@aws-sdk/client-mediaconvert 3.377.0 → 3.379.1

package/dist-types/models/models_0.d.ts

@@ -139,7 +139,7 @@ export interface AudioNormalizationSettings {
      */
     PeakCalculation?: AudioNormalizationPeakCalculation | string;
     /**
-     * When you use Audio normalization (AudioNormalizationSettings), optionally use this setting to specify a target loudness. If you don't specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm (algorithm). If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.
+     * When you use Audio normalization, optionally use this setting to specify a target loudness. If you don't specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm. If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.
      */
     TargetLkfs?: number;
     /**
@@ -251,7 +251,7 @@ export declare const AacVbrQuality: {
 export type AacVbrQuality = (typeof AacVbrQuality)[keyof typeof AacVbrQuality];
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
+ * Required when you set Codec to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality. In CBR mode, you use the setting Bitrate. Defaults and valid values depend on the rate control mode.
  */
 export interface AacSettings {
     /**
@@ -259,7 +259,7 @@ export interface AacSettings {
      */
     AudioDescriptionBroadcasterMix?: AacAudioDescriptionBroadcasterMix | string;
     /**
-     * Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile (codecProfile), Bitrate control mode (codingMode), and Sample rate (sampleRate). Default values depend on Bitrate control mode and Profile.
+     * Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile, Bitrate control mode, and Sample rate. Default values depend on Bitrate control mode and Profile.
      */
     Bitrate?: number;
     /**
@@ -393,7 +393,7 @@ export declare const Ac3MetadataControl: {
 export type Ac3MetadataControl = (typeof Ac3MetadataControl)[keyof typeof Ac3MetadataControl];
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
+ * Required when you set Codec to the value AC3.
  */
 export interface Ac3Settings {
     /**
@@ -413,15 +413,15 @@ export interface Ac3Settings {
      */
     Dialnorm?: number;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Ac3DynamicRangeCompressionLine | string;
     /**
-     * When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile (DynamicRangeCompressionProfile). The mode-specific settings are Dynamic range compression profile, line mode (dynamicRangeCompressionLine) and Dynamic range compression profile, RF mode (dynamicRangeCompressionRf). Note that when you specify values for all three settings, MediaConvert ignores the value of this setting in favor of the mode-specific settings. If you do use this setting instead of the mode-specific settings, choose None (NONE) to leave out DRC signaling. Keep the default Film standard (FILM_STANDARD) to set the profile to Dolby's film standard profile for all operating modes.
+     * When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile. The mode-specific settings are Dynamic range compression profile, line mode and Dynamic range compression profile, RF mode. Note that when you specify values for all three settings, MediaConvert ignores the value of this setting in favor of the mode-specific settings. If you do use this setting instead of the mode-specific settings, choose None to leave out DRC signaling. Keep the default Film standard to set the profile to Dolby's film standard profile for all operating modes.
      */
     DynamicRangeCompressionProfile?: Ac3DynamicRangeCompressionProfile | string;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Ac3DynamicRangeCompressionRf | string;
     /**
@@ -439,11 +439,11 @@ export interface Ac3Settings {
 }
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
+ * Required when you set Codec to the value AIFF.
  */
 export interface AiffSettings {
     /**
-     * Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
+     * Specify Bit depth, in bits per sample, to choose the encoding quality for this audio track.
      */
     BitDepth?: number;
     /**
@@ -613,7 +613,7 @@ export declare const Eac3AtmosSurroundExMode: {
 export type Eac3AtmosSurroundExMode = (typeof Eac3AtmosSurroundExMode)[keyof typeof Eac3AtmosSurroundExMode];
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
+ * Required when you set Codec to the value EAC3_ATMOS.
  */
 export interface Eac3AtmosSettings {
     /**
@@ -633,35 +633,35 @@ export interface Eac3AtmosSettings {
      */
     DialogueIntelligence?: Eac3AtmosDialogueIntelligence | string;
     /**
-     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom (SPECIFIED) to provide downmix values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround (LoRoSurroundMixLevel), Left total/Right total surround (LtRtSurroundMixLevel), Left total/Right total center (LtRtCenterMixLevel), Left only/Right only center (LoRoCenterMixLevel), and Stereo downmix (StereoDownmix). When you keep Custom (SPECIFIED) for Downmix control (DownmixControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
+     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom to provide downmix values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround, Left total/Right total surround, Left total/Right total center, Left only/Right only center, and Stereo downmix. When you keep Custom for Downmix control and you don't specify values for the related settings, MediaConvert uses default values for those settings.
      */
     DownmixControl?: Eac3AtmosDownmixControl | string;
     /**
-     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode. Default value: Film light (ATMOS_STORAGE_DDP_COMPR_FILM_LIGHT) Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom (SPECIFIED) for the setting Dynamic range control (DynamicRangeControl). Otherwise, MediaConvert ignores Dynamic range compression line (DynamicRangeCompressionLine). For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression line. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Eac3AtmosDynamicRangeCompressionLine | string;
     /**
-     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode. Default value: Film light (ATMOS_STORAGE_DDP_COMPR_FILM_LIGHT) Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom (SPECIFIED) for the setting Dynamic range control (DynamicRangeControl). Otherwise, MediaConvert ignores Dynamic range compression RF (DynamicRangeCompressionRf). For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression RF. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Eac3AtmosDynamicRangeCompressionRf | string;
     /**
-     * Specify whether MediaConvert should use any dynamic range control metadata from your input file. Keep the default value, Custom (SPECIFIED), to provide dynamic range control values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your dynamic range control values: Dynamic range compression line (DynamicRangeCompressionLine) and Dynamic range compression RF (DynamicRangeCompressionRf). When you keep the value Custom (SPECIFIED) for Dynamic range control (DynamicRangeControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
+     * Specify whether MediaConvert should use any dynamic range control metadata from your input file. Keep the default value, Custom, to provide dynamic range control values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your dynamic range control values: Dynamic range compression line and Dynamic range compression RF. When you keep the value Custom for Dynamic range control and you don't specify values for the related settings, MediaConvert uses default values for those settings.
      */
     DynamicRangeControl?: Eac3AtmosDynamicRangeControl | string;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left only/Right only center (LoRoCenterMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only center.
      */
     LoRoCenterMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left only/Right only surround (LoRoSurroundMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left only/Right only. MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only surround.
      */
     LoRoSurroundMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB) Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left total/Right total center (LtRtCenterMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left total/Right total center.
      */
     LtRtCenterMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB) Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, the service ignores Left total/Right total surround (LtRtSurroundMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, the service ignores Left total/Right total surround.
      */
     LtRtSurroundMixLevel?: number;
     /**
@@ -677,7 +677,7 @@ export interface Eac3AtmosSettings {
      */
     SpeechThreshold?: number;
     /**
-     * Choose how the service does stereo downmixing. Default value: Not indicated (ATMOS_STORAGE_DDP_DMIXMOD_NOT_INDICATED) Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Stereo downmix (StereoDownmix).
+     * Choose how the service does stereo downmixing. Default value: Not indicated Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Stereo downmix.
      */
     StereoDownmix?: Eac3AtmosStereoDownmix | string;
     /**
@@ -871,7 +871,7 @@ export declare const Eac3SurroundMode: {
 export type Eac3SurroundMode = (typeof Eac3SurroundMode)[keyof typeof Eac3SurroundMode];
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
+ * Required when you set Codec to the value EAC3.
  */
 export interface Eac3Settings {
     /**
@@ -899,11 +899,11 @@ export interface Eac3Settings {
      */
     Dialnorm?: number;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Eac3DynamicRangeCompressionLine | string;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Eac3DynamicRangeCompressionRf | string;
     /**
@@ -915,19 +915,19 @@ export interface Eac3Settings {
      */
     LfeFilter?: Eac3LfeFilter | string;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only center (loRoCenterMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only center mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left only/Right only center.
      */
     LoRoCenterMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only surround (loRoSurroundMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left only/Right only surround.
      */
     LoRoSurroundMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total center (ltRtCenterMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total center mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left total/Right total center.
      */
     LtRtCenterMixLevel?: number;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total surround (ltRtSurroundMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total surround mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left total/Right total surround.
      */
     LtRtSurroundMixLevel?: number;
     /**
@@ -947,7 +947,7 @@ export interface Eac3Settings {
      */
     SampleRate?: number;
     /**
-     * Choose how the service does stereo downmixing. This setting only applies if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Stereo downmix (Eac3StereoDownmix).
+     * Choose how the service does stereo downmixing. This setting only applies if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Stereo downmix.
      */
     StereoDownmix?: Eac3StereoDownmix | string;
     /**
@@ -961,7 +961,7 @@ export interface Eac3Settings {
 }
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
+ * Required when you set Codec to the value MP2.
  */
 export interface Mp2Settings {
     /**
@@ -969,7 +969,7 @@ export interface Mp2Settings {
      */
     Bitrate?: number;
     /**
-     * Set Channels to specify the number of channels in this output audio track. Choosing Mono in the console will give you 1 output channel; choosing Stereo will give you 2. In the API, valid values are 1 and 2.
+     * Set Channels to specify the number of channels in this output audio track. Choosing Mono in will give you 1 output channel; choosing Stereo will give you 2. In the API, valid values are 1 and 2.
      */
     Channels?: number;
     /**
@@ -999,7 +999,7 @@ export interface Mp3Settings {
      */
     Bitrate?: number;
     /**
-     * Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
+     * Specify the number of channels in this output audio track. Choosing Mono gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
      */
     Channels?: number;
     /**
@@ -1011,7 +1011,7 @@ export interface Mp3Settings {
      */
     SampleRate?: number;
     /**
-     * Required when you set Bitrate control mode (rateControlMode) to VBR. Specify the audio quality of this MP3 output from 0 (highest quality) to 9 (lowest quality).
+     * Required when you set Bitrate control mode to VBR. Specify the audio quality of this MP3 output from 0 (highest quality) to 9 (lowest quality).
      */
     VbrQuality?: number;
 }
@@ -1025,7 +1025,7 @@ export interface OpusSettings {
      */
     Bitrate?: number;
     /**
-     * Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
+     * Specify the number of channels in this output audio track. Choosing Mono on gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
      */
     Channels?: number;
     /**
@@ -1065,11 +1065,11 @@ export declare const WavFormat: {
 export type WavFormat = (typeof WavFormat)[keyof typeof WavFormat];
 /**
  * @public
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
+ * Required when you set Codec to the value WAV.
  */
 export interface WavSettings {
     /**
-     * Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
+     * Specify Bit depth, in bits per sample, to choose the encoding quality for this audio track.
      */
     BitDepth?: number;
     /**
@@ -1091,31 +1091,31 @@ export interface WavSettings {
  */
 export interface AudioCodecSettings {
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
+     * Required when you set Codec to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality. In CBR mode, you use the setting Bitrate. Defaults and valid values depend on the rate control mode.
      */
     AacSettings?: AacSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
+     * Required when you set Codec to the value AC3.
      */
     Ac3Settings?: Ac3Settings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
+     * Required when you set Codec to the value AIFF.
      */
     AiffSettings?: AiffSettings;
     /**
-     * Choose the audio codec for this output. Note that the option Dolby Digital passthrough (PASSTHROUGH) applies only to Dolby Digital and Dolby Digital Plus audio inputs. Make sure that you choose a codec that's supported with your output container: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#reference-codecs-containers-output-audio For audio-only outputs, make sure that both your input audio codec and your output audio codec are supported for audio-only workflows. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers-input.html#reference-codecs-containers-input-audio-only and https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#audio-only-output
+     * Choose the audio codec for this output. Note that the option Dolby Digital passthrough applies only to Dolby Digital and Dolby Digital Plus audio inputs. Make sure that you choose a codec that's supported with your output container: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#reference-codecs-containers-output-audio For audio-only outputs, make sure that both your input audio codec and your output audio codec are supported for audio-only workflows. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers-input.html#reference-codecs-containers-input-audio-only and https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#audio-only-output
      */
     Codec?: AudioCodec | string;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
+     * Required when you set Codec to the value EAC3_ATMOS.
      */
     Eac3AtmosSettings?: Eac3AtmosSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
+     * Required when you set Codec to the value EAC3.
      */
     Eac3Settings?: Eac3Settings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
+     * Required when you set Codec to the value MP2.
      */
     Mp2Settings?: Mp2Settings;
     /**
@@ -1131,7 +1131,7 @@ export interface AudioCodecSettings {
      */
     VorbisSettings?: VorbisSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
+     * Required when you set Codec to the value WAV.
      */
     WavSettings?: WavSettings;
 }
@@ -1365,7 +1365,7 @@ export interface OutputChannelMapping {
 }
 /**
  * @public
- * Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
+ * Channel mapping contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
  */
 export interface ChannelMapping {
     /**
@@ -1375,11 +1375,11 @@ export interface ChannelMapping {
 }
 /**
  * @public
- * Use Manual audio remixing (RemixSettings) to adjust audio levels for each audio channel in each output of your job. With audio remixing, you can output more or fewer audio channels than your input audio source provides.
+ * Use Manual audio remixing to adjust audio levels for each audio channel in each output of your job. With audio remixing, you can output more or fewer audio channels than your input audio source provides.
  */
 export interface RemixSettings {
     /**
-     * Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
+     * Channel mapping contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
      */
     ChannelMapping?: ChannelMapping;
     /**
@@ -1421,7 +1421,7 @@ export interface AudioDescription {
      */
     CodecSettings?: AudioCodecSettings;
     /**
-     * Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control (AudioLanguageCodeControl) to Use configured (USE_CONFIGURED). The service also uses your specified custom language code when you set Language code control (AudioLanguageCodeControl) to Follow input (FOLLOW_INPUT), but your input file doesn't specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
+     * Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control to Use configured. The service also uses your specified custom language code when you set Language code control to Follow input, but your input file doesn't specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
      */
     CustomLanguageCode?: string;
     /**
@@ -1429,7 +1429,7 @@ export interface AudioDescription {
      */
     LanguageCode?: LanguageCode | string;
     /**
-     * Specify which source for language code takes precedence for this audio track. When you choose Follow input (FOLLOW_INPUT), the service uses the language code from the input track if it's present. If there's no languge code on the input track, the service uses the code that you specify in the setting Language code (languageCode or customLanguageCode). When you choose Use configured (USE_CONFIGURED), the service uses the language code that you specify.
+     * Specify which source for language code takes precedence for this audio track. When you choose Follow input, the service uses the language code from the input track if it's present. If there's no languge code on the input track, the service uses the code that you specify in the setting Language code. When you choose Use configured, the service uses the language code that you specify.
      */
     LanguageCodeControl?: AudioLanguageCodeControl | string;
     /**
@@ -1666,7 +1666,7 @@ export declare const BurninSubtitleTeletextSpacing: {
 export type BurninSubtitleTeletextSpacing = (typeof BurninSubtitleTeletextSpacing)[keyof typeof BurninSubtitleTeletextSpacing];
 /**
  * @public
- * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to BURN_IN.
+ * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html.
  */
 export interface BurninDestinationSettings {
     /**
@@ -1674,23 +1674,23 @@ export interface BurninDestinationSettings {
      */
     Alignment?: BurninSubtitleAlignment | string;
     /**
-     * Ignore this setting unless Style passthrough (StylePassthrough) is set to Enabled and Font color (FontColor) set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color (ApplyFontColor) for additional font color controls. When you choose White text only (WHITE_TEXT_ONLY), or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
+     * Ignore this setting unless Style passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
      */
     ApplyFontColor?: BurninSubtitleApplyFontColor | string;
     /**
-     * Specify the color of the rectangle behind the captions. Leave background color (BackgroundColor) blank and set Style passthrough (StylePassthrough) to enabled to use the background color data from your input captions, if present.
+     * Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.
      */
     BackgroundColor?: BurninSubtitleBackgroundColor | string;
     /**
-     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions.
+     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions.
      */
     BackgroundOpacity?: number;
     /**
-     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font (FallbackFont) to best match (BEST_MATCH), or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
+     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
      */
     FallbackFont?: BurninSubtitleFallbackFont | string;
     /**
-     * Specify the color of the burned-in captions text. Leave Font color (FontColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font color data from your input captions, if present.
+     * Specify the color of the burned-in captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present.
      */
     FontColor?: BurninSubtitleFontColor | string;
     /**
@@ -1698,15 +1698,15 @@ export interface BurninDestinationSettings {
      */
     FontOpacity?: number;
     /**
-     * Specify the Font resolution (FontResolution) in DPI (dots per inch).
+     * Specify the Font resolution in DPI (dots per inch).
      */
     FontResolution?: number;
     /**
-     * Set Font script (FontScript) to Automatically determined (AUTOMATIC), or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese.
+     * Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese.
      */
     FontScript?: FontScript | string;
     /**
-     * Specify the Font size (FontSize) in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size.
+     * Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size.
      */
     FontSize?: number;
     /**
@@ -1714,19 +1714,19 @@ export interface BurninDestinationSettings {
      */
     HexFontColor?: string;
     /**
-     * Specify font outline color. Leave Outline color (OutlineColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font outline color data from your input captions, if present.
+     * Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present.
      */
     OutlineColor?: BurninSubtitleOutlineColor | string;
     /**
-     * Specify the Outline size (OutlineSize) of the caption text, in pixels. Leave Outline size blank and set Style passthrough (StylePassthrough) to enabled to use the outline size data from your input captions, if present.
+     * Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present.
      */
     OutlineSize?: number;
     /**
-     * Specify the color of the shadow cast by the captions. Leave Shadow color (ShadowColor) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow color data from your input captions, if present.
+     * Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present.
      */
     ShadowColor?: BurninSubtitleShadowColor | string;
     /**
-     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to Enabled, leave Shadow opacity (ShadowOpacity) blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions.
+     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions.
      */
     ShadowOpacity?: number;
     /**
@@ -1734,23 +1734,23 @@ export interface BurninDestinationSettings {
      */
     ShadowXOffset?: number;
     /**
-     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset (ShadowYOffset) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow y-offset data from your input captions, if present.
+     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present.
      */
     ShadowYOffset?: number;
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
      */
     StylePassthrough?: BurnInSubtitleStylePassthrough | string;
     /**
-     * Specify whether the text spacing (TeletextSpacing) in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid (FIXED_GRID) to conform to the spacing specified in the captions file more accurately. Choose proportional (PROPORTIONAL) to make the text easier to read for closed captions.
+     * Specify whether the text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions.
      */
     TeletextSpacing?: BurninSubtitleTeletextSpacing | string;
     /**
-     * Specify the horizontal position (XPosition) of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter.
+     * Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter.
      */
     XPosition?: number;
     /**
-     * Specify the vertical position (YPosition) of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output.
+     * Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output.
      */
     YPosition?: number;
 }
@@ -1931,7 +1931,7 @@ export declare const DvbSubtitleTeletextSpacing: {
 export type DvbSubtitleTeletextSpacing = (typeof DvbSubtitleTeletextSpacing)[keyof typeof DvbSubtitleTeletextSpacing];
 /**
  * @public
- * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to DVB_SUB.
+ * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html.
  */
 export interface DvbSubDestinationSettings {
     /**
@@ -1939,15 +1939,15 @@ export interface DvbSubDestinationSettings {
      */
     Alignment?: DvbSubtitleAlignment | string;
     /**
-     * Ignore this setting unless Style Passthrough (StylePassthrough) is set to Enabled and Font color (FontColor) set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color (ApplyFontColor) for additional font color controls. When you choose White text only (WHITE_TEXT_ONLY), or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
+     * Ignore this setting unless Style Passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
      */
     ApplyFontColor?: DvbSubtitleApplyFontColor | string;
     /**
-     * Specify the color of the rectangle behind the captions. Leave background color (BackgroundColor) blank and set Style passthrough (StylePassthrough) to enabled to use the background color data from your input captions, if present.
+     * Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.
      */
     BackgroundColor?: DvbSubtitleBackgroundColor | string;
     /**
-     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     BackgroundOpacity?: number;
     /**
@@ -1955,19 +1955,19 @@ export interface DvbSubDestinationSettings {
      */
     DdsHandling?: DvbddsHandling | string;
     /**
-     * Use this setting, along with DDS y-coordinate (ddsYCoordinate), to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the left side of the frame and the left side of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
+     * Use this setting, along with DDS y-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the left side of the frame and the left side of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment. All burn-in and DVB-Sub font settings must match.
      */
     DdsXCoordinate?: number;
     /**
-     * Use this setting, along with DDS x-coordinate (ddsXCoordinate), to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the top of the frame and the top of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
+     * Use this setting, along with DDS x-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the top of the frame and the top of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
      */
     DdsYCoordinate?: number;
     /**
-     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font (FallbackFont) to best match (BEST_MATCH), or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
+     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
      */
     FallbackFont?: DvbSubSubtitleFallbackFont | string;
     /**
-     * Specify the color of the captions text. Leave Font color (FontColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the color of the captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontColor?: DvbSubtitleFontColor | string;
     /**
@@ -1976,20 +1976,20 @@ export interface DvbSubDestinationSettings {
      */
     FontOpacity?: number;
     /**
-     * Specify the Font resolution (FontResolution) in DPI (dots per inch).
+     * Specify the Font resolution in DPI (dots per inch).
      * Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontResolution?: number;
     /**
-     * Set Font script (FontScript) to Automatically determined (AUTOMATIC), or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontScript?: FontScript | string;
     /**
-     * Specify the Font size (FontSize) in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontSize?: number;
     /**
-     * Specify the height, in pixels, of this set of DVB-Sub captions. The default value is 576 pixels. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). All burn-in and DVB-Sub font settings must match.
+     * Specify the height, in pixels, of this set of DVB-Sub captions. The default value is 576 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.
      */
     Height?: number;
     /**
@@ -1997,19 +1997,19 @@ export interface DvbSubDestinationSettings {
      */
     HexFontColor?: string;
     /**
-     * Specify font outline color. Leave Outline color (OutlineColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font outline color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     OutlineColor?: DvbSubtitleOutlineColor | string;
     /**
-     * Specify the Outline size (OutlineSize) of the caption text, in pixels. Leave Outline size blank and set Style passthrough (StylePassthrough) to enabled to use the outline size data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     OutlineSize?: number;
     /**
-     * Specify the color of the shadow cast by the captions. Leave Shadow color (ShadowColor) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowColor?: DvbSubtitleShadowColor | string;
     /**
-     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to Enabled, leave Shadow opacity (ShadowOpacity) blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowOpacity?: number;
     /**
@@ -2017,11 +2017,11 @@ export interface DvbSubDestinationSettings {
      */
     ShadowXOffset?: number;
     /**
-     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset (ShadowYOffset) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow y-offset data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowYOffset?: number;
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
      */
     StylePassthrough?: DvbSubtitleStylePassthrough | string;
     /**
@@ -2029,25 +2029,25 @@ export interface DvbSubDestinationSettings {
      */
     SubtitlingType?: DvbSubtitlingType | string;
     /**
-     * Specify whether the Text spacing (TeletextSpacing) in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid (FIXED_GRID) to conform to the spacing specified in the captions file more accurately. Choose proportional (PROPORTIONAL) to make the text easier to read for closed captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify whether the Text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     TeletextSpacing?: DvbSubtitleTeletextSpacing | string;
     /**
-     * Specify the width, in pixels, of this set of DVB-Sub captions. The default value is 720 pixels. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). All burn-in and DVB-Sub font settings must match.
+     * Specify the width, in pixels, of this set of DVB-Sub captions. The default value is 720 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.
      */
     Width?: number;
     /**
-     * Specify the horizontal position (XPosition) of the captions, relative to the left side of the outputin pixels. A value of 10 would result in the captions starting 10 pixels from the left ofthe output. If no explicit x_position is provided, the horizontal caption position will bedetermined by the alignment parameter. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     XPosition?: number;
     /**
-     * Specify the vertical position (YPosition) of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     YPosition?: number;
 }
 /**
  * @public
- * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to EMBEDDED, EMBEDDED_PLUS_SCTE20, or SCTE20_PLUS_EMBEDDED.
+ * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html.
  */
 export interface EmbeddedDestinationSettings {
     /**
@@ -2055,7 +2055,7 @@ export interface EmbeddedDestinationSettings {
      */
     Destination608ChannelNumber?: number;
     /**
-     * Ignore this setting unless your input captions are SCC format and you want both 608 and 708 captions embedded in your output stream. Optionally, specify the 708 service number for each output captions channel. Choose a different number for each channel. To use this setting, also set Force 608 to 708 upconvert (Convert608To708) to Upconvert (UPCONVERT) in your input captions selector settings. If you choose to upconvert but don't specify a 708 service number, MediaConvert uses the number that you specify for CC channel number (destination608ChannelNumber) for the 708 service number. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
+     * Ignore this setting unless your input captions are SCC format and you want both 608 and 708 captions embedded in your output stream. Optionally, specify the 708 service number for each output captions channel. Choose a different number for each channel. To use this setting, also set Force 608 to 708 upconvert to Upconvert in your input captions selector settings. If you choose to upconvert but don't specify a 708 service number, MediaConvert uses the number that you specify for CC channel number for the 708 service number. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
      */
     Destination708ServiceNumber?: number;
 }
@@ -2085,7 +2085,7 @@ export declare const ImscStylePassthrough: {
 export type ImscStylePassthrough = (typeof ImscStylePassthrough)[keyof typeof ImscStylePassthrough];
 /**
  * @public
- * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to IMSC.
+ * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
  */
 export interface ImscDestinationSettings {
     /**
@@ -2114,11 +2114,11 @@ export declare const SccDestinationFramerate: {
 export type SccDestinationFramerate = (typeof SccDestinationFramerate)[keyof typeof SccDestinationFramerate];
 /**
  * @public
- * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SCC.
+ * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html.
  */
 export interface SccDestinationSettings {
     /**
-     * Set Framerate (SccDestinationFramerate) to make sure that the captions and the video are synchronized in the output. Specify a frame rate that matches the frame rate of the associated video. If the video frame rate is 29.97, choose 29.97 dropframe (FRAMERATE_29_97_DROPFRAME) only if the video has video_insertion=true and drop_frame_timecode=true; otherwise, choose 29.97 non-dropframe (FRAMERATE_29_97_NON_DROPFRAME).
+     * Set Framerate to make sure that the captions and the video are synchronized in the output. Specify a frame rate that matches the frame rate of the associated video. If the video frame rate is 29.97, choose 29.97 dropframe only if the video has video_insertion=true and drop_frame_timecode=true; otherwise, choose 29.97 non-dropframe.
      */
     Framerate?: SccDestinationFramerate | string;
 }
@@ -2136,11 +2136,11 @@ export declare const SrtStylePassthrough: {
 export type SrtStylePassthrough = (typeof SrtStylePassthrough)[keyof typeof SrtStylePassthrough];
 /**
  * @public
- * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SRT.
+ * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video.
  */
 export interface SrtDestinationSettings {
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use simplified output captions.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use simplified output captions.
      */
     StylePassthrough?: SrtStylePassthrough | string;
 }
@@ -2161,7 +2161,7 @@ export declare const TeletextPageType: {
 export type TeletextPageType = (typeof TeletextPageType)[keyof typeof TeletextPageType];
 /**
  * @public
- * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TELETEXT.
+ * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html.
  */
 export interface TeletextDestinationSettings {
     /**
@@ -2169,7 +2169,7 @@ export interface TeletextDestinationSettings {
      */
     PageNumber?: string;
     /**
-     * Specify the page types for this Teletext page. If you don't specify a value here, the service sets the page type to the default value Subtitle (PAGE_TYPE_SUBTITLE). If you pass through the entire set of Teletext data, don't use this field. When you pass through a set of Teletext pages, your output has the same page types as your input.
+     * Specify the page types for this Teletext page. If you don't specify a value here, the service sets the page type to the default value Subtitle. If you pass through the entire set of Teletext data, don't use this field. When you pass through a set of Teletext pages, your output has the same page types as your input.
      */
     PageTypes?: (TeletextPageType | string)[];
 }
@@ -2187,7 +2187,7 @@ export declare const TtmlStylePassthrough: {
 export type TtmlStylePassthrough = (typeof TtmlStylePassthrough)[keyof typeof TtmlStylePassthrough];
 /**
  * @public
- * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TTML.
+ * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
  */
 export interface TtmlDestinationSettings {
     /**
@@ -2222,7 +2222,7 @@ export declare const WebvttStylePassthrough: {
 export type WebvttStylePassthrough = (typeof WebvttStylePassthrough)[keyof typeof WebvttStylePassthrough];
 /**
  * @public
- * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to WebVTT.
+ * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
  */
 export interface WebvttDestinationSettings {
     /**
@@ -2230,53 +2230,53 @@ export interface WebvttDestinationSettings {
      */
     Accessibility?: WebvttAccessibilitySubs | string;
     /**
-     * To use the available style, color, and position information from your input captions: Set Style passthrough (stylePassthrough) to Enabled (ENABLED). MediaConvert uses default settings when style and position information is missing from your input captions. To recreate the input captions exactly: Set Style passthrough to Strict (STRICT). MediaConvert automatically applies timing adjustments, including adjustments for frame rate conversion, ad avails, and input clipping. Your input captions format must be WebVTT. To ignore the style and position information from your input captions and use simplified output captions: Set Style passthrough to Disabled (DISABLED), or leave blank.
+     * To use the available style, color, and position information from your input captions: Set Style passthrough to Enabled. MediaConvert uses default settings when style and position information is missing from your input captions. To recreate the input captions exactly: Set Style passthrough to Strict. MediaConvert automatically applies timing adjustments, including adjustments for frame rate conversion, ad avails, and input clipping. Your input captions format must be WebVTT. To ignore the style and position information from your input captions and use simplified output captions: Set Style passthrough to Disabled, or leave blank.
      */
     StylePassthrough?: WebvttStylePassthrough | string;
 }
 /**
  * @public
- * Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
+ * Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
  */
 export interface CaptionDestinationSettings {
     /**
-     * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to BURN_IN.
+     * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html.
      */
     BurninDestinationSettings?: BurninDestinationSettings;
     /**
-     * Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Note that your choice of video output container constrains your choice of output captions format. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/captions-support-tables.html. If you are using SCTE-20 and you want to create an output that complies with the SCTE-43 spec, choose SCTE-20 plus embedded (SCTE20_PLUS_EMBEDDED). To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20 (EMBEDDED_PLUS_SCTE20).
+     * Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Note that your choice of video output container constrains your choice of output captions format. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/captions-support-tables.html. If you are using SCTE-20 and you want to create an output that complies with the SCTE-43 spec, choose SCTE-20 plus embedded. To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20.
      */
     DestinationType?: CaptionDestinationType | string;
     /**
-     * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to DVB_SUB.
+     * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html.
      */
     DvbSubDestinationSettings?: DvbSubDestinationSettings;
     /**
-     * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to EMBEDDED, EMBEDDED_PLUS_SCTE20, or SCTE20_PLUS_EMBEDDED.
+     * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html.
      */
     EmbeddedDestinationSettings?: EmbeddedDestinationSettings;
     /**
-     * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to IMSC.
+     * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     ImscDestinationSettings?: ImscDestinationSettings;
     /**
-     * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SCC.
+     * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html.
      */
     SccDestinationSettings?: SccDestinationSettings;
     /**
-     * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SRT.
+     * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video.
      */
     SrtDestinationSettings?: SrtDestinationSettings;
     /**
-     * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TELETEXT.
+     * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html.
      */
     TeletextDestinationSettings?: TeletextDestinationSettings;
     /**
-     * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TTML.
+     * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     TtmlDestinationSettings?: TtmlDestinationSettings;
     /**
-     * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to WebVTT.
+     * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     WebvttDestinationSettings?: WebvttDestinationSettings;
 }
@@ -2294,7 +2294,7 @@ export interface CaptionDescription {
      */
     CustomLanguageCode?: string;
     /**
-     * Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
+     * Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
      */
     DestinationSettings?: CaptionDestinationSettings;
     /**
@@ -2316,7 +2316,7 @@ export interface CaptionDescriptionPreset {
      */
     CustomLanguageCode?: string;
     /**
-     * Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
+     * Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
      */
     DestinationSettings?: CaptionDestinationSettings;
     /**
@@ -2434,15 +2434,15 @@ export interface HopDestination {
 }
 /**
  * @public
- * To insert ID3 tags in your output, specify two values. Use ID3 tag (Id3) to specify the base 64 encoded string and use Timecode (TimeCode) to specify the time when the tag should be inserted. To insert multiple ID3 tags in your output, create multiple instances of ID3 insertion (Id3Insertion).
+ * To insert ID3 tags in your output, specify two values. Use ID3 tag to specify the base 64 encoded string and use Timecode to specify the time when the tag should be inserted. To insert multiple ID3 tags in your output, create multiple instances of ID3 insertion.
  */
 export interface Id3Insertion {
     /**
-     * Use ID3 tag (Id3) to provide a fully formed ID3 tag in base64-encode format.
+     * Use ID3 tag to provide a fully formed ID3 tag in base64-encode format.
      */
     Id3?: string;
     /**
-     * Provide a Timecode (TimeCode) in HH:MM:SS:FF or HH:MM:SS;FF format.
+     * Provide a Timecode in HH:MM:SS:FF or HH:MM:SS;FF format.
      */
     Timecode?: string;
 }
@@ -2499,7 +2499,7 @@ export interface AdvancedInputFilterSettings {
 }
 /**
  * @public
- * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
+ * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab. Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
  */
 export interface AudioSelectorGroup {
     /**
@@ -2567,7 +2567,7 @@ export declare const AudioSelectorType: {
 export type AudioSelectorType = (typeof AudioSelectorType)[keyof typeof AudioSelectorType];
 /**
  * @public
- * Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
+ * Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
  */
 export interface AudioSelector {
     /**
@@ -2603,7 +2603,7 @@ export interface AudioSelector {
      */
     Pids?: number[];
     /**
-     * Use this setting for input streams that contain Dolby E, to have the service extract specific program data from the track. To select multiple programs, create multiple selectors with the same Track and different Program numbers. In the console, this setting is visible when you set Selector type to Track. Choose the program number from the dropdown list. If you are sending a JSON file, provide the program ID, which is part of the audio metadata. If your input file has incorrect metadata, you can choose All channels instead of a program number to have the service ignore the program IDs and include all the programs in the track.
+     * Use this setting for input streams that contain Dolby E, to have the service extract specific program data from the track. To select multiple programs, create multiple selectors with the same Track and different Program numbers. In the console, this setting is visible when you set Selector type to Track. Choose the program number from the dropdown list. If your input file has incorrect metadata, you can choose All channels instead of a program number to have the service ignore the program IDs and include all the programs in the track.
      */
     ProgramSelection?: number;
     /**
@@ -2615,7 +2615,7 @@ export interface AudioSelector {
      */
     SelectorType?: AudioSelectorType | string;
     /**
-     * Identify a track from the input audio to include in this selector by entering the track index number. To include several tracks in a single audio selector, specify multiple tracks as follows. Using the console, enter a comma-separated list. For examle, type "1,2,3" to include tracks 1 through 3. Specifying directly in your JSON job file, provide the track numbers in an array. For example, "tracks": [1,2,3].
+     * Identify a track from the input audio to include in this selector by entering the track index number. To include several tracks in a single audio selector, specify multiple tracks as follows. Using the console, enter a comma-separated list. For example, type "1,2,3" to include tracks 1 through 3.
      */
     Tracks?: number[];
 }
@@ -2649,7 +2649,7 @@ export type AncillaryTerminateCaptions = (typeof AncillaryTerminateCaptions)[key
  */
 export interface AncillarySourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: AncillaryConvert608To708 | string;
     /**
@@ -2701,7 +2701,7 @@ export type EmbeddedTerminateCaptions = (typeof EmbeddedTerminateCaptions)[keyof
  */
 export interface EmbeddedSourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: EmbeddedConvert608To708 | string;
     /**
@@ -2743,15 +2743,15 @@ export declare const CaptionSourceConvertPaintOnToPopOn: {
 export type CaptionSourceConvertPaintOnToPopOn = (typeof CaptionSourceConvertPaintOnToPopOn)[keyof typeof CaptionSourceConvertPaintOnToPopOn];
 /**
  * @public
- * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. When you work directly in your JSON job specification, use the settings framerateNumerator and framerateDenominator. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
+ * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
  */
 export interface CaptionSourceFramerate {
     /**
-     * Specify the denominator of the fraction that represents the frame rate for the setting Caption source frame rate (CaptionSourceFramerate). Use this setting along with the setting Framerate numerator (framerateNumerator).
+     * Specify the denominator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate numerator.
      */
     FramerateDenominator?: number;
     /**
-     * Specify the numerator of the fraction that represents the frame rate for the setting Caption source frame rate (CaptionSourceFramerate). Use this setting along with the setting Framerate denominator (framerateDenominator).
+     * Specify the numerator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate denominator.
      */
     FramerateNumerator?: number;
 }
@@ -2773,7 +2773,7 @@ export type FileSourceTimeDeltaUnits = (typeof FileSourceTimeDeltaUnits)[keyof t
  */
 export interface FileSourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: FileSourceConvert608To708 | string;
     /**
@@ -2781,7 +2781,7 @@ export interface FileSourceSettings {
      */
     ConvertPaintToPop?: CaptionSourceConvertPaintOnToPopOn | string;
     /**
-     * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. When you work directly in your JSON job specification, use the settings framerateNumerator and framerateDenominator. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
+     * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
      */
     Framerate?: CaptionSourceFramerate;
     /**
@@ -2789,11 +2789,11 @@ export interface FileSourceSettings {
      */
     SourceFile?: string;
     /**
-     * Optional. Use this setting when you need to adjust the sync between your sidecar captions and your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/time-delta-use-cases.html. Enter a positive or negative number to modify the times in the captions file. For example, type 15 to add 15 seconds to all the times in the captions file. Type -5 to subtract 5 seconds from the times in the captions file. You can optionally specify your time delta in milliseconds instead of seconds. When you do so, set the related setting, Time delta units (TimeDeltaUnits) to Milliseconds (MILLISECONDS). Note that, when you specify a time delta for timecode-based caption sources, such as SCC and STL, and your time delta isn't a multiple of the input frame rate, MediaConvert snaps the captions to the nearest frame. For example, when your input video frame rate is 25 fps and you specify 1010ms for time delta, MediaConvert delays your captions by 1000 ms.
+     * Optional. Use this setting when you need to adjust the sync between your sidecar captions and your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/time-delta-use-cases.html. Enter a positive or negative number to modify the times in the captions file. For example, type 15 to add 15 seconds to all the times in the captions file. Type -5 to subtract 5 seconds from the times in the captions file. You can optionally specify your time delta in milliseconds instead of seconds. When you do so, set the related setting, Time delta units to Milliseconds. Note that, when you specify a time delta for timecode-based caption sources, such as SCC and STL, and your time delta isn't a multiple of the input frame rate, MediaConvert snaps the captions to the nearest frame. For example, when your input video frame rate is 25 fps and you specify 1010ms for time delta, MediaConvert delays your captions by 1000 ms.
      */
     TimeDelta?: number;
     /**
-     * When you use the setting Time delta (TimeDelta) to adjust the sync between your sidecar captions and your video, use this setting to specify the units for the delta that you specify. When you don't specify a value for Time delta units (TimeDeltaUnits), MediaConvert uses seconds by default.
+     * When you use the setting Time delta to adjust the sync between your sidecar captions and your video, use this setting to specify the units for the delta that you specify. When you don't specify a value for Time delta units, MediaConvert uses seconds by default.
      */
     TimeDeltaUnits?: FileSourceTimeDeltaUnits | string;
 }
@@ -2827,7 +2827,7 @@ export type CaptionSourceType = (typeof CaptionSourceType)[keyof typeof CaptionS
  */
 export interface TeletextSourceSettings {
     /**
-     * Use Page Number (PageNumber) to specify the three-digit hexadecimal page number that will be used for Teletext captions. Do not use this setting if you are passing through teletext from the input source to output.
+     * Use Page Number to specify the three-digit hexadecimal page number that will be used for Teletext captions. Do not use this setting if you are passing through teletext from the input source to output.
      */
     PageNumber?: string;
 }
@@ -2881,7 +2881,7 @@ export interface CaptionSourceSettings {
      */
     FileSourceSettings?: FileSourceSettings;
     /**
-     * Use Source (SourceType) to identify the format of your input captions. The service cannot auto-detect caption format.
+     * Use Source to identify the format of your input captions. The service cannot auto-detect caption format.
      */
     SourceType?: CaptionSourceType | string;
     /**
@@ -3047,7 +3047,7 @@ export interface InsertableImage {
      */
     Layer?: number;
     /**
-     * Use Opacity (Opacity) to specify how much of the underlying video shows through the inserted image. 0 is transparent and 100 is fully opaque. Default is 50.
+     * Use Opacity to specify how much of the underlying video shows through the inserted image. 0 is transparent and 100 is fully opaque. Default is 50.
      */
     Opacity?: number;
     /**
@@ -3079,11 +3079,11 @@ export interface ImageInserter {
  */
 export interface InputClipping {
     /**
-     * Set End timecode (EndTimecode) to the end of the portion of the input you are clipping. The frame corresponding to the End timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for timecode source under input settings (InputTimecodeSource). For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to end six minutes into the video, use 01:06:00:00.
+     * Set End timecode to the end of the portion of the input you are clipping. The frame corresponding to the End timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for timecode source under input settings. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to end six minutes into the video, use 01:06:00:00.
      */
     EndTimecode?: string;
     /**
-     * Set Start timecode (StartTimecode) to the beginning of the portion of the input you are clipping. The frame corresponding to the Start timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for Input timecode source. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to begin five minutes into the video, use 01:05:00:00.
+     * Set Start timecode to the beginning of the portion of the input you are clipping. The frame corresponding to the Start timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for Input timecode source. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to begin five minutes into the video, use 01:05:00:00.
      */
     StartTimecode?: string;
 }
@@ -3301,23 +3301,23 @@ export interface VideoSelector {
      */
     ColorSpace?: ColorSpace | string;
     /**
-     * There are two sources for color metadata, the input file and the job input settings Color space (ColorSpace) and HDR master display information settings(Hdr10Metadata). The Color space usage setting determines which takes precedence. Choose Force (FORCE) to use color metadata from the input job settings. If you don't specify values for those settings, the service defaults to using metadata from your input. FALLBACK - Choose Fallback (FALLBACK) to use color metadata from the source when it is present. If there's no color metadata in your input file, the service defaults to using values you specify in the input settings.
+     * There are two sources for color metadata, the input file and the job input settings Color space and HDR master display information settings. The Color space usage setting determines which takes precedence. Choose Force to use color metadata from the input job settings. If you don't specify values for those settings, the service defaults to using metadata from your input. FALLBACK - Choose Fallback to use color metadata from the source when it is present. If there's no color metadata in your input file, the service defaults to using values you specify in the input settings.
      */
     ColorSpaceUsage?: ColorSpaceUsage | string;
     /**
-     * Set Embedded timecode override (embeddedTimecodeOverride) to Use MDPM (USE_MDPM) when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata (MDPM). When you do, we recommend you also set Timecode source (inputTimecodeSource) to Embedded (EMBEDDED). Leave Embedded timecode override blank, or set to None (NONE), when your input does not contain MDPM timecode.
+     * Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata. When you do, we recommend you also set Timecode source to Embedded. Leave Embedded timecode override blank, or set to None, when your input does not contain MDPM timecode.
      */
     EmbeddedTimecodeOverride?: EmbeddedTimecodeOverride | string;
     /**
-     * Use these settings to provide HDR 10 metadata that is missing or inaccurate in your input video. Appropriate values vary depending on the input video and must be provided by a color grader. The color grader generates these values during the HDR 10 mastering process. The valid range for each of these settings is 0 to 50,000. Each increment represents 0.00002 in CIE1931 color coordinate. Related settings - When you specify these values, you must also set Color space (ColorSpace) to HDR 10 (HDR10). To specify whether the the values you specify here take precedence over the values in the metadata of your input file, set Color space usage (ColorSpaceUsage). To specify whether color metadata is included in an output, set Color metadata (ColorMetadata). For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
+     * Use these settings to provide HDR 10 metadata that is missing or inaccurate in your input video. Appropriate values vary depending on the input video and must be provided by a color grader. The color grader generates these values during the HDR 10 mastering process. The valid range for each of these settings is 0 to 50,000. Each increment represents 0.00002 in CIE1931 color coordinate. Related settings - When you specify these values, you must also set Color space to HDR 10. To specify whether the the values you specify here take precedence over the values in the metadata of your input file, set Color space usage. To specify whether color metadata is included in an output, set Color metadata. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
      */
     Hdr10Metadata?: Hdr10Metadata;
     /**
-     * Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements. Examples: Input audio track has a delayed start. Input video track ends before audio ends. When you set Pad video (padVideo) to Black (BLACK), MediaConvert generates black video frames so that output video and audio durations match. Black video frames are added at the beginning or end, depending on your input. To keep the default behavior and not generate black video, set Pad video to Disabled (DISABLED) or leave blank.
+     * Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements. Examples: Input audio track has a delayed start. Input video track ends before audio ends. When you set Pad video to Black, MediaConvert generates black video frames so that output video and audio durations match. Black video frames are added at the beginning or end, depending on your input. To keep the default behavior and not generate black video, set Pad video to Disabled or leave blank.
      */
     PadVideo?: PadVideo | string;
     /**
-     * Use PID (Pid) to select specific video data from an input file. Specify this value as an integer; the system automatically converts it to the hexidecimal value. For example, 257 selects PID 0x101. A PID, or packet identifier, is an identifier for a set of data in an MPEG-2 transport stream container.
+     * Use PID to select specific video data from an input file. Specify this value as an integer; the system automatically converts it to the hexidecimal value. For example, 257 selects PID 0x101. A PID, or packet identifier, is an identifier for a set of data in an MPEG-2 transport stream container.
      */
     Pid?: number;
     /**
@@ -3325,11 +3325,11 @@ export interface VideoSelector {
      */
     ProgramNumber?: number;
     /**
-     * Use Rotate (InputRotate) to specify how the service rotates your video. You can choose automatic rotation or specify a rotation. You can specify a clockwise rotation of 0, 90, 180, or 270 degrees. If your input video container is .mov or .mp4 and your input has rotation metadata, you can choose Automatic to have the service rotate your video according to the rotation specified in the metadata. The rotation must be within one degree of 90, 180, or 270 degrees. If the rotation metadata specifies any other rotation, the service will default to no rotation. By default, the service does no rotation, even if your input video has rotation metadata. The service doesn't pass through rotation metadata.
+     * Use Rotate to specify how the service rotates your video. You can choose automatic rotation or specify a rotation. You can specify a clockwise rotation of 0, 90, 180, or 270 degrees. If your input video container is .mov or .mp4 and your input has rotation metadata, you can choose Automatic to have the service rotate your video according to the rotation specified in the metadata. The rotation must be within one degree of 90, 180, or 270 degrees. If the rotation metadata specifies any other rotation, the service will default to no rotation. By default, the service does no rotation, even if your input video has rotation metadata. The service doesn't pass through rotation metadata.
      */
     Rotate?: InputRotate | string;
     /**
-     * If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow (FOLLOW), for this setting. When you do, the service automatically detects your input sample range. If your input video has metadata indicating the wrong sample range, specify the accurate sample range here. When you do, MediaConvert ignores any sample range information in the input metadata. Regardless of whether MediaConvert uses the input sample range or the sample range that you specify, MediaConvert uses the sample range for transcoding and also writes it to the output metadata.
+     * If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow, for this setting. When you do, the service automatically detects your input sample range. If your input video has metadata indicating the wrong sample range, specify the accurate sample range here. When you do, MediaConvert ignores any sample range information in the input metadata. Regardless of whether MediaConvert uses the input sample range or the sample range that you specify, MediaConvert uses the sample range for transcoding and also writes it to the output metadata.
      */
     SampleRange?: InputSampleRange | string;
 }
@@ -3347,11 +3347,11 @@ export interface Input {
      */
     AdvancedInputFilterSettings?: AdvancedInputFilterSettings;
     /**
-     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
+     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab. Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
      */
     AudioSelectorGroups?: Record<string, AudioSelectorGroup>;
     /**
-     * Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
+     * Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
      */
     AudioSelectors?: Record<string, AudioSelector>;
     /**
@@ -3359,11 +3359,11 @@ export interface Input {
      */
     CaptionSelectors?: Record<string, CaptionSelector>;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection (crop).
+     * Use Cropping selection to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection.
      */
     Crop?: Rectangle;
     /**
-     * Enable Deblock (InputDeblockFilter) to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
+     * Enable Deblock to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
      */
     DeblockFilter?: InputDeblockFilter | string;
     /**
@@ -3371,7 +3371,7 @@ export interface Input {
      */
     DecryptionSettings?: InputDecryptionSettings;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter | string;
     /**
@@ -3379,7 +3379,7 @@ export interface Input {
      */
     DolbyVisionMetadataXml?: string;
     /**
-     * Specify the source file for your transcoding job. You can use multiple inputs in a single job. The service concatenates these inputs, in the order that you specify them in the job, to create the outputs. If your input format is IMF, specify your input by providing the path to your CPL. For example, "s3://bucket/vf/cpl.xml". If the CPL is in an incomplete IMP, make sure to use *Supplemental IMPs* (SupplementalImps) to specify any supplemental IMPs that contain assets referenced by the CPL.
+     * Specify the source file for your transcoding job. You can use multiple inputs in a single job. The service concatenates these inputs, in the order that you specify them in the job, to create the outputs. If your input format is IMF, specify your input by providing the path to your CPL. For example, "s3://bucket/vf/cpl.xml". If the CPL is in an incomplete IMP, make sure to use *Supplemental IMPs* to specify any supplemental IMPs that contain assets referenced by the CPL.
      */
     FileInput?: string;
     /**
@@ -3395,23 +3395,25 @@ export interface Input {
      */
     ImageInserter?: ImageInserter;
     /**
-     * (InputClippings) contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
+     * Contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
      */
     InputClippings?: InputClipping[];
     /**
-     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto (AUTO). Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
+     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto. Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
      */
     InputScanType?: InputScanType | string;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement (position). If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD (RespondToAfd) to Respond (RESPOND). If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior (scalingBehavior).
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement. If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD to Respond. If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior.
      */
     Position?: Rectangle;
     /**
-     * Use Program (programNumber) to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
+     * Use Program to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
      */
     ProgramNumber?: number;
     /**
-     * Set PSI control (InputPsiControl) for transport stream inputs to specify which data the demux process to scans. * Ignore PSI - Scan all PIDs for audio and video. * Use PSI - Scan only PSI data.
+     * Set PSI control for transport stream inputs to specify which data the demux process to scans.
+     * * Ignore PSI - Scan all PIDs for audio and video.
+     * * Use PSI - Scan only PSI data.
      */
     PsiControl?: InputPsiControl | string;
     /**
@@ -3419,11 +3421,11 @@ export interface Input {
      */
     SupplementalImps?: string[];
     /**
-     * Use this Timecode source setting, located under the input settings (InputTimecodeSource), to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded (EMBEDDED) to use the timecodes in your input video. Choose Start at zero (ZEROBASED) to start the first frame at zero. Choose Specified start (SPECIFIEDSTART) to start the first frame at the timecode that you specify in the setting Start timecode (timecodeStart). If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Use this Timecode source setting, located under the input settings, to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded to use the timecodes in your input video. Choose Start at zero to start the first frame at zero. Choose Specified start to start the first frame at the timecode that you specify in the setting Start timecode. If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeSource?: InputTimecodeSource | string;
     /**
-     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings (InputTimecodeSource), to Specified start (SPECIFIEDSTART). For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings, to Specified start. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeStart?: string;
     /**
@@ -3449,11 +3451,11 @@ export interface InputTemplate {
      */
     AdvancedInputFilterSettings?: AdvancedInputFilterSettings;
     /**
-     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
+     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab. Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
      */
     AudioSelectorGroups?: Record<string, AudioSelectorGroup>;
     /**
-     * Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
+     * Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
      */
     AudioSelectors?: Record<string, AudioSelector>;
     /**
@@ -3461,15 +3463,15 @@ export interface InputTemplate {
      */
     CaptionSelectors?: Record<string, CaptionSelector>;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection (crop).
+     * Use Cropping selection to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection.
      */
     Crop?: Rectangle;
     /**
-     * Enable Deblock (InputDeblockFilter) to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
+     * Enable Deblock to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
      */
     DeblockFilter?: InputDeblockFilter | string;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter | string;
     /**
@@ -3489,31 +3491,33 @@ export interface InputTemplate {
      */
     ImageInserter?: ImageInserter;
     /**
-     * (InputClippings) contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
+     * Contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
      */
     InputClippings?: InputClipping[];
     /**
-     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto (AUTO). Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
+     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto. Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
      */
     InputScanType?: InputScanType | string;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement (position). If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD (RespondToAfd) to Respond (RESPOND). If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior (scalingBehavior).
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement. If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD to Respond. If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior.
      */
     Position?: Rectangle;
     /**
-     * Use Program (programNumber) to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
+     * Use Program to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
      */
     ProgramNumber?: number;
     /**
-     * Set PSI control (InputPsiControl) for transport stream inputs to specify which data the demux process to scans. * Ignore PSI - Scan all PIDs for audio and video. * Use PSI - Scan only PSI data.
+     * Set PSI control for transport stream inputs to specify which data the demux process to scans.
+     * * Ignore PSI - Scan all PIDs for audio and video.
+     * * Use PSI - Scan only PSI data.
      */
     PsiControl?: InputPsiControl | string;
     /**
-     * Use this Timecode source setting, located under the input settings (InputTimecodeSource), to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded (EMBEDDED) to use the timecodes in your input video. Choose Start at zero (ZEROBASED) to start the first frame at zero. Choose Specified start (SPECIFIEDSTART) to start the first frame at the timecode that you specify in the setting Start timecode (timecodeStart). If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Use this Timecode source setting, located under the input settings, to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded to use the timecodes in your input video. Choose Start at zero to start the first frame at zero. Choose Specified start to start the first frame at the timecode that you specify in the setting Start timecode. If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeSource?: InputTimecodeSource | string;
     /**
-     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings (InputTimecodeSource), to Specified start (SPECIFIEDSTART). For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings, to Specified start. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeStart?: string;
     /**
@@ -3681,7 +3685,7 @@ export interface EsamManifestConfirmConditionNotification {
  */
 export interface EsamSignalProcessingNotification {
     /**
-     * Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. Form the XML document as per OC-SP-ESAM-API-I03-131025. The transcoder will use the signal processing instructions in the message that you supply. Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. For your MPEG2-TS file outputs, if you want the service to place SCTE-35 markers at the insertion points you specify in the XML document, you must also enable SCTE-35 ESAM (scte35Esam). Note that you can either specify an ESAM XML document or enable SCTE-35 passthrough. You can't do both.
+     * Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. Form the XML document as per OC-SP-ESAM-API-I03-131025. The transcoder will use the signal processing instructions in the message that you supply. For your MPEG2-TS file outputs, if you want the service to place SCTE-35 markers at the insertion points you specify in the XML document, you must also enable SCTE-35 ESAM. Note that you can either specify an ESAM XML document or enable SCTE-35 passthrough. You can't do both.
      */
     SccXml?: string;
 }
@@ -3691,7 +3695,7 @@ export interface EsamSignalProcessingNotification {
  */
 export interface EsamSettings {
     /**
-     * Specifies an ESAM ManifestConfirmConditionNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the manifest conditioning instructions that you provide in the setting MCC XML (mccXml).
+     * Specifies an ESAM ManifestConfirmConditionNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the manifest conditioning instructions that you provide in the setting MCC XML.
      */
     ManifestConfirmConditionNotification?: EsamManifestConfirmConditionNotification;
     /**
@@ -3699,7 +3703,7 @@ export interface EsamSettings {
      */
     ResponseSignalPreroll?: number;
     /**
-     * Specifies an ESAM SignalProcessingNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the signal processing instructions that you provide in the setting SCC XML (sccXml).
+     * Specifies an ESAM SignalProcessingNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the signal processing instructions that you provide in the setting SCC XML.
      */
     SignalProcessingNotification?: EsamSignalProcessingNotification;
 }
@@ -3877,13 +3881,13 @@ export interface MotionImageInserter {
      */
     Playback?: MotionImagePlayback | string;
     /**
-     * Specify when the motion overlay begins. Use timecode format (HH:MM:SS:FF or HH:MM:SS;FF). Make sure that the timecode you provide here takes into account how you have set up your timecode configuration under both job settings and input settings. The simplest way to do that is to set both to start at 0. If you need to set up your job to follow timecodes embedded in your source that don't start at zero, make sure that you specify a start time that is after the first embedded timecode. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/setting-up-timecode.html Find job-wide and input timecode configuration settings in your JSON job settings specification at settings>timecodeConfig>source and settings>inputs>timecodeSource.
+     * Specify when the motion overlay begins. Use timecode format (HH:MM:SS:FF or HH:MM:SS;FF). Make sure that the timecode you provide here takes into account how you have set up your timecode configuration under both job settings and input settings. The simplest way to do that is to set both to start at 0. If you need to set up your job to follow timecodes embedded in your source that don't start at zero, make sure that you specify a start time that is after the first embedded timecode. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/setting-up-timecode.html
      */
     StartTime?: string;
 }
 /**
  * @public
- * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
+ * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration, MediaConvert enables PCM to ID3 tagging for all outputs in the job.
  */
 export interface NielsenConfiguration {
     /**
@@ -3891,7 +3895,7 @@ export interface NielsenConfiguration {
      */
     BreakoutCode?: number;
     /**
-     * Use Distributor ID (DistributorID) to specify the distributor ID that is assigned to your organization by Neilsen.
+     * Use Distributor ID to specify the distributor ID that is assigned to your organization by Nielsen.
      */
     DistributorId?: string;
 }
@@ -3938,11 +3942,11 @@ export type NielsenUniqueTicPerAudioTrackType = (typeof NielsenUniqueTicPerAudio
  */
 export interface NielsenNonLinearWatermarkSettings {
     /**
-     * Choose the type of Nielsen watermarks that you want in your outputs. When you choose NAES 2 and NW (NAES2_AND_NW), you must provide a value for the setting SID (sourceId). When you choose CBET (CBET), you must provide a value for the setting CSID (cbetSourceId). When you choose NAES 2, NW, and CBET (NAES2_AND_NW_AND_CBET), you must provide values for both of these settings.
+     * Choose the type of Nielsen watermarks that you want in your outputs. When you choose NAES 2 and NW, you must provide a value for the setting SID. When you choose CBET, you must provide a value for the setting CSID. When you choose NAES 2, NW, and CBET, you must provide values for both of these settings.
      */
     ActiveWatermarkProcess?: NielsenActiveWatermarkProcessType | string;
     /**
-     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination (metadataDestination).
+     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination.
      */
     AdiFilename?: string;
     /**
@@ -3954,7 +3958,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     AssetName?: string;
     /**
-     * Use the CSID that Nielsen provides to you. This CBET source ID should be unique to your Nielsen account but common to all of your output assets that have CBET watermarking. Required when you choose a value for the setting Watermark types (ActiveWatermarkProcess) that includes CBET.
+     * Use the CSID that Nielsen provides to you. This CBET source ID should be unique to your Nielsen account but common to all of your output assets that have CBET watermarking. Required when you choose a value for the setting Watermark types that includes CBET.
      */
     CbetSourceId?: string;
     /**
@@ -3962,7 +3966,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     EpisodeId?: string;
     /**
-     * Specify the Amazon S3 location where you want MediaConvert to save your Nielsen non-linear metadata .zip file. This Amazon S3 bucket must be in the same Region as the one where you do your MediaConvert transcoding. If you want to include an ADI file in this .zip file, use the setting ADI file (adiFilename) to specify it. MediaConvert delivers the Nielsen metadata .zip files only to your metadata destination Amazon S3 bucket. It doesn't deliver the .zip files to Nielsen. You are responsible for delivering the metadata .zip files to Nielsen.
+     * Specify the Amazon S3 location where you want MediaConvert to save your Nielsen non-linear metadata .zip file. This Amazon S3 bucket must be in the same Region as the one where you do your MediaConvert transcoding. If you want to include an ADI file in this .zip file, use the setting ADI file to specify it. MediaConvert delivers the Nielsen metadata .zip files only to your metadata destination Amazon S3 bucket. It doesn't deliver the .zip files to Nielsen. You are responsible for delivering the metadata .zip files to Nielsen.
      */
     MetadataDestination?: string;
     /**
@@ -3970,7 +3974,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     SourceId?: number;
     /**
-     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked (WATERMARKED), the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already have non-linear Nielsen watermarks.
+     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked, the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already have non-linear Nielsen watermarks.
      */
     SourceWatermarkStatus?: NielsenSourceWatermarkStatusType | string;
     /**
@@ -3978,7 +3982,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     TicServerUrl?: string;
     /**
-     * To create assets that have the same TIC values in each audio track, keep the default value Share TICs (SAME_TICS_PER_TRACK). To create assets that have unique TIC values for each audio track, choose Use unique TICs (RESERVE_UNIQUE_TICS_PER_TRACK).
+     * To create assets that have the same TIC values in each audio track, keep the default value Share TICs. To create assets that have unique TIC values for each audio track, choose Use unique TICs.
      */
     UniqueTicPerAudioTrack?: NielsenUniqueTicPerAudioTrackType | string;
 }
@@ -4093,15 +4097,15 @@ export type S3ServerSideEncryptionType = (typeof S3ServerSideEncryptionType)[key
  */
 export interface S3EncryptionSettings {
     /**
-     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3 (SERVER_SIDE_ENCRYPTION_S3). If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting KMS ARN (kmsKeyArn).
+     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3. If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS. By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting KMS ARN.
      */
     EncryptionType?: S3ServerSideEncryptionType | string;
     /**
-     * Optionally, specify the encryption context that you want to use alongside your KMS key. AWS KMS uses this encryption context as additional authenticated data (AAD) to support authenticated encryption. This value must be a base64-encoded UTF-8 string holding JSON which represents a string-string map. To use this setting, you must also set Server-side encryption (S3ServerSideEncryptionType) to AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). For more information about encryption context, see: https://docs.aws.amazon.com/kms/latest/developerguide/concepts.html#encrypt_context.
+     * Optionally, specify the encryption context that you want to use alongside your KMS key. AWS KMS uses this encryption context as additional authenticated data (AAD) to support authenticated encryption. This value must be a base64-encoded UTF-8 string holding JSON which represents a string-string map. To use this setting, you must also set Server-side encryption to AWS KMS. For more information about encryption context, see: https://docs.aws.amazon.com/kms/latest/developerguide/concepts.html#encrypt_context.
      */
     KmsEncryptionContext?: string;
     /**
-     * Optionally, specify the customer master key (CMK) that you want to use to encrypt the data key that AWS uses to encrypt your output content. Enter the Amazon Resource Name (ARN) of the CMK. To use this setting, you must also set Server-side encryption (S3ServerSideEncryptionType) to AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). If you set Server-side encryption to AWS KMS but don't specify a CMK here, AWS uses the AWS managed CMK associated with Amazon S3.
+     * Optionally, specify the customer master key (CMK) that you want to use to encrypt the data key that AWS uses to encrypt your output content. Enter the Amazon Resource Name (ARN) of the CMK. To use this setting, you must also set Server-side encryption to AWS KMS. If you set Server-side encryption to AWS KMS but don't specify a CMK here, AWS uses the AWS managed CMK associated with Amazon S3.
      */
     KmsKeyArn?: string;
 }
@@ -4193,7 +4197,7 @@ export interface StaticKeyProvider {
      */
     KeyFormatVersions?: string;
     /**
-     * Relates to DRM implementation. Use a 32-character hexidecimal string to specify Key Value (StaticKeyValue).
+     * Relates to DRM implementation. Use a 32-character hexidecimal string to specify Key Value.
      */
     StaticKeyValue?: string;
     /**
@@ -4223,7 +4227,7 @@ export interface CmafEncryptionSettings {
      */
     ConstantInitializationVector?: string;
     /**
-     * Specify the encryption scheme that you want the service to use when encrypting your CMAF segments. Choose AES-CBC subsample (SAMPLE-AES) or AES_CTR (AES-CTR).
+     * Specify the encryption scheme that you want the service to use when encrypting your CMAF segments. Choose AES-CBC subsample or AES_CTR.
      */
     EncryptionMethod?: CmafEncryptionType | string;
     /**
@@ -4457,7 +4461,7 @@ export declare const CmafWriteSegmentTimelineInRepresentation: {
 export type CmafWriteSegmentTimelineInRepresentation = (typeof CmafWriteSegmentTimelineInRepresentation)[keyof typeof CmafWriteSegmentTimelineInRepresentation];
 /**
  * @public
- * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to CMAF_GROUP_SETTINGS.
+ * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
  */
 export interface CmafGroupSettings {
     /**
@@ -4469,7 +4473,7 @@ export interface CmafGroupSettings {
      */
     BaseUrl?: string;
     /**
-     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled (ENABLED) and control caching in your video distribution set up. For example, use the Cache-Control http header.
+     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled and control caching in your video distribution set up. For example, use the Cache-Control http header.
      */
     ClientCache?: CmafClientCache | string;
     /**
@@ -4481,7 +4485,7 @@ export interface CmafGroupSettings {
      */
     DashManifestStyle?: DashManifestStyle | string;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: string;
     /**
@@ -4493,11 +4497,11 @@ export interface CmafGroupSettings {
      */
     Encryption?: CmafEncryptionSettings;
     /**
-     * Specify the length, in whole seconds, of the mp4 fragments. When you don't specify a value, MediaConvert defaults to 2. Related setting: Use Fragment length control (FragmentLengthControl) to specify whether the encoder enforces this value strictly.
+     * Specify the length, in whole seconds, of the mp4 fragments. When you don't specify a value, MediaConvert defaults to 2. Related setting: Use Fragment length control to specify whether the encoder enforces this value strictly.
      */
     FragmentLength?: number;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. When you enable Write HLS manifest (WriteHlsManifest), MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. When you enable Write DASH manifest (WriteDashManifest), MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. When you enable Write HLS manifest, MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. When you enable Write DASH manifest, MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: CmafImageBasedTrickPlay | string;
     /**
@@ -4525,11 +4529,11 @@ export interface CmafGroupSettings {
      */
     MpdManifestBandwidthType?: CmafMpdManifestBandwidthType | string;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.
      */
     MpdProfile?: CmafMpdProfile | string;
     /**
-     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS (MATCH_INITIAL_PTS) when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based (ZERO_BASED) to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
+     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
      */
     PtsOffsetHandlingForBFrames?: CmafPtsOffsetHandlingForBFrames | string;
     /**
@@ -4537,11 +4541,11 @@ export interface CmafGroupSettings {
      */
     SegmentControl?: CmafSegmentControl | string;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (CmafSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: number;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: CmafSegmentLengthControl | string;
     /**
@@ -4565,7 +4569,7 @@ export interface CmafGroupSettings {
      */
     WriteHlsManifest?: CmafWriteHLSManifest | string;
     /**
-     * When you enable Precise segment duration in DASH manifests (writeSegmentTimelineInRepresentation), your DASH manifest shows precise segment durations. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When this feature isn't enabled, the segment durations in your DASH manifest are approximate. The segment duration information appears in the duration attribute of the SegmentTemplate element.
+     * When you enable Precise segment duration in DASH manifests, your DASH manifest shows precise segment durations. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When this feature isn't enabled, the segment durations in your DASH manifest are approximate. The segment duration information appears in the duration attribute of the SegmentTemplate element.
      */
     WriteSegmentTimelineInRepresentation?: CmafWriteSegmentTimelineInRepresentation | string;
 }
@@ -4622,7 +4626,7 @@ export interface SpekeKeyProvider {
  */
 export interface DashIsoEncryptionSettings {
     /**
-     * This setting can improve the compatibility of your output with video players on obsolete devices. It applies only to DASH H.264 outputs with DRM encryption. Choose Unencrypted SEI (UNENCRYPTED_SEI) only to correct problems with playback on older devices. Otherwise, keep the default setting CENC v1 (CENC_V1). If you choose Unencrypted SEI, for that output, the service will exclude the access unit delimiter and will leave the SEI NAL units unencrypted.
+     * This setting can improve the compatibility of your output with video players on obsolete devices. It applies only to DASH H.264 outputs with DRM encryption. Choose Unencrypted SEI only to correct problems with playback on older devices. Otherwise, keep the default setting CENC v1. If you choose Unencrypted SEI, for that output, the service will exclude the access unit delimiter and will leave the SEI NAL units unencrypted.
      */
     PlaybackDeviceCompatibility?: DashIsoPlaybackDeviceCompatibility | string;
     /**
@@ -4784,7 +4788,7 @@ export declare const DashIsoWriteSegmentTimelineInRepresentation: {
 export type DashIsoWriteSegmentTimelineInRepresentation = (typeof DashIsoWriteSegmentTimelineInRepresentation)[keyof typeof DashIsoWriteSegmentTimelineInRepresentation];
 /**
  * @public
- * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to DASH_ISO_GROUP_SETTINGS.
+ * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
  */
 export interface DashIsoGroupSettings {
     /**
@@ -4792,7 +4796,7 @@ export interface DashIsoGroupSettings {
      */
     AdditionalManifests?: DashAdditionalManifest[];
     /**
-     * Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one. For example, you might need to use this to make dynamic ad insertion work. Specify which audio channel configuration scheme ID URI MediaConvert writes in your DASH manifest. Keep the default value, MPEG channel configuration (MPEG_CHANNEL_CONFIGURATION), to have MediaConvert write this: urn:mpeg:mpegB:cicp:ChannelConfiguration. Choose Dolby channel configuration (DOLBY_CHANNEL_CONFIGURATION) to have MediaConvert write this instead: tag:dolby.com,2014:dash:audio_channel_configuration:2011.
+     * Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one. For example, you might need to use this to make dynamic ad insertion work. Specify which audio channel configuration scheme ID URI MediaConvert writes in your DASH manifest. Keep the default value, MPEG channel configuration, to have MediaConvert write this: urn:mpeg:mpegB:cicp:ChannelConfiguration. Choose Dolby channel configuration to have MediaConvert write this instead: tag:dolby.com,2014:dash:audio_channel_configuration:2011.
      */
     AudioChannelConfigSchemeIdUri?: DashIsoGroupAudioChannelConfigSchemeIdUri | string;
     /**
@@ -4804,7 +4808,7 @@ export interface DashIsoGroupSettings {
      */
     DashManifestStyle?: DashManifestStyle | string;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: string;
     /**
@@ -4824,7 +4828,7 @@ export interface DashIsoGroupSettings {
      */
     HbbtvCompliance?: DashIsoHbbtvCompliance | string;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: DashIsoImageBasedTrickPlay | string;
     /**
@@ -4844,11 +4848,11 @@ export interface DashIsoGroupSettings {
      */
     MpdManifestBandwidthType?: DashIsoMpdManifestBandwidthType | string;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.
      */
     MpdProfile?: DashIsoMpdProfile | string;
     /**
-     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS (MATCH_INITIAL_PTS) when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based (ZERO_BASED) to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
+     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
      */
     PtsOffsetHandlingForBFrames?: DashIsoPtsOffsetHandlingForBFrames | string;
     /**
@@ -4856,11 +4860,11 @@ export interface DashIsoGroupSettings {
      */
     SegmentControl?: DashIsoSegmentControl | string;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 30. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (DashIsoSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 30. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: number;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: DashIsoSegmentLengthControl | string;
     /**
@@ -4874,11 +4878,11 @@ export interface DashIsoGroupSettings {
 }
 /**
  * @public
- * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to FILE_GROUP_SETTINGS.
+ * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package.
  */
 export interface FileGroupSettings {
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: string;
     /**
@@ -5220,7 +5224,7 @@ export declare const HlsTimedMetadataId3Frame: {
 export type HlsTimedMetadataId3Frame = (typeof HlsTimedMetadataId3Frame)[keyof typeof HlsTimedMetadataId3Frame];
 /**
  * @public
- * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to HLS_GROUP_SETTINGS.
+ * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
  */
 export interface HlsGroupSettings {
     /**
@@ -5232,7 +5236,7 @@ export interface HlsGroupSettings {
      */
     AdditionalManifests?: HlsAdditionalManifest[];
     /**
-     * Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues. Keep the default value, Include (INCLUDE), to output audio-only headers. Choose Exclude (EXCLUDE) to remove the audio-only headers from your audio segments.
+     * Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues. Keep the default value, Include, to output audio-only headers. Choose Exclude to remove the audio-only headers from your audio segments.
      */
     AudioOnlyHeader?: HlsAudioOnlyHeader | string;
     /**
@@ -5248,11 +5252,11 @@ export interface HlsGroupSettings {
      */
     CaptionLanguageSetting?: HlsCaptionLanguageSetting | string;
     /**
-     * Set Caption segment length control (CaptionSegmentLengthControl) to Match video (MATCH_VIDEO) to create caption segments that align with the video segments from the first video output in this output group. For example, if the video segments are 2 seconds long, your WebVTT segments will also be 2 seconds long. Keep the default setting, Large segments (LARGE_SEGMENTS) to create caption segments that are 300 seconds long.
+     * Set Caption segment length control to Match video to create caption segments that align with the video segments from the first video output in this output group. For example, if the video segments are 2 seconds long, your WebVTT segments will also be 2 seconds long. Keep the default setting, Large segments to create caption segments that are 300 seconds long.
      */
     CaptionSegmentLengthControl?: HlsCaptionSegmentLengthControl | string;
     /**
-     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled (ENABLED) and control caching in your video distribution set up. For example, use the Cache-Control http header.
+     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled and control caching in your video distribution set up. For example, use the Cache-Control http header.
      */
     ClientCache?: HlsClientCache | string;
     /**
@@ -5260,7 +5264,7 @@ export interface HlsGroupSettings {
      */
     CodecSpecification?: HlsCodecSpecification | string;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: string;
     /**
@@ -5276,7 +5280,7 @@ export interface HlsGroupSettings {
      */
     Encryption?: HlsEncryptionSettings;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: HlsImageBasedTrickPlay | string;
     /**
@@ -5320,15 +5324,15 @@ export interface HlsGroupSettings {
      */
     SegmentControl?: HlsSegmentControl | string;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (HlsSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: number;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: HlsSegmentLengthControl | string;
     /**
-     * Specify the number of segments to write to a subdirectory before starting a new one. You  must also set Directory structure to Subdirectory per stream for this setting to have an effect.
+     * Specify the number of segments to write to a subdirectory before starting a new one. You must also set Directory structure to Subdirectory per stream for this setting to have an effect.
      */
     SegmentsPerSubdirectory?: number;
     /**
@@ -5340,11 +5344,11 @@ export interface HlsGroupSettings {
      */
     TargetDurationCompatibilityMode?: HlsTargetDurationCompatibilityMode | string;
     /**
-     * Specify the type of the ID3 frame (timedMetadataId3Frame) to use for ID3 timestamps (timedMetadataId3Period) in your output. To include ID3 timestamps: Specify PRIV (PRIV) or TDRL (TDRL) and set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). To exclude ID3 timestamps: Set ID3 timestamp frame type to None (NONE).
+     * Specify the type of the ID3 frame to use for ID3 timestamps in your output. To include ID3 timestamps: Specify PRIV or TDRL and set ID3 metadata to Passthrough. To exclude ID3 timestamps: Set ID3 timestamp frame type to None.
      */
     TimedMetadataId3Frame?: HlsTimedMetadataId3Frame | string;
     /**
-     * Specify the interval in seconds to write ID3 timestamps in your output. The first timestamp starts at the output timecode and date, and increases incrementally with each ID3 timestamp. To use the default interval of 10 seconds: Leave blank. To include this metadata in your output: Set ID3 timestamp frame type (timedMetadataId3Frame) to PRIV (PRIV) or TDRL (TDRL), and set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Specify the interval in seconds to write ID3 timestamps in your output. The first timestamp starts at the output timecode and date, and increases incrementally with each ID3 timestamp. To use the default interval of 10 seconds: Leave blank. To include this metadata in your output: Set ID3 timestamp frame type to PRIV or TDRL, and set ID3 metadata to Passthrough.
      */
     TimedMetadataId3Period?: number;
     /**
@@ -5380,7 +5384,7 @@ export declare const MsSmoothAudioDeduplication: {
 export type MsSmoothAudioDeduplication = (typeof MsSmoothAudioDeduplication)[keyof typeof MsSmoothAudioDeduplication];
 /**
  * @public
- * If you are using DRM, set DRM System (MsSmoothEncryptionSettings) to specify the value SpekeKeyProvider.
+ * If you are using DRM, set DRM System to specify the value SpekeKeyProvider.
  */
 export interface MsSmoothEncryptionSettings {
     /**
@@ -5414,7 +5418,7 @@ export declare const MsSmoothManifestEncoding: {
 export type MsSmoothManifestEncoding = (typeof MsSmoothManifestEncoding)[keyof typeof MsSmoothManifestEncoding];
 /**
  * @public
- * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to MS_SMOOTH_GROUP_SETTINGS.
+ * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
  */
 export interface MsSmoothGroupSettings {
     /**
@@ -5426,7 +5430,7 @@ export interface MsSmoothGroupSettings {
      */
     AudioDeduplication?: MsSmoothAudioDeduplication | string;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: string;
     /**
@@ -5434,19 +5438,19 @@ export interface MsSmoothGroupSettings {
      */
     DestinationSettings?: DestinationSettings;
     /**
-     * If you are using DRM, set DRM System (MsSmoothEncryptionSettings) to specify the value SpekeKeyProvider.
+     * If you are using DRM, set DRM System to specify the value SpekeKeyProvider.
      */
     Encryption?: MsSmoothEncryptionSettings;
     /**
-     * Specify how you want MediaConvert to determine the fragment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Fragment length (FragmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the fragment length. Choose Exact to have the encoder use the exact length that you specify with the setting Fragment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     FragmentLength?: number;
     /**
-     * Specify how you want MediaConvert to determine the fragment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Fragment length (FragmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the fragment length. Choose Exact to have the encoder use the exact length that you specify with the setting Fragment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     FragmentLengthControl?: MsSmoothFragmentLengthControl | string;
     /**
-     * Use Manifest encoding (MsSmoothManifestEncoding) to specify the encoding format for the server and client manifest. Valid options are utf8 and utf16.
+     * Use Manifest encoding to specify the encoding format for the server and client manifest. Valid options are utf8 and utf16.
      */
     ManifestEncoding?: MsSmoothManifestEncoding | string;
 }
@@ -5471,23 +5475,23 @@ export type OutputGroupType = (typeof OutputGroupType)[keyof typeof OutputGroupT
  */
 export interface OutputGroupSettings {
     /**
-     * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to CMAF_GROUP_SETTINGS.
+     * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     CmafGroupSettings?: CmafGroupSettings;
     /**
-     * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to DASH_ISO_GROUP_SETTINGS.
+     * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     DashIsoGroupSettings?: DashIsoGroupSettings;
     /**
-     * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to FILE_GROUP_SETTINGS.
+     * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package.
      */
     FileGroupSettings?: FileGroupSettings;
     /**
-     * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to HLS_GROUP_SETTINGS.
+     * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     HlsGroupSettings?: HlsGroupSettings;
     /**
-     * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to MS_SMOOTH_GROUP_SETTINGS.
+     * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     MsSmoothGroupSettings?: MsSmoothGroupSettings;
     /**
@@ -5622,27 +5626,27 @@ export type CmfcTimedMetadataBoxVersion = (typeof CmfcTimedMetadataBoxVersion)[k
  */
 export interface CmfcSettings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: CmfcAudioDuration | string;
     /**
-     * Specify the audio rendition group for this audio rendition. Specify up to one value for each audio output in your output group. This value appears in your HLS parent manifest in the EXT-X-MEDIA tag of TYPE=AUDIO, as the value for the GROUP-ID attribute. For example, if you specify "audio_aac_1" for Audio group ID, it appears in your manifest like this: #EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="audio_aac_1". Related setting: To associate the rendition group that this audio track belongs to with a video rendition, include the same value that you provide here for that video output's setting Audio rendition sets (audioRenditionSets).
+     * Specify the audio rendition group for this audio rendition. Specify up to one value for each audio output in your output group. This value appears in your HLS parent manifest in the EXT-X-MEDIA tag of TYPE=AUDIO, as the value for the GROUP-ID attribute. For example, if you specify "audio_aac_1" for Audio group ID, it appears in your manifest like this: #EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="audio_aac_1". Related setting: To associate the rendition group that this audio track belongs to with a video rendition, include the same value that you provide here for that video output's setting Audio rendition sets.
      */
     AudioGroupId?: string;
     /**
-     * List the audio rendition groups that you want included with this video rendition. Use a comma-separated list. For example, say you want to include the audio rendition groups that have the audio group IDs "audio_aac_1" and "audio_dolby". Then you would specify this value: "audio_aac_1,audio_dolby". Related setting: The rendition groups that you include in your comma-separated list should all match values that you specify in the setting Audio group ID (AudioGroupId) for audio renditions in the same output group as this video rendition. Default behavior: If you don't specify anything here and for Audio group ID, MediaConvert puts each audio variant in its own audio rendition group and associates it with every video variant. Each value in your list appears in your HLS parent manifest in the EXT-X-STREAM-INF tag as the value for the AUDIO attribute. To continue the previous example, say that the file name for the child manifest for your video rendition is "amazing_video_1.m3u8". Then, in your parent manifest, each value will appear on separate lines, like this: #EXT-X-STREAM-INF:AUDIO="audio_aac_1"... amazing_video_1.m3u8 #EXT-X-STREAM-INF:AUDIO="audio_dolby"... amazing_video_1.m3u8
+     * List the audio rendition groups that you want included with this video rendition. Use a comma-separated list. For example, say you want to include the audio rendition groups that have the audio group IDs "audio_aac_1" and "audio_dolby". Then you would specify this value: "audio_aac_1,audio_dolby". Related setting: The rendition groups that you include in your comma-separated list should all match values that you specify in the setting Audio group ID for audio renditions in the same output group as this video rendition. Default behavior: If you don't specify anything here and for Audio group ID, MediaConvert puts each audio variant in its own audio rendition group and associates it with every video variant. Each value in your list appears in your HLS parent manifest in the EXT-X-STREAM-INF tag as the value for the AUDIO attribute. To continue the previous example, say that the file name for the child manifest for your video rendition is "amazing_video_1.m3u8". Then, in your parent manifest, each value will appear on separate lines, like this: #EXT-X-STREAM-INF:AUDIO="audio_aac_1"... amazing_video_1.m3u8 #EXT-X-STREAM-INF:AUDIO="audio_dolby"... amazing_video_1.m3u8
      */
     AudioRenditionSets?: string;
     /**
-     * Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play. The other options for this setting determine the values that MediaConvert writes for the DEFAULT and AUTOSELECT attributes of the EXT-X-MEDIA entry for the audio variant. For more information about these attributes, see the Apple documentation article https://developer.apple.com/documentation/http_live_streaming/example_playlists_for_http_live_streaming/adding_alternate_media_to_a_playlist. Choose Alternate audio, auto select, default (ALTERNATE_AUDIO_AUTO_SELECT_DEFAULT) to set DEFAULT=YES and AUTOSELECT=YES. Choose this value for only one variant in your output group. Choose Alternate audio, auto select, not default (ALTERNATE_AUDIO_AUTO_SELECT) to set DEFAULT=NO and AUTOSELECT=YES. Choose Alternate Audio, Not Auto Select to set DEFAULT=NO and AUTOSELECT=NO. When you don't specify a value for this setting, MediaConvert defaults to Alternate audio, auto select, default. When there is more than one variant in your output group, you must explicitly choose a value for this setting.
+     * Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play. The other options for this setting determine the values that MediaConvert writes for the DEFAULT and AUTOSELECT attributes of the EXT-X-MEDIA entry for the audio variant. For more information about these attributes, see the Apple documentation article https://developer.apple.com/documentation/http_live_streaming/example_playlists_for_http_live_streaming/adding_alternate_media_to_a_playlist. Choose Alternate audio, auto select, default to set DEFAULT=YES and AUTOSELECT=YES. Choose this value for only one variant in your output group. Choose Alternate audio, auto select, not default to set DEFAULT=NO and AUTOSELECT=YES. Choose Alternate Audio, Not Auto Select to set DEFAULT=NO and AUTOSELECT=NO. When you don't specify a value for this setting, MediaConvert defaults to Alternate audio, auto select, default. When there is more than one variant in your output group, you must explicitly choose a value for this setting.
      */
     AudioTrackType?: CmfcAudioTrackType | string;
     /**
-     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag (FLAG), MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag (DONT_FLAG), MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
+     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag, MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag, MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
      */
     DescriptiveVideoServiceFlag?: CmfcDescriptiveVideoServiceFlag | string;
     /**
-     * Choose Include (INCLUDE) to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude (EXCLUDE).
+     * Choose Include to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude.
      */
     IFrameOnlyManifest?: CmfcIFrameOnlyManifest | string;
     /**
@@ -5650,34 +5654,34 @@ export interface CmfcSettings {
      */
     KlvMetadata?: CmfcKlvMetadata | string;
     /**
-     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata (TimedMetadata) to Passthrough.
+     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata to Passthrough.
      */
     ManifestMetadataSignaling?: CmfcManifestMetadataSignaling | string;
     /**
-     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: CmfcScte35Esam | string;
     /**
-     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want those SCTE-35 markers in this output.
+     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want those SCTE-35 markers in this output.
      */
     Scte35Source?: CmfcScte35Source | string;
     /**
-     * To include ID3 metadata in this output: Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). Specify this ID3 metadata in Custom ID3 metadata inserter (timedMetadataInsertion). MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None (NONE) or leave blank.
+     * To include ID3 metadata in this output: Set ID3 metadata to Passthrough. Specify this ID3 metadata in Custom ID3 metadata inserter. MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: CmfcTimedMetadata | string;
     /**
      * Specify the event message box (eMSG) version for ID3 timed metadata in your output.
      * For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.3 Syntax.
      * Leave blank to use the default value Version 0.
-     * When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * When you specify Version 1, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataBoxVersion?: CmfcTimedMetadataBoxVersion | string;
     /**
-     * Specify the event message box (eMSG) scheme ID URI (scheme_id_uri) for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) scheme ID URI for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataSchemeIdUri?: string;
     /**
-     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataValue?: string;
 }