out_white\` — punchy shadows = \`in_black: 0.08, gamma: 1.15\`) and
+\`lut\` (\`source\` = a .cube file URL or data: URI, \`intensity\` to dial
+it back). A LUT is the one-liner for a whole color story
+(teal-orange, film stocks); levels is the surgical tool.
+
+Keying — \`chroma_key\` (\`color\`, \`tolerance\`, \`softness\`, \`spill\`)
+removes a screen color by chroma distance: put it on a green-screen
+\`video\` element with \`color\` set to the screen's ACTUAL green (sample
+it — real screens are darker than \`#00FF00\`), then place the video
+over any backdrop. \`spill\` (default 0.5) desaturates green bounce on
+the subject. \`luma_key\` (\`threshold\`, \`softness\`, \`invert\`) drops dark
+pixels — the way to lift white-on-black mattes, flares, and smoke
+stock onto a scene. On a group, the composited children key as one
+layer.
+
+\`glass\` is the one effect that reads the BACKDROP (everything drawn
+beneath the element). It applies to SHAPE elements only (the pane
+geometry must be exact; other element types skip it with a warning).
+Defaults give the classic clear liquid-glass button — most uses need
+NO params at all:
+
+\`\`\`json
+{ "type": "shape", "border_radius": 65, "width": 380, "height": 300,
+  "fill_color": "#FFFFFF",
+  "effects": [{ "type": "glass" }] }
+\`\`\`
+
+Two materials, one dial: \`blur_radius: 0\` (default) = CLEAR glass,
+\`blur_radius > 0\` = FROSTED. \`mode: "dome"\` + \`edge_width\` = the
+shape's radius = a half-sphere magnifier:
+
+\`\`\`json
+{ "id": "magnifier", "type": "shape", "shape": "ellipse",
+  "width": 320, "height": 320, "fill_color": "#FFFFFF",
+  "effects": [{ "type": "glass", "mode": "dome",
+                "edge_width": 160, "refraction": 25 }] }
+\`\`\`
+
+Other dials (reference-tuned defaults — change sparingly):
+\`refraction\` (bend strength, ≈px), \`edge_width\` (lens depth; small =
+flat card with curl at the rim), \`edge_highlight\` (the whole light
+rig), \`dispersion\` (color fringing), \`shadow\` (built-in, outside-only
+— never add a shadow sibling under glass), \`backdrop_saturation\`,
+\`tint\`. The pane's fill color is ignored — only its geometry matters.
+A crisp ring is a stroked transparent sibling above; wrap pane + ring
+in an UNLAYERED group (no clip/mask) to move them as one element.
+
+### Easings (the 36)
+
+\`linear\`, \`ease\`, \`ease-in\`, \`ease-out\`, \`ease-in-out\`, plus
+ease-{in,out,in-out}-{cubic, quad, quart, quint, sine, expo, circ,
+back}, plus \`spring\` (damped harmonic oscillator — overshoots ~5% then
+settles; Remotion's signature feel), \`elastic-{in,out,in-out}\` (decaying
+sinusoidal wobble), and \`bounce-{in,out,in-out}\` (ball-drop bounces — the
+easing curves, distinct from the bounce-in/out animation PRESETS, which
+are scale tweens). Two parametric forms also count: \`cubic-bezier(x1, y1,
+x2, y2)\` and \`steps(n)\`.
+
+Quick guide:
+- **\`spring\`** — hero text reveals, signature scale-ins
+- **\`ease-out-cubic\`** — smooth, well-behaved ramps; default choice
+- **\`ease-out-quart\`** — fast start, long slow tail; great for measure bars
+- **\`ease-out-back\`** — slight overshoot at the end (UI bounce)
+- **\`linear\`** — when you specifically want no easing
+
+### Particles — two modes
+
+Ballistic (emit + physics):
+
+\`\`\`json
+{
+  "type": "particles",
+  "x": 540, "y": 960,
+  "burst": true, "burst_count": 140,
+  "lifetime": 2.5, "velocity": 900, "spread": 360, "gravity": 700,
+  "color": ["#22d3ee", "#ec4899", "#22c55e", "#fbbf24"],
+  "particle_shape": "square", "size": 18, "rotation_speed": 540,
+  "fade_at": 0.8
+}
+\`\`\`
+
+Convergence (assemble into a target shape):
+
+\`\`\`json
+{
+  "type": "particles",
+  "x": 960, "y": 540,
+  "burst": true, "burst_count": 500,
+  "target_points": [[100, 200], [110, 200], /* ... */ ],
+  "scatter_radius": 1100,
+  "convergence_easing": "ease-out-quart",
+  "lifetime": 1.6, "size": 10, "particle_shape": "circle"
+}
+\`\`\`
+
+Depth — add \`z_velocity\` (px/s toward the viewer, can be negative) and
+\`z_spread\` (random vz range) to blow particles out of the screen:
+nearer ones grow, receding ones shrink. Needs a Source \`camera\` to be
+visible (no perspective = no depth cue), and pairs beautifully with a
+tilted emitter (\`x_rotation\` on the particles element): confetti
+erupting off a card's surface. Paint order stays spawn order — depth
+never re-sorts.
+
+### Shape paths — vector graphics
+
+\`\`\`json
+{
+  "type": "shape",
+  "view_box": [0, 0, 180, 180],
+  "gradients": [
+    { "id": "g1", "type": "linear", "x1": 0, "y1": 0, "x2": 180, "y2": 0,
+      "stops": [{ "offset": 0, "color": "#FF4E00" }, { "offset": 1, "color": "#FF1791" }] }
+  ],
+  "paths": [
+    { "d": "M 10 10 L 90 90", "stroke": "url(#g1)", "stroke_width": 5,
+      "stroke_progress": [{ "time": 0, "value": 0 }, { "time": 1, "value": 1 }] }
+  ]
+}
+\`\`\`
+
+\`stroke_progress\` from 0→1 makes the path draw in via dashoffset. Use a
+thick stroke on a small circle for pie/donut charts.
+
+### Diagonal text reveal
+
+\`\`\`json
+{
+  "type": "text", "text": "Vercel and Clipkit", "font_size": 70,
+  "mask": {
+    "type": "linear-wipe", "angle": -45,
+    "progress": [{ "time": 0, "value": 0 }, { "time": 2.7, "value": 1, "easing": "ease-out-cubic" }],
+    "softness": 0.3
+  }
+}
+\`\`\`
+
+That's the at-a-glance set. For full normative semantics — units, edge
+cases, conformance — go to [PROTOCOL.md](./PROTOCOL.md).
+
+## 2. Pattern catalog
+
+Patterns live in \`@clipkit/patterns\`. Each is a TS function that emits
+plain elements — most return \`Element[]\` you spread into your \`elements\`
+array; *component* patterns (IntroCard, LowerThird) return a single
+\`group\` element you push, so the unit moves / animates / time-remaps as
+one. They're opinionated: pick a variant by passing a \`color\` slot
+("pink" | "green" | "blue" | "lavender" | "purple" | "yellow" | "gray")
+and a \`theme\` (\`'mux'\` is the default; \`'minimal'\` exists too).
+
+Common params shared by most patterns:
+
+- \`id\`: string — prefix for produced element ids
+- \`theme?: 'mux' | 'minimal'\` — default \`'mux'\`
+- \`color\`: ColorName — picks the accent palette
+- \`time\`, \`duration\`: number — scene-local seconds
+- \`layerBase\`: number — pattern uses a small range starting here
+
+### HeaderBar
+
+The scene framing for dashboard-style scenes: white header strip with
+left logo + middle title + right date, colored body fill below.
+
+\`\`\`ts
+headerBar({
+  id: 'overall',
+  title: 'Overall stats',
+  dateRange: 'Nov. 17 - Dec. 16 2021',
+  bodyColor: 'pink',
+  canvasWidth: 1920,
+  canvasHeight: 1080,
+  logo: { viewBox: [0, 0, 215, 70], paths: MUX_LOGO_PATHS, gradients: [MUX_GRADIENT] },
+  time: 4.33,
+  duration: 6.0,
+  layerBase: 100,
+})
+\`\`\`
+
+Use as the first elements of every scene that follows the "logo + title"
+convention.
+
+### StatBlock
+
+Themed top border, big spring-counted number, label, optional trend pill.
+
+\`\`\`ts
+statBlock({
+  id: 'views',
+  current: 195654112,
+  previous: 159560036,        // optional — adds the trend pill
+  label: 'Total views',
+  color: 'pink',
+  x: 120, y: 380,
+  width: 1680,
+  time: 4.33, duration: 6.0,
+  layerBase: 200,
+})
+\`\`\`
+
+Stack two with \`y\` 340 px apart for a "Total views / Total minutes watched"
+layout.
+
+### BarChartRow
+
+Row with an animated white background bar, top border, value count-up,
+optional icon, label, optional trend pill. Used for "Top 5 by X" lists.
+
+\`\`\`ts
+barChartRow({
+  id: 'phone',
+  value: 130733672,
+  max: 130733672,             // the leading value in the dataset
+  previous: 133478441,        // optional — adds trend pill
+  label: 'Phone',
+  icon: { viewBox: [0, 0, 32, 52], paths: PHONE_ICON_PATHS },
+  color: 'green',
+  x: 120, y: 320,
+  width: 1680,
+  time: 10.33, duration: 6.0,
+  staggerIndex: 0,            // 0..n for cascading entry
+  layerBase: 400,
+})
+\`\`\`
+
+Loop over your dataset, increment \`y\` by \`168\` and \`staggerIndex\` by 1
+per row.
+
+### RankedList
+
+Numbered list of items with rank, name, value, animated measure bar.
+1 or 2 columns. Used for "Top 10" style scenes.
+
+\`\`\`ts
+rankedList({
+  id: 'titles',
+  items: [
+    { label: 'Burgandy Alert', value: 2733413 },
+    { label: 'Tough Affection', value: 1694421 },
+    // ...
+  ],
+  color: 'lavender',
+  x: 120, y: 320,
+  width: 1680,
+  columns: 2,
+  time: 16.33, duration: 6.0,
+  layerBase: 600,
+})
+\`\`\`
+
+### PieCard
+
+Animated pie chart (white slice growing over the colored body), big
+percentage label, count-up view count, optional trend pill, optional
+logo on a rounded white square, bottom label. One card per data point;
+position multiple horizontally for a "Top 4 X" scene.
+
+\`\`\`ts
+pieCard({
+  id: 'chrome',
+  value: 2233793,
+  total: 3396911,             // dataset total — drives the percentage
+  previous: 2337628,          // optional — adds trend pill
+  label: 'Chrome',
+  logoUrl: '/chrome.png',     // optional — image over the white square
+  color: 'blue',
+  cx: 300,                    // center x of the card
+  time: 28.33, duration: 6.0,
+  staggerIndex: 0,
+  layerBase: 1000,
+})
+\`\`\`
+
+### IntroCard (component)
+
+Full-frame opening title: themed backdrop, optional all-caps kicker,
+big headline, accent rule wipe, optional subtitle. Entrance + exit
+animation built in. Returns ONE \`group\` element — position, animate, or
+\`time_remap\` the whole card as a unit.
+
+\`\`\`ts
+elements.push(introCard({
+  id: 'open',
+  kicker: 'Mux Data',
+  headline: '2021 in review',
+  subtitle: 'Your year of video, in numbers',
+  color: 'pink',
+  canvasWidth: 1920, canvasHeight: 1080,
+  time: 0, duration: 4,
+  layer: 100,
+}))
+\`\`\`
+
+Note components return a single \`Element\` — \`push\`, don't spread.
+
+### LowerThird (component)
+
+Broadcast-style name strip: accent bar + white panel + bold name +
+optional role line. Slides in from the left, fades out at the end of
+its window. Returns ONE \`group\` element.
+
+\`\`\`ts
+elements.push(lowerThird({
+  id: 'speaker',
+  name: 'Dana Cruz',
+  role: 'Head of Video',
+  color: 'blue',
+  x: 80, y: 900,              // left edge / vertical center
+  time: 12, duration: 5,
+  layer: 300,
+}))
+\`\`\`
+
+### TiltedShowcase (component)
+
+The promo signature shot: a screenshot in a browser-chrome frame,
+tilted in 3D (CKP/1.0) and gently swinging. Returns ONE \`clip: true\`
+group, so the framed card projects as a unit. Pair with a Source-level
+\`camera: { perspective: 1200 }\` for converging perspective.
+
+\`\`\`ts
+elements.push(tiltedShowcase({
+  id: 'app-shot',
+  source: '/screens/dashboard.png',
+  color: 'blue',
+  x: 960, y: 540,            // card center
+  width: 760, height: 500,
+  tilt: 22,                  // swings ±22°; 0 = static
+  z: 40,
+  time: 2, duration: 6,
+  layer: 200,
+}))
+\`\`\`
+
+### cameraOrbit (scene camera)
+
+Unlike the others, this returns a \`Camera\` for \`source.camera\` (not an
+element): a ready-made keyframed move — orbit (\`yaw\`), constant \`pitch\`
+tilt, \`dolly\` (z), \`truck\` (x). Place content at varied \`z\` for parallax;
+depth-correct occlusion is automatic (§4.4.3).
+
+\`\`\`ts
+const source = {
+  camera: cameraOrbit({ perspective: 1500, yaw: 40, pitch: 6, dolly: 120, duration: 5 }),
+  elements: [ /* cards at different z */ ],
+};
+\`\`\`
+
+### TrendPill (helper)
+
+Small pill rendering a signed percentage delta. Used internally by
+StatBlock, BarChartRow, PieCard, but exported so you can place one
+standalone.
+
+\`\`\`ts
+trendPill({
+  id: 'standalone-trend',
+  cx: 1500, cy: 540,
+  delta: trendPct(2233793, 2337628),  // → -4.4
+  color: 'pink',
+  time: 4.33, duration: 6.0,
+  layerBase: 250,
+})
+\`\`\`
+
+---
+
+## 3. Recipe gallery
+
+Example videos demonstrating patterns in context. Source files live in
+\`apps/playground/src/\`:
+
+- **\`mux-demo.ts\`** — \`MUX_DEMO\`. 1920×1080, 39 s, 7 scenes (intro, big
+  stats, devices, top-10 titles, US heatmap, browsers, outro). The
+  full-fidelity reference; every pattern in section 2 shows up here.
+- **\`examples.ts\`** — \`VERCEL_TEMPLATE\`. 1280×720, 6.7 s. Showcases the
+  SVG stroke-evolution primitive (Next.js logo paths drawing in), the
+  text linear-wipe mask, and keyframe-animated rings.
+- **\`examples.ts\`** — \`CODE_WRAPPED\`. 9:16, 15 s. Particle confetti
+  bursts at celebration moments, gradient backgrounds, spring stat
+  reveals — the github-unwrapped-style template.
+
+When you author a new video, lean on these as references. If a scene
+"looks like X scene in mux-demo," call the same pattern with the same
+shape of args.
+
+### Captions from media (transcription)
+
+To caption a video or audio clip, you don't hand-write \`words\` — transcribe
+the media into a \`caption\` element. Runs Whisper **locally** (no API key, no
+upload) via \`@clipkit/speech-to-text\`; needs \`ffmpeg\` on the host.
+
+- **CLI** (local files): \`clipkit transcribe <file>\` prints the caption
+  \`words[]\` JSON to stdout (progress on stderr). Add \`--element\` for a full
+  \`caption\` element ready to drop into a Source, \`--model Xenova/whisper-small\`
+  for accuracy or \`…-tiny.en\` for speed, \`--out cap.json\` to write a file.
+- **MCP** (chat-mode agents): the \`transcribe_media\` tool takes a local
+  \`path\`, transcribes, and adds a \`caption\` element to the current project
+  (\`add: false\` to only return it).
+
+Both produce the same thing: a \`caption\` element with \`words: [{ text, start,
+end }]\` (times relative to the caption's \`time\`). The protocol/runtime are
+unchanged — this only *fills* the caption the renderer already supports. Style
+it with the usual \`caption\` fields (\`style\`, \`highlight_color\`, …).
+
+---
+
+## 4. Authoring guidance
+
+A few rules of thumb that go beyond the schema:
+
+- **Lead with patterns; reach for primitives only for one-offs.** If a
+  scene fits HeaderBar + BarChartRow, do that. Don't reinvent.
+- **Stagger entrances.** For lists, use \`staggerIndex\` (or compute a
+  \`time: time + i*0.07\` offset for primitives). All-at-once entrances
+  look amateurish.
+- **Sound matters.** Set up an \`audio\` element early. The runtime mixes
+  it into the export and the playground plays it during preview.
+- **Pace by frames at 30 fps.** Most scenes are 180 frames = 6 s. Title
+  intros are 100–130 frames. Outros 120–150. Big stat reveals 180.
+- **Trend pills are optional.** Only add \`previous\` to a pattern if the
+  comparison is genuinely interesting; otherwise let the number land
+  on its own.
+
+---
+
+## 5. Output format
+
+Whatever you generate, the final output the user runs is a Clipkit
+\`Source\` JSON object. Patterns are TypeScript-only — they help you
+construct that JSON but never appear in it.
+
+If you're emitting code for the user:
+
+\`\`\`ts
+import type { Source } from '@clipkit/protocol';
+import { headerBar, statBlock /* ... */ } from '@clipkit/patterns';
+
+export const MY_VIDEO: Source = {
+  width: 1920, height: 1080, duration: 30, frame_rate: 30,
+  elements: [
+    ...headerBar({ ... }),
+    ...statBlock({ ... }),
+    // ...
+  ],
+};
+\`\`\`
+
+If you're emitting raw JSON (no TS), inline the patterns' output
+directly. There's no \`{ "type": "stat_block" }\` — only the primitive
+elements the patterns produce.
+
+---
+
+## Appendix — Protocol change checklist (maintainers)
+
+> **This section is for editing the protocol itself, not for authoring
+> videos.** If you're writing a Source, ignore it. If you're adding or
+> changing an element type, field, effect, animation preset, output
+> format, etc., work this list — a protocol change "bleeds down" into
+> more places than it looks.
+
+**The schema source of truth (\`packages/protocol/src/\`) — all manual:**
+
+- \`types.ts\` — the interface / const enum (\`ELEMENT_TYPES\`,
+  \`ANIMATION_TYPES\`, \`OUTPUT_FORMATS\`, the effect union, …).
+- \`zod.ts\` — the matching validator. Const-driven enums sync from the
+  arrays; a new interface needs a new schema object. **Put the field's
+  default in its \`.describe()\` text** — that string is the only place a
+  default is declared protocol-side. It's surfaced to agents via
+  \`get_schema\` → \`zodToJsonSchema\`, so the wording an agent reads ("…
+  (default 1)") comes straight from here. Keep it honest against the
+  runtime.
+- \`CLIPKIT_PROTOCOL_VERSION\` in \`types.ts\` — bump only on a real spec
+  change.
+
+There is **no central defaults table.** (A former \`defaults.ts\` /
+\`applyDefaults()\` was dead code — never imported or called — and has
+been deleted; don't re-add it.) The *effective* default for a field is
+the inline \`?? fallback\` in whichever runtime renderer reads it
+(\`packages/runtime/src/compositor/element-renderers/*.ts\`, e.g.
+\`fillColor = span.fill_color ?? defaults.color\` in \`text.ts\`) — one
+fallback per field, at its point of use. So a new field with a default
+means **two** edits that must agree: the runtime's \`??\` fallback, and
+the \`.describe()\` text in \`zod.ts\` that documents it.
+
+**Runtime (\`packages/runtime/src/\`):** a new field on an existing
+element auto-works if the renderer already reads it. A new **element
+type** needs a renderer in \`compositor/element-renderers/\`; a new
+**effect type** needs handling in the effect chain; a new **animation
+preset** needs a handler in \`animation/presets.ts\`.
+
+**Editor inspector — mostly automatic.** The registry deriver
+(\`editor-core/src/registry/derive.ts\`) reads the zod schema by
+structure, so a new field gets a working control with no edits. Only
+touch \`registry/overrides.ts\` when the auto-derived control is wrong
+(range, label, section, or it fell back to a raw JSON chip). Verify
+with \`node probes/probe-editor-registry.mjs\` — it asserts every field
+has exactly one knob and lists anything that fell through.
+
+**Docs (all hand-written, no codegen):**
+
+- \`PROTOCOL.md\` — the formal spec.
+- This file (\`AGENTS.md\`) — authoring patterns, if it's a preset/effect.
+- \`apps/web/content/docs/fields/*.md\` — per-element field reference
+  (separate from PROTOCOL.md; easy to miss).
+- \`packages/mcp-server/src/embedded-docs.ts\` — a COPY of the agent
+  guidance baked into the MCP server; it does **not** auto-sync with
+  this file, so it drifts silently.
+
+**Agent / MCP surface:** \`packages/mcp-server/src/tools.ts\` —
+tool input schemas are hand-written. A new top-level Source field or a
+new \`output_format\` needs a parameter added here. Element-field CRUD
+validates against zod automatically.
+
+**Situational:** \`apps/web/lib/playground/examples.ts\` (showcase the
+new feature) and \`packages/snapshot-importer/\` (if it should map from
+imported HTML/CSS).
+
+The genuinely forgettable manual ones: **the runtime \`??\` fallback that
+sets the field's default, the matching \`.describe()\` default text in
+\`zod.ts\`, the \`content/docs/fields/*.md\` reference, and the MCP
+\`embedded-docs.ts\` copy** — then run the registry probe.
+`;
+export const PROTOCOL_MD = `# The Clipkit Protocol
+
+**Version:** 1.0 (CKP/1.0)
+**Status:** Draft
+**License:** Apache-2.0
+
+This document specifies the Clipkit Protocol — the JSON-based interchange
+format for describing motion-graphics videos. Documents that conform to
+this protocol can be rendered by any conforming runtime: the reference
+implementation \`@clipkit/runtime\`, future server-side renderers, or
+third-party implementations.
+
+The key words **MUST**, **MUST NOT**, **SHOULD**, **SHOULD NOT**, **MAY**,
+and **REQUIRED** in this document are to be interpreted as described in
+[RFC 2119](https://www.rfc-editor.org/rfc/rfc2119).
+
+The reference implementation lives in [\`packages/protocol\`](./packages/protocol)
+of this repository.
+
+---
+
+## Table of contents
+
+1. [Introduction](#1-introduction)
+2. [Document structure](#2-document-structure)
+3. [Coordinate system, units, and types](#3-coordinate-system-units-and-types)
+4. [The element model](#4-the-element-model)
+5. [Element types](#5-element-types)
+6. [Animation](#6-animation)
+7. [Time, duration, sequencing](#7-time-duration-sequencing)
+8. [Asset references](#8-asset-references)
+9. [Output and rendering](#9-output-and-rendering)
+10. [Conformance levels](#10-conformance-levels)
+11. [Versioning and extensions](#11-versioning-and-extensions)
+12. [Implementation notes](#12-implementation-notes-non-normative)
+
+---
+
+## 1. Introduction
+
+### 1.1. Goals
+
+The Clipkit Protocol aims to be:
+
+- **JSON-native.** A Clipkit document is plain JSON. Any tool that can
+  write JSON can produce one. AI agents in particular benefit from this
+  — they emit structured data better than they emit code.
+- **Renderer-agnostic.** The protocol describes *what* a video looks
+  like, not *how* to render it. A conforming runtime may use WebGPU,
+  WebGL2, software rasterization, server-side headless browsers, or any
+  other mechanism.
+- **Composable.** Documents are built from a small set of primitive
+  element types. Higher-level patterns are authoring concerns — they
+  produce primitive elements; the protocol itself has no notion of
+  "pattern."
+- **Deterministic.** Given the same document and the same time, every
+  conforming runtime MUST produce the same frame composition. Exact
+  pixel output may differ between rasterization backends, but the
+  scene description is unambiguous.
+
+### 1.2. Non-goals
+
+- **Visual editing format.** Editors MAY store additional state alongside
+  a Source (selection, undo history, asset binaries) but that state is
+  outside this protocol.
+- **Media container.** Clipkit references external media (images, video,
+  audio) by URL or path. The protocol does not embed binary media.
+- **Audio mixing graph.** Audio elements are positioned in time; the
+  exact mix algorithm (gains, codecs, bitrates) is implementation-defined.
+
+### 1.3. Reference implementation
+
+\`@clipkit/protocol\` is the canonical TypeScript + Zod implementation of
+this protocol. Other implementations SHOULD treat it as authoritative on
+ambiguous points until those points are resolved here.
+
+---
+
+## 2. Document structure
+
+### 2.1. The Source object
+
+A Clipkit document is a JSON object with the following shape:
+
+\`\`\`json
+{
+  "clipkit_version": "1.0",
+  "output_format": "mp4",
+  "width": 1920,
+  "height": 1080,
+  "duration": 30,
+  "frame_rate": 30,
+  "background_color": "#000000",
+  "elements": [ /* ... */ ]
+}
+\`\`\`
+
+#### Fields
+
+| Field | Type | Required? | Default | Meaning |
+|---|---|---|---|---|
+| \`clipkit_version\` | string | SHOULD | \`"1.0"\` | The protocol version this document targets. See §11. |
+| \`output_format\` | string | MAY | \`"mp4"\` | One of \`"mp4"\` (video) or \`"gif"\` (animated). Clipkit is video-only. |
+| \`width\` | integer | SHOULD | \`1920\` | Composition width in pixels. MUST be positive. |
+| \`height\` | integer | SHOULD | \`1080\` | Composition height in pixels. MUST be positive. |
+| \`duration\` | number \\| \`"auto"\` | SHOULD | \`"auto"\` | Total composition duration in seconds. \`"auto"\` MUST be interpreted as the maximum end-time of any active element. |
+| \`frame_rate\` | number | SHOULD | \`30\` | Frames per second. MUST be positive. |
+| \`background_color\` | string | MAY | \`"#000000"\` | Color (§3.4) the frame is cleared to before any element draws. Absent → opaque black. |
+| \`motion_blur\` | object | MAY | — | Whole-frame motion blur by exact sub-frame supersampling. See "Motion blur" below. |
+| \`camera\` | object | MAY | — | Scene camera (CKP/1.0): perspective lens + movable pose (position/orientation) + \`sort\`. Absent = identity = exact 2D. See §4.4.2, §4.4.3. |
+| \`fonts\` | array | MAY | — | Font faces the renderer MUST register before rendering. See "Fonts" below. |
+| \`elements\` | array | REQUIRED | — | At least one element. See §4–5. |
+
+#### Motion blur
+
+\`motion_blur\` is an object with two optional fields:
+
+| Field | Type | Default | Meaning |
+|---|---|---|---|
+| \`samples\` | integer 1–32 | \`8\` | Sub-frame samples rendered per output frame. \`1\` disables blur. |
+| \`shutter\` | number (0, 1] | \`0.5\` | Fraction of the frame interval the shutter is open. \`0.5\` corresponds to a 180° film shutter. |
+
+When present with \`samples\` ≥ 2, the renderer MUST produce each output
+frame as the arithmetic mean of \`samples\` full-scene renders taken at
+sub-frame times centered on the frame time. For the output frame at
+time \`t\` with frame rate \`f\` and composition duration \`D\`:
+
+\`\`\`
+t_k = clamp(t + ((k + 0.5) / samples − 0.5) × shutter / f, 0, D)
+        for k = 0 … samples−1
+\`\`\`
+
+Each sample is a complete render of the composition at \`t_k\` under the
+normal rendering model (every animated value, transition, and effect is
+evaluated at \`t_k\`). The output pixel is the per-channel arithmetic
+mean of the \`samples\` sample pixels in the output color space (8-bit
+sRGB, after compositing over the opaque background), rounded once,
+half away from zero. Accumulation MUST be carried at a precision that
+makes the result exact before that single rounding (e.g. float
+accumulation of 8-bit samples).
+
+This is deterministic: the same document produces the same pixels.
+Media elements evaluate \`t_k\` through their own media-time mapping
+(§5.3.2); a video whose decoder quantizes to its own frame times
+contributes the same decoded frame to several samples, which is
+conformant.
+
+Motion blur applies at export/render time. Interactive previews MAY
+render the unblurred scene (a single sample at \`t\`) for speed and MUST
+NOT be treated as the reference output when \`motion_blur\` is present.
+
+#### Fonts
+
+\`fonts\` is an array of font-face objects. The renderer MUST register
+every face before the first frame renders, so a document carrying its
+fonts is self-sufficient — text metrics don't depend on what the host
+environment happens to have installed.
+
+| Field | Type | Required? | Default | Meaning |
+|---|---|---|---|---|
+| \`family\` | string | REQUIRED | — | The \`font_family\` name text elements reference. |
+| \`weight\` | number \\| string | MAY | \`"normal"\` | CSS font-weight. Variable fonts MAY declare a range (e.g. \`"100 900"\`). |
+| \`style\` | string | MAY | \`"normal"\` | \`"normal"\` or \`"italic"\`. |
+| \`src\` | string | REQUIRED | — | URL of the font bytes: absolute, relative (resolved against the document hosting the Source), or a \`data:\` URI. |
+| \`unicode_range\` | string | MAY | — | CSS unicode-range (e.g. \`"U+0000-00FF, U+0131"\`). Subsetted webfonts ship one file per script under identical \`family\`/\`weight\`/\`style\`; without the range every subset matches every codepoint, and the winning file may lack the glyphs being rendered. Renderers MUST honor it when matching glyphs to faces. |
+
+Multiple entries MAY share a \`family\` (different weights, styles, or
+unicode-range subsets). Renderers MUST treat each entry as a distinct
+face, exactly as CSS treats multiple \`@font-face\` rules.
+
+### 2.2. Forward compatibility
+
+Documents MAY contain additional top-level fields not listed here.
+Conforming runtimes MUST ignore unknown top-level fields (passthrough).
+This applies to all objects in this protocol unless otherwise stated.
+
+---
+
+## 3. Coordinate system, units, and types
+
+### 3.1. Coordinate system
+
+- The origin \`(0, 0)\` is at the **top-left** of the composition.
+- The positive **x** axis runs **right**.
+- The positive **y** axis runs **down**.
+- Positions, sizes, and offsets are in pixels relative to the composition
+  width / height unless an explicit unit suffix is used (§3.3).
+
+### 3.2. Anchors
+
+Most elements support \`x_anchor\` and \`y_anchor\` values in \`[0, 1]\`.
+These define which point inside the element's bounding box is positioned
+at \`(x, y)\`:
+
+- \`0\` = left edge (or top edge) — **the default**
+- \`0.5\` = center
+- \`1\` = right edge (or bottom edge)
+
+By default both anchors are \`0\`, so \`(x, y)\` is the element's **top-left
+corner** — the CSS \`left\`/\`top\` / SVG / Canvas convention. For example,
+\`x: 960\` (anchor \`0\`) places the element's left edge at x=960;
+\`x: 960, x_anchor: 0.5\` places its center at x=960. The anchor only
+moves where the box sits — rotation and scale always pivot the element's
+geometric center (§4.4), independent of the anchor.
+
+### 3.3. Length values
+
+Wherever a position or dimension is accepted, a string with one of the
+following unit suffixes MAY be used:
+
+| Unit | Meaning |
+|---|---|
+| \`"100px"\` | pixels (same as bare number \`100\`) |
+| \`"50%"\` | percentage of the property's natural reference (width → composition width; etc.) |
+| \`"10vw"\` | percentage of composition width |
+| \`"15vh"\` | percentage of composition height |
+| \`"5vmin"\` | percentage of the smaller composition dimension |
+| \`"5vmax"\` | percentage of the larger composition dimension |
+
+A bare number is interpreted as pixels.
+
+> **Divergence from CSS:** \`%\` and the viewport units resolve against the
+> **composition (canvas)**, never the parent element. \`"50%"\` is always
+> half the canvas, even on a child nested inside a group. There is no
+> parent-relative percentage; use pixels for child-relative sizing inside
+> groups.
+
+### 3.4. Color values
+
+Colors are CSS-style strings. The reference runtime accepts:
+- hex — \`"#rgb"\`, \`"#rgba"\`, \`"#rrggbb"\`, \`"#rrggbbaa"\`
+- \`rgb()\` / \`rgba()\` — comma or space separated, alpha as 0..1 or \`%\`
+- \`hsl()\` / \`hsla()\` — same separators, optional \`deg\` on the hue
+- the 148 CSS named colors (\`"red"\`, \`"rebeccapurple"\`, …) and
+  \`"transparent"\`
+
+Unrecognized strings fall back to white. (Conformance: only hex support
+is REQUIRED of a runtime; the rest are RECOMMENDED for CSS parity.)
+
+Internally, all colors flow through rendering as straight-alpha sRGB,
+premultiplied at the final composition step. Authors do not need to
+think about this; it is mentioned to document the reference runtime's
+behavior.
+
+### 3.5. Keyframe values
+
+Many properties accept either a static value or a \`Keyframe[]\` array
+for animation. The keyframe form is:
+
+\`\`\`json
+[
+  { "time": 0,   "value": 0,    "easing": "ease-out-cubic" },
+  { "time": 1.0, "value": 100,  "easing": "ease-out-cubic" }
+]
+\`\`\`
+
+\`time\` is in seconds, relative to the element's \`time\` (see §7).
+\`value\` can be a number, a string, or \`[x, y]\` for position-like
+properties. \`easing\` is OPTIONAL; see §6.4.
+
+### 3.6. Expression values
+
+Any **numeric** property (transform, \`opacity\`, blur/\`brightness\`/
+\`contrast\`/\`saturation\`, effect params, camera/light numbers — every
+property whose type admits a number) MAY instead be given as an
+**expression object**: a closed-form, deterministic function of the
+element's own clock.
+
+\`\`\`json
+{ "y": { "expr": "540 + sin(t * PI) * 30" } }
+{ "rotation": { "expr": "t * 90" } }
+{ "x": { "expr": "960 + wiggle(3, 12)" } }
+\`\`\`
+
+An expression is a **pure function of element-local time and the
+element's own index** — nothing else. This is the entire safety
+boundary, and it is NORMATIVE:
+
+- It MUST NOT reference any other element (\`ref()\`, \`valueAtTime\`) or
+  read any runtime input (mouse, audio). Those are Tier-B and are
+  permanently unsupported.
+- It MUST be deterministic: every conforming runtime MUST produce
+  identical results for the same expression and clock. \`noise\`,
+  \`wiggle\`, and \`random\` derive from the protocol's normative
+  value-noise hash (bit-stable across runtimes; seed defaults to \`0\`,
+  never to wall-clock).
+- Because it is a function of \`t\`/\`i\`, it is **bakeable**: a runtime or
+  tool MAY sample it to a \`Keyframe[]\` at any frame rate. A keyframe
+  table and an expression are two encodings of the same value.
+
+**Scope** — the only identifiers in scope:
+
+| Variable | Meaning |
+|---|---|
+| \`t\` | element-local time, seconds (\`0\` at the element's \`time\`) |
+| \`dur\` | element duration, seconds |
+| \`i\` | element index within its generated/particle set (default \`0\`) |
+| \`n\` | sibling count (default \`1\`) |
+| \`value\` | the property's base value (its documented default) |
+
+Constants: \`PI\`, \`TAU\`, \`E\`. Functions (the ONLY callable identifiers):
+
+\`\`\`
+sin cos tan asin acos atan atan2 sinh cosh tanh
+abs sign sqrt cbrt pow exp log log2 floor ceil round trunc fract
+min max mod hypot
+clamp(x,lo,hi)  lerp(a,b,u)  mix(=lerp)  step(edge,x)  smoothstep(e0,e1,x)
+linear(x,x0,x1,y0,y1)    // map x∈[x0,x1] → [y0,y1], clamped
+ease(x,x0,x1,y0,y1)      // same, cubic in-out
+noise(x[,seed])          // value noise, ∈[-1,1]
+wiggle(freq,amp[,seed])  // amp · fractal noise(t·freq)
+random(seed)             // deterministic [0,1) hash, time-independent
+\`\`\`
+
+Operators: \`+ - * / % ^\` (\`^\` = exponent, right-assoc), unary \`-\`,
+comparisons \`< > <= >= == !=\`, logical \`&& || !\`, and the ternary
+\`cond ? a : b\`. Nothing else — no member access, assignment, indexing,
+statements, or string values.
+
+**Evaluation (NORMATIVE).** A conforming runtime MUST evaluate
+expressions with a restricted parser/evaluator, NOT a general
+code-execution facility (\`eval\` / \`Function\`). Any unknown identifier or
+function, member access, assignment, or string literal is a parse error;
+a parse error or a non-finite (\`NaN\` / \`±∞\`) result MUST fall back to the
+property's base value. Expressions are numeric-only in this version;
+string/text expressions are reserved.
+
+---
+
+## 4. The element model
+
+Every element extends a common base:
+
+\`\`\`ts
+interface BaseElement {
+  id?: string;
+  name?: string;
+  type: ElementType;           // discriminator
+  layer: number;               // REQUIRED, unique per container; 1..1000; LOWER draws in front (layer 1 = on top)
+  time?: number | string;      // seconds
+  duration?: number | string | "auto" | "end";
+
+  // Transform (numbers OR length strings OR Keyframe[])
+  x?: number | string | Keyframe[];
+  y?: number | string | Keyframe[];
+  x_anchor?: number | string;
+  y_anchor?: number | string;
+  width?: number | string | Keyframe[];
+  height?: number | string | Keyframe[];
+  rotation?: number | Keyframe[];  // degrees, around center
+  scale?: number | Keyframe[];
+
+  // Visual
+  opacity?: number | Keyframe[];   // 0..1 (CSS convention), default 1
+  visible?: boolean;               // false skips rendering (§4.2)
+  blend_mode?: 'normal' | 'multiply' | 'screen' | 'add' | 'overlay' | 'hard-light' | 'soft-light';  // §4.5
+  blur_radius?: number | Keyframe[];   // Gaussian σ in px (§4.6)
+  brightness?: number | Keyframe[];    // multiplier, 1 = unchanged (§4.6)
+  contrast?: number | Keyframe[];      // multiplier, 1 = unchanged (§4.6)
+  saturation?: number | Keyframe[];    // multiplier, 1 = unchanged (§4.6)
+  hue_rotate?: number | Keyframe[];    // degrees, default 0 (§4.6)
+  effects?: Effect[];                  // ordered stylize passes (§4.7)
+  material?: Material;                 // PBR material; only shaded under scene lights (§4.8)
+
+  // Animation
+  animations?: Animation[];
+  keyframe_animations?: KeyframeAnimation[];
+}
+\`\`\`
+
+### 4.1. The \`type\` discriminator
+
+\`type\` is REQUIRED and identifies which variant the object is. Conforming
+runtimes MUST recognize the values defined in §5. Documents containing
+unknown \`type\` values are valid documents; runtimes MAY skip such
+elements with a warning rather than failing the whole document.
+
+### 4.2. Draw order
+
+Every element owns a **\`layer\`** — a unique integer 1..1000 within its
+container (the top-level \`elements\`, each group's \`elements\`, each group
+mask's \`elements\`), like an After Effects layer. **Lower \`layer\` draws
+in front; layer 1 is on top.** Elements draw back-to-front by **depth**
+(\`z\`, §4.4), then by \`layer\`:
+
+\`\`\`
+draw_key  = (depth descending, i.e. farther first), then layer descending
+            (highest layer drawn first/behind, layer 1 drawn last/on top)
+\`\`\`
+
+\`z\` is the single depth axis (§4.4.2): with no camera it is pure
+stacking order (no perspective), with a camera it additionally
+foreshortens. \`layer\` orders elements *within* equal depth — when depths
+are equal (e.g. a 2D document where every \`z\` is 0), draw order is
+exactly layer descending, so layer 1 ends up on top. \`layer\` is
+**required and unique per container** (duplicate layers are a validation
+error), so no two elements tie; the sort MUST nonetheless be stable. The
+same rule applies to a group's children, locally within the group.
+(There is no separate \`z_index\` field — depth ordering is unified onto
+\`z\`. \`camera.sort: 'paint'\` opts a camera composition back into fixed
+\`layer\` order; see §4.4.3.)
+
+Elements with \`visible: false\` MUST NOT be rendered. Inactive elements
+(§7.1) MUST NOT be rendered.
+
+### 4.3. Anchors and bounding boxes
+
+The element's bounding box is \`width × height\` pixels, with its
+anchor point at \`(x, y)\`. The visual center MUST be computed
+from the anchor:
+
+\`\`\`
+center_x = x + (0.5 - x_anchor) * width
+center_y = y + (0.5 - y_anchor) * height
+\`\`\`
+
+Rotation rotates the element around its center.
+
+### 4.4. Transform composition
+
+Every element supports, in addition to position and rotation:
+
+| Field | Type | Default | Meaning |
+|---|---|---|---|
+| \`scale\` | number | \`1\` | Uniform scale factor. |
+| \`x_scale\`, \`y_scale\` | number \\| \`"N%"\` | \`1\` | Per-axis scale factors; \`"150%"\` ≡ \`1.5\`. |
+| \`x_skew\`, \`y_skew\` | number (degrees) | \`0\` | Shear, CSS \`skewX\`/\`skewY\` semantics: positive \`x_skew\` moves the bottom edge right; positive \`y_skew\` moves the right edge down. |
+
+Since CKP/1.0, every element also supports a 3D transform:
+
+| Field | Type | Default | Meaning |
+|---|---|---|---|
+| \`z_rotation\` | number (degrees) \\| Keyframe[] | \`0\` | Rotation in the element's plane. Exact alias for \`rotation\` — authoring BOTH on one element MUST be rejected by validators. |
+| \`x_rotation\` | number (degrees) \\| Keyframe[] | \`0\` | Rotation around the element's local x axis; positive tips the top edge away from the viewer. |
+| \`y_rotation\` | number (degrees) \\| Keyframe[] | \`0\` | Rotation around the element's local y axis; positive turns the right edge away from the viewer. |
+| \`z\` | number (px) \\| Keyframe[] | \`0\` | Depth toward (+) / away from (−) the viewer. The depth axis for §4.2 draw order: higher \`z\` draws nearer the viewer (on top), with \`layer\` ordering elements within equal depth (lower layer in front). Under a camera it additionally drives perspective foreshortening; with no camera it is pure stacking. |
+
+All are animatable. The effective axis scales are
+\`sx = scale × x_scale\`, \`sy = scale × y_scale\`.
+
+#### 4.4.1. The local matrix (normative)
+
+An element's local transform is the 4×4 matrix, in pixels, with the
+anchor-derived center \`(cx, cy)\` (§4.3) as the pivot:
+
+\`\`\`
+M_local = T(cx, cy, z) · Rz(z_rotation) · Ry(y_rotation) · Rx(x_rotation)
+          · K(x_skew, y_skew) · S(sx, sy, 1) · T(−cx, −cy, 0)
+\`\`\`
+
+where \`Rx/Ry/Rz\` are the standard right-handed rotation matrices in
+the protocol's coordinate system (x right, y DOWN, z toward the
+viewer; positive \`z_rotation\` is therefore clockwise on screen, as in
+CKP/1.0), and \`K\` embeds the 2D shear \`[[1, tan(x_skew)],
+[tan(y_skew), 1]]\` (CSS \`skew(x, y)\` semantics) in the xy plane. With
+\`x_rotation = y_rotation = z = 0\` this reduces exactly to the CKP/1.0
+composition **scale → shear → rotate** around the anchor-derived
+center; documents without 3D fields MUST render identically under
+both models.
+
+Group transforms stack multiplicatively onto children:
+\`M = M_parent · M_local\`, evaluated in the group's local space, and
+opacities multiply down the group chain. Children of a group that
+does NOT rasterize to a layer (no \`clip\`, \`mask\`, filter fields, or
+\`effects\` — see §4.4.3) therefore live in the parent's 3D space:
+nested 3D rotations compose, with no opt-in flag.
+
+#### 4.4.2. The camera
+
+A Source MAY declare one scene camera — a perspective lens (\`perspective\`,
+\`origin_x\`, \`origin_y\`) plus an optional rigid **pose** (a position and a
+look orientation) that moves the viewpoint through the scene:
+
+\`\`\`ts
+camera?: {
+  perspective: number | Keyframe[];  // focal distance in px, > 0
+  origin_x?: number | string;        // default "50%" (canvas center)
+  origin_y?: number | string;        // default "50%"
+
+  // Eye position offset from the default eye, px, about the origin. Default 0.
+  x?: number | Keyframe[];           // +x right
+  y?: number | Keyframe[];           // +y down
+  z?: number | Keyframe[];           // +z = eye toward the scene (dolly in)
+
+  // Eye orientation, degrees, Euler (applied Rz·Ry·Rx). Default 0.
+  x_rotation?: number | Keyframe[];  // pitch (tilt)
+  y_rotation?: number | Keyframe[];  // yaw (pan)
+  z_rotation?: number | Keyframe[];  // roll
+
+  sort?: 'depth' | 'paint';          // compositing order, §4.4.3. Default 'depth'.
+}
+\`\`\`
+
+The lens follows CSS Transforms Module Level 2 \`perspective()\`
+semantics: with \`d = perspective\` and origin \`(ox, oy)\`,
+
+\`\`\`
+P = T(ox, oy, 0) · [ 1 0 0 0 ; 0 1 0 0 ; 0 0 1 0 ; 0 0 −1/d 1 ] · T(−ox, −oy, 0)
+\`\`\`
+
+The pose is the **inverse of the camera's rigid world transform**, taken
+about the origin so it composes with the lens. With eye position
+\`(x, y, z)\` and rotation \`R = Rz·Ry·Rx\`,
+
+\`\`\`
+V = T(ox, oy, 0) · R⁻¹ · T(−x, −y, −z) · T(−ox, −oy, 0)
+\`\`\`
+
+and the camera matrix applied once at the root is
+
+\`\`\`
+camera = P · V
+\`\`\`
+
+so every element renders through \`P · V · M_chain · M_local\`, followed
+by the perspective divide. Orientation is given as explicit Euler angles
+rather than a look-at target: a target would derive orientation from
+geometry (hidden runtime math); a "look at this point" gesture is an
+authoring convenience that resolves to these angles, not a schema field.
+
+**Identity reduction (normative).** With the pose at its defaults
+(\`x=y=z=0\`, all rotations \`0\`), \`V = I\` and \`camera = P\` **bit-for-bit**:
+a document that uses only \`perspective\`/origin renders identically to a
+pre-pose runtime. Smaller \`d\` = stronger foreshortening; \`perspective\`
+is animatable (camera push/pull), as are all pose fields (orbit, pan,
+tilt, dolly).
+
+**No camera ⇒ camera = I.** 3D rotations still render (affine
+foreshortening — a y-rotated card narrows but its edges stay parallel).
+\`z\` has no *perspective* effect without a camera, but it still **orders**
+(§4.2, §4.4.3): \`z\` is the single depth axis, so without a camera it acts
+as pure stacking order. A document with no 3D fields (all \`z = 0\`) and no
+camera renders as pure layer stacking — equal depth collapses to \`layer\`
+order (descending, so layer 1 is on top).
+
+#### 4.4.3. Compositing under 3D (normative)
+
+- **Paint order — depth (2.5D).** \`z\` is the single depth axis and it
+  orders **always**: each sibling draw list (the top-level elements, and
+  the children of each non-flattened group) is painted **back-to-front
+  by depth** — the eye-space \`z\` of the sibling's anchor (its \`z\` with no
+  camera; \`z\` after \`P · V\` under a camera), far cards first. With **no
+  camera** this is pure stacking with no perspective; with a **camera**
+  it is the same ordering plus foreshortening. This is whole-card
+  (per-element) 2.5D sorting — flat cards ordered by distance — NOT a
+  per-pixel depth buffer. The sort is **stable**: equal depths break by
+  \`layer\` order (descending — layer 1 drawn last/on top), so a document
+  where every \`z = 0\` collapses to exact \`layer\` order, and the same
+  Source always yields the same pixels. A flattened group (clip / mask / filters /
+  effects) is a single card and sorts by its own anchor depth as a
+  unit; the §4.4.3 flattening rule means its children are already
+  coplanar inside the flat layer and keep their in-layer order. An
+  element's own internal quads (a particle system's particles, a text
+  element's glyphs) are likewise NOT reached by this sort — they follow
+  their own documented order (e.g. particles in spawn order, §5.13).
+  **Limitation (normative, not a bug):** because the unit of sorting is
+  the whole card, cards that interpenetrate, or whose anchor-depth order
+  disagrees with their true per-pixel order, can be ordered "wrong" at
+  some camera angles. There is no per-pixel resolution in the 2.5D
+  model. \`sort: 'paint'\` opts a camera composition back into fixed
+  \`layer\` order for authors who want explicit, camera-stable
+  layering. There is no depth buffer in the rendering model.
+- **Flattening at layer boundaries.** A group with \`clip: true\` or
+  \`mask\` renders its children in its own flat 2D layer space exactly
+  as in CKP/1.0, and the finished layer's quad is then transformed by
+  the full matrix chain. 3D declared INSIDE such a subtree composes
+  only within that flat layer's plane; 3D declared ON or ABOVE it
+  projects the layer as a unit. (This is how a clipped UI-mock group
+  tilts as one card.)
+- **Effect surfaces are screen-space.** Filter fields (\`blur_radius\`,
+  \`brightness\`, \`contrast\`, \`saturation\`, \`hue_rotate\`) and \`effects\`
+  entries evaluate on the element's PROJECTED rendering: the element
+  (or group subtree) draws with its full transform — including 3D and
+  the camera — into a surface-sized layer, and the filter/effect chain
+  runs on those screen-space pixels. This matches CKP/1.0, where the
+  element's own transform is likewise baked into its effect surface
+  before filtering, and means e.g. a glow's radius or a stroke's width
+  is uniform in screen pixels on a tilted card. A shape's native
+  \`shadow\` foreshortens with the element's plane, but its
+  \`offset_x\`/\`offset_y\` translate in the PARENT plane — consistent
+  with CKP/1.0, where a rotated shape's shadow offset stays
+  screen-aligned.
+- **Glass.** Glass is legal under 3D. The pane is a true plane in the
+  scene: pane-local coordinates come from the inverse of the pane's
+  plane homography (the restriction of the full §4.4 matrix chain to
+  the pane's plane — equivalent to exact per-fragment ray/plane
+  intersection), the §4.7 optical model runs unchanged in that local
+  frame, and refracted sample points map FORWARD through the
+  homography onto the screen-space backdrop snapshot. See §4.7 "Glass
+  under 3D" for the normative model and degenerate cases. With no 3D
+  on the element or its un-flattened chain, the orthographic CKP/1.0
+  path applies bit-for-bit.
+- **Anti-aliasing.** SDF edge anti-aliasing remains derivative-based
+  and scales naturally under projection; the §1 cross-backend
+  tolerance language applies unchanged.
+
+### 4.5. Blend modes
+
+\`blend_mode\` selects how the element's pixels combine with the pixels
+already drawn beneath it. It is **element-local**: it changes only this
+element's compositing math and MUST NOT alter how any other element
+renders. With premultiplied sources:
+
+| Value | Color math | Character |
+|---|---|---|
+| \`normal\` (default) | \`out = src + dst·(1 − src.a)\` | Standard over. |
+| \`multiply\` | \`out = src·dst + dst·(1 − src.a)\` | Darkens; white is neutral; uncovered pixels leave the destination unchanged. |
+| \`screen\` | \`out = src + dst·(1 − src)\` | Lightens; black is neutral. |
+| \`add\` | \`out = src + dst\` | Linear dodge; overlaps sum toward white (glow). |
+| \`overlay\` | \`B(cb,cs)\` = \`2·cb·cs\` if \`cb ≤ 0.5\` else \`1 − 2·(1−cb)·(1−cs)\` | Multiply in dark backdrop areas, screen in light ones; boosts contrast. |
+| \`hard-light\` | \`B(cb,cs)\` = overlay with source and backdrop swapped | Like shining a harsh light through the source. |
+| \`soft-light\` | \`B(cb,cs)\` per W3C soft-light | A gentler \`hard-light\` (soft dodge/burn). |
+
+The blend function \`B(cb, cs)\` operates on **straight-alpha** (un-
+premultiplied) backdrop \`cb\` and source \`cs\` per channel; the result
+composites via the general separable formula
+\`co = αs·(1−αb)·cs + αs·αb·B(cb,cs) + (1−αs)·αb·cb\`, with
+\`αo = αs + αb·(1 − αs)\`. For \`normal\`/\`multiply\`/\`screen\`/\`add\` this
+reduces to the closed forms above, expressible with fixed-function
+blending. \`overlay\`/\`hard-light\`/\`soft-light\` are **piecewise on the
+backdrop (or source)** and cannot be; a conforming runtime isolates
+the element to its own layer and composites it against a snapshot of
+the backdrop. The alpha channel always composites normally, so
+coverage is unaffected by the mode.
+
+On a \`group\`, \`blend_mode\` applies when the group's flattened layer is
+composited — which only exists when the group is layered via
+\`clip: true\` or \`mask\` (§5.8). On an unlayered group the field MUST be
+ignored (children draw directly to the parent surface with their own
+modes); runtimes SHOULD warn. Children inside a layered group
+composite against each other inside the layer, isolated from the
+backdrop — matching CSS \`isolation: isolate\` semantics.
+
+### 4.6. Filters
+
+Four element-local filter fields, all animatable, all following CSS
+\`filter\` function semantics:
+
+| Field | Default | Meaning |
+|---|---|---|
+| \`blur_radius\` | \`0\` | Gaussian blur; the value is the standard deviation σ in canvas pixels (CSS \`blur(σ)\`). |
+| \`brightness\` | \`1\` | Color multiplier: \`c' = c × v\` (CSS \`brightness(v)\`). |
+| \`contrast\` | \`1\` | Scale around mid-gray: \`c' = (c − 0.5) × v + 0.5\` (CSS \`contrast(v)\`). |
+| \`saturation\` | \`1\` | Lerp against Rec. 709 luma: \`c' = mix(luma(c), c, v)\`; \`0\` = grayscale (CSS \`saturate(v)\`). |
+| \`hue_rotate\` | \`0\` | Hue rotation by \`v\` DEGREES: \`c' = M(v) × c\` with the SVG \`feColorMatrix type="hueRotate"\` matrix below (CSS \`hue-rotate(v)\`). |
+
+The \`hue_rotate\` matrix, NORMATIVE, with \`cosθ\`/\`sinθ\` of the angle:
+
+\`\`\`
+M = [ 0.213+0.787cosθ−0.213sinθ  0.715−0.715cosθ−0.715sinθ  0.072−0.072cosθ+0.928sinθ ]
+    [ 0.213−0.213cosθ+0.143sinθ  0.715+0.285cosθ+0.140sinθ  0.072−0.072cosθ−0.283sinθ ]
+    [ 0.213−0.213cosθ−0.787sinθ  0.715−0.715cosθ+0.715sinθ  0.072+0.928cosθ+0.072sinθ ]
+\`\`\`
+
+Blur evaluation is a NORMATIVE downsample ladder (so identical sources
+produce identical pixels everywhere): bilinearly halve the image until
+the residual \`σ / f ≤ 4\` (\`f\` a power of two, max 16), apply a
+25-tap Gaussian (taps at \`σ/f ÷ 4\` spacing over ±3σ, weights
+\`exp(−d²/2σ²)\` normalized by their sum) horizontally then vertically
+at the reduced size, and bilinearly upsample at the consuming draw.
+Sparse full-resolution taps are not an acceptable substitute — they
+leave a visible σ/4-pixel grid on hard edges.
+
+A filtered element — any type, \`group\` included, layered or not — is
+rendered with its normal transform into a transparent offscreen layer,
+then that layer is composited back through the filter. Filters MUST
+apply in the order **blur → brightness → contrast → saturation →
+hue_rotate**, and
+the color ops MUST operate on straight (unpremultiplied) color so
+translucent pixels don't skew toward the contrast midpoint. Channel
+results clamp to [0, 1] before re-premultiplying; the alpha channel is
+never changed by color ops.
+
+Filters are element-local: the blur may bleed past the element's box
+(like CSS \`filter: blur()\`) but never reads or alters other elements'
+pixels. The element's \`opacity\` applies inside the layer and its
+\`blend_mode\` applies at the filter composite, so all three features
+compose. On a group, filtering flattens the subtree first — children
+are filtered as one image, not individually.
+
+### 4.7. Stylize effects
+
+\`effects\` is an ordered array of stylize passes over the element's
+rendered pixels, applied AFTER the filter fields:
+
+\`\`\`
+layer → blur → brightness → contrast → saturation → hue_rotate → effects[0] → … → effects[n]
+\`\`\`
+
+\`\`\`json
+{ "effects": [{ "type": "pixelate", "cell_size": 12 }] }
+\`\`\`
+
+Each effect is an object discriminated by \`type\`. Effect params accept
+\`number | Keyframe[]\`; keyframes evaluate against element-local time.
+(Effect params are NOT addressable from \`keyframe_animations\` — there
+is no property-path syntax into the array.) Like filters, effects are
+element-local, work on every element type (a \`group\` flattens its
+subtree first), and the element's \`blend_mode\` applies at the final
+composite. Runtimes encountering an effect \`type\` they don't implement
+MUST skip that effect (rendering the element without it) and SHOULD
+warn.
+
+**Effects read only the element's own rendered pixels — with ONE
+exclusion: \`glass\`.** Glass additionally reads the element's
+*backdrop*: the current surface's pixels at the element's position in
+draw order (§4.2), i.e. everything drawn before it on the same
+surface. It gets this carve-out because the effect is widely known and
+in high demand, and there is no proper decomposition — refraction
+needs the pixels behind the pane — and the alternative, a first-class
+glass element type, is deliberately not part of this protocol. No
+other effect type reads the backdrop, and backdrop-sampling blend
+modes (overlay, soft-light) remain excluded (§4.5). Note the
+relationship stays one-way: glass READS what is beneath it but never
+alters how any other element renders.
+
+Pixel-grid coordinates below are the element's layer pixels at output
+resolution; cells are aligned to the layer's origin. Color math runs
+on straight (unpremultiplied) color; "ink" factors scale color and
+alpha together (premultiplied output).
+
+#### \`pixelate\`
+
+| Param | Default | Meaning |
+|---|---|---|
+| \`cell_size\` | \`8\` (min 1) | Cell size in canvas pixels. |
+
+Every pixel takes the color sampled at its cell's center:
+\`out(p) = src((floor(p / cell) + 0.5) × cell)\`.
+
+#### \`dither\`
+
+| Param | Default | Meaning |
+|---|---|---|
+| \`levels\` | \`4\` (min 2) | Quantization levels per color channel. |
+
+Ordered dithering with the 4×4 Bayer matrix
+\`[0 8 2 10; 12 4 14 6; 3 11 1 9; 15 7 13 5]\`:
+\`t = (B[y mod 4][x mod 4] + 0.5) / 16\`, then per channel
+\`c' = clamp(floor(c × (levels−1) + t) / (levels−1), 0, 1)\`.
+Alpha (coverage) is not dithered.
+
+#### \`halftone\`
+
+| Param | Default | Meaning |
+|---|---|---|
+| \`cell_size\` | \`8\` (min 2) | Dot-grid cell size in canvas pixels. |
+| \`angle\` | \`45\` | Grid rotation in degrees. |
+
+In grid space (pixel coords rotated by \`angle\`), each cell draws a dot
+at its center, colored with the source sample at that center and sized
+by its luminance: \`luma = Rec709(c) × α\`, \`r = 0.5 × cell × √luma\`
+(area-proportional ink). Pixel ink is
+\`(1 − smoothstep(r−1, r+1, d)) × clamp(r, 0, 1)\` where \`d\` is the
+grid-space distance to the dot center; outside dots the output is
+transparent.
+
+#### \`ascii\`
+
+| Param | Default | Meaning |
+|---|---|---|
+| \`cell_size\` | \`12\` (min 4) | Glyph cell size in canvas pixels. |
+
+Each cell samples its center color; \`luma = Rec709(c) × α\` selects a
+glyph by \`i = clamp(floor(luma × 10), 0, 9)\` from the ten-step density
+ramp \`space . - : = + % * @ #\`. The glyph tints with the cell's color;
+uninked pixels are transparent. Glyph shapes are NORMATIVE — the
+embedded 8×8 bitmap font below (one byte per row, MSB = leftmost
+pixel), upscaled nearest-neighbor to the cell — so the effect never
+depends on platform fonts:
+
+| Glyph | Rows (hex) |
+|---|---|
+| space | \`00 00 00 00 00 00 00 00\` |
+| \`.\` | \`00 00 00 00 00 18 18 00\` |
+| \`-\` | \`00 00 00 7E 00 00 00 00\` |
+| \`:\` | \`00 18 18 00 00 18 18 00\` |
+| \`=\` | \`00 00 7E 00 7E 00 00 00\` |
+| \`+\` | \`00 18 18 7E 18 18 00 00\` |
+| \`%\` | \`00 C6 CC 18 30 66 C6 00\` |
+| \`*\` | \`00 66 3C FF 3C 66 00 00\` |
+| \`@\` | \`7C C6 DE DE DE C0 78 00\` |
+| \`#\` | \`6C 6C FE 6C FE 6C 6C 00\` |
+
+#### \`glow\`, \`drop_shadow\`, \`stroke\` (layer styles)
+
+Layer styles composite BENEATH the element's own pixels (premultiplied
+under-operator: \`out = content + style × (1 − content.α)\`), on any
+element type.
+
+| Effect | Params (defaults) | Math |
+|---|---|---|
+| \`glow\` | \`radius\` 20, \`intensity\` 1, \`color\` \`"#FFFFFF"\` | silhouette alpha blurred by σ = radius (§4.6 ladder), × intensity (clamped to 1), × color. |
+| \`drop_shadow\` | \`offset_x\` 0, \`offset_y\` 12, \`blur\` 18, \`color\` \`"#000000"\`, \`opacity\` 0.6 | silhouette alpha blurred by σ = blur, sampled at p − offset, × color × opacity. |
+| \`stroke\` | \`width\` 4, \`color\` \`"#FFFFFF"\` | outline band outside the silhouette: max alpha over a 16-tap ring of radius = width, × color. |
+
+Numeric params are animatable; they chain in array order like all
+effects (a drop_shadow listed before a glow renders beneath it).
+
+#### \`chroma_key\`, \`luma_key\` (keying)
+
+Keying makes pixels of the element's own rendered layer transparent
+based on their color. All math operates on the STRAIGHT-alpha color
+\`c = premultiplied.rgb / α\` (with \`c = 0\` where \`α = 0\`); the resulting
+coverage factor \`a\` scales the pixel's alpha (and its premultiplied
+color with it).
+
+**\`chroma_key\`** — params \`color\` (default \`"#00FF00"\`), \`tolerance\`
+(default \`0.18\`), \`softness\` (default \`0.1\`), \`spill\` (default \`0.5\`).
+With \`k\` the key color and BT.709 luma \`Y(x) = 0.2126·x.r + 0.7152·x.g
++ 0.0722·x.b\`:
+
+\`\`\`
+CbCr(x) = ( (x.b − Y(x)) / 1.8556 , (x.r − Y(x)) / 1.5748 )
+d       = | CbCr(c) − CbCr(k) |              — Euclidean distance
+a       = softness > 0 ? clamp((d − tolerance) / softness, 0, 1)
+                       : (d > tolerance ? 1 : 0)
+\`\`\`
+
+Spill suppression caps the key color's dominant channel (ties resolve
+green → red → blue): with \`i\` that channel and \`j, k\` the others,
+\`c.i −= spill × max(0, c.i − max(c.j, c.k))\`, applied to every pixel
+regardless of \`d\`. Output: \`α' = α × a\`, color \`c × α'\`.
+
+**\`luma_key\`** — params \`threshold\` (default \`0.5\`), \`softness\`
+(default \`0.1\`), \`invert\` (default \`false\`):
+
+\`\`\`
+a = softness > 0 ? clamp((Y(c) − threshold) / softness, 0, 1)
+                 : (Y(c) > threshold ? 1 : 0)
+invert → a = 1 − a
+\`\`\`
+
+Pixels darker than \`threshold\` are removed (with \`invert\`, brighter).
+\`tolerance\` / \`softness\` / \`threshold\` / \`spill\` are animatable;
+\`color\` and \`invert\` are static. Keying reads only the element's own
+pixels — to key a green-screen video, put the effect on the \`video\`
+element (\`color\` set to the screen's actual green); a group keys its
+composited children as one layer.
+
+#### \`levels\`, \`lut\` (grading)
+
+Both operate per pixel on the straight-alpha color; alpha is never
+changed.
+
+**\`levels\`** — params \`in_black\` 0, \`in_white\` 1, \`gamma\` 1,
+\`out_black\` 0, \`out_white\` 1 (all animatable, points clamped to
+[0, 1], gamma > 0). Per channel:
+
+\`\`\`
+x   = clamp((c − in_black) / (in_white − in_black), 0, 1)
+y   = x^(1/gamma)                — gamma > 1 brightens mid-tones
+out = clamp(out_black + y × (out_white − out_black), 0, 1)
+\`\`\`
+
+**\`lut\`** — params \`source\` (URL of a \`.cube\` file — http(s), relative,
+or \`data:\` URI), \`intensity\` 1 (animatable, 0..1). The file MUST
+declare \`LUT_3D_SIZE N\` (2 ≤ N ≤ 256) with the default 0..1 domain;
+data lines are \`r g b\` triples ordered red-fastest, then green, then
+blue. Values clamp to [0, 1]. The graded color is the TRILINEAR
+interpolation of the lattice at \`c × (N−1)\` per axis, and the output
+is \`mix(c, graded, intensity)\`. A LUT that fails to load or parse MUST
+skip the pass with a warning (the element still renders). The lattice
+is sampled at the pipeline's working precision (8-bit per channel in
+the reference runtime).
+
+#### \`fractal_noise\`, \`turbulent_displace\` (procedural noise)
+
+Both build on one NORMATIVE noise function so identical documents
+produce identical pixels on every runtime. All integer math is 32-bit
+unsigned (wrapping); lattice coordinates convert int→uint by two's
+complement.
+
+\`\`\`
+pcg(v)   : s = v × 747796405 + 2891336453            (mod 2³²)
+           w = ((s >> ((s >> 28) + 4)) XOR s) × 277803737   (mod 2³²)
+           → (w >> 22) XOR w
+h(c, seed) = pcg(c.x XOR pcg(c.y XOR pcg(c.z XOR pcg(seed)))) / (2³²−1)
+noise(p, seed): value noise — trilinear blend of h at the 8 corners of
+           floor(p)'s lattice cell, weights faded per axis by
+           u = f³(f(6f − 15) + 10)
+fbm(p, octaves, seed) = Σₒ 0.5° × noise(p × 2°, seed + o)  /  Σₒ 0.5°
+           for o = 0 … octaves−1   (lacunarity 2, gain 0.5)
+\`\`\`
+
+**\`fractal_noise\`** — params \`scale\` 100 (canvas px per lattice cell),
+\`evolution\` 0, \`offset_x\`/\`offset_y\` 0 (canvas px), \`octaves\` 4
+(integer 1–8, static), \`seed\` 0 (integer, static; use values < 2²⁴).
+The element's pixels are replaced by grayscale noise, keeping its
+alpha footprint:
+
+\`\`\`
+v = fbm((p + offset) / scale  ⊕  evolution as the 3rd axis, octaves, seed)
+out = (v, v, v) × α, α unchanged
+\`\`\`
+
+Grayscale by design — chain \`levels\` to shape contrast and a \`lut\` to
+color it (gray has no chroma for \`hue_rotate\` to act on). Animate
+\`evolution\` for in-place churn, the offsets to scroll. On a text
+element the glyphs become a noise-filled matte.
+
+**\`turbulent_displace\`** — params \`amount\` 16 (max displacement,
+canvas px), \`scale\` 120, \`evolution\` 0, \`octaves\` 2 (1–8, static),
+\`seed\` 0 (static). Each output pixel samples the element's layer at a
+noise-displaced position (bilinear, clamped to the layer):
+
+\`\`\`
+d = ( fbm(p/scale ⊕ evolution, octaves, seed)        − 0.5 ,
+      fbm(p/scale ⊕ evolution, octaves, seed + 7919) − 0.5 ) × 2 × amount
+out(p) = layer(p + d)
+\`\`\`
+
+\`scale\`, \`evolution\`, offsets, and \`amount\` are animatable; \`octaves\`
+and \`seed\` are static.
+
+#### \`glass\`
+
+Liquid glass — a refractive pane over the backdrop, following the
+widely-adopted liquidglass optical model (reference:
+github.com/ybouane/liquidglass). Glass applies to \`shape\` elements
+(primitive rectangle / ellipse and path shapes) and \`text\` elements,
+where the pane geometry is known from the element's own geometry rather
+than rasterized alpha.
+
+Glass is **legal under 3D**: 3D transforms (\`x_rotation\` /
+\`y_rotation\` / \`z\`) and a camera on a glass-carrying element or its
+un-flattened ancestor chain are valid. The pane is a true plane in the
+scene and the runtime projects the §4.7 optical model through the
+pane's plane homography (see "Glass under 3D" below). With no 3D in
+play the orthographic path applies bit-for-bit.
+
+| Param | Default | Meaning |
+|---|---|---|
+| \`blur_radius\` | \`0\` | Backdrop Gaussian blur σ in px. \`0\` = CLEAR glass (pure refraction, the default material); \`> 0\` = FROSTED. |
+| \`refraction\` | \`21\` | Lens bend strength (≈ px of displacement; internally the reference dial = \`refraction / 30\`). The magnitude is used. |
+| \`edge_width\` | \`40\` | Bevel z-radius — how deep the lens curvature reaches. With \`mode: "dome"\` and \`edge_width\` = the shape's radius, the pane is a half-sphere magnifier. |
+| \`mode\` | \`"pill"\` | Lens cross-section: \`"pill"\` (biconvex — entry + exit refraction + depth-scaled centre magnification) or \`"dome"\` (flat bottom, curved top — uniform magnification toward the centre). |
+| \`edge_highlight\` | \`0.35\` | Scales the stock light rig (rim 0.22×, inner glow 0.15×, 1.5px top-biased inner stroke 0.55×, Fresnel). \`0.35\` reproduces the reference defaults exactly. |
+| \`dispersion\` | \`0.05\` | Chromatic aberration along the surface normal (×18 px, edge-weighted). |
+| \`shadow\` | \`0.3\` | Drop-shadow opacity, painted ONLY outside the pane's SDF (spread 10 px, vertical offset 1 px — glass never frosts its own shadow). |
+| \`backdrop_saturation\` | \`1\` | Saturation of the sampled backdrop (\`1\` = unchanged). |
+| \`tint\` | none | Color drawn over the glass; alpha = strength. Not keyframable in v1. |
+
+All numeric params are animatable. The pane's \`fill_color\` is unused
+under glass; its \`opacity\` scales the pane. An \`ellipse\` evaluates as
+the rounded-rect SDF with \`r = min(half)\` — a circle when square, a
+stadium otherwise. Pane content (labels, icons) goes on lower layers (nearer the front).
+
+The model, NORMATIVE, evaluated per pixel in pane-local rotated
+coordinates \`p\` with half-size \`half\`, corner radius \`r\`, z-radius
+\`zR = edge_width\`, and the reference dial \`dial = |refraction| / 30\`:
+
+\`\`\`
+sdf      = roundedRectSDF(p, half, r)
+inside   = −sdf
+h(d)     = √(d × (2·zR − d)) clamped to [0, zR]   — half-circle bevel
+∇h       = central differences of h at step 2 px (the sdf is ANALYTIC:
+            no field facets, no measured-divergence cap, no rim "lip")
+N        = normalize(−∇h, 1)
+depth    = smoothstep(0, zR, inside)
+edge     = smoothstep(0.35 × min(half), 0, inside)
+
+pill:    refr = (2·∇h + ∇h·(h/zR)·0.5) × (1 − 1/1.5) × dial × 30
+                + (−p / half) × dial × 4 × depth
+dome:    refr = −p × dial × depth × 0.35
+
+chroma   = N.xy × dispersion × 18 × (edge×0.7 + 0.3) × 2;
+           R/G/B sample at refr + chroma / refr / refr − chroma
+col      = mix(sharp, frosted, 1 − edge × 0.15)
+           — frosted everywhere, 15% sharp at the rim; with
+             blur_radius 0 both textures are identical (clear glass)
+col      = saturate(col, backdrop_saturation); mix toward tint;
+           × (1 + 0.06 × depth)
+fresnel  = (1 − |N.z|)⁴ × (edge_highlight / 0.35)
+spec     = Blinn-Phong on N: L(0.4,0.7,1)^90 + L(−0.3,−0.5,1)^50×0.3
+           + diffuse L(0.1,0.3,1)^6×0.1 + L(0,0.9,0.4)^120×0.6
+           (specular dial; reference default 0)
+stroke   = 1.5px inner band × (0.4 + 0.6·topBias) × edgeHL × 0.55
+rim/glow = edge × edgeHL × 0.22  /  smoothstep(5,0,inside) × edgeHL × 0.15
+env      = (N.y×0.5 + 0.5) × fresnel × 0.08
+fin      = col + spec + rim + glow + stroke + env, then
+           mix(fin, white, fresnel × 0.2)
+out      = premultiply(fin, aaMask × opacity)
+
+shadow (sdf > 0 only, offset down by offY):
+d        = max(sdfShadow − 1, 0);  s = spread
+α        = (e^(−d²/s²) × 0.65
+            + e^(−0.08·d / max(0.04·s, 0.01)) × 0.35) × shadow
+\`\`\`
+
+**Glass under 3D (CKP/1.0, NORMATIVE).** When the pane carries 3D
+fields or sits under an un-flattened non-affine chain (§4.4), the
+model above runs unchanged in the pane's LOCAL frame; only the
+coordinate hand-off changes:
+
+- Let \`H\` be the pane's plane homography — the 3×3 restriction of the
+  full §4.4 matrix chain (camera included) to the pane's plane,
+  origin at the pane's center, y down. Per fragment, pane-local
+  \`p = (H⁻¹ · (px, 1)).xy / w\`; a non-positive \`w\` lies past the
+  plane's horizon and outputs nothing. This is exactly the camera-ray
+  / pane-plane intersection, in projective form.
+- Refracted and dispersed sample points (\`p + refr ± chroma\`) map
+  FORWARD through \`H\` to surface px (clamped to the surface) and
+  sample the same screen-space backdrop snapshot. Glass refracts the
+  COMPOSITED IMAGE at the screen plane — it does not re-render the
+  scene from the refracted direction.
+- The light rig, bevel field and SDF are defined in the pane's local
+  frame and tilt WITH the pane (highlights track the surface, not the
+  screen).
+- Degenerate case: a singular \`H\` (an edge-on pane with no
+  perspective anywhere in its chain) is invisible — runtimes MUST
+  draw nothing. Under perspective an off-axis edge-on pane projects
+  to a thin wedge; that wedge is correct rendering, not an error.
+- The shadow term evaluates in pane-local coordinates like everything
+  else, so the shadow projects with the pane.
+
+With no 3D in play the orthographic path applies unchanged —
+documents valid in CKP/1.0 render bit-identically.
+
+### 4.8. Lighting and materials (CKP/1.0, NORMATIVE)
+
+A Source MAY declare \`lights\` and an \`environment\`; an element MAY carry
+a \`material\`. Lighting is **opt-in and additive**: a document with no
+\`lights\` and no element \`material\` renders **bit-identically** to one
+without these fields. Only elements with a \`material\` are shaded.
+
+**Shading model (PBR).** When an element has a \`material\` and the Source
+has \`lights\`, the element renders its content normally — those pixels are
+the **albedo** — and the runtime shades each fragment with one model,
+identical in 2D and 3D:
+
+\`\`\`
+out = albedo · (ambient + Σ_dir diffuse(N,L)·Lc)         // Lambert
+    + Σ_dir specular_GGX(N,L,V,roughness)·F(V,H,F0)·Lc    // Cook-Torrance
+    + (kd·albedo·envAvg + envc·Fr) · reflectivity         // environment (IBL)
+    + emissive·albedo
+\`\`\`
+
+where \`envc = mix(env(R), envAvg, roughness)\` is the environment sampled
+along the reflection ray \`R = reflect(−V,N)\` and blurred toward its
+average by roughness; \`Fr\` is the roughness-aware Schlick–Fresnel at the
+view angle; \`kd = (1−Fr)·(1−metalness)\` is the dielectric diffuse weight;
+and \`envAvg\` is the environment's mean color (its diffuse irradiance).
+
+- **N** is the element's world-space face normal (from its §4.4 3D
+  orientation), perturbed per-fragment by \`material.normal_map\` when
+  present (a tangent-space map sampled in the element's UV space, scaled
+  by \`normal_scale\`; the tangent/bitangent come from the quad's U/V axes).
+- **V** is the view vector: per-fragment \`normalize(eye − fragmentWorld)\`
+  under a camera, or \`(0,0,1)\` with no camera. This is the only term the
+  camera affects — so specular and reflections **sweep as the camera
+  moves** (3D); with no camera you animate the lights instead (2D). The
+  math is the same.
+- **F0** (Fresnel base reflectance) is \`0.04\` for dielectric, the albedo
+  for metal, interpolated by \`metalness\`. Fresnel uses Schlick.
+- **roughness** widens the GGX specular lobe and blurs the environment
+  reflection; **reflectivity** is an art dial over the environment term.
+
+**Lights** (\`source.lights\`):
+- \`{ type: 'ambient', color?, intensity? }\` — uniform fill.
+- \`{ type: 'directional', azimuth?, elevation?, color?, intensity? }\` —
+  a parallel light; \`azimuth\`/\`elevation\` (degrees) give its direction.
+  All scalar fields animatable.
+
+**Environment** (\`source.environment\`) is what reflective surfaces
+sample along the reflection vector. Phase 1: \`{ type: 'gradient', stops }\`
+— a gradient "sky" indexed by the reflection ray's vertical component
+(offset 0 = looking down, 1 = up), so a surface mirrors the sky when it
+tilts up and the ground when it tilts down, and the reflection shifts as
+the surface (or camera) moves. Up to 4 stops. The environment also
+contributes a diffuse irradiance (its average color) to dielectric
+surfaces. The other type is \`{ type: 'image', src }\` — an
+**equirectangular** (2:1 lat-long) image the surface mirrors along the
+reflection vector (real photographic reflections); roughness blurs it
+toward the image's average color. Both share one IBL path.
+
+**Bloom** (\`source.bloom\`, Phase 2) is a whole-frame post-process:
+pixels brighter than \`threshold\` (luma, soft \`knee\`) are blurred by
+\`radius\` and added back × \`intensity\`, so bright regions — specular
+highlights, emissive surfaces, bright media — bleed light across element
+boundaries. It is **brightness-driven**: the amount each region blooms
+comes from its own brightness, not a per-element knob (use the
+per-element \`glow\` effect for deliberate, art-directed halos). Opt-in;
+absent ⇒ no bloom (byte-identical). All fields animatable.
+
+**Material** (\`element.material\`): \`roughness\` (0 mirror‑tight .. 1
+matte), \`metalness\` (0 dielectric .. 1 metal), \`reflectivity\` (env
+strength), \`emissive\` (self-illumination toward the unlit pixels),
+\`normal_map\` (tangent-space normal map URL — flat texel = \`#8080ff\`) and
+\`normal_scale\` (perturbation strength). Scalars animatable. Absent ⇒
+unlit.
+
+**Determinism / cost.** No \`material\` ⇒ the element takes the exact
+unlit path (no shading pass), so unlit content is byte-identical and
+pays nothing. The model is local illumination (no shadows, no global
+illumination) — flat 2.5D surfaces lit per-fragment.
+
+---
+
+## 5. Element types
+
+CKP/1.0 defines eight element types — \`video\`, \`image\`, \`text\`,
+\`shape\`, \`audio\`, \`group\`, \`caption\`, and \`particles\`. (The former
+\`svg\` element was absorbed into \`shape\`, which carries vector \`paths\`.)
+Each section below specifies the fields, semantics, and required
+behavior for one type.
+
+### 5.1. \`shape\`
+
+A \`shape\` draws geometry in one of two representations, selected by whether
+it carries \`paths\`:
+
+- **Primitive** — \`shape: "rectangle" | "ellipse"\` with optional rounded
+  corners, gradient fills, and stroke. Rendered as a resolution-independent
+  SDF. \`fill_color\`, \`stroke_color\`, \`stroke_width\`, and \`border_radius\` are
+  animatable via \`keyframe_animations\` (e.g. \`property: "border_radius"\`).
+- **Path** — arbitrary vector geometry via \`paths\`: keyframeable \`d\`
+  morphing, per-sub-path fill/stroke, and stroke trim/draw-on. Rasterized,
+  so resolution is bound by \`view_box\`. Specified in §5.6.
+
+When \`paths\` is present the primitive fields are ignored.
+
+\`\`\`ts
+interface ShapeElement extends BaseElement {
+  type: "shape";
+  // Primitive form (ignored when \`paths\` is present):
+  shape?: "rectangle" | "ellipse";        // default "rectangle"
+  fill_color?: string;                     // hex, default "#ffffff"
+  gradient?: LinearGradient | RadialGradient;  // overrides fill_color
+  stroke_color?: string;
+  stroke_width?: number;
+  border_radius?: number;                  // PIXELS — see §5.1.2
+  shadow?: BoxShadow;                      // drop shadow cast by the shape
+  // Path form (§5.6):
+  view_box?: [number, number, number, number]; // default [0, 0, 100, 100]
+  gradients?: PathGradient[];
+  paths?: PathDef[];                       // ≥1 when present
+}
+
+interface BoxShadow {
+  color: string;       // §3.4
+  offset_x?: number;   // px. Default 0
+  offset_y?: number;   // px. Default 12
+  blur?: number;       // Gaussian σ px (0 = crisp). Default 18
+}
+\`\`\`
+
+\`shadow\` casts a soft drop shadow beneath the shape. Under 3D the shadow
+foreshortens with the element's plane, while \`offset_x\`/\`offset_y\`
+translate in the parent plane (§4.4.3).
+
+#### 5.1.1. Gradients
+
+\`\`\`ts
+interface LinearGradient {
+  type: "linear";
+  angle?: number;       // degrees, CSS linear-gradient() convention:
+                        //   0 = to top, clockwise. 90 = to right,
+                        //   180 = to bottom (default), 270 = to left.
+  stops: GradientStop[]; // 2..4 stops
+}
+interface RadialGradient {
+  type: "radial";
+  cx?: number;          // 0..1 of bounding box, default 0.5
+  cy?: number;
+  radius?: number;      // 0..1, default 0.5
+  stops: GradientStop[];
+}
+interface GradientStop {
+  offset: number;       // 0..1
+  color: string;        // hex
+}
+\`\`\`
+
+Implementations MUST support at least 4 stops. The gradient direction
+for linear gradients uses CSS-style angle conventions.
+
+#### 5.1.2. Corner radius
+
+\`border_radius\` is in PIXELS, not a normalized 0..1 value. Runtimes MUST
+clamp the value to half the shorter of \`width\`/\`height\` so that values
+exceeding the shape produce a pill or circle rather than visual artifacts.
+
+Conforming runtimes MUST render corner arcs as **true quarter-circles**,
+not stretched ellipses. This means SDF-based renderers MUST perform
+corner math in pixel space, not in normalized UV space.
+
+### 5.2. \`text\`
+
+Multi-line text. Text soft-wraps within the box (\`text_wrap\`), honors
+explicit \`\\n\` breaks, \`line_height\`, and per-line backgrounds. The
+default font is **Inter** (not a platform stack); \`font_family\` selects
+another registered family (§2.1 \`fonts\`).
+
+\`\`\`ts
+interface TextElement extends BaseElement {
+  type: "text";
+  text?: string;                       // static text
+  spans?: TextSpan[];                  // inline-styled runs (§5.2.4)
+
+  font_family?: string;                // registered family name; default Inter
+  font_size?: number | string;         // "auto" fits to width
+  font_weight?: number | string;       // "400", "bold", etc.
+  font_style?: "normal" | "italic";
+  fill_color?: string;
+  stroke_color?: string;
+  stroke_width?: number;
+  text_align?: "left" | "center" | "right";
+  letter_spacing?: number;
+
+  background_color?: string;           // solid bg, SHRINK-WRAPPED to glyphs
+  background_border_radius?: number;   // corner radius (px) for the bg
+  background_padding?: number | [number, number]; // bg padding px (or [x,y])
+  text_shadow?: TextShadow | TextShadow[];  // per-glyph shadow(s)
+
+  mask?: TextMask;                     // reveal mask
+}
+
+interface TextShadow {
+  color: string;       // §3.4
+  offset_x?: number;   // px, text-local frame. Default 0
+  offset_y?: number;
+  blur?: number;       // Gaussian softness px (0 = crisp). Default 0
+  opacity?: number;    // 0..1, multiplies color alpha. Default 1
+}
+\`\`\`
+
+\`text_shadow\` is a **per-glyph** drop shadow (CSS \`text-shadow\`): each glyph
+casts its own, so it tracks per-letter animation and overlapping glyphs —
+unlike the silhouette \`drop_shadow\` effect (§4.7), which shadows the
+flattened text as one shape. Pass an **array** for stacked shadows, painted
+back-to-front (list farthest → nearest for a clean 3D extrusion). Shadows
+are drawn behind every glyph (a two-pass render) so they never get clipped
+by neighbouring letters. Works the same on \`caption\`. (Reach for the
+\`drop_shadow\` effect instead when you want one soft shadow of the whole
+text silhouette.)
+
+\`background_color\` draws a solid background behind the text as **one band
+per line**, each shrink-wrapped to that line's glyphs (line width × the
+font ascent/descent box) — NOT the element's \`width\`/\`height\` box — so
+centered or ragged multi-line text gets per-line pills, and it tracks
+wrapping and \`font_size: "auto"\`. \`background_border_radius\` rounds each
+band; \`background_padding\` (a number, or \`[x, y]\`) insets it outward. It
+rotates, scales, and skews with the element. For a per-run highlight band
+use a span \`background\` (§5.2.4); for a drop shadow use a \`drop_shadow\`
+effect (§4.7). The same fields work on \`caption\` (one band around the
+caption phrase).
+
+#### 5.2.1. \`text\` content
+
+\`text\` (or \`spans\`, §5.2.4) provides the content. If \`spans\` is present it
+takes precedence over \`text\`. If neither is present the element renders
+nothing (and runtimes MAY skip the element entirely).
+
+#### 5.2.2. \`font_size: "auto"\`
+
+When \`font_size\` is the string \`"auto"\`, the runtime MUST compute a
+font size such that the rendered text fits inside the element's \`width\`.
+The exact algorithm is implementation-defined but MUST be deterministic
+for the same text + font + width inputs.
+
+#### 5.2.3. Text mask
+
+\`\`\`ts
+interface TextMask {
+  type: "linear-wipe";
+  angle?: number;                      // degrees, default -45
+  progress?: number | Keyframe[];      // 0..1
+  softness?: number;                   // 0..1, default 0.3
+}
+\`\`\`
+
+When present, the text is rendered into an offscreen surface and
+multiplied by a linear-gradient alpha mask. \`progress\` controls the
+reveal position; \`softness\` controls the wipe edge width.
+
+#### 5.2.4. Spans
+
+\`spans\` carries inline-styled runs. When present it takes precedence
+over \`text\`. Runs lay out left-to-right; a span whose
+\`text\` is exactly \`"\\n"\` is a hard line break. Each span inherits the
+element's \`font_family\` / \`font_size\` / \`font_weight\` / \`fill_color\` /
+\`letter_spacing\` unless it overrides them.
+
+\`\`\`ts
+interface TextSpan {
+  text: string;
+  font_family?: string;
+  font_size?: number | string;
+  font_weight?: number | string;
+  font_style?: "normal" | "italic";
+  fill_color?: string;
+  letter_spacing?: number;             // px tracking; inherits element's
+  background_color?: string;           // flat full-line-box band
+  background?: TextSpanBackground;     // stylized band; overrides above
+  nowrap?: boolean;                    // atomic for word-wrap
+}
+\`\`\`
+
+\`letter_spacing\` (element and span level) is pixels of tracking added
+after EVERY character, including the last — Chrome's model, so boxes
+measured in a browser reproduce exactly. \`nowrap\` marks the span atomic
+for word-wrap (CSS \`white-space: nowrap\` semantics): the runtime never
+breaks inside it. \`background\` draws a band behind the span's glyphs
+(\`color\`, plus optional \`height_ratio\`, \`inset_y_ratio\`, \`padding_x\`,
+\`skew_x\`, \`border_radius\` — see the schema for exact semantics).
+
+### 5.3. \`image\` and \`video\`
+
+\`\`\`ts
+interface ImageElement extends BaseElement {
+  type: "image";
+  source: string;                      // URL or path
+  fit?: "cover" | "contain" | "fill" | "none";   // default "cover"
+  border_radius?: number;              // corner radius px, default 0
+  crop_x?: number;                     // source crop, normalized 0..1 (see §5.3.1)
+  crop_y?: number;
+  crop_width?: number;
+  crop_height?: number;
+}
+
+interface VideoElement extends BaseElement {
+  type: "video";
+  source: string;
+  fit?: "cover" | "contain" | "fill" | "none";   // default "cover"
+  crop_x?: number;                     // source crop, normalized 0..1 (see §5.3.1)
+  crop_y?: number;
+  crop_width?: number;
+  crop_height?: number;
+  volume?: number | Keyframe[];        // 0..100, default 100 (animatable)
+  playback_rate?: number | Keyframe[]; // media seconds per timeline second, default 1
+                                       //   (schema type; the runtime requires it static — §5.3.2)
+  trim_start?: number;                 // seconds into the media, default 0
+  trim_duration?: number;              // playable media window after trim_start
+  loop?: boolean;
+}
+\`\`\`
+
+Asset reference rules are defined in §8.
+
+#### 5.3.1. Object fit and source crop
+
+\`fit\` follows CSS \`object-fit\` against the element box:
+
+| Value | Behavior |
+|---|---|
+| \`cover\` (default) | scale media to fill the box; crop the overflow, centered |
+| \`contain\` | scale media to fit inside the box; letterbox |
+| \`fill\` | stretch media to the box exactly |
+| \`none\` | natural media size, centered, cropped to the box |
+
+**Source crop.** \`crop_x\` / \`crop_y\` / \`crop_width\` / \`crop_height\` select a normalized
+sub-rectangle of the **source** media (each in \`0..1\`, origin top-left)
+that is shown in place of the whole source. The default is the whole
+source — \`crop_x = 0, crop_y = 0, crop_width = 1, crop_height = 1\` — and
+omitting the fields is identical to that identity crop.
+
+Crop applies BEFORE \`fit\`: the cropped sub-rectangle becomes the
+effective media, and \`fit\` then maps it into the element box exactly as
+in §5.3.1. The element box (its \`x\` / \`y\` / \`width\` / \`height\`) is
+**unchanged** — crop only chooses which part of the source fills it, so
+crop composes orthogonally with transform, \`border_radius\`, filters, and
+3D. A runtime MUST clamp the rect to the unit square (\`crop_width\` to
+\`1 − crop_x\`, \`crop_height\` to \`1 − crop_y\`); a zero-area crop is treated
+as the identity.
+
+Each component MAY be keyframed (§6.3). Animating the crop origin pans
+across the source and animating its size zooms — a Ken Burns move with no
+change to the element's layout.
+
+#### 5.3.2. Media time mapping
+
+The playable *trim window* is:
+
+\`\`\`
+window_start  = max(0, trim_start)
+window_length = min(trim_duration ?? ∞, media_duration − window_start)
+\`\`\`
+
+The media time sampled at composition time \`t\` is:
+
+\`\`\`
+consumed = max(0, t − element.time) × playback_rate
+media_t  = window_start + (consumed mod window_length)     if loop
+         = window_start + min(consumed, window_length − ε) otherwise
+\`\`\`
+
+i.e. \`loop\` wraps WITHIN the trim window; without \`loop\` the last frame
+holds. \`playback_rate\` MUST be a static number (keyframed rates are not
+defined in CKP/1.0).
+
+**Time remapping.** A video MAY carry \`time_remap\` — a keyframe array
+(§6.3 semantics: destination-keyframe easing, element-local time) whose
+VALUES are media times in seconds. When present, it REPLACES the
+mapping above entirely (\`trim_start\`, \`trim_duration\`,
+\`playback_rate\`, and \`loop\` are ignored):
+
+\`\`\`
+media_t = clamp(interpolate(time_remap, t − element.time), 0, media_duration − ε)
+\`\`\`
+
+Speed ramps are steep segments, freeze frames are flat ones, and
+reverse playback follows decreasing values; easings shape the ramp.
+Decoders quantize \`media_t\` to the media's own frames, which is
+conformant (§2.1 motion-blur note applies the same way).
+
+**Varispeed audio.** Audio under a warped clock — a video's embedded
+track under \`time_remap\`, or any sound element inside a time-remapped
+group (§5.8.3) — plays VARISPEED, tape-style: at each instant the
+audio advances through the media at \`rate(t) = d(media_t)/dt\`, and
+pitch shifts with the rate (2× plays an octave up, slow-motion plays
+low). Flat segments (rate 0) are silent; decreasing segments play the
+media REVERSED at \`|rate|\`. The reference implementation samples the
+effective media-time function at 10 ms through the full warp chain,
+splits it into monotonic runs, and schedules each run with a rate
+curve (reversed runs play a sample-reversed copy of the buffer).
+Pitch-preserving time-stretch is NOT defined in CKP/1.0. Fade
+envelopes (\`audio_fade_in\`/\`audio_fade_out\`) are not applied under
+warps in v1.
+
+#### 5.3.3. Video audio
+
+If the media container carries an audio track, conforming Level 3
+runtimes MUST play/mix its FIRST audio track using the same timing as
+§5.3.2, with gain \`volume / 100\`. \`playback_rate\` resamples the audio
+(pitch shifts accordingly; time-stretch is not defined in CKP/1.0).
+Videos without an audio track are silent — not an error.
+
+#### 5.3.4. Audio fades
+
+\`audio_fade_in\` / \`audio_fade_out\` (on both \`audio\` and \`video\`
+elements, seconds, default 0) shape the gain over the element's
+TIMELINE window \`[0, L]\`:
+
+\`\`\`
+g(τ) = volume/100 × min(1, τ / fade_in) × min(1, (L − τ) / fade_out)
+\`\`\`
+
+(each factor is 1 when its fade is 0). The envelope is piecewise linear
+between its corner points; runtimes MUST reproduce it within normal
+gain-ramp accuracy, including when playback starts mid-fade (seek).
+
+### 5.4. \`audio\`
+
+\`\`\`ts
+interface AudioElement extends BaseElement {
+  type: "audio";
+  source: string;
+  volume?: number | Keyframe[];        // 0..100
+  trim_start?: number;
+  trim_duration?: number;
+  loop?: boolean;
+}
+\`\`\`
+
+Audio elements have no visual representation. They contribute to the
+mixed audio track produced by export-conformant runtimes (§10.3).
+Preview-only runtimes MAY play them via \`HTMLAudioElement\` or similar.
+
+### 5.5. \`caption\`
+
+Word-timed captions with optional kinetic styling.
+
+\`\`\`ts
+interface CaptionElement extends BaseElement {
+  type: "caption";
+  words: { text: string; start: number; end: number }[]; // start/end relative to element.time
+  style?: "tiktok_bounce" | "fade_reveal" | "kinetic_typewriter" | "word_pop";
+  // Windowing — how much of the transcript shows at once (§5.5.1). A whole
+  // transcript otherwise renders as one block; with \`max_length\` set, the words
+  // are split into chunks and only the chunk active at the current time shows.
+  max_length?: number | "auto";          // number = max LETTERS per chunk;
+                                          // "auto" = a few words per chunk;
+                                          // absent = show all at once.
+
+  // Text-like styling
+  font_family?: string;
+  font_size?: number | string;         // "auto" fits joined words to width
+  font_weight?: number | string;
+  fill_color?: string;
+  highlight_color?: string;
+  highlight_background_color?: string;
+  text_align?: "left" | "center" | "right";
+}
+\`\`\`
+
+\`words[*].start\` and \`words[*].end\` are seconds RELATIVE to the
+element's \`time\`. The exact kinetic behavior for each \`style\` is
+defined by the reference implementation; deviations MAY occur in third-
+party renderers but the timing MUST match.
+
+#### 5.5.1. Windowing (\`max_length\`)
+
+A full transcript on one element would render as a single unreadable block.
+\`max_length\` splits \`words\` into CHUNKS; at any time only the chunk active then
+is shown (within the element's box, wrapped). Chunking:
+
+- **number** — grow a chunk word-by-word until adding the next word would exceed
+  this many LETTERS (characters), then start a new chunk.
+- **\`"auto"\`** — chunk by a few words (and break on pauses) — the speech default.
+- **absent** — no windowing; the whole transcript shows at once.
+
+The active chunk at element-local time \`t\` is the last chunk whose first word has
+started (so a chunk lingers through silent gaps until the next begins). Word
+kinetics (\`style\`) apply WITHIN the active chunk. Word \`start\`/\`end\` are
+unchanged — \`max_length\` is a display rule, not a re-timing.
+
+### 5.6. \`shape\` paths (vector geometry)
+
+A \`shape\` (§5.1) that carries \`paths\` renders as arbitrary vector geometry —
+a restricted SVG-path subset (this absorbs the former standalone \`svg\`
+element). Conforming runtimes MUST support viewBox-scaled paths with linear
+gradients, clip-to-path, stroke-dashoffset progress, and per-path opacity.
+
+The path-form fields live on \`ShapeElement\` (§5.1): \`view_box\`, \`gradients\`,
+and \`paths\`. Their element types:
+
+\`\`\`ts
+interface PathGradient {
+  id: string;
+  type: "linear";
+  x1: number; y1: number; x2: number; y2: number;  // viewBox coords
+  stops: GradientStop[];
+}
+
+interface PathDef {
+  d: string | Keyframe[];               // SVG path data, or d-string keyframes (§5.6.2)
+  fill?: string;                        // hex or "url(#gradient-id)"
+  stroke?: string;
+  stroke_width?: number;
+  stroke_progress?: number | Keyframe[]; // 0..1
+  trim_start?: number | Keyframe[];      // §5.6.1
+  trim_end?: number | Keyframe[];
+  trim_offset?: number | Keyframe[];
+  clip_path?: string;                   // another path that clips this one
+  stroke_linecap?: "butt" | "round" | "square";
+  stroke_linejoin?: "miter" | "round" | "bevel";
+  opacity?: number;                     // 0..1
+}
+\`\`\`
+
+\`stroke_progress\` MUST drive the standard \`stroke-dasharray\` /
+\`stroke-dashoffset\` reveal — a \`progress\` of \`0\` shows no stroke; \`1\`
+shows the entire stroke. Implementations MUST measure path length
+deterministically (the reference implementation uses
+\`SVGPathElement.getTotalLength()\`).
+
+#### 5.6.1. Trim paths
+
+Each path MAY carry a trim window: only the stroke between
+\`trim_start\` and \`trim_end\` — fractions of the path's TOTAL LENGTH,
+0..1 — is drawn. \`trim_offset\` rotates the window around the path,
+WRAPPING at the ends (an offset of 1 is a full lap), so an animated
+offset is the classic traveling-dash "snake" and an animated
+\`trim_end\` is the draw-on reveal. All three are animatable;
+\`stroke_progress\` remains as sugar for \`[0, progress]\` and is ignored
+when any trim field is present. Fill is unaffected — trimming applies
+to the STROKE only.
+
+Reference evaluation: with window width \`w = clamp(trim_end, 0, 1) −
+clamp(trim_start, 0, 1)\` (nothing draws when w ≤ 0; the full stroke
+when w ≥ 1) and wrapped anchor \`a = (trim_start + trim_offset) mod 1\`,
+the stroke uses a dash pattern of \`[w·L, L − w·L]\` with dash offset
+\`−a·L\`, where \`L\` is the path's total length — the pattern's period
+equals \`L\`, so windows crossing the path's start wrap exactly.
+
+#### 5.6.2. Path morphing
+
+A path's \`d\` MAY be a keyframe array whose values are d-strings.
+Between two keyframes the path MORPHS when the pair is COMPATIBLE —
+identical command-letter sequences, equal numeric-argument counts, and
+no arc commands (\`A\`/\`a\`, whose boolean flags cannot interpolate):
+every numeric argument interpolates with the destination keyframe's
+easing. An INCOMPATIBLE pair SNAPS: the source value holds until the
+destination keyframe's time. No path normalization is performed — the
+protocol stays literal; authors export morph targets with matching
+command structure (the standard practice).
+
+### 5.7. \`particles\`
+
+A deterministic particle system with two modes: ballistic emission
+and target-point convergence.
+
+\`\`\`ts
+interface ParticlesElement extends BaseElement {
+  type: "particles";
+  // Common
+  size?: number;                       // pixels, default 12
+  size_variation?: number;             // 0..1, default 0.4
+  particle_shape?: "square" | "circle";
+  color?: string | string[];           // array randomizes per particle
+  rotation_speed?: number;             // deg/s
+  lifetime?: number;                   // seconds per particle, default 1.5
+  fade_at?: number;                    // 0..1 fraction of lifetime where fade begins, default 0.7
+
+  // Ballistic emission
+  rate?: number;                       // particles per second
+  velocity?: number;                   // initial speed px/s
+  spread?: number;                     // cone in degrees, default 360
+  direction?: number;                  // 0=right, 90=down, -90=up
+  gravity?: number;                    // px/s², positive=down
+
+  // Depth (CKP/1.0, §5.7.3)
+  z_velocity?: number;                 // px/s along the plane normal, default 0
+  z_spread?: number;                   // uniform vz range width px/s, default 0
+
+  // Burst (used by both modes)
+  burst?: boolean;
+  burst_count?: number;
+
+  // Convergence (set target_points to enter convergence mode)
+  target_points?: [number, number][];  // canvas-space targets
+  convergence_easing?: EasingFunction;
+  scatter_radius?: number;             // disk radius around emitter
+}
+\`\`\`
+
+#### 5.7.1. Determinism
+
+Every particle's position, rotation, size, and color MUST be a pure
+function of \`(element.id, particle_index, age)\`. This means a runtime
+that seeks to time T MUST produce the same composition as a runtime
+that played continuously to T. The reference implementation seeds a
+PRNG with a hash of \`element.id\` and the particle index; third-party
+runtimes MAY use any algorithm that produces the same output as the
+reference.
+
+#### 5.7.2. Convergence mode
+
+When \`target_points\` is present and non-empty:
+
+- Each particle \`n\` is assigned the target \`target_points[n % length]\`.
+- Each particle's start position is randomly placed within a disk of
+  radius \`scatter_radius\` (default = \`max(canvas_width, canvas_height)\`)
+  centered on \`(x, y)\`.
+- The particle's position is \`lerp(start, target, easing(age/lifetime))\`
+  using \`convergence_easing\` (default \`"ease-out-quart"\`).
+
+#### 5.7.3. Depth (CKP/1.0)
+
+Per particle, \`vz = z_velocity + (r − 0.5) × z_spread\` with \`r\` the
+particle's uniform random draw, and its depth offset is \`vz × age\` px
+along the emitter plane's normal (+z toward the viewer, §4.4). The
+offset applies in BOTH modes (it is orthogonal to the in-plane
+position) and is part of the §5.7.1 determinism contract. There is no
+z gravity — \`gravity\` stays in-plane y. Like the \`z\` field (§4.4.2),
+depth has no visual effect without perspective in the chain, and
+particles draw in spawn order, never depth-sorted among themselves —
+the §4.4.3 camera sort orders whole elements, not a particle system's
+internal quads. With both fields absent or 0 the simulation is
+exactly the 2D one.
+
+### 5.8. \`group\`
+
+\`\`\`ts
+interface GroupElement extends BaseElement {
+  type: "group";
+  elements: Element[];
+  clip?: boolean;            // default false
+  mask?: {
+    mode: "alpha" | "alpha-inverted" | "luma" | "luma-inverted";
+    elements: Element[];
+  };
+}
+\`\`\`
+
+A positioned container. Children's \`x\`/\`y\` are coordinates in the
+group's LOCAL space, origin at the group's top-left box corner; a
+child's \`time\` is relative to the group's start; child \`layer\` and \`z\`
+order locally (§4.2). The group's transform (§4.4) and
+opacity stack multiplicatively onto children. Percentage/viewport units
+inside a group still resolve against the COMPOSITION canvas.
+
+#### 5.8.1. Clipping
+
+With \`clip: true\` (requires explicit \`width\` and \`height\`), children
+render into an offscreen layer the size of the group's box; pixels
+outside the box are discarded (CSS \`overflow: hidden\`). The group's
+own transform and opacity apply to the composited layer as a whole —
+opacity therefore applies ONCE to the flattened layer (overlapping
+semi-transparent children do not double-blend).
+
+\`border_radius\` (px) rounds the clip box: children are masked to a
+rounded rectangle, matching a rounded card that clips its content (CSS
+\`overflow: hidden\` + \`border-radius\`). It is clamped to half the
+smaller box dimension and is ignored on an unclipped group. (Rounded
+clipping currently applies to the plain \`clip\` path; a \`mask\` group
+ignores \`border_radius\` since the mask layer already defines coverage.)
+
+#### 5.8.2. Masks
+
+The mask belongs to the group it masks — declared on the masked
+element, never inferred from siblings or layer adjacency. Mask
+\`elements\` render into a second box-sized layer using the same local
+coordinate space and timing rules as children, and may animate.
+The content layer composites through the mask layer per pixel:
+
+\`\`\`
+factor = mask.alpha              (alpha)
+       = 1 − mask.alpha          (alpha-inverted)
+       = luminance(mask.rgb)     (luma; Rec. 709 weights 0.2126/0.7152/0.0722,
+                                  computed on premultiplied values)
+       = 1 − luminance(mask.rgb) (luma-inverted)
+output = content × factor
+\`\`\`
+
+\`mask\` requires explicit \`width\`/\`height\` and implies clipping (both
+layers are box-sized).
+
+#### 5.8.3. Group time remapping
+
+A group MAY carry \`time_remap\` — a keyframe array (§6.3 semantics)
+whose VALUES are warped local times in seconds. The group's SUBTREE
+runs on the warped clock:
+
+\`\`\`
+local  = t − group_start
+warped = max(0, interpolate(time_remap, local))
+\`\`\`
+
+Children evaluate exactly as if the group's local time were \`warped\`:
+their \`time\` windows, animations, keyframes, transitions, and nested
+media all read the warped clock. Nested remapped groups compose (each
+warps its parent's clock in turn). The group's OWN animated properties
+(opacity, rotation, scale, position) read REAL time — the container
+moves on the composition's clock; only its contents are warped.
+
+Flat segments freeze the subtree, steep segments speed-ramp it, and
+decreasing values run it backwards. Nested video decodes the frame at
+its warped media time (through §5.3.2's mapping). Audio inside a
+remapped subtree follows the varispeed rule (§5.3.2).
+
+### 5.9. No nested-composition element
+
+CKP deliberately has NO \`composition\` (pre-comp) element. Both things a
+pre-comp bundles are covered by orthogonal features on plain elements:
+
+- **Reuse** is an authoring-time concern: template functions expand into
+  plain elements before the Source is serialized (see \`@clipkit/patterns\`
+  for the first-party library). The wire format stays fully decomposed —
+  a runtime never resolves references or instantiates templates.
+- **Nested timing** is \`time_remap\` on a plain \`group\` (§5.8.3).
+
+A Source containing \`type: "composition"\` is invalid under CKP/1.0.
+
+---
+
+## 6. Animation
+
+Every animatable property may be driven in three ways: a static value,
+a named-preset animation, or a keyframe animation. These compose with
+the precedence:
+
+\`\`\`
+keyframe_animation > named_animation > static_value
+\`\`\`
+
+That is, if both a keyframe animation and a named animation target the
+same property at the same time, the keyframe wins.
+
+### 6.1. Static values
+
+The value as written in JSON. No interpolation; the value is used as-is
+for the entire duration the element is active.
+
+### 6.2. Named animations
+
+\`\`\`ts
+interface Animation {
+  type: AnimationType;
+  duration?: number;                   // seconds; defaults in §6.2.1
+  easing?: Easing;                     // default "ease-out" unless noted
+  time?: "start" | "end" | number;     // start, relative to element.time
+
+  // Parameters read by specific types (ignored otherwise):
+  frequency?: number;                  // Hz — shake (8), wiggle (2), text-wave (1.5)
+  rotation?: number;                   // degrees — spin (360), wiggle amplitude (8),
+                                       //           text-flip start angle (90)
+  distance?: number;                   // px — pan/shift (200), shake (24),
+                                       //      text-slide (40), text-fly (140), text-wave (12)
+  direction?: "left" | "right" | "up" | "down";  // pan/shift/text-slide/text-fly
+  scale?: number;                      // squash depth 0..1 (0.3)
+  split?: "letter" | "word";           // text-* unit granularity (§6.5)
+  stagger?: number;                    // text-* seconds between units (§6.5)
+  axis?: "x" | "y" | "z";              // text-flip rotation axis (§6.5, CKP/1.0)
+}
+\`\`\`
+
+\`time: "start"\` (or absent) resolves to local time \`0\`; \`"end"\` to
+\`element_duration − duration\`; a number is local seconds.
+
+Normative tween recipes (deltas apply to the listed property; *relative*
+adds to the static value, *absolute* replaces it during the window):
+
+| Type | Property | From → To | Mode | Notes |
+|---|---|---|---|---|
+| \`fade-in\` / \`fade-out\` | opacity | 0→1 / 1→0 | absolute | |
+| \`slide-left-in\` | x | −200→0 | relative | starts left, moves right into place |
+| \`slide-right-in\` | x | +200→0 | relative | |
+| \`slide-up-in\` | y | +200→0 | relative | starts below, rises |
+| \`slide-down-in\` | y | −200→0 | relative | |
+| \`slide-*-out\` | x/y | 0→±200 | relative | motion direction matches the name |
+| \`scale-in\` / \`scale-out\` | scale | 0→1 / 1→0 | absolute | |
+| \`rotate-in\` / \`rotate-out\` | rotation | −90→0 / 0→+90 | relative | |
+| \`bounce-in\` / \`bounce-out\` | scale | 0→1 / 1→0 | absolute | default easing \`ease-out-back\` / \`ease-in-back\` |
+| \`spin\` | rotation | 0→\`rotation\` | relative | default easing \`linear\` |
+| \`shake\` | x | oscillation, amplitude \`distance\`→0 | relative | \`sin(2π·frequency·t)\` × eased envelope |
+| \`wiggle\` | rotation | oscillation, constant amplitude \`rotation\` | relative | same formula |
+| \`squash\` | y_scale, x_scale | 1→1−\`scale\`→1; 1→1+0.6·\`scale\`→1 | absolute | two half-duration phases; in \`ease-in-quad\`, out \`ease-out-back\` |
+| \`pan\` | x or y | −\`distance\`/2→+\`distance\`/2 along \`direction\` | relative | drifts through rest position; default easing \`linear\` |
+| \`shift\` | x or y | 0→\`distance\` along \`direction\` | relative | **fill-forward**: the end value holds for the rest of the element's life |
+| \`drift\` | x, y | smooth random walk, amplitude \`distance\` (30) | relative | offsets = \`(noise1d(frequency·t, seed) − 0.5) × 2 × distance\` per axis (y uses \`seed + 7919\`); \`frequency\` default 0.5, \`seed\` default 0 |
+| \`breathe\` | scale | oscillation, amplitude \`scale\` (0.05) | relative | \`scale × sin(2π·frequency·t)\`, \`frequency\` default 0.4 |
+| \`orbit\` | x, y | circle of radius \`distance\` (40) | relative | \`x += r·sin(2πft + π/2)\`, \`y += ±r·sin(2πft)\` (\`direction: "left"\` flips y = counter-clockwise); \`frequency\` default 0.5 rev/s |
+| \`text-*\` | per-unit | — | — | §6.5 |
+
+\`drift\`'s noise is NORMATIVE — the 1D form of §4.7's lattice noise:
+\`noise1d(x, seed)\` is the quintic-faded linear interpolation between
+\`h(⌊x⌋)\` and \`h(⌊x⌋+1)\` where \`h(i) = pcg(i XOR pcg(seed)) / (2³²−1)\`
+and \`pcg\` is §4.7's hash. Same seed → identical motion everywhere.
+
+#### 6.2.1. Duration defaults
+
+\`duration\` defaults to \`0.5\`, EXCEPT \`spin\`, \`shake\`, \`wiggle\`, \`pan\`,
+\`drift\`, \`breathe\`, \`orbit\` and \`text-wave\`, which default to the
+element's full duration when both \`time\` and \`duration\` are omitted
+(they read as "for the element's life"). Outside its window a tween stops contributing (the property
+returns to its static value), except \`shift\`'s documented fill-forward.
+
+### 6.3. Keyframe animations
+
+\`\`\`ts
+interface KeyframeAnimation {
+  property: string;                    // name of the BaseElement field
+  loop?: boolean | "ping-pong";        // repeat the pattern (see below)
+  keyframes: Keyframe[];               // monotonically increasing times
+  easing?: EasingFunction;             // default per-keyframe
+}
+\`\`\`
+
+For times before the first keyframe, the value is clamped to the first
+keyframe's value. After the last keyframe, clamped to the last value.
+Between keyframes \`i\` and \`i+1\`, the value is interpolated using the
+easing on keyframe \`i+1\` (or the animation's \`easing\` if not specified
+per-keyframe). A single-keyframe track is a constant.
+
+#### 6.3.1. Color keyframes
+
+When EVERY keyframe \`value\` in a track parses as a color (§3.4 — \`#…\`,
+\`rgb(…)\`, \`rgba(…)\`), the track is a *color track*: values interpolate
+componentwise in straight-alpha RGB space (alpha included), using the
+same easing rules. Color tracks are honored on \`fill_color\` (shape and
+plain text) and \`stroke_color\` (shape). Unparseable colors fall back to
+opaque white anywhere colors are parsed.
+
+With \`loop\`, local time folds before interpolation: \`true\` wraps —
+\`t' = t mod span\` — and \`"ping-pong"\` reflects — \`t' = span − |((t mod
+2·span)) − span|\` — where \`span\` is the LAST keyframe's \`time\`. The
+pattern repeats for the element's whole life; without \`loop\`, time
+past the last keyframe holds the final value (unchanged default).
+Looping applies to scalar, color, and \`position\` keyframe animations.
+
+### 6.4. Easing functions
+
+CKP/1.0 defines 36 named easing functions plus two parametric forms.
+Mathematical definitions are in the reference implementation
+(\`packages/runtime/src/animation/easings.ts\`); the polynomial/sine/expo/
+circ/back families follow easings.net.
+
+\`\`\`
+linear
+
+ease, ease-in, ease-out, ease-in-out
+ease-in-cubic,  ease-out-cubic,  ease-in-out-cubic
+ease-in-quad,   ease-out-quad,   ease-in-out-quad
+ease-in-quart,  ease-out-quart,  ease-in-out-quart
+ease-in-quint,  ease-out-quint,  ease-in-out-quint
+ease-in-sine,   ease-out-sine,   ease-in-out-sine
+ease-in-expo,   ease-out-expo,   ease-in-out-expo
+ease-in-circ,   ease-out-circ,   ease-in-out-circ
+ease-in-back,   ease-out-back,   ease-in-out-back
+
+elastic-in, elastic-out, elastic-in-out     (decaying sinusoidal overshoot)
+bounce-in,  bounce-out,  bounce-in-out      (piecewise-parabolic ball drop)
+
+spring         (damped harmonic oscillator: mass=1, damping=10, stiffness=100;
+                ~5% overshoot then settles. Remotion's signature feel.)
+\`\`\`
+
+Parametric forms (string-valued):
+
+- \`cubic-bezier(x1, y1, x2, y2)\` — CSS timing-function semantics;
+  \`x1\`/\`x2\` MUST be clamped to \`[0, 1]\`, \`y1\`/\`y2\` are unbounded.
+- \`steps(n)\` — \`n\` equidistant steps, jump-at-end (CSS \`steps(n, end)\`).
+
+Unknown easing names MUST fall back to \`linear\` (never error). Output
+MUST match the reference within ±0.001 at any input value in \`[0, 1]\`.
+
+### 6.5. Per-unit text animations
+
+The \`text-*\` animation types apply to \`text\` elements only (ignored on
+other element types; \`caption\` elements have their own kinetic system).
+The text splits into *units* and each unit runs the same animation,
+offset in time by \`stagger\` seconds per unit index.
+
+**Unit indexing.** Letter index counts drawn glyphs (whitespace
+excluded); word index counts whitespace-separated runs. Both run
+continuously across spans and line breaks. Unit \`u\` starts at
+\`time + u × stagger\`.
+
+**Defaults.** \`split\`: \`"word"\` for \`text-appear\`/\`text-slide\`/
+\`text-fly\`, \`"letter"\` for \`text-typewriter\`/\`text-wave\`/\`text-flip\`.
+\`stagger\`: \`0.09\` for word splits, \`0.035\` for letter splits.
+Per-unit \`duration\` default \`0.5\`.
+
+| Type | Per-unit effect | Defaults |
+|---|---|---|
+| \`text-appear\` | opacity 0→1 over \`duration\` | easing \`ease-out-cubic\` |
+| \`text-slide\` | opacity 0→1 + displaced \`distance\` px opposite \`direction\`, settling at rest | \`distance\` 40, \`direction\` up, easing \`ease-out-cubic\` |
+| \`text-fly\` | as \`text-slide\`, farther | \`distance\` 140, easing \`ease-out-back\` |
+| \`text-typewriter\` | opacity steps 0→1 at the unit's start time | no fade |
+| \`text-wave\` | y offset \`distance × sin(2π·frequency·t − 0.6·u)\` | \`distance\` 12, \`frequency\` 1.5; full-length default (§6.2.1) |
+| \`text-flip\` | opacity 0→1 + 3D rotation \`rotation × (1−eased)\` degrees about \`axis\` through the unit's center, settling flat (CKP/1.0) | \`rotation\` 90, \`axis\` \`"x"\`, easing \`ease-out-cubic\` |
+
+Per-unit effects fold into the glyph's tint (opacity) and an
+element-local offset applied BEFORE the element transform (§4.4), so
+kinetic type composes with scale/skew/rotation.
+
+**\`text-flip\` semantics (CKP/1.0).** The rotation pivot is the unit's
+rest-layout center — the glyph cell's center for letter splits, the
+word's glyph bounding-box center for word splits — translated by the
+unit's current per-unit offset, so a unit sliding and flipping stays
+rigid. A word split rotates the word as ONE slab (its glyphs never
+splay). When multiple \`text-flip\` animations target an element, word
+rotations compose OUTSIDE letter rotations. Axis \`"x"\` flips up
+(rotation about the horizontal axis), \`"y"\` swings in, \`"z"\` spins
+in-plane. Like all 3D (§4.4.2), the depth component is orthographic
+without a \`camera\`; the foreshortening is \`cos θ\` exactly. An active
+\`text-flip\` puts the text element on the full-matrix path; elements
+without one are unaffected (§4.4.3 cost rules).
+
+CKP/1.0 defines text animations as entrances only: \`time: "end"\` on a
+\`text-*\` animation MUST be ignored.
+
+### 6.6. Transitions (non-feature)
+
+CKP/1.0 deliberately defines NO transition primitive — every transition
+decomposes into existing primitives, and the document is exactly what
+renders:
+
+- **Crossfades, pushes, zoom swaps** — two overlapping elements with
+  paired animations (AGENTS.md §"Transitions").
+- **Wipes (circular, linear, stripe, soft-edged)** — the incoming slide
+  inside a masked group (§5.8.2) whose mask elements animate: a growing
+  ellipse, a sweeping rectangle, a luma gradient band (AGENTS.md
+  §"Wipes").
+
+An earlier draft reserved a first-class two-layer transition object for
+wipes; group masks made it unnecessary and it is no longer planned.
+
+### 6.7. Spatial motion paths
+
+A \`keyframe_animations\` entry with \`property: "position"\` moves the
+element along a path; it overrides the element's \`x\` and \`y\` (and
+any scalar \`x\`/\`y\` keyframe animations). Keyframe \`value\`s are
+\`[x, y]\` pairs in canvas pixels — or \`[x, y, z]\` triples for a 3D
+path (z in pixels, +z toward the viewer, §4.4). A 3D path
+additionally overrides the element's \`z\` (and any scalar \`z\`
+keyframe animations); a 2D path leaves \`z\` untouched. All keyframes
+of one position path MUST agree in dimensionality — mixing \`[x, y]\`
+and \`[x, y, z]\` in one animation is a validation error (no silent
+z = 0 promotion).
+
+\`\`\`json
+{ "property": "position", "auto_orient": true, "keyframes": [
+    { "time": 0, "value": [200, 800], "out_tangent": [240, -300] },
+    { "time": 2, "value": [1700, 300], "in_tangent": [-200, -120],
+      "easing": "ease-in-out" }
+] }
+\`\`\`
+
+Each consecutive keyframe pair is one CUBIC BEZIER segment with
+control points
+
+\`\`\`
+P0 = a.value                 P3 = b.value
+P1 = P0 + a.out_tangent      P2 = P3 + b.in_tangent
+\`\`\`
+
+where an omitted tangent defaults to the straight-line third-point
+(\`P1 = P0 + (P3−P0)/3\`, \`P2 = P3 − (P3−P0)/3\`) — a path with no
+handles is exact polyline motion. On a 3D path, tangents are
+\`[dx, dy]\` or \`[dx, dy, dz]\`; a 2-component tangent's \`dz\` defaults
+to the straight-line third-point in z (the omitted-handle rule,
+applied per axis). 3-component tangents on a 2D path are a
+validation error.
+
+Travel is ARC-LENGTH parameterized (NORMATIVE): the destination
+keyframe's easing maps segment-local time to a fraction \`u\` of the
+segment's length; the bezier parameter is found on a 64-chord
+cumulative-length table (curve sampled at \`t = i/64\`, \`i = 0…64\`;
+linear interpolation between chords). With linear easing the element
+travels at constant speed however the handles stretch the curve's
+parameterization. On a 3D path the chord lengths are measured on the
+3D curve — constant speed means constant speed through depth too.
+Before the first keyframe the element holds the first point; after
+the last, the last point.
+
+\`auto_orient: true\` adds the path's travel direction —
+\`atan2(dy, dx)\` of the bezier derivative at the sampled parameter, in
+degrees — to the element's own \`rotation\`. Orientation is STRICTLY
+IN-PLANE: on a 3D path the tangent's xy projection is used and \`dz\`
+is ignored — auto_orient never derives \`x_rotation\` or \`y_rotation\`
+(a path does not tilt the element's plane). A zero xy derivative
+(z-only travel or coincident control points) falls back to the
+segment chord's xy projection. Position values are numbers (pixels);
+length strings are not valid inside path keyframes.
+
+Like the \`z\` field itself (§4.4.2), path z has no visual effect
+without perspective somewhere in the chain — under no camera the
+element renders at the path's xy projection.
+
+---
+
+## 7. Time, duration, sequencing
+
+### 7.1. Element activity windows
+
+An element is *active* at composition time \`t\` if:
+
+\`\`\`
+start <= t <= start + duration
+\`\`\`
+
+where:
+
+- \`start = element.time\` (default \`0\`).
+- \`duration = element.duration\` if numeric, else the composition's
+  remaining time if \`"auto"\` or \`"end"\`.
+
+Inactive elements MUST NOT be rendered.
+
+### 7.2. Local time
+
+Many properties (keyframes, named-animation timing, particle simulation)
+operate in *local time* — seconds elapsed since the element
+became active. Local time \`0\` corresponds to composition time
+\`element.time\`.
+
+For animation evaluation, local time MUST be clamped to the element's
+duration:
+
+\`\`\`
+local_t = min(t − element.time, element_duration)
+\`\`\`
+
+Rationale: the activity check (§7.1) computes the element's end as
+\`time + duration\` while local time computes \`t − time\`; at exact frame
+boundaries these two float roundings can disagree by ~1 ulp, leaving an
+element active at a local time fractionally PAST its duration — which
+would skip every end-anchored animation for one frame and flash the
+static value. The clamp makes the boundary frame well-defined.
+
+### 7.3. The composition duration
+
+If \`Source.duration\` is \`"auto"\`, the composition's effective duration
+is the maximum end time across all elements. Otherwise, it is the
+declared value.
+
+Runtimes MUST produce frames from composition time \`0\` to \`duration\`
+inclusive of \`0\`, exclusive of \`duration\`. At 30 fps and \`duration: 5\`
+this produces 150 frames at times \`0, 1/30, 2/30, ..., 149/30\`.
+
+---
+
+## 8. Asset references
+
+Asset-bearing elements (\`image\`, \`video\`, \`audio\`) carry a \`source\`
+string identifying the asset. The protocol does not embed binaries.
+
+### 8.1. Allowed schemes
+
+Conforming runtimes MUST attempt to resolve:
+
+- \`https://\` URLs
+- \`http://\` URLs (MAY require user opt-in for mixed content)
+
+Conforming runtimes MAY additionally support:
+
+- \`file://\` URLs (local file references)
+- Absolute paths (\`/path/to/file\`)
+- Relative paths (\`./asset.png\`) — resolved against an
+  implementation-defined base
+- \`data:\` URIs
+
+Runtimes MUST fail with a clear error when a \`source\` cannot be
+resolved. They MUST NOT silently substitute a placeholder.
+
+### 8.2. Preloading
+
+Runtimes SHOULD provide a \`preload\` step that resolves all asset
+references before rendering begins. This is REQUIRED for export
+conformance (§10.3) — exports cannot tolerate runtime asset failures.
+
+---
+
+## 9. Output and rendering
+
+### 9.1. Determinism
+
+Given identical \`(Source, time)\` inputs, every conforming runtime MUST
+produce visually equivalent frames. "Visually equivalent" means:
+
+- Same element positions, sizes, rotations, opacities to within ±0.5 px.
+- Same animation values to within ±0.001 for normalized properties.
+- Same particle state (positions, alphas, sizes) to within ±0.5 px /
+  ±0.001 alpha.
+- Color output MAY differ by up to ~1/255 per channel due to
+  rasterization backends. Pixel-exact equivalence is NOT REQUIRED.
+
+### 9.2. Frame timing
+
+A runtime asked to produce frame \`f\` of a composition with \`frame_rate\`
+FPS MUST render the scene state at composition time:
+
+\`\`\`
+t = f / frame_rate
+\`\`\`
+
+\`f = 0\` is the first frame.
+
+### 9.3. Output formats
+
+| Format | Behavior |
+|---|---|
+| \`mp4\` | Encoded video. H.264 baseline + AAC audio is the recommended baseline. Higher profiles MAY be used. |
+| \`gif\` | Animated GIF. Audio is silently dropped. |
+
+Runtimes MAY support output formats beyond these.
+
+---
+
+## 10. Conformance levels
+
+CKP defines three nested conformance levels. An implementation MAY claim
+any level it actually supports.
+
+### 10.1. Level 1 — Validation
+
+The implementation MUST be able to parse a Source JSON object and
+report whether it is a valid CKP/1.0 document. Specifically:
+
+- Accept any valid document per §2–8.
+- Reject documents with invalid \`type\` discriminators on required
+  fields, missing REQUIRED fields, or out-of-range values.
+- Tolerate unknown additional fields (forward compatibility, §2.2).
+
+The \`@clipkit/protocol\` package provides Level 1 validation as a
+reference.
+
+### 10.2. Level 2 — Rendering
+
+The implementation MUST also be able to produce frame images from a
+valid Source. Specifically:
+
+- All element types (§5) MUST render.
+- All animations (§6) MUST animate.
+- Output MUST satisfy the determinism requirements (§9.1).
+
+A Level 2 implementation MUST NOT silently skip element types unless
+the document is at a higher protocol version than the implementation
+supports.
+
+### 10.3. Level 3 — Export
+
+The implementation MUST also be able to produce encoded output:
+typically MP4 with mixed audio.
+
+- All Level 2 requirements.
+- Audio elements (§5.4) MUST be mixed into the output track.
+- Output duration MUST match \`Source.duration\` precisely (frame-accurate).
+
+The reference runtime \`@clipkit/runtime\` is a Level 3 implementation: it
+sums all sources to the master bus, then applies a fixed peak limiter
+(transparent below 0 dBFS) so a hot mix is contained rather than
+hard-clipped. The same limiter runs in preview, so what you hear matches
+the render. The exact mix algorithm otherwise remains
+implementation-defined (§1).
+
+---
+
+## 11. Versioning and extensions
+
+### 11.1. The \`clipkit_version\` field
+
+Documents SHOULD declare their protocol version:
+
+\`\`\`json
+{ "clipkit_version": "1.0", "elements": [...] }
+\`\`\`
+
+Absence is interpreted as \`"1.0"\` for the lifetime of CKP/1.x.
+
+### 11.2. Version compatibility
+
+Versions follow \`MAJOR.MINOR\` (semver-style without patch):
+
+- **Same MINOR**: runtimes MUST render documents at the same minor
+  version with no warning.
+- **Higher MINOR**: runtimes MUST attempt to render. They SHOULD warn
+  that unknown fields may be ignored.
+- **Higher MAJOR**: runtimes MUST refuse to render and report the
+  version mismatch. Major versions indicate breaking changes.
+- **Lower MAJOR**: runtimes MUST render if they implement the older
+  major version. Backward compatibility within a major line is
+  permanent.
+
+### 11.3. Adding fields
+
+Any minor version MAY add fields to existing element types. Unknown
+fields in older runtimes pass through harmlessly per §2.2.
+
+### 11.4. Adding element types
+
+Any minor version MAY add new element types. Runtimes that do not
+recognize a new \`type\` MAY skip the element with a warning.
+
+### 11.5. Breaking changes
+
+Removing fields, changing field types, or changing the meaning of an
+existing field requires a major-version bump.
+
+### 11.6. Extension namespace
+
+Implementations and tools MAY include vendor-specific fields prefixed
+with \`x_\`. The protocol reserves bare names; \`x_\` names are
+implementation-defined and ignored by other implementations. Names
+the protocol itself defines (e.g. \`x_scale\`, \`x_skew\`, \`x_rotation\`)
+are bare protocol names, not extensions, regardless of prefix.
+
+### 11.7. Version history
+
+| Version | Additions |
+|---|---|
+| 1.0 | Initial protocol, including the 3D transform model (§4.4): \`x_rotation\` / \`y_rotation\` / \`z_rotation\` (alias of \`rotation\`) / \`z\` on every element; Source-level \`camera\`; paint-order + flattening compositing rules (§4.4.3); glass under 3D via the pane-plane homography (§4.7); 3D motion paths (\`[x, y, z]\` position keyframes, §6.7); \`text-flip\` per-unit 3D reveals (§6.5); particle depth (\`z_velocity\` / \`z_spread\`, §5.7.3). These are opt-in and additive — documents that use none of them render the same as a pure-2D source. |
+
+---
+
+## 12. Implementation notes (non-normative)
+
+These notes are advisory. They reflect lessons from the reference
+implementation and MAY help third-party implementers avoid pitfalls.
+
+### 12.1. Premultiplied alpha
+
+All blending in the reference runtime uses premultiplied alpha:
+textures are uploaded premultiplied, shaders output premultiplied
+values, and the canvas swap-chain is configured with
+\`alphaMode: "premultiplied"\`. This avoids the "dark halo" artifacts
+that appear with straight-alpha blending. Third-party runtimes are
+free to use any blending convention internally as long as final output
+matches §9.1.
+
+### 12.2. Corner radii on non-square rectangles
+
+If you implement rounded rectangles with a signed-distance function
+in shaders, the SDF MUST operate in pixel space, not in normalized UV
+space. UV space is anisotropic for non-square rectangles, so doing the
+corner math in UV stretches the arc into an ellipse. Pass the
+rectangle's \`(width, height)\` to the shader and convert
+\`uv * size\` before the SDF.
+
+### 12.3. Font atlases
+
+The reference runtime generates a glyph atlas per (family, size,
+weight). It covers ASCII (0x20–0x7E) only; characters outside this
+range are silently dropped. Third-party implementations MAY support
+larger glyph ranges; documents SHOULD avoid relying on non-ASCII text
+in v1.0 unless the target runtime is known to support it.
+
+### 12.4. Particle PRNG
+
+The reference runtime uses a \`mulberry32\` PRNG seeded by
+\`FNV-1a(element.id) + n * 0x9e3779b9\`. Third-party runtimes are NOT
+required to match this exact PRNG, only the *outputs* implied by §5.7.1.
+
+---
+
+## Appendix A: Reference implementation map
+
+| Spec section | Reference implementation |
+|---|---|
+| §2 Source | \`packages/protocol/src/types.ts\` (Source) + \`zod.ts\` (sourceSchema) |
+| §3 Units | \`packages/runtime/src/compositor/unit.ts\` |
+| §4 Element model | \`packages/protocol/src/types.ts\` (BaseElement) |
+| §5.1 shape | \`packages/runtime/src/compositor/element-renderers/shape.ts\` |
+| §5.2 text | \`packages/runtime/src/compositor/element-renderers/text.ts\` |
+| §5.3–5.4 video/image/audio | \`packages/runtime/src/{compositor/element-renderers,audio}/\` |
+| §5.5 caption | \`packages/runtime/src/compositor/element-renderers/caption.ts\` |
+| §5.6 shape paths | \`packages/runtime/src/svg/svg-renderer.ts\` |
+| §5.7 particles | \`packages/runtime/src/compositor/element-renderers/particles.ts\` |
+| §6 Animation | \`packages/runtime/src/animation/\` |
+| §10 Conformance | \`packages/protocol/src/validate.ts\` |
+
+## Appendix B: Document history
+
+- *2026-05-28* — CKP/1.0 draft. Initial publication alongside the
+  reference runtime.
+`;
+export const BRAND_MD = `# Clipkit — Brand
+
+> The load-bearing version of the Clipkit brand. AI agents and human
+> contributors read this; the visual companion (with rendered swatches
+> and type specimens) lives at [\`brand/board.html\`](./brand/board.html).
+> When the two disagree, this file wins.
+
+---
+
+## 1. Essence
+
+**The video runtime for agents.**
+
+Clipkit is a developer tool — a GPU-rendered video runtime built on the
+open Clipkit Protocol — and it should feel like one: **precise, fast,
+and unfussy**. The visual language borrows from modern dev infrastructure
+brands — Vercel, Linear, Resend — dark by default, mostly monochrome,
+with two confident accent colors doing all the talking.
+
+The runtime turns a **JSON timeline into a rendered video**. That
+duality — structured code on one side, motion on the other — is the
+heart of the brand. Wherever possible, show the JSON and the timeline
+together.
+
+The Clipkit Protocol is what makes the runtime portable: a documented,
+versioned JSON format that anyone can implement. It's a credibility
+feature, not the headline. Lead with the runtime; the protocol shows up
+as *"how is this possible? → via the open Clipkit Protocol."*
+
+| Attribute | Value |
+|---|---|
+| Personality | Precise · technical · honest · quietly confident |
+| Reference brands | Vercel, Linear, Resend |
+| Audience | AI agents and the developers shipping them |
+| Default theme | Dark |
+| Mood | Calm surface, punchy accents |
+| Never | Playful, gradient-heavy, emoji-led, salesy |
+
+---
+
+## 2. Logo
+
+Three equal-length rounded bars — **white, yellow, red** — offset
+horizontally and stacked like clips on a timeline. The mark *is* the
+product: tracks of media, layered in time.
+
+### Construction
+
+- Three bars of equal width and height.
+- Bar width = 65% of container width.
+- Bar height = 29% of container height (~3 stacked bars + 2 small gaps).
+- Stagger:
+  - **Bar 1 (top)** — white \`#FAFAFA\`, offset right (\`left: 33%\` of container).
+  - **Bar 2 (middle)** — yellow \`#FFB800\`, flush left (\`left: 0\`).
+  - **Bar 3 (bottom)** — red \`#EF4444\`, offset right (\`left: 35%\` of container).
+- Bar corner radius ≈ 18% of bar height (rounded, not pill-shaped).
+- Wordmark when locked up: Geist 600, tracking −0.02em, gap 14px from
+  the mark.
+
+### Do
+
+- Keep the three-bar stagger and the white / yellow / red order, top
+  to bottom.
+- Use the icon alone at small sizes; pair with the wordmark elsewhere.
+- Give the mark clear space equal to one bar's height on all sides.
+- Set the wordmark in Geist, weight 600, tight tracking (−0.02em).
+
+### Don't
+
+- Recolor the bars or reorder them (the order encodes the timeline).
+- Add gradients, glows, bevels, or drop shadows to the mark.
+- Rotate, skew, or outline the bars.
+- Set the wordmark in any font other than Geist.
+
+### Variants
+
+| Surface | Bar 1 | Bar 2 | Bar 3 | Wordmark |
+|---|---|---|---|---|
+| Dark \`#0A0A0A\` (canonical) | \`#FAFAFA\` | \`#FFB800\` | \`#EF4444\` | \`#FAFAFA\` |
+| Cream \`#FAF8F3\` | \`#181717\` | \`#FFB800\` | \`#EF4444\` | \`#181717\` |
+| Red \`#EF4444\` (reversed) | \`#FFFFFF\` | \`#FFE08A\` | \`#7A1414\` | \`#FFFFFF\` |
+
+### Sizing
+
+- Minimum width: **88px** (icon + wordmark lockup) or **24px** (icon
+  alone).
+- Favicon: icon alone, square crop with 12% padding.
+
+---
+
+## 3. Color
+
+Two brand accents, one near-black surface system. Accents are for
+**emphasis only** — a single red dot or yellow word carries more weight
+than a field of color. Aim for **90% neutral, 10% accent**.
+
+### Brand accents
+
+| Token | Hex | RGB | OKLCH | Role |
+|---|---|---|---|---|
+| \`--red\` | \`#EF4444\` | \`239 68 68\` | \`0.64 0.21 25\` | **Primary.** Playhead, live/record state, key emphasis, the bottom logo bar. |
+| \`--yellow\` | \`#FFB800\` | \`255 184 0\` | \`0.81 0.17 82\` | **Secondary.** Active caption word, string literals in code, the middle logo bar, selection background. |
+
+### Accent variants
+
+| Variant | Red | Yellow | When to use |
+|---|---|---|---|
+| Loud | \`#FF3030\` | \`#FFCA1F\` | Very small UI elements where the canonical hex looks under-saturated. |
+| Muted | \`#C25555\` | \`#C99A3B\` | Inline text emphasis where the canonical hex is too loud. |
+
+Selection fill is yellow on dark text: \`background: var(--yellow); color: #181717\`.
+
+### Dark surface system (canonical)
+
+Used everywhere unless explicitly in light mode.
+
+| Token | Hex | Role |
+|---|---|---|
+| \`--bg\` | \`#0A0A0A\` | Page background. |
+| \`--bg-2\` | \`#111111\` | Slight elevation (subtle stripes, table headers). |
+| \`--bg-3\` | \`#161616\` | Filled controls inside surfaces. |
+| \`--surface\` | \`#141414\` | Card / panel background. |
+| \`--border\` | \`#232323\` | Hairline dividers. |
+| \`--border-strong\` | \`#2E2E2E\` | Active or hovered borders. |
+| \`--fg\` | \`#FAFAFA\` | Primary text. |
+| \`--fg-2\` | \`#E5E5E5\` | Body text. |
+| \`--muted\` | \`#8A8A8A\` | Secondary text, labels. |
+| \`--muted-2\` | \`#5F5F5F\` | Tertiary / placeholder text. |
+| \`--code-bg\` | \`#0E0E0E\` | Code blocks. |
+
+### Light surface system (warm cream)
+
+Used only when a surface explicitly needs to be light — landing-page
+sections, customer assets, etc.
+
+| Token | Hex | Role |
+|---|---|---|
+| \`--bg\` | \`#FAF8F3\` | Page background. |
+| \`--bg-2\` | \`#F4F1E9\` | Slight elevation. |
+| \`--surface\` | \`#FFFFFF\` | Card / panel background. |
+| \`--border\` | \`#E5E0D2\` | Hairline dividers. |
+| \`--border-strong\` | \`#D6D0BF\` | Active borders. |
+| \`--fg\` | \`#181717\` | Primary text. |
+| \`--muted\` | \`#6A6864\` | Secondary text. |
+| \`--muted-2\` | \`#9C9A94\` | Tertiary text. |
+
+---
+
+## 4. Typography
+
+### Geist & Geist Mono
+
+**Geist Sans** for everything human-readable — headlines, body, UI.
+**Geist Mono** for everything machine — code, labels, eyebrows, metrics,
+timestamps, captions of intent. The sans/mono split mirrors the
+product's human-vs-machine duality.
+
+Headlines run **tight**: weight 600, tracking −0.02em to −0.035em as
+size grows. Body stays at weight 400, 1.6 line-height. **Never use a
+third family.**
+
+### Type scale
+
+| Token | Family | Weight | Tracking | Example use |
+|---|---|---|---|---|
+| Display | Geist | 600 | −0.035em | Hero headlines, "JSON in. Video out." |
+| Heading | Geist | 600 | −0.02em | Section headers, "The video runtime for AI" |
+| Body | Geist | 400 | 0 | Paragraphs. |
+| Eyebrow / label | Geist Mono | 500 | +0.08em, uppercase | "how it works", "powered by mux data" |
+| Code | Geist Mono | 400 | 0 | JSON snippets, terminal output. |
+
+### Loading Geist
+
+\`\`\`html
+<link href="https://fonts.googleapis.com/css2?family=Geist:wght@400;500;600;700;900&family=Geist+Mono:wght@400;500;600&display=swap" rel="stylesheet">
+\`\`\`
+
+### Code syntax coloring (when rendering JSON)
+
+The brand uses syntax coloring in JSON specimens:
+
+- **Keys** — \`var(--muted)\` (#8A8A8A) or \`var(--fg-2)\` (#E5E5E5).
+- **Strings** — \`var(--yellow)\` (#FFB800).
+- **Numbers** — \`var(--red)\` (#EF4444).
+- **Booleans / null** — \`var(--muted)\`.
+- **Punctuation** (\`:\` \`,\` \`{\` \`}\` \`[\` \`]\`) — \`var(--muted-2)\` (#5F5F5F).
+
+This mapping is the same in the brand board's code block. Use it
+consistently — it makes JSON specimens immediately recognizable as
+Clipkit.
+
+---
+
+## 5. The timeline motif
+
+The logo's three bars extend into a full visual system: stacked tracks,
+a red playhead, and offset blocks. Use it for dividers, section markers,
+hero visuals, and empty states.
+
+| Motif | Use |
+|---|---|
+| **Tracks + playhead** | Hero visuals, loaders, anything showing the product compose. Three stacked tracks (background \`var(--bg-3)\`), each with colored blocks at offset positions; vertical red playhead line crosses them. |
+| **Frame bars** | Render / GPU contexts. Row of thin vertical bars at varied heights — accent only the first 1–2 bars (white, then yellow). The rest are \`var(--border-strong)\`. |
+| **Ghost bars** | Oversized, low-opacity background accent behind CTAs. Three logo bars at ~14–60% opacity, scaled up, mostly off-canvas. |
+
+The motif is not the same as the logo. The logo is locked geometry;
+the motif is a flexible visual system inspired by it.
+
+---
+
+## 6. Voice & tone
+
+Write like a senior engineer explaining a tool to a peer: **direct,
+concrete, a little opinionated, never hype.** Lead with the technical
+truth. Respect the reader's intelligence. Admit the limits — the honest
+comparison with Remotion is a feature, not a risk.
+
+Short sentences. Active voice. Real numbers over adjectives. When in
+doubt, show the JSON instead of describing it.
+
+| Trait | In practice |
+|---|---|
+| Direct | "JSON in. Video out." |
+| Concrete | "renders in 3.4s" not "blazing fast" |
+| Honest | "If you're hand-authoring, use Remotion." |
+| Lowercase labels | \`how it works\`, \`mcp\`, \`agents\` |
+
+### We say / we don't say
+
+| We say | Not |
+|---|---|
+| The video runtime for agents. | The ultimate AI-powered video platform! |
+| Describe the video. Render the video. | Create stunning videos in seconds 🚀 |
+| GPU-rendered. In your browser. | Cloud-based AI rendering pipeline. |
+| Built on the open Clipkit Protocol. | Proprietary AI technology. |
+| The schema is the protocol. | Powerful, intuitive, easy-to-use API. |
+| Pay per second of output. No minimums. | Flexible pricing for teams of all sizes. |
+
+### Do
+
+- Lead with the technical truth.
+- Show numbers, not adjectives ("renders in 3.4s" not "blazing fast").
+- Admit limits when they exist (honest Remotion comparison is fine).
+- Use lowercase for mono labels and eyebrows.
+- Show JSON instead of describing it when in doubt.
+
+### Don't
+
+- Use emoji.
+- Use exclamation marks.
+- Say "blazing," "stunning," "powerful," "intuitive," "easy-to-use," or
+  any near-synonym.
+- Use marketing-speak superlatives ("the ultimate," "the best,"
+  "next-generation").
+
+---
+
+## 7. Copy-paste tokens
+
+Drop this into \`:root\` and you have the dark theme.
+
+\`\`\`css
+/* Clipkit — brand tokens (dark, canonical) */
+--red: #EF4444;       --yellow: #FFB800;
+--bg: #0A0A0A;        --bg-2: #111111;       --bg-3: #161616;
+--surface: #141414;   --border: #232323;     --border-strong: #2E2E2E;
+--fg: #FAFAFA;        --fg-2: #E5E5E5;
+--muted: #8A8A8A;     --muted-2: #5F5F5F;    --code-bg: #0E0E0E;
+
+/* fonts — Geist + Geist Mono (Google Fonts) */
+--font-sans: 'Geist', ui-sans-serif, system-ui, sans-serif;
+--font-mono: 'Geist Mono', ui-monospace, 'SF Mono', Menlo, monospace;
+\`\`\`
+
+Light-theme overrides:
+
+\`\`\`css
+--bg: #FAF8F3;  --surface: #FFFFFF;  --border: #E5E0D2;
+--fg: #181717;  --muted: #6A6864;
+\`\`\`
+
+---
+
+## 8. One-line brief for an AI
+
+For pasting into a system prompt when authoring Clipkit-branded assets:
+
+> Clipkit is a developer tool — "the video runtime for agents." A
+> GPU-rendered engine that turns a JSON timeline into MP4, built for
+> LLMs, agents, and the apps that ship them. It's powered by the open
+> Clipkit Protocol but lead with the runtime, not the protocol — the
+> protocol is a feature credit. Dark by default (\`#0A0A0A\` bg,
+> \`#FAFAFA\` text), Geist + Geist Mono. Two accents only: red \`#EF4444\`
+> (playhead/live/emphasis) and yellow \`#FFB800\` (active caption word /
+> code strings). ~90% neutral, 10% accent. Logo is three equal,
+> horizontally-offset rounded bars (white, yellow, red, top to bottom)
+> like timeline clips. Voice: direct, concrete, honest, no hype, no
+> emoji. Show JSON, not adjectives.
+
+---
+
+## Document history
+
+- *2026-05-28* — Initial port from \`brand/board.html\` (v1 of the brand
+  board).
+`;
+//# sourceMappingURL=embedded-docs.js.map