@aws-sdk/client-mediaconvert 3.264.0 → 3.266.0

package/dist-types/models/models_0.d.ts

@@ -41,7 +41,7 @@ export declare enum AudioChannelTag {
  */
 export interface AudioChannelTaggingSettings {
     /**
-     * You can add a tag for this mono-channel audio track to mimic its placement in a multi-channel layout.  For example, if this track is the left surround channel, choose Left surround (LS).
+     * You can add a tag for this mono-channel audio track to mimic its placement in a multi-channel layout. For example, if this track is the left surround channel, choose Left surround (LS).
      */
     ChannelTag?: AudioChannelTag | string;
 }
@@ -135,7 +135,7 @@ export declare enum AacVbrQuality {
     MEDIUM_LOW = "MEDIUM_LOW"
 }
 /**
- * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR".  In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
+ * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
  */
 export interface AacSettings {
     /**
@@ -224,7 +224,7 @@ export declare enum Ac3MetadataControl {
  */
 export interface Ac3Settings {
     /**
-     * Specify the average bitrate in bits per second. The bitrate that you specify must be a multiple of 8000 within the allowed minimum and maximum values.  Leave blank to use the default bitrate for the coding mode you select according ETSI TS 102 366. Valid bitrates for coding mode 1/0: Default: 96000. Minimum: 64000. Maximum: 128000. Valid bitrates for coding mode 1/1: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 2/0: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 3/2 with FLE: Default: 384000. Minimum: 384000. Maximum: 640000.
+     * Specify the average bitrate in bits per second. The bitrate that you specify must be a multiple of 8000 within the allowed minimum and maximum values. Leave blank to use the default bitrate for the coding mode you select according ETSI TS 102 366. Valid bitrates for coding mode 1/0: Default: 96000. Minimum: 64000. Maximum: 128000. Valid bitrates for coding mode 1/1: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 2/0: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 3/2 with FLE: Default: 384000. Minimum: 384000. Maximum: 640000.
      */
     Bitrate?: number;
     /**
@@ -370,7 +370,7 @@ export interface Eac3AtmosSettings {
      */
     DialogueIntelligence?: Eac3AtmosDialogueIntelligence | string;
     /**
-     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom (SPECIFIED) to provide downmix values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround (LoRoSurroundMixLevel), Left total/Right total surround (LtRtSurroundMixLevel), Left total/Right total center (LtRtCenterMixLevel), Left only/Right only center (LoRoCenterMixLevel),  and Stereo downmix (StereoDownmix). When you keep Custom (SPECIFIED) for Downmix control (DownmixControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
+     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom (SPECIFIED) to provide downmix values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround (LoRoSurroundMixLevel), Left total/Right total surround (LtRtSurroundMixLevel), Left total/Right total center (LtRtCenterMixLevel), Left only/Right only center (LoRoCenterMixLevel), and Stereo downmix (StereoDownmix). When you keep Custom (SPECIFIED) for Downmix control (DownmixControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
      */
     DownmixControl?: Eac3AtmosDownmixControl | string;
     /**
@@ -503,7 +503,7 @@ export interface Eac3Settings {
      */
     AttenuationControl?: Eac3AttenuationControl | string;
     /**
-     * Specify the average bitrate in bits per second. The bitrate that you specify must be a multiple of 8000 within the allowed minimum and maximum values.  Leave blank to use the default bitrate for the coding mode you select according ETSI TS 102 366. Valid bitrates for coding mode 1/0: Default: 96000. Minimum: 32000. Maximum: 3024000. Valid bitrates for coding mode 2/0: Default: 192000. Minimum: 96000. Maximum: 3024000. Valid bitrates for coding mode 3/2: Default: 384000. Minimum: 192000. Maximum: 3024000.
+     * Specify the average bitrate in bits per second. The bitrate that you specify must be a multiple of 8000 within the allowed minimum and maximum values. Leave blank to use the default bitrate for the coding mode you select according ETSI TS 102 366. Valid bitrates for coding mode 1/0: Default: 96000. Minimum: 32000. Maximum: 3024000. Valid bitrates for coding mode 2/0: Default: 192000. Minimum: 96000. Maximum: 3024000. Valid bitrates for coding mode 3/2: Default: 384000. Minimum: 192000. Maximum: 3024000.
      */
     Bitrate?: number;
     /**
@@ -693,7 +693,7 @@ export interface WavSettings {
  */
 export interface AudioCodecSettings {
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR".  In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
+     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
      */
     AacSettings?: AacSettings;
     /**
@@ -1754,7 +1754,7 @@ export interface Id3Insertion {
  */
 export interface AudioSelectorGroup {
     /**
-     * Name of an Audio Selector within the same input to include in the group.  Audio selector names are standardized, based on their order within the input (e.g., "Audio Selector 1"). The audio selector name parameter can be repeated to add any number of audio selectors to the group.
+     * Name of an Audio Selector within the same input to include in the group. Audio selector names are standardized, based on their order within the input (e.g., "Audio Selector 1"). The audio selector name parameter can be repeated to add any number of audio selectors to the group.
      */
     AudioSelectorNames?: string[];
 }
@@ -2025,7 +2025,7 @@ export interface CaptionSourceSettings {
      */
     FileSourceSettings?: FileSourceSettings;
     /**
-     * Use Source (SourceType) to identify the format of your input captions.  The service cannot auto-detect caption format.
+     * Use Source (SourceType) to identify the format of your input captions. The service cannot auto-detect caption format.
      */
     SourceType?: CaptionSourceType | string;
     /**
@@ -2257,7 +2257,7 @@ export interface Hdr10Metadata {
      */
     GreenPrimaryY?: number;
     /**
-     * Maximum light level among all samples in the coded video sequence, in units of candelas per square meter.  This setting doesn't have a default value; you must specify a value that is suitable for the content.
+     * Maximum light level among all samples in the coded video sequence, in units of candelas per square meter. This setting doesn't have a default value; you must specify a value that is suitable for the content.
      */
     MaxContentLightLevel?: number;
     /**
@@ -2382,7 +2382,7 @@ export interface Input {
      */
     DecryptionSettings?: InputDecryptionSettings;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input.  Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter | string;
     /**
@@ -2398,7 +2398,7 @@ export interface Input {
      */
     FilterEnable?: InputFilterEnable | string;
     /**
-     * Use Filter strength (FilterStrength) to adjust the magnitude the input filter settings (Deblock and Denoise). The range is -5 to 5. Default is 0.
+     * Use Filter strength (FilterStrength) to adjust the magnitude the input filter settings (Deblock and Denoise). The range is 0 to 5. Default is 0.
      */
     FilterStrength?: number;
     /**
@@ -2471,7 +2471,7 @@ export interface InputTemplate {
      */
     DeblockFilter?: InputDeblockFilter | string;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input.  Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter | string;
     /**
@@ -2483,7 +2483,7 @@ export interface InputTemplate {
      */
     FilterEnable?: InputFilterEnable | string;
     /**
-     * Use Filter strength (FilterStrength) to adjust the magnitude the input filter settings (Deblock and Denoise). The range is -5 to 5. Default is 0.
+     * Use Filter strength (FilterStrength) to adjust the magnitude the input filter settings (Deblock and Denoise). The range is 0 to 5. Default is 0.
      */
     FilterStrength?: number;
     /**
@@ -2676,11 +2676,11 @@ export declare enum VchipAction {
  */
 export interface ExtendedDataServices {
     /**
-     * The action to take on copy and redistribution control XDS packets.  If you select PASSTHROUGH, packets will not be changed. If you select STRIP, any packets will be removed in output captions.
+     * The action to take on content advisory XDS packets. If you select PASSTHROUGH, packets will not be changed. If you select STRIP, any packets will be removed in output captions.
      */
     CopyProtectionAction?: CopyProtectionAction | string;
     /**
-     * The action to take on content advisory XDS packets.  If you select PASSTHROUGH, packets will not be changed. If you select STRIP, any packets will be removed in output captions.
+     * The action to take on content advisory XDS packets. If you select PASSTHROUGH, packets will not be changed. If you select STRIP, any packets will be removed in output captions.
      */
     VchipAction?: VchipAction | string;
 }
@@ -2831,7 +2831,7 @@ export declare enum NielsenUniqueTicPerAudioTrackType {
     SAME_TICS_PER_TRACK = "SAME_TICS_PER_TRACK"
 }
 /**
- * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that  MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to  specifying these values, you also need to set up your cloud TIC server. These settings apply to  every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
+ * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to specifying these values, you also need to set up your cloud TIC server. These settings apply to every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
  */
 export interface NielsenNonLinearWatermarkSettings {
     /**
@@ -2839,7 +2839,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     ActiveWatermarkProcess?: NielsenActiveWatermarkProcessType | string;
     /**
-     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen  metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it  here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination (metadataDestination).
+     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination (metadataDestination).
      */
     AdiFilename?: string;
     /**
@@ -2867,7 +2867,7 @@ export interface NielsenNonLinearWatermarkSettings {
      */
     SourceId?: number;
     /**
-     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked (WATERMARKED), the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already  have non-linear Nielsen watermarks.
+     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked (WATERMARKED), the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already have non-linear Nielsen watermarks.
      */
     SourceWatermarkStatus?: NielsenSourceWatermarkStatusType | string;
     /**
@@ -2946,7 +2946,7 @@ export declare enum S3ServerSideEncryptionType {
  */
 export interface S3EncryptionSettings {
     /**
-     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3 (SERVER_SIDE_ENCRYPTION_S3). If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting  KMS ARN (kmsKeyArn).
+     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3 (SERVER_SIDE_ENCRYPTION_S3). If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting KMS ARN (kmsKeyArn).
      */
     EncryptionType?: S3ServerSideEncryptionType | string;
     /**
@@ -3082,19 +3082,19 @@ export declare enum CmafIntervalCadence {
  */
 export interface CmafImageBasedTrickPlaySettings {
     /**
-     * The cadence MediaConvert follows for generating thumbnails.  If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence).  If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
+     * The cadence MediaConvert follows for generating thumbnails. If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence). If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
      */
     IntervalCadence?: CmafIntervalCadence | string;
     /**
-     * Height of each thumbnail within each tile image, in pixels.  Leave blank to maintain aspect ratio with thumbnail width.  If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected.  Must be divisible by 2.
+     * Height of each thumbnail within each tile image, in pixels. Leave blank to maintain aspect ratio with thumbnail width. If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected. Must be divisible by 2.
      */
     ThumbnailHeight?: number;
     /**
-     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails.  If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate.  For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
+     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails. If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate. For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
      */
     ThumbnailInterval?: number;
     /**
-     * Width of each thumbnail within each tile image, in pixels.  Default is 312.  Must be divisible by 8.
+     * Width of each thumbnail within each tile image, in pixels. Default is 312. Must be divisible by 8.
      */
     ThumbnailWidth?: number;
     /**
@@ -3102,7 +3102,7 @@ export interface CmafImageBasedTrickPlaySettings {
      */
     TileHeight?: number;
     /**
-     * Number of thumbnails in each row of a tile image.  Set a value between 1 and 512.
+     * Number of thumbnails in each row of a tile image. Set a value between 1 and 512.
      */
     TileWidth?: number;
 }
@@ -3227,7 +3227,7 @@ export interface CmafGroupSettings {
      */
     MpdManifestBandwidthType?: CmafMpdManifestBandwidthType | string;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals  urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
      */
     MpdProfile?: CmafMpdProfile | string;
     /**
@@ -3280,7 +3280,7 @@ export declare enum DashIsoPlaybackDeviceCompatibility {
     UNENCRYPTED_SEI = "UNENCRYPTED_SEI"
 }
 /**
- * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider.  If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
+ * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
  */
 export interface SpekeKeyProvider {
     /**
@@ -3310,7 +3310,7 @@ export interface DashIsoEncryptionSettings {
      */
     PlaybackDeviceCompatibility?: DashIsoPlaybackDeviceCompatibility | string;
     /**
-     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider.  If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
+     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
      */
     SpekeKeyProvider?: SpekeKeyProvider;
 }
@@ -3333,19 +3333,19 @@ export declare enum DashIsoIntervalCadence {
  */
 export interface DashIsoImageBasedTrickPlaySettings {
     /**
-     * The cadence MediaConvert follows for generating thumbnails.  If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence).  If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
+     * The cadence MediaConvert follows for generating thumbnails. If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence). If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
      */
     IntervalCadence?: DashIsoIntervalCadence | string;
     /**
-     * Height of each thumbnail within each tile image, in pixels.  Leave blank to maintain aspect ratio with thumbnail width.  If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected.  Must be divisible by 2.
+     * Height of each thumbnail within each tile image, in pixels. Leave blank to maintain aspect ratio with thumbnail width. If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected. Must be divisible by 2.
      */
     ThumbnailHeight?: number;
     /**
-     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails.  If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate.  For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
+     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails. If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate. For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
      */
     ThumbnailInterval?: number;
     /**
-     * Width of each thumbnail within each tile image, in pixels.  Default is 312.  Must be divisible by 8.
+     * Width of each thumbnail within each tile image, in pixels. Default is 312. Must be divisible by 8.
      */
     ThumbnailWidth?: number;
     /**
@@ -3353,7 +3353,7 @@ export interface DashIsoImageBasedTrickPlaySettings {
      */
     TileHeight?: number;
     /**
-     * Number of thumbnails in each row of a tile image.  Set a value between 1 and 512.
+     * Number of thumbnails in each row of a tile image. Set a value between 1 and 512.
      */
     TileWidth?: number;
 }
@@ -3446,7 +3446,7 @@ export interface DashIsoGroupSettings {
      */
     MpdManifestBandwidthType?: DashIsoMpdManifestBandwidthType | string;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals  urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
      */
     MpdProfile?: DashIsoMpdProfile | string;
     /**
@@ -3549,7 +3549,7 @@ export interface HlsEncryptionSettings {
      */
     OfflineEncrypted?: HlsOfflineEncrypted | string;
     /**
-     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider.  If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
+     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
      */
     SpekeKeyProvider?: SpekeKeyProvider;
     /**
@@ -3576,19 +3576,19 @@ export declare enum HlsIntervalCadence {
  */
 export interface HlsImageBasedTrickPlaySettings {
     /**
-     * The cadence MediaConvert follows for generating thumbnails.  If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence).  If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
+     * The cadence MediaConvert follows for generating thumbnails. If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence). If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.
      */
     IntervalCadence?: HlsIntervalCadence | string;
     /**
-     * Height of each thumbnail within each tile image, in pixels.  Leave blank to maintain aspect ratio with thumbnail width.  If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected.  Must be divisible by 2.
+     * Height of each thumbnail within each tile image, in pixels. Leave blank to maintain aspect ratio with thumbnail width. If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected. Must be divisible by 2.
      */
     ThumbnailHeight?: number;
     /**
-     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails.  If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate.  For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
+     * Enter the interval, in seconds, that MediaConvert uses to generate thumbnails. If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate. For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.
      */
     ThumbnailInterval?: number;
     /**
-     * Width of each thumbnail within each tile image, in pixels.  Default is 312.  Must be divisible by 8.
+     * Width of each thumbnail within each tile image, in pixels. Default is 312. Must be divisible by 8.
      */
     ThumbnailWidth?: number;
     /**
@@ -3596,7 +3596,7 @@ export interface HlsImageBasedTrickPlaySettings {
      */
     TileHeight?: number;
     /**
-     * Number of thumbnails in each row of a tile image.  Set a value between 1 and 512.
+     * Number of thumbnails in each row of a tile image. Set a value between 1 and 512.
      */
     TileWidth?: number;
 }
@@ -3788,7 +3788,7 @@ export declare enum MsSmoothAudioDeduplication {
  */
 export interface MsSmoothEncryptionSettings {
     /**
-     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider.  If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
+     * If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
      */
     SpekeKeyProvider?: SpekeKeyProvider;
 }

package/dist-types/models/models_1.d.ts

@@ -12,7 +12,7 @@ export declare enum OutputSdt {
  */
 export interface DvbSdtSettings {
     /**
-     * Selects method of inserting SDT information into output stream.  "Follow input SDT" copies SDT information from input stream to  output stream. "Follow input SDT if present" copies SDT information from  input stream to output stream if SDT information is present in the input, otherwise it will fall back on the user-defined values. Enter "SDT  Manually" means user will enter the SDT information. "No SDT" means output  stream will not contain SDT information.
+     * Selects method of inserting SDT information into output stream. "Follow input SDT" copies SDT information from input stream to output stream. "Follow input SDT if present" copies SDT information from input stream to output stream if SDT information is present in the input, otherwise it will fall back on the user-defined values. Enter "SDT Manually" means user will enter the SDT information. "No SDT" means output stream will not contain SDT information.
      */
     OutputSdt?: OutputSdt | string;
     /**
@@ -119,7 +119,7 @@ export interface M2tsSettings {
      */
     Bitrate?: number;
     /**
-     * Controls what buffer model to use for accurate interleaving. If set to MULTIPLEX, use multiplex  buffer model. If set to NONE, this can lead to lower latency, but low-memory devices may not be able to play back the stream without interruptions.
+     * Controls what buffer model to use for accurate interleaving. If set to MULTIPLEX, use multiplex buffer model. If set to NONE, this can lead to lower latency, but low-memory devices may not be able to play back the stream without interruptions.
      */
     BufferModel?: M2tsBufferModel | string;
     /**
@@ -495,7 +495,7 @@ export interface MpdSettings {
      */
     AudioDuration?: MpdAudioDuration | string;
     /**
-     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions.  You specify sidecar captions in a separate output from your audio and video. Choose Raw (RAW) for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 (FRAGMENTED_MP4) for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
+     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw (RAW) for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 (FRAGMENTED_MP4) for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
      */
     CaptionContainerType?: MpdCaptionContainerType | string;
     /**
@@ -750,11 +750,11 @@ export interface Av1Settings {
      */
     FramerateConversionAlgorithm?: Av1FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -854,11 +854,11 @@ export interface AvcIntraSettings {
      */
     FramerateConversionAlgorithm?: AvcIntraFramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1104,11 +1104,11 @@ export interface H264Settings {
      */
     FramerateConversionAlgorithm?: H264FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1419,11 +1419,11 @@ export interface H265Settings {
      */
     FramerateConversionAlgorithm?: H265FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1499,7 +1499,7 @@ export interface H265Settings {
      */
     RateControlMode?: H265RateControlMode | string;
     /**
-     * Specify Sample Adaptive Offset (SAO) filter strength.  Adaptive mode dynamically selects best strength based on content
+     * Specify Sample Adaptive Offset (SAO) filter strength. Adaptive mode dynamically selects best strength based on content
      */
     SampleAdaptiveOffsetFilterMode?: H265SampleAdaptiveOffsetFilterMode | string;
     /**
@@ -1523,7 +1523,7 @@ export interface H265Settings {
      */
     SpatialAdaptiveQuantization?: H265SpatialAdaptiveQuantization | string;
     /**
-     * This field applies only if the Streams > Advanced > Framerate (framerate) field  is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer  field (deinterlace_mode) and the Streams > Advanced > Interlaced Mode field (interlace_mode)  to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
+     * This field applies only if the Streams > Advanced > Framerate (framerate) field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field (deinterlace_mode) and the Streams > Advanced > Interlaced Mode field (interlace_mode) to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
      */
     Telecine?: H265Telecine | string;
     /**
@@ -1669,11 +1669,11 @@ export interface Mpeg2Settings {
      */
     FramerateConversionAlgorithm?: Mpeg2FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1761,7 +1761,7 @@ export interface Mpeg2Settings {
      */
     SpatialAdaptiveQuantization?: Mpeg2SpatialAdaptiveQuantization | string;
     /**
-     * Specify whether this output's video uses the D10 syntax. Keep the default value to  not use the syntax. Related settings: When you choose D10 (D_10) for your MXF  profile (profile), you must also set this value to D10 (D_10).
+     * Specify whether this output's video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 (D_10) for your MXF profile (profile), you must also set this value to D10 (D_10).
      */
     Syntax?: Mpeg2Syntax | string;
     /**
@@ -1838,11 +1838,11 @@ export interface ProresSettings {
      */
     FramerateConversionAlgorithm?: ProresFramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1917,11 +1917,11 @@ export interface Vc3Settings {
      */
     FramerateConversionAlgorithm?: Vc3FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -1982,11 +1982,11 @@ export interface Vp8Settings {
      */
     FramerateConversionAlgorithm?: Vp8FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -2059,11 +2059,11 @@ export interface Vp9Settings {
      */
     FramerateConversionAlgorithm?: Vp9FramerateConversionAlgorithm | string;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateDenominator?: number;
     /**
-     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example,  24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
+     * When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.
      */
     FramerateNumerator?: number;
     /**
@@ -2386,7 +2386,7 @@ export interface VideoCodecSettings {
      */
     AvcIntraSettings?: AvcIntraSettings;
     /**
-     * Specifies the video codec. This must be equal to one of the enum values defined by the object  VideoCodec.
+     * Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec.
      */
     Codec?: VideoCodec | string;
     /**
@@ -2547,7 +2547,7 @@ export interface Deinterlacer {
      */
     Algorithm?: DeinterlaceAlgorithm | string;
     /**
-     * - When set to NORMAL (default), the deinterlacer does not convert frames that are tagged  in metadata as progressive. It will only convert those that are tagged as some other type. - When set to FORCE_ALL_FRAMES, the deinterlacer converts every frame to progressive - even those that are already tagged as progressive. Turn Force mode on only if there is  a good chance that the metadata has tagged frames as progressive when they are not  progressive. Do not turn on otherwise; processing frames that are already progressive  into progressive will probably result in lower quality video.
+     * - When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive. It will only convert those that are tagged as some other type. - When set to FORCE_ALL_FRAMES, the deinterlacer converts every frame to progressive - even those that are already tagged as progressive. Turn Force mode on only if there is a good chance that the metadata has tagged frames as progressive when they are not progressive. Do not turn on otherwise; processing frames that are already progressive into progressive will probably result in lower quality video.
      */
     Control?: DeinterlacerControl | string;
     /**
@@ -2582,7 +2582,7 @@ export declare enum DolbyVisionProfile {
     PROFILE_8_1 = "PROFILE_8_1"
 }
 /**
- * Create Dolby Vision Profile 5 or Profile 8.1  compatible video output.
+ * Create Dolby Vision Profile 5 or Profile 8.1 compatible video output.
  */
 export interface DolbyVision {
     /**
@@ -2838,7 +2838,7 @@ export interface VideoDescription {
      */
     DropFrameTimecode?: DropFrameTimecode | string;
     /**
-     * Applies only if you set AFD Signaling(AfdSignaling) to Fixed (FIXED). Use Fixed (FixedAfd) to specify a four-bit AFD value which the service will write on all  frames of this video output.
+     * Applies only if you set AFD Signaling(AfdSignaling) to Fixed (FIXED). Use Fixed (FixedAfd) to specify a four-bit AFD value which the service will write on all frames of this video output.
      */
     FixedAfd?: number;
     /**
@@ -2946,7 +2946,7 @@ export declare enum TimecodeSource {
  */
 export interface TimecodeConfig {
     /**
-     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode (Anchor) to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source (TimecodeSource). * If Source (TimecodeSource) is set to Specified Start (SPECIFIEDSTART), the first input frame is the specified value in Start Timecode (Start). Anchor Timecode (Anchor) and Start Timecode (Start) are used calculate output timecode. * If Source (TimecodeSource) is set to Start at 0 (ZEROBASED)  the  first frame is 00:00:00:00. * If Source (TimecodeSource) is set to Embedded (EMBEDDED), the  first frame is the timecode value on the first input frame of the input.
+     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode (Anchor) to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source (TimecodeSource). * If Source (TimecodeSource) is set to Specified Start (SPECIFIEDSTART), the first input frame is the specified value in Start Timecode (Start). Anchor Timecode (Anchor) and Start Timecode (Start) are used calculate output timecode. * If Source (TimecodeSource) is set to Start at 0 (ZEROBASED) the first frame is 00:00:00:00. * If Source (TimecodeSource) is set to Embedded (EMBEDDED), the first frame is the timecode value on the first input frame of the input.
      */
     Anchor?: string;
     /**
@@ -2958,7 +2958,7 @@ export interface TimecodeConfig {
      */
     Start?: string;
     /**
-     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset (TimestampOffset) to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd".  To use Time stamp offset, you must also enable Insert program-date-time (InsertProgramDateTime) in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset (TimestampOffset) to 2003-1-25.
+     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset (TimestampOffset) to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd". To use Time stamp offset, you must also enable Insert program-date-time (InsertProgramDateTime) in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset (TimestampOffset) to 2003-1-25.
      */
     TimestampOffset?: string;
 }
@@ -2980,7 +2980,7 @@ export interface JobSettings {
      */
     AdAvailOffset?: number;
     /**
-     * Settings for ad avail blanking.  Video can be blanked or overlaid with an image, and audio muted during SCTE-35 triggered ad avails.
+     * Settings for ad avail blanking. Video can be blanked or overlaid with an image, and audio muted during SCTE-35 triggered ad avails.
      */
     AvailBlanking?: AvailBlanking;
     /**
@@ -3008,7 +3008,7 @@ export interface JobSettings {
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
-     * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that  MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to  specifying these values, you also need to set up your cloud TIC server. These settings apply to  every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
+     * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to specifying these values, you also need to set up your cloud TIC server. These settings apply to every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**
@@ -3183,7 +3183,7 @@ export interface JobTemplateSettings {
      */
     AdAvailOffset?: number;
     /**
-     * Settings for ad avail blanking.  Video can be blanked or overlaid with an image, and audio muted during SCTE-35 triggered ad avails.
+     * Settings for ad avail blanking. Video can be blanked or overlaid with an image, and audio muted during SCTE-35 triggered ad avails.
      */
     AvailBlanking?: AvailBlanking;
     /**
@@ -3195,7 +3195,7 @@ export interface JobTemplateSettings {
      */
     ExtendedDataServices?: ExtendedDataServices;
     /**
-     * Use Inputs (inputs) to define the source file used in the transcode job. There can only be one input in a job template.  Using the API, you can include multiple inputs when referencing a job template.
+     * Use Inputs (inputs) to define the source file used in the transcode job. There can only be one input in a job template. Using the API, you can include multiple inputs when referencing a job template.
      */
     Inputs?: InputTemplate[];
     /**
@@ -3211,7 +3211,7 @@ export interface JobTemplateSettings {
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
-     * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that  MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to  specifying these values, you also need to set up your cloud TIC server. These settings apply to  every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
+     * Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to specifying these values, you also need to set up your cloud TIC server. These settings apply to every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**

package/package.json

@@ -1,7 +1,7 @@
 {
   "name": "@aws-sdk/client-mediaconvert",
   "description": "AWS SDK for JavaScript Mediaconvert Client for Node.js, Browser and React Native",
-  "version": "3.264.0",
+  "version": "3.266.0",
   "scripts": {
     "build": "concurrently 'yarn:build:cjs' 'yarn:build:es' 'yarn:build:types'",
     "build:cjs": "tsc -p tsconfig.cjs.json",
@@ -20,37 +20,37 @@
   "dependencies": {
     "@aws-crypto/sha256-browser": "3.0.0",
     "@aws-crypto/sha256-js": "3.0.0",
-    "@aws-sdk/client-sts": "3.264.0",
-    "@aws-sdk/config-resolver": "3.259.0",
-    "@aws-sdk/credential-provider-node": "3.264.0",
-    "@aws-sdk/fetch-http-handler": "3.257.0",
-    "@aws-sdk/hash-node": "3.257.0",
-    "@aws-sdk/invalid-dependency": "3.257.0",
-    "@aws-sdk/middleware-content-length": "3.257.0",
-    "@aws-sdk/middleware-endpoint": "3.264.0",
-    "@aws-sdk/middleware-host-header": "3.257.0",
-    "@aws-sdk/middleware-logger": "3.257.0",
-    "@aws-sdk/middleware-recursion-detection": "3.257.0",
-    "@aws-sdk/middleware-retry": "3.259.0",
-    "@aws-sdk/middleware-serde": "3.257.0",
-    "@aws-sdk/middleware-signing": "3.257.0",
-    "@aws-sdk/middleware-stack": "3.257.0",
-    "@aws-sdk/middleware-user-agent": "3.257.0",
-    "@aws-sdk/node-config-provider": "3.259.0",
-    "@aws-sdk/node-http-handler": "3.257.0",
-    "@aws-sdk/protocol-http": "3.257.0",
-    "@aws-sdk/smithy-client": "3.261.0",
-    "@aws-sdk/types": "3.257.0",
-    "@aws-sdk/url-parser": "3.257.0",
+    "@aws-sdk/client-sts": "3.266.0",
+    "@aws-sdk/config-resolver": "3.266.0",
+    "@aws-sdk/credential-provider-node": "3.266.0",
+    "@aws-sdk/fetch-http-handler": "3.266.0",
+    "@aws-sdk/hash-node": "3.266.0",
+    "@aws-sdk/invalid-dependency": "3.266.0",
+    "@aws-sdk/middleware-content-length": "3.266.0",
+    "@aws-sdk/middleware-endpoint": "3.266.0",
+    "@aws-sdk/middleware-host-header": "3.266.0",
+    "@aws-sdk/middleware-logger": "3.266.0",
+    "@aws-sdk/middleware-recursion-detection": "3.266.0",
+    "@aws-sdk/middleware-retry": "3.266.0",
+    "@aws-sdk/middleware-serde": "3.266.0",
+    "@aws-sdk/middleware-signing": "3.266.0",
+    "@aws-sdk/middleware-stack": "3.266.0",
+    "@aws-sdk/middleware-user-agent": "3.266.0",
+    "@aws-sdk/node-config-provider": "3.266.0",
+    "@aws-sdk/node-http-handler": "3.266.0",
+    "@aws-sdk/protocol-http": "3.266.0",
+    "@aws-sdk/smithy-client": "3.266.0",
+    "@aws-sdk/types": "3.266.0",
+    "@aws-sdk/url-parser": "3.266.0",
     "@aws-sdk/util-base64": "3.208.0",
     "@aws-sdk/util-body-length-browser": "3.188.0",
     "@aws-sdk/util-body-length-node": "3.208.0",
-    "@aws-sdk/util-defaults-mode-browser": "3.261.0",
-    "@aws-sdk/util-defaults-mode-node": "3.261.0",
-    "@aws-sdk/util-endpoints": "3.257.0",
-    "@aws-sdk/util-retry": "3.257.0",
-    "@aws-sdk/util-user-agent-browser": "3.257.0",
-    "@aws-sdk/util-user-agent-node": "3.259.0",
+    "@aws-sdk/util-defaults-mode-browser": "3.266.0",
+    "@aws-sdk/util-defaults-mode-node": "3.266.0",
+    "@aws-sdk/util-endpoints": "3.266.0",
+    "@aws-sdk/util-retry": "3.266.0",
+    "@aws-sdk/util-user-agent-browser": "3.266.0",
+    "@aws-sdk/util-user-agent-node": "3.266.0",
     "@aws-sdk/util-utf8": "3.254.0",
     "tslib": "^2.3.1",
     "uuid": "^8.3.2"