snappy 0.0.16 → 0.0.17

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Files changed (72) hide show
  1. checksums.yaml +4 -4
  2. data/lib/snappy/version.rb +1 -1
  3. data/snappy.gemspec +6 -26
  4. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/AUTHORS +0 -0
  5. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/COPYING +0 -0
  6. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/ChangeLog +0 -0
  7. data/vendor/snappy/INSTALL +370 -0
  8. data/vendor/snappy/Makefile +982 -0
  9. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/Makefile.am +0 -0
  10. data/vendor/snappy/Makefile.in +982 -0
  11. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/NEWS +0 -0
  12. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/README +0 -0
  13. data/vendor/snappy/aclocal.m4 +9738 -0
  14. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/autogen.sh +0 -0
  15. data/vendor/snappy/autom4te.cache/output.0 +18856 -0
  16. data/vendor/snappy/autom4te.cache/output.1 +18852 -0
  17. data/vendor/snappy/autom4te.cache/requests +297 -0
  18. data/vendor/snappy/autom4te.cache/traces.0 +2689 -0
  19. data/vendor/snappy/autom4te.cache/traces.1 +714 -0
  20. data/vendor/snappy/config.guess +1530 -0
  21. data/vendor/snappy/config.h +135 -0
  22. data/vendor/snappy/config.h.in +134 -0
  23. data/vendor/snappy/config.log +1640 -0
  24. data/vendor/snappy/config.status +2318 -0
  25. data/vendor/snappy/config.sub +1773 -0
  26. data/vendor/snappy/configure +18852 -0
  27. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/configure.ac +0 -0
  28. data/vendor/snappy/depcomp +688 -0
  29. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/format_description.txt +0 -0
  30. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/framing_format.txt +0 -0
  31. data/vendor/snappy/install-sh +527 -0
  32. data/vendor/snappy/libtool +10246 -0
  33. data/vendor/snappy/ltmain.sh +9661 -0
  34. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/m4/gtest.m4 +0 -0
  35. data/vendor/snappy/m4/libtool.m4 +8001 -0
  36. data/vendor/snappy/m4/ltoptions.m4 +384 -0
  37. data/vendor/snappy/m4/ltsugar.m4 +123 -0
  38. data/vendor/snappy/m4/ltversion.m4 +23 -0
  39. data/vendor/snappy/m4/lt~obsolete.m4 +98 -0
  40. data/vendor/snappy/missing +331 -0
  41. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-c.cc +0 -0
  42. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-c.h +0 -0
  43. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-internal.h +0 -0
  44. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-sinksource.cc +0 -0
  45. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-sinksource.h +0 -0
  46. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-stubs-internal.cc +0 -0
  47. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-stubs-internal.h +0 -0
  48. data/vendor/snappy/snappy-stubs-public.h +100 -0
  49. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-stubs-public.h.in +0 -0
  50. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-test.cc +0 -0
  51. data/{home/travis/build/miyucy/snappy/vendor → vendor}/snappy/snappy-test.h +0 -0
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  57. data/vendor/snappy/stamp-h1 +1 -0
  58. metadata +55 -40
  59. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/alice29.txt +0 -3609
  60. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/asyoulik.txt +0 -4122
  61. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/baddata1.snappy +0 -0
  62. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/baddata2.snappy +0 -0
  63. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/baddata3.snappy +0 -0
  64. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/fireworks.jpeg +0 -0
  65. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/geo.protodata +0 -0
  66. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/html +0 -1
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  68. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/kppkn.gtb +0 -0
  69. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/lcet10.txt +0 -7519
  70. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/paper-100k.pdf +2 -600
  71. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/plrabn12.txt +0 -10699
  72. data/home/travis/build/miyucy/snappy/vendor/snappy/testdata/urls.10K +0 -10000
@@ -1,4122 +0,0 @@
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- AS YOU LIKE IT
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-
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-
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- DRAMATIS PERSONAE
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-
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-
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- DUKE SENIOR living in banishment.
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-
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- DUKE FREDERICK his brother, an usurper of his dominions.
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-
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-
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- AMIENS |
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- | lords attending on the banished duke.
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- JAQUES |
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-
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-
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- LE BEAU a courtier attending upon Frederick.
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-
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- CHARLES wrestler to Frederick.
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-
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-
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- OLIVER |
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- |
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- JAQUES (JAQUES DE BOYS:) | sons of Sir Rowland de Boys.
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- |
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- ORLANDO |
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-
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-
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- ADAM |
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- | servants to Oliver.
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- DENNIS |
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-
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-
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- TOUCHSTONE a clown.
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-
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- SIR OLIVER MARTEXT a vicar.
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-
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-
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- CORIN |
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- | shepherds.
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- SILVIUS |
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-
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-
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- WILLIAM a country fellow in love with Audrey.
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-
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- A person representing HYMEN. (HYMEN:)
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-
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- ROSALIND daughter to the banished duke.
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-
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- CELIA daughter to Frederick.
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-
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- PHEBE a shepherdess.
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-
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- AUDREY a country wench.
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-
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- Lords, pages, and attendants, &c.
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- (Forester:)
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- (A Lord:)
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- (First Lord:)
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- (Second Lord:)
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- (First Page:)
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- (Second Page:)
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-
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-
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- SCENE Oliver's house; Duke Frederick's court; and the
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- Forest of Arden.
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-
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-
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-
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-
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- AS YOU LIKE IT
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-
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-
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- ACT I
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-
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-
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-
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- SCENE I Orchard of Oliver's house.
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-
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-
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- [Enter ORLANDO and ADAM]
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-
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- ORLANDO As I remember, Adam, it was upon this fashion
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- bequeathed me by will but poor a thousand crowns,
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- and, as thou sayest, charged my brother, on his
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- blessing, to breed me well: and there begins my
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- sadness. My brother Jaques he keeps at school, and
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- report speaks goldenly of his profit: for my part,
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- he keeps me rustically at home, or, to speak more
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- properly, stays me here at home unkept; for call you
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- that keeping for a gentleman of my birth, that
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- differs not from the stalling of an ox? His horses
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- are bred better; for, besides that they are fair
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- with their feeding, they are taught their manage,
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- and to that end riders dearly hired: but I, his
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- brother, gain nothing under him but growth; for the
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- which his animals on his dunghills are as much
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- bound to him as I. Besides this nothing that he so
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- plentifully gives me, the something that nature gave
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- me his countenance seems to take from me: he lets
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- me feed with his hinds, bars me the place of a
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- brother, and, as much as in him lies, mines my
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- gentility with my education. This is it, Adam, that
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- grieves me; and the spirit of my father, which I
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- think is within me, begins to mutiny against this
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- servitude: I will no longer endure it, though yet I
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- know no wise remedy how to avoid it.
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-
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- ADAM Yonder comes my master, your brother.
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-
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- ORLANDO Go apart, Adam, and thou shalt hear how he will
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- shake me up.
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-
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- [Enter OLIVER]
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-
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- OLIVER Now, sir! what make you here?
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-
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- ORLANDO Nothing: I am not taught to make any thing.
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-
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- OLIVER What mar you then, sir?
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-
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- ORLANDO Marry, sir, I am helping you to mar that which God
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- made, a poor unworthy brother of yours, with idleness.
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-
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- OLIVER Marry, sir, be better employed, and be naught awhile.
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-
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- ORLANDO Shall I keep your hogs and eat husks with them?
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- What prodigal portion have I spent, that I should
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- come to such penury?
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-
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- OLIVER Know you where your are, sir?
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-
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- ORLANDO O, sir, very well; here in your orchard.
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-
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- OLIVER Know you before whom, sir?
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-
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- ORLANDO Ay, better than him I am before knows me. I know
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- you are my eldest brother; and, in the gentle
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- condition of blood, you should so know me. The
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- courtesy of nations allows you my better, in that
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- you are the first-born; but the same tradition
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- takes not away my blood, were there twenty brothers
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- betwixt us: I have as much of my father in me as
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- you; albeit, I confess, your coming before me is
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- nearer to his reverence.
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-
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- OLIVER What, boy!
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-
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- ORLANDO Come, come, elder brother, you are too young in this.
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-
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- OLIVER Wilt thou lay hands on me, villain?
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-
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- ORLANDO I am no villain; I am the youngest son of Sir
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- Rowland de Boys; he was my father, and he is thrice
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- a villain that says such a father begot villains.
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- Wert thou not my brother, I would not take this hand
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- from thy throat till this other had pulled out thy
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- tongue for saying so: thou hast railed on thyself.
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-
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- ADAM Sweet masters, be patient: for your father's
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- remembrance, be at accord.
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-
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- OLIVER Let me go, I say.
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-
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- ORLANDO I will not, till I please: you shall hear me. My
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- father charged you in his will to give me good
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- education: you have trained me like a peasant,
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- obscuring and hiding from me all gentleman-like
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- qualities. The spirit of my father grows strong in
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- me, and I will no longer endure it: therefore allow
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- me such exercises as may become a gentleman, or
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- give me the poor allottery my father left me by
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- testament; with that I will go buy my fortunes.
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-
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- OLIVER And what wilt thou do? beg, when that is spent?
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- Well, sir, get you in: I will not long be troubled
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- with you; you shall have some part of your will: I
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- pray you, leave me.
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-
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- ORLANDO I will no further offend you than becomes me for my good.
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-
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- OLIVER Get you with him, you old dog.
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-
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- ADAM Is 'old dog' my reward? Most true, I have lost my
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- teeth in your service. God be with my old master!
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- he would not have spoke such a word.
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-
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- [Exeunt ORLANDO and ADAM]
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-
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- OLIVER Is it even so? begin you to grow upon me? I will
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- physic your rankness, and yet give no thousand
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- crowns neither. Holla, Dennis!
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-
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- [Enter DENNIS]
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-
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- DENNIS Calls your worship?
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-
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- OLIVER Was not Charles, the duke's wrestler, here to speak with me?
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-
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- DENNIS So please you, he is here at the door and importunes
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- access to you.
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-
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- OLIVER Call him in.
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-
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- [Exit DENNIS]
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- 'Twill be a good way; and to-morrow the wrestling is.
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-
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- [Enter CHARLES]
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- CHARLES Good morrow to your worship.
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-
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- OLIVER Good Monsieur Charles, what's the new news at the
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- new court?
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-
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- CHARLES There's no news at the court, sir, but the old news:
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- that is, the old duke is banished by his younger
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- brother the new duke; and three or four loving lords
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- have put themselves into voluntary exile with him,
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- whose lands and revenues enrich the new duke;
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- therefore he gives them good leave to wander.
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-
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- OLIVER Can you tell if Rosalind, the duke's daughter, be
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- banished with her father?
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-
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- CHARLES O, no; for the duke's daughter, her cousin, so loves
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- her, being ever from their cradles bred together,
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- that she would have followed her exile, or have died
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- to stay behind her. She is at the court, and no
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- less beloved of her uncle than his own daughter; and
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- never two ladies loved as they do.
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-
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- OLIVER Where will the old duke live?
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-
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- CHARLES They say he is already in the forest of Arden, and
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- a many merry men with him; and there they live like
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- the old Robin Hood of England: they say many young
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- gentlemen flock to him every day, and fleet the time
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- carelessly, as they did in the golden world.
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-
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- OLIVER What, you wrestle to-morrow before the new duke?
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-
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- CHARLES Marry, do I, sir; and I came to acquaint you with a
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- matter. I am given, sir, secretly to understand
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- that your younger brother Orlando hath a disposition
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- to come in disguised against me to try a fall.
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- To-morrow, sir, I wrestle for my credit; and he that
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- escapes me without some broken limb shall acquit him
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- well. Your brother is but young and tender; and,
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- for your love, I would be loath to foil him, as I
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- must, for my own honour, if he come in: therefore,
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- out of my love to you, I came hither to acquaint you
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- withal, that either you might stay him from his
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- intendment or brook such disgrace well as he shall
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- run into, in that it is a thing of his own search
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- and altogether against my will.
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-
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- OLIVER Charles, I thank thee for thy love to me, which
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- thou shalt find I will most kindly requite. I had
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- myself notice of my brother's purpose herein and
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- have by underhand means laboured to dissuade him from
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- it, but he is resolute. I'll tell thee, Charles:
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- it is the stubbornest young fellow of France, full
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- of ambition, an envious emulator of every man's
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- good parts, a secret and villanous contriver against
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- me his natural brother: therefore use thy
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- discretion; I had as lief thou didst break his neck
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- as his finger. And thou wert best look to't; for if
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- thou dost him any slight disgrace or if he do not
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- mightily grace himself on thee, he will practise
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- against thee by poison, entrap thee by some
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- treacherous device and never leave thee till he
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- hath ta'en thy life by some indirect means or other;
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- for, I assure thee, and almost with tears I speak
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- it, there is not one so young and so villanous this
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- day living. I speak but brotherly of him; but
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- should I anatomize him to thee as he is, I must
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- blush and weep and thou must look pale and wonder.
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-
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- CHARLES I am heartily glad I came hither to you. If he come
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- to-morrow, I'll give him his payment: if ever he go
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- alone again, I'll never wrestle for prize more: and
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- so God keep your worship!
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- OLIVER Farewell, good Charles.
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- [Exit CHARLES]
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- Now will I stir this gamester: I hope I shall see
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- an end of him; for my soul, yet I know not why,
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- hates nothing more than he. Yet he's gentle, never
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- schooled and yet learned, full of noble device, of
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- all sorts enchantingly beloved, and indeed so much
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- in the heart of the world, and especially of my own
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- people, who best know him, that I am altogether
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- misprised: but it shall not be so long; this
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- wrestler shall clear all: nothing remains but that
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- I kindle the boy thither; which now I'll go about.
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-
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- [Exit]
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- AS YOU LIKE IT
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-
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- ACT I
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-
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- SCENE II Lawn before the Duke's palace.
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-
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- [Enter CELIA and ROSALIND]
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- CELIA I pray thee, Rosalind, sweet my coz, be merry.
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- ROSALIND Dear Celia, I show more mirth than I am mistress of;
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- and would you yet I were merrier? Unless you could
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- teach me to forget a banished father, you must not
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- learn me how to remember any extraordinary pleasure.
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- CELIA Herein I see thou lovest me not with the full weight
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- that I love thee. If my uncle, thy banished father,
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- had banished thy uncle, the duke my father, so thou
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- hadst been still with me, I could have taught my
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- love to take thy father for mine: so wouldst thou,
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- if the truth of thy love to me were so righteously
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- tempered as mine is to thee.
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- ROSALIND Well, I will forget the condition of my estate, to
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- rejoice in yours.
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- CELIA You know my father hath no child but I, nor none is
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- like to have: and, truly, when he dies, thou shalt
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- be his heir, for what he hath taken away from thy
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- father perforce, I will render thee again in
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- affection; by mine honour, I will; and when I break
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- that oath, let me turn monster: therefore, my
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- sweet Rose, my dear Rose, be merry.
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- ROSALIND From henceforth I will, coz, and devise sports. Let
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- me see; what think you of falling in love?
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- CELIA Marry, I prithee, do, to make sport withal: but
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- love no man in good earnest; nor no further in sport
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- neither than with safety of a pure blush thou mayst
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- in honour come off again.
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-
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- ROSALIND What shall be our sport, then?
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- CELIA Let us sit and mock the good housewife Fortune from
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- her wheel, that her gifts may henceforth be bestowed equally.
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- ROSALIND I would we could do so, for her benefits are
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- mightily misplaced, and the bountiful blind woman
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- doth most mistake in her gifts to women.
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- CELIA 'Tis true; for those that she makes fair she scarce
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- makes honest, and those that she makes honest she
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- makes very ill-favouredly.
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- ROSALIND Nay, now thou goest from Fortune's office to
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- Nature's: Fortune reigns in gifts of the world,
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- not in the lineaments of Nature.
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-
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- [Enter TOUCHSTONE]
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- CELIA No? when Nature hath made a fair creature, may she
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- not by Fortune fall into the fire? Though Nature
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- hath given us wit to flout at Fortune, hath not
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- Fortune sent in this fool to cut off the argument?
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- ROSALIND Indeed, there is Fortune too hard for Nature, when
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- Fortune makes Nature's natural the cutter-off of
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- Nature's wit.
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- CELIA Peradventure this is not Fortune's work neither, but
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- Nature's; who perceiveth our natural wits too dull
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- to reason of such goddesses and hath sent this
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- natural for our whetstone; for always the dulness of
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- the fool is the whetstone of the wits. How now,
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- wit! whither wander you?
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- TOUCHSTONE Mistress, you must come away to your father.
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- CELIA Were you made the messenger?
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- TOUCHSTONE No, by mine honour, but I was bid to come for you.
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- ROSALIND Where learned you that oath, fool?
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- TOUCHSTONE Of a certain knight that swore by his honour they
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- were good pancakes and swore by his honour the
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- mustard was naught: now I'll stand to it, the
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- pancakes were naught and the mustard was good, and
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- yet was not the knight forsworn.
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- CELIA How prove you that, in the great heap of your
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- knowledge?
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- ROSALIND Ay, marry, now unmuzzle your wisdom.
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- TOUCHSTONE Stand you both forth now: stroke your chins, and
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- swear by your beards that I am a knave.
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- CELIA By our beards, if we had them, thou art.
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- TOUCHSTONE By my knavery, if I had it, then I were; but if you
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- swear by that that is not, you are not forsworn: no
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- more was this knight swearing by his honour, for he
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- never had any; or if he had, he had sworn it away
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- before ever he saw those pancakes or that mustard.
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- CELIA Prithee, who is't that thou meanest?
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- TOUCHSTONE One that old Frederick, your father, loves.
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- CELIA My father's love is enough to honour him: enough!
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- speak no more of him; you'll be whipped for taxation
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- one of these days.
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- TOUCHSTONE The more pity, that fools may not speak wisely what
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- wise men do foolishly.
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- CELIA By my troth, thou sayest true; for since the little
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- wit that fools have was silenced, the little foolery
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- that wise men have makes a great show. Here comes
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- Monsieur Le Beau.
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- ROSALIND With his mouth full of news.
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-
434
- CELIA Which he will put on us, as pigeons feed their young.
435
-
436
- ROSALIND Then shall we be news-crammed.
437
-
438
- CELIA All the better; we shall be the more marketable.
439
-
440
- [Enter LE BEAU]
441
-
442
- Bon jour, Monsieur Le Beau: what's the news?
443
-
444
- LE BEAU Fair princess, you have lost much good sport.
445
-
446
- CELIA Sport! of what colour?
447
-
448
- LE BEAU What colour, madam! how shall I answer you?
449
-
450
- ROSALIND As wit and fortune will.
451
-
452
- TOUCHSTONE Or as the Destinies decree.
453
-
454
- CELIA Well said: that was laid on with a trowel.
455
-
456
- TOUCHSTONE Nay, if I keep not my rank,--
457
-
458
- ROSALIND Thou losest thy old smell.
459
-
460
- LE BEAU You amaze me, ladies: I would have told you of good
461
- wrestling, which you have lost the sight of.
462
-
463
- ROSALIND You tell us the manner of the wrestling.
464
-
465
- LE BEAU I will tell you the beginning; and, if it please
466
- your ladyships, you may see the end; for the best is
467
- yet to do; and here, where you are, they are coming
468
- to perform it.
469
-
470
- CELIA Well, the beginning, that is dead and buried.
471
-
472
- LE BEAU There comes an old man and his three sons,--
473
-
474
- CELIA I could match this beginning with an old tale.
475
-
476
- LE BEAU Three proper young men, of excellent growth and presence.
477
-
478
- ROSALIND With bills on their necks, 'Be it known unto all men
479
- by these presents.'
480
-
481
- LE BEAU The eldest of the three wrestled with Charles, the
482
- duke's wrestler; which Charles in a moment threw him
483
- and broke three of his ribs, that there is little
484
- hope of life in him: so he served the second, and
485
- so the third. Yonder they lie; the poor old man,
486
- their father, making such pitiful dole over them
487
- that all the beholders take his part with weeping.
488
-
489
- ROSALIND Alas!
490
-
491
- TOUCHSTONE But what is the sport, monsieur, that the ladies
492
- have lost?
493
-
494
- LE BEAU Why, this that I speak of.
495
-
496
- TOUCHSTONE Thus men may grow wiser every day: it is the first
497
- time that ever I heard breaking of ribs was sport
498
- for ladies.
499
-
500
- CELIA Or I, I promise thee.
501
-
502
- ROSALIND But is there any else longs to see this broken music
503
- in his sides? is there yet another dotes upon
504
- rib-breaking? Shall we see this wrestling, cousin?
505
-
506
- LE BEAU You must, if you stay here; for here is the place
507
- appointed for the wrestling, and they are ready to
508
- perform it.
509
-
510
- CELIA Yonder, sure, they are coming: let us now stay and see it.
511
-
512
- [Flourish. Enter DUKE FREDERICK, Lords, ORLANDO,
513
- CHARLES, and Attendants]
514
-
515
- DUKE FREDERICK Come on: since the youth will not be entreated, his
516
- own peril on his forwardness.
517
-
518
- ROSALIND Is yonder the man?
519
-
520
- LE BEAU Even he, madam.
521
-
522
- CELIA Alas, he is too young! yet he looks successfully.
523
-
524
- DUKE FREDERICK How now, daughter and cousin! are you crept hither
525
- to see the wrestling?
526
-
527
- ROSALIND Ay, my liege, so please you give us leave.
528
-
529
- DUKE FREDERICK You will take little delight in it, I can tell you;
530
- there is such odds in the man. In pity of the
531
- challenger's youth I would fain dissuade him, but he
532
- will not be entreated. Speak to him, ladies; see if
533
- you can move him.
534
-
535
- CELIA Call him hither, good Monsieur Le Beau.
536
-
537
- DUKE FREDERICK Do so: I'll not be by.
538
-
539
- LE BEAU Monsieur the challenger, the princesses call for you.
540
-
541
- ORLANDO I attend them with all respect and duty.
542
-
543
- ROSALIND Young man, have you challenged Charles the wrestler?
544
-
545
- ORLANDO No, fair princess; he is the general challenger: I
546
- come but in, as others do, to try with him the
547
- strength of my youth.
548
-
549
- CELIA Young gentleman, your spirits are too bold for your
550
- years. You have seen cruel proof of this man's
551
- strength: if you saw yourself with your eyes or
552
- knew yourself with your judgment, the fear of your
553
- adventure would counsel you to a more equal
554
- enterprise. We pray you, for your own sake, to
555
- embrace your own safety and give over this attempt.
556
-
557
- ROSALIND Do, young sir; your reputation shall not therefore
558
- be misprised: we will make it our suit to the duke
559
- that the wrestling might not go forward.
560
-
561
- ORLANDO I beseech you, punish me not with your hard
562
- thoughts; wherein I confess me much guilty, to deny
563
- so fair and excellent ladies any thing. But let
564
- your fair eyes and gentle wishes go with me to my
565
- trial: wherein if I be foiled, there is but one
566
- shamed that was never gracious; if killed, but one
567
- dead that was willing to be so: I shall do my
568
- friends no wrong, for I have none to lament me, the
569
- world no injury, for in it I have nothing; only in
570
- the world I fill up a place, which may be better
571
- supplied when I have made it empty.
572
-
573
- ROSALIND The little strength that I have, I would it were with you.
574
-
575
- CELIA And mine, to eke out hers.
576
-
577
- ROSALIND Fare you well: pray heaven I be deceived in you!
578
-
579
- CELIA Your heart's desires be with you!
580
-
581
- CHARLES Come, where is this young gallant that is so
582
- desirous to lie with his mother earth?
583
-
584
- ORLANDO Ready, sir; but his will hath in it a more modest working.
585
-
586
- DUKE FREDERICK You shall try but one fall.
587
-
588
- CHARLES No, I warrant your grace, you shall not entreat him
589
- to a second, that have so mightily persuaded him
590
- from a first.
591
-
592
- ORLANDO An you mean to mock me after, you should not have
593
- mocked me before: but come your ways.
594
-
595
- ROSALIND Now Hercules be thy speed, young man!
596
-
597
- CELIA I would I were invisible, to catch the strong
598
- fellow by the leg.
599
-
600
- [They wrestle]
601
-
602
- ROSALIND O excellent young man!
603
-
604
- CELIA If I had a thunderbolt in mine eye, I can tell who
605
- should down.
606
-
607
- [Shout. CHARLES is thrown]
608
-
609
- DUKE FREDERICK No more, no more.
610
-
611
- ORLANDO Yes, I beseech your grace: I am not yet well breathed.
612
-
613
- DUKE FREDERICK How dost thou, Charles?
614
-
615
- LE BEAU He cannot speak, my lord.
616
-
617
- DUKE FREDERICK Bear him away. What is thy name, young man?
618
-
619
- ORLANDO Orlando, my liege; the youngest son of Sir Rowland de Boys.
620
-
621
- DUKE FREDERICK I would thou hadst been son to some man else:
622
- The world esteem'd thy father honourable,
623
- But I did find him still mine enemy:
624
- Thou shouldst have better pleased me with this deed,
625
- Hadst thou descended from another house.
626
- But fare thee well; thou art a gallant youth:
627
- I would thou hadst told me of another father.
628
-
629
- [Exeunt DUKE FREDERICK, train, and LE BEAU]
630
-
631
- CELIA Were I my father, coz, would I do this?
632
-
633
- ORLANDO I am more proud to be Sir Rowland's son,
634
- His youngest son; and would not change that calling,
635
- To be adopted heir to Frederick.
636
-
637
- ROSALIND My father loved Sir Rowland as his soul,
638
- And all the world was of my father's mind:
639
- Had I before known this young man his son,
640
- I should have given him tears unto entreaties,
641
- Ere he should thus have ventured.
642
-
643
- CELIA Gentle cousin,
644
- Let us go thank him and encourage him:
645
- My father's rough and envious disposition
646
- Sticks me at heart. Sir, you have well deserved:
647
- If you do keep your promises in love
648
- But justly, as you have exceeded all promise,
649
- Your mistress shall be happy.
650
-
651
- ROSALIND Gentleman,
652
-
653
- [Giving him a chain from her neck]
654
-
655
- Wear this for me, one out of suits with fortune,
656
- That could give more, but that her hand lacks means.
657
- Shall we go, coz?
658
-
659
- CELIA Ay. Fare you well, fair gentleman.
660
-
661
- ORLANDO Can I not say, I thank you? My better parts
662
- Are all thrown down, and that which here stands up
663
- Is but a quintain, a mere lifeless block.
664
-
665
- ROSALIND He calls us back: my pride fell with my fortunes;
666
- I'll ask him what he would. Did you call, sir?
667
- Sir, you have wrestled well and overthrown
668
- More than your enemies.
669
-
670
- CELIA Will you go, coz?
671
-
672
- ROSALIND Have with you. Fare you well.
673
-
674
- [Exeunt ROSALIND and CELIA]
675
-
676
- ORLANDO What passion hangs these weights upon my tongue?
677
- I cannot speak to her, yet she urged conference.
678
- O poor Orlando, thou art overthrown!
679
- Or Charles or something weaker masters thee.
680
-
681
- [Re-enter LE BEAU]
682
-
683
- LE BEAU Good sir, I do in friendship counsel you
684
- To leave this place. Albeit you have deserved
685
- High commendation, true applause and love,
686
- Yet such is now the duke's condition
687
- That he misconstrues all that you have done.
688
- The duke is humorous; what he is indeed,
689
- More suits you to conceive than I to speak of.
690
-
691
- ORLANDO I thank you, sir: and, pray you, tell me this:
692
- Which of the two was daughter of the duke
693
- That here was at the wrestling?
694
-
695
- LE BEAU Neither his daughter, if we judge by manners;
696
- But yet indeed the lesser is his daughter
697
- The other is daughter to the banish'd duke,
698
- And here detain'd by her usurping uncle,
699
- To keep his daughter company; whose loves
700
- Are dearer than the natural bond of sisters.
701
- But I can tell you that of late this duke
702
- Hath ta'en displeasure 'gainst his gentle niece,
703
- Grounded upon no other argument
704
- But that the people praise her for her virtues
705
- And pity her for her good father's sake;
706
- And, on my life, his malice 'gainst the lady
707
- Will suddenly break forth. Sir, fare you well:
708
- Hereafter, in a better world than this,
709
- I shall desire more love and knowledge of you.
710
-
711
- ORLANDO I rest much bounden to you: fare you well.
712
-
713
- [Exit LE BEAU]
714
-
715
- Thus must I from the smoke into the smother;
716
- From tyrant duke unto a tyrant brother:
717
- But heavenly Rosalind!
718
-
719
- [Exit]
720
-
721
-
722
-
723
-
724
- AS YOU LIKE IT
725
-
726
-
727
- ACT I
728
-
729
-
730
-
731
- SCENE III A room in the palace.
732
-
733
-
734
- [Enter CELIA and ROSALIND]
735
-
736
- CELIA Why, cousin! why, Rosalind! Cupid have mercy! not a word?
737
-
738
- ROSALIND Not one to throw at a dog.
739
-
740
- CELIA No, thy words are too precious to be cast away upon
741
- curs; throw some of them at me; come, lame me with reasons.
742
-
743
- ROSALIND Then there were two cousins laid up; when the one
744
- should be lamed with reasons and the other mad
745
- without any.
746
-
747
- CELIA But is all this for your father?
748
-
749
- ROSALIND No, some of it is for my child's father. O, how
750
- full of briers is this working-day world!
751
-
752
- CELIA They are but burs, cousin, thrown upon thee in
753
- holiday foolery: if we walk not in the trodden
754
- paths our very petticoats will catch them.
755
-
756
- ROSALIND I could shake them off my coat: these burs are in my heart.
757
-
758
- CELIA Hem them away.
759
-
760
- ROSALIND I would try, if I could cry 'hem' and have him.
761
-
762
- CELIA Come, come, wrestle with thy affections.
763
-
764
- ROSALIND O, they take the part of a better wrestler than myself!
765
-
766
- CELIA O, a good wish upon you! you will try in time, in
767
- despite of a fall. But, turning these jests out of
768
- service, let us talk in good earnest: is it
769
- possible, on such a sudden, you should fall into so
770
- strong a liking with old Sir Rowland's youngest son?
771
-
772
- ROSALIND The duke my father loved his father dearly.
773
-
774
- CELIA Doth it therefore ensue that you should love his son
775
- dearly? By this kind of chase, I should hate him,
776
- for my father hated his father dearly; yet I hate
777
- not Orlando.
778
-
779
- ROSALIND No, faith, hate him not, for my sake.
780
-
781
- CELIA Why should I not? doth he not deserve well?
782
-
783
- ROSALIND Let me love him for that, and do you love him
784
- because I do. Look, here comes the duke.
785
-
786
- CELIA With his eyes full of anger.
787
-
788
- [Enter DUKE FREDERICK, with Lords]
789
-
790
- DUKE FREDERICK Mistress, dispatch you with your safest haste
791
- And get you from our court.
792
-
793
- ROSALIND Me, uncle?
794
-
795
- DUKE FREDERICK You, cousin
796
- Within these ten days if that thou be'st found
797
- So near our public court as twenty miles,
798
- Thou diest for it.
799
-
800
- ROSALIND I do beseech your grace,
801
- Let me the knowledge of my fault bear with me:
802
- If with myself I hold intelligence
803
- Or have acquaintance with mine own desires,
804
- If that I do not dream or be not frantic,--
805
- As I do trust I am not--then, dear uncle,
806
- Never so much as in a thought unborn
807
- Did I offend your highness.
808
-
809
- DUKE FREDERICK Thus do all traitors:
810
- If their purgation did consist in words,
811
- They are as innocent as grace itself:
812
- Let it suffice thee that I trust thee not.
813
-
814
- ROSALIND Yet your mistrust cannot make me a traitor:
815
- Tell me whereon the likelihood depends.
816
-
817
- DUKE FREDERICK Thou art thy father's daughter; there's enough.
818
-
819
- ROSALIND So was I when your highness took his dukedom;
820
- So was I when your highness banish'd him:
821
- Treason is not inherited, my lord;
822
- Or, if we did derive it from our friends,
823
- What's that to me? my father was no traitor:
824
- Then, good my liege, mistake me not so much
825
- To think my poverty is treacherous.
826
-
827
- CELIA Dear sovereign, hear me speak.
828
-
829
- DUKE FREDERICK Ay, Celia; we stay'd her for your sake,
830
- Else had she with her father ranged along.
831
-
832
- CELIA I did not then entreat to have her stay;
833
- It was your pleasure and your own remorse:
834
- I was too young that time to value her;
835
- But now I know her: if she be a traitor,
836
- Why so am I; we still have slept together,
837
- Rose at an instant, learn'd, play'd, eat together,
838
- And wheresoever we went, like Juno's swans,
839
- Still we went coupled and inseparable.
840
-
841
- DUKE FREDERICK She is too subtle for thee; and her smoothness,
842
- Her very silence and her patience
843
- Speak to the people, and they pity her.
844
- Thou art a fool: she robs thee of thy name;
845
- And thou wilt show more bright and seem more virtuous
846
- When she is gone. Then open not thy lips:
847
- Firm and irrevocable is my doom
848
- Which I have pass'd upon her; she is banish'd.
849
-
850
- CELIA Pronounce that sentence then on me, my liege:
851
- I cannot live out of her company.
852
-
853
- DUKE FREDERICK You are a fool. You, niece, provide yourself:
854
- If you outstay the time, upon mine honour,
855
- And in the greatness of my word, you die.
856
-
857
- [Exeunt DUKE FREDERICK and Lords]
858
-
859
- CELIA O my poor Rosalind, whither wilt thou go?
860
- Wilt thou change fathers? I will give thee mine.
861
- I charge thee, be not thou more grieved than I am.
862
-
863
- ROSALIND I have more cause.
864
-
865
- CELIA Thou hast not, cousin;
866
- Prithee be cheerful: know'st thou not, the duke
867
- Hath banish'd me, his daughter?
868
-
869
- ROSALIND That he hath not.
870
-
871
- CELIA No, hath not? Rosalind lacks then the love
872
- Which teacheth thee that thou and I am one:
873
- Shall we be sunder'd? shall we part, sweet girl?
874
- No: let my father seek another heir.
875
- Therefore devise with me how we may fly,
876
- Whither to go and what to bear with us;
877
- And do not seek to take your change upon you,
878
- To bear your griefs yourself and leave me out;
879
- For, by this heaven, now at our sorrows pale,
880
- Say what thou canst, I'll go along with thee.
881
-
882
- ROSALIND Why, whither shall we go?
883
-
884
- CELIA To seek my uncle in the forest of Arden.
885
-
886
- ROSALIND Alas, what danger will it be to us,
887
- Maids as we are, to travel forth so far!
888
- Beauty provoketh thieves sooner than gold.
889
-
890
- CELIA I'll put myself in poor and mean attire
891
- And with a kind of umber smirch my face;
892
- The like do you: so shall we pass along
893
- And never stir assailants.
894
-
895
- ROSALIND Were it not better,
896
- Because that I am more than common tall,
897
- That I did suit me all points like a man?
898
- A gallant curtle-axe upon my thigh,
899
- A boar-spear in my hand; and--in my heart
900
- Lie there what hidden woman's fear there will--
901
- We'll have a swashing and a martial outside,
902
- As many other mannish cowards have
903
- That do outface it with their semblances.
904
-
905
- CELIA What shall I call thee when thou art a man?
906
-
907
- ROSALIND I'll have no worse a name than Jove's own page;
908
- And therefore look you call me Ganymede.
909
- But what will you be call'd?
910
-
911
- CELIA Something that hath a reference to my state
912
- No longer Celia, but Aliena.
913
-
914
- ROSALIND But, cousin, what if we assay'd to steal
915
- The clownish fool out of your father's court?
916
- Would he not be a comfort to our travel?
917
-
918
- CELIA He'll go along o'er the wide world with me;
919
- Leave me alone to woo him. Let's away,
920
- And get our jewels and our wealth together,
921
- Devise the fittest time and safest way
922
- To hide us from pursuit that will be made
923
- After my flight. Now go we in content
924
- To liberty and not to banishment.
925
-
926
- [Exeunt]
927
-
928
-
929
-
930
-
931
- AS YOU LIKE IT
932
-
933
-
934
- ACT II
935
-
936
-
937
-
938
- SCENE I The Forest of Arden.
939
-
940
-
941
- [Enter DUKE SENIOR, AMIENS, and two or three Lords,
942
- like foresters]
943
-
944
- DUKE SENIOR Now, my co-mates and brothers in exile,
945
- Hath not old custom made this life more sweet
946
- Than that of painted pomp? Are not these woods
947
- More free from peril than the envious court?
948
- Here feel we but the penalty of Adam,
949
- The seasons' difference, as the icy fang
950
- And churlish chiding of the winter's wind,
951
- Which, when it bites and blows upon my body,
952
- Even till I shrink with cold, I smile and say
953
- 'This is no flattery: these are counsellors
954
- That feelingly persuade me what I am.'
955
- Sweet are the uses of adversity,
956
- Which, like the toad, ugly and venomous,
957
- Wears yet a precious jewel in his head;
958
- And this our life exempt from public haunt
959
- Finds tongues in trees, books in the running brooks,
960
- Sermons in stones and good in every thing.
961
- I would not change it.
962
-
963
- AMIENS Happy is your grace,
964
- That can translate the stubbornness of fortune
965
- Into so quiet and so sweet a style.
966
-
967
- DUKE SENIOR Come, shall we go and kill us venison?
968
- And yet it irks me the poor dappled fools,
969
- Being native burghers of this desert city,
970
- Should in their own confines with forked heads
971
- Have their round haunches gored.
972
-
973
- First Lord Indeed, my lord,
974
- The melancholy Jaques grieves at that,
975
- And, in that kind, swears you do more usurp
976
- Than doth your brother that hath banish'd you.
977
- To-day my Lord of Amiens and myself
978
- Did steal behind him as he lay along
979
- Under an oak whose antique root peeps out
980
- Upon the brook that brawls along this wood:
981
- To the which place a poor sequester'd stag,
982
- That from the hunter's aim had ta'en a hurt,
983
- Did come to languish, and indeed, my lord,
984
- The wretched animal heaved forth such groans
985
- That their discharge did stretch his leathern coat
986
- Almost to bursting, and the big round tears
987
- Coursed one another down his innocent nose
988
- In piteous chase; and thus the hairy fool
989
- Much marked of the melancholy Jaques,
990
- Stood on the extremest verge of the swift brook,
991
- Augmenting it with tears.
992
-
993
- DUKE SENIOR But what said Jaques?
994
- Did he not moralize this spectacle?
995
-
996
- First Lord O, yes, into a thousand similes.
997
- First, for his weeping into the needless stream;
998
- 'Poor deer,' quoth he, 'thou makest a testament
999
- As worldlings do, giving thy sum of more
1000
- To that which had too much:' then, being there alone,
1001
- Left and abandon'd of his velvet friends,
1002
- ''Tis right:' quoth he; 'thus misery doth part
1003
- The flux of company:' anon a careless herd,
1004
- Full of the pasture, jumps along by him
1005
- And never stays to greet him; 'Ay' quoth Jaques,
1006
- 'Sweep on, you fat and greasy citizens;
1007
- 'Tis just the fashion: wherefore do you look
1008
- Upon that poor and broken bankrupt there?'
1009
- Thus most invectively he pierceth through
1010
- The body of the country, city, court,
1011
- Yea, and of this our life, swearing that we
1012
- Are mere usurpers, tyrants and what's worse,
1013
- To fright the animals and to kill them up
1014
- In their assign'd and native dwelling-place.
1015
-
1016
- DUKE SENIOR And did you leave him in this contemplation?
1017
-
1018
- Second Lord We did, my lord, weeping and commenting
1019
- Upon the sobbing deer.
1020
-
1021
- DUKE SENIOR Show me the place:
1022
- I love to cope him in these sullen fits,
1023
- For then he's full of matter.
1024
-
1025
- First Lord I'll bring you to him straight.
1026
-
1027
- [Exeunt]
1028
-
1029
-
1030
-
1031
-
1032
- AS YOU LIKE IT
1033
-
1034
-
1035
- ACT II
1036
-
1037
-
1038
-
1039
- SCENE II A room in the palace.
1040
-
1041
-
1042
- [Enter DUKE FREDERICK, with Lords]
1043
-
1044
- DUKE FREDERICK Can it be possible that no man saw them?
1045
- It cannot be: some villains of my court
1046
- Are of consent and sufferance in this.
1047
-
1048
- First Lord I cannot hear of any that did see her.
1049
- The ladies, her attendants of her chamber,
1050
- Saw her abed, and in the morning early
1051
- They found the bed untreasured of their mistress.
1052
-
1053
- Second Lord My lord, the roynish clown, at whom so oft
1054
- Your grace was wont to laugh, is also missing.
1055
- Hisperia, the princess' gentlewoman,
1056
- Confesses that she secretly o'erheard
1057
- Your daughter and her cousin much commend
1058
- The parts and graces of the wrestler
1059
- That did but lately foil the sinewy Charles;
1060
- And she believes, wherever they are gone,
1061
- That youth is surely in their company.
1062
-
1063
- DUKE FREDERICK Send to his brother; fetch that gallant hither;
1064
- If he be absent, bring his brother to me;
1065
- I'll make him find him: do this suddenly,
1066
- And let not search and inquisition quail
1067
- To bring again these foolish runaways.
1068
-
1069
- [Exeunt]
1070
-
1071
-
1072
-
1073
-
1074
- AS YOU LIKE IT
1075
-
1076
-
1077
- ACT II
1078
-
1079
-
1080
-
1081
- SCENE III Before OLIVER'S house.
1082
-
1083
-
1084
- [Enter ORLANDO and ADAM, meeting]
1085
-
1086
- ORLANDO Who's there?
1087
-
1088
- ADAM What, my young master? O, my gentle master!
1089
- O my sweet master! O you memory
1090
- Of old Sir Rowland! why, what make you here?
1091
- Why are you virtuous? why do people love you?
1092
- And wherefore are you gentle, strong and valiant?
1093
- Why would you be so fond to overcome
1094
- The bonny priser of the humorous duke?
1095
- Your praise is come too swiftly home before you.
1096
- Know you not, master, to some kind of men
1097
- Their graces serve them but as enemies?
1098
- No more do yours: your virtues, gentle master,
1099
- Are sanctified and holy traitors to you.
1100
- O, what a world is this, when what is comely
1101
- Envenoms him that bears it!
1102
-
1103
- ORLANDO Why, what's the matter?
1104
-
1105
- ADAM O unhappy youth!
1106
- Come not within these doors; within this roof
1107
- The enemy of all your graces lives:
1108
- Your brother--no, no brother; yet the son--
1109
- Yet not the son, I will not call him son
1110
- Of him I was about to call his father--
1111
- Hath heard your praises, and this night he means
1112
- To burn the lodging where you use to lie
1113
- And you within it: if he fail of that,
1114
- He will have other means to cut you off.
1115
- I overheard him and his practises.
1116
- This is no place; this house is but a butchery:
1117
- Abhor it, fear it, do not enter it.
1118
-
1119
- ORLANDO Why, whither, Adam, wouldst thou have me go?
1120
-
1121
- ADAM No matter whither, so you come not here.
1122
-
1123
- ORLANDO What, wouldst thou have me go and beg my food?
1124
- Or with a base and boisterous sword enforce
1125
- A thievish living on the common road?
1126
- This I must do, or know not what to do:
1127
- Yet this I will not do, do how I can;
1128
- I rather will subject me to the malice
1129
- Of a diverted blood and bloody brother.
1130
-
1131
- ADAM But do not so. I have five hundred crowns,
1132
- The thrifty hire I saved under your father,
1133
- Which I did store to be my foster-nurse
1134
- When service should in my old limbs lie lame
1135
- And unregarded age in corners thrown:
1136
- Take that, and He that doth the ravens feed,
1137
- Yea, providently caters for the sparrow,
1138
- Be comfort to my age! Here is the gold;
1139
- And all this I give you. Let me be your servant:
1140
- Though I look old, yet I am strong and lusty;
1141
- For in my youth I never did apply
1142
- Hot and rebellious liquors in my blood,
1143
- Nor did not with unbashful forehead woo
1144
- The means of weakness and debility;
1145
- Therefore my age is as a lusty winter,
1146
- Frosty, but kindly: let me go with you;
1147
- I'll do the service of a younger man
1148
- In all your business and necessities.
1149
-
1150
- ORLANDO O good old man, how well in thee appears
1151
- The constant service of the antique world,
1152
- When service sweat for duty, not for meed!
1153
- Thou art not for the fashion of these times,
1154
- Where none will sweat but for promotion,
1155
- And having that, do choke their service up
1156
- Even with the having: it is not so with thee.
1157
- But, poor old man, thou prunest a rotten tree,
1158
- That cannot so much as a blossom yield
1159
- In lieu of all thy pains and husbandry
1160
- But come thy ways; well go along together,
1161
- And ere we have thy youthful wages spent,
1162
- We'll light upon some settled low content.
1163
-
1164
- ADAM Master, go on, and I will follow thee,
1165
- To the last gasp, with truth and loyalty.
1166
- From seventeen years till now almost fourscore
1167
- Here lived I, but now live here no more.
1168
- At seventeen years many their fortunes seek;
1169
- But at fourscore it is too late a week:
1170
- Yet fortune cannot recompense me better
1171
- Than to die well and not my master's debtor.
1172
-
1173
- [Exeunt]
1174
-
1175
-
1176
-
1177
-
1178
- AS YOU LIKE IT
1179
-
1180
-
1181
- ACT II
1182
-
1183
-
1184
-
1185
- SCENE IV The Forest of Arden.
1186
-
1187
-
1188
- [Enter ROSALIND for Ganymede, CELIA for Aliena,
1189
- and TOUCHSTONE]
1190
-
1191
- ROSALIND O Jupiter, how weary are my spirits!
1192
-
1193
- TOUCHSTONE I care not for my spirits, if my legs were not weary.
1194
-
1195
- ROSALIND I could find in my heart to disgrace my man's
1196
- apparel and to cry like a woman; but I must comfort
1197
- the weaker vessel, as doublet and hose ought to show
1198
- itself courageous to petticoat: therefore courage,
1199
- good Aliena!
1200
-
1201
- CELIA I pray you, bear with me; I cannot go no further.
1202
-
1203
- TOUCHSTONE For my part, I had rather bear with you than bear
1204
- you; yet I should bear no cross if I did bear you,
1205
- for I think you have no money in your purse.
1206
-
1207
- ROSALIND Well, this is the forest of Arden.
1208
-
1209
- TOUCHSTONE Ay, now am I in Arden; the more fool I; when I was
1210
- at home, I was in a better place: but travellers
1211
- must be content.
1212
-
1213
- ROSALIND Ay, be so, good Touchstone.
1214
-
1215
- [Enter CORIN and SILVIUS]
1216
-
1217
- Look you, who comes here; a young man and an old in
1218
- solemn talk.
1219
-
1220
- CORIN That is the way to make her scorn you still.
1221
-
1222
- SILVIUS O Corin, that thou knew'st how I do love her!
1223
-
1224
- CORIN I partly guess; for I have loved ere now.
1225
-
1226
- SILVIUS No, Corin, being old, thou canst not guess,
1227
- Though in thy youth thou wast as true a lover
1228
- As ever sigh'd upon a midnight pillow:
1229
- But if thy love were ever like to mine--
1230
- As sure I think did never man love so--
1231
- How many actions most ridiculous
1232
- Hast thou been drawn to by thy fantasy?
1233
-
1234
- CORIN Into a thousand that I have forgotten.
1235
-
1236
- SILVIUS O, thou didst then ne'er love so heartily!
1237
- If thou remember'st not the slightest folly
1238
- That ever love did make thee run into,
1239
- Thou hast not loved:
1240
- Or if thou hast not sat as I do now,
1241
- Wearying thy hearer in thy mistress' praise,
1242
- Thou hast not loved:
1243
- Or if thou hast not broke from company
1244
- Abruptly, as my passion now makes me,
1245
- Thou hast not loved.
1246
- O Phebe, Phebe, Phebe!
1247
-
1248
- [Exit]
1249
-
1250
- ROSALIND Alas, poor shepherd! searching of thy wound,
1251
- I have by hard adventure found mine own.
1252
-
1253
- TOUCHSTONE And I mine. I remember, when I was in love I broke
1254
- my sword upon a stone and bid him take that for
1255
- coming a-night to Jane Smile; and I remember the
1256
- kissing of her batlet and the cow's dugs that her
1257
- pretty chopt hands had milked; and I remember the
1258
- wooing of a peascod instead of her, from whom I took
1259
- two cods and, giving her them again, said with
1260
- weeping tears 'Wear these for my sake.' We that are
1261
- true lovers run into strange capers; but as all is
1262
- mortal in nature, so is all nature in love mortal in folly.
1263
-
1264
- ROSALIND Thou speakest wiser than thou art ware of.
1265
-
1266
- TOUCHSTONE Nay, I shall ne'er be ware of mine own wit till I
1267
- break my shins against it.
1268
-
1269
- ROSALIND Jove, Jove! this shepherd's passion
1270
- Is much upon my fashion.
1271
-
1272
- TOUCHSTONE And mine; but it grows something stale with me.
1273
-
1274
- CELIA I pray you, one of you question yond man
1275
- If he for gold will give us any food:
1276
- I faint almost to death.
1277
-
1278
- TOUCHSTONE Holla, you clown!
1279
-
1280
- ROSALIND Peace, fool: he's not thy kinsman.
1281
-
1282
- CORIN Who calls?
1283
-
1284
- TOUCHSTONE Your betters, sir.
1285
-
1286
- CORIN Else are they very wretched.
1287
-
1288
- ROSALIND Peace, I say. Good even to you, friend.
1289
-
1290
- CORIN And to you, gentle sir, and to you all.
1291
-
1292
- ROSALIND I prithee, shepherd, if that love or gold
1293
- Can in this desert place buy entertainment,
1294
- Bring us where we may rest ourselves and feed:
1295
- Here's a young maid with travel much oppress'd
1296
- And faints for succor.
1297
-
1298
- CORIN Fair sir, I pity her
1299
- And wish, for her sake more than for mine own,
1300
- My fortunes were more able to relieve her;
1301
- But I am shepherd to another man
1302
- And do not shear the fleeces that I graze:
1303
- My master is of churlish disposition
1304
- And little recks to find the way to heaven
1305
- By doing deeds of hospitality:
1306
- Besides, his cote, his flocks and bounds of feed
1307
- Are now on sale, and at our sheepcote now,
1308
- By reason of his absence, there is nothing
1309
- That you will feed on; but what is, come see.
1310
- And in my voice most welcome shall you be.
1311
-
1312
- ROSALIND What is he that shall buy his flock and pasture?
1313
-
1314
- CORIN That young swain that you saw here but erewhile,
1315
- That little cares for buying any thing.
1316
-
1317
- ROSALIND I pray thee, if it stand with honesty,
1318
- Buy thou the cottage, pasture and the flock,
1319
- And thou shalt have to pay for it of us.
1320
-
1321
- CELIA And we will mend thy wages. I like this place.
1322
- And willingly could waste my time in it.
1323
-
1324
- CORIN Assuredly the thing is to be sold:
1325
- Go with me: if you like upon report
1326
- The soil, the profit and this kind of life,
1327
- I will your very faithful feeder be
1328
- And buy it with your gold right suddenly.
1329
-
1330
- [Exeunt]
1331
-
1332
-
1333
-
1334
-
1335
- AS YOU LIKE IT
1336
-
1337
-
1338
- ACT II
1339
-
1340
-
1341
-
1342
- SCENE V The Forest.
1343
-
1344
-
1345
- [Enter AMIENS, JAQUES, and others]
1346
-
1347
- SONG.
1348
- AMIENS Under the greenwood tree
1349
- Who loves to lie with me,
1350
- And turn his merry note
1351
- Unto the sweet bird's throat,
1352
- Come hither, come hither, come hither:
1353
- Here shall he see No enemy
1354
- But winter and rough weather.
1355
-
1356
- JAQUES More, more, I prithee, more.
1357
-
1358
- AMIENS It will make you melancholy, Monsieur Jaques.
1359
-
1360
- JAQUES I thank it. More, I prithee, more. I can suck
1361
- melancholy out of a song, as a weasel sucks eggs.
1362
- More, I prithee, more.
1363
-
1364
- AMIENS My voice is ragged: I know I cannot please you.
1365
-
1366
- JAQUES I do not desire you to please me; I do desire you to
1367
- sing. Come, more; another stanzo: call you 'em stanzos?
1368
-
1369
- AMIENS What you will, Monsieur Jaques.
1370
-
1371
- JAQUES Nay, I care not for their names; they owe me
1372
- nothing. Will you sing?
1373
-
1374
- AMIENS More at your request than to please myself.
1375
-
1376
- JAQUES Well then, if ever I thank any man, I'll thank you;
1377
- but that they call compliment is like the encounter
1378
- of two dog-apes, and when a man thanks me heartily,
1379
- methinks I have given him a penny and he renders me
1380
- the beggarly thanks. Come, sing; and you that will
1381
- not, hold your tongues.
1382
-
1383
- AMIENS Well, I'll end the song. Sirs, cover the while; the
1384
- duke will drink under this tree. He hath been all
1385
- this day to look you.
1386
-
1387
- JAQUES And I have been all this day to avoid him. He is
1388
- too disputable for my company: I think of as many
1389
- matters as he, but I give heaven thanks and make no
1390
- boast of them. Come, warble, come.
1391
-
1392
- SONG.
1393
- Who doth ambition shun
1394
-
1395
- [All together here]
1396
-
1397
- And loves to live i' the sun,
1398
- Seeking the food he eats
1399
- And pleased with what he gets,
1400
- Come hither, come hither, come hither:
1401
- Here shall he see No enemy
1402
- But winter and rough weather.
1403
-
1404
- JAQUES I'll give you a verse to this note that I made
1405
- yesterday in despite of my invention.
1406
-
1407
- AMIENS And I'll sing it.
1408
-
1409
- JAQUES Thus it goes:--
1410
-
1411
- If it do come to pass
1412
- That any man turn ass,
1413
- Leaving his wealth and ease,
1414
- A stubborn will to please,
1415
- Ducdame, ducdame, ducdame:
1416
- Here shall he see
1417
- Gross fools as he,
1418
- An if he will come to me.
1419
-
1420
- AMIENS What's that 'ducdame'?
1421
-
1422
- JAQUES 'Tis a Greek invocation, to call fools into a
1423
- circle. I'll go sleep, if I can; if I cannot, I'll
1424
- rail against all the first-born of Egypt.
1425
-
1426
- AMIENS And I'll go seek the duke: his banquet is prepared.
1427
-
1428
- [Exeunt severally]
1429
-
1430
-
1431
-
1432
-
1433
- AS YOU LIKE IT
1434
-
1435
-
1436
- ACT II
1437
-
1438
-
1439
-
1440
- SCENE VI The forest.
1441
-
1442
-
1443
- [Enter ORLANDO and ADAM]
1444
-
1445
- ADAM Dear master, I can go no further. O, I die for food!
1446
- Here lie I down, and measure out my grave. Farewell,
1447
- kind master.
1448
-
1449
- ORLANDO Why, how now, Adam! no greater heart in thee? Live
1450
- a little; comfort a little; cheer thyself a little.
1451
- If this uncouth forest yield any thing savage, I
1452
- will either be food for it or bring it for food to
1453
- thee. Thy conceit is nearer death than thy powers.
1454
- For my sake be comfortable; hold death awhile at
1455
- the arm's end: I will here be with thee presently;
1456
- and if I bring thee not something to eat, I will
1457
- give thee leave to die: but if thou diest before I
1458
- come, thou art a mocker of my labour. Well said!
1459
- thou lookest cheerly, and I'll be with thee quickly.
1460
- Yet thou liest in the bleak air: come, I will bear
1461
- thee to some shelter; and thou shalt not die for
1462
- lack of a dinner, if there live any thing in this
1463
- desert. Cheerly, good Adam!
1464
-
1465
- [Exeunt]
1466
-
1467
-
1468
-
1469
-
1470
- AS YOU LIKE IT
1471
-
1472
-
1473
- ACT II
1474
-
1475
-
1476
-
1477
- SCENE VII The forest.
1478
-
1479
-
1480
- [A table set out. Enter DUKE SENIOR, AMIENS, and
1481
- Lords like outlaws]
1482
-
1483
- DUKE SENIOR I think he be transform'd into a beast;
1484
- For I can no where find him like a man.
1485
-
1486
- First Lord My lord, he is but even now gone hence:
1487
- Here was he merry, hearing of a song.
1488
-
1489
- DUKE SENIOR If he, compact of jars, grow musical,
1490
- We shall have shortly discord in the spheres.
1491
- Go, seek him: tell him I would speak with him.
1492
-
1493
- [Enter JAQUES]
1494
-
1495
- First Lord He saves my labour by his own approach.
1496
-
1497
- DUKE SENIOR Why, how now, monsieur! what a life is this,
1498
- That your poor friends must woo your company?
1499
- What, you look merrily!
1500
-
1501
- JAQUES A fool, a fool! I met a fool i' the forest,
1502
- A motley fool; a miserable world!
1503
- As I do live by food, I met a fool
1504
- Who laid him down and bask'd him in the sun,
1505
- And rail'd on Lady Fortune in good terms,
1506
- In good set terms and yet a motley fool.
1507
- 'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
1508
- 'Call me not fool till heaven hath sent me fortune:'
1509
- And then he drew a dial from his poke,
1510
- And, looking on it with lack-lustre eye,
1511
- Says very wisely, 'It is ten o'clock:
1512
- Thus we may see,' quoth he, 'how the world wags:
1513
- 'Tis but an hour ago since it was nine,
1514
- And after one hour more 'twill be eleven;
1515
- And so, from hour to hour, we ripe and ripe,
1516
- And then, from hour to hour, we rot and rot;
1517
- And thereby hangs a tale.' When I did hear
1518
- The motley fool thus moral on the time,
1519
- My lungs began to crow like chanticleer,
1520
- That fools should be so deep-contemplative,
1521
- And I did laugh sans intermission
1522
- An hour by his dial. O noble fool!
1523
- A worthy fool! Motley's the only wear.
1524
-
1525
- DUKE SENIOR What fool is this?
1526
-
1527
- JAQUES O worthy fool! One that hath been a courtier,
1528
- And says, if ladies be but young and fair,
1529
- They have the gift to know it: and in his brain,
1530
- Which is as dry as the remainder biscuit
1531
- After a voyage, he hath strange places cramm'd
1532
- With observation, the which he vents
1533
- In mangled forms. O that I were a fool!
1534
- I am ambitious for a motley coat.
1535
-
1536
- DUKE SENIOR Thou shalt have one.
1537
-
1538
- JAQUES It is my only suit;
1539
- Provided that you weed your better judgments
1540
- Of all opinion that grows rank in them
1541
- That I am wise. I must have liberty
1542
- Withal, as large a charter as the wind,
1543
- To blow on whom I please; for so fools have;
1544
- And they that are most galled with my folly,
1545
- They most must laugh. And why, sir, must they so?
1546
- The 'why' is plain as way to parish church:
1547
- He that a fool doth very wisely hit
1548
- Doth very foolishly, although he smart,
1549
- Not to seem senseless of the bob: if not,
1550
- The wise man's folly is anatomized
1551
- Even by the squandering glances of the fool.
1552
- Invest me in my motley; give me leave
1553
- To speak my mind, and I will through and through
1554
- Cleanse the foul body of the infected world,
1555
- If they will patiently receive my medicine.
1556
-
1557
- DUKE SENIOR Fie on thee! I can tell what thou wouldst do.
1558
-
1559
- JAQUES What, for a counter, would I do but good?
1560
-
1561
- DUKE SENIOR Most mischievous foul sin, in chiding sin:
1562
- For thou thyself hast been a libertine,
1563
- As sensual as the brutish sting itself;
1564
- And all the embossed sores and headed evils,
1565
- That thou with licence of free foot hast caught,
1566
- Wouldst thou disgorge into the general world.
1567
-
1568
- JAQUES Why, who cries out on pride,
1569
- That can therein tax any private party?
1570
- Doth it not flow as hugely as the sea,
1571
- Till that the weary very means do ebb?
1572
- What woman in the city do I name,
1573
- When that I say the city-woman bears
1574
- The cost of princes on unworthy shoulders?
1575
- Who can come in and say that I mean her,
1576
- When such a one as she such is her neighbour?
1577
- Or what is he of basest function
1578
- That says his bravery is not of my cost,
1579
- Thinking that I mean him, but therein suits
1580
- His folly to the mettle of my speech?
1581
- There then; how then? what then? Let me see wherein
1582
- My tongue hath wrong'd him: if it do him right,
1583
- Then he hath wrong'd himself; if he be free,
1584
- Why then my taxing like a wild-goose flies,
1585
- Unclaim'd of any man. But who comes here?
1586
-
1587
- [Enter ORLANDO, with his sword drawn]
1588
-
1589
- ORLANDO Forbear, and eat no more.
1590
-
1591
- JAQUES Why, I have eat none yet.
1592
-
1593
- ORLANDO Nor shalt not, till necessity be served.
1594
-
1595
- JAQUES Of what kind should this cock come of?
1596
-
1597
- DUKE SENIOR Art thou thus bolden'd, man, by thy distress,
1598
- Or else a rude despiser of good manners,
1599
- That in civility thou seem'st so empty?
1600
-
1601
- ORLANDO You touch'd my vein at first: the thorny point
1602
- Of bare distress hath ta'en from me the show
1603
- Of smooth civility: yet am I inland bred
1604
- And know some nurture. But forbear, I say:
1605
- He dies that touches any of this fruit
1606
- Till I and my affairs are answered.
1607
-
1608
- JAQUES An you will not be answered with reason, I must die.
1609
-
1610
- DUKE SENIOR What would you have? Your gentleness shall force
1611
- More than your force move us to gentleness.
1612
-
1613
- ORLANDO I almost die for food; and let me have it.
1614
-
1615
- DUKE SENIOR Sit down and feed, and welcome to our table.
1616
-
1617
- ORLANDO Speak you so gently? Pardon me, I pray you:
1618
- I thought that all things had been savage here;
1619
- And therefore put I on the countenance
1620
- Of stern commandment. But whate'er you are
1621
- That in this desert inaccessible,
1622
- Under the shade of melancholy boughs,
1623
- Lose and neglect the creeping hours of time
1624
- If ever you have look'd on better days,
1625
- If ever been where bells have knoll'd to church,
1626
- If ever sat at any good man's feast,
1627
- If ever from your eyelids wiped a tear
1628
- And know what 'tis to pity and be pitied,
1629
- Let gentleness my strong enforcement be:
1630
- In the which hope I blush, and hide my sword.
1631
-
1632
- DUKE SENIOR True is it that we have seen better days,
1633
- And have with holy bell been knoll'd to church
1634
- And sat at good men's feasts and wiped our eyes
1635
- Of drops that sacred pity hath engender'd:
1636
- And therefore sit you down in gentleness
1637
- And take upon command what help we have
1638
- That to your wanting may be minister'd.
1639
-
1640
- ORLANDO Then but forbear your food a little while,
1641
- Whiles, like a doe, I go to find my fawn
1642
- And give it food. There is an old poor man,
1643
- Who after me hath many a weary step
1644
- Limp'd in pure love: till he be first sufficed,
1645
- Oppress'd with two weak evils, age and hunger,
1646
- I will not touch a bit.
1647
-
1648
- DUKE SENIOR Go find him out,
1649
- And we will nothing waste till you return.
1650
-
1651
- ORLANDO I thank ye; and be blest for your good comfort!
1652
-
1653
- [Exit]
1654
-
1655
- DUKE SENIOR Thou seest we are not all alone unhappy:
1656
- This wide and universal theatre
1657
- Presents more woeful pageants than the scene
1658
- Wherein we play in.
1659
-
1660
- JAQUES All the world's a stage,
1661
- And all the men and women merely players:
1662
- They have their exits and their entrances;
1663
- And one man in his time plays many parts,
1664
- His acts being seven ages. At first the infant,
1665
- Mewling and puking in the nurse's arms.
1666
- And then the whining school-boy, with his satchel
1667
- And shining morning face, creeping like snail
1668
- Unwillingly to school. And then the lover,
1669
- Sighing like furnace, with a woeful ballad
1670
- Made to his mistress' eyebrow. Then a soldier,
1671
- Full of strange oaths and bearded like the pard,
1672
- Jealous in honour, sudden and quick in quarrel,
1673
- Seeking the bubble reputation
1674
- Even in the cannon's mouth. And then the justice,
1675
- In fair round belly with good capon lined,
1676
- With eyes severe and beard of formal cut,
1677
- Full of wise saws and modern instances;
1678
- And so he plays his part. The sixth age shifts
1679
- Into the lean and slipper'd pantaloon,
1680
- With spectacles on nose and pouch on side,
1681
- His youthful hose, well saved, a world too wide
1682
- For his shrunk shank; and his big manly voice,
1683
- Turning again toward childish treble, pipes
1684
- And whistles in his sound. Last scene of all,
1685
- That ends this strange eventful history,
1686
- Is second childishness and mere oblivion,
1687
- Sans teeth, sans eyes, sans taste, sans everything.
1688
-
1689
- [Re-enter ORLANDO, with ADAM]
1690
-
1691
- DUKE SENIOR Welcome. Set down your venerable burthen,
1692
- And let him feed.
1693
-
1694
- ORLANDO I thank you most for him.
1695
-
1696
- ADAM So had you need:
1697
- I scarce can speak to thank you for myself.
1698
-
1699
- DUKE SENIOR Welcome; fall to: I will not trouble you
1700
- As yet, to question you about your fortunes.
1701
- Give us some music; and, good cousin, sing.
1702
-
1703
- SONG.
1704
- AMIENS Blow, blow, thou winter wind.
1705
- Thou art not so unkind
1706
- As man's ingratitude;
1707
- Thy tooth is not so keen,
1708
- Because thou art not seen,
1709
- Although thy breath be rude.
1710
- Heigh-ho! sing, heigh-ho! unto the green holly:
1711
- Most friendship is feigning, most loving mere folly:
1712
- Then, heigh-ho, the holly!
1713
- This life is most jolly.
1714
- Freeze, freeze, thou bitter sky,
1715
- That dost not bite so nigh
1716
- As benefits forgot:
1717
- Though thou the waters warp,
1718
- Thy sting is not so sharp
1719
- As friend remember'd not.
1720
- Heigh-ho! sing, &c.
1721
-
1722
- DUKE SENIOR If that you were the good Sir Rowland's son,
1723
- As you have whisper'd faithfully you were,
1724
- And as mine eye doth his effigies witness
1725
- Most truly limn'd and living in your face,
1726
- Be truly welcome hither: I am the duke
1727
- That loved your father: the residue of your fortune,
1728
- Go to my cave and tell me. Good old man,
1729
- Thou art right welcome as thy master is.
1730
- Support him by the arm. Give me your hand,
1731
- And let me all your fortunes understand.
1732
-
1733
- [Exeunt]
1734
-
1735
-
1736
-
1737
-
1738
- AS YOU LIKE IT
1739
-
1740
-
1741
- ACT III
1742
-
1743
-
1744
-
1745
- SCENE I A room in the palace.
1746
-
1747
-
1748
- [Enter DUKE FREDERICK, Lords, and OLIVER]
1749
-
1750
- DUKE FREDERICK Not see him since? Sir, sir, that cannot be:
1751
- But were I not the better part made mercy,
1752
- I should not seek an absent argument
1753
- Of my revenge, thou present. But look to it:
1754
- Find out thy brother, wheresoe'er he is;
1755
- Seek him with candle; bring him dead or living
1756
- Within this twelvemonth, or turn thou no more
1757
- To seek a living in our territory.
1758
- Thy lands and all things that thou dost call thine
1759
- Worth seizure do we seize into our hands,
1760
- Till thou canst quit thee by thy brothers mouth
1761
- Of what we think against thee.
1762
-
1763
- OLIVER O that your highness knew my heart in this!
1764
- I never loved my brother in my life.
1765
-
1766
- DUKE FREDERICK More villain thou. Well, push him out of doors;
1767
- And let my officers of such a nature
1768
- Make an extent upon his house and lands:
1769
- Do this expediently and turn him going.
1770
-
1771
- [Exeunt]
1772
-
1773
-
1774
-
1775
-
1776
- AS YOU LIKE IT
1777
-
1778
-
1779
- ACT III
1780
-
1781
-
1782
-
1783
- SCENE II The forest.
1784
-
1785
-
1786
- [Enter ORLANDO, with a paper]
1787
-
1788
- ORLANDO Hang there, my verse, in witness of my love:
1789
- And thou, thrice-crowned queen of night, survey
1790
- With thy chaste eye, from thy pale sphere above,
1791
- Thy huntress' name that my full life doth sway.
1792
- O Rosalind! these trees shall be my books
1793
- And in their barks my thoughts I'll character;
1794
- That every eye which in this forest looks
1795
- Shall see thy virtue witness'd every where.
1796
- Run, run, Orlando; carve on every tree
1797
- The fair, the chaste and unexpressive she.
1798
-
1799
- [Exit]
1800
-
1801
- [Enter CORIN and TOUCHSTONE]
1802
-
1803
- CORIN And how like you this shepherd's life, Master Touchstone?
1804
-
1805
- TOUCHSTONE Truly, shepherd, in respect of itself, it is a good
1806
- life, but in respect that it is a shepherd's life,
1807
- it is naught. In respect that it is solitary, I
1808
- like it very well; but in respect that it is
1809
- private, it is a very vile life. Now, in respect it
1810
- is in the fields, it pleaseth me well; but in
1811
- respect it is not in the court, it is tedious. As
1812
- is it a spare life, look you, it fits my humour well;
1813
- but as there is no more plenty in it, it goes much
1814
- against my stomach. Hast any philosophy in thee, shepherd?
1815
-
1816
- CORIN No more but that I know the more one sickens the
1817
- worse at ease he is; and that he that wants money,
1818
- means and content is without three good friends;
1819
- that the property of rain is to wet and fire to
1820
- burn; that good pasture makes fat sheep, and that a
1821
- great cause of the night is lack of the sun; that
1822
- he that hath learned no wit by nature nor art may
1823
- complain of good breeding or comes of a very dull kindred.
1824
-
1825
- TOUCHSTONE Such a one is a natural philosopher. Wast ever in
1826
- court, shepherd?
1827
-
1828
- CORIN No, truly.
1829
-
1830
- TOUCHSTONE Then thou art damned.
1831
-
1832
- CORIN Nay, I hope.
1833
-
1834
- TOUCHSTONE Truly, thou art damned like an ill-roasted egg, all
1835
- on one side.
1836
-
1837
- CORIN For not being at court? Your reason.
1838
-
1839
- TOUCHSTONE Why, if thou never wast at court, thou never sawest
1840
- good manners; if thou never sawest good manners,
1841
- then thy manners must be wicked; and wickedness is
1842
- sin, and sin is damnation. Thou art in a parlous
1843
- state, shepherd.
1844
-
1845
- CORIN Not a whit, Touchstone: those that are good manners
1846
- at the court are as ridiculous in the country as the
1847
- behavior of the country is most mockable at the
1848
- court. You told me you salute not at the court, but
1849
- you kiss your hands: that courtesy would be
1850
- uncleanly, if courtiers were shepherds.
1851
-
1852
- TOUCHSTONE Instance, briefly; come, instance.
1853
-
1854
- CORIN Why, we are still handling our ewes, and their
1855
- fells, you know, are greasy.
1856
-
1857
- TOUCHSTONE Why, do not your courtier's hands sweat? and is not
1858
- the grease of a mutton as wholesome as the sweat of
1859
- a man? Shallow, shallow. A better instance, I say; come.
1860
-
1861
- CORIN Besides, our hands are hard.
1862
-
1863
- TOUCHSTONE Your lips will feel them the sooner. Shallow again.
1864
- A more sounder instance, come.
1865
-
1866
- CORIN And they are often tarred over with the surgery of
1867
- our sheep: and would you have us kiss tar? The
1868
- courtier's hands are perfumed with civet.
1869
-
1870
- TOUCHSTONE Most shallow man! thou worms-meat, in respect of a
1871
- good piece of flesh indeed! Learn of the wise, and
1872
- perpend: civet is of a baser birth than tar, the
1873
- very uncleanly flux of a cat. Mend the instance, shepherd.
1874
-
1875
- CORIN You have too courtly a wit for me: I'll rest.
1876
-
1877
- TOUCHSTONE Wilt thou rest damned? God help thee, shallow man!
1878
- God make incision in thee! thou art raw.
1879
-
1880
- CORIN Sir, I am a true labourer: I earn that I eat, get
1881
- that I wear, owe no man hate, envy no man's
1882
- happiness, glad of other men's good, content with my
1883
- harm, and the greatest of my pride is to see my ewes
1884
- graze and my lambs suck.
1885
-
1886
- TOUCHSTONE That is another simple sin in you, to bring the ewes
1887
- and the rams together and to offer to get your
1888
- living by the copulation of cattle; to be bawd to a
1889
- bell-wether, and to betray a she-lamb of a
1890
- twelvemonth to a crooked-pated, old, cuckoldly ram,
1891
- out of all reasonable match. If thou beest not
1892
- damned for this, the devil himself will have no
1893
- shepherds; I cannot see else how thou shouldst
1894
- 'scape.
1895
-
1896
- CORIN Here comes young Master Ganymede, my new mistress's brother.
1897
-
1898
- [Enter ROSALIND, with a paper, reading]
1899
-
1900
- ROSALIND From the east to western Ind,
1901
- No jewel is like Rosalind.
1902
- Her worth, being mounted on the wind,
1903
- Through all the world bears Rosalind.
1904
- All the pictures fairest lined
1905
- Are but black to Rosalind.
1906
- Let no fair be kept in mind
1907
- But the fair of Rosalind.
1908
-
1909
- TOUCHSTONE I'll rhyme you so eight years together, dinners and
1910
- suppers and sleeping-hours excepted: it is the
1911
- right butter-women's rank to market.
1912
-
1913
- ROSALIND Out, fool!
1914
-
1915
- TOUCHSTONE For a taste:
1916
- If a hart do lack a hind,
1917
- Let him seek out Rosalind.
1918
- If the cat will after kind,
1919
- So be sure will Rosalind.
1920
- Winter garments must be lined,
1921
- So must slender Rosalind.
1922
- They that reap must sheaf and bind;
1923
- Then to cart with Rosalind.
1924
- Sweetest nut hath sourest rind,
1925
- Such a nut is Rosalind.
1926
- He that sweetest rose will find
1927
- Must find love's prick and Rosalind.
1928
- This is the very false gallop of verses: why do you
1929
- infect yourself with them?
1930
-
1931
- ROSALIND Peace, you dull fool! I found them on a tree.
1932
-
1933
- TOUCHSTONE Truly, the tree yields bad fruit.
1934
-
1935
- ROSALIND I'll graff it with you, and then I shall graff it
1936
- with a medlar: then it will be the earliest fruit
1937
- i' the country; for you'll be rotten ere you be half
1938
- ripe, and that's the right virtue of the medlar.
1939
-
1940
- TOUCHSTONE You have said; but whether wisely or no, let the
1941
- forest judge.
1942
-
1943
- [Enter CELIA, with a writing]
1944
-
1945
- ROSALIND Peace! Here comes my sister, reading: stand aside.
1946
-
1947
- CELIA [Reads]
1948
-
1949
- Why should this a desert be?
1950
- For it is unpeopled? No:
1951
- Tongues I'll hang on every tree,
1952
- That shall civil sayings show:
1953
- Some, how brief the life of man
1954
- Runs his erring pilgrimage,
1955
- That the stretching of a span
1956
- Buckles in his sum of age;
1957
- Some, of violated vows
1958
- 'Twixt the souls of friend and friend:
1959
- But upon the fairest boughs,
1960
- Or at every sentence end,
1961
- Will I Rosalinda write,
1962
- Teaching all that read to know
1963
- The quintessence of every sprite
1964
- Heaven would in little show.
1965
- Therefore Heaven Nature charged
1966
- That one body should be fill'd
1967
- With all graces wide-enlarged:
1968
- Nature presently distill'd
1969
- Helen's cheek, but not her heart,
1970
- Cleopatra's majesty,
1971
- Atalanta's better part,
1972
- Sad Lucretia's modesty.
1973
- Thus Rosalind of many parts
1974
- By heavenly synod was devised,
1975
- Of many faces, eyes and hearts,
1976
- To have the touches dearest prized.
1977
- Heaven would that she these gifts should have,
1978
- And I to live and die her slave.
1979
-
1980
- ROSALIND O most gentle pulpiter! what tedious homily of love
1981
- have you wearied your parishioners withal, and never
1982
- cried 'Have patience, good people!'
1983
-
1984
- CELIA How now! back, friends! Shepherd, go off a little.
1985
- Go with him, sirrah.
1986
-
1987
- TOUCHSTONE Come, shepherd, let us make an honourable retreat;
1988
- though not with bag and baggage, yet with scrip and scrippage.
1989
-
1990
- [Exeunt CORIN and TOUCHSTONE]
1991
-
1992
- CELIA Didst thou hear these verses?
1993
-
1994
- ROSALIND O, yes, I heard them all, and more too; for some of
1995
- them had in them more feet than the verses would bear.
1996
-
1997
- CELIA That's no matter: the feet might bear the verses.
1998
-
1999
- ROSALIND Ay, but the feet were lame and could not bear
2000
- themselves without the verse and therefore stood
2001
- lamely in the verse.
2002
-
2003
- CELIA But didst thou hear without wondering how thy name
2004
- should be hanged and carved upon these trees?
2005
-
2006
- ROSALIND I was seven of the nine days out of the wonder
2007
- before you came; for look here what I found on a
2008
- palm-tree. I was never so be-rhymed since
2009
- Pythagoras' time, that I was an Irish rat, which I
2010
- can hardly remember.
2011
-
2012
- CELIA Trow you who hath done this?
2013
-
2014
- ROSALIND Is it a man?
2015
-
2016
- CELIA And a chain, that you once wore, about his neck.
2017
- Change you colour?
2018
-
2019
- ROSALIND I prithee, who?
2020
-
2021
- CELIA O Lord, Lord! it is a hard matter for friends to
2022
- meet; but mountains may be removed with earthquakes
2023
- and so encounter.
2024
-
2025
- ROSALIND Nay, but who is it?
2026
-
2027
- CELIA Is it possible?
2028
-
2029
- ROSALIND Nay, I prithee now with most petitionary vehemence,
2030
- tell me who it is.
2031
-
2032
- CELIA O wonderful, wonderful, and most wonderful
2033
- wonderful! and yet again wonderful, and after that,
2034
- out of all hooping!
2035
-
2036
- ROSALIND Good my complexion! dost thou think, though I am
2037
- caparisoned like a man, I have a doublet and hose in
2038
- my disposition? One inch of delay more is a
2039
- South-sea of discovery; I prithee, tell me who is it
2040
- quickly, and speak apace. I would thou couldst
2041
- stammer, that thou mightst pour this concealed man
2042
- out of thy mouth, as wine comes out of a narrow-
2043
- mouthed bottle, either too much at once, or none at
2044
- all. I prithee, take the cork out of thy mouth that
2045
- may drink thy tidings.
2046
-
2047
- CELIA So you may put a man in your belly.
2048
-
2049
- ROSALIND Is he of God's making? What manner of man? Is his
2050
- head worth a hat, or his chin worth a beard?
2051
-
2052
- CELIA Nay, he hath but a little beard.
2053
-
2054
- ROSALIND Why, God will send more, if the man will be
2055
- thankful: let me stay the growth of his beard, if
2056
- thou delay me not the knowledge of his chin.
2057
-
2058
- CELIA It is young Orlando, that tripped up the wrestler's
2059
- heels and your heart both in an instant.
2060
-
2061
- ROSALIND Nay, but the devil take mocking: speak, sad brow and
2062
- true maid.
2063
-
2064
- CELIA I' faith, coz, 'tis he.
2065
-
2066
- ROSALIND Orlando?
2067
-
2068
- CELIA Orlando.
2069
-
2070
- ROSALIND Alas the day! what shall I do with my doublet and
2071
- hose? What did he when thou sawest him? What said
2072
- he? How looked he? Wherein went he? What makes
2073
- him here? Did he ask for me? Where remains he?
2074
- How parted he with thee? and when shalt thou see
2075
- him again? Answer me in one word.
2076
-
2077
- CELIA You must borrow me Gargantua's mouth first: 'tis a
2078
- word too great for any mouth of this age's size. To
2079
- say ay and no to these particulars is more than to
2080
- answer in a catechism.
2081
-
2082
- ROSALIND But doth he know that I am in this forest and in
2083
- man's apparel? Looks he as freshly as he did the
2084
- day he wrestled?
2085
-
2086
- CELIA It is as easy to count atomies as to resolve the
2087
- propositions of a lover; but take a taste of my
2088
- finding him, and relish it with good observance.
2089
- I found him under a tree, like a dropped acorn.
2090
-
2091
- ROSALIND It may well be called Jove's tree, when it drops
2092
- forth such fruit.
2093
-
2094
- CELIA Give me audience, good madam.
2095
-
2096
- ROSALIND Proceed.
2097
-
2098
- CELIA There lay he, stretched along, like a wounded knight.
2099
-
2100
- ROSALIND Though it be pity to see such a sight, it well
2101
- becomes the ground.
2102
-
2103
- CELIA Cry 'holla' to thy tongue, I prithee; it curvets
2104
- unseasonably. He was furnished like a hunter.
2105
-
2106
- ROSALIND O, ominous! he comes to kill my heart.
2107
-
2108
- CELIA I would sing my song without a burden: thou bringest
2109
- me out of tune.
2110
-
2111
- ROSALIND Do you not know I am a woman? when I think, I must
2112
- speak. Sweet, say on.
2113
-
2114
- CELIA You bring me out. Soft! comes he not here?
2115
-
2116
- [Enter ORLANDO and JAQUES]
2117
-
2118
- ROSALIND 'Tis he: slink by, and note him.
2119
-
2120
- JAQUES I thank you for your company; but, good faith, I had
2121
- as lief have been myself alone.
2122
-
2123
- ORLANDO And so had I; but yet, for fashion sake, I thank you
2124
- too for your society.
2125
-
2126
- JAQUES God be wi' you: let's meet as little as we can.
2127
-
2128
- ORLANDO I do desire we may be better strangers.
2129
-
2130
- JAQUES I pray you, mar no more trees with writing
2131
- love-songs in their barks.
2132
-
2133
- ORLANDO I pray you, mar no more of my verses with reading
2134
- them ill-favouredly.
2135
-
2136
- JAQUES Rosalind is your love's name?
2137
-
2138
- ORLANDO Yes, just.
2139
-
2140
- JAQUES I do not like her name.
2141
-
2142
- ORLANDO There was no thought of pleasing you when she was
2143
- christened.
2144
-
2145
- JAQUES What stature is she of?
2146
-
2147
- ORLANDO Just as high as my heart.
2148
-
2149
- JAQUES You are full of pretty answers. Have you not been
2150
- acquainted with goldsmiths' wives, and conned them
2151
- out of rings?
2152
-
2153
- ORLANDO Not so; but I answer you right painted cloth, from
2154
- whence you have studied your questions.
2155
-
2156
- JAQUES You have a nimble wit: I think 'twas made of
2157
- Atalanta's heels. Will you sit down with me? and
2158
- we two will rail against our mistress the world and
2159
- all our misery.
2160
-
2161
- ORLANDO I will chide no breather in the world but myself,
2162
- against whom I know most faults.
2163
-
2164
- JAQUES The worst fault you have is to be in love.
2165
-
2166
- ORLANDO 'Tis a fault I will not change for your best virtue.
2167
- I am weary of you.
2168
-
2169
- JAQUES By my troth, I was seeking for a fool when I found
2170
- you.
2171
-
2172
- ORLANDO He is drowned in the brook: look but in, and you
2173
- shall see him.
2174
-
2175
- JAQUES There I shall see mine own figure.
2176
-
2177
- ORLANDO Which I take to be either a fool or a cipher.
2178
-
2179
- JAQUES I'll tarry no longer with you: farewell, good
2180
- Signior Love.
2181
-
2182
- ORLANDO I am glad of your departure: adieu, good Monsieur
2183
- Melancholy.
2184
-
2185
- [Exit JAQUES]
2186
-
2187
- ROSALIND [Aside to CELIA] I will speak to him, like a saucy
2188
- lackey and under that habit play the knave with him.
2189
- Do you hear, forester?
2190
-
2191
- ORLANDO Very well: what would you?
2192
-
2193
- ROSALIND I pray you, what is't o'clock?
2194
-
2195
- ORLANDO You should ask me what time o' day: there's no clock
2196
- in the forest.
2197
-
2198
- ROSALIND Then there is no true lover in the forest; else
2199
- sighing every minute and groaning every hour would
2200
- detect the lazy foot of Time as well as a clock.
2201
-
2202
- ORLANDO And why not the swift foot of Time? had not that
2203
- been as proper?
2204
-
2205
- ROSALIND By no means, sir: Time travels in divers paces with
2206
- divers persons. I'll tell you who Time ambles
2207
- withal, who Time trots withal, who Time gallops
2208
- withal and who he stands still withal.
2209
-
2210
- ORLANDO I prithee, who doth he trot withal?
2211
-
2212
- ROSALIND Marry, he trots hard with a young maid between the
2213
- contract of her marriage and the day it is
2214
- solemnized: if the interim be but a se'nnight,
2215
- Time's pace is so hard that it seems the length of
2216
- seven year.
2217
-
2218
- ORLANDO Who ambles Time withal?
2219
-
2220
- ROSALIND With a priest that lacks Latin and a rich man that
2221
- hath not the gout, for the one sleeps easily because
2222
- he cannot study, and the other lives merrily because
2223
- he feels no pain, the one lacking the burden of lean
2224
- and wasteful learning, the other knowing no burden
2225
- of heavy tedious penury; these Time ambles withal.
2226
-
2227
- ORLANDO Who doth he gallop withal?
2228
-
2229
- ROSALIND With a thief to the gallows, for though he go as
2230
- softly as foot can fall, he thinks himself too soon there.
2231
-
2232
- ORLANDO Who stays it still withal?
2233
-
2234
- ROSALIND With lawyers in the vacation, for they sleep between
2235
- term and term and then they perceive not how Time moves.
2236
-
2237
- ORLANDO Where dwell you, pretty youth?
2238
-
2239
- ROSALIND With this shepherdess, my sister; here in the
2240
- skirts of the forest, like fringe upon a petticoat.
2241
-
2242
- ORLANDO Are you native of this place?
2243
-
2244
- ROSALIND As the cony that you see dwell where she is kindled.
2245
-
2246
- ORLANDO Your accent is something finer than you could
2247
- purchase in so removed a dwelling.
2248
-
2249
- ROSALIND I have been told so of many: but indeed an old
2250
- religious uncle of mine taught me to speak, who was
2251
- in his youth an inland man; one that knew courtship
2252
- too well, for there he fell in love. I have heard
2253
- him read many lectures against it, and I thank God
2254
- I am not a woman, to be touched with so many
2255
- giddy offences as he hath generally taxed their
2256
- whole sex withal.
2257
-
2258
- ORLANDO Can you remember any of the principal evils that he
2259
- laid to the charge of women?
2260
-
2261
- ROSALIND There were none principal; they were all like one
2262
- another as half-pence are, every one fault seeming
2263
- monstrous till his fellow fault came to match it.
2264
-
2265
- ORLANDO I prithee, recount some of them.
2266
-
2267
- ROSALIND No, I will not cast away my physic but on those that
2268
- are sick. There is a man haunts the forest, that
2269
- abuses our young plants with carving 'Rosalind' on
2270
- their barks; hangs odes upon hawthorns and elegies
2271
- on brambles, all, forsooth, deifying the name of
2272
- Rosalind: if I could meet that fancy-monger I would
2273
- give him some good counsel, for he seems to have the
2274
- quotidian of love upon him.
2275
-
2276
- ORLANDO I am he that is so love-shaked: I pray you tell me
2277
- your remedy.
2278
-
2279
- ROSALIND There is none of my uncle's marks upon you: he
2280
- taught me how to know a man in love; in which cage
2281
- of rushes I am sure you are not prisoner.
2282
-
2283
- ORLANDO What were his marks?
2284
-
2285
- ROSALIND A lean cheek, which you have not, a blue eye and
2286
- sunken, which you have not, an unquestionable
2287
- spirit, which you have not, a beard neglected,
2288
- which you have not; but I pardon you for that, for
2289
- simply your having in beard is a younger brother's
2290
- revenue: then your hose should be ungartered, your
2291
- bonnet unbanded, your sleeve unbuttoned, your shoe
2292
- untied and every thing about you demonstrating a
2293
- careless desolation; but you are no such man; you
2294
- are rather point-device in your accoutrements as
2295
- loving yourself than seeming the lover of any other.
2296
-
2297
- ORLANDO Fair youth, I would I could make thee believe I love.
2298
-
2299
- ROSALIND Me believe it! you may as soon make her that you
2300
- love believe it; which, I warrant, she is apter to
2301
- do than to confess she does: that is one of the
2302
- points in the which women still give the lie to
2303
- their consciences. But, in good sooth, are you he
2304
- that hangs the verses on the trees, wherein Rosalind
2305
- is so admired?
2306
-
2307
- ORLANDO I swear to thee, youth, by the white hand of
2308
- Rosalind, I am that he, that unfortunate he.
2309
-
2310
- ROSALIND But are you so much in love as your rhymes speak?
2311
-
2312
- ORLANDO Neither rhyme nor reason can express how much.
2313
-
2314
- ROSALIND Love is merely a madness, and, I tell you, deserves
2315
- as well a dark house and a whip as madmen do: and
2316
- the reason why they are not so punished and cured
2317
- is, that the lunacy is so ordinary that the whippers
2318
- are in love too. Yet I profess curing it by counsel.
2319
-
2320
- ORLANDO Did you ever cure any so?
2321
-
2322
- ROSALIND Yes, one, and in this manner. He was to imagine me
2323
- his love, his mistress; and I set him every day to
2324
- woo me: at which time would I, being but a moonish
2325
- youth, grieve, be effeminate, changeable, longing
2326
- and liking, proud, fantastical, apish, shallow,
2327
- inconstant, full of tears, full of smiles, for every
2328
- passion something and for no passion truly any
2329
- thing, as boys and women are for the most part
2330
- cattle of this colour; would now like him, now loathe
2331
- him; then entertain him, then forswear him; now weep
2332
- for him, then spit at him; that I drave my suitor
2333
- from his mad humour of love to a living humour of
2334
- madness; which was, to forswear the full stream of
2335
- the world, and to live in a nook merely monastic.
2336
- And thus I cured him; and this way will I take upon
2337
- me to wash your liver as clean as a sound sheep's
2338
- heart, that there shall not be one spot of love in't.
2339
-
2340
- ORLANDO I would not be cured, youth.
2341
-
2342
- ROSALIND I would cure you, if you would but call me Rosalind
2343
- and come every day to my cote and woo me.
2344
-
2345
- ORLANDO Now, by the faith of my love, I will: tell me
2346
- where it is.
2347
-
2348
- ROSALIND Go with me to it and I'll show it you and by the way
2349
- you shall tell me where in the forest you live.
2350
- Will you go?
2351
-
2352
- ORLANDO With all my heart, good youth.
2353
-
2354
- ROSALIND Nay you must call me Rosalind. Come, sister, will you go?
2355
-
2356
- [Exeunt]
2357
-
2358
-
2359
-
2360
-
2361
- AS YOU LIKE IT
2362
-
2363
-
2364
- ACT III
2365
-
2366
-
2367
-
2368
- SCENE III The forest.
2369
-
2370
-
2371
- [Enter TOUCHSTONE and AUDREY; JAQUES behind]
2372
-
2373
- TOUCHSTONE Come apace, good Audrey: I will fetch up your
2374
- goats, Audrey. And how, Audrey? am I the man yet?
2375
- doth my simple feature content you?
2376
-
2377
- AUDREY Your features! Lord warrant us! what features!
2378
-
2379
- TOUCHSTONE I am here with thee and thy goats, as the most
2380
- capricious poet, honest Ovid, was among the Goths.
2381
-
2382
- JAQUES [Aside] O knowledge ill-inhabited, worse than Jove
2383
- in a thatched house!
2384
-
2385
- TOUCHSTONE When a man's verses cannot be understood, nor a
2386
- man's good wit seconded with the forward child
2387
- Understanding, it strikes a man more dead than a
2388
- great reckoning in a little room. Truly, I would
2389
- the gods had made thee poetical.
2390
-
2391
- AUDREY I do not know what 'poetical' is: is it honest in
2392
- deed and word? is it a true thing?
2393
-
2394
- TOUCHSTONE No, truly; for the truest poetry is the most
2395
- feigning; and lovers are given to poetry, and what
2396
- they swear in poetry may be said as lovers they do feign.
2397
-
2398
- AUDREY Do you wish then that the gods had made me poetical?
2399
-
2400
- TOUCHSTONE I do, truly; for thou swearest to me thou art
2401
- honest: now, if thou wert a poet, I might have some
2402
- hope thou didst feign.
2403
-
2404
- AUDREY Would you not have me honest?
2405
-
2406
- TOUCHSTONE No, truly, unless thou wert hard-favoured; for
2407
- honesty coupled to beauty is to have honey a sauce to sugar.
2408
-
2409
- JAQUES [Aside] A material fool!
2410
-
2411
- AUDREY Well, I am not fair; and therefore I pray the gods
2412
- make me honest.
2413
-
2414
- TOUCHSTONE Truly, and to cast away honesty upon a foul slut
2415
- were to put good meat into an unclean dish.
2416
-
2417
- AUDREY I am not a slut, though I thank the gods I am foul.
2418
-
2419
- TOUCHSTONE Well, praised be the gods for thy foulness!
2420
- sluttishness may come hereafter. But be it as it may
2421
- be, I will marry thee, and to that end I have been
2422
- with Sir Oliver Martext, the vicar of the next
2423
- village, who hath promised to meet me in this place
2424
- of the forest and to couple us.
2425
-
2426
- JAQUES [Aside] I would fain see this meeting.
2427
-
2428
- AUDREY Well, the gods give us joy!
2429
-
2430
- TOUCHSTONE Amen. A man may, if he were of a fearful heart,
2431
- stagger in this attempt; for here we have no temple
2432
- but the wood, no assembly but horn-beasts. But what
2433
- though? Courage! As horns are odious, they are
2434
- necessary. It is said, 'many a man knows no end of
2435
- his goods:' right; many a man has good horns, and
2436
- knows no end of them. Well, that is the dowry of
2437
- his wife; 'tis none of his own getting. Horns?
2438
- Even so. Poor men alone? No, no; the noblest deer
2439
- hath them as huge as the rascal. Is the single man
2440
- therefore blessed? No: as a walled town is more
2441
- worthier than a village, so is the forehead of a
2442
- married man more honourable than the bare brow of a
2443
- bachelor; and by how much defence is better than no
2444
- skill, by so much is a horn more precious than to
2445
- want. Here comes Sir Oliver.
2446
-
2447
- [Enter SIR OLIVER MARTEXT]
2448
-
2449
- Sir Oliver Martext, you are well met: will you
2450
- dispatch us here under this tree, or shall we go
2451
- with you to your chapel?
2452
-
2453
- SIR OLIVER MARTEXT Is there none here to give the woman?
2454
-
2455
- TOUCHSTONE I will not take her on gift of any man.
2456
-
2457
- SIR OLIVER MARTEXT Truly, she must be given, or the marriage is not lawful.
2458
-
2459
- JAQUES [Advancing]
2460
-
2461
- Proceed, proceed I'll give her.
2462
-
2463
- TOUCHSTONE Good even, good Master What-ye-call't: how do you,
2464
- sir? You are very well met: God 'ild you for your
2465
- last company: I am very glad to see you: even a
2466
- toy in hand here, sir: nay, pray be covered.
2467
-
2468
- JAQUES Will you be married, motley?
2469
-
2470
- TOUCHSTONE As the ox hath his bow, sir, the horse his curb and
2471
- the falcon her bells, so man hath his desires; and
2472
- as pigeons bill, so wedlock would be nibbling.
2473
-
2474
- JAQUES And will you, being a man of your breeding, be
2475
- married under a bush like a beggar? Get you to
2476
- church, and have a good priest that can tell you
2477
- what marriage is: this fellow will but join you
2478
- together as they join wainscot; then one of you will
2479
- prove a shrunk panel and, like green timber, warp, warp.
2480
-
2481
- TOUCHSTONE [Aside] I am not in the mind but I were better to be
2482
- married of him than of another: for he is not like
2483
- to marry me well; and not being well married, it
2484
- will be a good excuse for me hereafter to leave my wife.
2485
-
2486
- JAQUES Go thou with me, and let me counsel thee.
2487
-
2488
- TOUCHSTONE 'Come, sweet Audrey:
2489
- We must be married, or we must live in bawdry.
2490
- Farewell, good Master Oliver: not,--
2491
- O sweet Oliver,
2492
- O brave Oliver,
2493
- Leave me not behind thee: but,--
2494
- Wind away,
2495
- Begone, I say,
2496
- I will not to wedding with thee.
2497
-
2498
- [Exeunt JAQUES, TOUCHSTONE and AUDREY]
2499
-
2500
- SIR OLIVER MARTEXT 'Tis no matter: ne'er a fantastical knave of them
2501
- all shall flout me out of my calling.
2502
-
2503
- [Exit]
2504
-
2505
-
2506
-
2507
-
2508
- AS YOU LIKE IT
2509
-
2510
-
2511
- ACT III
2512
-
2513
-
2514
-
2515
- SCENE IV The forest.
2516
-
2517
-
2518
- [Enter ROSALIND and CELIA]
2519
-
2520
- ROSALIND Never talk to me; I will weep.
2521
-
2522
- CELIA Do, I prithee; but yet have the grace to consider
2523
- that tears do not become a man.
2524
-
2525
- ROSALIND But have I not cause to weep?
2526
-
2527
- CELIA As good cause as one would desire; therefore weep.
2528
-
2529
- ROSALIND His very hair is of the dissembling colour.
2530
-
2531
- CELIA Something browner than Judas's marry, his kisses are
2532
- Judas's own children.
2533
-
2534
- ROSALIND I' faith, his hair is of a good colour.
2535
-
2536
- CELIA An excellent colour: your chestnut was ever the only colour.
2537
-
2538
- ROSALIND And his kissing is as full of sanctity as the touch
2539
- of holy bread.
2540
-
2541
- CELIA He hath bought a pair of cast lips of Diana: a nun
2542
- of winter's sisterhood kisses not more religiously;
2543
- the very ice of chastity is in them.
2544
-
2545
- ROSALIND But why did he swear he would come this morning, and
2546
- comes not?
2547
-
2548
- CELIA Nay, certainly, there is no truth in him.
2549
-
2550
- ROSALIND Do you think so?
2551
-
2552
- CELIA Yes; I think he is not a pick-purse nor a
2553
- horse-stealer, but for his verity in love, I do
2554
- think him as concave as a covered goblet or a
2555
- worm-eaten nut.
2556
-
2557
- ROSALIND Not true in love?
2558
-
2559
- CELIA Yes, when he is in; but I think he is not in.
2560
-
2561
- ROSALIND You have heard him swear downright he was.
2562
-
2563
- CELIA 'Was' is not 'is:' besides, the oath of a lover is
2564
- no stronger than the word of a tapster; they are
2565
- both the confirmer of false reckonings. He attends
2566
- here in the forest on the duke your father.
2567
-
2568
- ROSALIND I met the duke yesterday and had much question with
2569
- him: he asked me of what parentage I was; I told
2570
- him, of as good as he; so he laughed and let me go.
2571
- But what talk we of fathers, when there is such a
2572
- man as Orlando?
2573
-
2574
- CELIA O, that's a brave man! he writes brave verses,
2575
- speaks brave words, swears brave oaths and breaks
2576
- them bravely, quite traverse, athwart the heart of
2577
- his lover; as a puisny tilter, that spurs his horse
2578
- but on one side, breaks his staff like a noble
2579
- goose: but all's brave that youth mounts and folly
2580
- guides. Who comes here?
2581
-
2582
- [Enter CORIN]
2583
-
2584
- CORIN Mistress and master, you have oft inquired
2585
- After the shepherd that complain'd of love,
2586
- Who you saw sitting by me on the turf,
2587
- Praising the proud disdainful shepherdess
2588
- That was his mistress.
2589
-
2590
- CELIA Well, and what of him?
2591
-
2592
- CORIN If you will see a pageant truly play'd,
2593
- Between the pale complexion of true love
2594
- And the red glow of scorn and proud disdain,
2595
- Go hence a little and I shall conduct you,
2596
- If you will mark it.
2597
-
2598
- ROSALIND O, come, let us remove:
2599
- The sight of lovers feedeth those in love.
2600
- Bring us to this sight, and you shall say
2601
- I'll prove a busy actor in their play.
2602
-
2603
- [Exeunt]
2604
-
2605
-
2606
-
2607
-
2608
- AS YOU LIKE IT
2609
-
2610
-
2611
- ACT III
2612
-
2613
-
2614
-
2615
- SCENE V Another part of the forest.
2616
-
2617
-
2618
- [Enter SILVIUS and PHEBE]
2619
-
2620
- SILVIUS Sweet Phebe, do not scorn me; do not, Phebe;
2621
- Say that you love me not, but say not so
2622
- In bitterness. The common executioner,
2623
- Whose heart the accustom'd sight of death makes hard,
2624
- Falls not the axe upon the humbled neck
2625
- But first begs pardon: will you sterner be
2626
- Than he that dies and lives by bloody drops?
2627
-
2628
- [Enter ROSALIND, CELIA, and CORIN, behind]
2629
-
2630
- PHEBE I would not be thy executioner:
2631
- I fly thee, for I would not injure thee.
2632
- Thou tell'st me there is murder in mine eye:
2633
- 'Tis pretty, sure, and very probable,
2634
- That eyes, that are the frail'st and softest things,
2635
- Who shut their coward gates on atomies,
2636
- Should be call'd tyrants, butchers, murderers!
2637
- Now I do frown on thee with all my heart;
2638
- And if mine eyes can wound, now let them kill thee:
2639
- Now counterfeit to swoon; why now fall down;
2640
- Or if thou canst not, O, for shame, for shame,
2641
- Lie not, to say mine eyes are murderers!
2642
- Now show the wound mine eye hath made in thee:
2643
- Scratch thee but with a pin, and there remains
2644
- Some scar of it; lean but upon a rush,
2645
- The cicatrice and capable impressure
2646
- Thy palm some moment keeps; but now mine eyes,
2647
- Which I have darted at thee, hurt thee not,
2648
- Nor, I am sure, there is no force in eyes
2649
- That can do hurt.
2650
-
2651
- SILVIUS O dear Phebe,
2652
- If ever,--as that ever may be near,--
2653
- You meet in some fresh cheek the power of fancy,
2654
- Then shall you know the wounds invisible
2655
- That love's keen arrows make.
2656
-
2657
- PHEBE But till that time
2658
- Come not thou near me: and when that time comes,
2659
- Afflict me with thy mocks, pity me not;
2660
- As till that time I shall not pity thee.
2661
-
2662
- ROSALIND And why, I pray you? Who might be your mother,
2663
- That you insult, exult, and all at once,
2664
- Over the wretched? What though you have no beauty,--
2665
- As, by my faith, I see no more in you
2666
- Than without candle may go dark to bed--
2667
- Must you be therefore proud and pitiless?
2668
- Why, what means this? Why do you look on me?
2669
- I see no more in you than in the ordinary
2670
- Of nature's sale-work. 'Od's my little life,
2671
- I think she means to tangle my eyes too!
2672
- No, faith, proud mistress, hope not after it:
2673
- 'Tis not your inky brows, your black silk hair,
2674
- Your bugle eyeballs, nor your cheek of cream,
2675
- That can entame my spirits to your worship.
2676
- You foolish shepherd, wherefore do you follow her,
2677
- Like foggy south puffing with wind and rain?
2678
- You are a thousand times a properer man
2679
- Than she a woman: 'tis such fools as you
2680
- That makes the world full of ill-favour'd children:
2681
- 'Tis not her glass, but you, that flatters her;
2682
- And out of you she sees herself more proper
2683
- Than any of her lineaments can show her.
2684
- But, mistress, know yourself: down on your knees,
2685
- And thank heaven, fasting, for a good man's love:
2686
- For I must tell you friendly in your ear,
2687
- Sell when you can: you are not for all markets:
2688
- Cry the man mercy; love him; take his offer:
2689
- Foul is most foul, being foul to be a scoffer.
2690
- So take her to thee, shepherd: fare you well.
2691
-
2692
- PHEBE Sweet youth, I pray you, chide a year together:
2693
- I had rather hear you chide than this man woo.
2694
-
2695
- ROSALIND He's fallen in love with your foulness and she'll
2696
- fall in love with my anger. If it be so, as fast as
2697
- she answers thee with frowning looks, I'll sauce her
2698
- with bitter words. Why look you so upon me?
2699
-
2700
- PHEBE For no ill will I bear you.
2701
-
2702
- ROSALIND I pray you, do not fall in love with me,
2703
- For I am falser than vows made in wine:
2704
- Besides, I like you not. If you will know my house,
2705
- 'Tis at the tuft of olives here hard by.
2706
- Will you go, sister? Shepherd, ply her hard.
2707
- Come, sister. Shepherdess, look on him better,
2708
- And be not proud: though all the world could see,
2709
- None could be so abused in sight as he.
2710
- Come, to our flock.
2711
-
2712
- [Exeunt ROSALIND, CELIA and CORIN]
2713
-
2714
- PHEBE Dead Shepherd, now I find thy saw of might,
2715
- 'Who ever loved that loved not at first sight?'
2716
-
2717
- SILVIUS Sweet Phebe,--
2718
-
2719
- PHEBE Ha, what say'st thou, Silvius?
2720
-
2721
- SILVIUS Sweet Phebe, pity me.
2722
-
2723
- PHEBE Why, I am sorry for thee, gentle Silvius.
2724
-
2725
- SILVIUS Wherever sorrow is, relief would be:
2726
- If you do sorrow at my grief in love,
2727
- By giving love your sorrow and my grief
2728
- Were both extermined.
2729
-
2730
- PHEBE Thou hast my love: is not that neighbourly?
2731
-
2732
- SILVIUS I would have you.
2733
-
2734
- PHEBE Why, that were covetousness.
2735
- Silvius, the time was that I hated thee,
2736
- And yet it is not that I bear thee love;
2737
- But since that thou canst talk of love so well,
2738
- Thy company, which erst was irksome to me,
2739
- I will endure, and I'll employ thee too:
2740
- But do not look for further recompense
2741
- Than thine own gladness that thou art employ'd.
2742
-
2743
- SILVIUS So holy and so perfect is my love,
2744
- And I in such a poverty of grace,
2745
- That I shall think it a most plenteous crop
2746
- To glean the broken ears after the man
2747
- That the main harvest reaps: loose now and then
2748
- A scatter'd smile, and that I'll live upon.
2749
-
2750
- PHEBE Know'st now the youth that spoke to me erewhile?
2751
-
2752
- SILVIUS Not very well, but I have met him oft;
2753
- And he hath bought the cottage and the bounds
2754
- That the old carlot once was master of.
2755
-
2756
- PHEBE Think not I love him, though I ask for him:
2757
- 'Tis but a peevish boy; yet he talks well;
2758
- But what care I for words? yet words do well
2759
- When he that speaks them pleases those that hear.
2760
- It is a pretty youth: not very pretty:
2761
- But, sure, he's proud, and yet his pride becomes him:
2762
- He'll make a proper man: the best thing in him
2763
- Is his complexion; and faster than his tongue
2764
- Did make offence his eye did heal it up.
2765
- He is not very tall; yet for his years he's tall:
2766
- His leg is but so so; and yet 'tis well:
2767
- There was a pretty redness in his lip,
2768
- A little riper and more lusty red
2769
- Than that mix'd in his cheek; 'twas just the difference
2770
- Between the constant red and mingled damask.
2771
- There be some women, Silvius, had they mark'd him
2772
- In parcels as I did, would have gone near
2773
- To fall in love with him; but, for my part,
2774
- I love him not nor hate him not; and yet
2775
- I have more cause to hate him than to love him:
2776
- For what had he to do to chide at me?
2777
- He said mine eyes were black and my hair black:
2778
- And, now I am remember'd, scorn'd at me:
2779
- I marvel why I answer'd not again:
2780
- But that's all one; omittance is no quittance.
2781
- I'll write to him a very taunting letter,
2782
- And thou shalt bear it: wilt thou, Silvius?
2783
-
2784
- SILVIUS Phebe, with all my heart.
2785
-
2786
- PHEBE I'll write it straight;
2787
- The matter's in my head and in my heart:
2788
- I will be bitter with him and passing short.
2789
- Go with me, Silvius.
2790
-
2791
- [Exeunt]
2792
-
2793
-
2794
-
2795
-
2796
- AS YOU LIKE IT
2797
-
2798
-
2799
- ACT IV
2800
-
2801
-
2802
-
2803
- SCENE I The forest.
2804
-
2805
-
2806
- [Enter ROSALIND, CELIA, and JAQUES]
2807
-
2808
- JAQUES I prithee, pretty youth, let me be better acquainted
2809
- with thee.
2810
-
2811
- ROSALIND They say you are a melancholy fellow.
2812
-
2813
- JAQUES I am so; I do love it better than laughing.
2814
-
2815
- ROSALIND Those that are in extremity of either are abominable
2816
- fellows and betray themselves to every modern
2817
- censure worse than drunkards.
2818
-
2819
- JAQUES Why, 'tis good to be sad and say nothing.
2820
-
2821
- ROSALIND Why then, 'tis good to be a post.
2822
-
2823
- JAQUES I have neither the scholar's melancholy, which is
2824
- emulation, nor the musician's, which is fantastical,
2825
- nor the courtier's, which is proud, nor the
2826
- soldier's, which is ambitious, nor the lawyer's,
2827
- which is politic, nor the lady's, which is nice, nor
2828
- the lover's, which is all these: but it is a
2829
- melancholy of mine own, compounded of many simples,
2830
- extracted from many objects, and indeed the sundry's
2831
- contemplation of my travels, in which my often
2832
- rumination wraps me m a most humorous sadness.
2833
-
2834
- ROSALIND A traveller! By my faith, you have great reason to
2835
- be sad: I fear you have sold your own lands to see
2836
- other men's; then, to have seen much and to have
2837
- nothing, is to have rich eyes and poor hands.
2838
-
2839
- JAQUES Yes, I have gained my experience.
2840
-
2841
- ROSALIND And your experience makes you sad: I had rather have
2842
- a fool to make me merry than experience to make me
2843
- sad; and to travel for it too!
2844
-
2845
- [Enter ORLANDO]
2846
-
2847
- ORLANDO Good day and happiness, dear Rosalind!
2848
-
2849
- JAQUES Nay, then, God be wi' you, an you talk in blank verse.
2850
-
2851
- [Exit]
2852
-
2853
- ROSALIND Farewell, Monsieur Traveller: look you lisp and
2854
- wear strange suits, disable all the benefits of your
2855
- own country, be out of love with your nativity and
2856
- almost chide God for making you that countenance you
2857
- are, or I will scarce think you have swam in a
2858
- gondola. Why, how now, Orlando! where have you been
2859
- all this while? You a lover! An you serve me such
2860
- another trick, never come in my sight more.
2861
-
2862
- ORLANDO My fair Rosalind, I come within an hour of my promise.
2863
-
2864
- ROSALIND Break an hour's promise in love! He that will
2865
- divide a minute into a thousand parts and break but
2866
- a part of the thousandth part of a minute in the
2867
- affairs of love, it may be said of him that Cupid
2868
- hath clapped him o' the shoulder, but I'll warrant
2869
- him heart-whole.
2870
-
2871
- ORLANDO Pardon me, dear Rosalind.
2872
-
2873
- ROSALIND Nay, an you be so tardy, come no more in my sight: I
2874
- had as lief be wooed of a snail.
2875
-
2876
- ORLANDO Of a snail?
2877
-
2878
- ROSALIND Ay, of a snail; for though he comes slowly, he
2879
- carries his house on his head; a better jointure,
2880
- I think, than you make a woman: besides he brings
2881
- his destiny with him.
2882
-
2883
- ORLANDO What's that?
2884
-
2885
- ROSALIND Why, horns, which such as you are fain to be
2886
- beholding to your wives for: but he comes armed in
2887
- his fortune and prevents the slander of his wife.
2888
-
2889
- ORLANDO Virtue is no horn-maker; and my Rosalind is virtuous.
2890
-
2891
- ROSALIND And I am your Rosalind.
2892
-
2893
- CELIA It pleases him to call you so; but he hath a
2894
- Rosalind of a better leer than you.
2895
-
2896
- ROSALIND Come, woo me, woo me, for now I am in a holiday
2897
- humour and like enough to consent. What would you
2898
- say to me now, an I were your very very Rosalind?
2899
-
2900
- ORLANDO I would kiss before I spoke.
2901
-
2902
- ROSALIND Nay, you were better speak first, and when you were
2903
- gravelled for lack of matter, you might take
2904
- occasion to kiss. Very good orators, when they are
2905
- out, they will spit; and for lovers lacking--God
2906
- warn us!--matter, the cleanliest shift is to kiss.
2907
-
2908
- ORLANDO How if the kiss be denied?
2909
-
2910
- ROSALIND Then she puts you to entreaty, and there begins new matter.
2911
-
2912
- ORLANDO Who could be out, being before his beloved mistress?
2913
-
2914
- ROSALIND Marry, that should you, if I were your mistress, or
2915
- I should think my honesty ranker than my wit.
2916
-
2917
- ORLANDO What, of my suit?
2918
-
2919
- ROSALIND Not out of your apparel, and yet out of your suit.
2920
- Am not I your Rosalind?
2921
-
2922
- ORLANDO I take some joy to say you are, because I would be
2923
- talking of her.
2924
-
2925
- ROSALIND Well in her person I say I will not have you.
2926
-
2927
- ORLANDO Then in mine own person I die.
2928
-
2929
- ROSALIND No, faith, die by attorney. The poor world is
2930
- almost six thousand years old, and in all this time
2931
- there was not any man died in his own person,
2932
- videlicit, in a love-cause. Troilus had his brains
2933
- dashed out with a Grecian club; yet he did what he
2934
- could to die before, and he is one of the patterns
2935
- of love. Leander, he would have lived many a fair
2936
- year, though Hero had turned nun, if it had not been
2937
- for a hot midsummer night; for, good youth, he went
2938
- but forth to wash him in the Hellespont and being
2939
- taken with the cramp was drowned and the foolish
2940
- coroners of that age found it was 'Hero of Sestos.'
2941
- But these are all lies: men have died from time to
2942
- time and worms have eaten them, but not for love.
2943
-
2944
- ORLANDO I would not have my right Rosalind of this mind,
2945
- for, I protest, her frown might kill me.
2946
-
2947
- ROSALIND By this hand, it will not kill a fly. But come, now
2948
- I will be your Rosalind in a more coming-on
2949
- disposition, and ask me what you will. I will grant
2950
- it.
2951
-
2952
- ORLANDO Then love me, Rosalind.
2953
-
2954
- ROSALIND Yes, faith, will I, Fridays and Saturdays and all.
2955
-
2956
- ORLANDO And wilt thou have me?
2957
-
2958
- ROSALIND Ay, and twenty such.
2959
-
2960
- ORLANDO What sayest thou?
2961
-
2962
- ROSALIND Are you not good?
2963
-
2964
- ORLANDO I hope so.
2965
-
2966
- ROSALIND Why then, can one desire too much of a good thing?
2967
- Come, sister, you shall be the priest and marry us.
2968
- Give me your hand, Orlando. What do you say, sister?
2969
-
2970
- ORLANDO Pray thee, marry us.
2971
-
2972
- CELIA I cannot say the words.
2973
-
2974
- ROSALIND You must begin, 'Will you, Orlando--'
2975
-
2976
- CELIA Go to. Will you, Orlando, have to wife this Rosalind?
2977
-
2978
- ORLANDO I will.
2979
-
2980
- ROSALIND Ay, but when?
2981
-
2982
- ORLANDO Why now; as fast as she can marry us.
2983
-
2984
- ROSALIND Then you must say 'I take thee, Rosalind, for wife.'
2985
-
2986
- ORLANDO I take thee, Rosalind, for wife.
2987
-
2988
- ROSALIND I might ask you for your commission; but I do take
2989
- thee, Orlando, for my husband: there's a girl goes
2990
- before the priest; and certainly a woman's thought
2991
- runs before her actions.
2992
-
2993
- ORLANDO So do all thoughts; they are winged.
2994
-
2995
- ROSALIND Now tell me how long you would have her after you
2996
- have possessed her.
2997
-
2998
- ORLANDO For ever and a day.
2999
-
3000
- ROSALIND Say 'a day,' without the 'ever.' No, no, Orlando;
3001
- men are April when they woo, December when they wed:
3002
- maids are May when they are maids, but the sky
3003
- changes when they are wives. I will be more jealous
3004
- of thee than a Barbary cock-pigeon over his hen,
3005
- more clamorous than a parrot against rain, more
3006
- new-fangled than an ape, more giddy in my desires
3007
- than a monkey: I will weep for nothing, like Diana
3008
- in the fountain, and I will do that when you are
3009
- disposed to be merry; I will laugh like a hyen, and
3010
- that when thou art inclined to sleep.
3011
-
3012
- ORLANDO But will my Rosalind do so?
3013
-
3014
- ROSALIND By my life, she will do as I do.
3015
-
3016
- ORLANDO O, but she is wise.
3017
-
3018
- ROSALIND Or else she could not have the wit to do this: the
3019
- wiser, the waywarder: make the doors upon a woman's
3020
- wit and it will out at the casement; shut that and
3021
- 'twill out at the key-hole; stop that, 'twill fly
3022
- with the smoke out at the chimney.
3023
-
3024
- ORLANDO A man that had a wife with such a wit, he might say
3025
- 'Wit, whither wilt?'
3026
-
3027
- ROSALIND Nay, you might keep that cheque for it till you met
3028
- your wife's wit going to your neighbour's bed.
3029
-
3030
- ORLANDO And what wit could wit have to excuse that?
3031
-
3032
- ROSALIND Marry, to say she came to seek you there. You shall
3033
- never take her without her answer, unless you take
3034
- her without her tongue. O, that woman that cannot
3035
- make her fault her husband's occasion, let her
3036
- never nurse her child herself, for she will breed
3037
- it like a fool!
3038
-
3039
- ORLANDO For these two hours, Rosalind, I will leave thee.
3040
-
3041
- ROSALIND Alas! dear love, I cannot lack thee two hours.
3042
-
3043
- ORLANDO I must attend the duke at dinner: by two o'clock I
3044
- will be with thee again.
3045
-
3046
- ROSALIND Ay, go your ways, go your ways; I knew what you
3047
- would prove: my friends told me as much, and I
3048
- thought no less: that flattering tongue of yours
3049
- won me: 'tis but one cast away, and so, come,
3050
- death! Two o'clock is your hour?
3051
-
3052
- ORLANDO Ay, sweet Rosalind.
3053
-
3054
- ROSALIND By my troth, and in good earnest, and so God mend
3055
- me, and by all pretty oaths that are not dangerous,
3056
- if you break one jot of your promise or come one
3057
- minute behind your hour, I will think you the most
3058
- pathetical break-promise and the most hollow lover
3059
- and the most unworthy of her you call Rosalind that
3060
- may be chosen out of the gross band of the
3061
- unfaithful: therefore beware my censure and keep
3062
- your promise.
3063
-
3064
- ORLANDO With no less religion than if thou wert indeed my
3065
- Rosalind: so adieu.
3066
-
3067
- ROSALIND Well, Time is the old justice that examines all such
3068
- offenders, and let Time try: adieu.
3069
-
3070
- [Exit ORLANDO]
3071
-
3072
- CELIA You have simply misused our sex in your love-prate:
3073
- we must have your doublet and hose plucked over your
3074
- head, and show the world what the bird hath done to
3075
- her own nest.
3076
-
3077
- ROSALIND O coz, coz, coz, my pretty little coz, that thou
3078
- didst know how many fathom deep I am in love! But
3079
- it cannot be sounded: my affection hath an unknown
3080
- bottom, like the bay of Portugal.
3081
-
3082
- CELIA Or rather, bottomless, that as fast as you pour
3083
- affection in, it runs out.
3084
-
3085
- ROSALIND No, that same wicked bastard of Venus that was begot
3086
- of thought, conceived of spleen and born of madness,
3087
- that blind rascally boy that abuses every one's eyes
3088
- because his own are out, let him be judge how deep I
3089
- am in love. I'll tell thee, Aliena, I cannot be out
3090
- of the sight of Orlando: I'll go find a shadow and
3091
- sigh till he come.
3092
-
3093
- CELIA And I'll sleep.
3094
-
3095
- [Exeunt]
3096
-
3097
-
3098
-
3099
-
3100
- AS YOU LIKE IT
3101
-
3102
-
3103
- ACT IV
3104
-
3105
-
3106
-
3107
- SCENE II The forest.
3108
-
3109
-
3110
- [Enter JAQUES, Lords, and Foresters]
3111
-
3112
- JAQUES Which is he that killed the deer?
3113
-
3114
- A Lord Sir, it was I.
3115
-
3116
- JAQUES Let's present him to the duke, like a Roman
3117
- conqueror; and it would do well to set the deer's
3118
- horns upon his head, for a branch of victory. Have
3119
- you no song, forester, for this purpose?
3120
-
3121
- Forester Yes, sir.
3122
-
3123
- JAQUES Sing it: 'tis no matter how it be in tune, so it
3124
- make noise enough.
3125
-
3126
- SONG.
3127
- Forester What shall he have that kill'd the deer?
3128
- His leather skin and horns to wear.
3129
- Then sing him home;
3130
-
3131
- [The rest shall bear this burden]
3132
-
3133
- Take thou no scorn to wear the horn;
3134
- It was a crest ere thou wast born:
3135
- Thy father's father wore it,
3136
- And thy father bore it:
3137
- The horn, the horn, the lusty horn
3138
- Is not a thing to laugh to scorn.
3139
-
3140
- [Exeunt]
3141
-
3142
-
3143
-
3144
-
3145
- AS YOU LIKE IT
3146
-
3147
-
3148
- ACT IV
3149
-
3150
-
3151
-
3152
- SCENE III The forest.
3153
-
3154
-
3155
- [Enter ROSALIND and CELIA]
3156
-
3157
- ROSALIND How say you now? Is it not past two o'clock? and
3158
- here much Orlando!
3159
-
3160
- CELIA I warrant you, with pure love and troubled brain, he
3161
- hath ta'en his bow and arrows and is gone forth to
3162
- sleep. Look, who comes here.
3163
-
3164
- [Enter SILVIUS]
3165
-
3166
- SILVIUS My errand is to you, fair youth;
3167
- My gentle Phebe bid me give you this:
3168
- I know not the contents; but, as I guess
3169
- By the stern brow and waspish action
3170
- Which she did use as she was writing of it,
3171
- It bears an angry tenor: pardon me:
3172
- I am but as a guiltless messenger.
3173
-
3174
- ROSALIND Patience herself would startle at this letter
3175
- And play the swaggerer; bear this, bear all:
3176
- She says I am not fair, that I lack manners;
3177
- She calls me proud, and that she could not love me,
3178
- Were man as rare as phoenix. 'Od's my will!
3179
- Her love is not the hare that I do hunt:
3180
- Why writes she so to me? Well, shepherd, well,
3181
- This is a letter of your own device.
3182
-
3183
- SILVIUS No, I protest, I know not the contents:
3184
- Phebe did write it.
3185
-
3186
- ROSALIND Come, come, you are a fool
3187
- And turn'd into the extremity of love.
3188
- I saw her hand: she has a leathern hand.
3189
- A freestone-colour'd hand; I verily did think
3190
- That her old gloves were on, but 'twas her hands:
3191
- She has a huswife's hand; but that's no matter:
3192
- I say she never did invent this letter;
3193
- This is a man's invention and his hand.
3194
-
3195
- SILVIUS Sure, it is hers.
3196
-
3197
- ROSALIND Why, 'tis a boisterous and a cruel style.
3198
- A style for-challengers; why, she defies me,
3199
- Like Turk to Christian: women's gentle brain
3200
- Could not drop forth such giant-rude invention
3201
- Such Ethiope words, blacker in their effect
3202
- Than in their countenance. Will you hear the letter?
3203
-
3204
- SILVIUS So please you, for I never heard it yet;
3205
- Yet heard too much of Phebe's cruelty.
3206
-
3207
- ROSALIND She Phebes me: mark how the tyrant writes.
3208
-
3209
- [Reads]
3210
-
3211
- Art thou god to shepherd turn'd,
3212
- That a maiden's heart hath burn'd?
3213
- Can a woman rail thus?
3214
-
3215
- SILVIUS Call you this railing?
3216
-
3217
- ROSALIND [Reads]
3218
-
3219
- Why, thy godhead laid apart,
3220
- Warr'st thou with a woman's heart?
3221
- Did you ever hear such railing?
3222
- Whiles the eye of man did woo me,
3223
- That could do no vengeance to me.
3224
- Meaning me a beast.
3225
- If the scorn of your bright eyne
3226
- Have power to raise such love in mine,
3227
- Alack, in me what strange effect
3228
- Would they work in mild aspect!
3229
- Whiles you chid me, I did love;
3230
- How then might your prayers move!
3231
- He that brings this love to thee
3232
- Little knows this love in me:
3233
- And by him seal up thy mind;
3234
- Whether that thy youth and kind
3235
- Will the faithful offer take
3236
- Of me and all that I can make;
3237
- Or else by him my love deny,
3238
- And then I'll study how to die.
3239
-
3240
- SILVIUS Call you this chiding?
3241
-
3242
- CELIA Alas, poor shepherd!
3243
-
3244
- ROSALIND Do you pity him? no, he deserves no pity. Wilt
3245
- thou love such a woman? What, to make thee an
3246
- instrument and play false strains upon thee! not to
3247
- be endured! Well, go your way to her, for I see
3248
- love hath made thee a tame snake, and say this to
3249
- her: that if she love me, I charge her to love
3250
- thee; if she will not, I will never have her unless
3251
- thou entreat for her. If you be a true lover,
3252
- hence, and not a word; for here comes more company.
3253
-
3254
- [Exit SILVIUS]
3255
-
3256
- [Enter OLIVER]
3257
-
3258
- OLIVER Good morrow, fair ones: pray you, if you know,
3259
- Where in the purlieus of this forest stands
3260
- A sheep-cote fenced about with olive trees?
3261
-
3262
- CELIA West of this place, down in the neighbour bottom:
3263
- The rank of osiers by the murmuring stream
3264
- Left on your right hand brings you to the place.
3265
- But at this hour the house doth keep itself;
3266
- There's none within.
3267
-
3268
- OLIVER If that an eye may profit by a tongue,
3269
- Then should I know you by description;
3270
- Such garments and such years: 'The boy is fair,
3271
- Of female favour, and bestows himself
3272
- Like a ripe sister: the woman low
3273
- And browner than her brother.' Are not you
3274
- The owner of the house I did inquire for?
3275
-
3276
- CELIA It is no boast, being ask'd, to say we are.
3277
-
3278
- OLIVER Orlando doth commend him to you both,
3279
- And to that youth he calls his Rosalind
3280
- He sends this bloody napkin. Are you he?
3281
-
3282
- ROSALIND I am: what must we understand by this?
3283
-
3284
- OLIVER Some of my shame; if you will know of me
3285
- What man I am, and how, and why, and where
3286
- This handkercher was stain'd.
3287
-
3288
- CELIA I pray you, tell it.
3289
-
3290
- OLIVER When last the young Orlando parted from you
3291
- He left a promise to return again
3292
- Within an hour, and pacing through the forest,
3293
- Chewing the food of sweet and bitter fancy,
3294
- Lo, what befell! he threw his eye aside,
3295
- And mark what object did present itself:
3296
- Under an oak, whose boughs were moss'd with age
3297
- And high top bald with dry antiquity,
3298
- A wretched ragged man, o'ergrown with hair,
3299
- Lay sleeping on his back: about his neck
3300
- A green and gilded snake had wreathed itself,
3301
- Who with her head nimble in threats approach'd
3302
- The opening of his mouth; but suddenly,
3303
- Seeing Orlando, it unlink'd itself,
3304
- And with indented glides did slip away
3305
- Into a bush: under which bush's shade
3306
- A lioness, with udders all drawn dry,
3307
- Lay couching, head on ground, with catlike watch,
3308
- When that the sleeping man should stir; for 'tis
3309
- The royal disposition of that beast
3310
- To prey on nothing that doth seem as dead:
3311
- This seen, Orlando did approach the man
3312
- And found it was his brother, his elder brother.
3313
-
3314
- CELIA O, I have heard him speak of that same brother;
3315
- And he did render him the most unnatural
3316
- That lived amongst men.
3317
-
3318
- OLIVER And well he might so do,
3319
- For well I know he was unnatural.
3320
-
3321
- ROSALIND But, to Orlando: did he leave him there,
3322
- Food to the suck'd and hungry lioness?
3323
-
3324
- OLIVER Twice did he turn his back and purposed so;
3325
- But kindness, nobler ever than revenge,
3326
- And nature, stronger than his just occasion,
3327
- Made him give battle to the lioness,
3328
- Who quickly fell before him: in which hurtling
3329
- From miserable slumber I awaked.
3330
-
3331
- CELIA Are you his brother?
3332
-
3333
- ROSALIND Wast you he rescued?
3334
-
3335
- CELIA Was't you that did so oft contrive to kill him?
3336
-
3337
- OLIVER 'Twas I; but 'tis not I I do not shame
3338
- To tell you what I was, since my conversion
3339
- So sweetly tastes, being the thing I am.
3340
-
3341
- ROSALIND But, for the bloody napkin?
3342
-
3343
- OLIVER By and by.
3344
- When from the first to last betwixt us two
3345
- Tears our recountments had most kindly bathed,
3346
- As how I came into that desert place:--
3347
- In brief, he led me to the gentle duke,
3348
- Who gave me fresh array and entertainment,
3349
- Committing me unto my brother's love;
3350
- Who led me instantly unto his cave,
3351
- There stripp'd himself, and here upon his arm
3352
- The lioness had torn some flesh away,
3353
- Which all this while had bled; and now he fainted
3354
- And cried, in fainting, upon Rosalind.
3355
- Brief, I recover'd him, bound up his wound;
3356
- And, after some small space, being strong at heart,
3357
- He sent me hither, stranger as I am,
3358
- To tell this story, that you might excuse
3359
- His broken promise, and to give this napkin
3360
- Dyed in his blood unto the shepherd youth
3361
- That he in sport doth call his Rosalind.
3362
-
3363
- [ROSALIND swoons]
3364
-
3365
- CELIA Why, how now, Ganymede! sweet Ganymede!
3366
-
3367
- OLIVER Many will swoon when they do look on blood.
3368
-
3369
- CELIA There is more in it. Cousin Ganymede!
3370
-
3371
- OLIVER Look, he recovers.
3372
-
3373
- ROSALIND I would I were at home.
3374
-
3375
- CELIA We'll lead you thither.
3376
- I pray you, will you take him by the arm?
3377
-
3378
- OLIVER Be of good cheer, youth: you a man! you lack a
3379
- man's heart.
3380
-
3381
- ROSALIND I do so, I confess it. Ah, sirrah, a body would
3382
- think this was well counterfeited! I pray you, tell
3383
- your brother how well I counterfeited. Heigh-ho!
3384
-
3385
- OLIVER This was not counterfeit: there is too great
3386
- testimony in your complexion that it was a passion
3387
- of earnest.
3388
-
3389
- ROSALIND Counterfeit, I assure you.
3390
-
3391
- OLIVER Well then, take a good heart and counterfeit to be a man.
3392
-
3393
- ROSALIND So I do: but, i' faith, I should have been a woman by right.
3394
-
3395
- CELIA Come, you look paler and paler: pray you, draw
3396
- homewards. Good sir, go with us.
3397
-
3398
- OLIVER That will I, for I must bear answer back
3399
- How you excuse my brother, Rosalind.
3400
-
3401
- ROSALIND I shall devise something: but, I pray you, commend
3402
- my counterfeiting to him. Will you go?
3403
-
3404
- [Exeunt]
3405
-
3406
-
3407
-
3408
-
3409
- AS YOU LIKE IT
3410
-
3411
-
3412
- ACT V
3413
-
3414
-
3415
-
3416
- SCENE I The forest.
3417
-
3418
-
3419
- [Enter TOUCHSTONE and AUDREY]
3420
-
3421
- TOUCHSTONE We shall find a time, Audrey; patience, gentle Audrey.
3422
-
3423
- AUDREY Faith, the priest was good enough, for all the old
3424
- gentleman's saying.
3425
-
3426
- TOUCHSTONE A most wicked Sir Oliver, Audrey, a most vile
3427
- Martext. But, Audrey, there is a youth here in the
3428
- forest lays claim to you.
3429
-
3430
- AUDREY Ay, I know who 'tis; he hath no interest in me in
3431
- the world: here comes the man you mean.
3432
-
3433
- TOUCHSTONE It is meat and drink to me to see a clown: by my
3434
- troth, we that have good wits have much to answer
3435
- for; we shall be flouting; we cannot hold.
3436
-
3437
- [Enter WILLIAM]
3438
-
3439
- WILLIAM Good even, Audrey.
3440
-
3441
- AUDREY God ye good even, William.
3442
-
3443
- WILLIAM And good even to you, sir.
3444
-
3445
- TOUCHSTONE Good even, gentle friend. Cover thy head, cover thy
3446
- head; nay, prithee, be covered. How old are you, friend?
3447
-
3448
- WILLIAM Five and twenty, sir.
3449
-
3450
- TOUCHSTONE A ripe age. Is thy name William?
3451
-
3452
- WILLIAM William, sir.
3453
-
3454
- TOUCHSTONE A fair name. Wast born i' the forest here?
3455
-
3456
- WILLIAM Ay, sir, I thank God.
3457
-
3458
- TOUCHSTONE 'Thank God;' a good answer. Art rich?
3459
-
3460
- WILLIAM Faith, sir, so so.
3461
-
3462
- TOUCHSTONE 'So so' is good, very good, very excellent good; and
3463
- yet it is not; it is but so so. Art thou wise?
3464
-
3465
- WILLIAM Ay, sir, I have a pretty wit.
3466
-
3467
- TOUCHSTONE Why, thou sayest well. I do now remember a saying,
3468
- 'The fool doth think he is wise, but the wise man
3469
- knows himself to be a fool.' The heathen
3470
- philosopher, when he had a desire to eat a grape,
3471
- would open his lips when he put it into his mouth;
3472
- meaning thereby that grapes were made to eat and
3473
- lips to open. You do love this maid?
3474
-
3475
- WILLIAM I do, sir.
3476
-
3477
- TOUCHSTONE Give me your hand. Art thou learned?
3478
-
3479
- WILLIAM No, sir.
3480
-
3481
- TOUCHSTONE Then learn this of me: to have, is to have; for it
3482
- is a figure in rhetoric that drink, being poured out
3483
- of a cup into a glass, by filling the one doth empty
3484
- the other; for all your writers do consent that ipse
3485
- is he: now, you are not ipse, for I am he.
3486
-
3487
- WILLIAM Which he, sir?
3488
-
3489
- TOUCHSTONE He, sir, that must marry this woman. Therefore, you
3490
- clown, abandon,--which is in the vulgar leave,--the
3491
- society,--which in the boorish is company,--of this
3492
- female,--which in the common is woman; which
3493
- together is, abandon the society of this female, or,
3494
- clown, thou perishest; or, to thy better
3495
- understanding, diest; or, to wit I kill thee, make
3496
- thee away, translate thy life into death, thy
3497
- liberty into bondage: I will deal in poison with
3498
- thee, or in bastinado, or in steel; I will bandy
3499
- with thee in faction; I will o'errun thee with
3500
- policy; I will kill thee a hundred and fifty ways:
3501
- therefore tremble and depart.
3502
-
3503
- AUDREY Do, good William.
3504
-
3505
- WILLIAM God rest you merry, sir.
3506
-
3507
- [Exit]
3508
-
3509
- [Enter CORIN]
3510
-
3511
- CORIN Our master and mistress seeks you; come, away, away!
3512
-
3513
- TOUCHSTONE Trip, Audrey! trip, Audrey! I attend, I attend.
3514
-
3515
- [Exeunt]
3516
-
3517
-
3518
-
3519
-
3520
- AS YOU LIKE IT
3521
-
3522
-
3523
- ACT V
3524
-
3525
-
3526
-
3527
- SCENE II The forest.
3528
-
3529
-
3530
- [Enter ORLANDO and OLIVER]
3531
-
3532
- ORLANDO Is't possible that on so little acquaintance you
3533
- should like her? that but seeing you should love
3534
- her? and loving woo? and, wooing, she should
3535
- grant? and will you persever to enjoy her?
3536
-
3537
- OLIVER Neither call the giddiness of it in question, the
3538
- poverty of her, the small acquaintance, my sudden
3539
- wooing, nor her sudden consenting; but say with me,
3540
- I love Aliena; say with her that she loves me;
3541
- consent with both that we may enjoy each other: it
3542
- shall be to your good; for my father's house and all
3543
- the revenue that was old Sir Rowland's will I
3544
- estate upon you, and here live and die a shepherd.
3545
-
3546
- ORLANDO You have my consent. Let your wedding be to-morrow:
3547
- thither will I invite the duke and all's contented
3548
- followers. Go you and prepare Aliena; for look
3549
- you, here comes my Rosalind.
3550
-
3551
- [Enter ROSALIND]
3552
-
3553
- ROSALIND God save you, brother.
3554
-
3555
- OLIVER And you, fair sister.
3556
-
3557
- [Exit]
3558
-
3559
- ROSALIND O, my dear Orlando, how it grieves me to see thee
3560
- wear thy heart in a scarf!
3561
-
3562
- ORLANDO It is my arm.
3563
-
3564
- ROSALIND I thought thy heart had been wounded with the claws
3565
- of a lion.
3566
-
3567
- ORLANDO Wounded it is, but with the eyes of a lady.
3568
-
3569
- ROSALIND Did your brother tell you how I counterfeited to
3570
- swoon when he showed me your handkerchief?
3571
-
3572
- ORLANDO Ay, and greater wonders than that.
3573
-
3574
- ROSALIND O, I know where you are: nay, 'tis true: there was
3575
- never any thing so sudden but the fight of two rams
3576
- and Caesar's thrasonical brag of 'I came, saw, and
3577
- overcame:' for your brother and my sister no sooner
3578
- met but they looked, no sooner looked but they
3579
- loved, no sooner loved but they sighed, no sooner
3580
- sighed but they asked one another the reason, no
3581
- sooner knew the reason but they sought the remedy;
3582
- and in these degrees have they made a pair of stairs
3583
- to marriage which they will climb incontinent, or
3584
- else be incontinent before marriage: they are in
3585
- the very wrath of love and they will together; clubs
3586
- cannot part them.
3587
-
3588
- ORLANDO They shall be married to-morrow, and I will bid the
3589
- duke to the nuptial. But, O, how bitter a thing it
3590
- is to look into happiness through another man's
3591
- eyes! By so much the more shall I to-morrow be at
3592
- the height of heart-heaviness, by how much I shall
3593
- think my brother happy in having what he wishes for.
3594
-
3595
- ROSALIND Why then, to-morrow I cannot serve your turn for Rosalind?
3596
-
3597
- ORLANDO I can live no longer by thinking.
3598
-
3599
- ROSALIND I will weary you then no longer with idle talking.
3600
- Know of me then, for now I speak to some purpose,
3601
- that I know you are a gentleman of good conceit: I
3602
- speak not this that you should bear a good opinion
3603
- of my knowledge, insomuch I say I know you are;
3604
- neither do I labour for a greater esteem than may in
3605
- some little measure draw a belief from you, to do
3606
- yourself good and not to grace me. Believe then, if
3607
- you please, that I can do strange things: I have,
3608
- since I was three year old, conversed with a
3609
- magician, most profound in his art and yet not
3610
- damnable. If you do love Rosalind so near the heart
3611
- as your gesture cries it out, when your brother
3612
- marries Aliena, shall you marry her: I know into
3613
- what straits of fortune she is driven; and it is
3614
- not impossible to me, if it appear not inconvenient
3615
- to you, to set her before your eyes tomorrow human
3616
- as she is and without any danger.
3617
-
3618
- ORLANDO Speakest thou in sober meanings?
3619
-
3620
- ROSALIND By my life, I do; which I tender dearly, though I
3621
- say I am a magician. Therefore, put you in your
3622
- best array: bid your friends; for if you will be
3623
- married to-morrow, you shall, and to Rosalind, if you will.
3624
-
3625
- [Enter SILVIUS and PHEBE]
3626
-
3627
- Look, here comes a lover of mine and a lover of hers.
3628
-
3629
- PHEBE Youth, you have done me much ungentleness,
3630
- To show the letter that I writ to you.
3631
-
3632
- ROSALIND I care not if I have: it is my study
3633
- To seem despiteful and ungentle to you:
3634
- You are there followed by a faithful shepherd;
3635
- Look upon him, love him; he worships you.
3636
-
3637
- PHEBE Good shepherd, tell this youth what 'tis to love.
3638
-
3639
- SILVIUS It is to be all made of sighs and tears;
3640
- And so am I for Phebe.
3641
-
3642
- PHEBE And I for Ganymede.
3643
-
3644
- ORLANDO And I for Rosalind.
3645
-
3646
- ROSALIND And I for no woman.
3647
-
3648
- SILVIUS It is to be all made of faith and service;
3649
- And so am I for Phebe.
3650
-
3651
- PHEBE And I for Ganymede.
3652
-
3653
- ORLANDO And I for Rosalind.
3654
-
3655
- ROSALIND And I for no woman.
3656
-
3657
- SILVIUS It is to be all made of fantasy,
3658
- All made of passion and all made of wishes,
3659
- All adoration, duty, and observance,
3660
- All humbleness, all patience and impatience,
3661
- All purity, all trial, all observance;
3662
- And so am I for Phebe.
3663
-
3664
- PHEBE And so am I for Ganymede.
3665
-
3666
- ORLANDO And so am I for Rosalind.
3667
-
3668
- ROSALIND And so am I for no woman.
3669
-
3670
- PHEBE If this be so, why blame you me to love you?
3671
-
3672
- SILVIUS If this be so, why blame you me to love you?
3673
-
3674
- ORLANDO If this be so, why blame you me to love you?
3675
-
3676
- ROSALIND Who do you speak to, 'Why blame you me to love you?'
3677
-
3678
- ORLANDO To her that is not here, nor doth not hear.
3679
-
3680
- ROSALIND Pray you, no more of this; 'tis like the howling
3681
- of Irish wolves against the moon.
3682
-
3683
- [To SILVIUS]
3684
-
3685
- I will help you, if I can:
3686
-
3687
- [To PHEBE]
3688
-
3689
- I would love you, if I could. To-morrow meet me all together.
3690
-
3691
- [To PHEBE]
3692
-
3693
- I will marry you, if ever I marry woman, and I'll be
3694
- married to-morrow:
3695
-
3696
- [To ORLANDO]
3697
-
3698
- I will satisfy you, if ever I satisfied man, and you
3699
- shall be married to-morrow:
3700
-
3701
- [To SILVIUS]
3702
-
3703
- I will content you, if what pleases you contents
3704
- you, and you shall be married to-morrow.
3705
-
3706
- [To ORLANDO]
3707
-
3708
- As you love Rosalind, meet:
3709
-
3710
- [To SILVIUS]
3711
-
3712
- as you love Phebe, meet: and as I love no woman,
3713
- I'll meet. So fare you well: I have left you commands.
3714
-
3715
- SILVIUS I'll not fail, if I live.
3716
-
3717
- PHEBE Nor I.
3718
-
3719
- ORLANDO Nor I.
3720
-
3721
- [Exeunt]
3722
-
3723
-
3724
-
3725
-
3726
- AS YOU LIKE IT
3727
-
3728
-
3729
- ACT V
3730
-
3731
-
3732
-
3733
- SCENE III The forest.
3734
-
3735
-
3736
- [Enter TOUCHSTONE and AUDREY]
3737
-
3738
- TOUCHSTONE To-morrow is the joyful day, Audrey; to-morrow will
3739
- we be married.
3740
-
3741
- AUDREY I do desire it with all my heart; and I hope it is
3742
- no dishonest desire to desire to be a woman of the
3743
- world. Here comes two of the banished duke's pages.
3744
-
3745
- [Enter two Pages]
3746
-
3747
- First Page Well met, honest gentleman.
3748
-
3749
- TOUCHSTONE By my troth, well met. Come, sit, sit, and a song.
3750
-
3751
- Second Page We are for you: sit i' the middle.
3752
-
3753
- First Page Shall we clap into't roundly, without hawking or
3754
- spitting or saying we are hoarse, which are the only
3755
- prologues to a bad voice?
3756
-
3757
- Second Page I'faith, i'faith; and both in a tune, like two
3758
- gipsies on a horse.
3759
-
3760
- SONG.
3761
- It was a lover and his lass,
3762
- With a hey, and a ho, and a hey nonino,
3763
- That o'er the green corn-field did pass
3764
- In the spring time, the only pretty ring time,
3765
- When birds do sing, hey ding a ding, ding:
3766
- Sweet lovers love the spring.
3767
-
3768
- Between the acres of the rye,
3769
- With a hey, and a ho, and a hey nonino
3770
- These pretty country folks would lie,
3771
- In spring time, &c.
3772
-
3773
- This carol they began that hour,
3774
- With a hey, and a ho, and a hey nonino,
3775
- How that a life was but a flower
3776
- In spring time, &c.
3777
-
3778
- And therefore take the present time,
3779
- With a hey, and a ho, and a hey nonino;
3780
- For love is crowned with the prime
3781
- In spring time, &c.
3782
-
3783
- TOUCHSTONE Truly, young gentlemen, though there was no great
3784
- matter in the ditty, yet the note was very
3785
- untuneable.
3786
-
3787
- First Page You are deceived, sir: we kept time, we lost not our time.
3788
-
3789
- TOUCHSTONE By my troth, yes; I count it but time lost to hear
3790
- such a foolish song. God be wi' you; and God mend
3791
- your voices! Come, Audrey.
3792
-
3793
- [Exeunt]
3794
-
3795
-
3796
-
3797
-
3798
- AS YOU LIKE IT
3799
-
3800
-
3801
- ACT V
3802
-
3803
-
3804
-
3805
- SCENE IV The forest.
3806
-
3807
-
3808
- [Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER,
3809
- and CELIA]
3810
-
3811
- DUKE SENIOR Dost thou believe, Orlando, that the boy
3812
- Can do all this that he hath promised?
3813
-
3814
- ORLANDO I sometimes do believe, and sometimes do not;
3815
- As those that fear they hope, and know they fear.
3816
-
3817
- [Enter ROSALIND, SILVIUS, and PHEBE]
3818
-
3819
- ROSALIND Patience once more, whiles our compact is urged:
3820
- You say, if I bring in your Rosalind,
3821
- You will bestow her on Orlando here?
3822
-
3823
- DUKE SENIOR That would I, had I kingdoms to give with her.
3824
-
3825
- ROSALIND And you say, you will have her, when I bring her?
3826
-
3827
- ORLANDO That would I, were I of all kingdoms king.
3828
-
3829
- ROSALIND You say, you'll marry me, if I be willing?
3830
-
3831
- PHEBE That will I, should I die the hour after.
3832
-
3833
- ROSALIND But if you do refuse to marry me,
3834
- You'll give yourself to this most faithful shepherd?
3835
-
3836
- PHEBE So is the bargain.
3837
-
3838
- ROSALIND You say, that you'll have Phebe, if she will?
3839
-
3840
- SILVIUS Though to have her and death were both one thing.
3841
-
3842
- ROSALIND I have promised to make all this matter even.
3843
- Keep you your word, O duke, to give your daughter;
3844
- You yours, Orlando, to receive his daughter:
3845
- Keep your word, Phebe, that you'll marry me,
3846
- Or else refusing me, to wed this shepherd:
3847
- Keep your word, Silvius, that you'll marry her.
3848
- If she refuse me: and from hence I go,
3849
- To make these doubts all even.
3850
-
3851
- [Exeunt ROSALIND and CELIA]
3852
-
3853
- DUKE SENIOR I do remember in this shepherd boy
3854
- Some lively touches of my daughter's favour.
3855
-
3856
- ORLANDO My lord, the first time that I ever saw him
3857
- Methought he was a brother to your daughter:
3858
- But, my good lord, this boy is forest-born,
3859
- And hath been tutor'd in the rudiments
3860
- Of many desperate studies by his uncle,
3861
- Whom he reports to be a great magician,
3862
- Obscured in the circle of this forest.
3863
-
3864
- [Enter TOUCHSTONE and AUDREY]
3865
-
3866
- JAQUES There is, sure, another flood toward, and these
3867
- couples are coming to the ark. Here comes a pair of
3868
- very strange beasts, which in all tongues are called fools.
3869
-
3870
- TOUCHSTONE Salutation and greeting to you all!
3871
-
3872
- JAQUES Good my lord, bid him welcome: this is the
3873
- motley-minded gentleman that I have so often met in
3874
- the forest: he hath been a courtier, he swears.
3875
-
3876
- TOUCHSTONE If any man doubt that, let him put me to my
3877
- purgation. I have trod a measure; I have flattered
3878
- a lady; I have been politic with my friend, smooth
3879
- with mine enemy; I have undone three tailors; I have
3880
- had four quarrels, and like to have fought one.
3881
-
3882
- JAQUES And how was that ta'en up?
3883
-
3884
- TOUCHSTONE Faith, we met, and found the quarrel was upon the
3885
- seventh cause.
3886
-
3887
- JAQUES How seventh cause? Good my lord, like this fellow.
3888
-
3889
- DUKE SENIOR I like him very well.
3890
-
3891
- TOUCHSTONE God 'ild you, sir; I desire you of the like. I
3892
- press in here, sir, amongst the rest of the country
3893
- copulatives, to swear and to forswear: according as
3894
- marriage binds and blood breaks: a poor virgin,
3895
- sir, an ill-favoured thing, sir, but mine own; a poor
3896
- humour of mine, sir, to take that that no man else
3897
- will: rich honesty dwells like a miser, sir, in a
3898
- poor house; as your pearl in your foul oyster.
3899
-
3900
- DUKE SENIOR By my faith, he is very swift and sententious.
3901
-
3902
- TOUCHSTONE According to the fool's bolt, sir, and such dulcet diseases.
3903
-
3904
- JAQUES But, for the seventh cause; how did you find the
3905
- quarrel on the seventh cause?
3906
-
3907
- TOUCHSTONE Upon a lie seven times removed:--bear your body more
3908
- seeming, Audrey:--as thus, sir. I did dislike the
3909
- cut of a certain courtier's beard: he sent me word,
3910
- if I said his beard was not cut well, he was in the
3911
- mind it was: this is called the Retort Courteous.
3912
- If I sent him word again 'it was not well cut,' he
3913
- would send me word, he cut it to please himself:
3914
- this is called the Quip Modest. If again 'it was
3915
- not well cut,' he disabled my judgment: this is
3916
- called the Reply Churlish. If again 'it was not
3917
- well cut,' he would answer, I spake not true: this
3918
- is called the Reproof Valiant. If again 'it was not
3919
- well cut,' he would say I lied: this is called the
3920
- Counter-cheque Quarrelsome: and so to the Lie
3921
- Circumstantial and the Lie Direct.
3922
-
3923
- JAQUES And how oft did you say his beard was not well cut?
3924
-
3925
- TOUCHSTONE I durst go no further than the Lie Circumstantial,
3926
- nor he durst not give me the Lie Direct; and so we
3927
- measured swords and parted.
3928
-
3929
- JAQUES Can you nominate in order now the degrees of the lie?
3930
-
3931
- TOUCHSTONE O sir, we quarrel in print, by the book; as you have
3932
- books for good manners: I will name you the degrees.
3933
- The first, the Retort Courteous; the second, the
3934
- Quip Modest; the third, the Reply Churlish; the
3935
- fourth, the Reproof Valiant; the fifth, the
3936
- Countercheque Quarrelsome; the sixth, the Lie with
3937
- Circumstance; the seventh, the Lie Direct. All
3938
- these you may avoid but the Lie Direct; and you may
3939
- avoid that too, with an If. I knew when seven
3940
- justices could not take up a quarrel, but when the
3941
- parties were met themselves, one of them thought but
3942
- of an If, as, 'If you said so, then I said so;' and
3943
- they shook hands and swore brothers. Your If is the
3944
- only peacemaker; much virtue in If.
3945
-
3946
- JAQUES Is not this a rare fellow, my lord? he's as good at
3947
- any thing and yet a fool.
3948
-
3949
- DUKE SENIOR He uses his folly like a stalking-horse and under
3950
- the presentation of that he shoots his wit.
3951
-
3952
- [Enter HYMEN, ROSALIND, and CELIA]
3953
-
3954
- [Still Music]
3955
-
3956
- HYMEN Then is there mirth in heaven,
3957
- When earthly things made even
3958
- Atone together.
3959
- Good duke, receive thy daughter
3960
- Hymen from heaven brought her,
3961
- Yea, brought her hither,
3962
- That thou mightst join her hand with his
3963
- Whose heart within his bosom is.
3964
-
3965
- ROSALIND [To DUKE SENIOR] To you I give myself, for I am yours.
3966
-
3967
- [To ORLANDO]
3968
-
3969
- To you I give myself, for I am yours.
3970
-
3971
- DUKE SENIOR If there be truth in sight, you are my daughter.
3972
-
3973
- ORLANDO If there be truth in sight, you are my Rosalind.
3974
-
3975
- PHEBE If sight and shape be true,
3976
- Why then, my love adieu!
3977
-
3978
- ROSALIND I'll have no father, if you be not he:
3979
- I'll have no husband, if you be not he:
3980
- Nor ne'er wed woman, if you be not she.
3981
-
3982
- HYMEN Peace, ho! I bar confusion:
3983
- 'Tis I must make conclusion
3984
- Of these most strange events:
3985
- Here's eight that must take hands
3986
- To join in Hymen's bands,
3987
- If truth holds true contents.
3988
- You and you no cross shall part:
3989
- You and you are heart in heart
3990
- You to his love must accord,
3991
- Or have a woman to your lord:
3992
- You and you are sure together,
3993
- As the winter to foul weather.
3994
- Whiles a wedlock-hymn we sing,
3995
- Feed yourselves with questioning;
3996
- That reason wonder may diminish,
3997
- How thus we met, and these things finish.
3998
-
3999
- SONG.
4000
- Wedding is great Juno's crown:
4001
- O blessed bond of board and bed!
4002
- 'Tis Hymen peoples every town;
4003
- High wedlock then be honoured:
4004
- Honour, high honour and renown,
4005
- To Hymen, god of every town!
4006
-
4007
- DUKE SENIOR O my dear niece, welcome thou art to me!
4008
- Even daughter, welcome, in no less degree.
4009
-
4010
- PHEBE I will not eat my word, now thou art mine;
4011
- Thy faith my fancy to thee doth combine.
4012
-
4013
- [Enter JAQUES DE BOYS]
4014
-
4015
- JAQUES DE BOYS Let me have audience for a word or two:
4016
- I am the second son of old Sir Rowland,
4017
- That bring these tidings to this fair assembly.
4018
- Duke Frederick, hearing how that every day
4019
- Men of great worth resorted to this forest,
4020
- Address'd a mighty power; which were on foot,
4021
- In his own conduct, purposely to take
4022
- His brother here and put him to the sword:
4023
- And to the skirts of this wild wood he came;
4024
- Where meeting with an old religious man,
4025
- After some question with him, was converted
4026
- Both from his enterprise and from the world,
4027
- His crown bequeathing to his banish'd brother,
4028
- And all their lands restored to them again
4029
- That were with him exiled. This to be true,
4030
- I do engage my life.
4031
-
4032
- DUKE SENIOR Welcome, young man;
4033
- Thou offer'st fairly to thy brothers' wedding:
4034
- To one his lands withheld, and to the other
4035
- A land itself at large, a potent dukedom.
4036
- First, in this forest, let us do those ends
4037
- That here were well begun and well begot:
4038
- And after, every of this happy number
4039
- That have endured shrewd days and nights with us
4040
- Shall share the good of our returned fortune,
4041
- According to the measure of their states.
4042
- Meantime, forget this new-fall'n dignity
4043
- And fall into our rustic revelry.
4044
- Play, music! And you, brides and bridegrooms all,
4045
- With measure heap'd in joy, to the measures fall.
4046
-
4047
- JAQUES Sir, by your patience. If I heard you rightly,
4048
- The duke hath put on a religious life
4049
- And thrown into neglect the pompous court?
4050
-
4051
- JAQUES DE BOYS He hath.
4052
-
4053
- JAQUES To him will I : out of these convertites
4054
- There is much matter to be heard and learn'd.
4055
-
4056
- [To DUKE SENIOR]
4057
-
4058
- You to your former honour I bequeath;
4059
- Your patience and your virtue well deserves it:
4060
-
4061
- [To ORLANDO]
4062
-
4063
- You to a love that your true faith doth merit:
4064
-
4065
- [To OLIVER]
4066
-
4067
- You to your land and love and great allies:
4068
-
4069
- [To SILVIUS]
4070
-
4071
- You to a long and well-deserved bed:
4072
-
4073
- [To TOUCHSTONE]
4074
-
4075
- And you to wrangling; for thy loving voyage
4076
- Is but for two months victuall'd. So, to your pleasures:
4077
- I am for other than for dancing measures.
4078
-
4079
- DUKE SENIOR Stay, Jaques, stay.
4080
-
4081
- JAQUES To see no pastime I what you would have
4082
- I'll stay to know at your abandon'd cave.
4083
-
4084
- [Exit]
4085
-
4086
- DUKE SENIOR Proceed, proceed: we will begin these rites,
4087
- As we do trust they'll end, in true delights.
4088
-
4089
- [A dance]
4090
-
4091
-
4092
-
4093
-
4094
- AS YOU LIKE IT
4095
-
4096
- EPILOGUE
4097
-
4098
-
4099
- ROSALIND It is not the fashion to see the lady the epilogue;
4100
- but it is no more unhandsome than to see the lord
4101
- the prologue. If it be true that good wine needs
4102
- no bush, 'tis true that a good play needs no
4103
- epilogue; yet to good wine they do use good bushes,
4104
- and good plays prove the better by the help of good
4105
- epilogues. What a case am I in then, that am
4106
- neither a good epilogue nor cannot insinuate with
4107
- you in the behalf of a good play! I am not
4108
- furnished like a beggar, therefore to beg will not
4109
- become me: my way is to conjure you; and I'll begin
4110
- with the women. I charge you, O women, for the love
4111
- you bear to men, to like as much of this play as
4112
- please you: and I charge you, O men, for the love
4113
- you bear to women--as I perceive by your simpering,
4114
- none of you hates them--that between you and the
4115
- women the play may please. If I were a woman I
4116
- would kiss as many of you as had beards that pleased
4117
- me, complexions that liked me and breaths that I
4118
- defied not: and, I am sure, as many as have good
4119
- beards or good faces or sweet breaths will, for my
4120
- kind offer, when I make curtsy, bid me farewell.
4121
-
4122
- [Exeunt]