rdf-vocab 3.1.2 → 3.1.8

Sign up to get free protection for your applications and to get access to all the features.
Files changed (87) hide show
  1. checksums.yaml +4 -4
  2. data/LICENSE +1 -1
  3. data/README.md +69 -45
  4. data/VERSION +1 -1
  5. data/lib/rdf/vocab.rb +60 -40
  6. data/lib/rdf/vocab/acl.rb +104 -61
  7. data/lib/rdf/vocab/as.rb +556 -91
  8. data/lib/rdf/vocab/bf2.rb +1791 -475
  9. data/lib/rdf/vocab/bibframe.rb +1 -2
  10. data/lib/rdf/vocab/bibo.rb +616 -124
  11. data/lib/rdf/vocab/cc.rb +125 -48
  12. data/lib/rdf/vocab/cert.rb +68 -1
  13. data/lib/rdf/vocab/cnt.rb +79 -1
  14. data/lib/rdf/vocab/crm.rb +1543 -776
  15. data/lib/rdf/vocab/datacite.rb +1 -1
  16. data/lib/rdf/vocab/dbo.rb +10463 -1
  17. data/lib/rdf/vocab/dc.rb +485 -99
  18. data/lib/rdf/vocab/dc11.rb +93 -31
  19. data/lib/rdf/vocab/dcat.rb +236 -88
  20. data/lib/rdf/vocab/dcmitype.rb +63 -13
  21. data/lib/rdf/vocab/disco.rb +286 -59
  22. data/lib/rdf/vocab/doap.rb +175 -1
  23. data/lib/rdf/vocab/dwc.rb +941 -189
  24. data/lib/rdf/vocab/earl.rb +324 -0
  25. data/lib/rdf/vocab/ebucore.rb +7255 -2184
  26. data/lib/rdf/vocab/edm.rb +202 -76
  27. data/lib/rdf/vocab/exif.rb +650 -1
  28. data/lib/rdf/vocab/extensions.rb +257 -203
  29. data/lib/rdf/vocab/fcrepo4.rb +398 -22
  30. data/lib/rdf/vocab/foaf.rb +380 -76
  31. data/lib/rdf/vocab/geo.rb +47 -110
  32. data/lib/rdf/vocab/geojson.rb +82 -17
  33. data/lib/rdf/vocab/geonames.rb +1508 -1351
  34. data/lib/rdf/vocab/gr.rb +861 -565
  35. data/lib/rdf/vocab/gs1.rb +1597 -1
  36. data/lib/rdf/vocab/ht.rb +204 -41
  37. data/lib/rdf/vocab/hydra.rb +335 -60
  38. data/lib/rdf/vocab/iana.rb +301 -114
  39. data/lib/rdf/vocab/ical.rb +534 -121
  40. data/lib/rdf/vocab/identifiers.rb +459 -499
  41. data/lib/rdf/vocab/iiif.rb +161 -26
  42. data/lib/rdf/vocab/jsonld.rb +179 -53
  43. data/lib/rdf/vocab/ldp.rb +130 -1
  44. data/lib/rdf/vocab/lrmi.rb +85 -17
  45. data/lib/rdf/vocab/ma.rb +460 -80
  46. data/lib/rdf/vocab/mads.rb +610 -22
  47. data/lib/rdf/vocab/{marc_relators.rb → marcrelators.rb} +813 -4
  48. data/lib/rdf/vocab/mo.rb +1115 -540
  49. data/lib/rdf/vocab/mods.rb +635 -124
  50. data/lib/rdf/vocab/nfo.rb +1 -1
  51. data/lib/rdf/vocab/oa.rb +343 -73
  52. data/lib/rdf/vocab/og.rb +100 -1
  53. data/lib/rdf/vocab/ogc.rb +42 -9
  54. data/lib/rdf/vocab/ore.rb +69 -14
  55. data/lib/rdf/vocab/org.rb +235 -47
  56. data/lib/rdf/vocab/pcdm.rb +58 -34
  57. data/lib/rdf/vocab/pplan.rb +21 -136
  58. data/lib/rdf/vocab/premis.rb +1171 -779
  59. data/lib/rdf/vocab/{premis_event_type.rb → premiseventtype.rb} +156 -2
  60. data/lib/rdf/vocab/prov.rb +700 -107
  61. data/lib/rdf/vocab/ptr.rb +172 -37
  62. data/lib/rdf/vocab/rightsstatements.rb +17 -13
  63. data/lib/rdf/vocab/rsa.rb +30 -1
  64. data/lib/rdf/vocab/rss.rb +52 -11
  65. data/lib/rdf/vocab/schema.rb +14970 -3993
  66. data/lib/rdf/vocab/schemas.rb +27066 -0
  67. data/lib/rdf/vocab/sd.rb +372 -0
  68. data/lib/rdf/vocab/sh.rb +919 -184
  69. data/lib/rdf/vocab/sioc.rb +498 -98
  70. data/lib/rdf/vocab/{sioc_services.rb → siocservices.rb} +46 -9
  71. data/lib/rdf/vocab/sioctypes.rb +434 -0
  72. data/lib/rdf/vocab/skos.rb +160 -44
  73. data/lib/rdf/vocab/skosxl.rb +40 -11
  74. data/lib/rdf/vocab/v.rb +323 -37
  75. data/lib/rdf/vocab/vcard.rb +625 -119
  76. data/lib/rdf/vocab/vmd.rb +323 -37
  77. data/lib/rdf/vocab/void.rb +147 -27
  78. data/lib/rdf/vocab/vs.rb +23 -5
  79. data/lib/rdf/vocab/wdrs.rb +112 -23
  80. data/lib/rdf/vocab/wot.rb +96 -19
  81. data/lib/rdf/vocab/xhtml.rb +2 -1
  82. data/lib/rdf/vocab/xhv.rb +422 -201
  83. data/lib/rdf/vocab/xkos.rb +156 -7
  84. data/spec/extensions_spec.rb +68 -0
  85. data/spec/vocab_spec.rb +10 -0
  86. metadata +20 -11
  87. data/lib/rdf/vocab/sioct.rb +0 -277
@@ -5,9 +5,927 @@ require 'rdf'
5
5
  module RDF::Vocab
6
6
  # @!parse
7
7
  # # Vocabulary for <http://purl.org/ontology/mo/>
8
+ # #
9
+ # # The Music Ontology
10
+ # #
11
+ # # The Music Ontology Specification provides main concepts and properties fo describing music (i.e. artists, albums and tracks) on the Semantic Web.
12
+ # # @version Revision: 2.1.5
8
13
  # class MO < RDF::Vocabulary
14
+ # # An activity period, defining when an artist was musically active.
15
+ # # @return [RDF::Vocabulary::Term]
16
+ # attr_reader :Activity
17
+ #
18
+ # # An analog signal.
19
+ # # @return [RDF::Vocabulary::Term]
20
+ # attr_reader :AnalogSignal
21
+ #
22
+ # # An arrangement event. Takes as agent the arranger, and produces a score (informational object, not the actually published score).
23
+ # # @return [RDF::Vocabulary::Term]
24
+ # attr_reader :Arrangement
25
+ #
26
+ # # @return [RDF::Vocabulary::Term]
27
+ # attr_reader :Arranger
28
+ #
29
+ # # An audio file, which may be available on a local file system or through http, ftp, etc.
30
+ # # @return [RDF::Vocabulary::Term]
31
+ # attr_reader :AudioFile
32
+ #
33
+ # # Compact Disc used as medium to record a musical manifestation.
34
+ # # @return [RDF::Vocabulary::Term]
35
+ # attr_reader :CD
36
+ #
37
+ # # @return [RDF::Vocabulary::Term]
38
+ # attr_reader :Composer
39
+ #
40
+ # # A composition event. Takes as agent the composer himself. It produces a MusicalWork, or a MusicalExpression (when the initial "product" is a score, for example), or both...
41
+ # # @return [RDF::Vocabulary::Term]
42
+ # attr_reader :Composition
43
+ #
44
+ # # @return [RDF::Vocabulary::Term]
45
+ # attr_reader :Conductor
46
+ #
47
+ # # Organization or group of individuals and/or other organizations involved in the music market.
48
+ # # @return [RDF::Vocabulary::Term]
49
+ # attr_reader :CorporateBody
50
+ #
51
+ # # Digital Audio Tape used as medium to record a musical manifestation.
52
+ # # @return [RDF::Vocabulary::Term]
53
+ # attr_reader :DAT
54
+ #
55
+ # # Digital Compact Cassette used as medium to record a musical manifestation.
56
+ # # @return [RDF::Vocabulary::Term]
57
+ # attr_reader :DCC
58
+ #
59
+ # # DVD-Audio used as medium to record a musical manifestation.
60
+ # # @return [RDF::Vocabulary::Term]
61
+ # attr_reader :DVDA
62
+ #
63
+ # # A digital signal
64
+ # # @return [RDF::Vocabulary::Term]
65
+ # attr_reader :DigitalSignal
66
+ #
67
+ # # Something available on the E-Donkey peer-2-peer filesharing network
68
+ # # @return [RDF::Vocabulary::Term]
69
+ # attr_reader :ED2K
70
+ #
71
+ # # A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring... We migth decompose this event (which is in fact just a classification of the space/time region related to a particular festival) using hasSubEvent in several performances at different space/time.
72
+ # # @return [RDF::Vocabulary::Term]
73
+ # attr_reader :Festival
74
+ #
75
+ # # An expressive style of music. Any taxonomy can be plug-in here. You can either define a genre by yourself, like this: :mygenre a mo:Genre; dc:title "electro rock". Or you can refer to a DBPedia genre (such as http://dbpedia.org/resource/Baroque_music), allowing semantic web clients to access easily really detailed structured information about the genre you are refering to.
76
+ # # @return [RDF::Vocabulary::Term]
77
+ # attr_reader :Genre
78
+ #
79
+ # # Any of various devices or contrivances that can be used to produce musical tones or sound. Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link towards this taxonomy.
80
+ # # @return [RDF::Vocabulary::Term]
81
+ # attr_reader :Instrument
82
+ #
83
+ # # Instrumentation deals with the techniques of writing music for a specific instrument, including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.
84
+ # # @return [RDF::Vocabulary::Term]
85
+ # attr_reader :Instrumentation
86
+ #
87
+ # # Trade name of a company that produces musical works or expression of musical works.
88
+ # # @return [RDF::Vocabulary::Term]
89
+ # attr_reader :Label
90
+ #
91
+ # # Libretto
92
+ # # @return [RDF::Vocabulary::Term]
93
+ # attr_reader :Libretto
94
+ #
95
+ # # @return [RDF::Vocabulary::Term]
96
+ # attr_reader :Listener
97
+ #
98
+ # # Lyrics
99
+ # # @return [RDF::Vocabulary::Term]
100
+ # attr_reader :Lyrics
101
+ #
102
+ # # Mini Disc used as medium to record a musical manifestation.
103
+ # # @return [RDF::Vocabulary::Term]
104
+ # attr_reader :MD
105
+ #
106
+ # # Magnetic analogue tape used as medium to record a musical manifestation.
107
+ # # @return [RDF::Vocabulary::Term]
108
+ # attr_reader :MagneticTape
109
+ #
110
+ # # A means or instrumentality for storing or communicating musical manifestation.
111
+ # # @return [RDF::Vocabulary::Term]
112
+ # attr_reader :Medium
113
+ #
114
+ # # A membership event, where one or several people belongs to a group during a particular time period.
115
+ # # @return [RDF::Vocabulary::Term]
116
+ # attr_reader :Membership
117
+ #
118
+ # # A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. Often a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual movements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a pause between them.
119
+ # # @return [RDF::Vocabulary::Term]
120
+ # attr_reader :Movement
121
+ #
122
+ # # A person or a group of people (or a computer :-) ), whose musical creative work shows sensitivity and imagination
123
+ # # @return [RDF::Vocabulary::Term]
124
+ # attr_reader :MusicArtist
125
+ #
126
+ # # Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement.
127
+ # # @return [RDF::Vocabulary::Term]
128
+ # attr_reader :MusicGroup
129
+ #
130
+ # # The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. For example: Work #1 Franz Schubert's Trout quintet * Expression #1 the composer's score * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello * . . . . The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the result of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such expressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that particular time').
131
+ # # @return [RDF::Vocabulary::Term]
132
+ # attr_reader :MusicalExpression
133
+ #
134
+ # # A single exemplar of a musical expression. For example, it could be a single exemplar of a CD. This is normally an single object (a CD) possessed by somebody. From the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.). In terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation (e.g., damage occurring after the item was produced, binding performed by a library, etc.).
135
+ # # @return [RDF::Vocabulary::Term]
136
+ # attr_reader :MusicalItem
137
+ #
138
+ # # This entity is related to the edition/production/publication of a musical expression (musical manifestation are closely related with the music industry (their terms, concepts, definitions, methods (production, publication, etc.), etc.) From the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form. Work #1 J. S. Bach's Six suites for unaccompanied cello * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records Changes that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular "state" or "issue" of the publication. Changes that occur to an individual copy after the production process is complete (e.g., the loss of a page, rebinding, etc.) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar (or item) of the manifestation that deviates from the copy as produced. With the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation. Defining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction.
139
+ # # @return [RDF::Vocabulary::Term]
140
+ # attr_reader :MusicalManifestation
141
+ #
142
+ # # Distinct intellectual or artistic musical creation. From the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work. For example: work #1 J. S. Bach's The art of the fugue
143
+ # # @return [RDF::Vocabulary::Term]
144
+ # attr_reader :MusicalWork
145
+ #
146
+ # # Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.
147
+ # # @return [RDF::Vocabulary::Term]
148
+ # attr_reader :Orchestration
149
+ #
150
+ # # A performance event. It might include as agents performers, engineers, conductors, or even listeners. It might include as factors a score, a MusicalWork, musical instruments. It might produce a sound:-)
151
+ # # @return [RDF::Vocabulary::Term]
152
+ # attr_reader :Performance
153
+ #
154
+ # # @return [RDF::Vocabulary::Term]
155
+ # attr_reader :Performer
156
+ #
157
+ # # A published libretto
158
+ # # @return [RDF::Vocabulary::Term]
159
+ # attr_reader :PublishedLibretto
160
+ #
161
+ # # Published lyrics, as a book or as a text file, for example
162
+ # # @return [RDF::Vocabulary::Term]
163
+ # attr_reader :PublishedLyrics
164
+ #
165
+ # # A published score (subclass of MusicalManifestation)
166
+ # # @return [RDF::Vocabulary::Term]
167
+ # attr_reader :PublishedScore
168
+ #
169
+ # # A published record (manifestation which first aim is to render the product of a recording)
170
+ # # @return [RDF::Vocabulary::Term]
171
+ # attr_reader :Record
172
+ #
173
+ # # A recording event. Takes a sound as a factor to produce a signal (analog or digital). The location of such events (if any) is the actual location of the corresponding microphone or the "recording device".
174
+ # # @return [RDF::Vocabulary::Term]
175
+ # attr_reader :Recording
176
+ #
177
+ # # A set of performances/recordings/mastering events. This event can be decomposed in its constituent events using event:sub_event
178
+ # # @return [RDF::Vocabulary::Term]
179
+ # attr_reader :RecordingSession
180
+ #
181
+ # # A specific release, with barcode, box, liner notes, cover art, and a number of records
182
+ # # @return [RDF::Vocabulary::Term]
183
+ # attr_reader :Release
184
+ #
185
+ # # A release event, in a particular place (e.g. a country) at a particular time. Other factors of this event might include cover art, liner notes, box, etc. or a release grouping all these.
186
+ # # @return [RDF::Vocabulary::Term]
187
+ # attr_reader :ReleaseEvent
188
+ #
189
+ # # Musical manifestation release status.
190
+ # # @return [RDF::Vocabulary::Term]
191
+ # attr_reader :ReleaseStatus
192
+ #
193
+ # # Release type of a particular manifestation, such as "album" or "interview"...
194
+ # # @return [RDF::Vocabulary::Term]
195
+ # attr_reader :ReleaseType
196
+ #
197
+ # # Super Audio Compact Disc used as medium to record a musical manifestation.
198
+ # # @return [RDF::Vocabulary::Term]
199
+ # attr_reader :SACD
200
+ #
201
+ # # Here, we are dealing with the informational object (the MusicalExpression), not the actually "published" score. This may be, for example, the product of an arrangement process.
202
+ # # @return [RDF::Vocabulary::Term]
203
+ # attr_reader :Score
204
+ #
205
+ # # A show - a musical event lasting several days, in a particular venue. Examples can be "The Magic Flute" at the Opera Bastille, August 2005, or a musical in the west end...
206
+ # # @return [RDF::Vocabulary::Term]
207
+ # attr_reader :Show
208
+ #
209
+ # # A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.
210
+ # # @return [RDF::Vocabulary::Term]
211
+ # attr_reader :Signal
212
+ #
213
+ # # A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.
214
+ # # @return [RDF::Vocabulary::Term]
215
+ # attr_reader :SignalGroup
216
+ #
217
+ # # Single person whose musical creative work shows sensitivity and imagination.
218
+ # # @return [RDF::Vocabulary::Term]
219
+ # attr_reader :SoloMusicArtist
220
+ #
221
+ # # A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.
222
+ # # @return [RDF::Vocabulary::Term]
223
+ # attr_reader :Sound
224
+ #
225
+ # # @return [RDF::Vocabulary::Term]
226
+ # attr_reader :SoundEngineer
227
+ #
228
+ # # Transmission over a network used as medium to broadcast a musical manifestation
229
+ # # @return [RDF::Vocabulary::Term]
230
+ # attr_reader :Stream
231
+ #
232
+ # # Something available on the Bittorrent peer-2-peer filesharing network
233
+ # # @return [RDF::Vocabulary::Term]
234
+ # attr_reader :Torrent
235
+ #
236
+ # # A track on a particular record
237
+ # # @return [RDF::Vocabulary::Term]
238
+ # attr_reader :Track
239
+ #
240
+ # # Transcription event
241
+ # # @return [RDF::Vocabulary::Term]
242
+ # attr_reader :Transcription
243
+ #
244
+ # # Vinyl used as medium to record a musical manifestation
245
+ # # @return [RDF::Vocabulary::Term]
246
+ # attr_reader :Vinyl
247
+ #
248
+ # # Relates an artist to an activity period
249
+ # # @return [RDF::Vocabulary::Term]
250
+ # attr_reader :activity
251
+ #
252
+ # # Relates an artist to a date at which its activity ended
253
+ # # @return [RDF::Vocabulary::Term]
254
+ # attr_reader :activity_end
255
+ #
256
+ # # Relates an artist to a date at which its activity started
257
+ # # @return [RDF::Vocabulary::Term]
258
+ # attr_reader :activity_start
259
+ #
260
+ # # Used to link a work or the expression of a work to its corresponding Amazon ASINs page.
261
+ # # @return [RDF::Vocabulary::Term]
262
+ # attr_reader :amazon_asin
263
+ #
264
+ # # Associates a work to an arrangement event where it was arranged
265
+ # # @return [RDF::Vocabulary::Term]
266
+ # attr_reader :arranged_in
267
+ #
268
+ # # Associates an arrangement event to a work
269
+ # # @return [RDF::Vocabulary::Term]
270
+ # attr_reader :arrangement_of
271
+ #
272
+ # # Relates a membership event with the corresponding artist
273
+ # # @return [RDF::Vocabulary::Term]
274
+ # attr_reader :artist
275
+ #
276
+ # # @return [RDF::Vocabulary::Term]
277
+ # attr_reader :availableAs
278
+ #
279
+ # # Relates a musical manifestation to a musical item (this album, and my particular cd). By using this property, there is no assumption on wether the full content is available on the linked item. To be explicit about this, you can use a sub-property, such as mo:item (the full manifestation is available on that item) or mo:preview (only a part of the manifestation is available on that item). This is a subproperty of frbr:examplar.
280
+ # # @return [RDF::Vocabulary::Term]
281
+ # attr_reader :available_as
282
+ #
283
+ # # Used to link an artist to their online biography.
284
+ # # @return [RDF::Vocabulary::Term]
285
+ # attr_reader :biography
286
+ #
287
+ # # Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.
288
+ # # @return [RDF::Vocabulary::Term]
289
+ # attr_reader :bitsPerSample
290
+ #
291
+ # # Indicates the BPM of a MusicalWork or a particular Performance Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.
292
+ # # @return [RDF::Vocabulary::Term]
293
+ # attr_reader :bpm
294
+ #
295
+ # # Links a release with the corresponding catalogue number
296
+ # # @return [RDF::Vocabulary::Term]
297
+ # attr_reader :catalogue_number
298
+ #
299
+ # # Associates a signal to the number of channels it holds (mono --> 1, stereo --> 2). Range is xsd:int.
300
+ # # @return [RDF::Vocabulary::Term]
301
+ # attr_reader :channels
302
+ #
303
+ # # Used to relate two collaborating people on a work.
304
+ # # @return [RDF::Vocabulary::Term]
305
+ # attr_reader :collaborated_with
306
+ #
307
+ # # Indicates that a musical manifestation is a compilation of several Signals.
308
+ # # @return [RDF::Vocabulary::Term]
309
+ # attr_reader :compilation_of
310
+ #
311
+ # # Used to relate an person or a group of person who compiled the manifestation of a musical work.
312
+ # # @return [RDF::Vocabulary::Term]
313
+ # attr_reader :compiled
314
+ #
315
+ # # Used to relate the manifestation of a musical work to a person or a group of person who compiled it.
316
+ # # @return [RDF::Vocabulary::Term]
317
+ # attr_reader :compiler
318
+ #
319
+ # # Associates a MusicalWork to the Composition event pertaining to its creation. For example, I might use this property to associate the Magic Flute to its composition event, occuring during 1782 and having as a mo:composer Mozart.
320
+ # # @return [RDF::Vocabulary::Term]
321
+ # attr_reader :composed_in
322
+ #
323
+ # # Associates a composition event to the actual composer. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to Mozart himself (who obviously has a FOAF profile:-) ).
324
+ # # @return [RDF::Vocabulary::Term]
325
+ # attr_reader :composer
326
+ #
327
+ # # Relates agents to the performances they were conducting
328
+ # # @return [RDF::Vocabulary::Term]
329
+ # attr_reader :conducted
330
+ #
331
+ # # Relates a performance to the conductor involved
332
+ # # @return [RDF::Vocabulary::Term]
333
+ # attr_reader :conductor
334
+ #
335
+ # # Relates a signal to another signal, which has been sampled.
336
+ # # @return [RDF::Vocabulary::Term]
337
+ # attr_reader :contains_sample_from
338
+ #
339
+ # # A related signal from which the described signal is derived.
340
+ # # @return [RDF::Vocabulary::Term]
341
+ # attr_reader :derived_from
342
+ #
343
+ # # Used to links an artist to an online discography of their musical works. The discography should provide a summary of each released musical work of the artist.
344
+ # # @return [RDF::Vocabulary::Term]
345
+ # attr_reader :discography
346
+ #
347
+ # # Used to link a musical work or the expression of a musical work, an artist or a corporate body to to its corresponding Discogs page.
348
+ # # @return [RDF::Vocabulary::Term]
349
+ # attr_reader :discogs
350
+ #
351
+ # # Indicates that all (or most of) the tracks of a musical work or the expression of a musical work were mixed together from all (or most of) the tracks from another musical work or the expression of a musical work to form a so called DJ-Mix. The tracks might have been altered by pitching (so that the tempo of one track matches the tempo of the following track) and fading (so that one track blends in smoothly with the other). If the tracks have been more substantially altered, the "mo:remix" relationship type is more appropriate.
352
+ # # @return [RDF::Vocabulary::Term]
353
+ # attr_reader :djmix_of
354
+ #
355
+ # # Used to relate an artist who djmixed a musical work or the expression of a musical work. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
356
+ # # @return [RDF::Vocabulary::Term]
357
+ # attr_reader :djmixed
358
+ #
359
+ # # Used to relate a work or the expression of a work to an artist who djmixed it. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
360
+ # # @return [RDF::Vocabulary::Term]
361
+ # attr_reader :djmixed_by
362
+ #
363
+ # # This property can be used to link from a person to the website where they make their works available, or from a manifestation (a track or an album, for example) to a web page where it is available for download. It is better to use one of the three sub-properties instead of this one in order to specify wether the content can be accessed for free (mo:freedownload), if it is just free preview material (mo:previewdownload), or if it can be accessed for some money (mo:paiddownload) (this includes links to the Amazon store, for example). This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
364
+ # # @return [RDF::Vocabulary::Term]
365
+ # attr_reader :download
366
+ #
367
+ # # The duration of a track or a signal in ms
368
+ # # @return [RDF::Vocabulary::Term]
369
+ # attr_reader :duration
370
+ #
371
+ # # The European Article Number (EAN) is a universal identifier for products, commonly printed in form of barcodes on them. The numbers represented by those codes can either be 8 or 13 digits long, with the 13-digit-version being most common. EANs form a superset of the North American Universal Product Code (UPC) as every UPC can be made an EAN by adding a leading zero to it. Additionally every EAN is also a Japanese Article Number (JAN). The identifiers were formerly assigned by EAN International which merged with Uniform Code Council (UCC, the guys behind the UPCs) and Electronic Commerce Council of Canada (ECCC) to become GS1.
372
+ # # @return [RDF::Vocabulary::Term]
373
+ # attr_reader :ean
374
+ #
375
+ # # Relates a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) to the signal it encodes. This is usually a lower-resolution version of the master signal (issued from a Recording event).
376
+ # # @return [RDF::Vocabulary::Term]
377
+ # attr_reader :encodes
378
+ #
379
+ # # Method used to convert analog electronic signals into digital format such as "MP3 CBR @ 128kbps", "OGG @ 160kbps", "FLAC", etc.
380
+ # # @return [RDF::Vocabulary::Term]
381
+ # attr_reader :encoding
382
+ #
383
+ # # Relates a performance or a recording to the engineer involved
384
+ # # @return [RDF::Vocabulary::Term]
385
+ # attr_reader :engineer
386
+ #
387
+ # # Relates agents to the performances/recordings they were engineering in
388
+ # # @return [RDF::Vocabulary::Term]
389
+ # attr_reader :engineered
390
+ #
391
+ # # @return [RDF::Vocabulary::Term]
392
+ # attr_reader :eventHomePage
393
+ #
394
+ # # Links a particular event to a web page
395
+ # # @return [RDF::Vocabulary::Term]
396
+ # attr_reader :event_homepage
397
+ #
398
+ # # A person, a group of person or an organization exchanging an exemplar of a single manifestation.
399
+ # # @return [RDF::Vocabulary::Term]
400
+ # attr_reader :exchange_item
401
+ #
402
+ # # Used to link an artist to a fan-created webpage devoted to that artist.
403
+ # # @return [RDF::Vocabulary::Term]
404
+ # attr_reader :fanpage
405
+ #
406
+ # # This property can be used to link from a person to the website where they make their works available, or from a manifestation (a track or an album, for example) to a web page where it is available for free download. This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
407
+ # # @return [RDF::Vocabulary::Term]
408
+ # attr_reader :free_download
409
+ #
410
+ # # @return [RDF::Vocabulary::Term]
411
+ # attr_reader :freedownload
412
+ #
413
+ # # Associates an event (like a performance or a recording) to a particular musical genre. Further version of this property may also include works and scores in the domain.
414
+ # # @return [RDF::Vocabulary::Term]
415
+ # attr_reader :genre
416
+ #
417
+ # # The Global Release Identifier (GRid) is a system for uniquely identifying Releases of music over electronic networks (that is, online stores where you can buy music as digital files). As that it can be seen as the equivalent of the BarCode (or more correctly the GTIN) as found on physical releases of music. Like the ISRC (a code for identifying single recordings as found on releases) it was developed by the IFPI but it does not appear to be a standard of the ISO.
418
+ # # @return [RDF::Vocabulary::Term]
419
+ # attr_reader :grid
420
+ #
421
+ # # Relates a membership event with the corresponding group
422
+ # # @return [RDF::Vocabulary::Term]
423
+ # attr_reader :group
424
+ #
425
+ # # GTIN is a grouping term for EANs and UPCs. In common speech those are called barcodes although the barcodes are just a representation of those identifying numbers.
426
+ # # @return [RDF::Vocabulary::Term]
427
+ # attr_reader :gtin
428
+ #
429
+ # # @return [RDF::Vocabulary::Term]
430
+ # attr_reader :has_track
431
+ #
432
+ # # Relates a performance to the headliner(s) involved
433
+ # # @return [RDF::Vocabulary::Term]
434
+ # attr_reader :headliner
435
+ #
436
+ # # Links an artist, a record, etc. to a corresponding web page
437
+ # # @return [RDF::Vocabulary::Term]
438
+ # attr_reader :homepage
439
+ #
440
+ # # Indicates a pictorial image (JPEG, GIF, PNG, Etc.) of a musical work, the expression of a musical work, the manifestation of a work or the examplar of a manifestation.
441
+ # # @return [RDF::Vocabulary::Term]
442
+ # attr_reader :image
443
+ #
444
+ # # Used to link an artist, a musical work or the expression of a musical work to their equivalent page on IMDb, the InternetMovieDatabase.
445
+ # # @return [RDF::Vocabulary::Term]
446
+ # attr_reader :imdb
447
+ #
448
+ # # Relates a performance to a musical instrument involved
449
+ # # @return [RDF::Vocabulary::Term]
450
+ # attr_reader :instrument
451
+ #
452
+ # # Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.
453
+ # # @return [RDF::Vocabulary::Term]
454
+ # attr_reader :interpreter
455
+ #
456
+ # # The Interested Parties Information Code (IPI) is an ISO standard similar to ISBNs for identifying the people or groups with some involvement with a particular musical work / compositions.
457
+ # # @return [RDF::Vocabulary::Term]
458
+ # attr_reader :ipi
459
+ #
460
+ # # The International Standard Music Number (ISMN) is an ISO standard similar to ISBNs for identifying printed music publications
461
+ # # @return [RDF::Vocabulary::Term]
462
+ # attr_reader :ismn
463
+ #
464
+ # # The ISRC (International Standard Recording Code) is the international identification system for sound recordings and music videorecordings. Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint. Encoded ISRC provide the means to automatically identify recordings for royalty payments.
465
+ # # @return [RDF::Vocabulary::Term]
466
+ # attr_reader :isrc
467
+ #
468
+ # # Links a musical work to the corresponding ISWC number
469
+ # # @return [RDF::Vocabulary::Term]
470
+ # attr_reader :iswc
471
+ #
472
+ # # Relates a musical manifestation to a musical item (this album, and my particular cd) holding the entire manifestation, and not just a part of it.
473
+ # # @return [RDF::Vocabulary::Term]
474
+ # attr_reader :item
475
+ #
476
+ # # Indicated the key used by the musicians during a performance, or the key of a MusicalWork. Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.
477
+ # # @return [RDF::Vocabulary::Term]
478
+ # attr_reader :key
479
+ #
480
+ # # Associates a release event with the label releasing the record
481
+ # # @return [RDF::Vocabulary::Term]
482
+ # attr_reader :label
483
+ #
484
+ # # The Label Code (LC) was introduced in 1977 by the IFPI (International Federation of Phonogram and Videogram Industries) in order to unmistakably identify the different record labels (see Introduction, Record labels) for rights purposes. The Label Code consists historically of 4 figures, presently being extended to 5 figures, preceded by LC and a dash (e.g. LC-0193 = Electrola; LC-0233 = His Master's Voice). Note that the number of countries using the LC is limited, and that the code given on the item is not always accurate.
485
+ # # @return [RDF::Vocabulary::Term]
486
+ # attr_reader :lc
487
+ #
488
+ # # This annotation property associates to a particular Music Ontology term the corresponding expressiveness level. These levels can be: - 1: Only editorial/Musicbrainz type information - 2: Workflow information - 3: Even decomposition This property is mainly used for specification generation.
489
+ # # @return [RDF::Vocabulary::Term]
490
+ # attr_reader :level
491
+ #
492
+ # # Used to link a work or the expression of a work to the license under which they can be manipulated (downloaded, modified, etc). This is usually used to link to a Creative Commons licence.
493
+ # # @return [RDF::Vocabulary::Term]
494
+ # attr_reader :licence
495
+ #
496
+ # # Relates agents to the performances they were listening in
497
+ # # @return [RDF::Vocabulary::Term]
498
+ # attr_reader :listened
499
+ #
500
+ # # Relates a performance to the listener involved
501
+ # # @return [RDF::Vocabulary::Term]
502
+ # attr_reader :listener
503
+ #
504
+ # # Associates lyrics with a musical work
505
+ # # @return [RDF::Vocabulary::Term]
506
+ # attr_reader :lyrics
507
+ #
508
+ # # Used to link a musical work or the expression of a musical work to a website where people can buy a copy of the musical manifestation.
509
+ # # @return [RDF::Vocabulary::Term]
510
+ # attr_reader :mailorder
511
+ #
512
+ # # Indicates that musical works or the expressions of a musical work were mashed up on this album or track. This means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work (usually by a third artist, the remixer).
513
+ # # @return [RDF::Vocabulary::Term]
514
+ # attr_reader :mashup_of
515
+ #
516
+ # # The mediatype (file format or MIME type, or physical medium) of a musical manifestation, e.g. a MP3, CD or vinyl.
517
+ # # @return [RDF::Vocabulary::Term]
518
+ # attr_reader :media_type
519
+ #
520
+ # # Indicates that a musical expression is a medley of several other musical expressions. This means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley.
521
+ # # @return [RDF::Vocabulary::Term]
522
+ # attr_reader :medley_of
523
+ #
524
+ # # Indicates a member of a musical group
525
+ # # @return [RDF::Vocabulary::Term]
526
+ # attr_reader :member
527
+ #
528
+ # # Inverse of the foaf:member property
529
+ # # @return [RDF::Vocabulary::Term]
530
+ # attr_reader :member_of
531
+ #
532
+ # # Relates an agent with related membership events
533
+ # # @return [RDF::Vocabulary::Term]
534
+ # attr_reader :membership
535
+ #
536
+ # # Associates a musical work or a score with its meter
537
+ # # @return [RDF::Vocabulary::Term]
538
+ # attr_reader :meter
539
+ #
540
+ # # Indicates that a musical work has movements
541
+ # # @return [RDF::Vocabulary::Term]
542
+ # attr_reader :movement
543
+ #
544
+ # # @return [RDF::Vocabulary::Term]
545
+ # attr_reader :movementNum
546
+ #
547
+ # # Indicates the position of a movement in a musical work.
548
+ # # @return [RDF::Vocabulary::Term]
549
+ # attr_reader :movement_number
550
+ #
551
+ # # Linking an agent, a track or a record to its corresponding Musicbrainz page.
552
+ # # @return [RDF::Vocabulary::Term]
553
+ # attr_reader :musicbrainz
554
+ #
555
+ # # Links an object to the corresponding Musicbrainz identifier
556
+ # # @return [RDF::Vocabulary::Term]
557
+ # attr_reader :musicbrainz_guid
558
+ #
559
+ # # Used to link an artist, a musical work or the expression of a musical work to its corresponding MusicMoz page.
560
+ # # @return [RDF::Vocabulary::Term]
561
+ # attr_reader :musicmoz
562
+ #
563
+ # # Used to link a person to its corresponding MySpace page.
564
+ # # @return [RDF::Vocabulary::Term]
565
+ # attr_reader :myspace
566
+ #
567
+ # # Used to link a track to a tabulature file for track in the On-Line Guitar Archive.
568
+ # # @return [RDF::Vocabulary::Term]
569
+ # attr_reader :olga
570
+ #
571
+ # # Used to link a person with an online community web page like a blog, a wiki, a forum, a livejournal page, Etc.
572
+ # # @return [RDF::Vocabulary::Term]
573
+ # attr_reader :onlinecommunity
574
+ #
575
+ # # Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.
576
+ # # @return [RDF::Vocabulary::Term]
577
+ # attr_reader :opus
578
+ #
579
+ # # Relates an artist to its geographic origin
580
+ # # @return [RDF::Vocabulary::Term]
581
+ # attr_reader :origin
582
+ #
583
+ # # Indicates that two musical manifestations are essentially the same.
584
+ # # @return [RDF::Vocabulary::Term]
585
+ # attr_reader :other_release_of
586
+ #
587
+ # # Provide a link from an artist to a web page where all of that artist's musical work is available for some money, or a link from a manifestation (record/track, for example) to a web page providing a paid access to this manifestation.
588
+ # # @return [RDF::Vocabulary::Term]
589
+ # attr_reader :paid_download
590
+ #
591
+ # # @return [RDF::Vocabulary::Term]
592
+ # attr_reader :paiddownload
593
+ #
594
+ # # Associates a Performance to a musical work or an arrangement that is being used as a factor in it. For example, I might use this property to attach the Magic Flute musical work to a particular Performance.
595
+ # # @return [RDF::Vocabulary::Term]
596
+ # attr_reader :performance_of
597
+ #
598
+ # # Relates agents to the performances they were performing in
599
+ # # @return [RDF::Vocabulary::Term]
600
+ # attr_reader :performed
601
+ #
602
+ # # Associates a Musical Work or an Score to Performances in which they were a factor. For example, I might use this property in order to associate the Magic Flute to a particular performance at the Opera Bastille last year.
603
+ # # @return [RDF::Vocabulary::Term]
604
+ # attr_reader :performed_in
605
+ #
606
+ # # Relates a performance to the performers involved
607
+ # # @return [RDF::Vocabulary::Term]
608
+ # attr_reader :performer
609
+ #
610
+ # # A person, a group of person or an organization possessing an exemplar of a single manifestation.
611
+ # # @return [RDF::Vocabulary::Term]
612
+ # attr_reader :possess_item
613
+ #
614
+ # # Relates a musical manifestation to a musical item (this album, and my particular cd), which holds a preview of the manifestation (eg. one track for an album, or a snippet for a track)
615
+ # # @return [RDF::Vocabulary::Term]
616
+ # attr_reader :preview
617
+ #
618
+ # # This property can be used to link from a person to the website where they make previews of their works available, or from a manifestation (a track or an album, for example) to a web page where a preview download is available. This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
619
+ # # @return [RDF::Vocabulary::Term]
620
+ # attr_reader :preview_download
621
+ #
622
+ # # Indicates that an artist primarily plays an instrument, or that a member was primarily playing a particular instrument during his membership
623
+ # # @return [RDF::Vocabulary::Term]
624
+ # attr_reader :primary_instrument
625
+ #
626
+ # # Used to relate an person or a group of person who produced the manifestation of a work.
627
+ # # @return [RDF::Vocabulary::Term]
628
+ # attr_reader :produced
629
+ #
630
+ # # Associates an arrangement or a composition event to a score product (score here does not refer to a published score, but more an abstract arrangement of a particular work).
631
+ # # @return [RDF::Vocabulary::Term]
632
+ # attr_reader :produced_score
633
+ #
634
+ # # Associates a Recording to the outputted signal.
635
+ # # @return [RDF::Vocabulary::Term]
636
+ # attr_reader :produced_signal
637
+ #
638
+ # # Associates a recording session with a group of master signals produced by it.
639
+ # # @return [RDF::Vocabulary::Term]
640
+ # attr_reader :produced_signal_group
641
+ #
642
+ # # Associates a Performance to a physical Sound that is being produced by it.
643
+ # # @return [RDF::Vocabulary::Term]
644
+ # attr_reader :produced_sound
645
+ #
646
+ # # Associates a composition event to the produced MusicalWork. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to the Magic Flute musical work itself. This musical work can then be used in particular performances.
647
+ # # @return [RDF::Vocabulary::Term]
648
+ # attr_reader :produced_work
649
+ #
650
+ # # Used to relate the manifestation of a work to a person or a group of person who produced it.
651
+ # # @return [RDF::Vocabulary::Term]
652
+ # attr_reader :producer
653
+ #
654
+ # # @return [RDF::Vocabulary::Term]
655
+ # attr_reader :producesSignal
656
+ #
657
+ # # @return [RDF::Vocabulary::Term]
658
+ # attr_reader :producesSound
659
+ #
660
+ # # @return [RDF::Vocabulary::Term]
661
+ # attr_reader :producesWork
662
+ #
663
+ # # @return [RDF::Vocabulary::Term]
664
+ # attr_reader :productOfComposition
665
+ #
666
+ # # @return [RDF::Vocabulary::Term]
667
+ # attr_reader :publicationOf
668
+ #
669
+ # # Link a particular manifestation to the related signal, score, libretto, or lyrics
670
+ # # @return [RDF::Vocabulary::Term]
671
+ # attr_reader :publication_of
672
+ #
673
+ # # Used to relate an person or a group of person who published the manifestation of a work.
674
+ # # @return [RDF::Vocabulary::Term]
675
+ # attr_reader :published
676
+ #
677
+ # # @return [RDF::Vocabulary::Term]
678
+ # attr_reader :publishedAs
679
+ #
680
+ # # Links a musical expression (e.g. a signal or a score) to one of its manifestations (e.g. a track on a particular record or a published score).
681
+ # # @return [RDF::Vocabulary::Term]
682
+ # attr_reader :published_as
683
+ #
684
+ # # Used to relate a musical manifestation to a person or a group of person who published it.
685
+ # # @return [RDF::Vocabulary::Term]
686
+ # attr_reader :publisher
687
+ #
688
+ # # @return [RDF::Vocabulary::Term]
689
+ # attr_reader :publishingLocation
690
+ #
691
+ # # Relates a musical manifestation to its publication location.
692
+ # # @return [RDF::Vocabulary::Term]
693
+ # attr_reader :publishing_location
694
+ #
695
+ # # Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems (mo:AudioFile) derived from this signal. PUIDs (Portable Unique IDentifier) are the IDs used in the proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP. Using PUIDs, one (with some luck) can identify the Signal object associated with a particular audio file, therefore allowing to access further information (on which release this track is featured? etc.). Using some more metadata one can identify the particular Track corresponding to the audio file (a track on a particular release).
696
+ # # @return [RDF::Vocabulary::Term]
697
+ # attr_reader :puid
698
+ #
699
+ # # Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.
700
+ # # @return [RDF::Vocabulary::Term]
701
+ # attr_reader :record
702
+ #
703
+ # # Associates a release with the number of records it contains, e.g. the number of discs it contains in the case of a multi-disc release.
704
+ # # @return [RDF::Vocabulary::Term]
705
+ # attr_reader :record_count
706
+ #
707
+ # # Indicates the position of a record in a release (e.g. a 2xLP, etc.).
708
+ # # @return [RDF::Vocabulary::Term]
709
+ # attr_reader :record_number
710
+ #
711
+ # # Associates the side on a vinyl record, where a track is located, e.g. A, B, C, etc. This property can then also be used in conjunction with mo:track_number, so that one can infer e.g. "A1", that means, track number 1 on side A.
712
+ # # @return [RDF::Vocabulary::Term]
713
+ # attr_reader :record_side
714
+ #
715
+ # # @return [RDF::Vocabulary::Term]
716
+ # attr_reader :recordedAs
717
+ #
718
+ # # This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property allows to directly link a Performance to the recorded Signal. This is recommended for "normal" users. However, advanced users wanting to express things such as the location of the microphone will have to create this shortcut as well as the whole workflow, in order to let the "normal" users access simply the, well, simple information:-) .
719
+ # # @return [RDF::Vocabulary::Term]
720
+ # attr_reader :recorded_as
721
+ #
722
+ # # Associates a physical Sound to a Recording event where it is being used in order to produce a signal. For example, I might use this property to associate the sound produced by a particular performance of the magic flute to a given recording, done using my cell-phone.
723
+ # # @return [RDF::Vocabulary::Term]
724
+ # attr_reader :recorded_in
725
+ #
726
+ # # Associates a Recording event to a physical Sound being recorded. For example, I might use this property to associate a given recording, done using my cell phone, to the sound produced by a particular performance of the magic flute.
727
+ # # @return [RDF::Vocabulary::Term]
728
+ # attr_reader :recording_of
729
+ #
730
+ # # This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance to a signal.
731
+ # # @return [RDF::Vocabulary::Term]
732
+ # attr_reader :records
733
+ #
734
+ # # Associates a release with the corresponding release event
735
+ # # @return [RDF::Vocabulary::Term]
736
+ # attr_reader :release
737
+ #
738
+ # # @return [RDF::Vocabulary::Term]
739
+ # attr_reader :releaseStatus
740
+ #
741
+ # # @return [RDF::Vocabulary::Term]
742
+ # attr_reader :releaseType
743
+ #
744
+ # # Relates a musical manifestation to its release status (bootleg, ...)
745
+ # # @return [RDF::Vocabulary::Term]
746
+ # attr_reader :release_status
747
+ #
748
+ # # Relates a musical manifestation to its release type (interview, spoken word, album, ...)
749
+ # # @return [RDF::Vocabulary::Term]
750
+ # attr_reader :release_type
751
+ #
752
+ # # This relates two musical work or the expression of a musical work, where one is a remaster of the other. A remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.
753
+ # # @return [RDF::Vocabulary::Term]
754
+ # attr_reader :remaster_of
755
+ #
756
+ # # Used to relate the remix of a musical work in a substantially altered version produced by mixing together individual tracks or segments of an original musical source work.
757
+ # # @return [RDF::Vocabulary::Term]
758
+ # attr_reader :remix_of
759
+ #
760
+ # # Used to relate an artist who remixed a musical work or the expression of a musical work. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
761
+ # # @return [RDF::Vocabulary::Term]
762
+ # attr_reader :remixed
763
+ #
764
+ # # Used to relate a musical work or the expression of a musical work to an artist who remixed it. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
765
+ # # @return [RDF::Vocabulary::Term]
766
+ # attr_reader :remixer
767
+ #
768
+ # # Used to link a work or the expression of a work to a review. The review does not have to be open content, as long as it is accessible to the general internet population.
769
+ # # @return [RDF::Vocabulary::Term]
770
+ # attr_reader :review
771
+ #
772
+ # # @return [RDF::Vocabulary::Term]
773
+ # attr_reader :sampleRate
774
+ #
775
+ # # Associates a digital signal to its sample rate. It might be easier to express it this way instead of defining a timeline map:-) Range is xsd:float.
776
+ # # @return [RDF::Vocabulary::Term]
777
+ # attr_reader :sample_rate
778
+ #
779
+ # # Used to relate an artist who sampled a Signal.
780
+ # # @return [RDF::Vocabulary::Term]
781
+ # attr_reader :sampled
782
+ #
783
+ # # @return [RDF::Vocabulary::Term]
784
+ # attr_reader :sampledVersionOf
785
+ #
786
+ # # Associates an analog signal with a sampled version of it
787
+ # # @return [RDF::Vocabulary::Term]
788
+ # attr_reader :sampled_version
789
+ #
790
+ # # Associates a digital signal with the analog version of it
791
+ # # @return [RDF::Vocabulary::Term]
792
+ # attr_reader :sampled_version_of
793
+ #
794
+ # # Used to relate the signal of a musical work to an artist who sampled it.
795
+ # # @return [RDF::Vocabulary::Term]
796
+ # attr_reader :sampler
797
+ #
798
+ # # A person, a group of person or an organization selling an exemplar of a single manifestation.
799
+ # # @return [RDF::Vocabulary::Term]
800
+ # attr_reader :sell_item
801
+ #
802
+ # # Associates a group of signals with one of the signals it contains
803
+ # # @return [RDF::Vocabulary::Term]
804
+ # attr_reader :signal
805
+ #
806
+ # # @return [RDF::Vocabulary::Term]
807
+ # attr_reader :signalTime
808
+ #
809
+ # # A similarity relationships between two objects (so far, either an agent, a signal or a genre, but this could grow). This relationship is pretty general and doesn't make any assumptions on how the similarity claim was derived. Such similarity statements can come from a range of different sources (Musicbrainz similarities between artists, or coming from some automatic content analysis). However, the origin of such statements should be kept using a named graph approach - and ultimately, the documents providing such statements should attach some metadata to themselves (confidence of the claim, etc.).
810
+ # # @return [RDF::Vocabulary::Term]
811
+ # attr_reader :similar_to
812
+ #
813
+ # # Relates a performance to an involved singer
814
+ # # @return [RDF::Vocabulary::Term]
815
+ # attr_reader :singer
816
+ #
817
+ # # Used to relate an artist doing long-time instrumental or vocal support for another artist.
818
+ # # @return [RDF::Vocabulary::Term]
819
+ # attr_reader :supporting_musician
820
+ #
821
+ # # Rate of speed or pace of music. Tempo markings are traditionally given in Italian; common markings include: grave (solemn; very, very slow); largo (broad; very slow); adagio (quite slow); andante (a walking pace); moderato (moderate); allegro (fast; cheerful); vivace (lively); presto (very fast); accelerando (getting faster); ritardando (getting slower); and a tempo (in time; returning to the original pace).
822
+ # # @return [RDF::Vocabulary::Term]
823
+ # attr_reader :tempo
824
+ #
825
+ # # Associates lyrics with their text.
826
+ # # @return [RDF::Vocabulary::Term]
827
+ # attr_reader :text
828
+ #
829
+ # # Associates a Signal to a time object - its actual domain
830
+ # # @return [RDF::Vocabulary::Term]
831
+ # attr_reader :time
832
+ #
833
+ # # Indicates a part of a musical manifestation - in this particular case, a track.
834
+ # # @return [RDF::Vocabulary::Term]
835
+ # attr_reader :track
836
+ #
837
+ # # @return [RDF::Vocabulary::Term]
838
+ # attr_reader :trackNum
839
+ #
840
+ # # The track count of a record
841
+ # # @return [RDF::Vocabulary::Term]
842
+ # attr_reader :track_count
843
+ #
844
+ # # Indicates the position of a track on a record medium (a CD, etc.).
845
+ # # @return [RDF::Vocabulary::Term]
846
+ # attr_reader :track_number
847
+ #
848
+ # # Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.
849
+ # # @return [RDF::Vocabulary::Term]
850
+ # attr_reader :translation_of
851
+ #
852
+ # # Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists.
853
+ # # @return [RDF::Vocabulary::Term]
854
+ # attr_reader :tribute_to
855
+ #
856
+ # # Indicates the TRMID of a track. TRM IDs are MusicBrainz' old AudioFingerprinting system. TRM (TRM Recognizes Music) IDs are (somewhat) unique ids that represent the audio signature of a musical piece (see AudioFingerprint).
857
+ # # @return [RDF::Vocabulary::Term]
858
+ # attr_reader :trmid
859
+ #
860
+ # # UPC stands for "Universal Product Code", which was the original barcode used in the United States and Canada. The UPC (now officially EAN.UCC-12 is a numerical method of identifying products without redundancy worldwide for all types of products in the retail sector. The EAN is a superset of the original UPC increasing the digits to 13 with the prefix 0 reserved for UPC. As of 2005, manufacturers are only allowed to use the new 13-digit codes on their items, rather than having two separate numbers.
861
+ # # @return [RDF::Vocabulary::Term]
862
+ # attr_reader :upc
863
+ #
864
+ # # @return [RDF::Vocabulary::Term]
865
+ # attr_reader :usedInPerformance
866
+ #
867
+ # # @return [RDF::Vocabulary::Term]
868
+ # attr_reader :usedInRecording
869
+ #
870
+ # # @return [RDF::Vocabulary::Term]
871
+ # attr_reader :usesSound
872
+ #
873
+ # # @return [RDF::Vocabulary::Term]
874
+ # attr_reader :usesWork
875
+ #
876
+ # # Links an object to an universally unique identifier for it.
877
+ # # @return [RDF::Vocabulary::Term]
878
+ # attr_reader :uuid
879
+ #
880
+ # # A person, a group of person or an organization wanting an exemplar of a single manifestation.
881
+ # # @return [RDF::Vocabulary::Term]
882
+ # attr_reader :want_item
883
+ #
884
+ # # Used to link an work, an expression of a work, a manifestation of a work, a person, an instrument or a musical genre to its corresponding WikiPedia page. The full URL should be used, not just the WikiName.
885
+ # # @return [RDF::Vocabulary::Term]
886
+ # attr_reader :wikipedia
887
+ #
888
+ # # @return [RDF::Vocabulary::Term]
889
+ # attr_reader :album
890
+ #
891
+ # # @return [RDF::Vocabulary::Term]
892
+ # attr_reader :audiobook
893
+ #
894
+ # # @return [RDF::Vocabulary::Term]
895
+ # attr_reader :bootleg
896
+ #
897
+ # # @return [RDF::Vocabulary::Term]
898
+ # attr_reader :compilation
899
+ #
900
+ # # @return [RDF::Vocabulary::Term]
901
+ # attr_reader :ep
902
+ #
903
+ # # @return [RDF::Vocabulary::Term]
904
+ # attr_reader :interview
905
+ #
906
+ # # @return [RDF::Vocabulary::Term]
907
+ # attr_reader :live
908
+ #
909
+ # # @return [RDF::Vocabulary::Term]
910
+ # attr_reader :official
911
+ #
912
+ # # @return [RDF::Vocabulary::Term]
913
+ # attr_reader :promotion
914
+ #
915
+ # # @return [RDF::Vocabulary::Term]
916
+ # attr_reader :remix
917
+ #
918
+ # # @return [RDF::Vocabulary::Term]
919
+ # attr_reader :single
920
+ #
921
+ # # @return [RDF::Vocabulary::Term]
922
+ # attr_reader :soundtrack
923
+ #
924
+ # # @return [RDF::Vocabulary::Term]
925
+ # attr_reader :spokenword
926
+ #
9
927
  # end
10
- class MO < RDF::Vocabulary("http://purl.org/ontology/mo/")
928
+ MO = Class.new(RDF::Vocabulary("http://purl.org/ontology/mo/")) do
11
929
 
12
930
  # Ontology definition
13
931
  ontology :"http://purl.org/ontology/mo/",
@@ -32,9 +950,7 @@ module RDF::Vocab
32
950
 
33
951
  # Class definitions
34
952
  term :Activity,
35
- comment: %(
36
- An activity period, defining when an artist was musically active.
37
- ).freeze,
953
+ comment: "\n An activity period, defining when an artist was musically active.\n ".freeze,
38
954
  isDefinedBy: "mo:".freeze,
39
955
  label: "activity".freeze,
40
956
  "mo:level": "1".freeze,
@@ -42,9 +958,7 @@ module RDF::Vocab
42
958
  type: "owl:Class".freeze,
43
959
  "vs:term_status": "testing".freeze
44
960
  term :AnalogSignal,
45
- comment: %(
46
- An analog signal.
47
- ).freeze,
961
+ comment: "\n An analog signal.\n ".freeze,
48
962
  isDefinedBy: "mo:".freeze,
49
963
  label: "analogue signal".freeze,
50
964
  "mo:level": "2".freeze,
@@ -53,10 +967,7 @@ module RDF::Vocab
53
967
  type: "owl:Class".freeze,
54
968
  "vs:term_status": "stable".freeze
55
969
  term :Arrangement,
56
- comment: %(
57
- An arrangement event.
58
- Takes as agent the arranger, and produces a score \(informational object, not the actually published score\).
59
- ).freeze,
970
+ comment: "\n An arrangement event.\n Takes as agent the arranger, and produces a score (informational object, not the actually published score).\n ".freeze,
60
971
  isDefinedBy: "mo:".freeze,
61
972
  label: "arrangement".freeze,
62
973
  "mo:level": "2".freeze,
@@ -75,7 +986,7 @@ module RDF::Vocab
75
986
  type: "owl:Class".freeze,
76
987
  "vs:term_status": "unstable".freeze
77
988
  term :AudioFile,
78
- comment: %(An audio file, which may be available on a local file system or through http, ftp, etc.).freeze,
989
+ comment: "An audio file, which may be available on a local file system or through http, ftp, etc.".freeze,
79
990
  isDefinedBy: "mo:".freeze,
80
991
  label: "audio file".freeze,
81
992
  "mo:level": "1".freeze,
@@ -83,7 +994,7 @@ module RDF::Vocab
83
994
  type: "owl:Class".freeze,
84
995
  "vs:term_status": "unstable".freeze
85
996
  term :CD,
86
- comment: %(Compact Disc used as medium to record a musical manifestation.).freeze,
997
+ comment: "Compact Disc used as medium to record a musical manifestation.".freeze,
87
998
  isDefinedBy: "mo:".freeze,
88
999
  label: "CD".freeze,
89
1000
  "mo:level": "1".freeze,
@@ -102,11 +1013,7 @@ module RDF::Vocab
102
1013
  type: "owl:Class".freeze,
103
1014
  "vs:term_status": "unstable".freeze
104
1015
  term :Composition,
105
- comment: %(
106
- A composition event.
107
- Takes as agent the composer himself.
108
- It produces a MusicalWork, or a MusicalExpression \(when the initial "product" is a score, for example\), or both...
109
- ).freeze,
1016
+ comment: "\n A composition event.\n Takes as agent the composer himself.\n It produces a MusicalWork, or a MusicalExpression (when the initial \"product\" is a score, for example), or both...\n ".freeze,
110
1017
  isDefinedBy: "mo:".freeze,
111
1018
  label: "composition".freeze,
112
1019
  "mo:level": "2".freeze,
@@ -125,7 +1032,7 @@ module RDF::Vocab
125
1032
  type: "owl:Class".freeze,
126
1033
  "vs:term_status": "unstable".freeze
127
1034
  term :CorporateBody,
128
- comment: %(Organization or group of individuals and/or other organizations involved in the music market.).freeze,
1035
+ comment: "Organization or group of individuals and/or other organizations involved in the music market.".freeze,
129
1036
  isDefinedBy: "mo:".freeze,
130
1037
  label: "corporate body".freeze,
131
1038
  "mo:level": "1".freeze,
@@ -133,7 +1040,7 @@ module RDF::Vocab
133
1040
  type: "owl:Class".freeze,
134
1041
  "vs:term_status": "stable".freeze
135
1042
  term :DAT,
136
- comment: %(Digital Audio Tape used as medium to record a musical manifestation.).freeze,
1043
+ comment: "Digital Audio Tape used as medium to record a musical manifestation.".freeze,
137
1044
  isDefinedBy: "mo:".freeze,
138
1045
  label: "DAT".freeze,
139
1046
  "mo:level": "1".freeze,
@@ -141,7 +1048,7 @@ module RDF::Vocab
141
1048
  type: "owl:Class".freeze,
142
1049
  "vs:term_status": "unstable".freeze
143
1050
  term :DCC,
144
- comment: %(Digital Compact Cassette used as medium to record a musical manifestation.).freeze,
1051
+ comment: "Digital Compact Cassette used as medium to record a musical manifestation.".freeze,
145
1052
  isDefinedBy: "mo:".freeze,
146
1053
  label: "DCC".freeze,
147
1054
  "mo:level": "1".freeze,
@@ -149,7 +1056,7 @@ module RDF::Vocab
149
1056
  type: "owl:Class".freeze,
150
1057
  "vs:term_status": "unstable".freeze
151
1058
  term :DVDA,
152
- comment: %(DVD-Audio used as medium to record a musical manifestation.).freeze,
1059
+ comment: "DVD-Audio used as medium to record a musical manifestation.".freeze,
153
1060
  isDefinedBy: "mo:".freeze,
154
1061
  label: "DVDA".freeze,
155
1062
  "mo:level": "1".freeze,
@@ -157,9 +1064,7 @@ module RDF::Vocab
157
1064
  type: "owl:Class".freeze,
158
1065
  "vs:term_status": "unstable".freeze
159
1066
  term :DigitalSignal,
160
- comment: %(
161
- A digital signal
162
- ).freeze,
1067
+ comment: "\n A digital signal\n ".freeze,
163
1068
  isDefinedBy: "mo:".freeze,
164
1069
  label: "digital signal".freeze,
165
1070
  "mo:level": "2".freeze,
@@ -168,7 +1073,7 @@ module RDF::Vocab
168
1073
  type: "owl:Class".freeze,
169
1074
  "vs:term_status": "stable".freeze
170
1075
  term :ED2K,
171
- comment: %(Something available on the E-Donkey peer-2-peer filesharing network).freeze,
1076
+ comment: "Something available on the E-Donkey peer-2-peer filesharing network".freeze,
172
1077
  isDefinedBy: "mo:".freeze,
173
1078
  label: "ED2K".freeze,
174
1079
  "mo:level": "1".freeze,
@@ -176,11 +1081,7 @@ module RDF::Vocab
176
1081
  type: "owl:Class".freeze,
177
1082
  "vs:term_status": "unstable".freeze
178
1083
  term :Festival,
179
- comment: %(
180
- A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring...
181
- We migth decompose this event \(which is in fact just a classification of the space/time region related to
182
- a particular festival\) using hasSubEvent in several performances at different space/time.
183
- ).freeze,
1084
+ comment: "\n A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring...\n We migth decompose this event (which is in fact just a classification of the space/time region related to \n a particular festival) using hasSubEvent in several performances at different space/time.\n ".freeze,
184
1085
  isDefinedBy: "mo:".freeze,
185
1086
  label: "Festival".freeze,
186
1087
  "mo:level": "2".freeze,
@@ -188,29 +1089,14 @@ module RDF::Vocab
188
1089
  type: "owl:Class".freeze,
189
1090
  "vs:term_status": "stable".freeze
190
1091
  term :Genre,
191
- comment: %(
192
- An expressive style of music.
193
-
194
- Any taxonomy can be plug-in here. You can either define a genre by yourself, like this:
195
-
196
- :mygenre a mo:Genre; dc:title "electro rock".
197
-
198
- Or you can refer to a DBPedia genre \(such as http://dbpedia.org/resource/Baroque_music\), allowing semantic web
199
- clients to access easily really detailed structured information about the genre you are refering to.
200
- ).freeze,
1092
+ comment: "\n An expressive style of music.\n \n Any taxonomy can be plug-in here. You can either define a genre by yourself, like this:\n\n :mygenre a mo:Genre; dc:title \"electro rock\".\n\n Or you can refer to a DBPedia genre (such as http://dbpedia.org/resource/Baroque_music), allowing semantic web\n clients to access easily really detailed structured information about the genre you are refering to.\n ".freeze,
201
1093
  isDefinedBy: "mo:".freeze,
202
1094
  label: "Genre".freeze,
203
1095
  "mo:level": "2".freeze,
204
1096
  type: "owl:Class".freeze,
205
1097
  "vs:term_status": "stable".freeze
206
1098
  term :Instrument,
207
- comment: %(
208
- Any of various devices or contrivances that can be used to produce musical tones or sound.
209
-
210
- Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman
211
- from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link
212
- towards this taxonomy.
213
- ).freeze,
1099
+ comment: "\n Any of various devices or contrivances that can be used to produce musical tones or sound.\n \n Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman\n from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link \n towards this taxonomy.\n ".freeze,
214
1100
  isDefinedBy: "mo:".freeze,
215
1101
  label: "Instrument".freeze,
216
1102
  "mo:level": "2".freeze,
@@ -218,10 +1104,7 @@ module RDF::Vocab
218
1104
  type: "owl:Class".freeze,
219
1105
  "vs:term_status": "stable".freeze
220
1106
  term :Instrumentation,
221
- comment: %(
222
- Instrumentation deals with the techniques of writing music for a specific instrument,
223
- including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.
224
- ).freeze,
1107
+ comment: "\n Instrumentation deals with the techniques of writing music for a specific instrument, \n including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.\n ".freeze,
225
1108
  isDefinedBy: "mo:".freeze,
226
1109
  label: "instrumentation".freeze,
227
1110
  "mo:level": "2".freeze,
@@ -229,7 +1112,7 @@ module RDF::Vocab
229
1112
  type: "owl:Class".freeze,
230
1113
  "vs:term_status": "stable".freeze
231
1114
  term :Label,
232
- comment: %(Trade name of a company that produces musical works or expression of musical works.).freeze,
1115
+ comment: "Trade name of a company that produces musical works or expression of musical works.".freeze,
233
1116
  isDefinedBy: "mo:".freeze,
234
1117
  label: "label".freeze,
235
1118
  "mo:level": "1".freeze,
@@ -237,9 +1120,7 @@ module RDF::Vocab
237
1120
  type: "owl:Class".freeze,
238
1121
  "vs:term_status": "stable".freeze
239
1122
  term :Libretto,
240
- comment: %(
241
- Libretto
242
- ).freeze,
1123
+ comment: "\n Libretto\n ".freeze,
243
1124
  isDefinedBy: "mo:".freeze,
244
1125
  label: "libretto".freeze,
245
1126
  "mo:level": "2".freeze,
@@ -258,9 +1139,7 @@ module RDF::Vocab
258
1139
  type: "owl:Class".freeze,
259
1140
  "vs:term_status": "unstable".freeze
260
1141
  term :Lyrics,
261
- comment: %(
262
- Lyrics
263
- ).freeze,
1142
+ comment: "\n Lyrics\n ".freeze,
264
1143
  isDefinedBy: "mo:".freeze,
265
1144
  label: "lyrics".freeze,
266
1145
  "mo:level": "2".freeze,
@@ -268,7 +1147,7 @@ module RDF::Vocab
268
1147
  type: "owl:Class".freeze,
269
1148
  "vs:term_status": "stable".freeze
270
1149
  term :MD,
271
- comment: %(Mini Disc used as medium to record a musical manifestation.).freeze,
1150
+ comment: "Mini Disc used as medium to record a musical manifestation.".freeze,
272
1151
  isDefinedBy: "mo:".freeze,
273
1152
  label: "MD".freeze,
274
1153
  "mo:level": "1".freeze,
@@ -276,7 +1155,7 @@ module RDF::Vocab
276
1155
  type: "owl:Class".freeze,
277
1156
  "vs:term_status": "unstable".freeze
278
1157
  term :MagneticTape,
279
- comment: %(Magnetic analogue tape used as medium to record a musical manifestation.).freeze,
1158
+ comment: "Magnetic analogue tape used as medium to record a musical manifestation.".freeze,
280
1159
  isDefinedBy: "mo:".freeze,
281
1160
  label: "MagneticTape".freeze,
282
1161
  "mo:level": "1".freeze,
@@ -284,7 +1163,7 @@ module RDF::Vocab
284
1163
  type: "owl:Class".freeze,
285
1164
  "vs:term_status": "unstable".freeze
286
1165
  term :Medium,
287
- comment: %(A means or instrumentality for storing or communicating musical manifestation.).freeze,
1166
+ comment: "A means or instrumentality for storing or communicating musical manifestation.".freeze,
288
1167
  isDefinedBy: "mo:".freeze,
289
1168
  label: "Medium".freeze,
290
1169
  "mo:level": "1".freeze,
@@ -292,7 +1171,7 @@ module RDF::Vocab
292
1171
  type: "owl:Class".freeze,
293
1172
  "vs:term_status": "unstable".freeze
294
1173
  term :Membership,
295
- comment: %(A membership event, where one or several people belongs to a group during a particular time period.).freeze,
1174
+ comment: "A membership event, where one or several people belongs to a group during a particular time period.".freeze,
296
1175
  isDefinedBy: "mo:".freeze,
297
1176
  label: "membership".freeze,
298
1177
  "mo:level": "1".freeze,
@@ -300,12 +1179,7 @@ module RDF::Vocab
300
1179
  type: "owl:Class".freeze,
301
1180
  "vs:term_status": "testing".freeze
302
1181
  term :Movement,
303
- comment: %(A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession.
304
-
305
- Often a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual
306
- movements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a
307
- pause between them.
308
- ).freeze,
1182
+ comment: "A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession.\n\nOften a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual\nmovements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a\npause between them.\n ".freeze,
309
1183
  isDefinedBy: "mo:".freeze,
310
1184
  label: "movement".freeze,
311
1185
  "mo:level": "2".freeze,
@@ -313,10 +1187,7 @@ pause between them.
313
1187
  type: "owl:Class".freeze,
314
1188
  "vs:term_status": "unstable".freeze
315
1189
  term :MusicArtist,
316
- comment: %(
317
- A person or a group of people \(or a computer :-\) \), whose musical
318
- creative work shows sensitivity and imagination
319
- ).freeze,
1190
+ comment: "\n A person or a group of people (or a computer :-) ), whose musical \n creative work shows sensitivity and imagination \n ".freeze,
320
1191
  isDefinedBy: "mo:".freeze,
321
1192
  label: "music artist".freeze,
322
1193
  "mo:level": "1".freeze,
@@ -324,7 +1195,7 @@ pause between them.
324
1195
  type: "owl:Class".freeze,
325
1196
  "vs:term_status": "stable".freeze
326
1197
  term :MusicGroup,
327
- comment: %(Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement. ).freeze,
1198
+ comment: "Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement. ".freeze,
328
1199
  isDefinedBy: "mo:".freeze,
329
1200
  label: "music group".freeze,
330
1201
  "mo:level": "1".freeze,
@@ -332,26 +1203,7 @@ pause between them.
332
1203
  type: "owl:Class".freeze,
333
1204
  "vs:term_status": "stable".freeze
334
1205
  term :MusicalExpression,
335
- comment: %(
336
- The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms.
337
-
338
-
339
- For example:
340
-
341
- Work #1 Franz Schubert's Trout quintet
342
-
343
- * Expression #1 the composer's score
344
- * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano
345
- * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello
346
- * . . . .
347
-
348
- The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score \(the
349
- result of an arrangement\), Sound \(produced during a performance\), Signal. However, it is possible to stick to FRBR and bypass the worflow
350
- mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such
351
- expressions \(allowing to go deeply into the production process - `this performer was playing this particular instrument at that
352
- particular time'\).
353
-
354
- ).freeze,
1206
+ comment: "\nThe intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. \n\n\nFor example:\n\nWork #1 Franz Schubert's Trout quintet\n\n * Expression #1 the composer's score\n * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano\n * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello\n * . . . . \n\nThe Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the\nresult of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow\nmechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such \nexpressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that\nparticular time').\n \n ".freeze,
355
1207
  isDefinedBy: "mo:".freeze,
356
1208
  label: "musical expression".freeze,
357
1209
  "mo:level": "1".freeze,
@@ -359,46 +1211,14 @@ particular time'\).
359
1211
  type: "owl:Class".freeze,
360
1212
  "vs:term_status": "unstable".freeze
361
1213
  term :MusicalItem,
362
- comment: %(A single exemplar of a musical expression.
363
-
364
- For example, it could be a single exemplar of a CD. This is normally an single object \(a CD\) possessed by somebody.
365
-
366
- From the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object \(e.g., a copy of a one-volume monograph, a single audio cassette, etc.\). There are instances, however, where the entity defined as item comprises more than one physical object \(e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.\).
367
-
368
- In terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation \(e.g., damage occurring after the item was produced, binding performed by a library, etc.\).
369
- ).freeze,
1214
+ comment: "A single exemplar of a musical expression.\n \nFor example, it could be a single exemplar of a CD. This is normally an single object (a CD) possessed by somebody.\n\nFrom the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.).\n\nIn terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation (e.g., damage occurring after the item was produced, binding performed by a library, etc.). \n ".freeze,
370
1215
  isDefinedBy: "mo:".freeze,
371
1216
  label: "MusicalItem".freeze,
372
1217
  "mo:level": "1".freeze,
373
1218
  type: "owl:Class".freeze,
374
1219
  "vs:term_status": "unstable".freeze
375
1220
  term :MusicalManifestation,
376
- comment: %(
377
-
378
- This entity is related to the edition/production/publication of a musical expression \(musical manifestation are closely related with the music industry \(their terms, concepts, definitions, methods \(production, publication, etc.\), etc.\)
379
-
380
- From the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form.
381
-
382
-
383
- Work #1 J. S. Bach's Six suites for unaccompanied cello
384
-
385
- * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965
386
- o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury
387
- o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury
388
- * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983
389
- o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records
390
- o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records
391
-
392
-
393
- Changes that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular "state" or "issue" of the publication.
394
-
395
- Changes that occur to an individual copy after the production process is complete \(e.g., the loss of a page, rebinding, etc.\) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar \(or item\) of the manifestation that deviates from the copy as produced.
396
-
397
- With the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation.
398
-
399
- Defining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction.
400
-
401
- ).freeze,
1221
+ comment: "\n\nThis entity is related to the edition/production/publication of a musical expression (musical manifestation are closely related with the music industry (their terms, concepts, definitions, methods (production, publication, etc.), etc.)\n \nFrom the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form.\n\n\nWork #1 J. S. Bach's Six suites for unaccompanied cello\n\n * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965\n o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury\n o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury \n * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983\n o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records\n o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records \n\n \nChanges that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular \"state\" or \"issue\" of the publication.\n\nChanges that occur to an individual copy after the production process is complete (e.g., the loss of a page, rebinding, etc.) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar (or item) of the manifestation that deviates from the copy as produced.\n\nWith the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation.\n\nDefining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction. \n\n".freeze,
402
1222
  isDefinedBy: "mo:".freeze,
403
1223
  label: "musical manifestation".freeze,
404
1224
  "mo:level": "1".freeze,
@@ -406,18 +1226,7 @@ Defining manifestation as an entity also enables us to draw relationships betwee
406
1226
  type: "owl:Class".freeze,
407
1227
  "vs:term_status": "stable".freeze
408
1228
  term :MusicalWork,
409
- comment: %(
410
- Distinct intellectual or artistic musical creation.
411
-
412
- From the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of
413
- content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work.
414
-
415
- For example:
416
-
417
- work #1 J. S. Bach's The art of the fugue
418
-
419
-
420
- ).freeze,
1229
+ comment: "\n Distinct intellectual or artistic musical creation.\n \nFrom the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of\ncontent between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work. \n\nFor example:\n\nwork #1 J. S. Bach's The art of the fugue\n\n \n ".freeze,
421
1230
  isDefinedBy: "mo:".freeze,
422
1231
  label: "musical work".freeze,
423
1232
  "mo:level": "2".freeze,
@@ -425,9 +1234,7 @@ work #1 J. S. Bach's The art of the fugue
425
1234
  type: "owl:Class".freeze,
426
1235
  "vs:term_status": "stable".freeze
427
1236
  term :Orchestration,
428
- comment: %(
429
- Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.
430
- ).freeze,
1237
+ comment: "\n Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.\n ".freeze,
431
1238
  isDefinedBy: "mo:".freeze,
432
1239
  label: "orchestration".freeze,
433
1240
  "mo:level": "2".freeze,
@@ -435,12 +1242,7 @@ work #1 J. S. Bach's The art of the fugue
435
1242
  type: "owl:Class".freeze,
436
1243
  "vs:term_status": "stable".freeze
437
1244
  term :Performance,
438
- comment: %(
439
- A performance event.
440
- It might include as agents performers, engineers, conductors, or even listeners.
441
- It might include as factors a score, a MusicalWork, musical instruments.
442
- It might produce a sound:-\)
443
- ).freeze,
1245
+ comment: "\n A performance event. \n It might include as agents performers, engineers, conductors, or even listeners.\n It might include as factors a score, a MusicalWork, musical instruments. \n It might produce a sound:-)\n ".freeze,
444
1246
  isDefinedBy: "mo:".freeze,
445
1247
  label: "performance".freeze,
446
1248
  "mo:level": "2".freeze,
@@ -459,7 +1261,7 @@ work #1 J. S. Bach's The art of the fugue
459
1261
  type: "owl:Class".freeze,
460
1262
  "vs:term_status": "unstable".freeze
461
1263
  term :PublishedLibretto,
462
- comment: %(A published libretto).freeze,
1264
+ comment: "A published libretto".freeze,
463
1265
  isDefinedBy: "mo:".freeze,
464
1266
  label: "published libretto".freeze,
465
1267
  "mo:level": "2".freeze,
@@ -467,7 +1269,7 @@ work #1 J. S. Bach's The art of the fugue
467
1269
  type: "owl:Class".freeze,
468
1270
  "vs:term_status": "stable".freeze
469
1271
  term :PublishedLyrics,
470
- comment: %(Published lyrics, as a book or as a text file, for example).freeze,
1272
+ comment: "Published lyrics, as a book or as a text file, for example".freeze,
471
1273
  isDefinedBy: "mo:".freeze,
472
1274
  label: "published lyrics".freeze,
473
1275
  "mo:level": "2".freeze,
@@ -475,7 +1277,7 @@ work #1 J. S. Bach's The art of the fugue
475
1277
  type: "owl:Class".freeze,
476
1278
  "vs:term_status": "stable".freeze
477
1279
  term :PublishedScore,
478
- comment: %(A published score \(subclass of MusicalManifestation\)).freeze,
1280
+ comment: "A published score (subclass of MusicalManifestation)".freeze,
479
1281
  isDefinedBy: "mo:".freeze,
480
1282
  label: "published score".freeze,
481
1283
  "mo:level": "2".freeze,
@@ -483,7 +1285,7 @@ work #1 J. S. Bach's The art of the fugue
483
1285
  type: "owl:Class".freeze,
484
1286
  "vs:term_status": "stable".freeze
485
1287
  term :Record,
486
- comment: %(A published record \(manifestation which first aim is to render the product of a recording\)).freeze,
1288
+ comment: "A published record (manifestation which first aim is to render the product of a recording)".freeze,
487
1289
  isDefinedBy: "mo:".freeze,
488
1290
  label: "record".freeze,
489
1291
  "mo:level": "1".freeze,
@@ -491,12 +1293,7 @@ work #1 J. S. Bach's The art of the fugue
491
1293
  type: "owl:Class".freeze,
492
1294
  "vs:term_status": "stable".freeze
493
1295
  term :Recording,
494
- comment: %(
495
- A recording event.
496
- Takes a sound as a factor to produce a signal \(analog or digital\).
497
- The location of such events \(if any\) is the actual location of the corresponding
498
- microphone or the "recording device".
499
- ).freeze,
1296
+ comment: "\n A recording event.\n Takes a sound as a factor to produce a signal (analog or digital).\n The location of such events (if any) is the actual location of the corresponding\n microphone or the \"recording device\".\n ".freeze,
500
1297
  isDefinedBy: "mo:".freeze,
501
1298
  label: "recording".freeze,
502
1299
  "mo:level": "2".freeze,
@@ -504,7 +1301,7 @@ work #1 J. S. Bach's The art of the fugue
504
1301
  type: "owl:Class".freeze,
505
1302
  "vs:term_status": "stable".freeze
506
1303
  term :RecordingSession,
507
- comment: %(A set of performances/recordings/mastering events. This event can be decomposed in its constituent events using event:sub_event).freeze,
1304
+ comment: "A set of performances/recordings/mastering events. This event can be decomposed in its constituent events using event:sub_event".freeze,
508
1305
  isDefinedBy: "mo:".freeze,
509
1306
  label: "recording session".freeze,
510
1307
  "mo:level": "2".freeze,
@@ -512,7 +1309,7 @@ work #1 J. S. Bach's The art of the fugue
512
1309
  type: "owl:Class".freeze,
513
1310
  "vs:term_status": "testing".freeze
514
1311
  term :Release,
515
- comment: %(A specific release, with barcode, box, liner notes, cover art, and a number of records).freeze,
1312
+ comment: "A specific release, with barcode, box, liner notes, cover art, and a number of records".freeze,
516
1313
  isDefinedBy: "mo:".freeze,
517
1314
  label: "release".freeze,
518
1315
  "mo:level": "1".freeze,
@@ -520,7 +1317,7 @@ work #1 J. S. Bach's The art of the fugue
520
1317
  type: "owl:Class".freeze,
521
1318
  "vs:term_status": "testing".freeze
522
1319
  term :ReleaseEvent,
523
- comment: %(A release event, in a particular place \(e.g. a country\) at a particular time. Other factors of this event might include cover art, liner notes, box, etc. or a release grouping all these.).freeze,
1320
+ comment: "A release event, in a particular place (e.g. a country) at a particular time. Other factors of this event might include cover art, liner notes, box, etc. or a release grouping all these.".freeze,
524
1321
  isDefinedBy: "mo:".freeze,
525
1322
  label: "release event".freeze,
526
1323
  "mo:level": "1".freeze,
@@ -528,23 +1325,21 @@ work #1 J. S. Bach's The art of the fugue
528
1325
  type: "owl:Class".freeze,
529
1326
  "vs:term_status": "testing".freeze
530
1327
  term :ReleaseStatus,
531
- comment: %(Musical manifestation release status.).freeze,
1328
+ comment: "Musical manifestation release status.".freeze,
532
1329
  isDefinedBy: "mo:".freeze,
533
1330
  label: "release status".freeze,
534
1331
  "mo:level": "1".freeze,
535
1332
  type: "owl:Class".freeze,
536
1333
  "vs:term_status": "stable".freeze
537
1334
  term :ReleaseType,
538
- comment: %(
539
- Release type of a particular manifestation, such as "album" or "interview"...
540
- ).freeze,
1335
+ comment: "\n Release type of a particular manifestation, such as \"album\" or \"interview\"...\n ".freeze,
541
1336
  isDefinedBy: "mo:".freeze,
542
1337
  label: "Release type".freeze,
543
1338
  "mo:level": "1".freeze,
544
1339
  type: "owl:Class".freeze,
545
1340
  "vs:term_status": "stable".freeze
546
1341
  term :SACD,
547
- comment: %(Super Audio Compact Disc used as medium to record a musical manifestation.).freeze,
1342
+ comment: "Super Audio Compact Disc used as medium to record a musical manifestation.".freeze,
548
1343
  isDefinedBy: "mo:".freeze,
549
1344
  label: "SACD".freeze,
550
1345
  "mo:level": "1".freeze,
@@ -552,10 +1347,7 @@ work #1 J. S. Bach's The art of the fugue
552
1347
  type: "owl:Class".freeze,
553
1348
  "vs:term_status": "unstable".freeze
554
1349
  term :Score,
555
- comment: %(
556
- Here, we are dealing with the informational object \(the MusicalExpression\), not the actually "published" score.
557
- This may be, for example, the product of an arrangement process.
558
- ).freeze,
1350
+ comment: "\n Here, we are dealing with the informational object (the MusicalExpression), not the actually \"published\" score.\n This may be, for example, the product of an arrangement process.\n ".freeze,
559
1351
  isDefinedBy: "mo:".freeze,
560
1352
  label: "score".freeze,
561
1353
  "mo:level": "2".freeze,
@@ -563,10 +1355,7 @@ work #1 J. S. Bach's The art of the fugue
563
1355
  type: "owl:Class".freeze,
564
1356
  "vs:term_status": "stable".freeze
565
1357
  term :Show,
566
- comment: %(
567
- A show - a musical event lasting several days, in a particular venue. Examples can be
568
- "The Magic Flute" at the Opera Bastille, August 2005, or a musical in the west end...
569
- ).freeze,
1358
+ comment: "\n A show - a musical event lasting several days, in a particular venue. Examples can be\n \"The Magic Flute\" at the Opera Bastille, August 2005, or a musical in the west end...\n ".freeze,
570
1359
  isDefinedBy: "mo:".freeze,
571
1360
  label: "Show".freeze,
572
1361
  "mo:level": "2".freeze,
@@ -574,9 +1363,7 @@ work #1 J. S. Bach's The art of the fugue
574
1363
  type: "owl:Class".freeze,
575
1364
  "vs:term_status": "stable".freeze
576
1365
  term :Signal,
577
- comment: %(
578
- A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.
579
- ).freeze,
1366
+ comment: "\n A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.\n ".freeze,
580
1367
  isDefinedBy: "mo:".freeze,
581
1368
  label: "signal".freeze,
582
1369
  "mo:level": "1".freeze,
@@ -584,9 +1371,7 @@ work #1 J. S. Bach's The art of the fugue
584
1371
  type: "owl:Class".freeze,
585
1372
  "vs:term_status": "stable".freeze
586
1373
  term :SignalGroup,
587
- comment: %(
588
- A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.
589
- ).freeze,
1374
+ comment: "\n A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.\n ".freeze,
590
1375
  isDefinedBy: "mo:".freeze,
591
1376
  label: "signal group".freeze,
592
1377
  "mo:level": "1".freeze,
@@ -594,7 +1379,7 @@ work #1 J. S. Bach's The art of the fugue
594
1379
  type: "owl:Class".freeze,
595
1380
  "vs:term_status": "testing".freeze
596
1381
  term :SoloMusicArtist,
597
- comment: %(Single person whose musical creative work shows sensitivity and imagination.).freeze,
1382
+ comment: "Single person whose musical creative work shows sensitivity and imagination.".freeze,
598
1383
  isDefinedBy: "mo:".freeze,
599
1384
  label: "solo music artist".freeze,
600
1385
  "mo:level": "1".freeze,
@@ -602,9 +1387,7 @@ work #1 J. S. Bach's The art of the fugue
602
1387
  type: "owl:Class".freeze,
603
1388
  "vs:term_status": "stable".freeze
604
1389
  term :Sound,
605
- comment: %(
606
- A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.
607
- ).freeze,
1390
+ comment: "\n A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.\n ".freeze,
608
1391
  isDefinedBy: "mo:".freeze,
609
1392
  label: "sound".freeze,
610
1393
  "mo:level": "2".freeze,
@@ -623,7 +1406,7 @@ work #1 J. S. Bach's The art of the fugue
623
1406
  type: "owl:Class".freeze,
624
1407
  "vs:term_status": "unstable".freeze
625
1408
  term :Stream,
626
- comment: %(Transmission over a network used as medium to broadcast a musical manifestation).freeze,
1409
+ comment: "Transmission over a network used as medium to broadcast a musical manifestation".freeze,
627
1410
  isDefinedBy: "mo:".freeze,
628
1411
  label: "Stream".freeze,
629
1412
  "mo:level": "1".freeze,
@@ -631,7 +1414,7 @@ work #1 J. S. Bach's The art of the fugue
631
1414
  type: "owl:Class".freeze,
632
1415
  "vs:term_status": "unstable".freeze
633
1416
  term :Torrent,
634
- comment: %(Something available on the Bittorrent peer-2-peer filesharing network).freeze,
1417
+ comment: "Something available on the Bittorrent peer-2-peer filesharing network".freeze,
635
1418
  isDefinedBy: "mo:".freeze,
636
1419
  label: "Torrent".freeze,
637
1420
  "mo:level": "1".freeze,
@@ -639,7 +1422,7 @@ work #1 J. S. Bach's The art of the fugue
639
1422
  type: "owl:Class".freeze,
640
1423
  "vs:term_status": "unstable".freeze
641
1424
  term :Track,
642
- comment: %(A track on a particular record).freeze,
1425
+ comment: "A track on a particular record".freeze,
643
1426
  isDefinedBy: "mo:".freeze,
644
1427
  label: "track".freeze,
645
1428
  "mo:level": "1".freeze,
@@ -647,7 +1430,7 @@ work #1 J. S. Bach's The art of the fugue
647
1430
  type: "owl:Class".freeze,
648
1431
  "vs:term_status": "stable".freeze
649
1432
  term :Transcription,
650
- comment: %(Transcription event).freeze,
1433
+ comment: "Transcription event".freeze,
651
1434
  isDefinedBy: "mo:".freeze,
652
1435
  label: "transcription".freeze,
653
1436
  "mo:level": "2".freeze,
@@ -655,7 +1438,7 @@ work #1 J. S. Bach's The art of the fugue
655
1438
  type: "owl:Class".freeze,
656
1439
  "vs:term_status": "testing".freeze
657
1440
  term :Vinyl,
658
- comment: %(Vinyl used as medium to record a musical manifestation).freeze,
1441
+ comment: "Vinyl used as medium to record a musical manifestation".freeze,
659
1442
  isDefinedBy: "mo:".freeze,
660
1443
  label: "Vinyl".freeze,
661
1444
  "mo:level": "1".freeze,
@@ -665,7 +1448,7 @@ work #1 J. S. Bach's The art of the fugue
665
1448
 
666
1449
  # Property definitions
667
1450
  property :activity,
668
- comment: %(Relates an artist to an activity period).freeze,
1451
+ comment: "Relates an artist to an activity period".freeze,
669
1452
  domain: "mo:MusicArtist".freeze,
670
1453
  isDefinedBy: "mo:".freeze,
671
1454
  label: "activity".freeze,
@@ -674,7 +1457,7 @@ work #1 J. S. Bach's The art of the fugue
674
1457
  type: "owl:ObjectProperty".freeze,
675
1458
  "vs:term_status": "testing".freeze
676
1459
  property :activity_end,
677
- comment: %(Relates an artist to a date at which its activity ended).freeze,
1460
+ comment: "Relates an artist to a date at which its activity ended".freeze,
678
1461
  domain: "mo:MusicArtist".freeze,
679
1462
  isDefinedBy: "mo:".freeze,
680
1463
  label: "activity end".freeze,
@@ -683,7 +1466,7 @@ work #1 J. S. Bach's The art of the fugue
683
1466
  type: "owl:DatatypeProperty".freeze,
684
1467
  "vs:term_status": "testing".freeze
685
1468
  property :activity_start,
686
- comment: %(Relates an artist to a date at which its activity started).freeze,
1469
+ comment: "Relates an artist to a date at which its activity started".freeze,
687
1470
  domain: "mo:MusicArtist".freeze,
688
1471
  isDefinedBy: "mo:".freeze,
689
1472
  label: "activity start".freeze,
@@ -692,7 +1475,7 @@ work #1 J. S. Bach's The art of the fugue
692
1475
  type: "owl:DatatypeProperty".freeze,
693
1476
  "vs:term_status": "testing".freeze
694
1477
  property :amazon_asin,
695
- comment: %(Used to link a work or the expression of a work to its corresponding Amazon ASINs page.).freeze,
1478
+ comment: "Used to link a work or the expression of a work to its corresponding Amazon ASINs page.".freeze,
696
1479
  domain: term(
697
1480
  type: "owl:Class".freeze,
698
1481
  unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze, "http://purl.org/vocab/frbr/core#Item".freeze)
@@ -705,9 +1488,7 @@ work #1 J. S. Bach's The art of the fugue
705
1488
  type: "owl:ObjectProperty".freeze,
706
1489
  "vs:term_status": "stable".freeze
707
1490
  property :arranged_in,
708
- comment: %(
709
- Associates a work to an arrangement event where it was arranged
710
- ).freeze,
1491
+ comment: "\n Associates a work to an arrangement event where it was arranged\n ".freeze,
711
1492
  domain: "mo:MusicalWork".freeze,
712
1493
  inverseOf: "mo:arrangement_of".freeze,
713
1494
  isDefinedBy: "mo:".freeze,
@@ -718,9 +1499,7 @@ work #1 J. S. Bach's The art of the fugue
718
1499
  type: "owl:ObjectProperty".freeze,
719
1500
  "vs:term_status": "unstable".freeze
720
1501
  property :arrangement_of,
721
- comment: %(
722
- Associates an arrangement event to a work
723
- ).freeze,
1502
+ comment: "\n Associates an arrangement event to a work\n ".freeze,
724
1503
  domain: "mo:Arrangement".freeze,
725
1504
  inverseOf: "mo:arranged_in".freeze,
726
1505
  isDefinedBy: "mo:".freeze,
@@ -731,7 +1510,7 @@ work #1 J. S. Bach's The art of the fugue
731
1510
  type: "owl:ObjectProperty".freeze,
732
1511
  "vs:term_status": "unstable".freeze
733
1512
  property :artist,
734
- comment: %(Relates a membership event with the corresponding artist).freeze,
1513
+ comment: "Relates a membership event with the corresponding artist".freeze,
735
1514
  domain: "mo:Membership".freeze,
736
1515
  isDefinedBy: "mo:".freeze,
737
1516
  label: "artist".freeze,
@@ -744,15 +1523,7 @@ work #1 J. S. Bach's The art of the fugue
744
1523
  type: "owl:ObjectProperty".freeze,
745
1524
  "vs:term_status": "deprecated".freeze
746
1525
  property :available_as,
747
- comment: %(
748
- Relates a musical manifestation to a musical item \(this album, and my particular cd\). By using
749
- this property, there is no assumption on wether the full content is available on the linked item.
750
- To be explicit about this, you can use a sub-property, such as mo:item \(the full manifestation
751
- is available on that item\) or mo:preview \(only a part of the manifestation is available on
752
- that item\).
753
-
754
- This is a subproperty of frbr:examplar.
755
- ).freeze,
1526
+ comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd). By using\n this property, there is no assumption on wether the full content is available on the linked item.\n To be explicit about this, you can use a sub-property, such as mo:item (the full manifestation\n is available on that item) or mo:preview (only a part of the manifestation is available on\n that item).\n\n This is a subproperty of frbr:examplar.\n ".freeze,
756
1527
  domain: "mo:MusicalManifestation".freeze,
757
1528
  isDefinedBy: "mo:".freeze,
758
1529
  "mo:level": "1".freeze,
@@ -761,7 +1532,7 @@ work #1 J. S. Bach's The art of the fugue
761
1532
  type: "owl:ObjectProperty".freeze,
762
1533
  "vs:term_status": "stable".freeze
763
1534
  property :biography,
764
- comment: %(Used to link an artist to their online biography.).freeze,
1535
+ comment: "Used to link an artist to their online biography.".freeze,
765
1536
  domain: "mo:MusicArtist".freeze,
766
1537
  isDefinedBy: "mo:".freeze,
767
1538
  label: "biography".freeze,
@@ -771,9 +1542,7 @@ work #1 J. S. Bach's The art of the fugue
771
1542
  type: "owl:ObjectProperty".freeze,
772
1543
  "vs:term_status": "stable".freeze
773
1544
  property :bitsPerSample,
774
- comment: %(
775
- Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.
776
- ).freeze,
1545
+ comment: "\n Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.\n ".freeze,
777
1546
  domain: "mo:DigitalSignal".freeze,
778
1547
  isDefinedBy: "mo:".freeze,
779
1548
  "mo:level": "1".freeze,
@@ -781,10 +1550,7 @@ work #1 J. S. Bach's The art of the fugue
781
1550
  type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
782
1551
  "vs:term_status": "stable".freeze
783
1552
  property :bpm,
784
- comment: %(
785
- Indicates the BPM of a MusicalWork or a particular Performance
786
- Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.
787
- ).freeze,
1553
+ comment: "\n Indicates the BPM of a MusicalWork or a particular Performance \n Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.\n ".freeze,
788
1554
  domain: term(
789
1555
  type: "owl:Class".freeze,
790
1556
  unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
@@ -796,7 +1562,7 @@ work #1 J. S. Bach's The art of the fugue
796
1562
  type: "owl:DatatypeProperty".freeze,
797
1563
  "vs:term_status": "stable".freeze
798
1564
  property :catalogue_number,
799
- comment: %(Links a release with the corresponding catalogue number).freeze,
1565
+ comment: "Links a release with the corresponding catalogue number".freeze,
800
1566
  domain: "mo:Release".freeze,
801
1567
  isDefinedBy: "mo:".freeze,
802
1568
  label: "catalogue number".freeze,
@@ -806,9 +1572,7 @@ work #1 J. S. Bach's The art of the fugue
806
1572
  type: "owl:DatatypeProperty".freeze,
807
1573
  "vs:term_status": "testing".freeze
808
1574
  property :channels,
809
- comment: %(
810
- Associates a signal to the number of channels it holds \(mono --> 1, stereo --> 2\). Range is xsd:int.
811
- ).freeze,
1575
+ comment: "\n Associates a signal to the number of channels it holds (mono --> 1, stereo --> 2). Range is xsd:int.\n ".freeze,
812
1576
  domain: "mo:Signal".freeze,
813
1577
  isDefinedBy: "mo:".freeze,
814
1578
  "mo:level": "1".freeze,
@@ -816,7 +1580,7 @@ work #1 J. S. Bach's The art of the fugue
816
1580
  type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
817
1581
  "vs:term_status": "stable".freeze
818
1582
  property :collaborated_with,
819
- comment: %(Used to relate two collaborating people on a work.).freeze,
1583
+ comment: "Used to relate two collaborating people on a work.".freeze,
820
1584
  domain: "foaf:Agent".freeze,
821
1585
  isDefinedBy: "mo:".freeze,
822
1586
  label: "collaborated_with".freeze,
@@ -825,7 +1589,7 @@ work #1 J. S. Bach's The art of the fugue
825
1589
  type: ["owl:ObjectProperty".freeze, "owl:SymmetricProperty".freeze],
826
1590
  "vs:term_status": "unstable".freeze
827
1591
  property :compilation_of,
828
- comment: %(Indicates that a musical manifestation is a compilation of several Signals.).freeze,
1592
+ comment: "Indicates that a musical manifestation is a compilation of several Signals.".freeze,
829
1593
  domain: "mo:MusicalManifestation".freeze,
830
1594
  isDefinedBy: "mo:".freeze,
831
1595
  label: "compilation_of".freeze,
@@ -834,7 +1598,7 @@ work #1 J. S. Bach's The art of the fugue
834
1598
  type: "owl:ObjectProperty".freeze,
835
1599
  "vs:term_status": "unstable".freeze
836
1600
  property :compiled,
837
- comment: %(Used to relate an person or a group of person who compiled the manifestation of a musical work.).freeze,
1601
+ comment: "Used to relate an person or a group of person who compiled the manifestation of a musical work.".freeze,
838
1602
  domain: "mo:MusicArtist".freeze,
839
1603
  inverseOf: "mo:compiler".freeze,
840
1604
  isDefinedBy: "mo:".freeze,
@@ -844,7 +1608,7 @@ work #1 J. S. Bach's The art of the fugue
844
1608
  type: "owl:ObjectProperty".freeze,
845
1609
  "vs:term_status": "unstable".freeze
846
1610
  property :compiler,
847
- comment: %(Used to relate the manifestation of a musical work to a person or a group of person who compiled it.).freeze,
1611
+ comment: "Used to relate the manifestation of a musical work to a person or a group of person who compiled it.".freeze,
848
1612
  domain: "mo:MusicalManifestation".freeze,
849
1613
  inverseOf: "mo:compiled".freeze,
850
1614
  isDefinedBy: "mo:".freeze,
@@ -854,12 +1618,7 @@ work #1 J. S. Bach's The art of the fugue
854
1618
  type: "owl:ObjectProperty".freeze,
855
1619
  "vs:term_status": "unstable".freeze
856
1620
  property :composed_in,
857
- comment: %(
858
- Associates a MusicalWork to the Composition event pertaining
859
- to its creation. For example, I might use this property to associate
860
- the Magic Flute to its composition event, occuring during 1782 and having as
861
- a mo:composer Mozart.
862
- ).freeze,
1621
+ comment: "\n Associates a MusicalWork to the Composition event pertaining\n to its creation. For example, I might use this property to associate\n the Magic Flute to its composition event, occuring during 1782 and having as\n a mo:composer Mozart.\n ".freeze,
863
1622
  domain: "mo:MusicalWork".freeze,
864
1623
  inverseOf: "mo:produced_work".freeze,
865
1624
  isDefinedBy: "mo:".freeze,
@@ -870,11 +1629,7 @@ work #1 J. S. Bach's The art of the fugue
870
1629
  type: "owl:ObjectProperty".freeze,
871
1630
  "vs:term_status": "unstable".freeze
872
1631
  property :composer,
873
- comment: %(
874
- Associates a composition event to the actual composer. For example,
875
- this property could link the event corresponding to the composition of the
876
- Magic Flute in 1782 to Mozart himself \(who obviously has a FOAF profile:-\) \).
877
- ).freeze,
1632
+ comment: "\n Associates a composition event to the actual composer. For example,\n this property could link the event corresponding to the composition of the\n Magic Flute in 1782 to Mozart himself (who obviously has a FOAF profile:-) ).\n ".freeze,
878
1633
  domain: "mo:Composition".freeze,
879
1634
  isDefinedBy: "mo:".freeze,
880
1635
  label: "composer".freeze,
@@ -884,7 +1639,7 @@ work #1 J. S. Bach's The art of the fugue
884
1639
  type: "owl:ObjectProperty".freeze,
885
1640
  "vs:term_status": "stable".freeze
886
1641
  property :conducted,
887
- comment: %(Relates agents to the performances they were conducting).freeze,
1642
+ comment: "Relates agents to the performances they were conducting".freeze,
888
1643
  domain: "foaf:Agent".freeze,
889
1644
  inverseOf: "mo:conductor".freeze,
890
1645
  isDefinedBy: "mo:".freeze,
@@ -895,7 +1650,7 @@ work #1 J. S. Bach's The art of the fugue
895
1650
  type: "owl:ObjectProperty".freeze,
896
1651
  "vs:term_status": "unstable".freeze
897
1652
  property :conductor,
898
- comment: %(Relates a performance to the conductor involved).freeze,
1653
+ comment: "Relates a performance to the conductor involved".freeze,
899
1654
  domain: "mo:Performance".freeze,
900
1655
  inverseOf: "mo:conducted".freeze,
901
1656
  isDefinedBy: "mo:".freeze,
@@ -905,9 +1660,7 @@ work #1 J. S. Bach's The art of the fugue
905
1660
  type: "owl:ObjectProperty".freeze,
906
1661
  "vs:term_status": "stable".freeze
907
1662
  property :contains_sample_from,
908
- comment: %(
909
- Relates a signal to another signal, which has been sampled.
910
- ).freeze,
1663
+ comment: "\n Relates a signal to another signal, which has been sampled.\n ".freeze,
911
1664
  isDefinedBy: "mo:".freeze,
912
1665
  label: "contains_sample_from".freeze,
913
1666
  "mo:level": "1".freeze,
@@ -915,7 +1668,7 @@ work #1 J. S. Bach's The art of the fugue
915
1668
  type: "owl:ObjectProperty".freeze,
916
1669
  "vs:term_status": "unstable".freeze
917
1670
  property :derived_from,
918
- comment: %(A related signal from which the described signal is derived.).freeze,
1671
+ comment: "A related signal from which the described signal is derived.".freeze,
919
1672
  domain: "mo:Signal".freeze,
920
1673
  isDefinedBy: "mo:".freeze,
921
1674
  label: "derived from".freeze,
@@ -925,7 +1678,7 @@ work #1 J. S. Bach's The art of the fugue
925
1678
  type: "owl:ObjectProperty".freeze,
926
1679
  "vs:term_status": "testing".freeze
927
1680
  property :discography,
928
- comment: %(Used to links an artist to an online discography of their musical works. The discography should provide a summary of each released musical work of the artist.).freeze,
1681
+ comment: "Used to links an artist to an online discography of their musical works. The discography should provide a summary of each released musical work of the artist.".freeze,
929
1682
  domain: "mo:MusicArtist".freeze,
930
1683
  isDefinedBy: "mo:".freeze,
931
1684
  label: "discography".freeze,
@@ -935,7 +1688,7 @@ work #1 J. S. Bach's The art of the fugue
935
1688
  type: "owl:ObjectProperty".freeze,
936
1689
  "vs:term_status": "stable".freeze
937
1690
  property :discogs,
938
- comment: %(Used to link a musical work or the expression of a musical work, an artist or a corporate body to to its corresponding Discogs page.).freeze,
1691
+ comment: "Used to link a musical work or the expression of a musical work, an artist or a corporate body to to its corresponding Discogs page.".freeze,
939
1692
  domain: term(
940
1693
  type: "owl:Class".freeze,
941
1694
  unionOf: list("mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
@@ -948,9 +1701,7 @@ work #1 J. S. Bach's The art of the fugue
948
1701
  type: "owl:ObjectProperty".freeze,
949
1702
  "vs:term_status": "stable".freeze
950
1703
  property :djmix_of,
951
- comment: %(Indicates that all \(or most of\) the tracks of a musical work or the expression of a musical work were mixed together from all \(or most of\) the tracks from another musical work or the expression of a musical work to form a so called DJ-Mix.
952
-
953
- The tracks might have been altered by pitching \(so that the tempo of one track matches the tempo of the following track\) and fading \(so that one track blends in smoothly with the other\). If the tracks have been more substantially altered, the "mo:remix" relationship type is more appropriate. ).freeze,
1704
+ comment: "Indicates that all (or most of) the tracks of a musical work or the expression of a musical work were mixed together from all (or most of) the tracks from another musical work or the expression of a musical work to form a so called DJ-Mix. \n \nThe tracks might have been altered by pitching (so that the tempo of one track matches the tempo of the following track) and fading (so that one track blends in smoothly with the other). If the tracks have been more substantially altered, the \"mo:remix\" relationship type is more appropriate. ".freeze,
954
1705
  isDefinedBy: "mo:".freeze,
955
1706
  label: "djmix_of".freeze,
956
1707
  "mo:level": "1".freeze,
@@ -958,9 +1709,7 @@ The tracks might have been altered by pitching \(so that the tempo of one track
958
1709
  type: "owl:ObjectProperty".freeze,
959
1710
  "vs:term_status": "unstable".freeze
960
1711
  property :djmixed,
961
- comment: %(Used to relate an artist who djmixed a musical work or the expression of a musical work.
962
-
963
- The artist usually selected the tracks, chose their sequence, and slightly changed them by fading \(so that one track blends in smoothly with the other\) or pitching \(so that the tempo of one track matches the tempo of the following track\). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ).freeze,
1712
+ comment: "Used to relate an artist who djmixed a musical work or the expression of a musical work. \n \nThe artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ".freeze,
964
1713
  domain: "mo:MusicArtist".freeze,
965
1714
  inverseOf: "mo:djmixed_by".freeze,
966
1715
  isDefinedBy: "mo:".freeze,
@@ -970,9 +1719,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
970
1719
  type: "owl:ObjectProperty".freeze,
971
1720
  "vs:term_status": "unstable".freeze
972
1721
  property :djmixed_by,
973
- comment: %(Used to relate a work or the expression of a work to an artist who djmixed it.
974
-
975
- The artist usually selected the tracks, chose their sequence, and slightly changed them by fading \(so that one track blends in smoothly with the other\) or pitching \(so that the tempo of one track matches the tempo of the following track\). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ).freeze,
1722
+ comment: "Used to relate a work or the expression of a work to an artist who djmixed it. \n \nThe artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ".freeze,
976
1723
  domain: "mo:Signal".freeze,
977
1724
  inverseOf: "mo:djmixed".freeze,
978
1725
  isDefinedBy: "mo:".freeze,
@@ -982,20 +1729,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
982
1729
  type: "owl:ObjectProperty".freeze,
983
1730
  "vs:term_status": "unstable".freeze
984
1731
  property :download,
985
- comment: %(
986
- This property can be used to link from a person to the website where they make their works available, or from
987
- a manifestation \(a track or an album, for example\) to a web page where it is available for
988
- download.
989
-
990
- It is better to use one of the three sub-properties instead of this one in order to specify wether the
991
- content can be accessed for free \(mo:freedownload\), if it is just free preview material \(mo:previewdownload\), or
992
- if it can be accessed for some money \(mo:paiddownload\) \(this includes links to the Amazon store, for example\).
993
-
994
- This property MUST be used only if the content is just available through a web page \(holding, for example
995
- a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
996
- mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
997
- less to rip streams from Flash applications can still access the audio content.
998
- ).freeze,
1732
+ comment: "\n This property can be used to link from a person to the website where they make their works available, or from\n a manifestation (a track or an album, for example) to a web page where it is available for\n download.\n \n It is better to use one of the three sub-properties instead of this one in order to specify wether the\n content can be accessed for free (mo:freedownload), if it is just free preview material (mo:previewdownload), or\n if it can be accessed for some money (mo:paiddownload) (this includes links to the Amazon store, for example).\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and\n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
999
1733
  domain: term(
1000
1734
  type: "owl:Class".freeze,
1001
1735
  unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
@@ -1008,7 +1742,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1008
1742
  type: "owl:ObjectProperty".freeze,
1009
1743
  "vs:term_status": "stable".freeze
1010
1744
  property :duration,
1011
- comment: %(The duration of a track or a signal in ms).freeze,
1745
+ comment: "The duration of a track or a signal in ms".freeze,
1012
1746
  domain: term(
1013
1747
  type: "owl:Class".freeze,
1014
1748
  unionOf: list("mo:Track".freeze, "mo:Signal".freeze)
@@ -1019,7 +1753,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1019
1753
  type: "owl:DatatypeProperty".freeze,
1020
1754
  "vs:term_status": "testing".freeze
1021
1755
  property :ean,
1022
- comment: %(The European Article Number \(EAN\) is a universal identifier for products, commonly printed in form of barcodes on them. The numbers represented by those codes can either be 8 or 13 digits long, with the 13-digit-version being most common. EANs form a superset of the North American Universal Product Code \(UPC\) as every UPC can be made an EAN by adding a leading zero to it. Additionally every EAN is also a Japanese Article Number \(JAN\). The identifiers were formerly assigned by EAN International which merged with Uniform Code Council \(UCC, the guys behind the UPCs\) and Electronic Commerce Council of Canada \(ECCC\) to become GS1. ).freeze,
1756
+ comment: "The European Article Number (EAN) is a universal identifier for products, commonly printed in form of barcodes on them. The numbers represented by those codes can either be 8 or 13 digits long, with the 13-digit-version being most common. EANs form a superset of the North American Universal Product Code (UPC) as every UPC can be made an EAN by adding a leading zero to it. Additionally every EAN is also a Japanese Article Number (JAN). The identifiers were formerly assigned by EAN International which merged with Uniform Code Council (UCC, the guys behind the UPCs) and Electronic Commerce Council of Canada (ECCC) to become GS1. ".freeze,
1023
1757
  domain: "mo:Release".freeze,
1024
1758
  isDefinedBy: "mo:".freeze,
1025
1759
  label: "ean".freeze,
@@ -1029,11 +1763,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1029
1763
  type: "owl:DatatypeProperty".freeze,
1030
1764
  "vs:term_status": "testing".freeze
1031
1765
  property :encodes,
1032
- comment: %(
1033
- Relates a MusicalItem \(a track on a particular CD, an audio file, a stream somewhere\) to the signal it encodes.
1034
-
1035
- This is usually a lower-resolution version of the master signal \(issued from a Recording event\).
1036
- ).freeze,
1766
+ comment: "\n Relates a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) to the signal it encodes.\n\n This is usually a lower-resolution version of the master signal (issued from a Recording event).\n ".freeze,
1037
1767
  domain: "mo:MusicalItem".freeze,
1038
1768
  isDefinedBy: "mo:".freeze,
1039
1769
  label: "encodes".freeze,
@@ -1042,7 +1772,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1042
1772
  type: "owl:ObjectProperty".freeze,
1043
1773
  "vs:term_status": "unstable".freeze
1044
1774
  property :encoding,
1045
- comment: %(Method used to convert analog electronic signals into digital format such as "MP3 CBR @ 128kbps", "OGG @ 160kbps", "FLAC", etc.).freeze,
1775
+ comment: "Method used to convert analog electronic signals into digital format such as \"MP3 CBR @ 128kbps\", \"OGG @ 160kbps\", \"FLAC\", etc.".freeze,
1046
1776
  domain: "mo:AudioFile".freeze,
1047
1777
  isDefinedBy: "mo:".freeze,
1048
1778
  label: "encoding".freeze,
@@ -1051,7 +1781,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1051
1781
  type: "owl:DatatypeProperty".freeze,
1052
1782
  "vs:term_status": "unstable".freeze
1053
1783
  property :engineer,
1054
- comment: %(Relates a performance or a recording to the engineer involved).freeze,
1784
+ comment: "Relates a performance or a recording to the engineer involved".freeze,
1055
1785
  domain: term(
1056
1786
  type: "owl:Class".freeze,
1057
1787
  unionOf: list("mo:Performance".freeze, "mo:Recording".freeze, "mo:RecordingSession".freeze)
@@ -1064,7 +1794,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1064
1794
  type: "owl:ObjectProperty".freeze,
1065
1795
  "vs:term_status": "stable".freeze
1066
1796
  property :engineered,
1067
- comment: %(Relates agents to the performances/recordings they were engineering in).freeze,
1797
+ comment: "Relates agents to the performances/recordings they were engineering in".freeze,
1068
1798
  domain: "foaf:Agent".freeze,
1069
1799
  inverseOf: "mo:engineer".freeze,
1070
1800
  isDefinedBy: "mo:".freeze,
@@ -1082,7 +1812,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1082
1812
  type: "owl:ObjectProperty".freeze,
1083
1813
  "vs:term_status": "deprecated".freeze
1084
1814
  property :event_homepage,
1085
- comment: %(Links a particular event to a web page).freeze,
1815
+ comment: "Links a particular event to a web page".freeze,
1086
1816
  domain: "http://purl.org/NET/c4dm/event.owl#Event".freeze,
1087
1817
  isDefinedBy: "mo:".freeze,
1088
1818
  label: "event homepage".freeze,
@@ -1092,7 +1822,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1092
1822
  type: "owl:ObjectProperty".freeze,
1093
1823
  "vs:term_status": "stable".freeze
1094
1824
  property :exchange_item,
1095
- comment: %(A person, a group of person or an organization exchanging an exemplar of a single manifestation.).freeze,
1825
+ comment: "A person, a group of person or an organization exchanging an exemplar of a single manifestation.".freeze,
1096
1826
  domain: "foaf:Agent".freeze,
1097
1827
  isDefinedBy: "mo:".freeze,
1098
1828
  label: "exchange_item".freeze,
@@ -1101,7 +1831,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1101
1831
  type: "owl:ObjectProperty".freeze,
1102
1832
  "vs:term_status": "stable".freeze
1103
1833
  property :fanpage,
1104
- comment: %(Used to link an artist to a fan-created webpage devoted to that artist.).freeze,
1834
+ comment: "Used to link an artist to a fan-created webpage devoted to that artist.".freeze,
1105
1835
  domain: "mo:MusicArtist".freeze,
1106
1836
  isDefinedBy: "mo:".freeze,
1107
1837
  label: "fanpage".freeze,
@@ -1111,16 +1841,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1111
1841
  type: "owl:ObjectProperty".freeze,
1112
1842
  "vs:term_status": "stable".freeze
1113
1843
  property :free_download,
1114
- comment: %(
1115
- This property can be used to link from a person to the website where they make their works available, or from
1116
- a manifestation \(a track or an album, for example\) to a web page where it is available for free
1117
- download.
1118
-
1119
- This property MUST be used only if the content is just available through a web page \(holding, for example
1120
- a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
1121
- mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
1122
- less to rip streams from Flash applications can still access the audio content.
1123
- ).freeze,
1844
+ comment: "\n This property can be used to link from a person to the website where they make their works available, or from\n a manifestation (a track or an album, for example) to a web page where it is available for free \n download.\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and \n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
1124
1845
  domain: term(
1125
1846
  type: "owl:Class".freeze,
1126
1847
  unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
@@ -1138,10 +1859,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1138
1859
  type: "owl:ObjectProperty".freeze,
1139
1860
  "vs:term_status": "deprecated".freeze
1140
1861
  property :genre,
1141
- comment: %(
1142
- Associates an event \(like a performance or a recording\) to a particular musical genre.
1143
- Further version of this property may also include works and scores in the domain.
1144
- ).freeze,
1862
+ comment: "\n Associates an event (like a performance or a recording) to a particular musical genre.\n Further version of this property may also include works and scores in the domain.\n ".freeze,
1145
1863
  domain: term(
1146
1864
  type: "owl:Class".freeze,
1147
1865
  unionOf: list("foaf:Agent".freeze, "mo:Performance".freeze, "mo:Arrangement".freeze, "mo:Composition".freeze, "mo:Recording".freeze, "mo:RecordingSession".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
@@ -1154,7 +1872,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1154
1872
  type: "owl:ObjectProperty".freeze,
1155
1873
  "vs:term_status": "stable".freeze
1156
1874
  property :grid,
1157
- comment: %(The Global Release Identifier \(GRid\) is a system for uniquely identifying Releases of music over electronic networks \(that is, online stores where you can buy music as digital files\). As that it can be seen as the equivalent of the BarCode \(or more correctly the GTIN\) as found on physical releases of music. Like the ISRC \(a code for identifying single recordings as found on releases\) it was developed by the IFPI but it does not appear to be a standard of the ISO.).freeze,
1875
+ comment: "The Global Release Identifier (GRid) is a system for uniquely identifying Releases of music over electronic networks (that is, online stores where you can buy music as digital files). As that it can be seen as the equivalent of the BarCode (or more correctly the GTIN) as found on physical releases of music. Like the ISRC (a code for identifying single recordings as found on releases) it was developed by the IFPI but it does not appear to be a standard of the ISO.".freeze,
1158
1876
  domain: "mo:Release".freeze,
1159
1877
  isDefinedBy: "mo:".freeze,
1160
1878
  label: "GRid".freeze,
@@ -1164,7 +1882,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1164
1882
  type: "owl:DatatypeProperty".freeze,
1165
1883
  "vs:term_status": "testing".freeze
1166
1884
  property :group,
1167
- comment: %(Relates a membership event with the corresponding group).freeze,
1885
+ comment: "Relates a membership event with the corresponding group".freeze,
1168
1886
  domain: "mo:Membership".freeze,
1169
1887
  isDefinedBy: "mo:".freeze,
1170
1888
  label: "group".freeze,
@@ -1173,7 +1891,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1173
1891
  type: "owl:ObjectProperty".freeze,
1174
1892
  "vs:term_status": "testing".freeze
1175
1893
  property :gtin,
1176
- comment: %(GTIN is a grouping term for EANs and UPCs. In common speech those are called barcodes although the barcodes are just a representation of those identifying numbers.).freeze,
1894
+ comment: "GTIN is a grouping term for EANs and UPCs. In common speech those are called barcodes although the barcodes are just a representation of those identifying numbers.".freeze,
1177
1895
  domain: "mo:Release".freeze,
1178
1896
  isDefinedBy: "mo:".freeze,
1179
1897
  label: "gtin".freeze,
@@ -1187,7 +1905,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1187
1905
  type: "owl:ObjectProperty".freeze,
1188
1906
  "vs:term_status": "deprecated".freeze
1189
1907
  property :headliner,
1190
- comment: %(Relates a performance to the headliner\(s\) involved).freeze,
1908
+ comment: "Relates a performance to the headliner(s) involved".freeze,
1191
1909
  isDefinedBy: "mo:".freeze,
1192
1910
  label: "headliner".freeze,
1193
1911
  "mo:level": "2".freeze,
@@ -1195,7 +1913,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1195
1913
  type: "owl:ObjectProperty".freeze,
1196
1914
  "vs:term_status": "testing".freeze
1197
1915
  property :homepage,
1198
- comment: %(Links an artist, a record, etc. to a corresponding web page).freeze,
1916
+ comment: "Links an artist, a record, etc. to a corresponding web page".freeze,
1199
1917
  domain: term(
1200
1918
  type: "owl:Class".freeze,
1201
1919
  unionOf: list("mo:MusicalWork".freeze, "mo:MusicArtist".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
@@ -1208,7 +1926,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1208
1926
  type: "owl:ObjectProperty".freeze,
1209
1927
  "vs:term_status": "stable".freeze
1210
1928
  property :image,
1211
- comment: %(Indicates a pictorial image \(JPEG, GIF, PNG, Etc.\) of a musical work, the expression of a musical work, the manifestation of a work or the examplar of a manifestation.).freeze,
1929
+ comment: "Indicates a pictorial image (JPEG, GIF, PNG, Etc.) of a musical work, the expression of a musical work, the manifestation of a work or the examplar of a manifestation.".freeze,
1212
1930
  domain: term(
1213
1931
  type: "owl:Class".freeze,
1214
1932
  unionOf: list("mo:MusicalWork".freeze, "mo:MusicArtist".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
@@ -1221,7 +1939,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1221
1939
  type: "owl:ObjectProperty".freeze,
1222
1940
  "vs:term_status": "stable".freeze
1223
1941
  property :imdb,
1224
- comment: %(Used to link an artist, a musical work or the expression of a musical work to their equivalent page on IMDb, the InternetMovieDatabase.).freeze,
1942
+ comment: "Used to link an artist, a musical work or the expression of a musical work to their equivalent page on IMDb, the InternetMovieDatabase.".freeze,
1225
1943
  domain: term(
1226
1944
  type: "owl:Class".freeze,
1227
1945
  unionOf: list("mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
@@ -1234,7 +1952,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1234
1952
  type: "owl:ObjectProperty".freeze,
1235
1953
  "vs:term_status": "stable".freeze
1236
1954
  property :instrument,
1237
- comment: %(Relates a performance to a musical instrument involved).freeze,
1955
+ comment: "Relates a performance to a musical instrument involved".freeze,
1238
1956
  domain: "mo:Performance".freeze,
1239
1957
  isDefinedBy: "mo:".freeze,
1240
1958
  "mo:level": "2".freeze,
@@ -1243,7 +1961,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1243
1961
  type: "owl:ObjectProperty".freeze,
1244
1962
  "vs:term_status": "stable".freeze
1245
1963
  property :interpreter,
1246
- comment: %(Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.).freeze,
1964
+ comment: "Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.".freeze,
1247
1965
  domain: "mo:Signal".freeze,
1248
1966
  isDefinedBy: "mo:".freeze,
1249
1967
  label: "has interpeter".freeze,
@@ -1252,7 +1970,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1252
1970
  type: "owl:ObjectProperty".freeze,
1253
1971
  "vs:term_status": "testing".freeze
1254
1972
  property :ipi,
1255
- comment: %(The Interested Parties Information Code \(IPI\) is an ISO standard similar to ISBNs for identifying the people or groups with some involvement with a particular musical work / compositions.).freeze,
1973
+ comment: "The Interested Parties Information Code (IPI) is an ISO standard similar to ISBNs for identifying the people or groups with some involvement with a particular musical work / compositions.".freeze,
1256
1974
  domain: "mo:MusicArtist".freeze,
1257
1975
  isDefinedBy: "mo:".freeze,
1258
1976
  label: "ipi".freeze,
@@ -1262,7 +1980,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1262
1980
  type: "owl:DatatypeProperty".freeze,
1263
1981
  "vs:term_status": "testing".freeze
1264
1982
  property :ismn,
1265
- comment: %(The International Standard Music Number \(ISMN\) is an ISO standard similar to ISBNs for identifying printed music publications).freeze,
1983
+ comment: "The International Standard Music Number (ISMN) is an ISO standard similar to ISBNs for identifying printed music publications".freeze,
1266
1984
  domain: term(
1267
1985
  type: "owl:Class".freeze,
1268
1986
  unionOf: list("mo:PublishedLyrics".freeze, "mo:PublishedLibretto".freeze, "mo:PublishedScore".freeze)
@@ -1275,11 +1993,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1275
1993
  type: "owl:DatatypeProperty".freeze,
1276
1994
  "vs:term_status": "testing".freeze
1277
1995
  property :isrc,
1278
- comment: %(
1279
- The ISRC \(International Standard Recording Code\) is the international identification system for sound recordings and music videorecordings.
1280
- Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint.
1281
- Encoded ISRC provide the means to automatically identify recordings for royalty payments.
1282
- ).freeze,
1996
+ comment: "\n The ISRC (International Standard Recording Code) is the international identification system for sound recordings and music videorecordings. \n Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint. \n Encoded ISRC provide the means to automatically identify recordings for royalty payments.\n ".freeze,
1283
1997
  domain: "mo:Signal".freeze,
1284
1998
  isDefinedBy: "mo:".freeze,
1285
1999
  label: "isrc".freeze,
@@ -1289,7 +2003,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1289
2003
  type: "owl:DatatypeProperty".freeze,
1290
2004
  "vs:term_status": "stable".freeze
1291
2005
  property :iswc,
1292
- comment: %(Links a musical work to the corresponding ISWC number).freeze,
2006
+ comment: "Links a musical work to the corresponding ISWC number".freeze,
1293
2007
  domain: "mo:MusicalWork".freeze,
1294
2008
  isDefinedBy: "mo:".freeze,
1295
2009
  label: "iswc".freeze,
@@ -1299,10 +2013,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1299
2013
  type: "owl:DatatypeProperty".freeze,
1300
2014
  "vs:term_status": "testing".freeze
1301
2015
  property :item,
1302
- comment: %(
1303
- Relates a musical manifestation to a musical item \(this album, and my particular cd\) holding the
1304
- entire manifestation, and not just a part of it.
1305
- ).freeze,
2016
+ comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd) holding the\n entire manifestation, and not just a part of it.\n ".freeze,
1306
2017
  domain: "mo:MusicalManifestation".freeze,
1307
2018
  isDefinedBy: "mo:".freeze,
1308
2019
  "mo:level": "1".freeze,
@@ -1311,9 +2022,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1311
2022
  type: "owl:ObjectProperty".freeze,
1312
2023
  "vs:term_status": "testing".freeze
1313
2024
  property :key,
1314
- comment: %(
1315
- Indicated the key used by the musicians during a performance, or the key of a MusicalWork.
1316
- Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.).freeze,
2025
+ comment: "\n Indicated the key used by the musicians during a performance, or the key of a MusicalWork.\n Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.".freeze,
1317
2026
  domain: term(
1318
2027
  type: "owl:Class".freeze,
1319
2028
  unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
@@ -1325,7 +2034,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1325
2034
  type: "owl:ObjectProperty".freeze,
1326
2035
  "vs:term_status": "stable".freeze
1327
2036
  property :label,
1328
- comment: %(Associates a release event with the label releasing the record).freeze,
2037
+ comment: "Associates a release event with the label releasing the record".freeze,
1329
2038
  domain: term(
1330
2039
  type: "owl:Class".freeze,
1331
2040
  unionOf: list("mo:Release".freeze, "mo:MusicArtist".freeze)
@@ -1337,7 +2046,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1337
2046
  type: "owl:ObjectProperty".freeze,
1338
2047
  "vs:term_status": "testing".freeze
1339
2048
  property :lc,
1340
- comment: %(The Label Code \(LC\) was introduced in 1977 by the IFPI \(International Federation of Phonogram and Videogram Industries\) in order to unmistakably identify the different record labels \(see Introduction, Record labels\) for rights purposes. The Label Code consists historically of 4 figures, presently being extended to 5 figures, preceded by LC and a dash \(e.g. LC-0193 = Electrola; LC-0233 = His Master's Voice\). Note that the number of countries using the LC is limited, and that the code given on the item is not always accurate.).freeze,
2049
+ comment: "The Label Code (LC) was introduced in 1977 by the IFPI (International Federation of Phonogram and Videogram Industries) in order to unmistakably identify the different record labels (see Introduction, Record labels) for rights purposes. The Label Code consists historically of 4 figures, presently being extended to 5 figures, preceded by LC and a dash (e.g. LC-0193 = Electrola; LC-0233 = His Master's Voice). Note that the number of countries using the LC is limited, and that the code given on the item is not always accurate.".freeze,
1341
2050
  domain: "mo:Label".freeze,
1342
2051
  isDefinedBy: "mo:".freeze,
1343
2052
  label: "lc".freeze,
@@ -1347,23 +2056,12 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
1347
2056
  type: "owl:DatatypeProperty".freeze,
1348
2057
  "vs:term_status": "testing".freeze
1349
2058
  property :level,
1350
- comment: %(
1351
- This annotation property associates to a particular Music Ontology term the corresponding
1352
- expressiveness level. These levels can be:
1353
-
1354
- - 1: Only editorial/Musicbrainz type information
1355
- - 2: Workflow information
1356
- - 3: Even decomposition
1357
-
1358
- This property is mainly used for specification generation.
1359
- ).freeze,
2059
+ comment: "\n This annotation property associates to a particular Music Ontology term the corresponding\n expressiveness level. These levels can be:\n\n - 1: Only editorial/Musicbrainz type information\n - 2: Workflow information\n - 3: Even decomposition\n \n This property is mainly used for specification generation.\n ".freeze,
1360
2060
  isDefinedBy: "mo:".freeze,
1361
2061
  label: "level".freeze,
1362
2062
  type: "owl:AnnotationProperty".freeze
1363
2063
  property :licence,
1364
- comment: %(Used to link a work or the expression of a work to the license under which they can be manipulated \(downloaded, modified, etc\).
1365
-
1366
- This is usually used to link to a Creative Commons licence.).freeze,
2064
+ comment: "Used to link a work or the expression of a work to the license under which they can be manipulated (downloaded, modified, etc). \n \nThis is usually used to link to a Creative Commons licence.".freeze,
1367
2065
  domain: term(
1368
2066
  type: "owl:Class".freeze,
1369
2067
  unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze)
@@ -1375,7 +2073,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
1375
2073
  type: "owl:ObjectProperty".freeze,
1376
2074
  "vs:term_status": "stable".freeze
1377
2075
  property :listened,
1378
- comment: %(Relates agents to the performances they were listening in).freeze,
2076
+ comment: "Relates agents to the performances they were listening in".freeze,
1379
2077
  domain: "foaf:Agent".freeze,
1380
2078
  inverseOf: "mo:listener".freeze,
1381
2079
  isDefinedBy: "mo:".freeze,
@@ -1386,7 +2084,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
1386
2084
  type: "owl:ObjectProperty".freeze,
1387
2085
  "vs:term_status": "unstable".freeze
1388
2086
  property :listener,
1389
- comment: %(Relates a performance to the listener involved).freeze,
2087
+ comment: "Relates a performance to the listener involved".freeze,
1390
2088
  domain: "mo:Performance".freeze,
1391
2089
  inverseOf: "mo:listened".freeze,
1392
2090
  isDefinedBy: "mo:".freeze,
@@ -1396,7 +2094,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
1396
2094
  type: "owl:ObjectProperty".freeze,
1397
2095
  "vs:term_status": "stable".freeze
1398
2096
  property :lyrics,
1399
- comment: %(Associates lyrics with a musical work).freeze,
2097
+ comment: "Associates lyrics with a musical work".freeze,
1400
2098
  domain: "mo:MusicalWork".freeze,
1401
2099
  isDefinedBy: "mo:".freeze,
1402
2100
  label: "lyrics".freeze,
@@ -1405,7 +2103,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
1405
2103
  type: "owl:ObjectProperty".freeze,
1406
2104
  "vs:term_status": "testing".freeze
1407
2105
  property :mailorder,
1408
- comment: %(Used to link a musical work or the expression of a musical work to a website where people can buy a copy of the musical manifestation.).freeze,
2106
+ comment: "Used to link a musical work or the expression of a musical work to a website where people can buy a copy of the musical manifestation.".freeze,
1409
2107
  domain: term(
1410
2108
  type: "owl:Class".freeze,
1411
2109
  unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
@@ -1418,9 +2116,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
1418
2116
  type: "owl:ObjectProperty".freeze,
1419
2117
  "vs:term_status": "stable".freeze
1420
2118
  property :mashup_of,
1421
- comment: %(Indicates that musical works or the expressions of a musical work were mashed up on this album or track.
1422
-
1423
- This means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work \(usually by a third artist, the remixer\).).freeze,
2119
+ comment: "Indicates that musical works or the expressions of a musical work were mashed up on this album or track. \n \nThis means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work (usually by a third artist, the remixer).".freeze,
1424
2120
  isDefinedBy: "mo:".freeze,
1425
2121
  label: "mashup_of".freeze,
1426
2122
  "mo:level": "1".freeze,
@@ -1428,7 +2124,7 @@ This means that two musical works or the expressions of a musical work by differ
1428
2124
  type: "owl:ObjectProperty".freeze,
1429
2125
  "vs:term_status": "unstable".freeze
1430
2126
  property :media_type,
1431
- comment: %(The mediatype \(file format or MIME type, or physical medium\) of a musical manifestation, e.g. a MP3, CD or vinyl.).freeze,
2127
+ comment: "The mediatype (file format or MIME type, or physical medium) of a musical manifestation, e.g. a MP3, CD or vinyl.".freeze,
1432
2128
  domain: "mo:MusicalManifestation".freeze,
1433
2129
  isDefinedBy: "mo:".freeze,
1434
2130
  label: "has media type".freeze,
@@ -1438,9 +2134,7 @@ This means that two musical works or the expressions of a musical work by differ
1438
2134
  type: "owl:ObjectProperty".freeze,
1439
2135
  "vs:term_status": "testing".freeze
1440
2136
  property :medley_of,
1441
- comment: %(Indicates that a musical expression is a medley of several other musical expressions.
1442
-
1443
- This means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley. ).freeze,
2137
+ comment: "Indicates that a musical expression is a medley of several other musical expressions. \n \nThis means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley. ".freeze,
1444
2138
  isDefinedBy: "mo:".freeze,
1445
2139
  label: "medley_of".freeze,
1446
2140
  "mo:level": "1".freeze,
@@ -1448,9 +2142,7 @@ This means that the orignial musical expression were rearranged to create a new
1448
2142
  type: "owl:ObjectProperty".freeze,
1449
2143
  "vs:term_status": "unstable".freeze
1450
2144
  property :member,
1451
- comment: %(
1452
- Indicates a member of a musical group
1453
- ).freeze,
2145
+ comment: "\n Indicates a member of a musical group\n ".freeze,
1454
2146
  domain: "mo:MusicGroup".freeze,
1455
2147
  isDefinedBy: "mo:".freeze,
1456
2148
  label: "member".freeze,
@@ -1460,7 +2152,7 @@ This means that the orignial musical expression were rearranged to create a new
1460
2152
  type: "owl:ObjectProperty".freeze,
1461
2153
  "vs:term_status": "stable".freeze
1462
2154
  property :member_of,
1463
- comment: %(Inverse of the foaf:member property).freeze,
2155
+ comment: "Inverse of the foaf:member property".freeze,
1464
2156
  domain: "foaf:Agent".freeze,
1465
2157
  inverseOf: "foaf:member".freeze,
1466
2158
  isDefinedBy: "mo:".freeze,
@@ -1470,7 +2162,7 @@ This means that the orignial musical expression were rearranged to create a new
1470
2162
  type: "owl:ObjectProperty".freeze,
1471
2163
  "vs:term_status": "unstable".freeze
1472
2164
  property :membership,
1473
- comment: %(Relates an agent with related membership events).freeze,
2165
+ comment: "Relates an agent with related membership events".freeze,
1474
2166
  domain: "foaf:Agent".freeze,
1475
2167
  isDefinedBy: "mo:".freeze,
1476
2168
  label: "membership".freeze,
@@ -1479,7 +2171,7 @@ This means that the orignial musical expression were rearranged to create a new
1479
2171
  type: "owl:ObjectProperty".freeze,
1480
2172
  "vs:term_status": "testing".freeze
1481
2173
  property :meter,
1482
- comment: %(Associates a musical work or a score with its meter).freeze,
2174
+ comment: "Associates a musical work or a score with its meter".freeze,
1483
2175
  domain: term(
1484
2176
  type: "owl:Class".freeze,
1485
2177
  unionOf: list("mo:MusicalWork".freeze, "mo:Score".freeze)
@@ -1490,7 +2182,7 @@ This means that the orignial musical expression were rearranged to create a new
1490
2182
  type: "owl:DatatypeProperty".freeze,
1491
2183
  "vs:term_status": "testing".freeze
1492
2184
  property :movement,
1493
- comment: %(Indicates that a musical work has movements).freeze,
2185
+ comment: "Indicates that a musical work has movements".freeze,
1494
2186
  domain: "mo:MusicalWork".freeze,
1495
2187
  isDefinedBy: "mo:".freeze,
1496
2188
  label: "has_movement".freeze,
@@ -1502,7 +2194,7 @@ This means that the orignial musical expression were rearranged to create a new
1502
2194
  equivalentProperty: "mo:movement_number".freeze,
1503
2195
  type: "owl:DatatypeProperty".freeze
1504
2196
  property :movement_number,
1505
- comment: %(Indicates the position of a movement in a musical work.).freeze,
2197
+ comment: "Indicates the position of a movement in a musical work.".freeze,
1506
2198
  domain: "mo:Movement".freeze,
1507
2199
  isDefinedBy: "mo:".freeze,
1508
2200
  label: "movement number".freeze,
@@ -1511,9 +2203,7 @@ This means that the orignial musical expression were rearranged to create a new
1511
2203
  type: "owl:DatatypeProperty".freeze,
1512
2204
  "vs:term_status": "unstable".freeze
1513
2205
  property :musicbrainz,
1514
- comment: %(
1515
- Linking an agent, a track or a record to its corresponding Musicbrainz page.
1516
- ).freeze,
2206
+ comment: "\n Linking an agent, a track or a record to its corresponding Musicbrainz page.\n ".freeze,
1517
2207
  domain: term(
1518
2208
  type: "owl:Class".freeze,
1519
2209
  unionOf: list("mo:MusicalWork".freeze, "mo:MusicalManifestation".freeze, "foaf:Agent".freeze, "mo:Signal".freeze)
@@ -1526,7 +2216,7 @@ This means that the orignial musical expression were rearranged to create a new
1526
2216
  type: "owl:ObjectProperty".freeze,
1527
2217
  "vs:term_status": "stable".freeze
1528
2218
  property :musicbrainz_guid,
1529
- comment: %(Links an object to the corresponding Musicbrainz identifier).freeze,
2219
+ comment: "Links an object to the corresponding Musicbrainz identifier".freeze,
1530
2220
  domain: term(
1531
2221
  type: "owl:Class".freeze,
1532
2222
  unionOf: list("mo:MusicArtist".freeze, "mo:Track".freeze, "mo:Record".freeze, "mo:SignalGroup".freeze, "mo:Signal".freeze, "mo:ReleaseEvent".freeze, "mo:Label".freeze)
@@ -1538,7 +2228,7 @@ This means that the orignial musical expression were rearranged to create a new
1538
2228
  type: "owl:DatatypeProperty".freeze,
1539
2229
  "vs:term_status": "testing".freeze
1540
2230
  property :musicmoz,
1541
- comment: %(Used to link an artist, a musical work or the expression of a musical work to its corresponding MusicMoz page.).freeze,
2231
+ comment: "Used to link an artist, a musical work or the expression of a musical work to its corresponding MusicMoz page.".freeze,
1542
2232
  domain: term(
1543
2233
  type: "owl:Class".freeze,
1544
2234
  unionOf: list("mo:MusicArtist".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze)
@@ -1551,7 +2241,7 @@ This means that the orignial musical expression were rearranged to create a new
1551
2241
  type: "owl:ObjectProperty".freeze,
1552
2242
  "vs:term_status": "stable".freeze
1553
2243
  property :myspace,
1554
- comment: %(Used to link a person to its corresponding MySpace page.).freeze,
2244
+ comment: "Used to link a person to its corresponding MySpace page.".freeze,
1555
2245
  domain: "foaf:Agent".freeze,
1556
2246
  isDefinedBy: "mo:".freeze,
1557
2247
  label: "myspace".freeze,
@@ -1561,7 +2251,7 @@ This means that the orignial musical expression were rearranged to create a new
1561
2251
  type: "owl:ObjectProperty".freeze,
1562
2252
  "vs:term_status": "stable".freeze
1563
2253
  property :olga,
1564
- comment: %(Used to link a track to a tabulature file for track in the On-Line Guitar Archive.).freeze,
2254
+ comment: "Used to link a track to a tabulature file for track in the On-Line Guitar Archive.".freeze,
1565
2255
  domain: "mo:Track".freeze,
1566
2256
  isDefinedBy: "mo:".freeze,
1567
2257
  label: "olga".freeze,
@@ -1571,7 +2261,7 @@ This means that the orignial musical expression were rearranged to create a new
1571
2261
  type: "owl:ObjectProperty".freeze,
1572
2262
  "vs:term_status": "stable".freeze
1573
2263
  property :onlinecommunity,
1574
- comment: %(Used to link a person with an online community web page like a blog, a wiki, a forum, a livejournal page, Etc.).freeze,
2264
+ comment: "Used to link a person with an online community web page like a blog, a wiki, a forum, a livejournal page, Etc.".freeze,
1575
2265
  domain: "foaf:Agent".freeze,
1576
2266
  isDefinedBy: "mo:".freeze,
1577
2267
  label: "onlinecommunity".freeze,
@@ -1581,9 +2271,7 @@ This means that the orignial musical expression were rearranged to create a new
1581
2271
  type: "owl:ObjectProperty".freeze,
1582
2272
  "vs:term_status": "stable".freeze
1583
2273
  property :opus,
1584
- comment: %(
1585
- Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.
1586
- ).freeze,
2274
+ comment: "\n Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.\n ".freeze,
1587
2275
  domain: "mo:MusicalWork".freeze,
1588
2276
  isDefinedBy: "mo:".freeze,
1589
2277
  label: "opus".freeze,
@@ -1592,7 +2280,7 @@ This means that the orignial musical expression were rearranged to create a new
1592
2280
  type: "owl:DatatypeProperty".freeze,
1593
2281
  "vs:term_status": "stable".freeze
1594
2282
  property :origin,
1595
- comment: %(Relates an artist to its geographic origin).freeze,
2283
+ comment: "Relates an artist to its geographic origin".freeze,
1596
2284
  domain: "mo:MusicArtist".freeze,
1597
2285
  isDefinedBy: "mo:".freeze,
1598
2286
  label: "origin".freeze,
@@ -1601,7 +2289,7 @@ This means that the orignial musical expression were rearranged to create a new
1601
2289
  type: "owl:ObjectProperty".freeze,
1602
2290
  "vs:term_status": "testing".freeze
1603
2291
  property :other_release_of,
1604
- comment: %(Indicates that two musical manifestations are essentially the same.).freeze,
2292
+ comment: "Indicates that two musical manifestations are essentially the same.".freeze,
1605
2293
  domain: "mo:MusicalManifestation".freeze,
1606
2294
  isDefinedBy: "mo:".freeze,
1607
2295
  label: "other_release_of".freeze,
@@ -1610,10 +2298,7 @@ This means that the orignial musical expression were rearranged to create a new
1610
2298
  type: ["owl:ObjectProperty".freeze, "owl:SymmetricProperty".freeze],
1611
2299
  "vs:term_status": "unstable".freeze
1612
2300
  property :paid_download,
1613
- comment: %(
1614
- Provide a link from an artist to a web page where all of that artist's musical work is available for some money,
1615
- or a link from a manifestation \(record/track, for example\) to a web page providing a paid access to this manifestation.
1616
- ).freeze,
2301
+ comment: "\n Provide a link from an artist to a web page where all of that artist's musical work is available for some money,\n or a link from a manifestation (record/track, for example) to a web page providing a paid access to this manifestation.\n ".freeze,
1617
2302
  domain: term(
1618
2303
  type: "owl:Class".freeze,
1619
2304
  unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
@@ -1631,11 +2316,7 @@ This means that the orignial musical expression were rearranged to create a new
1631
2316
  type: "owl:ObjectProperty".freeze,
1632
2317
  "vs:term_status": "deprecated".freeze
1633
2318
  property :performance_of,
1634
- comment: %(
1635
- Associates a Performance to a musical work or an arrangement that is being used as a factor in it.
1636
- For example, I might use this property to attach the Magic Flute musical work to
1637
- a particular Performance.
1638
- ).freeze,
2319
+ comment: "\n Associates a Performance to a musical work or an arrangement that is being used as a factor in it.\n For example, I might use this property to attach the Magic Flute musical work to \n a particular Performance.\n ".freeze,
1639
2320
  domain: "mo:Performance".freeze,
1640
2321
  inverseOf: "mo:performed_in".freeze,
1641
2322
  isDefinedBy: "mo:".freeze,
@@ -1649,7 +2330,7 @@ This means that the orignial musical expression were rearranged to create a new
1649
2330
  type: "owl:ObjectProperty".freeze,
1650
2331
  "vs:term_status": "unstable".freeze
1651
2332
  property :performed,
1652
- comment: %(Relates agents to the performances they were performing in).freeze,
2333
+ comment: "Relates agents to the performances they were performing in".freeze,
1653
2334
  domain: "foaf:Agent".freeze,
1654
2335
  inverseOf: "mo:performer".freeze,
1655
2336
  isDefinedBy: "mo:".freeze,
@@ -1660,11 +2341,7 @@ This means that the orignial musical expression were rearranged to create a new
1660
2341
  type: "owl:ObjectProperty".freeze,
1661
2342
  "vs:term_status": "unstable".freeze
1662
2343
  property :performed_in,
1663
- comment: %(
1664
- Associates a Musical Work or an Score to Performances in which they were
1665
- a factor. For example, I might use this property in order to
1666
- associate the Magic Flute to a particular performance at the Opera
1667
- Bastille last year.).freeze,
2344
+ comment: "\n Associates a Musical Work or an Score to Performances in which they were\n a factor. For example, I might use this property in order to \n associate the Magic Flute to a particular performance at the Opera\n Bastille last year.".freeze,
1668
2345
  domain: term(
1669
2346
  type: "owl:Class".freeze,
1670
2347
  unionOf: list("mo:Score".freeze, "mo:MusicalWork".freeze)
@@ -1678,7 +2355,7 @@ This means that the orignial musical expression were rearranged to create a new
1678
2355
  type: "owl:ObjectProperty".freeze,
1679
2356
  "vs:term_status": "unstable".freeze
1680
2357
  property :performer,
1681
- comment: %(Relates a performance to the performers involved).freeze,
2358
+ comment: "Relates a performance to the performers involved".freeze,
1682
2359
  domain: "mo:Performance".freeze,
1683
2360
  inverseOf: "mo:performed".freeze,
1684
2361
  isDefinedBy: "mo:".freeze,
@@ -1688,7 +2365,7 @@ This means that the orignial musical expression were rearranged to create a new
1688
2365
  type: "owl:ObjectProperty".freeze,
1689
2366
  "vs:term_status": "stable".freeze
1690
2367
  property :possess_item,
1691
- comment: %(A person, a group of person or an organization possessing an exemplar of a single manifestation.).freeze,
2368
+ comment: "A person, a group of person or an organization possessing an exemplar of a single manifestation.".freeze,
1692
2369
  domain: "foaf:Agent".freeze,
1693
2370
  isDefinedBy: "mo:".freeze,
1694
2371
  label: "possess_item".freeze,
@@ -1697,10 +2374,7 @@ This means that the orignial musical expression were rearranged to create a new
1697
2374
  type: "owl:ObjectProperty".freeze,
1698
2375
  "vs:term_status": "stable".freeze
1699
2376
  property :preview,
1700
- comment: %(
1701
- Relates a musical manifestation to a musical item \(this album, and my particular cd\), which holds
1702
- a preview of the manifestation \(eg. one track for an album, or a snippet for a track\)
1703
- ).freeze,
2377
+ comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd), which holds\n a preview of the manifestation (eg. one track for an album, or a snippet for a track)\n ".freeze,
1704
2378
  domain: "mo:MusicalManifestation".freeze,
1705
2379
  isDefinedBy: "mo:".freeze,
1706
2380
  "mo:level": "1".freeze,
@@ -1709,15 +2383,7 @@ This means that the orignial musical expression were rearranged to create a new
1709
2383
  type: "owl:ObjectProperty".freeze,
1710
2384
  "vs:term_status": "testing".freeze
1711
2385
  property :preview_download,
1712
- comment: %(
1713
- This property can be used to link from a person to the website where they make previews of their works available, or from
1714
- a manifestation \(a track or an album, for example\) to a web page where a preview download is available.
1715
-
1716
- This property MUST be used only if the content is just available through a web page \(holding, for example
1717
- a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
1718
- mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
1719
- less to rip streams from Flash applications can still access the audio content.
1720
- ).freeze,
2386
+ comment: "\n This property can be used to link from a person to the website where they make previews of their works available, or from\n a manifestation (a track or an album, for example) to a web page where a preview download is available.\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and\n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
1721
2387
  domain: term(
1722
2388
  type: "owl:Class".freeze,
1723
2389
  unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
@@ -1730,7 +2396,7 @@ This means that the orignial musical expression were rearranged to create a new
1730
2396
  type: "owl:ObjectProperty".freeze,
1731
2397
  "vs:term_status": "stable".freeze
1732
2398
  property :primary_instrument,
1733
- comment: %(Indicates that an artist primarily plays an instrument, or that a member was primarily playing a particular instrument during his membership).freeze,
2399
+ comment: "Indicates that an artist primarily plays an instrument, or that a member was primarily playing a particular instrument during his membership".freeze,
1734
2400
  domain: term(
1735
2401
  type: "owl:Class".freeze,
1736
2402
  unionOf: list("mo:Membership".freeze, "foaf:Agent".freeze)
@@ -1742,7 +2408,7 @@ This means that the orignial musical expression were rearranged to create a new
1742
2408
  type: "owl:ObjectProperty".freeze,
1743
2409
  "vs:term_status": "testing".freeze
1744
2410
  property :produced,
1745
- comment: %(Used to relate an person or a group of person who produced the manifestation of a work.).freeze,
2411
+ comment: "Used to relate an person or a group of person who produced the manifestation of a work.".freeze,
1746
2412
  domain: "foaf:Agent".freeze,
1747
2413
  inverseOf: "mo:producer".freeze,
1748
2414
  isDefinedBy: "mo:".freeze,
@@ -1752,10 +2418,7 @@ This means that the orignial musical expression were rearranged to create a new
1752
2418
  type: "owl:ObjectProperty".freeze,
1753
2419
  "vs:term_status": "stable".freeze
1754
2420
  property :produced_score,
1755
- comment: %(
1756
- Associates an arrangement or a composition event to a score product \(score here does not refer to a published score, but more
1757
- an abstract arrangement of a particular work\).
1758
- ).freeze,
2421
+ comment: "\n Associates an arrangement or a composition event to a score product (score here does not refer to a published score, but more\n an abstract arrangement of a particular work).\n ".freeze,
1759
2422
  domain: term(
1760
2423
  type: "owl:Class".freeze,
1761
2424
  unionOf: list("mo:Composition".freeze, "mo:Arrangement".freeze)
@@ -1768,9 +2431,7 @@ This means that the orignial musical expression were rearranged to create a new
1768
2431
  type: "owl:ObjectProperty".freeze,
1769
2432
  "vs:term_status": "unstable".freeze
1770
2433
  property :produced_signal,
1771
- comment: %(
1772
- Associates a Recording to the outputted signal.
1773
- ).freeze,
2434
+ comment: "\n Associates a Recording to the outputted signal.\n ".freeze,
1774
2435
  domain: "mo:Recording".freeze,
1775
2436
  isDefinedBy: "mo:".freeze,
1776
2437
  label: "produced signal".freeze,
@@ -1780,7 +2441,7 @@ This means that the orignial musical expression were rearranged to create a new
1780
2441
  type: "owl:ObjectProperty".freeze,
1781
2442
  "vs:term_status": "stable".freeze
1782
2443
  property :produced_signal_group,
1783
- comment: %(Associates a recording session with a group of master signals produced by it.).freeze,
2444
+ comment: "Associates a recording session with a group of master signals produced by it.".freeze,
1784
2445
  domain: "mo:RecordingSession".freeze,
1785
2446
  isDefinedBy: "mo:".freeze,
1786
2447
  label: "produced signal group".freeze,
@@ -1790,9 +2451,7 @@ This means that the orignial musical expression were rearranged to create a new
1790
2451
  type: "owl:ObjectProperty".freeze,
1791
2452
  "vs:term_status": "testing".freeze
1792
2453
  property :produced_sound,
1793
- comment: %(
1794
- Associates a Performance to a physical Sound that is being produced by it.
1795
- ).freeze,
2454
+ comment: "\n Associates a Performance to a physical Sound that is being produced by it.\n ".freeze,
1796
2455
  domain: "mo:Performance".freeze,
1797
2456
  isDefinedBy: "mo:".freeze,
1798
2457
  label: "produced sound".freeze,
@@ -1802,12 +2461,7 @@ This means that the orignial musical expression were rearranged to create a new
1802
2461
  type: "owl:ObjectProperty".freeze,
1803
2462
  "vs:term_status": "stable".freeze
1804
2463
  property :produced_work,
1805
- comment: %(
1806
- Associates a composition event to the produced MusicalWork. For example,
1807
- this property could link the event corresponding to the composition of the
1808
- Magic Flute in 1782 to the Magic Flute musical work itself. This musical work
1809
- can then be used in particular performances.
1810
- ).freeze,
2464
+ comment: "\n Associates a composition event to the produced MusicalWork. For example,\n this property could link the event corresponding to the composition of the\n Magic Flute in 1782 to the Magic Flute musical work itself. This musical work\n can then be used in particular performances.\n ".freeze,
1811
2465
  domain: "mo:Composition".freeze,
1812
2466
  inverseOf: "mo:composed_in".freeze,
1813
2467
  isDefinedBy: "mo:".freeze,
@@ -1818,7 +2472,7 @@ This means that the orignial musical expression were rearranged to create a new
1818
2472
  type: "owl:ObjectProperty".freeze,
1819
2473
  "vs:term_status": "stable".freeze
1820
2474
  property :producer,
1821
- comment: %(Used to relate the manifestation of a work to a person or a group of person who produced it.).freeze,
2475
+ comment: "Used to relate the manifestation of a work to a person or a group of person who produced it.".freeze,
1822
2476
  domain: "mo:MusicalManifestation".freeze,
1823
2477
  inverseOf: "mo:produced".freeze,
1824
2478
  isDefinedBy: "mo:".freeze,
@@ -1850,7 +2504,7 @@ This means that the orignial musical expression were rearranged to create a new
1850
2504
  type: "owl:ObjectProperty".freeze,
1851
2505
  "vs:term_status": "deprecated".freeze
1852
2506
  property :publication_of,
1853
- comment: %(Link a particular manifestation to the related signal, score, libretto, or lyrics).freeze,
2507
+ comment: "Link a particular manifestation to the related signal, score, libretto, or lyrics".freeze,
1854
2508
  domain: "mo:MusicalManifestation".freeze,
1855
2509
  inverseOf: "mo:published_as".freeze,
1856
2510
  isDefinedBy: "mo:".freeze,
@@ -1860,7 +2514,7 @@ This means that the orignial musical expression were rearranged to create a new
1860
2514
  type: "owl:ObjectProperty".freeze,
1861
2515
  "vs:term_status": "unstable".freeze
1862
2516
  property :published,
1863
- comment: %(Used to relate an person or a group of person who published the manifestation of a work.).freeze,
2517
+ comment: "Used to relate an person or a group of person who published the manifestation of a work.".freeze,
1864
2518
  domain: "foaf:Agent".freeze,
1865
2519
  inverseOf: "mo:publisher".freeze,
1866
2520
  isDefinedBy: "mo:".freeze,
@@ -1874,9 +2528,7 @@ This means that the orignial musical expression were rearranged to create a new
1874
2528
  type: "owl:ObjectProperty".freeze,
1875
2529
  "vs:term_status": "deprecated".freeze
1876
2530
  property :published_as,
1877
- comment: %(
1878
- Links a musical expression \(e.g. a signal or a score\) to one of its manifestations \(e.g. a track on a particular record or a published score\).
1879
- ).freeze,
2531
+ comment: "\n Links a musical expression (e.g. a signal or a score) to one of its manifestations (e.g. a track on a particular record or a published score).\n ".freeze,
1880
2532
  domain: "mo:MusicalExpression".freeze,
1881
2533
  inverseOf: "mo:publication_of".freeze,
1882
2534
  isDefinedBy: "mo:".freeze,
@@ -1887,7 +2539,7 @@ This means that the orignial musical expression were rearranged to create a new
1887
2539
  type: "owl:ObjectProperty".freeze,
1888
2540
  "vs:term_status": "stable".freeze
1889
2541
  property :publisher,
1890
- comment: %(Used to relate a musical manifestation to a person or a group of person who published it.).freeze,
2542
+ comment: "Used to relate a musical manifestation to a person or a group of person who published it.".freeze,
1891
2543
  domain: "mo:MusicalManifestation".freeze,
1892
2544
  inverseOf: "mo:published".freeze,
1893
2545
  isDefinedBy: "mo:".freeze,
@@ -1901,9 +2553,7 @@ This means that the orignial musical expression were rearranged to create a new
1901
2553
  type: "owl:ObjectProperty".freeze,
1902
2554
  "vs:term_status": "deprecated".freeze
1903
2555
  property :publishing_location,
1904
- comment: %(
1905
- Relates a musical manifestation to its publication location.
1906
- ).freeze,
2556
+ comment: "\n Relates a musical manifestation to its publication location.\n ".freeze,
1907
2557
  domain: "mo:MusicalManifestation".freeze,
1908
2558
  isDefinedBy: "mo:".freeze,
1909
2559
  label: "publishingLocation".freeze,
@@ -1912,15 +2562,7 @@ This means that the orignial musical expression were rearranged to create a new
1912
2562
  type: "owl:ObjectProperty".freeze,
1913
2563
  "vs:term_status": "stable".freeze
1914
2564
  property :puid,
1915
- comment: %(
1916
- Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems \(mo:AudioFile\)
1917
- derived from this signal.
1918
- PUIDs \(Portable Unique IDentifier\) are the IDs used in the
1919
- proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP.
1920
-
1921
- Using PUIDs, one \(with some luck\) can identify the Signal object associated with a particular audio file, therefore allowing
1922
- to access further information \(on which release this track is featured? etc.\). Using some more metadata one can identify
1923
- the particular Track corresponding to the audio file \(a track on a particular release\).).freeze,
2565
+ comment: "\n Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems (mo:AudioFile) \n derived from this signal.\n PUIDs (Portable Unique IDentifier) are the IDs used in the \n proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP.\n\n Using PUIDs, one (with some luck) can identify the Signal object associated with a particular audio file, therefore allowing\n to access further information (on which release this track is featured? etc.). Using some more metadata one can identify\n the particular Track corresponding to the audio file (a track on a particular release).".freeze,
1924
2566
  domain: "mo:Signal".freeze,
1925
2567
  isDefinedBy: "mo:".freeze,
1926
2568
  label: "puid".freeze,
@@ -1929,7 +2571,7 @@ This means that the orignial musical expression were rearranged to create a new
1929
2571
  type: "owl:DatatypeProperty".freeze,
1930
2572
  "vs:term_status": "stable".freeze
1931
2573
  property :record,
1932
- comment: %(Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.).freeze,
2574
+ comment: "Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.".freeze,
1933
2575
  domain: "mo:Release".freeze,
1934
2576
  isDefinedBy: "mo:".freeze,
1935
2577
  label: "released record".freeze,
@@ -1938,7 +2580,7 @@ This means that the orignial musical expression were rearranged to create a new
1938
2580
  type: "owl:ObjectProperty".freeze,
1939
2581
  "vs:term_status": "testing".freeze
1940
2582
  property :record_count,
1941
- comment: %(Associates a release with the number of records it contains, e.g. the number of discs it contains in the case of a multi-disc release.).freeze,
2583
+ comment: "Associates a release with the number of records it contains, e.g. the number of discs it contains in the case of a multi-disc release.".freeze,
1942
2584
  domain: "mo:Release".freeze,
1943
2585
  isDefinedBy: "mo:".freeze,
1944
2586
  label: "record count".freeze,
@@ -1947,7 +2589,7 @@ This means that the orignial musical expression were rearranged to create a new
1947
2589
  type: "owl:DatatypeProperty".freeze,
1948
2590
  "vs:term_status": "testing".freeze
1949
2591
  property :record_number,
1950
- comment: %(Indicates the position of a record in a release \(e.g. a 2xLP, etc.\).).freeze,
2592
+ comment: "Indicates the position of a record in a release (e.g. a 2xLP, etc.).".freeze,
1951
2593
  domain: "mo:Record".freeze,
1952
2594
  isDefinedBy: "mo:".freeze,
1953
2595
  label: "has record number".freeze,
@@ -1956,8 +2598,7 @@ This means that the orignial musical expression were rearranged to create a new
1956
2598
  type: "owl:DatatypeProperty".freeze,
1957
2599
  "vs:term_status": "testing".freeze
1958
2600
  property :record_side,
1959
- comment: %(Associates the side on a vinyl record, where a track is located, e.g. A, B, C, etc. This property can then also be used
1960
- in conjunction with mo:track_number, so that one can infer e.g. "A1", that means, track number 1 on side A.).freeze,
2601
+ comment: "Associates the side on a vinyl record, where a track is located, e.g. A, B, C, etc. This property can then also be used \nin conjunction with mo:track_number, so that one can infer e.g. \"A1\", that means, track number 1 on side A.".freeze,
1961
2602
  domain: "mo:Track".freeze,
1962
2603
  isDefinedBy: "mo:".freeze,
1963
2604
  label: "has record side".freeze,
@@ -1969,13 +2610,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
1969
2610
  equivalentProperty: "mo:recorded_as".freeze,
1970
2611
  type: "owl:ObjectProperty".freeze
1971
2612
  property :recorded_as,
1972
- comment: %(
1973
- This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property
1974
- allows to directly link a Performance to the recorded Signal. This is recommended for "normal"
1975
- users. However, advanced users wanting to express things such as the location of the microphone will
1976
- have to create this shortcut as well as the whole workflow, in order to let the "normal" users access
1977
- simply the, well, simple information:-\) .
1978
- ).freeze,
2613
+ comment: "\n This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property\n allows to directly link a Performance to the recorded Signal. This is recommended for \"normal\"\n users. However, advanced users wanting to express things such as the location of the microphone will\n have to create this shortcut as well as the whole workflow, in order to let the \"normal\" users access\n simply the, well, simple information:-) .\n ".freeze,
1979
2614
  domain: "mo:Performance".freeze,
1980
2615
  inverseOf: "mo:records".freeze,
1981
2616
  isDefinedBy: "mo:".freeze,
@@ -1985,12 +2620,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
1985
2620
  type: "owl:ObjectProperty".freeze,
1986
2621
  "vs:term_status": "stable".freeze
1987
2622
  property :recorded_in,
1988
- comment: %(
1989
- Associates a physical Sound to a Recording event where it is being used
1990
- in order to produce a signal. For example, I might use this property to
1991
- associate the sound produced by a particular performance of the magic flute
1992
- to a given recording, done using my cell-phone.
1993
- ).freeze,
2623
+ comment: "\n Associates a physical Sound to a Recording event where it is being used \n in order to produce a signal. For example, I might use this property to \n associate the sound produced by a particular performance of the magic flute\n to a given recording, done using my cell-phone.\n ".freeze,
1994
2624
  domain: "mo:Sound".freeze,
1995
2625
  inverseOf: "mo:recording_of".freeze,
1996
2626
  isDefinedBy: "mo:".freeze,
@@ -2001,12 +2631,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2001
2631
  type: "owl:ObjectProperty".freeze,
2002
2632
  "vs:term_status": "unstable".freeze
2003
2633
  property :recording_of,
2004
- comment: %(
2005
- Associates a Recording event to a physical Sound being recorded.
2006
- For example, I might use this property to
2007
- associate a given recording, done using my cell phone, to the
2008
- sound produced by a particular performance of the magic flute.
2009
- ).freeze,
2634
+ comment: "\n Associates a Recording event to a physical Sound being recorded.\n For example, I might use this property to\n associate a given recording, done using my cell phone, to the \n sound produced by a particular performance of the magic flute.\n ".freeze,
2010
2635
  domain: "mo:Recording".freeze,
2011
2636
  inverseOf: "mo:recorded_in".freeze,
2012
2637
  isDefinedBy: "mo:".freeze,
@@ -2017,10 +2642,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2017
2642
  type: "owl:ObjectProperty".freeze,
2018
2643
  "vs:term_status": "stable".freeze
2019
2644
  property :records,
2020
- comment: %(
2021
- This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance
2022
- to a signal.
2023
- ).freeze,
2645
+ comment: "\n This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance\n to a signal.\n ".freeze,
2024
2646
  domain: "mo:Signal".freeze,
2025
2647
  inverseOf: "mo:recordedAs".freeze,
2026
2648
  isDefinedBy: "mo:".freeze,
@@ -2030,7 +2652,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2030
2652
  type: "owl:ObjectProperty".freeze,
2031
2653
  "vs:term_status": "unstable".freeze
2032
2654
  property :release,
2033
- comment: %(Associates a release with the corresponding release event).freeze,
2655
+ comment: "Associates a release with the corresponding release event".freeze,
2034
2656
  domain: "mo:ReleaseEvent".freeze,
2035
2657
  isDefinedBy: "mo:".freeze,
2036
2658
  label: "release".freeze,
@@ -2048,9 +2670,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2048
2670
  type: "owl:ObjectProperty".freeze,
2049
2671
  "vs:term_status": "deprecated".freeze
2050
2672
  property :release_status,
2051
- comment: %(
2052
- Relates a musical manifestation to its release status \(bootleg, ...\)
2053
- ).freeze,
2673
+ comment: "\n Relates a musical manifestation to its release status (bootleg, ...)\n ".freeze,
2054
2674
  domain: "mo:MusicalManifestation".freeze,
2055
2675
  isDefinedBy: "mo:".freeze,
2056
2676
  "mo:level": "1".freeze,
@@ -2058,9 +2678,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2058
2678
  type: "owl:ObjectProperty".freeze,
2059
2679
  "vs:term_status": "stable".freeze
2060
2680
  property :release_type,
2061
- comment: %(
2062
- Relates a musical manifestation to its release type \(interview, spoken word, album, ...\)
2063
- ).freeze,
2681
+ comment: "\n Relates a musical manifestation to its release type (interview, spoken word, album, ...)\n ".freeze,
2064
2682
  domain: "mo:MusicalManifestation".freeze,
2065
2683
  isDefinedBy: "mo:".freeze,
2066
2684
  "mo:level": "1".freeze,
@@ -2068,9 +2686,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
2068
2686
  type: "owl:ObjectProperty".freeze,
2069
2687
  "vs:term_status": "stable".freeze
2070
2688
  property :remaster_of,
2071
- comment: %(This relates two musical work or the expression of a musical work, where one is a remaster of the other.
2072
-
2073
- A remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.).freeze,
2689
+ comment: "This relates two musical work or the expression of a musical work, where one is a remaster of the other. \n \nA remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.".freeze,
2074
2690
  isDefinedBy: "mo:".freeze,
2075
2691
  label: "remaster_of".freeze,
2076
2692
  "mo:level": "1".freeze,
@@ -2078,7 +2694,7 @@ A remaster is a new version made for release from source recordings that were ea
2078
2694
  type: "owl:ObjectProperty".freeze,
2079
2695
  "vs:term_status": "unstable".freeze
2080
2696
  property :remix_of,
2081
- comment: %(Used to relate the remix of a musical work in a substantially altered version produced by mixing together individual tracks or segments of an original musical source work.).freeze,
2697
+ comment: "Used to relate the remix of a musical work in a substantially altered version produced by mixing together individual tracks or segments of an original musical source work.".freeze,
2082
2698
  isDefinedBy: "mo:".freeze,
2083
2699
  label: "remix_of".freeze,
2084
2700
  "mo:level": "1".freeze,
@@ -2086,9 +2702,7 @@ A remaster is a new version made for release from source recordings that were ea
2086
2702
  type: "owl:ObjectProperty".freeze,
2087
2703
  "vs:term_status": "unstable".freeze
2088
2704
  property :remixed,
2089
- comment: %(Used to relate an artist who remixed a musical work or the expression of a musical work.
2090
-
2091
- This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.).freeze,
2705
+ comment: "Used to relate an artist who remixed a musical work or the expression of a musical work. \n \nThis involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.".freeze,
2092
2706
  domain: "mo:MusicArtist".freeze,
2093
2707
  inverseOf: "mo:remixer".freeze,
2094
2708
  isDefinedBy: "mo:".freeze,
@@ -2098,9 +2712,7 @@ This involves taking just one other musical work and using audio editing to make
2098
2712
  type: "owl:ObjectProperty".freeze,
2099
2713
  "vs:term_status": "unstable".freeze
2100
2714
  property :remixer,
2101
- comment: %(Used to relate a musical work or the expression of a musical work to an artist who remixed it.
2102
-
2103
- This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.).freeze,
2715
+ comment: "Used to relate a musical work or the expression of a musical work to an artist who remixed it. \n \nThis involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.".freeze,
2104
2716
  inverseOf: "mo:remixed".freeze,
2105
2717
  isDefinedBy: "mo:".freeze,
2106
2718
  label: "remixer".freeze,
@@ -2109,9 +2721,7 @@ This involves taking just one other musical work and using audio editing to make
2109
2721
  type: "owl:ObjectProperty".freeze,
2110
2722
  "vs:term_status": "unstable".freeze
2111
2723
  property :review,
2112
- comment: %(Used to link a work or the expression of a work to a review.
2113
-
2114
- The review does not have to be open content, as long as it is accessible to the general internet population.).freeze,
2724
+ comment: "Used to link a work or the expression of a work to a review. \n \nThe review does not have to be open content, as long as it is accessible to the general internet population.".freeze,
2115
2725
  domain: term(
2116
2726
  type: "owl:Class".freeze,
2117
2727
  unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze)
@@ -2128,10 +2738,7 @@ The review does not have to be open content, as long as it is accessible to the
2128
2738
  type: "owl:DatatypeProperty".freeze,
2129
2739
  "vs:term_status": "deprecated".freeze
2130
2740
  property :sample_rate,
2131
- comment: %(
2132
- Associates a digital signal to its sample rate. It might be easier to express it this way instead of
2133
- defining a timeline map:-\) Range is xsd:float.
2134
- ).freeze,
2741
+ comment: "\n Associates a digital signal to its sample rate. It might be easier to express it this way instead of\n defining a timeline map:-) Range is xsd:float.\n ".freeze,
2135
2742
  domain: "mo:DigitalSignal".freeze,
2136
2743
  isDefinedBy: "mo:".freeze,
2137
2744
  "mo:level": "1".freeze,
@@ -2139,7 +2746,7 @@ The review does not have to be open content, as long as it is accessible to the
2139
2746
  type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
2140
2747
  "vs:term_status": "stable".freeze
2141
2748
  property :sampled,
2142
- comment: %(Used to relate an artist who sampled a Signal.).freeze,
2749
+ comment: "Used to relate an artist who sampled a Signal.".freeze,
2143
2750
  domain: "mo:MusicArtist".freeze,
2144
2751
  inverseOf: "mo:sampler".freeze,
2145
2752
  isDefinedBy: "mo:".freeze,
@@ -2154,9 +2761,7 @@ The review does not have to be open content, as long as it is accessible to the
2154
2761
  type: "owl:ObjectProperty".freeze,
2155
2762
  "vs:term_status": "deprecated".freeze
2156
2763
  property :sampled_version,
2157
- comment: %(
2158
- Associates an analog signal with a sampled version of it
2159
- ).freeze,
2764
+ comment: "\n Associates an analog signal with a sampled version of it\n ".freeze,
2160
2765
  domain: "mo:AnalogSignal".freeze,
2161
2766
  inverseOf: "mo:sampled_version_of".freeze,
2162
2767
  isDefinedBy: "mo:".freeze,
@@ -2166,9 +2771,7 @@ The review does not have to be open content, as long as it is accessible to the
2166
2771
  type: "owl:ObjectProperty".freeze,
2167
2772
  "vs:term_status": "stable".freeze
2168
2773
  property :sampled_version_of,
2169
- comment: %(
2170
- Associates a digital signal with the analog version of it
2171
- ).freeze,
2774
+ comment: "\n Associates a digital signal with the analog version of it\n ".freeze,
2172
2775
  domain: "mo:DigitalSignal".freeze,
2173
2776
  inverseOf: "mo:sampled_version".freeze,
2174
2777
  isDefinedBy: "mo:".freeze,
@@ -2179,7 +2782,7 @@ The review does not have to be open content, as long as it is accessible to the
2179
2782
  type: ["owl:FunctionalProperty".freeze, "owl:ObjectProperty".freeze],
2180
2783
  "vs:term_status": "stable".freeze
2181
2784
  property :sampler,
2182
- comment: %(Used to relate the signal of a musical work to an artist who sampled it.).freeze,
2785
+ comment: "Used to relate the signal of a musical work to an artist who sampled it.".freeze,
2183
2786
  inverseOf: "mo:sampled".freeze,
2184
2787
  isDefinedBy: "mo:".freeze,
2185
2788
  label: "sampler".freeze,
@@ -2188,7 +2791,7 @@ The review does not have to be open content, as long as it is accessible to the
2188
2791
  type: "owl:ObjectProperty".freeze,
2189
2792
  "vs:term_status": "unstable".freeze
2190
2793
  property :sell_item,
2191
- comment: %(A person, a group of person or an organization selling an exemplar of a single manifestation.).freeze,
2794
+ comment: "A person, a group of person or an organization selling an exemplar of a single manifestation.".freeze,
2192
2795
  domain: "foaf:Agent".freeze,
2193
2796
  isDefinedBy: "mo:".freeze,
2194
2797
  label: "sell_item".freeze,
@@ -2197,7 +2800,7 @@ The review does not have to be open content, as long as it is accessible to the
2197
2800
  type: "owl:ObjectProperty".freeze,
2198
2801
  "vs:term_status": "stable".freeze
2199
2802
  property :signal,
2200
- comment: %(Associates a group of signals with one of the signals it contains).freeze,
2803
+ comment: "Associates a group of signals with one of the signals it contains".freeze,
2201
2804
  domain: "mo:SignalGroup".freeze,
2202
2805
  isDefinedBy: "mo:".freeze,
2203
2806
  label: "signal".freeze,
@@ -2211,16 +2814,7 @@ The review does not have to be open content, as long as it is accessible to the
2211
2814
  type: "owl:ObjectProperty".freeze,
2212
2815
  "vs:term_status": "deprecated".freeze
2213
2816
  property :similar_to,
2214
- comment: %(
2215
- A similarity relationships between two objects \(so far, either an agent, a signal or a genre, but
2216
- this could grow\).
2217
- This relationship is pretty general and doesn't make any assumptions on how the similarity claim
2218
- was derived.
2219
- Such similarity statements can come from a range of different sources \(Musicbrainz similarities between
2220
- artists, or coming from some automatic content analysis\).
2221
- However, the origin of such statements should be kept using a named graph approach - and ultimately, the
2222
- documents providing such statements should attach some metadata to themselves \(confidence of the claim, etc.\).
2223
- ).freeze,
2817
+ comment: "\n A similarity relationships between two objects (so far, either an agent, a signal or a genre, but\n this could grow).\n This relationship is pretty general and doesn't make any assumptions on how the similarity claim\n was derived.\n Such similarity statements can come from a range of different sources (Musicbrainz similarities between\n artists, or coming from some automatic content analysis).\n However, the origin of such statements should be kept using a named graph approach - and ultimately, the \n documents providing such statements should attach some metadata to themselves (confidence of the claim, etc.).\n ".freeze,
2224
2818
  domain: term(
2225
2819
  type: "owl:Class".freeze,
2226
2820
  unionOf: list("foaf:Agent".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze, "mo:Genre".freeze)
@@ -2235,7 +2829,7 @@ The review does not have to be open content, as long as it is accessible to the
2235
2829
  type: "owl:ObjectProperty".freeze,
2236
2830
  "vs:term_status": "unstable".freeze
2237
2831
  property :singer,
2238
- comment: %(Relates a performance to an involved singer).freeze,
2832
+ comment: "Relates a performance to an involved singer".freeze,
2239
2833
  domain: "mo:Performance".freeze,
2240
2834
  isDefinedBy: "mo:".freeze,
2241
2835
  "mo:level": "2".freeze,
@@ -2244,7 +2838,7 @@ The review does not have to be open content, as long as it is accessible to the
2244
2838
  type: "owl:ObjectProperty".freeze,
2245
2839
  "vs:term_status": "stable".freeze
2246
2840
  property :supporting_musician,
2247
- comment: %(Used to relate an artist doing long-time instrumental or vocal support for another artist.).freeze,
2841
+ comment: "Used to relate an artist doing long-time instrumental or vocal support for another artist.".freeze,
2248
2842
  domain: "mo:MusicArtist".freeze,
2249
2843
  isDefinedBy: "mo:".freeze,
2250
2844
  label: "supporting_musician".freeze,
@@ -2253,13 +2847,7 @@ The review does not have to be open content, as long as it is accessible to the
2253
2847
  type: "owl:ObjectProperty".freeze,
2254
2848
  "vs:term_status": "unstable".freeze
2255
2849
  property :tempo,
2256
- comment: %(
2257
- Rate of speed or pace of music. Tempo markings are traditionally given in Italian;
2258
- common markings include: grave \(solemn; very, very slow\); largo \(broad; very slow\);
2259
- adagio \(quite slow\); andante \(a walking pace\); moderato \(moderate\); allegro \(fast; cheerful\);
2260
- vivace \(lively\); presto \(very fast\); accelerando \(getting faster\); ritardando \(getting slower\);
2261
- and a tempo \(in time; returning to the original pace\).
2262
- ).freeze,
2850
+ comment: "\n Rate of speed or pace of music. Tempo markings are traditionally given in Italian; \n common markings include: grave (solemn; very, very slow); largo (broad; very slow); \n adagio (quite slow); andante (a walking pace); moderato (moderate); allegro (fast; cheerful); \n vivace (lively); presto (very fast); accelerando (getting faster); ritardando (getting slower); \n and a tempo (in time; returning to the original pace).\n ".freeze,
2263
2851
  domain: term(
2264
2852
  type: "owl:Class".freeze,
2265
2853
  unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
@@ -2271,7 +2859,7 @@ The review does not have to be open content, as long as it is accessible to the
2271
2859
  type: "owl:DatatypeProperty".freeze,
2272
2860
  "vs:term_status": "stable".freeze
2273
2861
  property :text,
2274
- comment: %(Associates lyrics with their text.).freeze,
2862
+ comment: "Associates lyrics with their text.".freeze,
2275
2863
  domain: "mo:Lyrics".freeze,
2276
2864
  isDefinedBy: "mo:".freeze,
2277
2865
  label: "text".freeze,
@@ -2279,9 +2867,7 @@ The review does not have to be open content, as long as it is accessible to the
2279
2867
  type: "owl:DatatypeProperty".freeze,
2280
2868
  "vs:term_status": "testing".freeze
2281
2869
  property :time,
2282
- comment: %(
2283
- Associates a Signal to a time object - its actual domain
2284
- ).freeze,
2870
+ comment: "\n Associates a Signal to a time object - its actual domain\n ".freeze,
2285
2871
  domain: "mo:Signal".freeze,
2286
2872
  isDefinedBy: "mo:".freeze,
2287
2873
  label: "time".freeze,
@@ -2290,7 +2876,7 @@ The review does not have to be open content, as long as it is accessible to the
2290
2876
  type: ["owl:FunctionalProperty".freeze, "owl:ObjectProperty".freeze],
2291
2877
  "vs:term_status": "stable".freeze
2292
2878
  property :track,
2293
- comment: %(Indicates a part of a musical manifestation - in this particular case, a track.).freeze,
2879
+ comment: "Indicates a part of a musical manifestation - in this particular case, a track.".freeze,
2294
2880
  domain: "mo:Record".freeze,
2295
2881
  isDefinedBy: "mo:".freeze,
2296
2882
  label: "track".freeze,
@@ -2304,7 +2890,7 @@ The review does not have to be open content, as long as it is accessible to the
2304
2890
  type: "owl:DatatypeProperty".freeze,
2305
2891
  "vs:term_status": "deprecated".freeze
2306
2892
  property :track_count,
2307
- comment: %(The track count of a record).freeze,
2893
+ comment: "The track count of a record".freeze,
2308
2894
  domain: "mo:Record".freeze,
2309
2895
  isDefinedBy: "mo:".freeze,
2310
2896
  label: "track count".freeze,
@@ -2313,7 +2899,7 @@ The review does not have to be open content, as long as it is accessible to the
2313
2899
  type: "owl:DatatypeProperty".freeze,
2314
2900
  "vs:term_status": "testing".freeze
2315
2901
  property :track_number,
2316
- comment: %(Indicates the position of a track on a record medium \(a CD, etc.\).).freeze,
2902
+ comment: "Indicates the position of a track on a record medium (a CD, etc.).".freeze,
2317
2903
  domain: "mo:Track".freeze,
2318
2904
  isDefinedBy: "mo:".freeze,
2319
2905
  label: "track number".freeze,
@@ -2322,7 +2908,7 @@ The review does not have to be open content, as long as it is accessible to the
2322
2908
  type: "owl:DatatypeProperty".freeze,
2323
2909
  "vs:term_status": "stable".freeze
2324
2910
  property :translation_of,
2325
- comment: %(Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.).freeze,
2911
+ comment: "Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.".freeze,
2326
2912
  domain: "http://purl.org/vocab/frbr/core#Expression".freeze,
2327
2913
  isDefinedBy: "mo:".freeze,
2328
2914
  label: "translation_of".freeze,
@@ -2331,7 +2917,7 @@ The review does not have to be open content, as long as it is accessible to the
2331
2917
  type: "owl:ObjectProperty".freeze,
2332
2918
  "vs:term_status": "unstable".freeze
2333
2919
  property :tribute_to,
2334
- comment: %(Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists. ).freeze,
2920
+ comment: "Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists. ".freeze,
2335
2921
  domain: "mo:MusicalManifestation".freeze,
2336
2922
  isDefinedBy: "mo:".freeze,
2337
2923
  label: "tribute_to".freeze,
@@ -2340,12 +2926,7 @@ The review does not have to be open content, as long as it is accessible to the
2340
2926
  type: "owl:ObjectProperty".freeze,
2341
2927
  "vs:term_status": "unstable".freeze
2342
2928
  property :trmid,
2343
- comment: %(
2344
- Indicates the TRMID of a track.
2345
- TRM IDs are MusicBrainz' old AudioFingerprinting system.
2346
- TRM \(TRM Recognizes Music\) IDs are \(somewhat\) unique ids that represent
2347
- the audio signature of a musical piece \(see AudioFingerprint\).
2348
- ).freeze,
2929
+ comment: "\n Indicates the TRMID of a track.\n TRM IDs are MusicBrainz' old AudioFingerprinting system. \n TRM (TRM Recognizes Music) IDs are (somewhat) unique ids that represent \n the audio signature of a musical piece (see AudioFingerprint).\n ".freeze,
2349
2930
  domain: "mo:Signal".freeze,
2350
2931
  isDefinedBy: "mo:".freeze,
2351
2932
  label: "trmid".freeze,
@@ -2354,7 +2935,7 @@ The review does not have to be open content, as long as it is accessible to the
2354
2935
  type: "owl:DatatypeProperty".freeze,
2355
2936
  "vs:term_status": "stable".freeze
2356
2937
  property :upc,
2357
- comment: %(UPC stands for "Universal Product Code", which was the original barcode used in the United States and Canada. The UPC \(now officially EAN.UCC-12 is a numerical method of identifying products without redundancy worldwide for all types of products in the retail sector. The EAN is a superset of the original UPC increasing the digits to 13 with the prefix 0 reserved for UPC. As of 2005, manufacturers are only allowed to use the new 13-digit codes on their items, rather than having two separate numbers.).freeze,
2938
+ comment: "UPC stands for \"Universal Product Code\", which was the original barcode used in the United States and Canada. The UPC (now officially EAN.UCC-12 is a numerical method of identifying products without redundancy worldwide for all types of products in the retail sector. The EAN is a superset of the original UPC increasing the digits to 13 with the prefix 0 reserved for UPC. As of 2005, manufacturers are only allowed to use the new 13-digit codes on their items, rather than having two separate numbers.".freeze,
2358
2939
  domain: "mo:Release".freeze,
2359
2940
  isDefinedBy: "mo:".freeze,
2360
2941
  label: "upc".freeze,
@@ -2384,9 +2965,7 @@ The review does not have to be open content, as long as it is accessible to the
2384
2965
  type: "owl:ObjectProperty".freeze,
2385
2966
  "vs:term_status": "deprecated".freeze
2386
2967
  property :uuid,
2387
- comment: %(
2388
- Links an object to an universally unique identifier for it.
2389
- ).freeze,
2968
+ comment: "\n Links an object to an universally unique identifier for it.\n ".freeze,
2390
2969
  domain: "owl:Thing".freeze,
2391
2970
  label: "universally unique identifier".freeze,
2392
2971
  "mo:level": "1".freeze,
@@ -2394,7 +2973,7 @@ The review does not have to be open content, as long as it is accessible to the
2394
2973
  type: "owl:DatatypeProperty".freeze,
2395
2974
  "vs:term_status": "testing".freeze
2396
2975
  property :want_item,
2397
- comment: %(A person, a group of person or an organization wanting an exemplar of a single manifestation.).freeze,
2976
+ comment: "A person, a group of person or an organization wanting an exemplar of a single manifestation.".freeze,
2398
2977
  domain: "foaf:Agent".freeze,
2399
2978
  isDefinedBy: "mo:".freeze,
2400
2979
  label: "want_item".freeze,
@@ -2403,11 +2982,7 @@ The review does not have to be open content, as long as it is accessible to the
2403
2982
  type: "owl:ObjectProperty".freeze,
2404
2983
  "vs:term_status": "stable".freeze
2405
2984
  property :wikipedia,
2406
- comment: %(
2407
- Used to link an work, an expression of a work, a manifestation of a work,
2408
- a person, an instrument or a musical genre to its corresponding WikiPedia page.
2409
- The full URL should be used, not just the WikiName.
2410
- ).freeze,
2985
+ comment: "\n Used to link an work, an expression of a work, a manifestation of a work, \n a person, an instrument or a musical genre to its corresponding WikiPedia page. \n The full URL should be used, not just the WikiName.\n ".freeze,
2411
2986
  domain: term(
2412
2987
  type: "owl:Class".freeze,
2413
2988
  unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze, "http://purl.org/vocab/frbr/core#Item".freeze, "foaf:Agent".freeze, "mo:Instrument".freeze, "mo:Genre".freeze)