@aws-sdk/client-mediaconvert 3.377.0 → 3.378.0

package/dist-types/models/models_1.d.ts

@@ -61,7 +61,7 @@ export declare const M2tsDataPtsControl: {
 export type M2tsDataPtsControl = (typeof M2tsDataPtsControl)[keyof typeof M2tsDataPtsControl];
 /**
  * @public
- * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+ * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output.
  */
 export interface DvbNitSettings {
     /**
@@ -93,7 +93,7 @@ export declare const OutputSdt: {
 export type OutputSdt = (typeof OutputSdt)[keyof typeof OutputSdt];
 /**
  * @public
- * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+ * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output.
  */
 export interface DvbSdtSettings {
     /**
@@ -115,7 +115,7 @@ export interface DvbSdtSettings {
 }
 /**
  * @public
- * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+ * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output.
  */
 export interface DvbTdtSettings {
     /**
@@ -221,7 +221,7 @@ export declare const M2tsRateMode: {
 export type M2tsRateMode = (typeof M2tsRateMode)[keyof typeof M2tsRateMode];
 /**
  * @public
- * Settings for SCTE-35 signals from ESAM. Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+ * Settings for SCTE-35 signals from ESAM. Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
  */
 export interface M2tsScte35Esam {
     /**
@@ -271,7 +271,7 @@ export declare const M2tsSegmentationStyle: {
 export type M2tsSegmentationStyle = (typeof M2tsSegmentationStyle)[keyof typeof M2tsSegmentationStyle];
 /**
  * @public
- * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container (ContainerType) is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
+ * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
  */
 export interface M2tsSettings {
     /**
@@ -279,7 +279,7 @@ export interface M2tsSettings {
      */
     AudioBufferModel?: M2tsAudioBufferModel | string;
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: M2tsAudioDuration | string;
     /**
@@ -299,15 +299,15 @@ export interface M2tsSettings {
      */
     BufferModel?: M2tsBufferModel | string;
     /**
-     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value (AUTO) to allow all PTS values.
+     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value to allow all PTS values.
      */
     DataPTSControl?: M2tsDataPtsControl | string;
     /**
-     * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output.
      */
     DvbNitSettings?: DvbNitSettings;
     /**
-     * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output.
      */
     DvbSdtSettings?: DvbSdtSettings;
     /**
@@ -315,7 +315,7 @@ export interface M2tsSettings {
      */
     DvbSubPids?: number[];
     /**
-     * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output.
      */
     DvbTdtSettings?: DvbTdtSettings;
     /**
@@ -335,7 +335,7 @@ export interface M2tsSettings {
      */
     EsRateInPes?: M2tsEsRateInPes | string;
     /**
-     * Keep the default value (DEFAULT) unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers. To correct this problem, set this value to Force (FORCE).
+     * Keep the default value unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers. To correct this problem, set this value to Force.
      */
     ForceTsVideoEbpOrder?: M2tsForceTsVideoEbpOrder | string;
     /**
@@ -371,7 +371,7 @@ export interface M2tsSettings {
      */
     PcrControl?: M2tsPcrControl | string;
     /**
-     * Specify the packet identifier (PID) for the program clock reference (PCR) in this output. If you do not specify a value, the service will use the value for Video PID (VideoPid).
+     * Specify the packet identifier (PID) for the program clock reference (PCR) in this output. If you do not specify a value, the service will use the value for Video PID.
      */
     PcrPid?: number;
     /**
@@ -387,7 +387,7 @@ export interface M2tsSettings {
      */
     PrivateMetadataPid?: number;
     /**
-     * Use Program number (programNumber) to specify the program number used in the program map table (PMT) for this output. Default is 1. Program numbers and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
+     * Use Program number to specify the program number used in the program map table (PMT) for this output. Default is 1. Program numbers and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
      */
     ProgramNumber?: number;
     /**
@@ -395,7 +395,7 @@ export interface M2tsSettings {
      */
     RateMode?: M2tsRateMode | string;
     /**
-     * Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: M2tsScte35Esam;
     /**
@@ -403,7 +403,7 @@ export interface M2tsSettings {
      */
     Scte35Pid?: number;
     /**
-     * For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None (NONE). Also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml). Also enable ESAM SCTE-35 (include the property scte35Esam).
+     * For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None. Also provide the ESAM XML as a string in the setting Signal processing notification XML. Also enable ESAM SCTE-35 (include the property scte35Esam).
      */
     Scte35Source?: M2tsScte35Source | string;
     /**
@@ -509,7 +509,7 @@ export type TimedMetadata = (typeof TimedMetadata)[keyof typeof TimedMetadata];
  */
 export interface M3u8Settings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: M3u8AudioDuration | string;
     /**
@@ -521,7 +521,7 @@ export interface M3u8Settings {
      */
     AudioPids?: number[];
     /**
-     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value (AUTO) to allow all PTS values.
+     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value AUTO to allow all PTS values.
      */
     DataPTSControl?: M3u8DataPtsControl | string;
     /**
@@ -565,11 +565,11 @@ export interface M3u8Settings {
      */
     Scte35Pid?: number;
     /**
-     * For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None (NONE) if you don't want manifest conditioning. Choose Passthrough (PASSTHROUGH) and choose Ad markers (adMarkers) if you do want manifest conditioning. In both cases, also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml).
+     * For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None if you don't want manifest conditioning. Choose Passthrough and choose Ad markers if you do want manifest conditioning. In both cases, also provide the ESAM XML as a string in the setting Signal processing notification XML.
      */
     Scte35Source?: M3u8Scte35Source | string;
     /**
-     * Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH) to include ID3 metadata in this output. This includes ID3 metadata from the following features: ID3 timestamp period (timedMetadataId3Period), and Custom ID3 metadata inserter (timedMetadataInsertion). To exclude this ID3 metadata in this output: set ID3 metadata to None (NONE) or leave blank.
+     * Set ID3 metadata to Passthrough to include ID3 metadata in this output. This includes ID3 metadata from the following features: ID3 timestamp period, and Custom ID3 metadata inserter. To exclude this ID3 metadata in this output: set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: TimedMetadata | string;
     /**
@@ -713,7 +713,7 @@ export type Mp4MoovPlacement = (typeof Mp4MoovPlacement)[keyof typeof Mp4MoovPla
  */
 export interface Mp4Settings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: CmfcAudioDuration | string;
     /**
@@ -721,7 +721,7 @@ export interface Mp4Settings {
      */
     CslgAtom?: Mp4CslgAtom | string;
     /**
-     * Ignore this setting unless compliance to the CTTS box version specification matters in your workflow. Specify a value of 1 to set your CTTS box version to 1 and make your output compliant with the specification. When you specify a value of 1, you must also set CSLG atom (cslgAtom) to the value INCLUDE. Keep the default value 0 to set your CTTS box version to 0. This can provide backward compatibility for some players and packagers.
+     * Ignore this setting unless compliance to the CTTS box version specification matters in your workflow. Specify a value of 1 to set your CTTS box version to 1 and make your output compliant with the specification. When you specify a value of 1, you must also set CSLG atom to the value INCLUDE. Keep the default value 0 to set your CTTS box version to 0. This can provide backward compatibility for some players and packagers.
      */
     CttsVersion?: number;
     /**
@@ -851,15 +851,15 @@ export type MpdTimedMetadataBoxVersion = (typeof MpdTimedMetadataBoxVersion)[key
  */
 export interface MpdSettings {
     /**
-     * Optional. Choose Include (INCLUDE) to have MediaConvert mark up your DASH manifest with <Accessibility> elements for embedded 608 captions. This markup isn't generally required, but some video players require it to discover and play embedded 608 captions. Keep the default value, Exclude (EXCLUDE), to leave these elements out. When you enable this setting, this is the markup that MediaConvert includes in your manifest: <Accessibility schemeIdUri="urn:scte:dash:cc:cea-608:2015" value="CC1=eng"/>
+     * Optional. Choose Include to have MediaConvert mark up your DASH manifest with <Accessibility> elements for embedded 608 captions. This markup isn't generally required, but some video players require it to discover and play embedded 608 captions. Keep the default value, Exclude, to leave these elements out. When you enable this setting, this is the markup that MediaConvert includes in your manifest: <Accessibility schemeIdUri="urn:scte:dash:cc:cea-608:2015" value="CC1=eng"/>
      */
     AccessibilityCaptionHints?: MpdAccessibilityCaptionHints | string;
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: MpdAudioDuration | string;
     /**
-     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw (RAW) for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 (FRAGMENTED_MP4) for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
+     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
      */
     CaptionContainerType?: MpdCaptionContainerType | string;
     /**
@@ -867,34 +867,34 @@ export interface MpdSettings {
      */
     KlvMetadata?: MpdKlvMetadata | string;
     /**
-     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata (TimedMetadata) to Passthrough.
+     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata to Passthrough.
      */
     ManifestMetadataSignaling?: MpdManifestMetadataSignaling | string;
     /**
-     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: MpdScte35Esam | string;
     /**
-     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want those SCTE-35 markers in this output.
+     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want those SCTE-35 markers in this output.
      */
     Scte35Source?: MpdScte35Source | string;
     /**
-     * To include ID3 metadata in this output: Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). Specify this ID3 metadata in Custom ID3 metadata inserter (timedMetadataInsertion). MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None (NONE) or leave blank.
+     * To include ID3 metadata in this output: Set ID3 metadata to Passthrough. Specify this ID3 metadata in Custom ID3 metadata inserter. MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: MpdTimedMetadata | string;
     /**
      * Specify the event message box (eMSG) version for ID3 timed metadata in your output.
      * For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.3 Syntax.
      * Leave blank to use the default value Version 0.
-     * When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * When you specify Version 1, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataBoxVersion?: MpdTimedMetadataBoxVersion | string;
     /**
-     * Specify the event message box (eMSG) scheme ID URI (scheme_id_uri) for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) scheme ID URI for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataSchemeIdUri?: string;
     /**
-     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataValue?: string;
 }
@@ -943,11 +943,11 @@ export type MxfXavcDurationMode = (typeof MxfXavcDurationMode)[keyof typeof MxfX
  */
 export interface MxfXavcProfileSettings {
     /**
-     * To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value, Drop frames for compliance (DROP_FRAMES_FOR_COMPLIANCE). To include all frames from your input in this output, keep the default setting, Allow any duration (ALLOW_ANY_DURATION). The number of frames that MediaConvert excludes when you set this to Drop frames for compliance depends on the output frame rate and duration.
+     * To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value, Drop frames for compliance. To include all frames from your input in this output, keep the default setting, Allow any duration. The number of frames that MediaConvert excludes when you set this to Drop frames for compliance depends on the output frame rate and duration.
      */
     DurationMode?: MxfXavcDurationMode | string;
     /**
-     * Specify a value for this setting only for outputs that you set up with one of these two XAVC profiles: XAVC HD Intra CBG (XAVC_HD_INTRA_CBG) or XAVC 4K Intra CBG (XAVC_4K_INTRA_CBG). Specify the amount of space in each frame that the service reserves for ancillary data, such as teletext captions. The default value for this setting is 1492 bytes per frame. This should be sufficient to prevent overflow unless you have multiple pages of teletext captions data. If you have a large amount of teletext data, specify a larger number.
+     * Specify a value for this setting only for outputs that you set up with one of these two XAVC profiles: XAVC HD Intra CBG or XAVC 4K Intra CBG. Specify the amount of space in each frame that the service reserves for ancillary data, such as teletext captions. The default value for this setting is 1492 bytes per frame. This should be sufficient to prevent overflow unless you have multiple pages of teletext captions data. If you have a large amount of teletext data, specify a larger number.
      */
     MaxAncDataSize?: number;
 }
@@ -957,7 +957,7 @@ export interface MxfXavcProfileSettings {
  */
 export interface MxfSettings {
     /**
-     * Optional. When you have AFD signaling set up in your output video stream, use this setting to choose whether to also include it in the MXF wrapper. Choose Don't copy (NO_COPY) to exclude AFD signaling from the MXF wrapper. Choose Copy from video stream (COPY_FROM_VIDEO) to copy the AFD values from the video stream for this output to the MXF wrapper. Regardless of which option you choose, the AFD values remain in the video stream. Related settings: To set up your output to include or exclude AFD values, see AfdSignaling, under VideoDescription. On the console, find AFD signaling under the output's video encoding settings.
+     * Optional. When you have AFD signaling set up in your output video stream, use this setting to choose whether to also include it in the MXF wrapper. Choose Don't copy to exclude AFD signaling from the MXF wrapper. Choose Copy from video stream to copy the AFD values from the video stream for this output to the MXF wrapper. Regardless of which option you choose, the AFD values remain in the video stream. Related settings: To set up your output to include or exclude AFD values, see AfdSignaling, under VideoDescription. On the console, find AFD signaling under the output's video encoding settings.
      */
     AfdSignaling?: MxfAfdSignaling | string;
     /**
@@ -987,7 +987,7 @@ export interface ContainerSettings {
      */
     F4vSettings?: F4vSettings;
     /**
-     * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container (ContainerType) is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
+     * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
      */
     M2tsSettings?: M2tsSettings;
     /**
@@ -1071,7 +1071,7 @@ export interface HlsSettings {
      */
     AudioGroupId?: string;
     /**
-     * Use this setting only in audio-only outputs. Choose MPEG-2 Transport Stream (M2TS) to create a file in an MPEG2-TS container. Keep the default value Automatic (AUTOMATIC) to create an audio-only file in a raw container. Regardless of the value that you specify here, if this output has video, the service will place the output into an MPEG2-TS container.
+     * Use this setting only in audio-only outputs. Choose MPEG-2 Transport Stream (M2TS) to create a file in an MPEG2-TS container. Keep the default value Automatic to create an audio-only file in a raw container. Regardless of the value that you specify here, if this output has video, the service will place the output into an MPEG2-TS container.
      */
     AudioOnlyContainer?: HlsAudioOnlyContainer | string;
     /**
@@ -1083,11 +1083,11 @@ export interface HlsSettings {
      */
     AudioTrackType?: HlsAudioTrackType | string;
     /**
-     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag (FLAG), MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag (DONT_FLAG), MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
+     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag, MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag, MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
      */
     DescriptiveVideoServiceFlag?: HlsDescriptiveVideoServiceFlag | string;
     /**
-     * Choose Include (INCLUDE) to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude (EXCLUDE).
+     * Choose Include to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude.
      */
     IFrameOnlyManifest?: HlsIFrameOnlyManifest | string;
     /**
@@ -1185,11 +1185,11 @@ export declare const Av1FramerateConversionAlgorithm: {
 export type Av1FramerateConversionAlgorithm = (typeof Av1FramerateConversionAlgorithm)[keyof typeof Av1FramerateConversionAlgorithm];
 /**
  * @public
- * Settings for quality-defined variable bitrate encoding with the AV1 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+ * Settings for quality-defined variable bitrate encoding with the AV1 codec. Use these settings only when you set QVBR for Rate control mode.
  */
 export interface Av1QvbrSettings {
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: number;
     /**
@@ -1226,15 +1226,15 @@ export type Av1SpatialAdaptiveQuantization = (typeof Av1SpatialAdaptiveQuantizat
  */
 export interface Av1Settings {
     /**
-     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization (spatialAdaptiveQuantization).
+     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization.
      */
     AdaptiveQuantization?: Av1AdaptiveQuantization | string;
     /**
-     * Specify the Bit depth (Av1BitDepth). You can choose 8-bit (BIT_8) or 10-bit (BIT_10).
+     * Specify the Bit depth. You can choose 8-bit or 10-bit.
      */
     BitDepth?: Av1BitDepth | string;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * Use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Av1FramerateControl | string;
     /**
@@ -1262,7 +1262,7 @@ export interface Av1Settings {
      */
     NumberBFramesBetweenReferenceFrames?: number;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: Av1QvbrSettings;
     /**
@@ -1274,7 +1274,7 @@ export interface Av1Settings {
      */
     Slices?: number;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: Av1SpatialAdaptiveQuantization | string;
 }
@@ -1306,11 +1306,11 @@ export declare const AvcIntraUhdQualityTuningLevel: {
 export type AvcIntraUhdQualityTuningLevel = (typeof AvcIntraUhdQualityTuningLevel)[keyof typeof AvcIntraUhdQualityTuningLevel];
 /**
  * @public
- * Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS_4K_2K). When you set AVC-Intra class to a different value, this object isn't allowed.
+ * Optional when you set AVC-Intra class to Class 4K/2K. When you set AVC-Intra class to a different value, this object isn't allowed.
  */
 export interface AvcIntraUhdSettings {
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass (MULTI_PASS), your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass (SINGLE_PASS), your encoding time is faster. The default behavior is Single-pass (SINGLE_PASS).
+     * Optional. Use Quality tuning level to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass, your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass, your encoding time is faster. The default behavior is Single-pass.
      */
     QualityTuningLevel?: AvcIntraUhdQualityTuningLevel | string;
 }
@@ -1400,11 +1400,11 @@ export interface AvcIntraSettings {
      */
     AvcIntraClass?: AvcIntraClass | string;
     /**
-     * Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS_4K_2K). When you set AVC-Intra class to a different value, this object isn't allowed.
+     * Optional when you set AVC-Intra class to Class 4K/2K. When you set AVC-Intra class to a different value, this object isn't allowed.
      */
     AvcIntraUhdSettings?: AvcIntraUhdSettings;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: AvcIntraFramerateControl | string;
     /**
@@ -1420,19 +1420,19 @@ export interface AvcIntraSettings {
      */
     FramerateNumerator?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: AvcIntraInterlaceMode | string;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: AvcIntraScanTypeConversionMode | string;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: AvcIntraSlowPal | string;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: AvcIntraTelecine | string;
 }
@@ -1460,7 +1460,7 @@ export declare const VideoCodec: {
 export type VideoCodec = (typeof VideoCodec)[keyof typeof VideoCodec];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
+ * Required when you set Codec to the value FRAME_CAPTURE.
  */
 export interface FrameCaptureSettings {
     /**
@@ -1724,7 +1724,7 @@ export declare const H264QualityTuningLevel: {
 export type H264QualityTuningLevel = (typeof H264QualityTuningLevel)[keyof typeof H264QualityTuningLevel];
 /**
  * @public
- * Settings for quality-defined variable bitrate encoding with the H.264 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+ * Settings for quality-defined variable bitrate encoding with the H.264 codec. Use these settings only when you set QVBR for Rate control mode.
  */
 export interface H264QvbrSettings {
     /**
@@ -1732,7 +1732,7 @@ export interface H264QvbrSettings {
      */
     MaxAverageBitrate?: number;
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: number;
     /**
@@ -1865,11 +1865,11 @@ export declare const H264UnregisteredSeiTimecode: {
 export type H264UnregisteredSeiTimecode = (typeof H264UnregisteredSeiTimecode)[keyof typeof H264UnregisteredSeiTimecode];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
+ * Required when you set Codec to the value H_264.
  */
 export interface H264Settings {
     /**
-     * Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set H264AdaptiveQuantization to a value other than Auto (AUTO). Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization (H264AdaptiveQuantization) to Off (OFF). Related settings: The value that you choose here applies to the following settings: H264FlickerAdaptiveQuantization, H264SpatialAdaptiveQuantization, and H264TemporalAdaptiveQuantization.
+     * Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set H264AdaptiveQuantization to a value other than Auto. Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off. Related settings: The value that you choose here applies to the following settings: H264FlickerAdaptiveQuantization, H264SpatialAdaptiveQuantization, and H264TemporalAdaptiveQuantization.
      */
     AdaptiveQuantization?: H264AdaptiveQuantization | string;
     /**
@@ -1881,7 +1881,7 @@ export interface H264Settings {
      */
     Bitrate?: number;
     /**
-     * Specify an H.264 level that is consistent with your output video settings. If you aren't sure what level to specify, choose Auto (AUTO).
+     * Specify an H.264 level that is consistent with your output video settings. If you aren't sure what level to specify, choose Auto.
      */
     CodecLevel?: H264CodecLevel | string;
     /**
@@ -1897,15 +1897,15 @@ export interface H264Settings {
      */
     EntropyEncoding?: H264EntropyEncoding | string;
     /**
-     * The video encoding method for your MPEG-4 AVC output. Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs. Choose Force field (FORCE_FIELD) to disable PAFF encoding and create separate interlaced fields. Choose MBAFF to disable PAFF and have MediaConvert use MBAFF encoding for interlaced outputs.
+     * The video encoding method for your MPEG-4 AVC output. Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs. Choose Force field to disable PAFF encoding and create separate interlaced fields. Choose MBAFF to disable PAFF and have MediaConvert use MBAFF encoding for interlaced outputs.
      */
     FieldEncoding?: H264FieldEncoding | string;
     /**
-     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264FlickerAdaptiveQuantization is Disabled (DISABLED). Change this value to Enabled (ENABLED) to reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. To manually enable or disable H264FlickerAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264FlickerAdaptiveQuantization is Disabled. Change this value to Enabled to reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. To manually enable or disable H264FlickerAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     FlickerAdaptiveQuantization?: H264FlickerAdaptiveQuantization | string;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: H264FramerateControl | string;
     /**
@@ -1925,15 +1925,15 @@ export interface H264Settings {
      */
     GopBReference?: H264GopBReference | string;
     /**
-     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
+     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
      */
     GopClosedCadence?: number;
     /**
-     * Use this setting only when you set GOP mode control (GopSizeUnits) to Specified, frames (FRAMES) or Specified, seconds (SECONDS). Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control (GopSizeUnits). If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto (AUTO). If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
+     * Use this setting only when you set GOP mode control to Specified, frames or Specified, seconds. Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control. If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto. If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
      */
     GopSize?: number;
     /**
-     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto (AUTO) and and leave GOP size (GopSize) blank. By default, if you don't specify GOP mode control (GopSizeUnits), MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames (FRAMES) or Specified, seconds (SECONDS) and then provide the GOP length in the related setting GOP size (GopSize).
+     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto and and leave GOP size blank. By default, if you don't specify GOP mode control, MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames or Specified, seconds and then provide the GOP length in the related setting GOP size.
      */
     GopSizeUnits?: H264GopSizeUnits | string;
     /**
@@ -1949,7 +1949,7 @@ export interface H264Settings {
      */
     HrdBufferSize?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: H264InterlaceMode | string;
     /**
@@ -1957,7 +1957,7 @@ export interface H264Settings {
      */
     MaxBitrate?: number;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: number;
     /**
@@ -1969,15 +1969,15 @@ export interface H264Settings {
      */
     NumberReferenceFrames?: number;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: H264ParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
@@ -1985,7 +1985,7 @@ export interface H264Settings {
      */
     QualityTuningLevel?: H264QualityTuningLevel | string;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: H264QvbrSettings;
     /**
@@ -1997,11 +1997,11 @@ export interface H264Settings {
      */
     RepeatPps?: H264RepeatPps | string;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: H264ScanTypeConversionMode | string;
     /**
-     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
+     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
      */
     SceneChangeDetect?: H264SceneChangeDetect | string;
     /**
@@ -2009,15 +2009,15 @@ export interface H264Settings {
      */
     Slices?: number;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: H264SlowPal | string;
     /**
-     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: number;
     /**
-     * Only use this setting when you change the default value, Auto (AUTO), for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264SpatialAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to set H264SpatialAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (H264AdaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher. To manually enable or disable H264SpatialAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, Auto, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264SpatialAdaptiveQuantization is Enabled. Keep this default value to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to set H264SpatialAdaptiveQuantization to Disabled. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher. To manually enable or disable H264SpatialAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     SpatialAdaptiveQuantization?: H264SpatialAdaptiveQuantization | string;
     /**
@@ -2025,11 +2025,11 @@ export interface H264Settings {
      */
     Syntax?: H264Syntax | string;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine produces a 29.97i output. Soft telecine produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: H264Telecine | string;
     /**
-     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264TemporalAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to set H264TemporalAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization). To manually enable or disable H264TemporalAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264TemporalAdaptiveQuantization is Enabled. Keep this default value to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to set H264TemporalAdaptiveQuantization to Disabled. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization. To manually enable or disable H264TemporalAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     TemporalAdaptiveQuantization?: H264TemporalAdaptiveQuantization | string;
     /**
@@ -2224,7 +2224,7 @@ export declare const H265QualityTuningLevel: {
 export type H265QualityTuningLevel = (typeof H265QualityTuningLevel)[keyof typeof H265QualityTuningLevel];
 /**
  * @public
- * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+ * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
  */
 export interface H265QvbrSettings {
     /**
@@ -2232,7 +2232,7 @@ export interface H265QvbrSettings {
      */
     MaxAverageBitrate?: number;
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: number;
     /**
@@ -2394,7 +2394,7 @@ export type H265WriteMp4PackagingType = (typeof H265WriteMp4PackagingType)[keyof
  */
 export interface H265Settings {
     /**
-     * When you set Adaptive Quantization (H265AdaptiveQuantization) to Auto (AUTO), or leave blank, MediaConvert automatically applies quantization to improve the video quality of your output. Set Adaptive Quantization to Low (LOW), Medium (MEDIUM), High (HIGH), Higher (HIGHER), or Max (MAX) to manually control the strength of the quantization filter. When you do, you can specify a value for Spatial Adaptive Quantization (H265SpatialAdaptiveQuantization), Temporal Adaptive Quantization (H265TemporalAdaptiveQuantization), and Flicker Adaptive Quantization (H265FlickerAdaptiveQuantization), to further control the quantization filter. Set Adaptive Quantization to Off (OFF) to apply no quantization to your output.
+     * When you set Adaptive Quantization to Auto, or leave blank, MediaConvert automatically applies quantization to improve the video quality of your output. Set Adaptive Quantization to Low, Medium, High, Higher, or Max to manually control the strength of the quantization filter. When you do, you can specify a value for Spatial Adaptive Quantization, Temporal Adaptive Quantization, and Flicker Adaptive Quantization, to further control the quantization filter. Set Adaptive Quantization to Off to apply no quantization to your output.
      */
     AdaptiveQuantization?: H265AdaptiveQuantization | string;
     /**
@@ -2422,11 +2422,11 @@ export interface H265Settings {
      */
     DynamicSubGop?: H265DynamicSubGop | string;
     /**
-     * Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set adaptiveQuantization to a value other than Off (OFF).
+     * Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set adaptiveQuantization to a value other than Off.
      */
     FlickerAdaptiveQuantization?: H265FlickerAdaptiveQuantization | string;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * Use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: H265FramerateControl | string;
     /**
@@ -2446,15 +2446,15 @@ export interface H265Settings {
      */
     GopBReference?: H265GopBReference | string;
     /**
-     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
+     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
      */
     GopClosedCadence?: number;
     /**
-     * Use this setting only when you set GOP mode control (GopSizeUnits) to Specified, frames (FRAMES) or Specified, seconds (SECONDS). Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control (GopSizeUnits). If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto (AUTO). If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
+     * Use this setting only when you set GOP mode control to Specified, frames or Specified, seconds. Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control. If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto. If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
      */
     GopSize?: number;
     /**
-     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto (AUTO) and and leave GOP size (GopSize) blank. By default, if you don't specify GOP mode control (GopSizeUnits), MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames (FRAMES) or Specified, seconds (SECONDS) and then provide the GOP length in the related setting GOP size (GopSize).
+     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto and and leave GOP size blank. By default, if you don't specify GOP mode control, MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames or Specified, seconds and then provide the GOP length in the related setting GOP size.
      */
     GopSizeUnits?: H265GopSizeUnits | string;
     /**
@@ -2470,7 +2470,7 @@ export interface H265Settings {
      */
     HrdBufferSize?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: H265InterlaceMode | string;
     /**
@@ -2478,7 +2478,7 @@ export interface H265Settings {
      */
     MaxBitrate?: number;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: number;
     /**
@@ -2490,23 +2490,23 @@ export interface H265Settings {
      */
     NumberReferenceFrames?: number;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: H265ParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: H265QualityTuningLevel | string;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: H265QvbrSettings;
     /**
@@ -2518,11 +2518,11 @@ export interface H265Settings {
      */
     SampleAdaptiveOffsetFilterMode?: H265SampleAdaptiveOffsetFilterMode | string;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: H265ScanTypeConversionMode | string;
     /**
-     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
+     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
      */
     SceneChangeDetect?: H265SceneChangeDetect | string;
     /**
@@ -2530,19 +2530,19 @@ export interface H265Settings {
      */
     Slices?: number;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: H265SlowPal | string;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: H265SpatialAdaptiveQuantization | string;
     /**
-     * This field applies only if the Streams > Advanced > Framerate (framerate) field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field (deinterlace_mode) and the Streams > Advanced > Interlaced Mode field (interlace_mode) to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
+     * This field applies only if the Streams > Advanced > Framerate field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field and the Streams > Advanced > Interlaced Mode field to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
      */
     Telecine?: H265Telecine | string;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: H265TemporalAdaptiveQuantization | string;
     /**
@@ -2805,11 +2805,11 @@ export declare const Mpeg2TemporalAdaptiveQuantization: {
 export type Mpeg2TemporalAdaptiveQuantization = (typeof Mpeg2TemporalAdaptiveQuantization)[keyof typeof Mpeg2TemporalAdaptiveQuantization];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
+ * Required when you set Codec to the value MPEG2.
  */
 export interface Mpeg2Settings {
     /**
-     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
+     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Spatial adaptive quantization, and Temporal adaptive quantization.
      */
     AdaptiveQuantization?: Mpeg2AdaptiveQuantization | string;
     /**
@@ -2817,19 +2817,19 @@ export interface Mpeg2Settings {
      */
     Bitrate?: number;
     /**
-     * Use Level (Mpeg2CodecLevel) to set the MPEG-2 level for the video output.
+     * Use Level to set the MPEG-2 level for the video output.
      */
     CodecLevel?: Mpeg2CodecLevel | string;
     /**
-     * Use Profile (Mpeg2CodecProfile) to set the MPEG-2 profile for the video output.
+     * Use Profile to set the MPEG-2 profile for the video output.
      */
     CodecProfile?: Mpeg2CodecProfile | string;
     /**
-     * Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames (numberBFramesBetweenReferenceFrames).
+     * Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames.
      */
     DynamicSubGop?: Mpeg2DynamicSubGop | string;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Mpeg2FramerateControl | string;
     /**
@@ -2849,11 +2849,11 @@ export interface Mpeg2Settings {
      */
     GopClosedCadence?: number;
     /**
-     * Specify the interval between keyframes, in seconds or frames, for this output. Default: 12 Related settings: When you specify the GOP size in seconds, set GOP mode control (GopSizeUnits) to Specified, seconds (SECONDS). The default value for GOP mode control (GopSizeUnits) is Frames (FRAMES).
+     * Specify the interval between keyframes, in seconds or frames, for this output. Default: 12 Related settings: When you specify the GOP size in seconds, set GOP mode control to Specified, seconds. The default value for GOP mode control is Frames.
      */
     GopSize?: number;
     /**
-     * Specify the units for GOP size (GopSize). If you don't specify a value here, by default the encoder measures GOP size in frames.
+     * Specify the units for GOP size. If you don't specify a value here, by default the encoder measures GOP size in frames.
      */
     GopSizeUnits?: Mpeg2GopSizeUnits | string;
     /**
@@ -2869,11 +2869,11 @@ export interface Mpeg2Settings {
      */
     HrdBufferSize?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: Mpeg2InterlaceMode | string;
     /**
-     * Use Intra DC precision (Mpeg2IntraDcPrecision) to set quantization precision for intra-block DC coefficients. If you choose the value auto, the service will automatically select the precision based on the per-frame compression ratio.
+     * Use Intra DC precision to set quantization precision for intra-block DC coefficients. If you choose the value auto, the service will automatically select the precision based on the per-frame compression ratio.
      */
     IntraDcPrecision?: Mpeg2IntraDcPrecision | string;
     /**
@@ -2881,7 +2881,7 @@ export interface Mpeg2Settings {
      */
     MaxBitrate?: number;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. When you specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. When you specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: number;
     /**
@@ -2889,27 +2889,27 @@ export interface Mpeg2Settings {
      */
     NumberBFramesBetweenReferenceFrames?: number;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: Mpeg2ParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: Mpeg2QualityTuningLevel | string;
     /**
-     * Use Rate control mode (Mpeg2RateControlMode) to specify whether the bitrate is variable (vbr) or constant (cbr).
+     * Use Rate control mode to specify whether the bitrate is variable (vbr) or constant (cbr).
      */
     RateControlMode?: Mpeg2RateControlMode | string;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: Mpeg2ScanTypeConversionMode | string;
     /**
@@ -2917,27 +2917,27 @@ export interface Mpeg2Settings {
      */
     SceneChangeDetect?: Mpeg2SceneChangeDetect | string;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: Mpeg2SlowPal | string;
     /**
-     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, to use the AWS Elemental default matrices. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, to use the AWS Elemental default matrices. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: number;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: Mpeg2SpatialAdaptiveQuantization | string;
     /**
-     * Specify whether this output's video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 (D_10) for your MXF profile (profile), you must also set this value to D10 (D_10).
+     * Specify whether this output's video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 for your MXF profile, you must also set this value to D10.
      */
     Syntax?: Mpeg2Syntax | string;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine produces a 29.97i output. Soft telecine produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: Mpeg2Telecine | string;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: Mpeg2TemporalAdaptiveQuantization | string;
 }
@@ -3059,19 +3059,19 @@ export declare const ProresTelecine: {
 export type ProresTelecine = (typeof ProresTelecine)[keyof typeof ProresTelecine];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
+ * Required when you set Codec to the value PRORES.
  */
 export interface ProresSettings {
     /**
-     * This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma sampling. Set Preserve 4:4:4 sampling (PRESERVE_444_SAMPLING) to allow outputs to also use 4:4:4 chroma sampling. You must specify a value for this setting when your output codec profile supports 4:4:4 chroma sampling. Related Settings: For Apple ProRes outputs with 4:4:4 chroma sampling: Choose Preserve 4:4:4 sampling. Use when your input has 4:4:4 chroma sampling and your output codec Profile is Apple ProRes 4444 or 4444 XQ. Note that when you choose Preserve 4:4:4 sampling, you cannot include any of the following Preprocessors: Dolby Vision, HDR10+, or Noise reducer.
+     * This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma sampling. Set Preserve 4:4:4 sampling to allow outputs to also use 4:4:4 chroma sampling. You must specify a value for this setting when your output codec profile supports 4:4:4 chroma sampling. Related Settings: For Apple ProRes outputs with 4:4:4 chroma sampling: Choose Preserve 4:4:4 sampling. Use when your input has 4:4:4 chroma sampling and your output codec Profile is Apple ProRes 4444 or 4444 XQ. Note that when you choose Preserve 4:4:4 sampling, you cannot include any of the following Preprocessors: Dolby Vision, HDR10+, or Noise reducer.
      */
     ChromaSampling?: ProresChromaSampling | string;
     /**
-     * Use Profile (ProResCodecProfile) to specify the type of Apple ProRes codec to use for this output.
+     * Use Profile to specify the type of Apple ProRes codec to use for this output.
      */
     CodecProfile?: ProresCodecProfile | string;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: ProresFramerateControl | string;
     /**
@@ -3087,31 +3087,31 @@ export interface ProresSettings {
      */
     FramerateNumerator?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: ProresInterlaceMode | string;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: ProresParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: ProresScanTypeConversionMode | string;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: ProresSlowPal | string;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: ProresTelecine | string;
 }
@@ -3203,11 +3203,11 @@ export declare const Vc3Class: {
 export type Vc3Class = (typeof Vc3Class)[keyof typeof Vc3Class];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
+ * Required when you set Codec to the value VC3
  */
 export interface Vc3Settings {
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vc3FramerateControl | string;
     /**
@@ -3227,19 +3227,19 @@ export interface Vc3Settings {
      */
     InterlaceMode?: Vc3InterlaceMode | string;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: Vc3ScanTypeConversionMode | string;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Framerate to 25.
      */
     SlowPal?: Vc3SlowPal | string;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: Vc3Telecine | string;
     /**
-     * Specify the VC3 class to choose the quality characteristics for this output. VC3 class, together with the settings Framerate (framerateNumerator and framerateDenominator) and Resolution (height and width), determine your output bitrate. For example, say that your video resolution is 1920x1080 and your framerate is 29.97. Then Class 145 (CLASS_145) gives you an output with a bitrate of approximately 145 Mbps and Class 220 (CLASS_220) gives you and output with a bitrate of approximately 220 Mbps. VC3 class also specifies the color bit depth of your output.
+     * Specify the VC3 class to choose the quality characteristics for this output. VC3 class, together with the settings Framerate (framerateNumerator and framerateDenominator) and Resolution (height and width), determine your output bitrate. For example, say that your video resolution is 1920x1080 and your framerate is 29.97. Then Class 145 gives you an output with a bitrate of approximately 145 Mbps and Class 220 gives you and output with a bitrate of approximately 220 Mbps. VC3 class also specifies the color bit depth of your output.
      */
     Vc3Class?: Vc3Class | string;
 }
@@ -3305,7 +3305,7 @@ export declare const Vp8RateControlMode: {
 export type Vp8RateControlMode = (typeof Vp8RateControlMode)[keyof typeof Vp8RateControlMode];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
+ * Required when you set Codec to the value VP8.
  */
 export interface Vp8Settings {
     /**
@@ -3313,7 +3313,7 @@ export interface Vp8Settings {
      */
     Bitrate?: number;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vp8FramerateControl | string;
     /**
@@ -3341,19 +3341,19 @@ export interface Vp8Settings {
      */
     MaxBitrate?: number;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: Vp8ParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
      */
     QualityTuningLevel?: Vp8QualityTuningLevel | string;
     /**
@@ -3423,7 +3423,7 @@ export declare const Vp9RateControlMode: {
 export type Vp9RateControlMode = (typeof Vp9RateControlMode)[keyof typeof Vp9RateControlMode];
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
+ * Required when you set Codec to the value VP9.
  */
 export interface Vp9Settings {
     /**
@@ -3431,7 +3431,7 @@ export interface Vp9Settings {
      */
     Bitrate?: number;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vp9FramerateControl | string;
     /**
@@ -3463,15 +3463,15 @@ export interface Vp9Settings {
      */
     ParControl?: Vp9ParControl | string;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: number;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: number;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
      */
     QualityTuningLevel?: Vp9QualityTuningLevel | string;
     /**
@@ -3600,7 +3600,7 @@ export declare const Xavc4kIntraCbgProfileClass: {
 export type Xavc4kIntraCbgProfileClass = (typeof Xavc4kIntraCbgProfileClass)[keyof typeof Xavc4kIntraCbgProfileClass];
 /**
  * @public
- * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_CBG.
+ * Required when you set Profile to the value XAVC_4K_INTRA_CBG.
  */
 export interface Xavc4kIntraCbgProfileSettings {
     /**
@@ -3623,7 +3623,7 @@ export declare const Xavc4kIntraVbrProfileClass: {
 export type Xavc4kIntraVbrProfileClass = (typeof Xavc4kIntraVbrProfileClass)[keyof typeof Xavc4kIntraVbrProfileClass];
 /**
  * @public
- * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_VBR.
+ * Required when you set Profile to the value XAVC_4K_INTRA_VBR.
  */
 export interface Xavc4kIntraVbrProfileSettings {
     /**
@@ -3695,7 +3695,7 @@ export declare const Xavc4kProfileQualityTuningLevel: {
 export type Xavc4kProfileQualityTuningLevel = (typeof Xavc4kProfileQualityTuningLevel)[keyof typeof Xavc4kProfileQualityTuningLevel];
 /**
  * @public
- * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K.
+ * Required when you set Profile to the value XAVC_4K.
  */
 export interface Xavc4kProfileSettings {
     /**
@@ -3707,11 +3707,11 @@ export interface Xavc4kProfileSettings {
      */
     CodecProfile?: Xavc4kProfileCodecProfile | string;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (XavcAdaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization (adaptiveQuantization) to a value other than Off (OFF) or Auto (AUTO). Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization to a value other than Off or Auto. Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
      */
     FlickerAdaptiveQuantization?: XavcFlickerAdaptiveQuantization | string;
     /**
-     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow (ENABLED) to allow the encoder to use B-frames as reference frames. Choose Don't allow (DISABLED) to prevent the encoder from using B-frames as reference frames.
+     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow to allow the encoder to use B-frames as reference frames. Choose Don't allow to prevent the encoder from using B-frames as reference frames.
      */
     GopBReference?: XavcGopBReference | string;
     /**
@@ -3723,7 +3723,7 @@ export interface Xavc4kProfileSettings {
      */
     HrdBufferSize?: number;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: Xavc4kProfileQualityTuningLevel | string;
     /**
@@ -3746,7 +3746,7 @@ export declare const XavcHdIntraCbgProfileClass: {
 export type XavcHdIntraCbgProfileClass = (typeof XavcHdIntraCbgProfileClass)[keyof typeof XavcHdIntraCbgProfileClass];
 /**
  * @public
- * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD_INTRA_CBG.
+ * Required when you set Profile to the value XAVC_HD_INTRA_CBG.
  */
 export interface XavcHdIntraCbgProfileSettings {
     /**
@@ -3809,7 +3809,7 @@ export declare const XavcHdProfileTelecine: {
 export type XavcHdProfileTelecine = (typeof XavcHdProfileTelecine)[keyof typeof XavcHdProfileTelecine];
 /**
  * @public
- * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD.
+ * Required when you set Profile to the value XAVC_HD.
  */
 export interface XavcHdProfileSettings {
     /**
@@ -3817,11 +3817,11 @@ export interface XavcHdProfileSettings {
      */
     BitrateClass?: XavcHdProfileBitrateClass | string;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (XavcAdaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization (adaptiveQuantization) to a value other than Off (OFF) or Auto (AUTO). Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization to a value other than Off or Auto. Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
      */
     FlickerAdaptiveQuantization?: XavcFlickerAdaptiveQuantization | string;
     /**
-     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow (ENABLED) to allow the encoder to use B-frames as reference frames. Choose Don't allow (DISABLED) to prevent the encoder from using B-frames as reference frames.
+     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow to allow the encoder to use B-frames as reference frames. Choose Don't allow to prevent the encoder from using B-frames as reference frames.
      */
     GopBReference?: XavcGopBReference | string;
     /**
@@ -3833,11 +3833,11 @@ export interface XavcHdProfileSettings {
      */
     HrdBufferSize?: number;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: XavcInterlaceMode | string;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: XavcHdProfileQualityTuningLevel | string;
     /**
@@ -3845,17 +3845,17 @@ export interface XavcHdProfileSettings {
      */
     Slices?: number;
     /**
-     * Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970. If your input framerate is 23.976, choose Hard (HARD). Otherwise, keep the default value None (NONE). For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/working-with-telecine-and-inverse-telecine.html.
+     * Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970. If your input framerate is 23.976, choose Hard. Otherwise, keep the default value None. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/working-with-telecine-and-inverse-telecine.html.
      */
     Telecine?: XavcHdProfileTelecine | string;
 }
 /**
  * @public
- * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value XAVC.
+ * Required when you set Codec to the value XAVC.
  */
 export interface XavcSettings {
     /**
-     * Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set Adaptive quantization (adaptiveQuantization) to a value other than Auto (AUTO). Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off (OFF). Related settings: The value that you choose here applies to the following settings: Flicker adaptive quantization (flickerAdaptiveQuantization), Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
+     * Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set Adaptive quantization to a value other than Auto. Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off. Related settings: The value that you choose here applies to the following settings: Flicker adaptive quantization (flickerAdaptiveQuantization), Spatial adaptive quantization, and Temporal adaptive quantization.
      */
     AdaptiveQuantization?: XavcAdaptiveQuantization | string;
     /**
@@ -3863,7 +3863,7 @@ export interface XavcSettings {
      */
     EntropyEncoding?: XavcEntropyEncoding | string;
     /**
-     * If you are using the console, use the Frame rate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list. The framerates shown in the dropdown list are decimal approximations of fractions. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate that you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Frame rate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list. The framerates shown in the dropdown list are decimal approximations of fractions.
      */
     FramerateControl?: XavcFramerateControl | string;
     /**
@@ -3883,45 +3883,45 @@ export interface XavcSettings {
      */
     Profile?: XavcProfile | string;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Frame rate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Frame rate to 25.
      */
     SlowPal?: XavcSlowPal | string;
     /**
-     * Ignore this setting unless your downstream workflow requires that you specify it explicitly. Otherwise, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless your downstream workflow requires that you specify it explicitly. Otherwise, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: number;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (adaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: XavcSpatialAdaptiveQuantization | string;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (adaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal adaptive quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal adaptive quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: XavcTemporalAdaptiveQuantization | string;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_CBG.
+     * Required when you set Profile to the value XAVC_4K_INTRA_CBG.
      */
     Xavc4kIntraCbgProfileSettings?: Xavc4kIntraCbgProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_VBR.
+     * Required when you set Profile to the value XAVC_4K_INTRA_VBR.
      */
     Xavc4kIntraVbrProfileSettings?: Xavc4kIntraVbrProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K.
+     * Required when you set Profile to the value XAVC_4K.
      */
     Xavc4kProfileSettings?: Xavc4kProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD_INTRA_CBG.
+     * Required when you set Profile to the value XAVC_HD_INTRA_CBG.
      */
     XavcHdIntraCbgProfileSettings?: XavcHdIntraCbgProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD.
+     * Required when you set Profile to the value XAVC_HD.
      */
     XavcHdProfileSettings?: XavcHdProfileSettings;
 }
 /**
  * @public
- * Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
+ * Video codec settings contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec. For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
  */
 export interface VideoCodecSettings {
     /**
@@ -3933,15 +3933,15 @@ export interface VideoCodecSettings {
      */
     AvcIntraSettings?: AvcIntraSettings;
     /**
-     * Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec. To passthrough the video stream of your input JPEG2000, VC-3, AVC-INTRA or Apple ProRes  video without any video encoding: Choose Passthrough. If you have multiple input videos, note that they must have identical encoding attributes. When you choose Passthrough, your output container must be MXF or QuickTime MOV.
+     * Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec. To passthrough the video stream of your input JPEG2000, VC-3, AVC-INTRA or Apple ProRes video without any video encoding: Choose Passthrough. If you have multiple input videos, note that they must have identical encoding attributes. When you choose Passthrough, your output container must be MXF or QuickTime MOV.
      */
     Codec?: VideoCodec | string;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
+     * Required when you set Codec to the value FRAME_CAPTURE.
      */
     FrameCaptureSettings?: FrameCaptureSettings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
+     * Required when you set Codec to the value H_264.
      */
     H264Settings?: H264Settings;
     /**
@@ -3949,27 +3949,27 @@ export interface VideoCodecSettings {
      */
     H265Settings?: H265Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
+     * Required when you set Codec to the value MPEG2.
      */
     Mpeg2Settings?: Mpeg2Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
+     * Required when you set Codec to the value PRORES.
      */
     ProresSettings?: ProresSettings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
+     * Required when you set Codec to the value VC3
      */
     Vc3Settings?: Vc3Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
+     * Required when you set Codec to the value VP8.
      */
     Vp8Settings?: Vp8Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
+     * Required when you set Codec to the value VP9.
      */
     Vp9Settings?: Vp9Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value XAVC.
+     * Required when you set Codec to the value XAVC.
      */
     XavcSettings?: XavcSettings;
 }
@@ -4126,7 +4126,7 @@ export interface ColorCorrector {
      */
     Contrast?: number;
     /**
-     * Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion (ColorSpaceConversion) to HDR 10 (FORCE_HDR10), these settings are required. You must set values for Max frame average light level (maxFrameAverageLightLevel) and Max content light level (maxContentLightLevel); these settings don't have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
+     * Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion to HDR 10, these settings are required. You must set values for Max frame average light level and Max content light level; these settings don't have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
      */
     Hdr10Metadata?: Hdr10Metadata;
     /**
@@ -4204,7 +4204,10 @@ export interface Deinterlacer {
      */
     Control?: DeinterlacerControl | string;
     /**
-     * Use Deinterlacer (DeinterlaceMode) to choose how the service will do deinterlacing. Default is Deinterlace. - Deinterlace converts interlaced to progressive. - Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p. - Adaptive auto-detects and converts to progressive.
+     * Use Deinterlacer to choose how the service will do deinterlacing. Default is Deinterlace.
+     * - Deinterlace converts interlaced to progressive.
+     * - Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p.
+     * - Adaptive auto-detects and converts to progressive.
      */
     Mode?: DeinterlacerMode | string;
 }
@@ -4377,11 +4380,11 @@ export interface NoiseReducerTemporalFilterSettings {
      */
     AggressiveMode?: number;
     /**
-     * When you set Noise reducer (noiseReducer) to Temporal (TEMPORAL), the bandwidth and sharpness of your output is reduced. You can optionally use Post temporal sharpening (postTemporalSharpening) to apply sharpening to the edges of your output. Note that Post temporal sharpening will also make the bandwidth reduction from the Noise reducer smaller. The default behavior, Auto (AUTO), allows the transcoder to determine whether to apply sharpening, depending on your input type and quality. When you set Post temporal sharpening to Enabled (ENABLED), specify how much sharpening is applied using Post temporal sharpening strength (postTemporalSharpeningStrength). Set Post temporal sharpening to Disabled (DISABLED) to not apply sharpening.
+     * When you set Noise reducer to Temporal, the bandwidth and sharpness of your output is reduced. You can optionally use Post temporal sharpening to apply sharpening to the edges of your output. Note that Post temporal sharpening will also make the bandwidth reduction from the Noise reducer smaller. The default behavior, Auto, allows the transcoder to determine whether to apply sharpening, depending on your input type and quality. When you set Post temporal sharpening to Enabled, specify how much sharpening is applied using Post temporal sharpening strength. Set Post temporal sharpening to Disabled to not apply sharpening.
      */
     PostTemporalSharpening?: NoiseFilterPostTemporalSharpening | string;
     /**
-     * Use Post temporal sharpening strength (postTemporalSharpeningStrength) to define the amount of sharpening the transcoder applies to your output. Set Post temporal sharpening strength to Low (LOW), Medium (MEDIUM), or High (HIGH) to indicate the amount of sharpening.
+     * Use Post temporal sharpening strength to define the amount of sharpening the transcoder applies to your output. Set Post temporal sharpening strength to Low, Medium, or High to indicate the amount of sharpening.
      */
     PostTemporalSharpeningStrength?: NoiseFilterPostTemporalSharpeningStrength | string;
     /**
@@ -4399,7 +4402,7 @@ export interface NoiseReducerTemporalFilterSettings {
  */
 export interface NoiseReducer {
     /**
-     * Use Noise reducer filter (NoiseReducerFilter) to select one of the following spatial image filtering functions. To use this setting, you must also enable Noise reducer (NoiseReducer). * Bilateral preserves edges while reducing noise. * Mean (softest), Gaussian, Lanczos, and Sharpen (sharpest) do convolution filtering. * Conserve does min/max noise reduction. * Spatial does frequency-domain filtering based on JND principles. * Temporal optimizes video quality for complex motion.
+     * Use Noise reducer filter to select one of the following spatial image filtering functions. To use this setting, you must also enable Noise reducer. * Bilateral preserves edges while reducing noise. * Mean (softest), Gaussian, Lanczos, and Sharpen (sharpest) do convolution filtering. * Conserve does min/max noise reduction. * Spatial does frequency-domain filtering based on JND principles. * Temporal optimizes video quality for complex motion.
      */
     Filter?: NoiseReducerFilter | string;
     /**
@@ -4436,15 +4439,15 @@ export type WatermarkingStrength = (typeof WatermarkingStrength)[keyof typeof Wa
  */
 export interface NexGuardFileMarkerSettings {
     /**
-     * Use the base64 license string that Nagra provides you. Enter it directly in your JSON job specification or in the console. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
+     * Use the base64 license string that Nagra provides you. Enter it directly in your JSON job specification or in the console. Required when you include Nagra NexGuard File Marker watermarking in your job.
      */
     License?: string;
     /**
-     * Specify the payload ID that you want associated with this output. Valid values vary depending on your Nagra NexGuard forensic watermarking workflow. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job. For PreRelease Content (NGPR/G2), specify an integer from 1 through 4,194,303. You must generate a unique ID for each asset you watermark, and keep a record of which ID you have assigned to each asset. Neither Nagra nor MediaConvert keep track of the relationship between output files and your IDs. For OTT Streaming, create two adaptive bitrate (ABR) stacks for each asset. Do this by setting up two output groups. For one output group, set the value of Payload ID (payload) to 0 in every output. For the other output group, set Payload ID (payload) to 1 in every output.
+     * Specify the payload ID that you want associated with this output. Valid values vary depending on your Nagra NexGuard forensic watermarking workflow. Required when you include Nagra NexGuard File Marker watermarking in your job. For PreRelease Content (NGPR/G2), specify an integer from 1 through 4,194,303. You must generate a unique ID for each asset you watermark, and keep a record of which ID you have assigned to each asset. Neither Nagra nor MediaConvert keep track of the relationship between output files and your IDs. For OTT Streaming, create two adaptive bitrate (ABR) stacks for each asset. Do this by setting up two output groups. For one output group, set the value of Payload ID to 0 in every output. For the other output group, set Payload ID to 1 in every output.
      */
     Payload?: number;
     /**
-     * Enter one of the watermarking preset strings that Nagra provides you. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
+     * Enter one of the watermarking preset strings that Nagra provides you. Required when you include Nagra NexGuard File Marker watermarking in your job.
      */
     Preset?: string;
     /**
@@ -4487,21 +4490,21 @@ export type TimecodeBurninPosition = (typeof TimecodeBurninPosition)[keyof typeo
  */
 export interface TimecodeBurnin {
     /**
-     * Use Font Size (FontSize) to set the font size of any burned-in timecode. Valid values are 10, 16, 32, 48.
+     * Use Font size to set the font size of any burned-in timecode. Valid values are 10, 16, 32, 48.
      */
     FontSize?: number;
     /**
-     * Use Position (Position) under under Timecode burn-in (TimecodeBurnIn) to specify the location the burned-in timecode on output video.
+     * Use Position under Timecode burn-in to specify the location the burned-in timecode on output video.
      */
     Position?: TimecodeBurninPosition | string;
     /**
-     * Use Prefix (Prefix) to place ASCII characters before any burned-in timecode. For example, a prefix of "EZ-" will result in the timecode "EZ-00:00:00:00". Provide either the characters themselves or the ASCII code equivalents. The supported range of characters is 0x20 through 0x7e. This includes letters, numbers, and all special characters represented on a standard English keyboard.
+     * Use Prefix to place ASCII characters before any burned-in timecode. For example, a prefix of "EZ-" will result in the timecode "EZ-00:00:00:00". Provide either the characters themselves or the ASCII code equivalents. The supported range of characters is 0x20 through 0x7e. This includes letters, numbers, and all special characters represented on a standard English keyboard.
      */
     Prefix?: string;
 }
 /**
  * @public
- * Find additional transcoding features under Preprocessors (VideoPreprocessors). Enable the features at each output individually. These features are disabled by default.
+ * Find additional transcoding features under Preprocessors. Enable the features at each output individually. These features are disabled by default.
  */
 export interface VideoPreprocessor {
     /**
@@ -4521,7 +4524,7 @@ export interface VideoPreprocessor {
      */
     Hdr10Plus?: Hdr10Plus;
     /**
-     * Enable the Image inserter (ImageInserter) feature to include a graphic overlay on your video. Enable or disable this feature for each output individually. This setting is disabled by default.
+     * Enable the Image inserter feature to include a graphic overlay on your video. Enable or disable this feature for each output individually. This setting is disabled by default.
      */
     ImageInserter?: ImageInserter;
     /**
@@ -4539,11 +4542,11 @@ export interface VideoPreprocessor {
 }
 /**
  * @public
- * Settings related to video encoding of your output. The specific video settings depend on the video codec that you choose. When you work directly in your JSON job specification, include one instance of Video description (VideoDescription) per output.
+ * Settings related to video encoding of your output. The specific video settings depend on the video codec that you choose.
  */
 export interface VideoDescription {
     /**
-     * This setting only applies to H.264, H.265, and MPEG2 outputs. Use Insert AFD signaling (AfdSignaling) to specify whether the service includes AFD values in the output video data and what those values are. * Choose None to remove all AFD values from this output. * Choose Fixed to ignore input AFD values and instead encode the value specified in the job. * Choose Auto to calculate output AFD values based on the input AFD scaler data.
+     * This setting only applies to H.264, H.265, and MPEG2 outputs. Use Insert AFD signaling to specify whether the service includes AFD values in the output video data and what those values are. * Choose None to remove all AFD values from this output. * Choose Fixed to ignore input AFD values and instead encode the value specified in the job. * Choose Auto to calculate output AFD values based on the input AFD scaler data.
      */
     AfdSignaling?: AfdSignaling | string;
     /**
@@ -4551,23 +4554,23 @@ export interface VideoDescription {
      */
     AntiAlias?: AntiAlias | string;
     /**
-     * Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
+     * Video codec settings contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec. For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
      */
     CodecSettings?: VideoCodecSettings;
     /**
-     * Choose Insert (INSERT) for this setting to include color metadata in this output. Choose Ignore (IGNORE) to exclude color metadata from this output. If you don't specify a value, the service sets this to Insert by default.
+     * Choose Insert for this setting to include color metadata in this output. Choose Ignore to exclude color metadata from this output. If you don't specify a value, the service sets this to Insert by default.
      */
     ColorMetadata?: ColorMetadata | string;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame.
+     * Use Cropping selection to specify the video area that the service will include in the output video frame.
      */
     Crop?: Rectangle;
     /**
-     * Applies only to 29.97 fps outputs. When this feature is enabled, the service will use drop-frame timecode on outputs. If it is not possible to use drop-frame timecode, the system will fall back to non-drop-frame. This setting is enabled by default when Timecode insertion (TimecodeInsertion) is enabled.
+     * Applies only to 29.97 fps outputs. When this feature is enabled, the service will use drop-frame timecode on outputs. If it is not possible to use drop-frame timecode, the system will fall back to non-drop-frame. This setting is enabled by default when Timecode insertion is enabled.
      */
     DropFrameTimecode?: DropFrameTimecode | string;
     /**
-     * Applies only if you set AFD Signaling(AfdSignaling) to Fixed (FIXED). Use Fixed (FixedAfd) to specify a four-bit AFD value which the service will write on all frames of this video output.
+     * Applies only if you set AFD Signaling to Fixed. Use Fixed to specify a four-bit AFD value which the service will write on all frames of this video output.
      */
     FixedAfd?: number;
     /**
@@ -4575,27 +4578,27 @@ export interface VideoDescription {
      */
     Height?: number;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black.
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black.
      */
     Position?: Rectangle;
     /**
-     * Use Respond to AFD (RespondToAfd) to specify how the service changes the video itself in response to AFD values in the input. * Choose Respond to clip the input video frame according to the AFD value, input display aspect ratio, and output display aspect ratio. * Choose Passthrough to include the input AFD values. Do not choose this when AfdSignaling is set to (NONE). A preferred implementation of this workflow is to set RespondToAfd to (NONE) and set AfdSignaling to (AUTO). * Choose None to remove all input AFD values from this output.
+     * Use Respond to AFD to specify how the service changes the video itself in response to AFD values in the input. * Choose Respond to clip the input video frame according to the AFD value, input display aspect ratio, and output display aspect ratio. * Choose Passthrough to include the input AFD values. Do not choose this when AfdSignaling is set to NONE. A preferred implementation of this workflow is to set RespondToAfd to and set AfdSignaling to AUTO. * Choose None to remove all input AFD values from this output.
      */
     RespondToAfd?: RespondToAfd | string;
     /**
-     * Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio. Choose Stretch to output (STRETCH_TO_OUTPUT) to have the service stretch your video image to fit. Keep the setting Default (DEFAULT) to have the service letterbox your video instead. This setting overrides any value that you specify for the setting Selection placement (position) in this output.
+     * Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio. Choose Stretch to output to have the service stretch your video image to fit. Keep the setting Default to have the service letterbox your video instead. This setting overrides any value that you specify for the setting Selection placement in this output.
      */
     ScalingBehavior?: ScalingBehavior | string;
     /**
-     * Use Sharpness (Sharpness) setting to specify the strength of anti-aliasing. This setting changes the width of the anti-alias filter kernel used for scaling. Sharpness only applies if your output resolution is different from your input resolution. 0 is the softest setting, 100 the sharpest, and 50 recommended for most content.
+     * Use Sharpness setting to specify the strength of anti-aliasing. This setting changes the width of the anti-alias filter kernel used for scaling. Sharpness only applies if your output resolution is different from your input resolution. 0 is the softest setting, 100 the sharpest, and 50 recommended for most content.
      */
     Sharpness?: number;
     /**
-     * Applies only to H.264, H.265, MPEG2, and ProRes outputs. Only enable Timecode insertion when the input frame rate is identical to the output frame rate. To include timecodes in this output, set Timecode insertion (VideoTimecodeInsertion) to PIC_TIMING_SEI. To leave them out, set it to DISABLED. Default is DISABLED. When the service inserts timecodes in an output, by default, it uses any embedded timecodes from the input. If none are present, the service will set the timecode for the first output frame to zero. To change this default behavior, adjust the settings under Timecode configuration (TimecodeConfig). In the console, these settings are located under Job > Job settings > Timecode configuration. Note - Timecode source under input settings (InputTimecodeSource) does not affect the timecodes that are inserted in the output. Source under Job settings > Timecode configuration (TimecodeSource) does.
+     * Applies only to H.264, H.265, MPEG2, and ProRes outputs. Only enable Timecode insertion when the input frame rate is identical to the output frame rate. To include timecodes in this output, set Timecode insertion to PIC_TIMING_SEI. To leave them out, set it to DISABLED. Default is DISABLED. When the service inserts timecodes in an output, by default, it uses any embedded timecodes from the input. If none are present, the service will set the timecode for the first output frame to zero. To change this default behavior, adjust the settings under Timecode configuration. In the console, these settings are located under Job > Job settings > Timecode configuration. Note - Timecode source under input settings does not affect the timecodes that are inserted in the output. Source under Job settings > Timecode configuration does.
      */
     TimecodeInsertion?: VideoTimecodeInsertion | string;
     /**
-     * Find additional transcoding features under Preprocessors (VideoPreprocessors). Enable the features at each output individually. These features are disabled by default.
+     * Find additional transcoding features under Preprocessors. Enable the features at each output individually. These features are disabled by default.
      */
     VideoPreprocessors?: VideoPreprocessor;
     /**
@@ -4609,11 +4612,11 @@ export interface VideoDescription {
  */
 export interface Output {
     /**
-     * (AudioDescriptions) contains groups of audio encoding settings organized by audio codec. Include one instance of (AudioDescriptions) per output. (AudioDescriptions) can contain multiple groups of encoding settings.
+     * Contains groups of audio encoding settings organized by audio codec. Include one instance of per output. Can contain multiple groups of encoding settings.
      */
     AudioDescriptions?: AudioDescription[];
     /**
-     * (CaptionDescriptions) contains groups of captions settings. For each output that has captions, include one instance of (CaptionDescriptions). (CaptionDescriptions) can contain multiple groups of captions settings.
+     * Contains groups of captions settings. For each output that has captions, include one instance of CaptionDescriptions. Can contain multiple groups of captions settings.
      */
     CaptionDescriptions?: CaptionDescription[];
     /**
@@ -4621,11 +4624,11 @@ export interface Output {
      */
     ContainerSettings?: ContainerSettings;
     /**
-     * Use Extension (Extension) to specify the file extension for outputs in File output groups. If you do not specify a value, the service will use default extensions by container type as follows * MPEG-2 transport stream, m2ts * Quicktime, mov * MXF container, mxf * MPEG-4 container, mp4 * WebM container, webm * No Container, the service will use codec extensions (e.g. AAC, H265, H265, AC3)
+     * Use Extension to specify the file extension for outputs in File output groups. If you do not specify a value, the service will use default extensions by container type as follows * MPEG-2 transport stream, m2ts * Quicktime, mov * MXF container, mxf * MPEG-4 container, mp4 * WebM container, webm * No Container, the service will use codec extensions (e.g. AAC, H265, H265, AC3)
      */
     Extension?: string;
     /**
-     * Use Name modifier (NameModifier) to have the service add a string to the end of each output filename. You specify the base filename as part of your destination URI. When you create multiple outputs in the same output group, Name modifier (NameModifier) is required. Name modifier also accepts format identifiers. For DASH ISO outputs, if you use the format identifiers $Number$ or $Time$ in one output, you must use them in the same way in all outputs of the output group.
+     * Use Name modifier to have the service add a string to the end of each output filename. You specify the base filename as part of your destination URI. When you create multiple outputs in the same output group, Name modifier is required. Name modifier also accepts format identifiers. For DASH ISO outputs, if you use the format identifiers $Number$ or $Time$ in one output, you must use them in the same way in all outputs of the output group.
      */
     NameModifier?: string;
     /**
@@ -4633,7 +4636,7 @@ export interface Output {
      */
     OutputSettings?: OutputSettings;
     /**
-     * Use Preset (Preset) to specify a preset for your transcoding settings. Provide the system or custom preset name. You can specify either Preset (Preset) or Container settings (ContainerSettings), but not both.
+     * Use Preset to specify a preset for your transcoding settings. Provide the system or custom preset name. You can specify either Preset or Container settings, but not both.
      */
     Preset?: string;
     /**
@@ -4651,7 +4654,7 @@ export interface OutputGroup {
      */
     AutomatedEncodingSettings?: AutomatedEncodingSettings;
     /**
-     * Use Custom Group Name (CustomName) to specify a name for the output group. This value is displayed on the console and can make your job settings JSON more human-readable. It does not affect your outputs. Use up to twelve characters that are either letters, numbers, spaces, or underscores.
+     * Use Custom Group Name to specify a name for the output group. This value is displayed on the console and can make your job settings JSON more human-readable. It does not affect your outputs. Use up to twelve characters that are either letters, numbers, spaces, or underscores.
      */
     CustomName?: string;
     /**
@@ -4686,25 +4689,25 @@ export type TimecodeSource = (typeof TimecodeSource)[keyof typeof TimecodeSource
  */
 export interface TimecodeConfig {
     /**
-     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode (Anchor) to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source (TimecodeSource). * If Source (TimecodeSource) is set to Specified Start (SPECIFIEDSTART), the first input frame is the specified value in Start Timecode (Start). Anchor Timecode (Anchor) and Start Timecode (Start) are used calculate output timecode. * If Source (TimecodeSource) is set to Start at 0 (ZEROBASED) the first frame is 00:00:00:00. * If Source (TimecodeSource) is set to Embedded (EMBEDDED), the first frame is the timecode value on the first input frame of the input.
+     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source. * If Source is set to Specified Start, the first input frame is the specified value in Start Timecode. Anchor Timecode and Start Timecode are used calculate output timecode. * If Source is set to Start at 0 the first frame is 00:00:00:00. * If Source is set to Embedded, the first frame is the timecode value on the first input frame of the input.
      */
     Anchor?: string;
     /**
-     * Use Source (TimecodeSource) to set how timecodes are handled within this job. To make sure that your video, audio, captions, and markers are synchronized and that time-based features, such as image inserter, work correctly, choose the Timecode source option that matches your assets. All timecodes are in a 24-hour format with frame number (HH:MM:SS:FF). * Embedded (EMBEDDED) - Use the timecode that is in the input video. If no embedded timecode is in the source, the service will use Start at 0 (ZEROBASED) instead. * Start at 0 (ZEROBASED) - Set the timecode of the initial frame to 00:00:00:00. * Specified Start (SPECIFIEDSTART) - Set the timecode of the initial frame to a value other than zero. You use Start timecode (Start) to provide this value.
+     * Use Source to set how timecodes are handled within this job. To make sure that your video, audio, captions, and markers are synchronized and that time-based features, such as image inserter, work correctly, choose the Timecode source option that matches your assets. All timecodes are in a 24-hour format with frame number (HH:MM:SS:FF). * Embedded - Use the timecode that is in the input video. If no embedded timecode is in the source, the service will use Start at 0 instead. * Start at 0 - Set the timecode of the initial frame to 00:00:00:00. * Specified Start - Set the timecode of the initial frame to a value other than zero. You use Start timecode to provide this value.
      */
     Source?: TimecodeSource | string;
     /**
-     * Only use when you set Source (TimecodeSource) to Specified start (SPECIFIEDSTART). Use Start timecode (Start) to specify the timecode for the initial frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF).
+     * Only use when you set Source to Specified start. Use Start timecode to specify the timecode for the initial frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF).
      */
     Start?: string;
     /**
-     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset (TimestampOffset) to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd". To use Time stamp offset, you must also enable Insert program-date-time (InsertProgramDateTime) in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset (TimestampOffset) to 2003-1-25.
+     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd". To use Timestamp offset, you must also enable Insert program-date-time in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset to 2003-1-25.
      */
     TimestampOffset?: string;
 }
 /**
  * @public
- * Insert user-defined custom ID3 metadata (id3) at timecodes (timecode) that you specify. In each output that you want to include this metadata, you must set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+ * Insert user-defined custom ID3 metadata at timecodes that you specify. In each output that you want to include this metadata, you must set ID3 metadata to Passthrough.
  */
 export interface TimedMetadataInsertion {
     /**
@@ -4734,7 +4737,7 @@ export interface JobSettings {
      */
     ExtendedDataServices?: ExtendedDataServices;
     /**
-     * Use Inputs (inputs) to define source file used in the transcode job. There can be multiple inputs add in a job. These inputs will be concantenated together to create the output.
+     * Use Inputs to define source file used in the transcode job. There can be multiple inputs add in a job. These inputs will be concantenated together to create the output.
      */
     Inputs?: Input[];
     /**
@@ -4746,7 +4749,7 @@ export interface JobSettings {
      */
     MotionImageInserter?: MotionImageInserter;
     /**
-     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
+     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration, MediaConvert enables PCM to ID3 tagging for all outputs in the job.
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
@@ -4754,7 +4757,7 @@ export interface JobSettings {
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**
-     * (OutputGroups) contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in (OutputGroups) is a group of settings that apply to the whole group. This required object depends on the value you set for (Type) under (OutputGroups)>(OutputGroupSettings). Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
+     * Contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in is a group of settings that apply to the whole group. This required object depends on the value you set for Type. Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
      */
     OutputGroups?: OutputGroup[];
     /**
@@ -4762,7 +4765,7 @@ export interface JobSettings {
      */
     TimecodeConfig?: TimecodeConfig;
     /**
-     * Insert user-defined custom ID3 metadata (id3) at timecodes (timecode) that you specify. In each output that you want to include this metadata, you must set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Insert user-defined custom ID3 metadata at timecodes that you specify. In each output that you want to include this metadata, you must set ID3 metadata to Passthrough.
      */
     TimedMetadataInsertion?: TimedMetadataInsertion;
 }
@@ -4986,7 +4989,7 @@ export interface JobTemplateSettings {
      */
     ExtendedDataServices?: ExtendedDataServices;
     /**
-     * Use Inputs (inputs) to define the source file used in the transcode job. There can only be one input in a job template. Using the API, you can include multiple inputs when referencing a job template.
+     * Use Inputs to define the source file used in the transcode job. There can only be one input in a job template. Using the API, you can include multiple inputs when referencing a job template.
      */
     Inputs?: InputTemplate[];
     /**
@@ -4998,7 +5001,7 @@ export interface JobTemplateSettings {
      */
     MotionImageInserter?: MotionImageInserter;
     /**
-     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
+     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration, MediaConvert enables PCM to ID3 tagging for all outputs in the job.
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
@@ -5006,7 +5009,7 @@ export interface JobTemplateSettings {
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**
-     * (OutputGroups) contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in (OutputGroups) is a group of settings that apply to the whole group. This required object depends on the value you set for (Type) under (OutputGroups)>(OutputGroupSettings). Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
+     * Contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in is a group of settings that apply to the whole group. This required object depends on the value you set for Type. Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
      */
     OutputGroups?: OutputGroup[];
     /**
@@ -5014,7 +5017,7 @@ export interface JobTemplateSettings {
      */
     TimecodeConfig?: TimecodeConfig;
     /**
-     * Insert user-defined custom ID3 metadata (id3) at timecodes (timecode) that you specify. In each output that you want to include this metadata, you must set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Insert user-defined custom ID3 metadata at timecodes that you specify. In each output that you want to include this metadata, you must set ID3 metadata to Passthrough.
      */
     TimedMetadataInsertion?: TimedMetadataInsertion;
 }
@@ -5094,7 +5097,7 @@ export interface JobTemplate {
  */
 export interface PresetSettings {
     /**
-     * (AudioDescriptions) contains groups of audio encoding settings organized by audio codec. Include one instance of (AudioDescriptions) per output. (AudioDescriptions) can contain multiple groups of encoding settings.
+     * Contains groups of audio encoding settings organized by audio codec. Include one instance of per output. Can contain multiple groups of encoding settings.
      */
     AudioDescriptions?: AudioDescription[];
     /**