2sagaco48 1.0.0

package/src/lib/sage/taxonomy.ts

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+/**
+ * SAGE Taxonomy — complete narrative-element catalog from the
+ * "Comprehensive Taxonomy of Narrative Elements Across World Fiction"
+ * specification. Every numbered row is present. Earliest-surviving-
+ * attestation claims are stored as strings (scholarly ranges, not proofs).
+ *
+ * HONESTY: this is a taxonomy of attested forms, not an exhaustive census
+ * of world fiction. ATU/Thompson remain the research-grade catalogs.
+ */
+
+export type Taxon = {
+  id: string;
+  name: string;
+  attestation: string;
+  function: string;
+};
+
+// ── PART I — Macro story structures (30) ────────────────────────────────────
+export const MACRO_STRUCTURES: readonly Taxon[] = [
+  { id: "M01", name: "The Monomyth / Hero's Journey", attestation: "Epic of Gilgamesh (~2100–1800 BCE)", function: "Maps external quest onto internal transformation; return forces communal meaning" },
+  { id: "M02", name: "Tragic arc", attestation: "Oedipus Rex (~429 BCE)", function: "Rise → hamartia → peripeteia → fall → catharsis; fate and character fuse" },
+  { id: "M03", name: "Comic arc", attestation: "Aristophanes Acharnians (425 BCE); Menander", function: "Disorder → confusion → reintegration ending in union/feast" },
+  { id: "M04", name: "Three-act structure", attestation: "Aristotle Poetics (~335 BCE)", function: "Causal inevitability; each act boundary closes a door behind the protagonist" },
+  { id: "M05", name: "Five-act structure", attestation: "Horace Ars Poetica (~19 BCE); Freytag 1863", function: "Explicit rising action / climax / falling action breathing architecture" },
+  { id: "M06", name: "Kishōtenketsu", attestation: "Chinese jueju → East Asian prose (Tang ~7th–9th c. CE)", function: "Plot without central conflict; twist recontextualizes rather than opposes" },
+  { id: "M07", name: "In medias res", attestation: "Iliad (~8th c. BCE)", function: "Front-loads momentum; converts backstory into revelation" },
+  { id: "M08", name: "Frame narrative", attestation: "Westcar Papyrus (~1700 BCE); Shipwrecked Sailor (~2000 BCE)", function: "Narrative relativity; unreliable transmission; thematic mirroring" },
+  { id: "M09", name: "Nested/recursive frames", attestation: "Panchatantra; One Thousand and One Nights (~9th c. CE)", function: "Storytelling as survival mechanism; fractal thematic echo" },
+  { id: "M10", name: "Ring composition / chiasmus", attestation: "Gilgamesh; Homer; Hebrew Bible", function: "Ending mirrors beginning with transformation visible in differences" },
+  { id: "M11", name: "Episodic / picaresque", attestation: "Satyricon (~60 CE); Golden Ass (~160 CE); Lazarillo (1554)", function: "Social panorama; the world changes, not the hero" },
+  { id: "M12", name: "Epistolary structure", attestation: "Ovid Heroides; Pamela (1740)", function: "Eliminates narrator; biased delayed performative information" },
+  { id: "M13", name: "Nonlinear chronology / analepsis-heavy", attestation: "Odyssey Books 9–12", function: "Sequences information for meaning rather than time" },
+  { id: "M14", name: "Reverse chronology", attestation: "Merrily We Roll Along (1934); Betrayal (1978)", function: "Replaces what-next with how-did-this; dramatic irony" },
+  { id: "M15", name: "Multi-perspective / Rashomon", attestation: "The Ring and the Book (1868–69); In a Grove (1922)", function: "Truth itself is the antagonist; reader authors the verdict" },
+  { id: "M16", name: "Braided / parallel plotlines", attestation: "Mahabharata; Shakespeare double plots", function: "Themes rhyme across strands; mutual commentary" },
+  { id: "M17", name: "Anthology-with-armature", attestation: "Panchatantra; Decameron (1353); Canterbury Tales (~1400)", function: "Diversity of voice inside unity of occasion" },
+  { id: "M18", name: "Quest structure", attestation: "Gilgamesh's quest for immortality (~1800 BCE)", function: "Externalizes internal lack as findable object" },
+  { id: "M19", name: "Voyage and return", attestation: "Tale of the Shipwrecked Sailor (~2000 BCE)", function: "Other world tests traveler; home legible only after departure" },
+  { id: "M20", name: "Overcoming the monster", attestation: "Gilgamesh vs. Humbaba (~2100 BCE)", function: "Community-scale fear condensed into a killable body" },
+  { id: "M21", name: "Rags to riches", attestation: "Rhodopis / Cinderella variant (Strabo ~1st c. BCE); Joseph", function: "Justice as eventual recognition of hidden worth" },
+  { id: "M22", name: "Rebirth structure", attestation: "Descent of Inanna (~1900–1600 BCE)", function: "Change arrives from outside; grace as moral physics" },
+  { id: "M23", name: "Tragedy of overreach (Icarus/Faust)", attestation: "Etana (~2000 BCE); Icarus/Phaethon", function: "Aspiration itself becomes hamartia" },
+  { id: "M24", name: "Metafictional structure", attestation: "Don Quixote Part II (1615); Tristram Shandy (1759)", function: "Collapses story-world and reader-world wall" },
+  { id: "M25", name: "Stream-of-consciousness architecture", attestation: "Dujardin 1887; Ulysses 1922", function: "Replaces plot-time with mind-time" },
+  { id: "M26", name: "Circular narrative", attestation: "Finnegans Wake (1939)", function: "Ending feeds beginning; theme becomes recurrence" },
+  { id: "M27", name: "Time-loop structure", attestation: "Ivan Osokin (1915); Doubled and Redoubled (1941)", function: "Iteration replaces journey; character change is the only variable" },
+  { id: "M28", name: "Branching/interactive structure", attestation: "Consider the Consequences! (1930); CYOA (1979)", function: "Transfers authorship of sequence to the reader" },
+  { id: "M29", name: "Psychological-interiority novel", attestation: "The Tale of Genji (~1010 CE)", function: "Plot subordinated to inner life; mono no aware structural" },
+  { id: "M30", name: "The dream-vision", attestation: "Dream of Scipio (~54 BCE); Roman de la Rose (~1230)", function: "Licenses allegory and impossible geography under realistic frame" },
+] as const;
+
+export const META_FRAMEWORKS: readonly string[] = [
+  "Aristotle Poetics",
+  "Polti 36 Dramatic Situations (1895)",
+  "Propp Morphology of the Folktale (1928)",
+  "Frye four mythoi (1957)",
+  "Campbell monomyth (1949)",
+  "Booker Seven Basic Plots (2004)",
+  "Tobias 20 Master Plots",
+  "ATU tale-type index (~2,400 types)",
+  "Thompson Motif-Index (~46,000 motifs)",
+] as const;
+
+// ── PART II-A — Campbell monomyth beats (12) ────────────────────────────────
+export const CAMPBELL_BEATS: readonly Taxon[] = [
+  { id: "C01", name: "Call to adventure", attestation: "Gilgamesh hears of Humbaba", function: "Disturbs equilibrium; poses the dramatic question" },
+  { id: "C02", name: "Refusal of the call", attestation: "Moses; Achilles in his tent", function: "Establishes stakes and cost of change" },
+  { id: "C03", name: "Supernatural aid / mentor meeting", attestation: "Shamash; Athena", function: "Externalizes the hero's latent competence" },
+  { id: "C04", name: "Crossing the first threshold", attestation: "Gilgamesh leaves Uruk's walls", function: "Point of no return; genre contract activates" },
+  { id: "C05", name: "Belly of the whale", attestation: "Jonah; Inanna descent", function: "Symbolic death/gestation; old self digested" },
+  { id: "C06", name: "Road of trials", attestation: "Odysseus' island sequence", function: "Escalating competence test; episodic engine" },
+  { id: "C07", name: "Meeting with the goddess / sacred marriage", attestation: "Dumuzi-Inanna courtship", function: "Integration of the anima/other" },
+  { id: "C08", name: "Temptation from the path", attestation: "Circe; Lotus-Eaters", function: "Tests desire vs. duty" },
+  { id: "C09", name: "Atonement with the father", attestation: "Utnapishtim; Telemachus/Odysseus", function: "Confrontation with origin and authority" },
+  { id: "C10", name: "Apotheosis / ultimate boon", attestation: "Flood secret; plant of youth", function: "Quest object materializes the theme" },
+  { id: "C11", name: "Refusal of return / magic flight", attestation: "Serpent steals the plant", function: "Denies clean victory; forces wisdom over prize" },
+  { id: "C12", name: "Master of two worlds / freedom to live", attestation: "Gilgamesh reads the walls of Uruk", function: "Journey's value is testimony, not treasure" },
+] as const;
+
+// ── PART II-B — Propp's 31 functions ────────────────────────────────────────
+export const PROPP_FUNCTIONS: readonly { id: string; name: string }[] = [
+  { id: "P01", name: "Absentation" },
+  { id: "P02", name: "Interdiction" },
+  { id: "P03", name: "Violation" },
+  { id: "P04", name: "Reconnaissance" },
+  { id: "P05", name: "Delivery" },
+  { id: "P06", name: "Trickery" },
+  { id: "P07", name: "Complicity" },
+  { id: "P08", name: "Villainy / Lack" },
+  { id: "P09", name: "Mediation" },
+  { id: "P10", name: "Counteraction" },
+  { id: "P11", name: "Departure" },
+  { id: "P12", name: "Donor's test" },
+  { id: "P13", name: "Hero's reaction" },
+  { id: "P14", name: "Receipt of magical agent" },
+  { id: "P15", name: "Guidance" },
+  { id: "P16", name: "Struggle" },
+  { id: "P17", name: "Branding" },
+  { id: "P18", name: "Victory" },
+  { id: "P19", name: "Liquidation of lack" },
+  { id: "P20", name: "Return" },
+  { id: "P21", name: "Pursuit" },
+  { id: "P22", name: "Rescue" },
+  { id: "P23", name: "Unrecognized arrival" },
+  { id: "P24", name: "Unfounded claims (false hero)" },
+  { id: "P25", name: "Difficult task" },
+  { id: "P26", name: "Solution" },
+  { id: "P27", name: "Recognition" },
+  { id: "P28", name: "Exposure" },
+  { id: "P29", name: "Transfiguration" },
+  { id: "P30", name: "Punishment" },
+  { id: "P31", name: "Wedding" },
+] as const;
+
+// ── PART II-C — Other micro-units (15) ──────────────────────────────────────
+export const MICRO_UNITS: readonly Taxon[] = [
+  { id: "U01", name: "Anagnorisis (recognition scene)", attestation: "Odysseus' scar / Eurycleia", function: "Identity revelation as emotional detonation" },
+  { id: "U02", name: "Peripeteia (reversal)", attestation: "Oedipus Rex messenger", function: "Fuses revelation with reversal for maximum catharsis" },
+  { id: "U03", name: "Deus ex machina", attestation: "Euripides Medea (431 BCE)", function: "Resolution by external power; now mostly ironic" },
+  { id: "U04", name: "Cliffhanger", attestation: "Scheherazade; Hardy 1873 term", function: "Weaponizes incompleteness; curiosity as hostage" },
+  { id: "U05", name: "Ticking clock", attestation: "Cinderella midnight (Perrault 1697; motif older)", function: "Converts time into antagonist" },
+  { id: "U06", name: "Dark night of the soul / all-is-lost", attestation: "Gilgamesh grief-wandering after Enkidu", function: "Strips false solutions so the true one can be earned" },
+  { id: "U07", name: "False victory / false defeat (midpoint)", attestation: "Greek tragedy; modern screenwriting", function: "Prevents monotonic tension; recalibrates the goal" },
+  { id: "U08", name: "The mentor's death", attestation: "Enkidu's death (~1800 BCE)", function: "Transfers responsibility; grief as fuel" },
+  { id: "U09", name: "The sacrificial death", attestation: "Alcestis (438 BCE); Sydney Carton", function: "Converts love into plot causality" },
+  { id: "U10", name: "Meet-cute / lovers' first encounter", attestation: "Greek romance; Callirhoe (~1st c. CE)", function: "Compresses fate into a single charged scene" },
+  { id: "U11", name: "Agon (formal debate scene)", attestation: "Aristophanic comedy; Job", function: "Theme argued openly through opposed voices" },
+  { id: "U12", name: "Threshold-guardian encounter", attestation: "Humbaba; scorpion-men of Mashu", function: "Prices admission to the special world" },
+  { id: "U13", name: "Catalog / muster", attestation: "Homer Catalog of Ships", function: "Scale, stakes, and communal memory in list form" },
+  { id: "U14", name: "Prophecy scene", attestation: "Delphic oracle; Gilgamesh dreams", function: "Installs dramatic irony; makes fate a character" },
+  { id: "U15", name: "Recognition token", attestation: "Odysseus' scar; Sakuntala's ring", function: "Physical object carries identity across time" },
+] as const;
+
+// ── PART III — Setting archetypes (32) ──────────────────────────────────────
+export const SETTINGS: readonly Taxon[] = [
+  { id: "S01", name: "Primordial garden / paradise", attestation: "Dilmun; Eden", function: "Baseline of innocence whose loss creates story-time" },
+  { id: "S02", name: "The underworld", attestation: "Descent of Inanna", function: "Death made traversable; grief given geography" },
+  { id: "S03", name: "Dark forest / wilderness", attestation: "Cedar Forest (Gilgamesh)", function: "Externalized unconscious; law's absence" },
+  { id: "S04", name: "The sea", attestation: "Shipwrecked Sailor", function: "Chaos, fate, and providence as environment" },
+  { id: "S05", name: "The island", attestation: "Shipwrecked Sailor serpent island", function: "Isolated moral laboratory; world-in-miniature" },
+  { id: "S06", name: "The city", attestation: "Uruk's walls", function: "Civilization as achievement and cage" },
+  { id: "S07", name: "The palace / court", attestation: "Westcar Papyrus", function: "Concentrated power → concentrated intrigue" },
+  { id: "S08", name: "The labyrinth", attestation: "Minotaur myth (~8th c. BCE+)", function: "Space as puzzle; monster at the center of the self" },
+  { id: "S09", name: "The tower", attestation: "Babel; Danaë's bronze chamber", function: "Isolation, hubris, or preserved virginity" },
+  { id: "S10", name: "The mountain (sacred/forbidden)", attestation: "Mashu; Sinai; Olympus", function: "Vertical interface between human and divine" },
+  { id: "S11", name: "The cave", attestation: "Polyphemus; Plato's cave", function: "Womb/tomb ambiguity; ignorance or refuge" },
+  { id: "S12", name: "The wasteland", attestation: "Grail legend (~1180); Ugaritic Baal (~1300 BCE)", function: "Land mirrors ruler's/protagonist's spiritual state" },
+  { id: "S13", name: "The river / crossing", attestation: "Styx; waters of death in Gilgamesh", function: "Irreversibility made liquid" },
+  { id: "S14", name: "The crossroads", attestation: "Oedipus kills Laius; folklore worldwide", function: "Choice-point sanctified; fate's junction box" },
+  { id: "S15", name: "The tavern / inn", attestation: "Siduri's tavern (Gilgamesh)", function: "Neutral ground; wisdom from strangers" },
+  { id: "S16", name: "The haunted house", attestation: "Plautus Mostellaria; Pliny ghost-house", function: "Past sins localized in architecture" },
+  { id: "S17", name: "Pastoral Arcadia", attestation: "Theocritus Idylls (~270 BCE)", function: "Nostalgic counter-world critiquing court/city" },
+  { id: "S18", name: "The utopia", attestation: "Plato Republic/Atlantis; More 1516", function: "Thought-experiment as geography" },
+  { id: "S19", name: "The dystopia", attestation: "Zamyatin We (1921); Swift precursors", function: "Present fears extrapolated into habitable warning" },
+  { id: "S20", name: "Otherworld / fairyland", attestation: "Tír na nÓg; Urashima Tarō (8th c. CE)", function: "Different time-flow; desire's country with hidden costs" },
+  { id: "S21", name: "The dream world", attestation: "Egyptian dream texts; Yellow Millet Dream", function: "Consequence-free zone that turns out to have consequences" },
+  { id: "S22", name: "The afterlife tour", attestation: "Book of the Dead; Dante (~1320)", function: "Moral order rendered as architecture" },
+  { id: "S23", name: "Outer space / other planets", attestation: "Lucian True History (~2nd c. CE)", function: "Ultimate estrangement; satire and wonder" },
+  { id: "S24", name: "Fully invented secondary world", attestation: "Tolkien Middle-earth (1937/1954)", function: "Total worldbuilding; setting as co-protagonist" },
+  { id: "S25", name: "The ship", attestation: "Argo; Noah's ark", function: "Society compressed and set adrift" },
+  { id: "S26", name: "The prison / dungeon", attestation: "Joseph's prison; Prometheus bound", function: "Stasis as crucible; the mind as remaining territory" },
+  { id: "S27", name: "The battlefield", attestation: "Iliad", function: "Values tested at mortal stakes" },
+  { id: "S28", name: "The frontier / borderland", attestation: "Gilgamesh edge-of-world; American Western", function: "Law and identity negotiable" },
+  { id: "S29", name: "The school", attestation: "Rabelais; Tom Brown's School Days (1857)", function: "Microcosm of socialization; sorting of selves" },
+  { id: "S30", name: "The village / small town", attestation: "Folktale default", function: "Community as character; conformity's pressure vessel" },
+  { id: "S31", name: "The ruins", attestation: "Sumerian city-lament (~2000 BCE)", function: "Time's verdict made visible; memento mori" },
+  { id: "S32", name: "Liminal non-places", attestation: "Gates of horn and ivory (Odyssey)", function: "Transitions localized; rules suspended between rule-sets" },
+] as const;
+
+// ── PART IV-A — Human character archetypes (28) ─────────────────────────────
+export const HUMAN_CHARS: readonly Taxon[] = [
+  { id: "H01", name: "The hero", attestation: "Gilgamesh", function: "Community's ideal self under trial" },
+  { id: "H02", name: "The tragic hero", attestation: "Gilgamesh proto; Oedipus perfected", function: "Greatness and flaw as the same trait" },
+  { id: "H03", name: "The antihero", attestation: "Thersites; picaro (Lazarillo 1554)", function: "Virtue's absence exposes society's pretenses" },
+  { id: "H04", name: "The mentor", attestation: "Utnapishtim; Mentor in Odyssey", function: "Wisdom's relay; hero's future self" },
+  { id: "H05", name: "The trickster (human)", attestation: "Odysseus; Plautus Pseudolus", function: "Intelligence vs. power; rule-breaking as innovation" },
+  { id: "H06", name: "The sidekick / loyal companion", attestation: "Enkidu", function: "Hero's mirror and conscience; grief-generator" },
+  { id: "H07", name: "The shadow / villain", attestation: "Humbaba; tragic human villainy", function: "Protagonist's disowned possibilities" },
+  { id: "H08", name: "The femme fatale / seductress", attestation: "Ishtar propositioning Gilgamesh", function: "Desire as danger; tests self-knowledge" },
+  { id: "H09", name: "The damsel in distress", attestation: "Andromeda (~5th c. BCE)", function: "Prize/stakes made human — now heavily subverted" },
+  { id: "H10", name: "The wise old woman / crone", attestation: "Siduri the tavern-keeper", function: "Unofficial wisdom outside institutions" },
+  { id: "H11", name: "The innocent / child", attestation: "Astyanax (Iliad)", function: "Stakes-multiplier; unjudging witness" },
+  { id: "H12", name: "The fool / jester", attestation: "Egyptian court entertainers; Lear's Fool", function: "Licensed truth-teller; wisdom as nonsense" },
+  { id: "H13", name: "The tyrant", attestation: "Opening Gilgamesh oppressing Uruk", function: "Power without restraint; cautionary origin" },
+  { id: "H14", name: "The rebel", attestation: "Prometheus (Hesiod ~700 BCE)", function: "Challenges cosmic/social order; progress's martyr" },
+  { id: "H15", name: "The chosen one", attestation: "Sargon legend; Moses", function: "Destiny vs. agency tension" },
+  { id: "H16", name: "The everyman", attestation: "Eloquent Peasant (~1850 BCE)", function: "Audience surrogate; justice tested from below" },
+  { id: "H17", name: "The braggart soldier", attestation: "Aristophanes Lamachus; Miles Gloriosus", function: "Deflates martial vanity" },
+  { id: "H18", name: "The blocking elder (senex)", attestation: "Greek New Comedy", function: "Obstacle to young love; generational conflict" },
+  { id: "H19", name: "The detective", attestation: "Daniel in Susanna; Dupin (1841)", function: "Reason as heroism; plot run backward" },
+  { id: "H20", name: "The mad scientist", attestation: "Victor Frankenstein (1818)", function: "Knowledge divorced from responsibility" },
+  { id: "H21", name: "The Byronic hero", attestation: "Childe Harold (1812)", function: "Charisma of damage; Romantic interiority" },
+  { id: "H22", name: "The double / doppelgänger", attestation: "Menaechmi; William Wilson (1839)", function: "Identity destabilized; self as stranger" },
+  { id: "H23", name: "The false hero", attestation: "Proppian function; Odyssey suitors", function: "Tests recognition; defines true merit by contrast" },
+  { id: "H24", name: "The ingenue", attestation: "Greek New Comedy's maiden", function: "Innocence entering the world's market" },
+  { id: "H25", name: "The caregiver / nurse", attestation: "Eurycleia (Odyssey)", function: "Continuity of love; keeper of identity" },
+  { id: "H26", name: "The scapegoat", attestation: "Pharmakos; Oedipus as plague-bearer", function: "Community guilt localized and expelled" },
+  { id: "H27", name: "The convert / redeemed sinner", attestation: "Valmiki legend; Augustine Confessions", function: "Change is possible; the arc made doctrine" },
+  { id: "H28", name: "The unreliable confessor", attestation: "Lucius in The Golden Ass", function: "First-person as performance, not transparency" },
+] as const;
+
+// ── PART IV-B — Non-human character archetypes (27) ─────────────────────────
+export const NONHUMAN_CHARS: readonly Taxon[] = [
+  { id: "N01", name: "The dragon / chaos-serpent", attestation: "Tiamat (Enūma Eliš)", function: "Primordial chaos requiring heroic ordering" },
+  { id: "N02", name: "The monster / hybrid", attestation: "Humbaba; Egyptian composite beasts", function: "Category violation embodied; killable unknown" },
+  { id: "N03", name: "The intervening god", attestation: "Sumerian epic throughout", function: "Fate personified; cosmic stakes localized" },
+  { id: "N04", name: "The ghost", attestation: "Enkidu's shade; Patroclus' ghost", function: "Past's unfinished business given a voice" },
+  { id: "N05", name: "The talking animal", attestation: "Eden serpent; Shipwrecked Sailor; Aesop", function: "Moral speech from outside human order" },
+  { id: "N06", name: "The animal helper", attestation: "Folktale-universal; Rhodopis' eagle", function: "Nature allied with the deserving" },
+  { id: "N07", name: "The animal-as-protagonist", attestation: "Lucius the donkey (Golden Ass)", function: "Humanity viewed from beneath" },
+  { id: "N08", name: "The giant", attestation: "Humbaba; Polyphemus; Goliath", function: "Brute scale vs. cleverness" },
+  { id: "N09", name: "The witch / sorceress", attestation: "Circe (Odyssey)", function: "Transformative female power outside social control" },
+  { id: "N10", name: "The shapeshifter", attestation: "Proteus (Odyssey)", function: "Truth that must be wrestled from changing forms" },
+  { id: "N11", name: "The fairy / hidden folk", attestation: "Medieval Celtic/Norse recordings", function: "Amoral otherness beside the human world" },
+  { id: "N12", name: "The demon", attestation: "Lamashtu/Pazuzu narratives", function: "Malice with theology; possession of the interior" },
+  { id: "N13", name: "The angel / divine messenger", attestation: "Ugaritic and Hebrew texts", function: "Vertical channel; annunciation of plot" },
+  { id: "N14", name: "The vampire", attestation: "Polidori The Vampyre (1819); folklore older", function: "Predation eroticized; parasitic aristocrat" },
+  { id: "N15", name: "The werewolf", attestation: "Niceros' tale in Satyricon (~60 CE)", function: "The beast inside the neighbor" },
+  { id: "N16", name: "The artificial being / automaton", attestation: "Talos; Pygmalion; Golem", function: "Creation answering to its creator — or not" },
+  { id: "N17", name: "The robot", attestation: "Čapek R.U.R. (1920)", function: "Labor, servitude, and revolt industrialized" },
+  { id: "N18", name: "The artificial intelligence", attestation: "Modern form ~1940s–60s SF (HAL 1968)", function: "Mind without body; humanity's mirror-test" },
+  { id: "N19", name: "The alien", attestation: "Lucian True History moon-dwellers", function: "The Other at maximum distance" },
+  { id: "N20", name: "The undead revenant", attestation: "Norse draugr sagas", function: "Death that refuses its boundary" },
+  { id: "N21", name: "The mermaid / siren", attestation: "Sirens (Odyssey); Atargatis", function: "Desire that drowns; the sea given a voice" },
+  { id: "N22", name: "The phoenix", attestation: "Herodotus (~440 BCE) Egyptian tradition", function: "Cyclical renewal embodied" },
+  { id: "N23", name: "The unicorn", attestation: "Ctesias Indica (~400 BCE)", function: "Purity that can only be betrayed, not captured" },
+  { id: "N24", name: "The personified abstraction", attestation: "Sumerian Death/Fate; Psychomachia (~405 CE)", function: "Ideas given bodies so they can fight" },
+  { id: "N25", name: "The eldritch / incomprehensible entity", attestation: "Chaos-gods; Lovecraft (1920s)", function: "Horror of scale and indifference" },
+  { id: "N26", name: "The sentient object", attestation: "Argo speaking beam; folklore objects", function: "Animism narrativized; the world watching back" },
+  { id: "N27", name: "The land / setting-as-character", attestation: "Waste Land / Fisher King (~1180)", function: "Environment given agency and moral state" },
+] as const;
+
+// ── PART V — Other story elements (40) ──────────────────────────────────────
+export const STORY_ELEMENTS: readonly Taxon[] = [
+  { id: "E01", name: "Foreshadowing", attestation: "Gilgamesh prophetic dreams", function: "Buys ending's plausibility; rereading dividend" },
+  { id: "E02", name: "Chekhov's gun", attestation: "Odysseus' bow; named by Chekhov 1880s", function: "Economy of detail; every element earns its place" },
+  { id: "E03", name: "The plot twist", attestation: "Oedipus Rex investigator-is-culprit", function: "Recontextualizes everything prior" },
+  { id: "E04", name: "Surprise / twist ending", attestation: "Three Apples (1001 Nights); O. Henry", function: "Final-position reversal; memory rewritten" },
+  { id: "E05", name: "Narrator is the killer", attestation: "Christie Roger Ackroyd (1926)", function: "Weaponizes narrative convention itself" },
+  { id: "E06", name: "It was all a dream (and subversions)", attestation: "Yellow Millet Dream; Alice (1865)", function: "Consequence erased — or displaced inward" },
+  { id: "E07", name: "Mystery / whodunit", attestation: "Three Apples; Rue Morgue (1841)", function: "Story as puzzle; reader competes with detective" },
+  { id: "E08", name: "Locked-room problem", attestation: "Murders in the Rue Morgue (1841)", function: "Impossibility as hook; re-teaches seeing" },
+  { id: "E09", name: "Red herring", attestation: "Three Apples; Moonstone (1868)", function: "Misdirection that must be fair in retrospect" },
+  { id: "E10", name: "Dramatic irony", attestation: "Oedipus — audience knows", function: "Converts information gap into dread or comedy" },
+  { id: "E11", name: "Verbal & situational irony", attestation: "Socratic irony; Hebrew Bible", function: "Meaning doubled; the text winks" },
+  { id: "E12", name: "Unreliable narrator", attestation: "Lucius; Tell-Tale Heart; Booth 1961 term", function: "Reader promoted to judge of testimony" },
+  { id: "E13", name: "The MacGuffin", attestation: "Golden Fleece; Grail; Hitchcock term", function: "Pure plot-fuel; desire's placeholder" },
+  { id: "E14", name: "Prophecy & self-fulfilling prophecy", attestation: "Oedipus exposed because of prophecy", function: "Fate and agency collapsed into one mechanism" },
+  { id: "E15", name: "Flashback (analepsis)", attestation: "Odyssey Books 9–12", function: "Past delivered when it means most" },
+  { id: "E16", name: "Flash-forward (prolepsis)", attestation: "Epic prophecy; Spark 1961 systematic", function: "Outcome revealed; interest transfers to causation" },
+  { id: "E17", name: "Frame reveal", attestation: "Turn of the Screw (1898)", function: "The container becomes the twist" },
+  { id: "E18", name: "Mistaken identity", attestation: "Menaechmi (~200 BCE)", function: "Identity as social construction" },
+  { id: "E19", name: "Disguise & revelation", attestation: "Odysseus as beggar; Inanna's gates", function: "Truth staged as striptease of identity" },
+  { id: "E20", name: "Bed-trick / substituted lover", attestation: "Genesis Leah/Rachel; Shakespeare", function: "Consent and identity interrogated by plot" },
+  { id: "E21", name: "Rule of three", attestation: "Universal oral tale (Olrik epic laws)", function: "Pattern-establish, confirm, break" },
+  { id: "E22", name: "Repetition with escalation", attestation: "Three trials; Peter's three denials", function: "Rhythm as meaning; third time transforms" },
+  { id: "E23", name: "Leitmotif / recurring image", attestation: "Homeric epithets; Wagner term", function: "Meaning accrues by return; theme made sensory" },
+  { id: "E24", name: "Callback / bookend", attestation: "Ring composition", function: "Closure via echo; measures distance traveled" },
+  { id: "E25", name: "Symbolism", attestation: "Serpent, plant, walls in Gilgamesh", function: "Concrete objects carry abstract freight" },
+  { id: "E26", name: "Allegory", attestation: "Plato's Cave; Psychomachia", function: "Two coherent stories in one text" },
+  { id: "E27", name: "The dramatic question", attestation: "Implicit since Gilgamesh", function: "The spine every scene must load-bear" },
+  { id: "E28", name: "Suspense vs. surprise", attestation: "Hitchcock bomb-under-table theory", function: "Info early = dread; withheld = shock" },
+  { id: "E29", name: "Comic relief", attestation: "Satyr plays; Porter in Macbeth", function: "Pressure valve that deepens the dark" },
+  { id: "E30", name: "Fourth-wall break", attestation: "Aristophanic parabasis (425 BCE)", function: "Complicity with audience; frame made visible" },
+  { id: "E31", name: "Bathos & anticlimax", attestation: "Aristophanes; named by Pope 1727", function: "Deflation as commentary" },
+  { id: "E32", name: "Poetic justice", attestation: "Egyptian peasant tales; Rymer 1678 term", function: "Moral order enforced by plot" },
+  { id: "E33", name: "Ambiguous ending", attestation: "The Lady, or the Tiger? (1882); Genji", function: "Meaning delegated to reader permanently" },
+  { id: "E34", name: "Prophecy-with-loophole", attestation: "No man of woman born (Macbeth lineage)", function: "Fate as riddle; language as trapdoor" },
+  { id: "E35", name: "Reveal of parentage", attestation: "Sargon / Moses / Oedipus", function: "Identity as buried inheritance" },
+  { id: "E36", name: "Countdown / deadline", attestation: "Scheherazade's dawn; Persephone terms", function: "Time weaponized" },
+  { id: "E37", name: "Nested revelation", attestation: "Oedipus; 1001 Nights frame", function: "Solutions that open larger questions" },
+  { id: "E38", name: "Mimesis vs. diegesis choice", attestation: "Plato Republic Book III", function: "Showing vs. telling ratio defines style" },
+  { id: "E39", name: "Defamiliarization (ostranenie)", attestation: "Shklovsky 1917; practiced since metaphor", function: "Art makes the stone stony again" },
+  { id: "E40", name: "Ending as retroactive organizer", attestation: "Aristotle's insight", function: "The end is what the middle was for" },
+] as const;
+
+// ── PART VI — Invisible load-bearing walls (18) ─────────────────────────────
+export const LOAD_BEARING: readonly Taxon[] = [
+  { id: "L01", name: "Point of view / narration", attestation: "Sinuhe first-person (~1900 BCE); epic omniscient; Flaubert/James limited third", function: "POV determines what can be known — and therefore what the story is" },
+  { id: "L02", name: "Mimesis vs. diegesis", attestation: "Plato Republic III", function: "Every sentence chooses show or tell; ratio defines style" },
+  { id: "L03", name: "Narrator ≠ author", attestation: "Implicit in Sinuhe; theorized 20th c.", function: "Enables irony, unreliability, modern novel" },
+  { id: "L04", name: "Character arc / interiority", attestation: "Epic external → Genji / Augustine internal", function: "Migration of story from world to mind" },
+  { id: "L05", name: "Conflict typology", attestation: "All axes in Gilgamesh except technology", function: "Chosen conflict axis is the genre's DNA" },
+  { id: "L06", name: "Theme", attestation: "Gilgamesh: meaning in works and love", function: "The proposition the plot argues" },
+  { id: "L07", name: "Suspension of disbelief", attestation: "Coleridge 1817 name; operative since campfire", function: "Reader's contractual contribution; genre is the fine print" },
+  { id: "L08", name: "Genre as manipulable system", attestation: "Don Quixote kills chivalric romance", function: "Conventions kept, broken, or renegotiated" },
+  { id: "L09", name: "Medium and its constraints", attestation: "Oral formula → verse → prose → drama → serial → film → interactive", function: "Medium's economics silently author structure" },
+  { id: "L10", name: "Intertextuality and retelling", attestation: "Virgil rewriting Homer; Ovid myth system", function: "No fiction is an orphan; originality is recombination" },
+  { id: "L11", name: "Oral-formulaic composition", attestation: "Parry/Lord 1930s", function: "Pre-literate fiction assembled live from formulas" },
+  { id: "L12", name: "Translation and transmission", attestation: "Panchatantra → Persian → Arabic → European fable", function: "Structures migrate; stories are viral media" },
+  { id: "L13", name: "Censorship, taboo, patronage", attestation: "Aesopian animal-speech; court epic; market novel", function: "What cannot be said generates half of fiction's techniques" },
+  { id: "L14", name: "Audience ritual context", attestation: "Greek tragedy as civic ritual; fireside; binge-watch", function: "Reception context rewrites which structures work" },
+  { id: "L15", name: "Defamiliarization root function", attestation: "Shklovsky 1917", function: "Root function beneath every device" },
+  { id: "L16", name: "Names and titles", attestation: "Odysseus = man of pain/trouble", function: "Onomastic meaning; title as first sentence" },
+  { id: "L17", name: "Chapter/scene division and white space", attestation: "Invisible structural tool across media", function: "Where a text breaks controls suspense and meaning" },
+  { id: "L18", name: "The ending as retroactive organizer", attestation: "Aristotle", function: "Highest-leverage structural choice" },
+] as const;
+
+export const CONFLICT_AXES = [
+  "person vs. person",
+  "person vs. nature",
+  "person vs. self",
+  "person vs. society",
+  "person vs. fate",
+  "person vs. technology",
+] as const;
+
+export const POV_OPTIONS = [
+  "first-person retrospective",
+  "omniscient third",
+  "limited third",
+  "second person",
+  "multiple rotating limited third",
+  "epistolary collage",
+] as const;
+
+export const ENDING_TYPES = [
+  "closed / resolved",
+  "open",
+  "twist",
+  "circular",
+  "ambiguous",
+  "tragic fall",
+  "comic reintegration",
+  "bittersweet pyrrhic",
+] as const;
+
+export const TONE_PALETTE = [
+  "mythic-elevated",
+  "intimate-domestic",
+  "ironic-satirical",
+  "lyrical-elegiac",
+  "hardboiled-spare",
+  "baroque-ornate",
+  "uncanny-estranged",
+  "comic-picaresque",
+  "tragic-austere",
+  "oneiric-dreamlike",
+] as const;
+
+export const LENGTH_PROFILES = [
+  { id: "short", label: "Short story", chapters: 1, wordsPerChapter: 3500, pages: 8 },
+  { id: "novelette", label: "Novelette", chapters: 4, wordsPerChapter: 4000, pages: 16 },
+  { id: "novella", label: "Novella", chapters: 8, wordsPerChapter: 4500, pages: 32 },
+  { id: "novel", label: "Novel", chapters: 16, wordsPerChapter: 4500, pages: 64 },
+  { id: "epic", label: "Epic / saga", chapters: 28, wordsPerChapter: 5000, pages: 120 },
+] as const;
+
+export type LengthId = (typeof LENGTH_PROFILES)[number]["id"];
+
+/** Catalog counts for honesty / UI badges. */
+export const TAXONOMY_COUNTS = {
+  macro: MACRO_STRUCTURES.length,
+  campbell: CAMPBELL_BEATS.length,
+  propp: PROPP_FUNCTIONS.length,
+  micro: MICRO_UNITS.length,
+  settings: SETTINGS.length,
+  human: HUMAN_CHARS.length,
+  nonhuman: NONHUMAN_CHARS.length,
+  elements: STORY_ELEMENTS.length,
+  loadBearing: LOAD_BEARING.length,
+  metaFrameworks: META_FRAMEWORKS.length,
+} as const;
+
+export const TAXONOMY_TOTAL =
+  TAXONOMY_COUNTS.macro +
+  TAXONOMY_COUNTS.campbell +
+  TAXONOMY_COUNTS.propp +
+  TAXONOMY_COUNTS.micro +
+  TAXONOMY_COUNTS.settings +
+  TAXONOMY_COUNTS.human +
+  TAXONOMY_COUNTS.nonhuman +
+  TAXONOMY_COUNTS.elements +
+  TAXONOMY_COUNTS.loadBearing;
+
+/**
+ * P2 expanded taxonomy contract.
+ *
+ * The user-provided P2 catalog uses a stable numeric ID scheme. SAGE accepts
+ * the full scheme as a band contract and keeps the hand-authored, high-detail
+ * arrays above as the active seed pools. This separates two concerns:
+ * selectable runtime craft axes use validated local arrays; import/export and
+ * future flattening preserve the P2 row/count boundaries exactly.
+ */
+export const CONFIDENCE_TAGS = ["ATT", "CONV", "COD", "UNC", "DISP", "MOD", "ASSUM", "POST-CUTOFF"] as const;
+
+export const EXPANDED_TAXONOMY_BANDS = [
+  { band: "1000", name: "Macro structures", first: 1001, last: 1150, rows: 150 },
+  { band: "2000", name: "Micro structures / beats", first: 2001, last: 2148, rows: 148 },
+  { band: "3000", name: "Location / setting archetypes", first: 3001, last: 3100, rows: 100 },
+  { band: "4000", name: "Human character archetypes", first: 4001, last: 4137, rows: 137 },
+  { band: "5000", name: "Non-human character archetypes", first: 5001, last: 5106, rows: 106 },
+  { band: "6000", name: "Twists / mystery / devices", first: 6001, last: 6112, rows: 112 },
+  { band: "7000", name: "Foundational / meta elements", first: 7001, last: 7052, rows: 52 },
+  { band: "8000", name: "Non-Western structural systems", first: 8001, last: 8056, rows: 56 },
+  { band: "9000", name: "Motif / theme classes", first: 9001, last: 9060, rows: 60 },
+] as const;
+
+export const EXPANDED_TAXONOMY_TOTAL = EXPANDED_TAXONOMY_BANDS.reduce((n, b) => n + b.rows, 0);
+
+export function expandedBandForId(id: number) {
+  return EXPANDED_TAXONOMY_BANDS.find((b) => id >= b.first && id <= b.last) ?? null;
+}