ruby-alibris 0.1.0

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+ "synopsis" : "'The Fountainhead' is one of the greatest books of its time. In it you will meet, head-on, the brilliant young architect Howard Roark. You will witness the beauty, desirability and dangerous ambition of Dominique Francon. You will reel, stunned, like the millions of other readers who have assured this book a place in the century's history, at the meeting, and mating of these two most powerful creatures in modern America. 'The Fountainhead' is about ambition, power, gold and love ? a love so firm that it triumphed over slander, separation, jealousy, and the cruel assaults of those who sought to destroy it.",
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+ "synopsis" : "The bestselling novels from the foremost philosopher of the modern age, this set includes Atlas Shrugged and The Fountainhead.",
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+ "synopsis" : "With its fragile beauty and dark power, the Amazon has fascinated people throughout the centuries. Enthralled by its exotic and impenetrable mystery on his first visit to the region in 1998, Jerry Burchfield sought to utilize his skills as a photographer both to celebrate the Amazon's stunning beauty and also communicate his concern for its future. \"Primal Images\" is the product of his passion, composed of exquisite lumen prints created entirely without a camera or lens. <br>To create his lumens, Burchfield placed plant cuttings directly onto aged black-and-white photographic paper that he secured to the deck of his Amazon boat. He then let the beautifully chaotic interaction of sunlight, rain, temperature, and each plant's inherent moisture and chemistry, among other factors, play out freely in prolonged exposures. The result is an astonishing array of images--from the starkly representational to pure abstractions of color, shape, and form--that powerfully celebrate the rare and resplendent beauty of the world's largest tropical rain forest. <br>Burchfield's photographic technique draws on methods formulated during the origins of photography, beginning with the shadowgrams of nineteenth-century pioneers William Henry Fox Talbot and Anna Atkins and, more recently, twentieth-century innovators Harry Callahan and Robert Heinecken. Yet Burchfield adds a depth to the process that, as Wade Davis writes in his foreword, \"seeks to see beneath the surface of things to the very inner worlds that shamans desire to know.\" <br>\"Jerry Burchfield's images are a testament to the respect in which he holds the natural world. There is a reverence in these photograms that moves them beyond the decorative, outside the scientific, and above the formal. Burchfield quietly collaborates with the form and rhythms of the natural, celebrates the authority and simplicity of his process, and respects the products and demands of time. His images reflect an artmaking sensibility more attuned to discoveries than to dictates.\"--Tim Wride, associate curator of photography, Los Angeles County Museum of Art",
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+ "synopsis" : "This companion volume to our 2002 publication The Feminine is another montage of images meditating on an elusive yet universal quality - masculinity. Artist and teacher Richard Kehl used his unique vision to select a series of paintings, photographs, and other media that portray masculinity in a variety of guises. Celebrated men such as Jean Gabin and Gustave Klimt are included, as are many unknown yet compelling faces. The work of fine artists Michelangelo and Rembrandt is presented alongside luminaries from the world of illustration such as N.C. Wyeth and Eleanor Fortescue Brickdale. Anonymous snapshots face carefully composed images - and the two modes enhance one another. Kehl states in his introduction that \"The Masculine proceeds from such masculine inclinations as planned action, focused will, logic, and concrete manifestation.\" These qualities and others are beautifully elucidated in this new book. The Masculine is also available as part of a boxed set with The Feminine (a companion volume).",
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+ "synopsis" : "Famous for his early 1970s leather scenes with an explicitly homosexual symbolism, Robert Mapplethrope's work became more varied over the years. Along with his heavy pornographic and sadomasochistic images he also devoted himself to classical genres, such as portraits, nudes, flowers, and still lifes. In the 80s, his work stood for the contemporary psycho-erotic life-style. Like a sculptor he modeled with light the bodies, plants, and objects he portrayed and stylized them into classic sculptures of vivid sensuality. A fascinating combination of strength and grace, his work walks a tightrope: it is hard and romantic, calculating and full of abandon, introverted and extroverted, intimate and theatrical.",
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