rdf 1.1.2.1 → 1.1.3
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- checksums.yaml +4 -4
- data/README +19 -19
- data/VERSION +1 -1
- data/lib/rdf/mixin/enumerable.rb +1 -1
- data/lib/rdf/model/list.rb +11 -5
- data/lib/rdf/vocab/mo.rb +886 -0
- data/lib/rdf/vocab/schema.rb +274 -3
- metadata +41 -40
checksums.yaml
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data.tar.gz: 139cabcf47483e12266822d66882d7a0913ede67
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data.tar.gz: 97a984581ad73bc752aa3c16f0e11ad85fa1eb8814bcf05434d7b90b83ca6807e794fe1bdf371c294f4c10b1a562ec9827129e655652eb437311c4e6b997d239
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data/README
CHANGED
@@ -19,9 +19,9 @@ This is a pure-Ruby library for working with [Resource Description Framework
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* 100% free and unencumbered [public domain](http://unlicense.org/) software.
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* Provides a clean, well-designed RDF object model and related APIs.
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* Supports parsing and serializing [N-Triples][] and [N-Quads][] out of the box, with more
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-
serialization format support available through add-on
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serialization format support available through add-on extensions.
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* Includes in-memory graph and repository implementations, with more storage
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adapter support available through add-on
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adapter support available through add-on extensions.
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* Implements basic graph pattern (BGP) query evaluation.
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* Plays nice with others: entirely contained in the `RDF` module, and does
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not modify any of Ruby's core classes or standard library.
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@@ -227,7 +227,7 @@ A separate [SPARQL][SPARQL doc] gem builds on basic BGP support to provide full
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* {RDF::Literal::Double}
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* {RDF::Literal::Integer}
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* {RDF::Literal::Time}
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* [RDF::XSD](http://rubydoc.info/github/gkellogg/rdf-xsd/master/frames) (
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* [RDF::XSD](http://rubydoc.info/github/gkellogg/rdf-xsd/master/frames) (extension)
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* {RDF::Resource}
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* {RDF::Node}
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* {RDF::URI}
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@@ -250,17 +250,17 @@ other gems:
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* {RDF::NTriples}
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* {RDF::NQuads}
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* [JSON::LD][] (
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* [RDF::JSON][] (
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* [RDF::Microdata][] (
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* [RDF::N3][] (
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* [RDF::Raptor::RDFXML](http://ruby-rdf.github.
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* [RDF::Raptor::Turtle](http://ruby-rdf.github.
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* [RDF::RDFa][] (
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* [RDF::RDFXML][] (
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* [RDF::TriG][] (
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* [RDF::TriX][] (
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* [RDF::Turtle][] (
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* [JSON::LD][] (extension)
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* [RDF::JSON][] (extension)
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* [RDF::Microdata][] (extension)
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* [RDF::N3][] (extension)
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* [RDF::Raptor::RDFXML](http://ruby-rdf.github.io/rdf-raptor) (extension)
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* [RDF::Raptor::Turtle](http://ruby-rdf.github.io/rdf-raptor) (extension)
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* [RDF::RDFa][] (extension)
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* [RDF::RDFXML][] (extension)
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* [RDF::TriG][] (extension)
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* [RDF::TriX][] (extension)
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* [RDF::Turtle][] (extension)
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The meta-gem [LinkedData][LinkedData doc] includes many of these gems.
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@@ -294,10 +294,10 @@ from BNode identity (i.e., they each entail the other)
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* {RDF::Mutable}
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* {RDF::Durable}
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* {RDF::Transaction}
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* [RDF::AllegroGraph](http://rubydoc.info/github/emk/rdf-agraph/master/frames) (
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* [RDF::Mongo](http://rubydoc.info/github/pius/rdf-mongo/master/frames) (
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* [RDF::DataObjects](http://rubydoc.info/github/ruby-rdf/rdf-do/frames) (
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* [RDF::Sesame](http://rdf.rubyforge.org/sesame/) (
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* [RDF::AllegroGraph](http://rubydoc.info/github/emk/rdf-agraph/master/frames) (extension)
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* [RDF::Mongo](http://rubydoc.info/github/pius/rdf-mongo/master/frames) (extension)
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* [RDF::DataObjects](http://rubydoc.info/github/ruby-rdf/rdf-do/frames) (extension)
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* [RDF::Sesame](http://rdf.rubyforge.org/sesame/) (extension)
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### RDF Querying
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@@ -307,7 +307,7 @@ from BNode identity (i.e., they each entail the other)
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* {RDF::Query::Solution}
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* {RDF::Query::Solutions}
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* {RDF::Query::Variable}
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* [SPARQL](http://rubydoc.info/github/ruby-rdf/sparql/frames) (
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* [SPARQL](http://rubydoc.info/github/ruby-rdf/sparql/frames) (extension)
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### RDF Vocabularies
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data/VERSION
CHANGED
@@ -1 +1 @@
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1
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-
1.1.
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1
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+
1.1.3
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data/lib/rdf/mixin/enumerable.rb
CHANGED
@@ -658,7 +658,7 @@ module RDF
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# Returns a serialized string representation of `self`.
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#
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# Before calling this method you may need to explicitly require a
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# serialization
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# serialization extension for the specified format.
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#
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# @example Serializing into N-Triples format
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# require 'rdf/ntriples'
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data/lib/rdf/model/list.rb
CHANGED
@@ -18,11 +18,11 @@ module RDF
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# backed by an initially empty in-memory graph.
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#
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# @example
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#
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#
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#
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#
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#
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# RDF::List[]
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# RDF::List[*(1..10)]
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# RDF::List[1, 2, 3]
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# RDF::List["foo", "bar"]
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# RDF::List["a", 1, "b", 2, "c", 3]
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#
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# @param [Array<RDF::Term>] values
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# @return [RDF::List]
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@@ -43,6 +43,11 @@ module RDF
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# not identify an existing list in `graph`, the list remains
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# identified by `subject`, but will be invalid.
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#
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# @example add constructed list to existing graph
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# l = RDF::List(nil, nil (1, 2, 3))
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# g = RDF::Graph.new << l
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# g.count # => l.count
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#
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# @overload initialize(subject = nil, graph = nil, values = nil, &block)
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# @param [RDF::URI] subject
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# @param [RDF::Graph] graph
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@@ -708,6 +713,7 @@ module RDF
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graph.query(:subject => subject, &block)
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end
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end
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alias_method :to_rdf, :each_statement
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##
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# Returns a string created by converting each element of this list into
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data/lib/rdf/vocab/mo.rb
ADDED
@@ -0,0 +1,886 @@
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1
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# This file generated automatically using vocab-fetch from http://purl.org/ontology/mo/
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require 'rdf'
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module RDF
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class MO < StrictVocabulary("http://purl.org/ontology/mo/")
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# Class definitions
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property :CD, :label => 'CD', :comment =>
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%(Compact Disc used as medium to record a musical manifestation.)
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property :DAT, :label => 'DAT', :comment =>
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10
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%(Digital Audio Tape used as medium to record a musical
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manifestation.)
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property :DCC, :label => 'DCC', :comment =>
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%(Digital Compact Cassette used as medium to record a musical
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manifestation.)
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property :DVDA, :label => 'DVDA', :comment =>
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%(DVD-Audio used as medium to record a musical manifestation.)
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property :ED2K, :label => 'ED2K', :comment =>
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%(Something available on the E-Donkey peer-2-peer filesharing
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network)
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property :Festival, :label => 'Festival', :comment =>
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%(A festival - musical/artistic event lasting several days, like
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Glastonbury, Rock Am Ring... We migth decompose this event
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\(which is in fact just a classification of the space/time
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+
region related to a particular festival\) using hasSubEvent in
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several performances at different space/time.)
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+
property :Genre, :label => 'Genre', :comment =>
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%(An expressive style of music. Any taxonomy can be plug-in
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here. You can either define a genre by yourself, like this:
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:mygenre a mo:Genre; dc:title "electro rock". Or you can refer
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+
to a DBPedia genre \(such as
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http://dbpedia.org/resource/Baroque_music\), allowing semantic
|
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web clients to access easily really detailed structured
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+
information about the genre you are refering to.)
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property :Instrument, :label => 'Instrument', :comment =>
|
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%(Any of various devices or contrivances that can be used to
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produce musical tones or sound. Any taxonomy can be used to
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subsume this concept. The default one is one extracted by Ivan
|
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Herman from the Musicbrainz instrument taxonomy, conforming to
|
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+
SKOS. This concept holds a seeAlso link towards this taxonomy.)
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property :MD, :label => 'MD', :comment =>
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%(Mini Disc used as medium to record a musical manifestation.)
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property :MagneticTape, :label => 'MagneticTape', :comment =>
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%(Magnetic analogue tape used as medium to record a musical
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manifestation.)
|
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property :Medium, :label => 'Medium', :comment =>
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%(A means or instrumentality for storing or communicating
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musical manifestation.)
|
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property :MusicalItem, :label => 'MusicalItem', :comment =>
|
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%(A single exemplar of a musical expression. For example, it
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could be a single exemplar of a CD. This is normally an single
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object \(a CD\) possessed by somebody. From the FRBR final
|
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+
report: The entity defined as item is a concrete entity. It is
|
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in many instances a single physical object \(e.g., a copy of a
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one-volume monograph, a single audio cassette, etc.\). There
|
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+
are instances, however, where the entity defined as item
|
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comprises more than one physical object \(e.g., a monograph
|
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issued as two separately bound volumes, a recording issued on
|
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three separate compact discs, etc.\). In terms of intellectual
|
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content and physical form, an item exemplifying a
|
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manifestation is normally the same as the manifestation
|
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itself. However, variations may occur from one item to
|
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another, even when the items exemplify the same manifestation,
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where those variations are the result of actions external to
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the intent of the producer of the manifestation \(e.g., damage
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occurring after the item was produced, binding performed by a
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library, etc.\).)
|
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property :ReleaseType, :label => 'Release type', :comment =>
|
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%(Release type of a particular manifestation, such as "album" or
|
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"interview"...)
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property :SACD, :label => 'SACD', :comment =>
|
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%(Super Audio Compact Disc used as medium to record a musical
|
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manifestation.)
|
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+
property :Show, :label => 'Show', :comment =>
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%(A show - a musical event lasting several days, in a particular
|
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+
venue. Examples can be "The Magic Flute" at the Opera
|
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Bastille, August 2005, or a musical in the west end...)
|
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+
property :Stream, :label => 'Stream', :comment =>
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%(Transmission over a network used as medium to broadcast a
|
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musical manifestation)
|
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+
property :Torrent, :label => 'Torrent', :comment =>
|
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%(Something available on the Bittorrent peer-2-peer filesharing
|
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network)
|
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+
property :Vinyl, :label => 'Vinyl', :comment =>
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%(Vinyl used as medium to record a musical manifestation)
|
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+
property :Activity, :label => 'activity', :comment =>
|
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+
%(An activity period, defining when an artist was musically
|
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+
active.)
|
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+
property :AnalogSignal, :label => 'analogue signal', :comment =>
|
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+
%(An analog signal.)
|
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+
property :Arrangement, :label => 'arrangement', :comment =>
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%(An arrangement event. Takes as agent the arranger, and
|
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produces a score \(informational object, not the actually
|
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published score\).)
|
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property :Arranger, :label => 'arranger'
|
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+
property :AudioFile, :label => 'audio file', :comment =>
|
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+
%(An audio file, which may be available on a local file system
|
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+
or through http, ftp, etc.)
|
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+
property :Composer, :label => 'composer'
|
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+
property :Composition, :label => 'composition', :comment =>
|
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+
%(A composition event. Takes as agent the composer himself. It
|
101
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+
produces a MusicalWork, or a MusicalExpression \(when the
|
102
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+
initial "product" is a score, for example\), or both...)
|
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|
+
property :Conductor, :label => 'conductor'
|
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|
+
property :CorporateBody, :label => 'corporate body', :comment =>
|
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+
%(Organization or group of individuals and/or other
|
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+
organizations involved in the music market.)
|
107
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+
property :DigitalSignal, :label => 'digital signal', :comment =>
|
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+
%(A digital signal)
|
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|
+
property :Instrumentation, :label => 'instrumentation', :comment =>
|
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+
%(Instrumentation deals with the techniques of writing music for
|
111
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+
a specific instrument, including the limitations of the
|
112
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+
instrument, playing techniques and idiomatic handling of the
|
113
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+
instrument.)
|
114
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+
property :Label, :label => 'label', :comment =>
|
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+
%(Trade name of a company that produces musical works or
|
116
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+
expression of musical works.)
|
117
|
+
property :Libretto, :label => 'libretto', :comment =>
|
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+
%(Libretto)
|
119
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+
property :Listener, :label => 'listened'
|
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|
+
property :Lyrics, :label => 'lyrics', :comment =>
|
121
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+
%(Lyrics)
|
122
|
+
property :Membership, :label => 'membership', :comment =>
|
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+
%(A membership event, where one or several people belongs to a
|
124
|
+
group during a particular time period.)
|
125
|
+
property :Movement, :label => 'movement', :comment =>
|
126
|
+
%(A movement is a self-contained part of a musical work. While
|
127
|
+
individual or selected movements from a composition are
|
128
|
+
sometimes performed separately, a performance of the complete
|
129
|
+
work requires all the movements to be performed in succession.
|
130
|
+
Often a composer attempts to interrelate the movements
|
131
|
+
thematically, or sometimes in more subtle ways, in order that
|
132
|
+
the individual movements exert a cumulative effect. In some
|
133
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+
forms, composers sometimes link the movements, or ask for them
|
134
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+
to be played without a pause between them.)
|
135
|
+
property :MusicArtist, :label => 'music artist', :comment =>
|
136
|
+
%(A person or a group of people \(or a computer :-\) \), whose
|
137
|
+
musical creative work shows sensitivity and imagination)
|
138
|
+
property :MusicGroup, :label => 'music group', :comment =>
|
139
|
+
%(Group of musicians, or musical ensemble, usually popular or
|
140
|
+
folk, playing parts of or improvising off of a musical
|
141
|
+
arrangement.)
|
142
|
+
property :MusicalExpression, :label => 'musical expression', :comment =>
|
143
|
+
%(The intellectual or artistic realization of a work in the form
|
144
|
+
of alpha-numeric, musical, or choreographic notation, sound,
|
145
|
+
etc., or any combination of such forms. For example: Work #1
|
146
|
+
Franz Schubert's Trout quintet * Expression #1 the composer's
|
147
|
+
score * Expression #2 sound issued from the performance by the
|
148
|
+
Amadeus Quartet and Hephzibah Menuhin on piano * Expression #3
|
149
|
+
sound issued from the performance by the Cleveland Quartet and
|
150
|
+
Yo-Yo Ma on the cello * . . . . The Music Ontology defines the
|
151
|
+
following sub-concepts of a MusicalExpression, which should be
|
152
|
+
used instead of MusicalExpression itself: Score \(the result
|
153
|
+
of an arrangement\), Sound \(produced during a performance\),
|
154
|
+
Signal. However, it is possible to stick to FRBR and bypass
|
155
|
+
the worflow mechanism this ontology defines by using the core
|
156
|
+
FRBR properties on such objects. But it is often better to use
|
157
|
+
events to interconnect such expressions \(allowing to go
|
158
|
+
deeply into the production process - `this performer was
|
159
|
+
playing this particular instrument at that particular time'\).)
|
160
|
+
property :MusicalManifestation, :label => 'musical manifestation', :comment =>
|
161
|
+
%(This entity is related to the edition/production/publication
|
162
|
+
of a musical expression \(musical manifestation are closely
|
163
|
+
related with the music industry \(their terms, concepts,
|
164
|
+
definitions, methods \(production, publication, etc.\), etc.\)
|
165
|
+
From the FRBR final report: The entity defined as
|
166
|
+
manifestation encompasses a wide range of materials, including
|
167
|
+
manuscripts, books, periodicals, maps, posters, sound
|
168
|
+
recordings, films, video recordings, CD-ROMs, multimedia kits,
|
169
|
+
etc. As an entity, manifestation represents all the physical
|
170
|
+
objects that bear the same characteristics, in respect to both
|
171
|
+
intellectual content and physical form. Work #1 J. S. Bach's
|
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|
+
Six suites for unaccompanied cello * Expression #1 sound
|
173
|
+
issued during the performance by Janos Starker recorded in
|
174
|
+
1963 and 1965 o Manifestation #1 recordings released on 33 1/3
|
175
|
+
rpm sound discs in 1965 by Mercury o Manifestation #2
|
176
|
+
recordings re-released on compact disc in 1991 by Mercury *
|
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|
+
Expression #2 sound issued during the performances by Yo-Yo Ma
|
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|
+
recorded in 1983 o Manifestation #1 recordings released on 33
|
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|
+
1/3 rpm sound discs in 1983 by CBS Records o Manifestation #2
|
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|
+
recordings re-released on compact disc in 1992 by CBS Records
|
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|
+
Changes that occur deliberately or even inadvertently in the
|
182
|
+
production process that affect the copies result, strictly
|
183
|
+
speaking, in a new manifestation. A manifestation resulting
|
184
|
+
from such a change may be identified as a particular "state"
|
185
|
+
or "issue" of the publication. Changes that occur to an
|
186
|
+
individual copy after the production process is complete
|
187
|
+
\(e.g., the loss of a page, rebinding, etc.\) are not
|
188
|
+
considered to result in a new manifestation. That copy is
|
189
|
+
simply considered to be an exemplar \(or item\) of the
|
190
|
+
manifestation that deviates from the copy as produced. With
|
191
|
+
the entity defined as manifestation we can describe the
|
192
|
+
physical characteristics of a set of items and the
|
193
|
+
characteristics associated with the production and
|
194
|
+
distribution of that set of items that may be important
|
195
|
+
factors in enabling users to choose a manifestation
|
196
|
+
appropriate to their physical needs and constraints, and to
|
197
|
+
identify and acquire a copy of that manifestation. Defining
|
198
|
+
manifestation as an entity also enables us to draw
|
199
|
+
relationships between specific manifestations of a work. We
|
200
|
+
can use the relationships between manifestations to identify,
|
201
|
+
for example, the specific publication that was used to create
|
202
|
+
a microreproduction.)
|
203
|
+
property :MusicalWork, :label => 'musical work', :comment =>
|
204
|
+
%(Distinct intellectual or artistic musical creation. From the
|
205
|
+
FRBR final report: A work is an abstract entity; there is no
|
206
|
+
single material object one can point to as the work. We
|
207
|
+
recognize the work through individual realizations or
|
208
|
+
expressions of the work, but the work itself exists only in
|
209
|
+
the commonality of content between and among the various
|
210
|
+
expressions of the work. When we speak of Homer's Iliad as a
|
211
|
+
work, our point of reference is not a particular recitation or
|
212
|
+
text of the work, but the intellectual creation that lies
|
213
|
+
behind all the various expressions of the work. For example:
|
214
|
+
work #1 J. S. Bach's The art of the fugue)
|
215
|
+
property :Orchestration, :label => 'orchestration', :comment =>
|
216
|
+
%(Orchestration includes, in addition to instrumentation, the
|
217
|
+
handling of groups of instruments and their balance and
|
218
|
+
interaction.)
|
219
|
+
property :Performance, :label => 'performance', :comment =>
|
220
|
+
%(A performance event. It might include as agents performers,
|
221
|
+
engineers, conductors, or even listeners. It might include as
|
222
|
+
factors a score, a MusicalWork, musical instruments. It might
|
223
|
+
produce a sound:-\))
|
224
|
+
property :Performer, :label => 'performer'
|
225
|
+
property :PublishedLibretto, :label => 'published libretto', :comment =>
|
226
|
+
%(A published libretto)
|
227
|
+
property :PublishedLyrics, :label => 'published lyrics', :comment =>
|
228
|
+
%(Published lyrics, as a book or as a text file, for example)
|
229
|
+
property :PublishedScore, :label => 'published score', :comment =>
|
230
|
+
%(A published score \(subclass of MusicalManifestation\))
|
231
|
+
property :Record, :label => 'record', :comment =>
|
232
|
+
%(A published record \(manifestation which first aim is to
|
233
|
+
render the product of a recording\))
|
234
|
+
property :Recording, :label => 'recording', :comment =>
|
235
|
+
%(A recording event. Takes a sound as a factor to produce a
|
236
|
+
signal \(analog or digital\). The location of such events \(if
|
237
|
+
any\) is the actual location of the corresponding microphone
|
238
|
+
or the "recording device".)
|
239
|
+
property :RecordingSession, :label => 'recording session', :comment =>
|
240
|
+
%(A set of performances/recordings/mastering events. This event
|
241
|
+
can be decomposed in its constituent events using
|
242
|
+
event:sub_event)
|
243
|
+
property :Release, :label => 'release', :comment =>
|
244
|
+
%(A specific release, with barcode, box, liner notes, cover art,
|
245
|
+
and a number of records)
|
246
|
+
property :ReleaseEvent, :label => 'release event', :comment =>
|
247
|
+
%(A release event, in a particular place \(e.g. a country\) at a
|
248
|
+
particular time. Other factors of this event might include
|
249
|
+
cover art, liner notes, box, etc. or a release grouping all
|
250
|
+
these.)
|
251
|
+
property :ReleaseStatus, :label => 'release status', :comment =>
|
252
|
+
%(Musical manifestation release status.)
|
253
|
+
property :Score, :label => 'score', :comment =>
|
254
|
+
%(Here, we are dealing with the informational object \(the
|
255
|
+
MusicalExpression\), not the actually "published" score. This
|
256
|
+
may be, for example, the product of an arrangement process.)
|
257
|
+
property :Signal, :label => 'signal', :comment =>
|
258
|
+
%(A subclass of MusicalExpression, representing a signal, for
|
259
|
+
example a master signal produced by a performance and a
|
260
|
+
recording.)
|
261
|
+
property :SignalGroup, :label => 'signal group', :comment =>
|
262
|
+
%(A musical expression representing a group of signals, for
|
263
|
+
example a set of masters resulting from a whole
|
264
|
+
recording/mastering session.)
|
265
|
+
property :SoloMusicArtist, :label => 'solo music artist', :comment =>
|
266
|
+
%(Single person whose musical creative work shows sensitivity
|
267
|
+
and imagination.)
|
268
|
+
property :Sound, :label => 'sound', :comment =>
|
269
|
+
%(A subclass of MusicalExpression, representing a sound.
|
270
|
+
Realisation of a MusicalWork during a musical Performance.)
|
271
|
+
property :SoundEngineer, :label => 'sound engineer'
|
272
|
+
property :Track, :label => 'track', :comment =>
|
273
|
+
%(A track on a particular record)
|
274
|
+
property :Transcription, :label => 'transcription', :comment =>
|
275
|
+
%(Transcription event)
|
276
|
+
|
277
|
+
# Property definitions
|
278
|
+
property :grid, :label => 'GRid', :comment =>
|
279
|
+
%(The Global Release Identifier \(GRid\) is a system for
|
280
|
+
uniquely identifying Releases of music over electronic
|
281
|
+
networks \(that is, online stores where you can buy music as
|
282
|
+
digital files\). As that it can be seen as the equivalent of
|
283
|
+
the BarCode \(or more correctly the GTIN\) as found on
|
284
|
+
physical releases of music. Like the ISRC \(a code for
|
285
|
+
identifying single recordings as found on releases\) it was
|
286
|
+
developed by the IFPI but it does not appear to be a standard
|
287
|
+
of the ISO.)
|
288
|
+
property :musicbrainz_guid, :label => 'Musicbrainz GUID', :comment =>
|
289
|
+
%(Links an object to the corresponding Musicbrainz identifier)
|
290
|
+
property :activity_end, :label => 'activity end', :comment =>
|
291
|
+
%(Relates an artist to a date at which its activity ended)
|
292
|
+
property :activity_start, :label => 'activity start', :comment =>
|
293
|
+
%(Relates an artist to a date at which its activity started)
|
294
|
+
property :bpm, :label => 'bpm', :comment =>
|
295
|
+
%(Indicates the BPM of a MusicalWork or a particular Performance
|
296
|
+
Beats per minute: the pace of music measured by the number of
|
297
|
+
beats occurring in 60 seconds.)
|
298
|
+
property :catalogue_number, :label => 'catalogue number', :comment =>
|
299
|
+
%(Links a release with the corresponding catalogue number)
|
300
|
+
property :ean, :label => 'ean', :comment =>
|
301
|
+
%(The European Article Number \(EAN\) is a universal identifier
|
302
|
+
for products, commonly printed in form of barcodes on them.
|
303
|
+
The numbers represented by those codes can either be 8 or 13
|
304
|
+
digits long, with the 13-digit-version being most common. EANs
|
305
|
+
form a superset of the North American Universal Product Code
|
306
|
+
\(UPC\) as every UPC can be made an EAN by adding a leading
|
307
|
+
zero to it. Additionally every EAN is also a Japanese Article
|
308
|
+
Number \(JAN\). The identifiers were formerly assigned by EAN
|
309
|
+
International which merged with Uniform Code Council \(UCC,
|
310
|
+
the guys behind the UPCs\) and Electronic Commerce Council of
|
311
|
+
Canada \(ECCC\) to become GS1.)
|
312
|
+
property :encoding, :label => 'encoding', :comment =>
|
313
|
+
%(Method used to convert analog electronic signals into digital
|
314
|
+
format such as "MP3 CBR @ 128kbps", "OGG @ 160kbps", "FLAC",
|
315
|
+
etc.)
|
316
|
+
property :gtin, :label => 'gtin', :comment =>
|
317
|
+
%(GTIN is a grouping term for EANs and UPCs. In common speech
|
318
|
+
those are called barcodes although the barcodes are just a
|
319
|
+
representation of those identifying numbers.)
|
320
|
+
property :record_number, :label => 'has record number', :comment =>
|
321
|
+
%(Indicates the position of a record in a release \(e.g. a 2xLP,
|
322
|
+
etc.\).)
|
323
|
+
property :record_side, :label => 'has record side', :comment =>
|
324
|
+
%(Associates the side on a vinyl record, where a track is
|
325
|
+
located, e.g. A, B, C, etc. This property can then also be
|
326
|
+
used in conjunction with mo:track_number, so that one can
|
327
|
+
infer e.g. "A1", that means, track number 1 on side A.)
|
328
|
+
property :bitsPerSample, :comment =>
|
329
|
+
%(Associates a digital signal to the number a bits used to
|
330
|
+
encode one sample. Range is xsd:int.)
|
331
|
+
property :channels, :comment =>
|
332
|
+
%(Associates a signal to the number of channels it holds \(mono
|
333
|
+
--> 1, stereo --> 2\). Range is xsd:int.)
|
334
|
+
property :duration, :comment =>
|
335
|
+
%(The duration of a track or a signal in ms)
|
336
|
+
property :movementNum
|
337
|
+
property :sampleRate
|
338
|
+
property :sample_rate, :comment =>
|
339
|
+
%(Associates a digital signal to its sample rate. It might be
|
340
|
+
easier to express it this way instead of defining a timeline
|
341
|
+
map:-\) Range is xsd:float.)
|
342
|
+
property :trackNum
|
343
|
+
property :ipi, :label => 'ipi', :comment =>
|
344
|
+
%(The Interested Parties Information Code \(IPI\) is an ISO
|
345
|
+
standard similar to ISBNs for identifying the people or groups
|
346
|
+
with some involvement with a particular musical work /
|
347
|
+
compositions.)
|
348
|
+
property :ismn, :label => 'ismn', :comment =>
|
349
|
+
%(The International Standard Music Number \(ISMN\) is an ISO
|
350
|
+
standard similar to ISBNs for identifying printed music
|
351
|
+
publications)
|
352
|
+
property :isrc, :label => 'isrc', :comment =>
|
353
|
+
%(The ISRC \(International Standard Recording Code\) is the
|
354
|
+
international identification system for sound recordings and
|
355
|
+
music videorecordings. Each ISRC is a unique and permanent
|
356
|
+
identifier for a specific recording which can be permanently
|
357
|
+
encoded into a product as its digital fingerprint. Encoded
|
358
|
+
ISRC provide the means to automatically identify recordings
|
359
|
+
for royalty payments.)
|
360
|
+
property :iswc, :label => 'iswc', :comment =>
|
361
|
+
%(Links a musical work to the corresponding ISWC number)
|
362
|
+
property :lc, :label => 'lc', :comment =>
|
363
|
+
%(The Label Code \(LC\) was introduced in 1977 by the IFPI
|
364
|
+
\(International Federation of Phonogram and Videogram
|
365
|
+
Industries\) in order to unmistakably identify the different
|
366
|
+
record labels \(see Introduction, Record labels\) for rights
|
367
|
+
purposes. The Label Code consists historically of 4 figures,
|
368
|
+
presently being extended to 5 figures, preceded by LC and a
|
369
|
+
dash \(e.g. LC-0193 = Electrola; LC-0233 = His Master's
|
370
|
+
Voice\). Note that the number of countries using the LC is
|
371
|
+
limited, and that the code given on the item is not always
|
372
|
+
accurate.)
|
373
|
+
property :meter, :label => 'meter', :comment =>
|
374
|
+
%(Associates a musical work or a score with its meter)
|
375
|
+
property :movement_number, :label => 'movement number', :comment =>
|
376
|
+
%(Indicates the position of a movement in a musical work.)
|
377
|
+
property :opus, :label => 'opus', :comment =>
|
378
|
+
%(Used to define a creative work, especially a musical
|
379
|
+
composition numbered to designate the order of a composer's
|
380
|
+
works.)
|
381
|
+
property :puid, :label => 'puid', :comment =>
|
382
|
+
%(Link a signal to the PUIDs associated with it, that is, PUID
|
383
|
+
computed from MusicalItems \(mo:AudioFile\) derived from this
|
384
|
+
signal. PUIDs \(Portable Unique IDentifier\) are the IDs used
|
385
|
+
in the proprietary MusicDNS AudioFingerprinting system which
|
386
|
+
is operated by MusicIP. Using PUIDs, one \(with some luck\)
|
387
|
+
can identify the Signal object associated with a particular
|
388
|
+
audio file, therefore allowing to access further information
|
389
|
+
\(on which release this track is featured? etc.\). Using some
|
390
|
+
more metadata one can identify the particular Track
|
391
|
+
corresponding to the audio file \(a track on a particular
|
392
|
+
release\).)
|
393
|
+
property :record_count, :label => 'record count', :comment =>
|
394
|
+
%(Associates a release with the number of records it contains,
|
395
|
+
e.g. the number of discs it contains in the case of a
|
396
|
+
multi-disc release.)
|
397
|
+
property :tempo, :label => 'tempo', :comment =>
|
398
|
+
%(Rate of speed or pace of music. Tempo markings are
|
399
|
+
traditionally given in Italian; common markings include: grave
|
400
|
+
\(solemn; very, very slow\); largo \(broad; very slow\);
|
401
|
+
adagio \(quite slow\); andante \(a walking pace\); moderato
|
402
|
+
\(moderate\); allegro \(fast; cheerful\); vivace \(lively\);
|
403
|
+
presto \(very fast\); accelerando \(getting faster\);
|
404
|
+
ritardando \(getting slower\); and a tempo \(in time;
|
405
|
+
returning to the original pace\).)
|
406
|
+
property :text, :label => 'text', :comment =>
|
407
|
+
%(Associates lyrics with their text.)
|
408
|
+
property :track_count, :label => 'track count', :comment =>
|
409
|
+
%(The track count of a record)
|
410
|
+
property :track_number, :label => 'track number', :comment =>
|
411
|
+
%(Indicates the position of a track on a record medium \(a CD,
|
412
|
+
etc.\).)
|
413
|
+
property :trmid, :label => 'trmid', :comment =>
|
414
|
+
%(Indicates the TRMID of a track. TRM IDs are MusicBrainz' old
|
415
|
+
AudioFingerprinting system. TRM \(TRM Recognizes Music\) IDs
|
416
|
+
are \(somewhat\) unique ids that represent the audio signature
|
417
|
+
of a musical piece \(see AudioFingerprint\).)
|
418
|
+
property :uuid, :label => 'universally unique identifier', :comment =>
|
419
|
+
%(Links an object to an universally unique identifier for it.)
|
420
|
+
property :upc, :label => 'upc', :comment =>
|
421
|
+
%(UPC stands for "Universal Product Code", which was the
|
422
|
+
original barcode used in the United States and Canada. The UPC
|
423
|
+
\(now officially EAN.UCC-12 is a numerical method of
|
424
|
+
identifying products without redundancy worldwide for all
|
425
|
+
types of products in the retail sector. The EAN is a superset
|
426
|
+
of the original UPC increasing the digits to 13 with the
|
427
|
+
prefix 0 reserved for UPC. As of 2005, manufacturers are only
|
428
|
+
allowed to use the new 13-digit codes on their items, rather
|
429
|
+
than having two separate numbers.)
|
430
|
+
property :activity, :label => 'activity', :comment =>
|
431
|
+
%(Relates an artist to an activity period)
|
432
|
+
property :amazon_asin, :label => 'amazon_asin', :comment =>
|
433
|
+
%(Used to link a work or the expression of a work to its
|
434
|
+
corresponding Amazon ASINs page.)
|
435
|
+
property :arranged_in, :label => 'arranged in', :comment =>
|
436
|
+
%(Associates a work to an arrangement event where it was
|
437
|
+
arranged)
|
438
|
+
property :arrangement_of, :label => 'arrangement of', :comment =>
|
439
|
+
%(Associates an arrangement event to a work)
|
440
|
+
property :artist, :label => 'artist', :comment =>
|
441
|
+
%(Relates a membership event with the corresponding artist)
|
442
|
+
property :biography, :label => 'biography', :comment =>
|
443
|
+
%(Used to link an artist to their online biography.)
|
444
|
+
property :collaborated_with, :label => 'collaborated_with', :comment =>
|
445
|
+
%(Used to relate two collaborating people on a work.)
|
446
|
+
property :compilation_of, :label => 'compilation_of', :comment =>
|
447
|
+
%(Indicates that a musical manifestation is a compilation of
|
448
|
+
several Signals.)
|
449
|
+
property :compiled, :label => 'compiled', :comment =>
|
450
|
+
%(Used to relate an person or a group of person who compiled the
|
451
|
+
manifestation of a musical work.)
|
452
|
+
property :compiler, :label => 'compiler', :comment =>
|
453
|
+
%(Used to relate the manifestation of a musical work to a person
|
454
|
+
or a group of person who compiled it.)
|
455
|
+
property :composed_in, :label => 'composed in', :comment =>
|
456
|
+
%(Associates a MusicalWork to the Composition event pertaining
|
457
|
+
to its creation. For example, I might use this property to
|
458
|
+
associate the Magic Flute to its composition event, occuring
|
459
|
+
during 1782 and having as a mo:composer Mozart.)
|
460
|
+
property :composer, :label => 'composer', :comment =>
|
461
|
+
%(Associates a composition event to the actual composer. For
|
462
|
+
example, this property could link the event corresponding to
|
463
|
+
the composition of the Magic Flute in 1782 to Mozart himself
|
464
|
+
\(who obviously has a FOAF profile:-\) \).)
|
465
|
+
property :conducted, :label => 'conducted', :comment =>
|
466
|
+
%(Relates agents to the performances they were conducting)
|
467
|
+
property :contains_sample_from, :label => 'contains_sample_from', :comment =>
|
468
|
+
%(Relates a signal to another signal, which has been sampled.)
|
469
|
+
property :derived_from, :label => 'derived from', :comment =>
|
470
|
+
%(A related signal from which the described signal is derived.)
|
471
|
+
property :discography, :label => 'discography', :comment =>
|
472
|
+
%(Used to links an artist to an online discography of their
|
473
|
+
musical works. The discography should provide a summary of
|
474
|
+
each released musical work of the artist.)
|
475
|
+
property :discogs, :label => 'discogs', :comment =>
|
476
|
+
%(Used to link a musical work or the expression of a musical
|
477
|
+
work, an artist or a corporate body to to its corresponding
|
478
|
+
Discogs page.)
|
479
|
+
property :djmix_of, :label => 'djmix_of', :comment =>
|
480
|
+
%(Indicates that all \(or most of\) the tracks of a musical work
|
481
|
+
or the expression of a musical work were mixed together from
|
482
|
+
all \(or most of\) the tracks from another musical work or the
|
483
|
+
expression of a musical work to form a so called DJ-Mix. The
|
484
|
+
tracks might have been altered by pitching \(so that the tempo
|
485
|
+
of one track matches the tempo of the following track\) and
|
486
|
+
fading \(so that one track blends in smoothly with the
|
487
|
+
other\). If the tracks have been more substantially altered,
|
488
|
+
the "mo:remix" relationship type is more appropriate.)
|
489
|
+
property :djmixed, :label => 'djmixed', :comment =>
|
490
|
+
%(Used to relate an artist who djmixed a musical work or the
|
491
|
+
expression of a musical work. The artist usually selected the
|
492
|
+
tracks, chose their sequence, and slightly changed them by
|
493
|
+
fading \(so that one track blends in smoothly with the other\)
|
494
|
+
or pitching \(so that the tempo of one track matches the tempo
|
495
|
+
of the following track\). This applies to a 'Mixtape' in which
|
496
|
+
all tracks were DJ-mixed together into one single long track.)
|
497
|
+
property :djmixed_by, :label => 'djmixed_by', :comment =>
|
498
|
+
%(Used to relate a work or the expression of a work to an artist
|
499
|
+
who djmixed it. The artist usually selected the tracks, chose
|
500
|
+
their sequence, and slightly changed them by fading \(so that
|
501
|
+
one track blends in smoothly with the other\) or pitching \(so
|
502
|
+
that the tempo of one track matches the tempo of the following
|
503
|
+
track\). This applies to a 'Mixtape' in which all tracks were
|
504
|
+
DJ-mixed together into one single long track.)
|
505
|
+
property :download, :label => 'download', :comment =>
|
506
|
+
%(This property can be used to link from a person to the website
|
507
|
+
where they make their works available, or from a manifestation
|
508
|
+
\(a track or an album, for example\) to a web page where it is
|
509
|
+
available for download. It is better to use one of the three
|
510
|
+
sub-properties instead of this one in order to specify wether
|
511
|
+
the content can be accessed for free \(mo:freedownload\), if
|
512
|
+
it is just free preview material \(mo:previewdownload\), or if
|
513
|
+
it can be accessed for some money \(mo:paiddownload\) \(this
|
514
|
+
includes links to the Amazon store, for example\). This
|
515
|
+
property MUST be used only if the content is just available
|
516
|
+
through a web page \(holding, for example a Flash
|
517
|
+
application\) - it is better to link to actual content
|
518
|
+
directly through the use of mo:available_as and mo:Stream,
|
519
|
+
mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user
|
520
|
+
agents that don't know how to read HTML and even less to rip
|
521
|
+
streams from Flash applications can still access the audio
|
522
|
+
content.)
|
523
|
+
property :encodes, :label => 'encodes', :comment =>
|
524
|
+
%(Relates a MusicalItem \(a track on a particular CD, an audio
|
525
|
+
file, a stream somewhere\) to the signal it encodes. This is
|
526
|
+
usually a lower-resolution version of the master signal
|
527
|
+
\(issued from a Recording event\).)
|
528
|
+
property :engineered, :label => 'engineered', :comment =>
|
529
|
+
%(Relates agents to the performances/recordings they were
|
530
|
+
engineering in)
|
531
|
+
property :event_homepage, :label => 'event homepage', :comment =>
|
532
|
+
%(Links a particular event to a web page)
|
533
|
+
property :exchange_item, :label => 'exchange_item', :comment =>
|
534
|
+
%(A person, a group of person or an organization exchanging an
|
535
|
+
exemplar of a single manifestation.)
|
536
|
+
property :fanpage, :label => 'fanpage', :comment =>
|
537
|
+
%(Used to link an artist to a fan-created webpage devoted to
|
538
|
+
that artist.)
|
539
|
+
property :free_download, :label => 'free download', :comment =>
|
540
|
+
%(This property can be used to link from a person to the website
|
541
|
+
where they make their works available, or from a manifestation
|
542
|
+
\(a track or an album, for example\) to a web page where it is
|
543
|
+
available for free download. This property MUST be used only
|
544
|
+
if the content is just available through a web page \(holding,
|
545
|
+
for example a Flash application\) - it is better to link to
|
546
|
+
actual content directly through the use of mo:available_as and
|
547
|
+
mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web
|
548
|
+
user agents that don't know how to read HTML and even less to
|
549
|
+
rip streams from Flash applications can still access the audio
|
550
|
+
content.)
|
551
|
+
property :genre, :label => 'genre', :comment =>
|
552
|
+
%(Associates an event \(like a performance or a recording\) to a
|
553
|
+
particular musical genre. Further version of this property may
|
554
|
+
also include works and scores in the domain.)
|
555
|
+
property :group, :label => 'group', :comment =>
|
556
|
+
%(Relates a membership event with the corresponding group)
|
557
|
+
property :interpreter, :label => 'has interpeter', :comment =>
|
558
|
+
%(Adds an involved music artist, who interpreted, remixed, or
|
559
|
+
otherwise modified an existing signal, which resulted in the
|
560
|
+
signal that is here the subject of this relation.)
|
561
|
+
property :media_type, :label => 'has media type', :comment =>
|
562
|
+
%(The mediatype \(file format or MIME type, or physical medium\)
|
563
|
+
of a musical manifestation, e.g. a MP3, CD or vinyl.)
|
564
|
+
property :movement, :label => 'has_movement', :comment =>
|
565
|
+
%(Indicates that a musical work has movements)
|
566
|
+
property :headliner, :label => 'headliner', :comment =>
|
567
|
+
%(Relates a performance to the headliner\(s\) involved)
|
568
|
+
property :homepage, :label => 'homepage', :comment =>
|
569
|
+
%(Links an artist, a record, etc. to a corresponding web page)
|
570
|
+
property :availableAs
|
571
|
+
property :available_as, :comment =>
|
572
|
+
%(Relates a musical manifestation to a musical item \(this
|
573
|
+
album, and my particular cd\). By using this property, there
|
574
|
+
is no assumption on wether the full content is available on
|
575
|
+
the linked item. To be explicit about this, you can use a
|
576
|
+
sub-property, such as mo:item \(the full manifestation is
|
577
|
+
available on that item\) or mo:preview \(only a part of the
|
578
|
+
manifestation is available on that item\). This is a
|
579
|
+
subproperty of frbr:examplar.)
|
580
|
+
property :conductor, :comment =>
|
581
|
+
%(Relates a performance to the conductor involved)
|
582
|
+
property :engineer, :comment =>
|
583
|
+
%(Relates a performance or a recording to the engineer involved)
|
584
|
+
property :eventHomePage
|
585
|
+
property :freedownload
|
586
|
+
property :has_track
|
587
|
+
property :instrument, :comment =>
|
588
|
+
%(Relates a performance to a musical instrument involved)
|
589
|
+
property :item, :comment =>
|
590
|
+
%(Relates a musical manifestation to a musical item \(this
|
591
|
+
album, and my particular cd\) holding the entire
|
592
|
+
manifestation, and not just a part of it.)
|
593
|
+
property :listener, :comment =>
|
594
|
+
%(Relates a performance to the listener involved)
|
595
|
+
property :paiddownload
|
596
|
+
property :performer, :comment =>
|
597
|
+
%(Relates a performance to the performers involved)
|
598
|
+
property :preview, :comment =>
|
599
|
+
%(Relates a musical manifestation to a musical item \(this
|
600
|
+
album, and my particular cd\), which holds a preview of the
|
601
|
+
manifestation \(eg. one track for an album, or a snippet for a
|
602
|
+
track\))
|
603
|
+
property :producesSignal
|
604
|
+
property :producesSound
|
605
|
+
property :producesWork
|
606
|
+
property :productOfComposition
|
607
|
+
property :publicationOf
|
608
|
+
property :publishedAs
|
609
|
+
property :publishingLocation
|
610
|
+
property :recordedAs
|
611
|
+
property :releaseStatus
|
612
|
+
property :releaseType
|
613
|
+
property :release_status, :comment =>
|
614
|
+
%(Relates a musical manifestation to its release status
|
615
|
+
\(bootleg, ...\))
|
616
|
+
property :release_type, :comment =>
|
617
|
+
%(Relates a musical manifestation to its release type
|
618
|
+
\(interview, spoken word, album, ...\))
|
619
|
+
property :sampledVersionOf
|
620
|
+
property :signalTime
|
621
|
+
property :singer, :comment =>
|
622
|
+
%(Relates a performance to an involved singer)
|
623
|
+
property :usedInPerformance
|
624
|
+
property :usedInRecording
|
625
|
+
property :usesSound
|
626
|
+
property :usesWork
|
627
|
+
property :image, :label => 'image', :comment =>
|
628
|
+
%(Indicates a pictorial image \(JPEG, GIF, PNG, Etc.\) of a
|
629
|
+
musical work, the expression of a musical work, the
|
630
|
+
manifestation of a work or the examplar of a manifestation.)
|
631
|
+
property :imdb, :label => 'imdb', :comment =>
|
632
|
+
%(Used to link an artist, a musical work or the expression of a
|
633
|
+
musical work to their equivalent page on IMDb, the
|
634
|
+
InternetMovieDatabase.)
|
635
|
+
property :key, :label => 'key', :comment =>
|
636
|
+
%(Indicated the key used by the musicians during a performance,
|
637
|
+
or the key of a MusicalWork. Any of 24 major or minor diatonic
|
638
|
+
scales that provide the tonal framework for a piece of music.)
|
639
|
+
property :label, :label => 'label', :comment =>
|
640
|
+
%(Associates a release event with the label releasing the record)
|
641
|
+
property :licence, :label => 'licence', :comment =>
|
642
|
+
%(Used to link a work or the expression of a work to the license
|
643
|
+
under which they can be manipulated \(downloaded, modified,
|
644
|
+
etc\). This is usually used to link to a Creative Commons
|
645
|
+
licence.)
|
646
|
+
property :listened, :label => 'listened', :comment =>
|
647
|
+
%(Relates agents to the performances they were listening in)
|
648
|
+
property :lyrics, :label => 'lyrics', :comment =>
|
649
|
+
%(Associates lyrics with a musical work)
|
650
|
+
property :mailorder, :label => 'mailorder', :comment =>
|
651
|
+
%(Used to link a musical work or the expression of a musical
|
652
|
+
work to a website where people can buy a copy of the musical
|
653
|
+
manifestation.)
|
654
|
+
property :mashup_of, :label => 'mashup_of', :comment =>
|
655
|
+
%(Indicates that musical works or the expressions of a musical
|
656
|
+
work were mashed up on this album or track. This means that
|
657
|
+
two musical works or the expressions of a musical work by
|
658
|
+
different artists are mixed together, over each other, or
|
659
|
+
otherwise combined into a single musical work \(usually by a
|
660
|
+
third artist, the remixer\).)
|
661
|
+
property :medley_of, :label => 'medley_of', :comment =>
|
662
|
+
%(Indicates that a musical expression is a medley of several
|
663
|
+
other musical expressions. This means that the orignial
|
664
|
+
musical expression were rearranged to create a new musical
|
665
|
+
expression in the form of a medley.)
|
666
|
+
property :member, :label => 'member', :comment =>
|
667
|
+
%(Indicates a member of a musical group)
|
668
|
+
property :member_of, :label => 'member_of', :comment =>
|
669
|
+
%(Inverse of the foaf:member property)
|
670
|
+
property :membership, :label => 'membership', :comment =>
|
671
|
+
%(Relates an agent with related membership events)
|
672
|
+
property :musicbrainz, :label => 'musicbrainz', :comment =>
|
673
|
+
%(Linking an agent, a track or a record to its corresponding
|
674
|
+
Musicbrainz page.)
|
675
|
+
property :musicmoz, :label => 'musicmoz', :comment =>
|
676
|
+
%(Used to link an artist, a musical work or the expression of a
|
677
|
+
musical work to its corresponding MusicMoz page.)
|
678
|
+
property :myspace, :label => 'myspace', :comment =>
|
679
|
+
%(Used to link a person to its corresponding MySpace page.)
|
680
|
+
property :olga, :label => 'olga', :comment =>
|
681
|
+
%(Used to link a track to a tabulature file for track in the
|
682
|
+
On-Line Guitar Archive.)
|
683
|
+
property :onlinecommunity, :label => 'onlinecommunity', :comment =>
|
684
|
+
%(Used to link a person with an online community web page like a
|
685
|
+
blog, a wiki, a forum, a livejournal page, Etc.)
|
686
|
+
property :origin, :label => 'origin', :comment =>
|
687
|
+
%(Relates an artist to its geographic origin)
|
688
|
+
property :other_release_of, :label => 'other_release_of', :comment =>
|
689
|
+
%(Indicates that two musical manifestations are essentially the
|
690
|
+
same.)
|
691
|
+
property :paid_download, :label => 'paid download', :comment =>
|
692
|
+
%(Provide a link from an artist to a web page where all of that
|
693
|
+
artist's musical work is available for some money, or a link
|
694
|
+
from a manifestation \(record/track, for example\) to a web
|
695
|
+
page providing a paid access to this manifestation.)
|
696
|
+
property :performance_of, :label => 'performance of', :comment =>
|
697
|
+
%(Associates a Performance to a musical work or an arrangement
|
698
|
+
that is being used as a factor in it. For example, I might use
|
699
|
+
this property to attach the Magic Flute musical work to a
|
700
|
+
particular Performance.)
|
701
|
+
property :performed, :label => 'performed', :comment =>
|
702
|
+
%(Relates agents to the performances they were performing in)
|
703
|
+
property :performed_in, :label => 'performed in', :comment =>
|
704
|
+
%(Associates a Musical Work or an Score to Performances in which
|
705
|
+
they were a factor. For example, I might use this property in
|
706
|
+
order to associate the Magic Flute to a particular performance
|
707
|
+
at the Opera Bastille last year.)
|
708
|
+
property :possess_item, :label => 'possess_item', :comment =>
|
709
|
+
%(A person, a group of person or an organization possessing an
|
710
|
+
exemplar of a single manifestation.)
|
711
|
+
property :preview_download, :label => 'preview download', :comment =>
|
712
|
+
%(This property can be used to link from a person to the website
|
713
|
+
where they make previews of their works available, or from a
|
714
|
+
manifestation \(a track or an album, for example\) to a web
|
715
|
+
page where a preview download is available. This property MUST
|
716
|
+
be used only if the content is just available through a web
|
717
|
+
page \(holding, for example a Flash application\) - it is
|
718
|
+
better to link to actual content directly through the use of
|
719
|
+
mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc.
|
720
|
+
Therefore, Semantic Web user agents that don't know how to
|
721
|
+
read HTML and even less to rip streams from Flash applications
|
722
|
+
can still access the audio content.)
|
723
|
+
property :primary_instrument, :label => 'primary instrument', :comment =>
|
724
|
+
%(Indicates that an artist primarily plays an instrument, or
|
725
|
+
that a member was primarily playing a particular instrument
|
726
|
+
during his membership)
|
727
|
+
property :produced, :label => 'produced', :comment =>
|
728
|
+
%(Used to relate an person or a group of person who produced the
|
729
|
+
manifestation of a work.)
|
730
|
+
property :produced_score, :label => 'produced score', :comment =>
|
731
|
+
%(Associates an arrangement or a composition event to a score
|
732
|
+
product \(score here does not refer to a published score, but
|
733
|
+
more an abstract arrangement of a particular work\).)
|
734
|
+
property :produced_signal, :label => 'produced signal', :comment =>
|
735
|
+
%(Associates a Recording to the outputted signal.)
|
736
|
+
property :produced_signal_group, :label => 'produced signal group', :comment =>
|
737
|
+
%(Associates a recording session with a group of master signals
|
738
|
+
produced by it.)
|
739
|
+
property :produced_sound, :label => 'produced sound', :comment =>
|
740
|
+
%(Associates a Performance to a physical Sound that is being
|
741
|
+
produced by it.)
|
742
|
+
property :produced_work, :label => 'produced work', :comment =>
|
743
|
+
%(Associates a composition event to the produced MusicalWork.
|
744
|
+
For example, this property could link the event corresponding
|
745
|
+
to the composition of the Magic Flute in 1782 to the Magic
|
746
|
+
Flute musical work itself. This musical work can then be used
|
747
|
+
in particular performances.)
|
748
|
+
property :producer, :label => 'producer', :comment =>
|
749
|
+
%(Used to relate the manifestation of a work to a person or a
|
750
|
+
group of person who produced it.)
|
751
|
+
property :publication_of, :label => 'publication of', :comment =>
|
752
|
+
%(Link a particular manifestation to the related signal, score,
|
753
|
+
libretto, or lyrics)
|
754
|
+
property :published, :label => 'published', :comment =>
|
755
|
+
%(Used to relate an person or a group of person who published
|
756
|
+
the manifestation of a work.)
|
757
|
+
property :published_as, :label => 'published as', :comment =>
|
758
|
+
%(Links a musical expression \(e.g. a signal or a score\) to one
|
759
|
+
of its manifestations \(e.g. a track on a particular record or
|
760
|
+
a published score\).)
|
761
|
+
property :publisher, :label => 'publisher', :comment =>
|
762
|
+
%(Used to relate a musical manifestation to a person or a group
|
763
|
+
of person who published it.)
|
764
|
+
property :publishing_location, :label => 'publishingLocation', :comment =>
|
765
|
+
%(Relates a musical manifestation to its publication location.)
|
766
|
+
property :recorded_as, :label => 'recorded as', :comment =>
|
767
|
+
%(This is a shortcut property, allowing to bypass all the
|
768
|
+
Sound/Recording steps. This property allows to directly link a
|
769
|
+
Performance to the recorded Signal. This is recommended for
|
770
|
+
"normal" users. However, advanced users wanting to express
|
771
|
+
things such as the location of the microphone will have to
|
772
|
+
create this shortcut as well as the whole workflow, in order
|
773
|
+
to let the "normal" users access simply the, well, simple
|
774
|
+
information:-\) .)
|
775
|
+
property :recorded_in, :label => 'recorded in', :comment =>
|
776
|
+
%(Associates a physical Sound to a Recording event where it is
|
777
|
+
being used in order to produce a signal. For example, I might
|
778
|
+
use this property to associate the sound produced by a
|
779
|
+
particular performance of the magic flute to a given
|
780
|
+
recording, done using my cell-phone.)
|
781
|
+
property :recording_of, :label => 'recorded sound', :comment =>
|
782
|
+
%(Associates a Recording event to a physical Sound being
|
783
|
+
recorded. For example, I might use this property to associate
|
784
|
+
a given recording, done using my cell phone, to the sound
|
785
|
+
produced by a particular performance of the magic flute.)
|
786
|
+
property :records, :label => 'records', :comment =>
|
787
|
+
%(This is the inverse of the shortcut property recordedAs,
|
788
|
+
allowing to relate directly a performance to a signal.)
|
789
|
+
property :release, :label => 'release', :comment =>
|
790
|
+
%(Associates a release with the corresponding release event)
|
791
|
+
property :record, :label => 'released record', :comment =>
|
792
|
+
%(Associates a release with the records it contains. A single
|
793
|
+
release can be associated with multiple records, for example
|
794
|
+
for a multi-disc release.)
|
795
|
+
property :remaster_of, :label => 'remaster_of', :comment =>
|
796
|
+
%(This relates two musical work or the expression of a musical
|
797
|
+
work, where one is a remaster of the other. A remaster is a
|
798
|
+
new version made for release from source recordings that were
|
799
|
+
earlier released separately. This is usually done to improve
|
800
|
+
the audio quality or adjust for more modern playback
|
801
|
+
equipment. The process generally doesn't involve changing the
|
802
|
+
music in any artistically important way. It may, however,
|
803
|
+
result in tracks that are a few seconds longer or shorter.)
|
804
|
+
property :remix_of, :label => 'remix_of', :comment =>
|
805
|
+
%(Used to relate the remix of a musical work in a substantially
|
806
|
+
altered version produced by mixing together individual tracks
|
807
|
+
or segments of an original musical source work.)
|
808
|
+
property :remixed, :label => 'remixed', :comment =>
|
809
|
+
%(Used to relate an artist who remixed a musical work or the
|
810
|
+
expression of a musical work. This involves taking just one
|
811
|
+
other musical work and using audio editing to make it sound
|
812
|
+
like a significantly different, but usually still
|
813
|
+
recognisable, song. It can be used to link an artist to a
|
814
|
+
single song that they remixed, or, if they remixed an entire
|
815
|
+
musical work.)
|
816
|
+
property :remixer, :label => 'remixer', :comment =>
|
817
|
+
%(Used to relate a musical work or the expression of a musical
|
818
|
+
work to an artist who remixed it. This involves taking just
|
819
|
+
one other musical work and using audio editing to make it
|
820
|
+
sound like a significantly different, but usually still
|
821
|
+
recognisable, song. It can be used to link an artist to a
|
822
|
+
single song that they remixed, or, if they remixed an entire
|
823
|
+
musical work.)
|
824
|
+
property :review, :label => 'review', :comment =>
|
825
|
+
%(Used to link a work or the expression of a work to a review.
|
826
|
+
The review does not have to be open content, as long as it is
|
827
|
+
accessible to the general internet population.)
|
828
|
+
property :sampled, :label => 'sampled', :comment =>
|
829
|
+
%(Used to relate an artist who sampled a Signal.)
|
830
|
+
property :sampled_version, :label => 'sampled version', :comment =>
|
831
|
+
%(Associates an analog signal with a sampled version of it)
|
832
|
+
property :sampled_version_of, :label => 'sampled version of', :comment =>
|
833
|
+
%(Associates a digital signal with the analog version of it)
|
834
|
+
property :sampler, :label => 'sampler', :comment =>
|
835
|
+
%(Used to relate the signal of a musical work to an artist who
|
836
|
+
sampled it.)
|
837
|
+
property :sell_item, :label => 'sell_item', :comment =>
|
838
|
+
%(A person, a group of person or an organization selling an
|
839
|
+
exemplar of a single manifestation.)
|
840
|
+
property :signal, :label => 'signal', :comment =>
|
841
|
+
%(Associates a group of signals with one of the signals it
|
842
|
+
contains)
|
843
|
+
property :similar_to, :label => 'similar_to', :comment =>
|
844
|
+
%(A similarity relationships between two objects \(so far,
|
845
|
+
either an agent, a signal or a genre, but this could grow\).
|
846
|
+
This relationship is pretty general and doesn't make any
|
847
|
+
assumptions on how the similarity claim was derived. Such
|
848
|
+
similarity statements can come from a range of different
|
849
|
+
sources \(Musicbrainz similarities between artists, or coming
|
850
|
+
from some automatic content analysis\). However, the origin of
|
851
|
+
such statements should be kept using a named graph approach -
|
852
|
+
and ultimately, the documents providing such statements should
|
853
|
+
attach some metadata to themselves \(confidence of the claim,
|
854
|
+
etc.\).)
|
855
|
+
property :supporting_musician, :label => 'supporting_musician', :comment =>
|
856
|
+
%(Used to relate an artist doing long-time instrumental or vocal
|
857
|
+
support for another artist.)
|
858
|
+
property :time, :label => 'time', :comment =>
|
859
|
+
%(Associates a Signal to a time object - its actual domain)
|
860
|
+
property :track, :label => 'track', :comment =>
|
861
|
+
%(Indicates a part of a musical manifestation - in this
|
862
|
+
particular case, a track.)
|
863
|
+
property :translation_of, :label => 'translation_of', :comment =>
|
864
|
+
%(Indicates that a work or the expression of a work has
|
865
|
+
translated or transliterated into another expression of a
|
866
|
+
work.)
|
867
|
+
property :tribute_to, :label => 'tribute_to', :comment =>
|
868
|
+
%(Indicates a musical work or the expression of a musical work
|
869
|
+
that is a tribute to an artist - normally consisting of music
|
870
|
+
being composed by the artist but performed by other artists.)
|
871
|
+
property :want_item, :label => 'want_item', :comment =>
|
872
|
+
%(A person, a group of person or an organization wanting an
|
873
|
+
exemplar of a single manifestation.)
|
874
|
+
property :wikipedia, :label => 'wikipedia', :comment =>
|
875
|
+
%(Used to link an work, an expression of a work, a manifestation
|
876
|
+
of a work, a person, an instrument or a musical genre to its
|
877
|
+
corresponding WikiPedia page. The full URL should be used, not
|
878
|
+
just the WikiName.)
|
879
|
+
property :level, :label => 'level', :comment =>
|
880
|
+
%(This annotation property associates to a particular Music
|
881
|
+
Ontology term the corresponding expressiveness level. These
|
882
|
+
levels can be: - 1: Only editorial/Musicbrainz type
|
883
|
+
information - 2: Workflow information - 3: Even decomposition
|
884
|
+
This property is mainly used for specification generation.)
|
885
|
+
end
|
886
|
+
end
|