@cardstack/choreo 0.0.0 → 0.1.0-unstable.0

package/declarations/film/types.d.ts

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+/**
+ * THE FILM VOCABULARY — what a shot list is made of, and what a picture
+ * has to offer before a score can cut it.
+ *
+ * Two hand-built films (Towers, Sagrada) share these one for one; the
+ * types are lifted from them rather than designed, which is the only
+ * honest way a construct gets its shape. See notes/film-construct.md.
+ */
+import type { FunctionBasedModifier } from 'ember-modifier';
+import type { ClipSpec } from './clips.ts';
+export type Pt3 = [number, number, number];
+/** a film's handle on one of its own elements, passed to a sub-component */
+/**
+ * A HANDLE THE FILM PUTS ON AN ELEMENT SOMEBODY ELSE RENDERS. The
+ * positionals are the caller's: a clip passes its lane, because the film
+ * keeps one handle per lane and the element cannot say which it is.
+ */
+export type ElementModifier<E extends Element = HTMLElement, P extends unknown[] = unknown[]> = FunctionBasedModifier<{
+    Args: {
+        Named: object;
+        Positional: P;
+    };
+    Element: E;
+}>;
+/** the pose the film speaks in — an orbit rig with a focus on the ground */
+export interface Cam {
+    /** magnification: 1 fits the whole subject, bigger is tighter */
+    dolly: number;
+    /** where on the ground the lens aims, world units; 0,0 is the subject's axis */
+    fx?: number;
+    fz?: number;
+    /** how far up the building the lens aims, world units from the rig's mid-height */
+    lookY: number;
+    /** the frame's off-centre, in fractions of the frame */
+    ox?: number;
+    /** elevation, degrees */
+    pitch: number;
+    /** the orbit's azimuth, degrees */
+    yaw: number;
+}
+export type Join = 'blend' | 'blur' | 'cut' | 'defocus' | 'dip' | 'flash' | 'iris' | 'luma' | 'melt' | 'sweep' | 'whip' | 'wipe';
+/** a seam by name: one of the film's twelve, or one a score brought as a presentation */
+export type JoinName = Join | (string & {});
+/**
+ * HOW DEEP A SEAM GOES.
+ *
+ * `picture` is what every seam did until now: the transition happens to
+ * the picture and to nothing else, so the incoming shot's type, insert
+ * and clip have to wait for the seam to finish before they may enter —
+ * otherwise a caption for the new setting is read over a still of the old
+ * one. `everything` puts the seam ABOVE that furniture instead: the still
+ * covers the whole frame, the incoming shot plays under it WITH its type
+ * already running, and the sweep reveals a setting that is under way
+ * rather than one that starts when the sweep is over.
+ *
+ * It costs a frame read-back on the three seams the picture would
+ * otherwise dissolve in its own glass (`blend`, `melt`, `dip`): glass is
+ * inside the canvas and cannot cover anything outside it, so a seam that
+ * covers the furniture is always a seam with a still in the DOM.
+ */
+export type Over = 'everything' | 'picture';
+/**
+ * WHAT A PICTURE IS TOLD ABOUT A SEAM, every frame.
+ *
+ * Two ways to read it. Without a `name` the picture runs its own law:
+ * `mix` of the held frame over the live one, `veil` of `color` over both.
+ * With a `name` the picture runs the seam it DECLARED under that name
+ * (`PictureSpec.seams`) and reads `p`, its progress — plus whatever
+ * `params` that seam takes. The held frame and the live one are the two
+ * textures such a seam mixes, which is the contract every shader
+ * transition in the wild already has.
+ */
+export interface SeamSpec {
+    /** the colour the film's own veil passes through */
+    color?: string;
+    /** the held frame over the live one, 0..1 (the picture's own law) */
+    mix: number;
+    /** a seam the picture declared; absent, and the picture runs its own law */
+    name?: string;
+    /** the seam's progress, 0..1 — what a named seam is driven by */
+    p: number;
+    /** whatever the named seam takes, by its own names */
+    params?: Record<string, number>;
+    /** the colour over both, 0..1 (the picture's own law) */
+    veil: number;
+}
+export type PlateMode = 'clear' | 'lower' | 'plate' | 'point' | 'title';
+/**
+ * ONE BEAT IS ONE SHOT. The shot list is data: an agent edits a film by
+ * editing this table, and every field is a fact about the shot rather
+ * than a keyframe. The one-task behaviours (walk-then-tilt, the follow
+ * rule, the trace gate) read their handles from here.
+ */
+export interface Beat {
+    /** no scrim behind the type: the block sits on the picture bare */
+    bare?: boolean;
+    /** degrees of vertical sway laid over the shot — a drone breathing */
+    bob?: number;
+    /** the construction clock (page seconds): one number holds it, a pair runs it */
+    build?: [number, number] | number;
+    /** the fraction of the beat by which a ranged build is FINISHED (default 1) */
+    buildBy?: number;
+    /** the pose crossed at the head of this beat */
+    cam: Cam;
+    /** the chapter this belongs to */
+    ch: number;
+    /** the surroundings: frosted glass (the default), solid, or gone */
+    city?: 'glass' | 'off' | 'on';
+    /** a video, a still or a freeze of the picture, over the frame for a window on the film's clock */
+    /** the clips this beat puts on screen, one per lane (`ClipSpec.lane`) */
+    clips?: ClipSpec[];
+    /** CUT to this pose rather than travel to it */
+    cut?: boolean;
+    /**
+     * THE LINEUP: cycle through subjects inside one held shot, a stamp over
+     * each. `style` picks a subject by index, `year` sets the clock through
+     * the film's own clock; a step with neither shows the standing subject.
+     */
+    cycle?: {
+        kanji: string;
+        style?: number;
+        year?: number;
+    }[];
+    /** the colour a 'dip' passes through */
+    dipTo?: string;
+    /** the model leaves by fading, not by sinking */
+    dissolve?: boolean;
+    /** a ground-level eye with a wide lens: standing at `at`, walking to `to` */
+    eye?: {
+        at: Pt3;
+        fov: number;
+        to?: Pt3;
+    };
+    /** while a part is rising, aim at its top and cap the zoom; a name follows that campaign */
+    follow?: false | string;
+    /** the English of the word, set small under it */
+    gloss?: string;
+    /** the mood, by name; overrides the chapter's */
+    grade?: string;
+    /** the field at the edge of the grid */
+    grass?: boolean;
+    /** how thick the air is, 0 the hour's own and 1 as heavy as it goes */
+    haze?: number;
+    /** aim: true holds the subject's mid-height, 'top' holds the cut line */
+    hold?: boolean | 'top';
+    /** times of day to walk across the beat, evenly */
+    hours?: number[];
+    /** the share of the beat the hours walk across (default 1): with 0.7
+     *  the last hour arrives at 70% and holds for the rest */
+    hoursOver?: number;
+    /** a designed silence: the boundary fades whatever is still speaking */
+    hush?: boolean;
+    id: string;
+    join?: JoinName;
+    /** the key term — a word in any script */
+    kanji?: string;
+    /** the eyebrow */
+    kicker?: string;
+    /** ticks spent arriving, before this beat's own first waypoint */
+    lead?: number;
+    /** the fraction of the beat spent walking before the head goes back */
+    lift?: number;
+    /** a bolt, this many seconds into the beat */
+    lightning?: number;
+    /** a named look, when the chapter's is not wanted */
+    look?: string;
+    /** the stock: a look the page bakes, a .cube under `assets/luts/`, or null for none */
+    lut?: null | string;
+    /** a label that stands in the scene at the height it names */
+    mark?: {
+        at?: number;
+        bearing: number;
+        hold?: number;
+        lines: string[];
+        r: number;
+        size: number;
+        to: number;
+    };
+    /** trims on the page's buses for this beat (0..1) */
+    mix?: {
+        music?: number;
+        sfx?: number;
+        voice?: number;
+        wx?: number;
+    };
+    /** how the front layer is set */
+    mode: PlateMode;
+    /** how deep this beat's seam goes: over the picture alone, or over the furniture too */
+    over?: Over;
+    /** a photograph cut in beside the model; `src` resolves under `assets` */
+    photo?: {
+        caption: string;
+        credit: string;
+        src: string;
+    };
+    /** pin the page's pixel ratio for this beat */
+    quality?: number;
+    /** how hard it rains, over and above the weather preset */
+    rain?: number;
+    /** a backlight, standing opposite the lens */
+    rim?: number;
+    /** the word's reading */
+    romaji?: string;
+    /** up to four short phrases, delivered across the beat against the read */
+    says?: string[];
+    /** seconds of stillness before a build clock starts moving */
+    settle?: number;
+    /** type standing out in the world, behind the subject */
+    sky?: {
+        az?: number;
+        dist?: number;
+        lines: string[];
+        opacity?: number;
+        size: number;
+        track?: number;
+        y: number;
+    };
+    /** the year the voice says, written enormous in the scene at `at` of the read */
+    stamp?: {
+        at?: number;
+        y: number;
+    };
+    /** which subject stands here, for a scene with several */
+    style?: number;
+    /** where the sun is for this shot, degrees */
+    sun?: {
+        az: number;
+        el: number;
+    };
+    /** time of day: 0 morning, 1 noon, 2 sunset, 3 night */
+    theme?: number;
+    /** how long it runs, in TICKS */
+    ticks: number;
+    /** a point on the subject this beat is naming, world units */
+    to?: Pt3;
+    /** the pose at its tail; without one the shot holds */
+    toCam?: Cam;
+    /** lines drawn ON the subject, in world coordinates */
+    trace?: {
+        pts: Pt3[];
+        wide?: boolean;
+    }[];
+    /** the voice-over — the script, read and not drawn */
+    vo?: string;
+    /** settled snow and a pinned blizzard; null clears */
+    winter?: null | {
+        gust: number;
+        pack: number;
+    };
+    /** weather: 0 clear, 1 rain, 2 storm, 3 snow */
+    wx?: number;
+    /** the weather changes at the beat's head even on a flight (no thaw) */
+    wxCut?: boolean;
+}
+export interface Chapter {
+    /** the mood the chapter's shots wear unless a beat says otherwise */
+    grade?: string;
+    /** the stock the chapter's shots wear unless a beat says otherwise */
+    lut?: string;
+    /** the chapter's numeral, as the film writes it */
+    n: string;
+    /** the chapter's accent on a light frame, and on a dark one */
+    tint?: string;
+    tintD?: string;
+    title: string;
+}
+/** a mood, as numbers the glass can take */
+export interface FilmGrade {
+    bri: number;
+    con: number;
+    cool: [number, number, number];
+    gradeA: number;
+    hue: number;
+    rake?: number;
+    sat: number;
+    sep: number;
+    vigA: number;
+    warm: [number, number, number];
+}
+/** how a named look is worn: its strength and the artefacts around it */
+export interface LookFx {
+    amount: number;
+    ca?: number;
+    grain?: number;
+    lift?: number;
+    tone?: number;
+    vig?: number;
+}
+/**
+ * THE FILM'S OWN CLOCK, when the picture has one (years, for a building
+ * that took a century). `tAt` maps the film's unit to page seconds and
+ * `yearAt` back; `span` is the ends of the rule the timeline draws.
+ */
+export interface FilmClock {
+    span: [number, number];
+    tAt: (unit: number) => number;
+    yearAt: (t: number) => number;
+}
+/**
+ * THE PICTURE — what draws the frame. A separate WebGL page in an iframe
+ * for both reference films, addressed through about a hundred plain
+ * calls; nothing in the construct knows what is behind this interface,
+ * and a third film may put a three.js scene or a video here.
+ *
+ * Required members are the ones every picture must offer for the score
+ * to cut it; the rest are honoured when present.
+ */
+export interface Picture {
+    city?(mode: string, alpha?: number): void;
+    clearTrace(id: string): void;
+    /**
+     * A CLOUD CROSSING THE FRAME, in the picture's own glass (optional).
+     * `k` is 0..1 and `rakeDeg` the sun's rake, the same two numbers the
+     * film used to write to `--cf-cloud` and `--cf-rake` for a CSS plate
+     * over the canvas. A picture that takes it gets the cloud into the
+     * post pass, which is the only way a seam can dissolve it: the film
+     * stops drawing its own.
+     */
+    cloud?(k: number, rakeDeg: number): void;
+    /**
+     * THE DIM, in the picture's own glass (optional). `k` is 0..1: the wash
+     * a lecturer puts on the plate when the annotation goes up. It belongs
+     * with the wash and the cloud rather than with the type, because it is
+     * a grade ON the picture — and a seam that covers the furniture would
+     * otherwise sweep an UNDIMMED still over a dimmed frame.
+     */
+    dim?(k: number): void;
+    /** the freeze-blend done in the glass; false when the page cannot */
+    dissolve(kind: 'blend' | 'dip' | 'melt', ms?: number, live?: boolean): boolean;
+    duck(v: number): void;
+    dur: number;
+    fade(id: string, opacity: number): void;
+    /**
+     * HOLD THE FRAME THAT IS ON SCREEN, in the picture's own glass
+     * (optional). `freeze(true)` copies the last drawn frame and shows it
+     * until `freeze(false)`.
+     *
+     * The film needs this for a few milliseconds at every seam with a
+     * still. The still is a JPEG the browser has not decoded yet, so the
+     * cut waits for it (`film/seam.ts`) — but the BEAT does not: the hour,
+     * the build clock, the model and the weather all land the instant the
+     * beat does, and for those two or three frames the canvas showed the
+     * incoming world naked, before the seam had anything over it. Pinning
+     * the outgoing frame in the glass costs nothing and closes the window.
+     */
+    freeze?(on: boolean): void;
+    grade(g: FilmGrade, instant?: boolean): void;
+    grass?(on: boolean): void;
+    haze(v: null | number): void;
+    height(): number;
+    /** hold the page's own clock: weather, grass, build, lens — the picture stands */
+    hold?(v: boolean): void;
+    idle(v: boolean): void;
+    light(p: null | {
+        az?: number;
+        el?: number;
+    }): void;
+    lightning(): void;
+    looks?(): string[];
+    lut?(spec: null | {
+        amount?: number;
+        ca?: number;
+        grain?: number;
+        lift?: number;
+        look?: string;
+        tone?: number;
+        url?: string;
+        vig?: number;
+    }, instant?: boolean): void;
+    mix(m: null | {
+        music?: number;
+        sfx?: number;
+        voice?: number;
+        wx?: number;
+    }): void;
+    modelFade(k: number | null): void;
+    outro?(ms?: number): void;
+    palette(): {
+        accent: string;
+        ink: string;
+        ink2: string;
+        ink3: string;
+        paper: string;
+        rule: string;
+        time: string;
+    };
+    pause(v: boolean): void;
+    perf?(): {
+        cap: number;
+        dpr: number;
+        frameMs: number;
+        pinned: null | number;
+    };
+    ping(i: number): void;
+    plan?(mode: string): void;
+    pose(p: {
+        az?: number;
+        el?: number;
+        fov?: null | number;
+        fx?: number;
+        fz?: number;
+        lookY?: number;
+        near?: null | Pt3;
+        ox?: number;
+        oy?: number;
+        snap?: boolean;
+        zoom?: number;
+    }): void;
+    project(x: number, y: number, z: number): {
+        on: boolean;
+        x: number;
+        y: number;
+        z: number;
+    };
+    quality?(k: null | number): void;
+    rain(k: number | null): void;
+    rewind(): void;
+    rim(k: number | null, back?: boolean): void;
+    rising?(id?: string): null | {
+        base: number;
+        done: boolean;
+        id: string;
+        k: number;
+        rising: boolean;
+        top: number;
+        y1: number;
+    };
+    /**
+     * THE SEAM, HALF ONE (optional). Two numbers, written every frame: how
+     * much of the HELD frame is over the live one, and how much of a colour
+     * is over both. Call `freeze(true)` first to take the frame it holds,
+     * and `seam(0, 0)` to end it.
+     *
+     * The film owns the clock and the shape; the picture owns the
+     * compositing, and does both mixes in LIGHT — which is the whole reason
+     * the seam moved in here. An `<img>` faded over the canvas by the
+     * parent mixes two DISPLAY values, and sRGB is a curve, so the middle
+     * of a crossfade sags: about 4.6 of 255 on a measured blend. The
+     * parent's other half is the furniture, revealed by the same two
+     * leaves over.
+     */
+    seam?(spec: SeamSpec | null): void;
+    shot?(name: string): void;
+    sky(id: string, spec: object, place: object): void;
+    snapshot(): string;
+    sound(on: boolean): void;
+    speaking(): boolean;
+    style?(i: number): number;
+    styleIndex?(): number;
+    sun(): {
+        h: number;
+        on: boolean;
+        w: number;
+        x: number;
+        y: number;
+    };
+    tag(v: boolean): void;
+    theme(i: number, instant?: boolean): void;
+    themeDur(s: null | number): void;
+    time(v: number): void;
+    trace(id: string, spec: {
+        color?: string;
+        glow?: string;
+        pts: Pt3[];
+        r?: number;
+    }): void;
+    traceDraw(id: string, t: number): void;
+    traceFade(id: string, k: number): void;
+    traceUndraw?(id: string, t: number): void;
+    view(): {
+        az: number;
+        el: number;
+        fov: number;
+        h: number;
+        w: number;
+        zoom: number;
+    };
+    /** a line of narration through the page's own graph, at `gain` (0..1), from `at` seconds in */
+    voice(url: string, gain?: number, at?: number): void;
+    voicePrime(url: string): void;
+    voiceStop(ms?: number): void;
+    /** the master fader, 0..1, under the mix and the mute */
+    volume?(v: number): void;
+    /**
+     * THE PAPER WASH, in the picture's own glass (optional). `mode` is the
+     * shot's own (`lower`, `title`, `plate`, `point`, or `''` for a bare
+     * beat) and `paper` the palette's paper colour — the same two things
+     * the film used to spell as `.cf-scrim-<mode>` and `--cf-paper-*` on a
+     * CSS layer over the canvas. A picture that takes it gets the wash
+     * into the post pass, where a seam can dissolve it; the film stops
+     * drawing its own. The picture eases a change of mode itself, the way
+     * the stylesheet's `transition: background 700ms` did.
+     */
+    wash?(mode: string, paper: string): void;
+    winter(w: null | {
+        gust: number;
+        pack: number;
+    }): void;
+    wx(i: number, instant?: boolean): void;
+    year?(y: number): void;
+}
+/** the state the score hands the film every frame the shot changes */
+export interface ShotState {
+    dolly: number;
+    look?: {
+        x: number;
+        y: number;
+        z: number;
+    };
+    pitch: number;
+    x: number;
+    y: number;
+    yaw: number;
+}
+/**
+ * THE FILM'S HANDLES — what the front door and the end card are given,
+ * and what a film's own furniture may call. Every one of these is a
+ * gesture the player also makes; a block never reaches into the engine.
+ */
+export interface FilmHandle {
+    /** the beat on screen */
+    beat: Beat;
+    /** open the door, with or without sound */
+    begin: (withSound: boolean) => void;
+    /** the chapter on screen */
+    chapter: Chapter;
+    /** cut to a beat's head — an edit, never a seek */
+    cutTo: (index: number) => void;
+    /** play any join as a pure overlay on whatever is showing — no cut, no snap */
+    preview: (join: Join) => void;
+    /** the scene is seated behind the door — the buttons may be pressed */
+    ready: boolean;
+    /** stand the film at a time and draw it (exact); the nearest shot's head (cut) */
+    renderAt: (seconds: number) => Promise<void>;
+    /** put the door back up */
+    restart: () => void;
+    /** the whole film's running time, said the way a poster says it */
+    runtime: string;
+    /** move the playhead: to the time (exact), or to the nearest shot's head (cut) */
+    seek: (seconds: number) => void;
+    /** open or close the chapter menu */
+    toc: () => void;
+}
+//# sourceMappingURL=types.d.ts.map

package/declarations/film/types.d.ts.map

@@ -0,0 +1 @@
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package/declarations/film.d.ts

@@ -0,0 +1,3 @@
+/** `@cardstack/choreo/film` — see ./film/index.ts */
+export * from './film/index.ts';
+//# sourceMappingURL=film.d.ts.map

package/declarations/film.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"film.d.ts","sourceRoot":"","sources":["../src/film.ts"],"names":[],"mappings":"AAAA,qDAAqD;AACrD,cAAc,iBAAiB,CAAC"}

package/declarations/gesture.d.ts

@@ -0,0 +1,33 @@
+/**
+ * `c.gesture` — the live drag as a first-class geometry source (§6.1, §6.4).
+ *
+ * A document-level pointer tracker (listeners, not timers) keeps the last
+ * pointer position and a short velocity window. A Move that borrows
+ * `{{c.gesture}}` as its `@from` starts from wherever the finger let go —
+ * sized as the sprite, centred on the pointer — and any spring that flies
+ * it inherits the pointer's velocity, so a toss leaves at the speed it was
+ * thrown.
+ */
+import type { Bounds, Rect } from './types.ts';
+export interface GestureRef {
+    gesture: true;
+}
+export declare const GESTURE: GestureRef;
+export declare function isGestureRef(v: unknown): v is GestureRef;
+/** idempotent; the first <Choreo> turns it on */
+export declare function trackGestures(): void;
+/** the pointer's page position now, or null before any pointer event */
+export declare function gesturePoint(): {
+    x: number;
+    y: number;
+} | null;
+/** units per second over the recent window — what a spring inherits */
+export declare function gestureVelocity(): {
+    x: number;
+    y: number;
+};
+/** the gesture as a box: the sprite\'s own size, centred on the pointer */
+export declare function gestureBounds(size: Rect): Bounds | null;
+/** test-support: forget everything between tests */
+export declare function resetGestures(): void;
+//# sourceMappingURL=gesture.d.ts.map

package/declarations/gesture.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"gesture.d.ts","sourceRoot":"","sources":["../src/gesture.ts"],"names":[],"mappings":"AAAA;;;;;;;;;GASG;AACH,OAAO,KAAK,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,YAAY,CAAC;AAE/C,MAAM,WAAW,UAAU;IACzB,OAAO,EAAE,IAAI,CAAC;CACf;AAED,eAAO,MAAM,OAAO,EAAE,UAA8B,CAAC;AAErD,wBAAgB,YAAY,CAAC,CAAC,EAAE,OAAO,GAAG,CAAC,IAAI,UAAU,CAMxD;AAmBD,iDAAiD;AACjD,wBAAgB,aAAa,SAiB5B;AAED,wEAAwE;AACxE,wBAAgB,YAAY,IAAI;IAAE,CAAC,EAAE,MAAM,CAAC;IAAC,CAAC,EAAE,MAAM,CAAA;CAAE,GAAG,IAAI,CAG9D;AAED,uEAAuE;AACvE,wBAAgB,eAAe,IAAI;IAAE,CAAC,EAAE,MAAM,CAAC;IAAC,CAAC,EAAE,MAAM,CAAA;CAAE,CAa1D;AAED,2EAA2E;AAC3E,wBAAgB,aAAa,CAAC,IAAI,EAAE,IAAI,GAAG,MAAM,GAAG,IAAI,CAYvD;AAED,oDAAoD;AACpD,wBAAgB,aAAa,SAE5B"}

package/declarations/index.d.ts

@@ -0,0 +1,26 @@
+/**
+ * @cardstack/choreo — <Choreo>: a changeset and a timeline over a whole render
+ * pass, on glimmer-motion's elements and the motion-dom engine underneath it.
+ * The film construct is at `@cardstack/choreo/film`; test helpers are at
+ * `@cardstack/choreo/test-support`. Deep imports (`@cardstack/choreo/compile`,
+ * …) are the same modules.
+ */
+export type { AnchorRef } from './anchors.ts';
+export { after, at } from './anchors.ts';
+export type { Arming, ArmingOptions, ArmingRegion } from './arming.ts';
+export { createArming } from './arming.ts';
+export { beacon } from './beacon.ts';
+export type { BeaconRef } from './beacons.ts';
+export type { Changeset } from './changeset.ts';
+export type { ChoreoContext } from './choreo';
+export { Choreo } from './choreo';
+export { easeIn, easeInAndOut, easeOut } from './easings.ts';
+export type { GestureRef } from './gesture.ts';
+export { type ChoreoHost, choreoHostAt, choreoHostById, type ChoreoProvider, closestChoreo, } from './registry.ts';
+export type { ChoreoRun } from './run.ts';
+export type { PlanePoint } from './space.ts';
+export { appliedCamera, toLocal, toPage } from './space.ts';
+export type { StepArgs, StepArgsBase } from './steps';
+export { StepComponent, toMs } from './steps';
+export type { Block, Bounds, Camera3DState, Camera3DWaypoint, CameraState, DeliveryBy, DeliveryOrder, DeriveContext, Easing, FollowSource, GateNode, PerformCommand, PropSource, PropValue, Query, Rect, SpringSpec, Sprite, Step, TimelineNode, } from './types.ts';
+//# sourceMappingURL=index.d.ts.map

package/declarations/index.d.ts.map

@@ -0,0 +1 @@
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package/declarations/measure.d.ts

@@ -0,0 +1,29 @@
+import type { Bounds, Rect } from './types.ts';
+/** a box in page space */
+export declare const rect: (r: DOMRect) => Rect;
+/** `a` expressed relative to `b`'s top-left, keeping a's size */
+export declare const minus: (a: DOMRect, b: DOMRect) => Rect;
+/** an element's box together with the box it is positioned inside */
+export interface Snapshot {
+    el: DOMRect;
+    /** the computed background at measure time — see Bounds.paint */
+    paint?: string;
+    parent: DOMRect;
+    /** the declared subject's box at measure time — see Bounds.substance */
+    substance?: DOMRect;
+}
+/**
+ * The shrink-wrap of `el`'s contents — the ink — not the stretched layout
+ * box. A full-bleed title (`left:0; right:0; width:auto`) still has a
+ * word-sized range; Crossing crop must match THAT, or the type explodes
+ * into a viewport strip. Empty / collapsed → undefined, so the frame wins.
+ */
+export declare const inkBox: (el: Element) => DOMRect | undefined;
+/** the containing block a `position: absolute` child would be placed against */
+export declare const offsetBox: (el: Element) => DOMRect;
+export declare const measure: (el: Element) => Snapshot;
+/** the three spaces, from a snapshot and the region's own box */
+export declare const boundsOf: (snap: Snapshot, root: DOMRect) => Bounds;
+/** measure an element straight into bounds — what a beacon needs */
+export declare const measureBounds: (el: Element, root: DOMRect) => Bounds;
+//# sourceMappingURL=measure.d.ts.map