rdf-vocab 3.1.2 → 3.1.8
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- checksums.yaml +4 -4
- data/LICENSE +1 -1
- data/README.md +69 -45
- data/VERSION +1 -1
- data/lib/rdf/vocab.rb +60 -40
- data/lib/rdf/vocab/acl.rb +104 -61
- data/lib/rdf/vocab/as.rb +556 -91
- data/lib/rdf/vocab/bf2.rb +1791 -475
- data/lib/rdf/vocab/bibframe.rb +1 -2
- data/lib/rdf/vocab/bibo.rb +616 -124
- data/lib/rdf/vocab/cc.rb +125 -48
- data/lib/rdf/vocab/cert.rb +68 -1
- data/lib/rdf/vocab/cnt.rb +79 -1
- data/lib/rdf/vocab/crm.rb +1543 -776
- data/lib/rdf/vocab/datacite.rb +1 -1
- data/lib/rdf/vocab/dbo.rb +10463 -1
- data/lib/rdf/vocab/dc.rb +485 -99
- data/lib/rdf/vocab/dc11.rb +93 -31
- data/lib/rdf/vocab/dcat.rb +236 -88
- data/lib/rdf/vocab/dcmitype.rb +63 -13
- data/lib/rdf/vocab/disco.rb +286 -59
- data/lib/rdf/vocab/doap.rb +175 -1
- data/lib/rdf/vocab/dwc.rb +941 -189
- data/lib/rdf/vocab/earl.rb +324 -0
- data/lib/rdf/vocab/ebucore.rb +7255 -2184
- data/lib/rdf/vocab/edm.rb +202 -76
- data/lib/rdf/vocab/exif.rb +650 -1
- data/lib/rdf/vocab/extensions.rb +257 -203
- data/lib/rdf/vocab/fcrepo4.rb +398 -22
- data/lib/rdf/vocab/foaf.rb +380 -76
- data/lib/rdf/vocab/geo.rb +47 -110
- data/lib/rdf/vocab/geojson.rb +82 -17
- data/lib/rdf/vocab/geonames.rb +1508 -1351
- data/lib/rdf/vocab/gr.rb +861 -565
- data/lib/rdf/vocab/gs1.rb +1597 -1
- data/lib/rdf/vocab/ht.rb +204 -41
- data/lib/rdf/vocab/hydra.rb +335 -60
- data/lib/rdf/vocab/iana.rb +301 -114
- data/lib/rdf/vocab/ical.rb +534 -121
- data/lib/rdf/vocab/identifiers.rb +459 -499
- data/lib/rdf/vocab/iiif.rb +161 -26
- data/lib/rdf/vocab/jsonld.rb +179 -53
- data/lib/rdf/vocab/ldp.rb +130 -1
- data/lib/rdf/vocab/lrmi.rb +85 -17
- data/lib/rdf/vocab/ma.rb +460 -80
- data/lib/rdf/vocab/mads.rb +610 -22
- data/lib/rdf/vocab/{marc_relators.rb → marcrelators.rb} +813 -4
- data/lib/rdf/vocab/mo.rb +1115 -540
- data/lib/rdf/vocab/mods.rb +635 -124
- data/lib/rdf/vocab/nfo.rb +1 -1
- data/lib/rdf/vocab/oa.rb +343 -73
- data/lib/rdf/vocab/og.rb +100 -1
- data/lib/rdf/vocab/ogc.rb +42 -9
- data/lib/rdf/vocab/ore.rb +69 -14
- data/lib/rdf/vocab/org.rb +235 -47
- data/lib/rdf/vocab/pcdm.rb +58 -34
- data/lib/rdf/vocab/pplan.rb +21 -136
- data/lib/rdf/vocab/premis.rb +1171 -779
- data/lib/rdf/vocab/{premis_event_type.rb → premiseventtype.rb} +156 -2
- data/lib/rdf/vocab/prov.rb +700 -107
- data/lib/rdf/vocab/ptr.rb +172 -37
- data/lib/rdf/vocab/rightsstatements.rb +17 -13
- data/lib/rdf/vocab/rsa.rb +30 -1
- data/lib/rdf/vocab/rss.rb +52 -11
- data/lib/rdf/vocab/schema.rb +14970 -3993
- data/lib/rdf/vocab/schemas.rb +27066 -0
- data/lib/rdf/vocab/sd.rb +372 -0
- data/lib/rdf/vocab/sh.rb +919 -184
- data/lib/rdf/vocab/sioc.rb +498 -98
- data/lib/rdf/vocab/{sioc_services.rb → siocservices.rb} +46 -9
- data/lib/rdf/vocab/sioctypes.rb +434 -0
- data/lib/rdf/vocab/skos.rb +160 -44
- data/lib/rdf/vocab/skosxl.rb +40 -11
- data/lib/rdf/vocab/v.rb +323 -37
- data/lib/rdf/vocab/vcard.rb +625 -119
- data/lib/rdf/vocab/vmd.rb +323 -37
- data/lib/rdf/vocab/void.rb +147 -27
- data/lib/rdf/vocab/vs.rb +23 -5
- data/lib/rdf/vocab/wdrs.rb +112 -23
- data/lib/rdf/vocab/wot.rb +96 -19
- data/lib/rdf/vocab/xhtml.rb +2 -1
- data/lib/rdf/vocab/xhv.rb +422 -201
- data/lib/rdf/vocab/xkos.rb +156 -7
- data/spec/extensions_spec.rb +68 -0
- data/spec/vocab_spec.rb +10 -0
- metadata +20 -11
- data/lib/rdf/vocab/sioct.rb +0 -277
data/lib/rdf/vocab/mo.rb
CHANGED
@@ -5,9 +5,927 @@ require 'rdf'
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module RDF::Vocab
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# @!parse
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# # Vocabulary for <http://purl.org/ontology/mo/>
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# #
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# # The Music Ontology
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# #
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# # The Music Ontology Specification provides main concepts and properties fo describing music (i.e. artists, albums and tracks) on the Semantic Web.
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# # @version Revision: 2.1.5
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# class MO < RDF::Vocabulary
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# # An activity period, defining when an artist was musically active.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Activity
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#
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# # An analog signal.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :AnalogSignal
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#
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# # An arrangement event. Takes as agent the arranger, and produces a score (informational object, not the actually published score).
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Arrangement
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#
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Arranger
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#
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# # An audio file, which may be available on a local file system or through http, ftp, etc.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :AudioFile
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#
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# # Compact Disc used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :CD
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#
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Composer
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#
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# # A composition event. Takes as agent the composer himself. It produces a MusicalWork, or a MusicalExpression (when the initial "product" is a score, for example), or both...
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Composition
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#
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Conductor
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#
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# # Organization or group of individuals and/or other organizations involved in the music market.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :CorporateBody
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#
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# # Digital Audio Tape used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :DAT
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#
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# # Digital Compact Cassette used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :DCC
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#
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# # DVD-Audio used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :DVDA
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#
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# # A digital signal
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :DigitalSignal
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#
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# # Something available on the E-Donkey peer-2-peer filesharing network
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :ED2K
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#
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# # A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring... We migth decompose this event (which is in fact just a classification of the space/time region related to a particular festival) using hasSubEvent in several performances at different space/time.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Festival
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#
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# # An expressive style of music. Any taxonomy can be plug-in here. You can either define a genre by yourself, like this: :mygenre a mo:Genre; dc:title "electro rock". Or you can refer to a DBPedia genre (such as http://dbpedia.org/resource/Baroque_music), allowing semantic web clients to access easily really detailed structured information about the genre you are refering to.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Genre
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#
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# # Any of various devices or contrivances that can be used to produce musical tones or sound. Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link towards this taxonomy.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Instrument
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#
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# # Instrumentation deals with the techniques of writing music for a specific instrument, including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Instrumentation
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#
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# # Trade name of a company that produces musical works or expression of musical works.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Label
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#
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# # Libretto
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Libretto
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#
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Listener
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#
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# # Lyrics
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Lyrics
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#
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# # Mini Disc used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MD
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#
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# # Magnetic analogue tape used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MagneticTape
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#
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# # A means or instrumentality for storing or communicating musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Medium
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#
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# # A membership event, where one or several people belongs to a group during a particular time period.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Membership
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#
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# # A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. Often a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual movements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a pause between them.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Movement
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#
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# # A person or a group of people (or a computer :-) ), whose musical creative work shows sensitivity and imagination
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicArtist
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#
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# # Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicGroup
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#
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# # The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. For example: Work #1 Franz Schubert's Trout quintet * Expression #1 the composer's score * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello * . . . . The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the result of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such expressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that particular time').
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicalExpression
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#
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# # A single exemplar of a musical expression. For example, it could be a single exemplar of a CD. This is normally an single object (a CD) possessed by somebody. From the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.). In terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation (e.g., damage occurring after the item was produced, binding performed by a library, etc.).
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicalItem
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#
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# # This entity is related to the edition/production/publication of a musical expression (musical manifestation are closely related with the music industry (their terms, concepts, definitions, methods (production, publication, etc.), etc.) From the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form. Work #1 J. S. Bach's Six suites for unaccompanied cello * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983 o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records Changes that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular "state" or "issue" of the publication. Changes that occur to an individual copy after the production process is complete (e.g., the loss of a page, rebinding, etc.) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar (or item) of the manifestation that deviates from the copy as produced. With the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation. Defining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicalManifestation
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#
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# # Distinct intellectual or artistic musical creation. From the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work. For example: work #1 J. S. Bach's The art of the fugue
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :MusicalWork
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#
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# # Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Orchestration
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#
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# # A performance event. It might include as agents performers, engineers, conductors, or even listeners. It might include as factors a score, a MusicalWork, musical instruments. It might produce a sound:-)
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Performance
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#
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Performer
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#
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# # A published libretto
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :PublishedLibretto
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#
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# # Published lyrics, as a book or as a text file, for example
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :PublishedLyrics
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#
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# # A published score (subclass of MusicalManifestation)
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :PublishedScore
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#
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# # A published record (manifestation which first aim is to render the product of a recording)
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Record
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#
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# # A recording event. Takes a sound as a factor to produce a signal (analog or digital). The location of such events (if any) is the actual location of the corresponding microphone or the "recording device".
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Recording
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#
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# # A set of performances/recordings/mastering events. This event can be decomposed in its constituent events using event:sub_event
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :RecordingSession
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#
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# # A specific release, with barcode, box, liner notes, cover art, and a number of records
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Release
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#
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# # A release event, in a particular place (e.g. a country) at a particular time. Other factors of this event might include cover art, liner notes, box, etc. or a release grouping all these.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :ReleaseEvent
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#
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# # Musical manifestation release status.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :ReleaseStatus
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#
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# # Release type of a particular manifestation, such as "album" or "interview"...
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :ReleaseType
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#
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# # Super Audio Compact Disc used as medium to record a musical manifestation.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :SACD
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#
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# # Here, we are dealing with the informational object (the MusicalExpression), not the actually "published" score. This may be, for example, the product of an arrangement process.
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Score
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#
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# # A show - a musical event lasting several days, in a particular venue. Examples can be "The Magic Flute" at the Opera Bastille, August 2005, or a musical in the west end...
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# # @return [RDF::Vocabulary::Term]
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# attr_reader :Show
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#
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# # A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.
|
210
|
+
# # @return [RDF::Vocabulary::Term]
|
211
|
+
# attr_reader :Signal
|
212
|
+
#
|
213
|
+
# # A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.
|
214
|
+
# # @return [RDF::Vocabulary::Term]
|
215
|
+
# attr_reader :SignalGroup
|
216
|
+
#
|
217
|
+
# # Single person whose musical creative work shows sensitivity and imagination.
|
218
|
+
# # @return [RDF::Vocabulary::Term]
|
219
|
+
# attr_reader :SoloMusicArtist
|
220
|
+
#
|
221
|
+
# # A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.
|
222
|
+
# # @return [RDF::Vocabulary::Term]
|
223
|
+
# attr_reader :Sound
|
224
|
+
#
|
225
|
+
# # @return [RDF::Vocabulary::Term]
|
226
|
+
# attr_reader :SoundEngineer
|
227
|
+
#
|
228
|
+
# # Transmission over a network used as medium to broadcast a musical manifestation
|
229
|
+
# # @return [RDF::Vocabulary::Term]
|
230
|
+
# attr_reader :Stream
|
231
|
+
#
|
232
|
+
# # Something available on the Bittorrent peer-2-peer filesharing network
|
233
|
+
# # @return [RDF::Vocabulary::Term]
|
234
|
+
# attr_reader :Torrent
|
235
|
+
#
|
236
|
+
# # A track on a particular record
|
237
|
+
# # @return [RDF::Vocabulary::Term]
|
238
|
+
# attr_reader :Track
|
239
|
+
#
|
240
|
+
# # Transcription event
|
241
|
+
# # @return [RDF::Vocabulary::Term]
|
242
|
+
# attr_reader :Transcription
|
243
|
+
#
|
244
|
+
# # Vinyl used as medium to record a musical manifestation
|
245
|
+
# # @return [RDF::Vocabulary::Term]
|
246
|
+
# attr_reader :Vinyl
|
247
|
+
#
|
248
|
+
# # Relates an artist to an activity period
|
249
|
+
# # @return [RDF::Vocabulary::Term]
|
250
|
+
# attr_reader :activity
|
251
|
+
#
|
252
|
+
# # Relates an artist to a date at which its activity ended
|
253
|
+
# # @return [RDF::Vocabulary::Term]
|
254
|
+
# attr_reader :activity_end
|
255
|
+
#
|
256
|
+
# # Relates an artist to a date at which its activity started
|
257
|
+
# # @return [RDF::Vocabulary::Term]
|
258
|
+
# attr_reader :activity_start
|
259
|
+
#
|
260
|
+
# # Used to link a work or the expression of a work to its corresponding Amazon ASINs page.
|
261
|
+
# # @return [RDF::Vocabulary::Term]
|
262
|
+
# attr_reader :amazon_asin
|
263
|
+
#
|
264
|
+
# # Associates a work to an arrangement event where it was arranged
|
265
|
+
# # @return [RDF::Vocabulary::Term]
|
266
|
+
# attr_reader :arranged_in
|
267
|
+
#
|
268
|
+
# # Associates an arrangement event to a work
|
269
|
+
# # @return [RDF::Vocabulary::Term]
|
270
|
+
# attr_reader :arrangement_of
|
271
|
+
#
|
272
|
+
# # Relates a membership event with the corresponding artist
|
273
|
+
# # @return [RDF::Vocabulary::Term]
|
274
|
+
# attr_reader :artist
|
275
|
+
#
|
276
|
+
# # @return [RDF::Vocabulary::Term]
|
277
|
+
# attr_reader :availableAs
|
278
|
+
#
|
279
|
+
# # Relates a musical manifestation to a musical item (this album, and my particular cd). By using this property, there is no assumption on wether the full content is available on the linked item. To be explicit about this, you can use a sub-property, such as mo:item (the full manifestation is available on that item) or mo:preview (only a part of the manifestation is available on that item). This is a subproperty of frbr:examplar.
|
280
|
+
# # @return [RDF::Vocabulary::Term]
|
281
|
+
# attr_reader :available_as
|
282
|
+
#
|
283
|
+
# # Used to link an artist to their online biography.
|
284
|
+
# # @return [RDF::Vocabulary::Term]
|
285
|
+
# attr_reader :biography
|
286
|
+
#
|
287
|
+
# # Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.
|
288
|
+
# # @return [RDF::Vocabulary::Term]
|
289
|
+
# attr_reader :bitsPerSample
|
290
|
+
#
|
291
|
+
# # Indicates the BPM of a MusicalWork or a particular Performance Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.
|
292
|
+
# # @return [RDF::Vocabulary::Term]
|
293
|
+
# attr_reader :bpm
|
294
|
+
#
|
295
|
+
# # Links a release with the corresponding catalogue number
|
296
|
+
# # @return [RDF::Vocabulary::Term]
|
297
|
+
# attr_reader :catalogue_number
|
298
|
+
#
|
299
|
+
# # Associates a signal to the number of channels it holds (mono --> 1, stereo --> 2). Range is xsd:int.
|
300
|
+
# # @return [RDF::Vocabulary::Term]
|
301
|
+
# attr_reader :channels
|
302
|
+
#
|
303
|
+
# # Used to relate two collaborating people on a work.
|
304
|
+
# # @return [RDF::Vocabulary::Term]
|
305
|
+
# attr_reader :collaborated_with
|
306
|
+
#
|
307
|
+
# # Indicates that a musical manifestation is a compilation of several Signals.
|
308
|
+
# # @return [RDF::Vocabulary::Term]
|
309
|
+
# attr_reader :compilation_of
|
310
|
+
#
|
311
|
+
# # Used to relate an person or a group of person who compiled the manifestation of a musical work.
|
312
|
+
# # @return [RDF::Vocabulary::Term]
|
313
|
+
# attr_reader :compiled
|
314
|
+
#
|
315
|
+
# # Used to relate the manifestation of a musical work to a person or a group of person who compiled it.
|
316
|
+
# # @return [RDF::Vocabulary::Term]
|
317
|
+
# attr_reader :compiler
|
318
|
+
#
|
319
|
+
# # Associates a MusicalWork to the Composition event pertaining to its creation. For example, I might use this property to associate the Magic Flute to its composition event, occuring during 1782 and having as a mo:composer Mozart.
|
320
|
+
# # @return [RDF::Vocabulary::Term]
|
321
|
+
# attr_reader :composed_in
|
322
|
+
#
|
323
|
+
# # Associates a composition event to the actual composer. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to Mozart himself (who obviously has a FOAF profile:-) ).
|
324
|
+
# # @return [RDF::Vocabulary::Term]
|
325
|
+
# attr_reader :composer
|
326
|
+
#
|
327
|
+
# # Relates agents to the performances they were conducting
|
328
|
+
# # @return [RDF::Vocabulary::Term]
|
329
|
+
# attr_reader :conducted
|
330
|
+
#
|
331
|
+
# # Relates a performance to the conductor involved
|
332
|
+
# # @return [RDF::Vocabulary::Term]
|
333
|
+
# attr_reader :conductor
|
334
|
+
#
|
335
|
+
# # Relates a signal to another signal, which has been sampled.
|
336
|
+
# # @return [RDF::Vocabulary::Term]
|
337
|
+
# attr_reader :contains_sample_from
|
338
|
+
#
|
339
|
+
# # A related signal from which the described signal is derived.
|
340
|
+
# # @return [RDF::Vocabulary::Term]
|
341
|
+
# attr_reader :derived_from
|
342
|
+
#
|
343
|
+
# # Used to links an artist to an online discography of their musical works. The discography should provide a summary of each released musical work of the artist.
|
344
|
+
# # @return [RDF::Vocabulary::Term]
|
345
|
+
# attr_reader :discography
|
346
|
+
#
|
347
|
+
# # Used to link a musical work or the expression of a musical work, an artist or a corporate body to to its corresponding Discogs page.
|
348
|
+
# # @return [RDF::Vocabulary::Term]
|
349
|
+
# attr_reader :discogs
|
350
|
+
#
|
351
|
+
# # Indicates that all (or most of) the tracks of a musical work or the expression of a musical work were mixed together from all (or most of) the tracks from another musical work or the expression of a musical work to form a so called DJ-Mix. The tracks might have been altered by pitching (so that the tempo of one track matches the tempo of the following track) and fading (so that one track blends in smoothly with the other). If the tracks have been more substantially altered, the "mo:remix" relationship type is more appropriate.
|
352
|
+
# # @return [RDF::Vocabulary::Term]
|
353
|
+
# attr_reader :djmix_of
|
354
|
+
#
|
355
|
+
# # Used to relate an artist who djmixed a musical work or the expression of a musical work. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
|
356
|
+
# # @return [RDF::Vocabulary::Term]
|
357
|
+
# attr_reader :djmixed
|
358
|
+
#
|
359
|
+
# # Used to relate a work or the expression of a work to an artist who djmixed it. The artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track.
|
360
|
+
# # @return [RDF::Vocabulary::Term]
|
361
|
+
# attr_reader :djmixed_by
|
362
|
+
#
|
363
|
+
# # This property can be used to link from a person to the website where they make their works available, or from a manifestation (a track or an album, for example) to a web page where it is available for download. It is better to use one of the three sub-properties instead of this one in order to specify wether the content can be accessed for free (mo:freedownload), if it is just free preview material (mo:previewdownload), or if it can be accessed for some money (mo:paiddownload) (this includes links to the Amazon store, for example). This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
|
364
|
+
# # @return [RDF::Vocabulary::Term]
|
365
|
+
# attr_reader :download
|
366
|
+
#
|
367
|
+
# # The duration of a track or a signal in ms
|
368
|
+
# # @return [RDF::Vocabulary::Term]
|
369
|
+
# attr_reader :duration
|
370
|
+
#
|
371
|
+
# # The European Article Number (EAN) is a universal identifier for products, commonly printed in form of barcodes on them. The numbers represented by those codes can either be 8 or 13 digits long, with the 13-digit-version being most common. EANs form a superset of the North American Universal Product Code (UPC) as every UPC can be made an EAN by adding a leading zero to it. Additionally every EAN is also a Japanese Article Number (JAN). The identifiers were formerly assigned by EAN International which merged with Uniform Code Council (UCC, the guys behind the UPCs) and Electronic Commerce Council of Canada (ECCC) to become GS1.
|
372
|
+
# # @return [RDF::Vocabulary::Term]
|
373
|
+
# attr_reader :ean
|
374
|
+
#
|
375
|
+
# # Relates a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) to the signal it encodes. This is usually a lower-resolution version of the master signal (issued from a Recording event).
|
376
|
+
# # @return [RDF::Vocabulary::Term]
|
377
|
+
# attr_reader :encodes
|
378
|
+
#
|
379
|
+
# # Method used to convert analog electronic signals into digital format such as "MP3 CBR @ 128kbps", "OGG @ 160kbps", "FLAC", etc.
|
380
|
+
# # @return [RDF::Vocabulary::Term]
|
381
|
+
# attr_reader :encoding
|
382
|
+
#
|
383
|
+
# # Relates a performance or a recording to the engineer involved
|
384
|
+
# # @return [RDF::Vocabulary::Term]
|
385
|
+
# attr_reader :engineer
|
386
|
+
#
|
387
|
+
# # Relates agents to the performances/recordings they were engineering in
|
388
|
+
# # @return [RDF::Vocabulary::Term]
|
389
|
+
# attr_reader :engineered
|
390
|
+
#
|
391
|
+
# # @return [RDF::Vocabulary::Term]
|
392
|
+
# attr_reader :eventHomePage
|
393
|
+
#
|
394
|
+
# # Links a particular event to a web page
|
395
|
+
# # @return [RDF::Vocabulary::Term]
|
396
|
+
# attr_reader :event_homepage
|
397
|
+
#
|
398
|
+
# # A person, a group of person or an organization exchanging an exemplar of a single manifestation.
|
399
|
+
# # @return [RDF::Vocabulary::Term]
|
400
|
+
# attr_reader :exchange_item
|
401
|
+
#
|
402
|
+
# # Used to link an artist to a fan-created webpage devoted to that artist.
|
403
|
+
# # @return [RDF::Vocabulary::Term]
|
404
|
+
# attr_reader :fanpage
|
405
|
+
#
|
406
|
+
# # This property can be used to link from a person to the website where they make their works available, or from a manifestation (a track or an album, for example) to a web page where it is available for free download. This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
|
407
|
+
# # @return [RDF::Vocabulary::Term]
|
408
|
+
# attr_reader :free_download
|
409
|
+
#
|
410
|
+
# # @return [RDF::Vocabulary::Term]
|
411
|
+
# attr_reader :freedownload
|
412
|
+
#
|
413
|
+
# # Associates an event (like a performance or a recording) to a particular musical genre. Further version of this property may also include works and scores in the domain.
|
414
|
+
# # @return [RDF::Vocabulary::Term]
|
415
|
+
# attr_reader :genre
|
416
|
+
#
|
417
|
+
# # The Global Release Identifier (GRid) is a system for uniquely identifying Releases of music over electronic networks (that is, online stores where you can buy music as digital files). As that it can be seen as the equivalent of the BarCode (or more correctly the GTIN) as found on physical releases of music. Like the ISRC (a code for identifying single recordings as found on releases) it was developed by the IFPI but it does not appear to be a standard of the ISO.
|
418
|
+
# # @return [RDF::Vocabulary::Term]
|
419
|
+
# attr_reader :grid
|
420
|
+
#
|
421
|
+
# # Relates a membership event with the corresponding group
|
422
|
+
# # @return [RDF::Vocabulary::Term]
|
423
|
+
# attr_reader :group
|
424
|
+
#
|
425
|
+
# # GTIN is a grouping term for EANs and UPCs. In common speech those are called barcodes although the barcodes are just a representation of those identifying numbers.
|
426
|
+
# # @return [RDF::Vocabulary::Term]
|
427
|
+
# attr_reader :gtin
|
428
|
+
#
|
429
|
+
# # @return [RDF::Vocabulary::Term]
|
430
|
+
# attr_reader :has_track
|
431
|
+
#
|
432
|
+
# # Relates a performance to the headliner(s) involved
|
433
|
+
# # @return [RDF::Vocabulary::Term]
|
434
|
+
# attr_reader :headliner
|
435
|
+
#
|
436
|
+
# # Links an artist, a record, etc. to a corresponding web page
|
437
|
+
# # @return [RDF::Vocabulary::Term]
|
438
|
+
# attr_reader :homepage
|
439
|
+
#
|
440
|
+
# # Indicates a pictorial image (JPEG, GIF, PNG, Etc.) of a musical work, the expression of a musical work, the manifestation of a work or the examplar of a manifestation.
|
441
|
+
# # @return [RDF::Vocabulary::Term]
|
442
|
+
# attr_reader :image
|
443
|
+
#
|
444
|
+
# # Used to link an artist, a musical work or the expression of a musical work to their equivalent page on IMDb, the InternetMovieDatabase.
|
445
|
+
# # @return [RDF::Vocabulary::Term]
|
446
|
+
# attr_reader :imdb
|
447
|
+
#
|
448
|
+
# # Relates a performance to a musical instrument involved
|
449
|
+
# # @return [RDF::Vocabulary::Term]
|
450
|
+
# attr_reader :instrument
|
451
|
+
#
|
452
|
+
# # Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.
|
453
|
+
# # @return [RDF::Vocabulary::Term]
|
454
|
+
# attr_reader :interpreter
|
455
|
+
#
|
456
|
+
# # The Interested Parties Information Code (IPI) is an ISO standard similar to ISBNs for identifying the people or groups with some involvement with a particular musical work / compositions.
|
457
|
+
# # @return [RDF::Vocabulary::Term]
|
458
|
+
# attr_reader :ipi
|
459
|
+
#
|
460
|
+
# # The International Standard Music Number (ISMN) is an ISO standard similar to ISBNs for identifying printed music publications
|
461
|
+
# # @return [RDF::Vocabulary::Term]
|
462
|
+
# attr_reader :ismn
|
463
|
+
#
|
464
|
+
# # The ISRC (International Standard Recording Code) is the international identification system for sound recordings and music videorecordings. Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint. Encoded ISRC provide the means to automatically identify recordings for royalty payments.
|
465
|
+
# # @return [RDF::Vocabulary::Term]
|
466
|
+
# attr_reader :isrc
|
467
|
+
#
|
468
|
+
# # Links a musical work to the corresponding ISWC number
|
469
|
+
# # @return [RDF::Vocabulary::Term]
|
470
|
+
# attr_reader :iswc
|
471
|
+
#
|
472
|
+
# # Relates a musical manifestation to a musical item (this album, and my particular cd) holding the entire manifestation, and not just a part of it.
|
473
|
+
# # @return [RDF::Vocabulary::Term]
|
474
|
+
# attr_reader :item
|
475
|
+
#
|
476
|
+
# # Indicated the key used by the musicians during a performance, or the key of a MusicalWork. Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.
|
477
|
+
# # @return [RDF::Vocabulary::Term]
|
478
|
+
# attr_reader :key
|
479
|
+
#
|
480
|
+
# # Associates a release event with the label releasing the record
|
481
|
+
# # @return [RDF::Vocabulary::Term]
|
482
|
+
# attr_reader :label
|
483
|
+
#
|
484
|
+
# # The Label Code (LC) was introduced in 1977 by the IFPI (International Federation of Phonogram and Videogram Industries) in order to unmistakably identify the different record labels (see Introduction, Record labels) for rights purposes. The Label Code consists historically of 4 figures, presently being extended to 5 figures, preceded by LC and a dash (e.g. LC-0193 = Electrola; LC-0233 = His Master's Voice). Note that the number of countries using the LC is limited, and that the code given on the item is not always accurate.
|
485
|
+
# # @return [RDF::Vocabulary::Term]
|
486
|
+
# attr_reader :lc
|
487
|
+
#
|
488
|
+
# # This annotation property associates to a particular Music Ontology term the corresponding expressiveness level. These levels can be: - 1: Only editorial/Musicbrainz type information - 2: Workflow information - 3: Even decomposition This property is mainly used for specification generation.
|
489
|
+
# # @return [RDF::Vocabulary::Term]
|
490
|
+
# attr_reader :level
|
491
|
+
#
|
492
|
+
# # Used to link a work or the expression of a work to the license under which they can be manipulated (downloaded, modified, etc). This is usually used to link to a Creative Commons licence.
|
493
|
+
# # @return [RDF::Vocabulary::Term]
|
494
|
+
# attr_reader :licence
|
495
|
+
#
|
496
|
+
# # Relates agents to the performances they were listening in
|
497
|
+
# # @return [RDF::Vocabulary::Term]
|
498
|
+
# attr_reader :listened
|
499
|
+
#
|
500
|
+
# # Relates a performance to the listener involved
|
501
|
+
# # @return [RDF::Vocabulary::Term]
|
502
|
+
# attr_reader :listener
|
503
|
+
#
|
504
|
+
# # Associates lyrics with a musical work
|
505
|
+
# # @return [RDF::Vocabulary::Term]
|
506
|
+
# attr_reader :lyrics
|
507
|
+
#
|
508
|
+
# # Used to link a musical work or the expression of a musical work to a website where people can buy a copy of the musical manifestation.
|
509
|
+
# # @return [RDF::Vocabulary::Term]
|
510
|
+
# attr_reader :mailorder
|
511
|
+
#
|
512
|
+
# # Indicates that musical works or the expressions of a musical work were mashed up on this album or track. This means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work (usually by a third artist, the remixer).
|
513
|
+
# # @return [RDF::Vocabulary::Term]
|
514
|
+
# attr_reader :mashup_of
|
515
|
+
#
|
516
|
+
# # The mediatype (file format or MIME type, or physical medium) of a musical manifestation, e.g. a MP3, CD or vinyl.
|
517
|
+
# # @return [RDF::Vocabulary::Term]
|
518
|
+
# attr_reader :media_type
|
519
|
+
#
|
520
|
+
# # Indicates that a musical expression is a medley of several other musical expressions. This means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley.
|
521
|
+
# # @return [RDF::Vocabulary::Term]
|
522
|
+
# attr_reader :medley_of
|
523
|
+
#
|
524
|
+
# # Indicates a member of a musical group
|
525
|
+
# # @return [RDF::Vocabulary::Term]
|
526
|
+
# attr_reader :member
|
527
|
+
#
|
528
|
+
# # Inverse of the foaf:member property
|
529
|
+
# # @return [RDF::Vocabulary::Term]
|
530
|
+
# attr_reader :member_of
|
531
|
+
#
|
532
|
+
# # Relates an agent with related membership events
|
533
|
+
# # @return [RDF::Vocabulary::Term]
|
534
|
+
# attr_reader :membership
|
535
|
+
#
|
536
|
+
# # Associates a musical work or a score with its meter
|
537
|
+
# # @return [RDF::Vocabulary::Term]
|
538
|
+
# attr_reader :meter
|
539
|
+
#
|
540
|
+
# # Indicates that a musical work has movements
|
541
|
+
# # @return [RDF::Vocabulary::Term]
|
542
|
+
# attr_reader :movement
|
543
|
+
#
|
544
|
+
# # @return [RDF::Vocabulary::Term]
|
545
|
+
# attr_reader :movementNum
|
546
|
+
#
|
547
|
+
# # Indicates the position of a movement in a musical work.
|
548
|
+
# # @return [RDF::Vocabulary::Term]
|
549
|
+
# attr_reader :movement_number
|
550
|
+
#
|
551
|
+
# # Linking an agent, a track or a record to its corresponding Musicbrainz page.
|
552
|
+
# # @return [RDF::Vocabulary::Term]
|
553
|
+
# attr_reader :musicbrainz
|
554
|
+
#
|
555
|
+
# # Links an object to the corresponding Musicbrainz identifier
|
556
|
+
# # @return [RDF::Vocabulary::Term]
|
557
|
+
# attr_reader :musicbrainz_guid
|
558
|
+
#
|
559
|
+
# # Used to link an artist, a musical work or the expression of a musical work to its corresponding MusicMoz page.
|
560
|
+
# # @return [RDF::Vocabulary::Term]
|
561
|
+
# attr_reader :musicmoz
|
562
|
+
#
|
563
|
+
# # Used to link a person to its corresponding MySpace page.
|
564
|
+
# # @return [RDF::Vocabulary::Term]
|
565
|
+
# attr_reader :myspace
|
566
|
+
#
|
567
|
+
# # Used to link a track to a tabulature file for track in the On-Line Guitar Archive.
|
568
|
+
# # @return [RDF::Vocabulary::Term]
|
569
|
+
# attr_reader :olga
|
570
|
+
#
|
571
|
+
# # Used to link a person with an online community web page like a blog, a wiki, a forum, a livejournal page, Etc.
|
572
|
+
# # @return [RDF::Vocabulary::Term]
|
573
|
+
# attr_reader :onlinecommunity
|
574
|
+
#
|
575
|
+
# # Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.
|
576
|
+
# # @return [RDF::Vocabulary::Term]
|
577
|
+
# attr_reader :opus
|
578
|
+
#
|
579
|
+
# # Relates an artist to its geographic origin
|
580
|
+
# # @return [RDF::Vocabulary::Term]
|
581
|
+
# attr_reader :origin
|
582
|
+
#
|
583
|
+
# # Indicates that two musical manifestations are essentially the same.
|
584
|
+
# # @return [RDF::Vocabulary::Term]
|
585
|
+
# attr_reader :other_release_of
|
586
|
+
#
|
587
|
+
# # Provide a link from an artist to a web page where all of that artist's musical work is available for some money, or a link from a manifestation (record/track, for example) to a web page providing a paid access to this manifestation.
|
588
|
+
# # @return [RDF::Vocabulary::Term]
|
589
|
+
# attr_reader :paid_download
|
590
|
+
#
|
591
|
+
# # @return [RDF::Vocabulary::Term]
|
592
|
+
# attr_reader :paiddownload
|
593
|
+
#
|
594
|
+
# # Associates a Performance to a musical work or an arrangement that is being used as a factor in it. For example, I might use this property to attach the Magic Flute musical work to a particular Performance.
|
595
|
+
# # @return [RDF::Vocabulary::Term]
|
596
|
+
# attr_reader :performance_of
|
597
|
+
#
|
598
|
+
# # Relates agents to the performances they were performing in
|
599
|
+
# # @return [RDF::Vocabulary::Term]
|
600
|
+
# attr_reader :performed
|
601
|
+
#
|
602
|
+
# # Associates a Musical Work or an Score to Performances in which they were a factor. For example, I might use this property in order to associate the Magic Flute to a particular performance at the Opera Bastille last year.
|
603
|
+
# # @return [RDF::Vocabulary::Term]
|
604
|
+
# attr_reader :performed_in
|
605
|
+
#
|
606
|
+
# # Relates a performance to the performers involved
|
607
|
+
# # @return [RDF::Vocabulary::Term]
|
608
|
+
# attr_reader :performer
|
609
|
+
#
|
610
|
+
# # A person, a group of person or an organization possessing an exemplar of a single manifestation.
|
611
|
+
# # @return [RDF::Vocabulary::Term]
|
612
|
+
# attr_reader :possess_item
|
613
|
+
#
|
614
|
+
# # Relates a musical manifestation to a musical item (this album, and my particular cd), which holds a preview of the manifestation (eg. one track for an album, or a snippet for a track)
|
615
|
+
# # @return [RDF::Vocabulary::Term]
|
616
|
+
# attr_reader :preview
|
617
|
+
#
|
618
|
+
# # This property can be used to link from a person to the website where they make previews of their works available, or from a manifestation (a track or an album, for example) to a web page where a preview download is available. This property MUST be used only if the content is just available through a web page (holding, for example a Flash application) - it is better to link to actual content directly through the use of mo:available_as and mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even less to rip streams from Flash applications can still access the audio content.
|
619
|
+
# # @return [RDF::Vocabulary::Term]
|
620
|
+
# attr_reader :preview_download
|
621
|
+
#
|
622
|
+
# # Indicates that an artist primarily plays an instrument, or that a member was primarily playing a particular instrument during his membership
|
623
|
+
# # @return [RDF::Vocabulary::Term]
|
624
|
+
# attr_reader :primary_instrument
|
625
|
+
#
|
626
|
+
# # Used to relate an person or a group of person who produced the manifestation of a work.
|
627
|
+
# # @return [RDF::Vocabulary::Term]
|
628
|
+
# attr_reader :produced
|
629
|
+
#
|
630
|
+
# # Associates an arrangement or a composition event to a score product (score here does not refer to a published score, but more an abstract arrangement of a particular work).
|
631
|
+
# # @return [RDF::Vocabulary::Term]
|
632
|
+
# attr_reader :produced_score
|
633
|
+
#
|
634
|
+
# # Associates a Recording to the outputted signal.
|
635
|
+
# # @return [RDF::Vocabulary::Term]
|
636
|
+
# attr_reader :produced_signal
|
637
|
+
#
|
638
|
+
# # Associates a recording session with a group of master signals produced by it.
|
639
|
+
# # @return [RDF::Vocabulary::Term]
|
640
|
+
# attr_reader :produced_signal_group
|
641
|
+
#
|
642
|
+
# # Associates a Performance to a physical Sound that is being produced by it.
|
643
|
+
# # @return [RDF::Vocabulary::Term]
|
644
|
+
# attr_reader :produced_sound
|
645
|
+
#
|
646
|
+
# # Associates a composition event to the produced MusicalWork. For example, this property could link the event corresponding to the composition of the Magic Flute in 1782 to the Magic Flute musical work itself. This musical work can then be used in particular performances.
|
647
|
+
# # @return [RDF::Vocabulary::Term]
|
648
|
+
# attr_reader :produced_work
|
649
|
+
#
|
650
|
+
# # Used to relate the manifestation of a work to a person or a group of person who produced it.
|
651
|
+
# # @return [RDF::Vocabulary::Term]
|
652
|
+
# attr_reader :producer
|
653
|
+
#
|
654
|
+
# # @return [RDF::Vocabulary::Term]
|
655
|
+
# attr_reader :producesSignal
|
656
|
+
#
|
657
|
+
# # @return [RDF::Vocabulary::Term]
|
658
|
+
# attr_reader :producesSound
|
659
|
+
#
|
660
|
+
# # @return [RDF::Vocabulary::Term]
|
661
|
+
# attr_reader :producesWork
|
662
|
+
#
|
663
|
+
# # @return [RDF::Vocabulary::Term]
|
664
|
+
# attr_reader :productOfComposition
|
665
|
+
#
|
666
|
+
# # @return [RDF::Vocabulary::Term]
|
667
|
+
# attr_reader :publicationOf
|
668
|
+
#
|
669
|
+
# # Link a particular manifestation to the related signal, score, libretto, or lyrics
|
670
|
+
# # @return [RDF::Vocabulary::Term]
|
671
|
+
# attr_reader :publication_of
|
672
|
+
#
|
673
|
+
# # Used to relate an person or a group of person who published the manifestation of a work.
|
674
|
+
# # @return [RDF::Vocabulary::Term]
|
675
|
+
# attr_reader :published
|
676
|
+
#
|
677
|
+
# # @return [RDF::Vocabulary::Term]
|
678
|
+
# attr_reader :publishedAs
|
679
|
+
#
|
680
|
+
# # Links a musical expression (e.g. a signal or a score) to one of its manifestations (e.g. a track on a particular record or a published score).
|
681
|
+
# # @return [RDF::Vocabulary::Term]
|
682
|
+
# attr_reader :published_as
|
683
|
+
#
|
684
|
+
# # Used to relate a musical manifestation to a person or a group of person who published it.
|
685
|
+
# # @return [RDF::Vocabulary::Term]
|
686
|
+
# attr_reader :publisher
|
687
|
+
#
|
688
|
+
# # @return [RDF::Vocabulary::Term]
|
689
|
+
# attr_reader :publishingLocation
|
690
|
+
#
|
691
|
+
# # Relates a musical manifestation to its publication location.
|
692
|
+
# # @return [RDF::Vocabulary::Term]
|
693
|
+
# attr_reader :publishing_location
|
694
|
+
#
|
695
|
+
# # Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems (mo:AudioFile) derived from this signal. PUIDs (Portable Unique IDentifier) are the IDs used in the proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP. Using PUIDs, one (with some luck) can identify the Signal object associated with a particular audio file, therefore allowing to access further information (on which release this track is featured? etc.). Using some more metadata one can identify the particular Track corresponding to the audio file (a track on a particular release).
|
696
|
+
# # @return [RDF::Vocabulary::Term]
|
697
|
+
# attr_reader :puid
|
698
|
+
#
|
699
|
+
# # Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.
|
700
|
+
# # @return [RDF::Vocabulary::Term]
|
701
|
+
# attr_reader :record
|
702
|
+
#
|
703
|
+
# # Associates a release with the number of records it contains, e.g. the number of discs it contains in the case of a multi-disc release.
|
704
|
+
# # @return [RDF::Vocabulary::Term]
|
705
|
+
# attr_reader :record_count
|
706
|
+
#
|
707
|
+
# # Indicates the position of a record in a release (e.g. a 2xLP, etc.).
|
708
|
+
# # @return [RDF::Vocabulary::Term]
|
709
|
+
# attr_reader :record_number
|
710
|
+
#
|
711
|
+
# # Associates the side on a vinyl record, where a track is located, e.g. A, B, C, etc. This property can then also be used in conjunction with mo:track_number, so that one can infer e.g. "A1", that means, track number 1 on side A.
|
712
|
+
# # @return [RDF::Vocabulary::Term]
|
713
|
+
# attr_reader :record_side
|
714
|
+
#
|
715
|
+
# # @return [RDF::Vocabulary::Term]
|
716
|
+
# attr_reader :recordedAs
|
717
|
+
#
|
718
|
+
# # This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property allows to directly link a Performance to the recorded Signal. This is recommended for "normal" users. However, advanced users wanting to express things such as the location of the microphone will have to create this shortcut as well as the whole workflow, in order to let the "normal" users access simply the, well, simple information:-) .
|
719
|
+
# # @return [RDF::Vocabulary::Term]
|
720
|
+
# attr_reader :recorded_as
|
721
|
+
#
|
722
|
+
# # Associates a physical Sound to a Recording event where it is being used in order to produce a signal. For example, I might use this property to associate the sound produced by a particular performance of the magic flute to a given recording, done using my cell-phone.
|
723
|
+
# # @return [RDF::Vocabulary::Term]
|
724
|
+
# attr_reader :recorded_in
|
725
|
+
#
|
726
|
+
# # Associates a Recording event to a physical Sound being recorded. For example, I might use this property to associate a given recording, done using my cell phone, to the sound produced by a particular performance of the magic flute.
|
727
|
+
# # @return [RDF::Vocabulary::Term]
|
728
|
+
# attr_reader :recording_of
|
729
|
+
#
|
730
|
+
# # This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance to a signal.
|
731
|
+
# # @return [RDF::Vocabulary::Term]
|
732
|
+
# attr_reader :records
|
733
|
+
#
|
734
|
+
# # Associates a release with the corresponding release event
|
735
|
+
# # @return [RDF::Vocabulary::Term]
|
736
|
+
# attr_reader :release
|
737
|
+
#
|
738
|
+
# # @return [RDF::Vocabulary::Term]
|
739
|
+
# attr_reader :releaseStatus
|
740
|
+
#
|
741
|
+
# # @return [RDF::Vocabulary::Term]
|
742
|
+
# attr_reader :releaseType
|
743
|
+
#
|
744
|
+
# # Relates a musical manifestation to its release status (bootleg, ...)
|
745
|
+
# # @return [RDF::Vocabulary::Term]
|
746
|
+
# attr_reader :release_status
|
747
|
+
#
|
748
|
+
# # Relates a musical manifestation to its release type (interview, spoken word, album, ...)
|
749
|
+
# # @return [RDF::Vocabulary::Term]
|
750
|
+
# attr_reader :release_type
|
751
|
+
#
|
752
|
+
# # This relates two musical work or the expression of a musical work, where one is a remaster of the other. A remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.
|
753
|
+
# # @return [RDF::Vocabulary::Term]
|
754
|
+
# attr_reader :remaster_of
|
755
|
+
#
|
756
|
+
# # Used to relate the remix of a musical work in a substantially altered version produced by mixing together individual tracks or segments of an original musical source work.
|
757
|
+
# # @return [RDF::Vocabulary::Term]
|
758
|
+
# attr_reader :remix_of
|
759
|
+
#
|
760
|
+
# # Used to relate an artist who remixed a musical work or the expression of a musical work. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
|
761
|
+
# # @return [RDF::Vocabulary::Term]
|
762
|
+
# attr_reader :remixed
|
763
|
+
#
|
764
|
+
# # Used to relate a musical work or the expression of a musical work to an artist who remixed it. This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.
|
765
|
+
# # @return [RDF::Vocabulary::Term]
|
766
|
+
# attr_reader :remixer
|
767
|
+
#
|
768
|
+
# # Used to link a work or the expression of a work to a review. The review does not have to be open content, as long as it is accessible to the general internet population.
|
769
|
+
# # @return [RDF::Vocabulary::Term]
|
770
|
+
# attr_reader :review
|
771
|
+
#
|
772
|
+
# # @return [RDF::Vocabulary::Term]
|
773
|
+
# attr_reader :sampleRate
|
774
|
+
#
|
775
|
+
# # Associates a digital signal to its sample rate. It might be easier to express it this way instead of defining a timeline map:-) Range is xsd:float.
|
776
|
+
# # @return [RDF::Vocabulary::Term]
|
777
|
+
# attr_reader :sample_rate
|
778
|
+
#
|
779
|
+
# # Used to relate an artist who sampled a Signal.
|
780
|
+
# # @return [RDF::Vocabulary::Term]
|
781
|
+
# attr_reader :sampled
|
782
|
+
#
|
783
|
+
# # @return [RDF::Vocabulary::Term]
|
784
|
+
# attr_reader :sampledVersionOf
|
785
|
+
#
|
786
|
+
# # Associates an analog signal with a sampled version of it
|
787
|
+
# # @return [RDF::Vocabulary::Term]
|
788
|
+
# attr_reader :sampled_version
|
789
|
+
#
|
790
|
+
# # Associates a digital signal with the analog version of it
|
791
|
+
# # @return [RDF::Vocabulary::Term]
|
792
|
+
# attr_reader :sampled_version_of
|
793
|
+
#
|
794
|
+
# # Used to relate the signal of a musical work to an artist who sampled it.
|
795
|
+
# # @return [RDF::Vocabulary::Term]
|
796
|
+
# attr_reader :sampler
|
797
|
+
#
|
798
|
+
# # A person, a group of person or an organization selling an exemplar of a single manifestation.
|
799
|
+
# # @return [RDF::Vocabulary::Term]
|
800
|
+
# attr_reader :sell_item
|
801
|
+
#
|
802
|
+
# # Associates a group of signals with one of the signals it contains
|
803
|
+
# # @return [RDF::Vocabulary::Term]
|
804
|
+
# attr_reader :signal
|
805
|
+
#
|
806
|
+
# # @return [RDF::Vocabulary::Term]
|
807
|
+
# attr_reader :signalTime
|
808
|
+
#
|
809
|
+
# # A similarity relationships between two objects (so far, either an agent, a signal or a genre, but this could grow). This relationship is pretty general and doesn't make any assumptions on how the similarity claim was derived. Such similarity statements can come from a range of different sources (Musicbrainz similarities between artists, or coming from some automatic content analysis). However, the origin of such statements should be kept using a named graph approach - and ultimately, the documents providing such statements should attach some metadata to themselves (confidence of the claim, etc.).
|
810
|
+
# # @return [RDF::Vocabulary::Term]
|
811
|
+
# attr_reader :similar_to
|
812
|
+
#
|
813
|
+
# # Relates a performance to an involved singer
|
814
|
+
# # @return [RDF::Vocabulary::Term]
|
815
|
+
# attr_reader :singer
|
816
|
+
#
|
817
|
+
# # Used to relate an artist doing long-time instrumental or vocal support for another artist.
|
818
|
+
# # @return [RDF::Vocabulary::Term]
|
819
|
+
# attr_reader :supporting_musician
|
820
|
+
#
|
821
|
+
# # Rate of speed or pace of music. Tempo markings are traditionally given in Italian; common markings include: grave (solemn; very, very slow); largo (broad; very slow); adagio (quite slow); andante (a walking pace); moderato (moderate); allegro (fast; cheerful); vivace (lively); presto (very fast); accelerando (getting faster); ritardando (getting slower); and a tempo (in time; returning to the original pace).
|
822
|
+
# # @return [RDF::Vocabulary::Term]
|
823
|
+
# attr_reader :tempo
|
824
|
+
#
|
825
|
+
# # Associates lyrics with their text.
|
826
|
+
# # @return [RDF::Vocabulary::Term]
|
827
|
+
# attr_reader :text
|
828
|
+
#
|
829
|
+
# # Associates a Signal to a time object - its actual domain
|
830
|
+
# # @return [RDF::Vocabulary::Term]
|
831
|
+
# attr_reader :time
|
832
|
+
#
|
833
|
+
# # Indicates a part of a musical manifestation - in this particular case, a track.
|
834
|
+
# # @return [RDF::Vocabulary::Term]
|
835
|
+
# attr_reader :track
|
836
|
+
#
|
837
|
+
# # @return [RDF::Vocabulary::Term]
|
838
|
+
# attr_reader :trackNum
|
839
|
+
#
|
840
|
+
# # The track count of a record
|
841
|
+
# # @return [RDF::Vocabulary::Term]
|
842
|
+
# attr_reader :track_count
|
843
|
+
#
|
844
|
+
# # Indicates the position of a track on a record medium (a CD, etc.).
|
845
|
+
# # @return [RDF::Vocabulary::Term]
|
846
|
+
# attr_reader :track_number
|
847
|
+
#
|
848
|
+
# # Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.
|
849
|
+
# # @return [RDF::Vocabulary::Term]
|
850
|
+
# attr_reader :translation_of
|
851
|
+
#
|
852
|
+
# # Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists.
|
853
|
+
# # @return [RDF::Vocabulary::Term]
|
854
|
+
# attr_reader :tribute_to
|
855
|
+
#
|
856
|
+
# # Indicates the TRMID of a track. TRM IDs are MusicBrainz' old AudioFingerprinting system. TRM (TRM Recognizes Music) IDs are (somewhat) unique ids that represent the audio signature of a musical piece (see AudioFingerprint).
|
857
|
+
# # @return [RDF::Vocabulary::Term]
|
858
|
+
# attr_reader :trmid
|
859
|
+
#
|
860
|
+
# # UPC stands for "Universal Product Code", which was the original barcode used in the United States and Canada. The UPC (now officially EAN.UCC-12 is a numerical method of identifying products without redundancy worldwide for all types of products in the retail sector. The EAN is a superset of the original UPC increasing the digits to 13 with the prefix 0 reserved for UPC. As of 2005, manufacturers are only allowed to use the new 13-digit codes on their items, rather than having two separate numbers.
|
861
|
+
# # @return [RDF::Vocabulary::Term]
|
862
|
+
# attr_reader :upc
|
863
|
+
#
|
864
|
+
# # @return [RDF::Vocabulary::Term]
|
865
|
+
# attr_reader :usedInPerformance
|
866
|
+
#
|
867
|
+
# # @return [RDF::Vocabulary::Term]
|
868
|
+
# attr_reader :usedInRecording
|
869
|
+
#
|
870
|
+
# # @return [RDF::Vocabulary::Term]
|
871
|
+
# attr_reader :usesSound
|
872
|
+
#
|
873
|
+
# # @return [RDF::Vocabulary::Term]
|
874
|
+
# attr_reader :usesWork
|
875
|
+
#
|
876
|
+
# # Links an object to an universally unique identifier for it.
|
877
|
+
# # @return [RDF::Vocabulary::Term]
|
878
|
+
# attr_reader :uuid
|
879
|
+
#
|
880
|
+
# # A person, a group of person or an organization wanting an exemplar of a single manifestation.
|
881
|
+
# # @return [RDF::Vocabulary::Term]
|
882
|
+
# attr_reader :want_item
|
883
|
+
#
|
884
|
+
# # Used to link an work, an expression of a work, a manifestation of a work, a person, an instrument or a musical genre to its corresponding WikiPedia page. The full URL should be used, not just the WikiName.
|
885
|
+
# # @return [RDF::Vocabulary::Term]
|
886
|
+
# attr_reader :wikipedia
|
887
|
+
#
|
888
|
+
# # @return [RDF::Vocabulary::Term]
|
889
|
+
# attr_reader :album
|
890
|
+
#
|
891
|
+
# # @return [RDF::Vocabulary::Term]
|
892
|
+
# attr_reader :audiobook
|
893
|
+
#
|
894
|
+
# # @return [RDF::Vocabulary::Term]
|
895
|
+
# attr_reader :bootleg
|
896
|
+
#
|
897
|
+
# # @return [RDF::Vocabulary::Term]
|
898
|
+
# attr_reader :compilation
|
899
|
+
#
|
900
|
+
# # @return [RDF::Vocabulary::Term]
|
901
|
+
# attr_reader :ep
|
902
|
+
#
|
903
|
+
# # @return [RDF::Vocabulary::Term]
|
904
|
+
# attr_reader :interview
|
905
|
+
#
|
906
|
+
# # @return [RDF::Vocabulary::Term]
|
907
|
+
# attr_reader :live
|
908
|
+
#
|
909
|
+
# # @return [RDF::Vocabulary::Term]
|
910
|
+
# attr_reader :official
|
911
|
+
#
|
912
|
+
# # @return [RDF::Vocabulary::Term]
|
913
|
+
# attr_reader :promotion
|
914
|
+
#
|
915
|
+
# # @return [RDF::Vocabulary::Term]
|
916
|
+
# attr_reader :remix
|
917
|
+
#
|
918
|
+
# # @return [RDF::Vocabulary::Term]
|
919
|
+
# attr_reader :single
|
920
|
+
#
|
921
|
+
# # @return [RDF::Vocabulary::Term]
|
922
|
+
# attr_reader :soundtrack
|
923
|
+
#
|
924
|
+
# # @return [RDF::Vocabulary::Term]
|
925
|
+
# attr_reader :spokenword
|
926
|
+
#
|
9
927
|
# end
|
10
|
-
|
928
|
+
MO = Class.new(RDF::Vocabulary("http://purl.org/ontology/mo/")) do
|
11
929
|
|
12
930
|
# Ontology definition
|
13
931
|
ontology :"http://purl.org/ontology/mo/",
|
@@ -32,9 +950,7 @@ module RDF::Vocab
|
|
32
950
|
|
33
951
|
# Class definitions
|
34
952
|
term :Activity,
|
35
|
-
comment:
|
36
|
-
An activity period, defining when an artist was musically active.
|
37
|
-
).freeze,
|
953
|
+
comment: "\n An activity period, defining when an artist was musically active.\n ".freeze,
|
38
954
|
isDefinedBy: "mo:".freeze,
|
39
955
|
label: "activity".freeze,
|
40
956
|
"mo:level": "1".freeze,
|
@@ -42,9 +958,7 @@ module RDF::Vocab
|
|
42
958
|
type: "owl:Class".freeze,
|
43
959
|
"vs:term_status": "testing".freeze
|
44
960
|
term :AnalogSignal,
|
45
|
-
comment:
|
46
|
-
An analog signal.
|
47
|
-
).freeze,
|
961
|
+
comment: "\n An analog signal.\n ".freeze,
|
48
962
|
isDefinedBy: "mo:".freeze,
|
49
963
|
label: "analogue signal".freeze,
|
50
964
|
"mo:level": "2".freeze,
|
@@ -53,10 +967,7 @@ module RDF::Vocab
|
|
53
967
|
type: "owl:Class".freeze,
|
54
968
|
"vs:term_status": "stable".freeze
|
55
969
|
term :Arrangement,
|
56
|
-
comment:
|
57
|
-
An arrangement event.
|
58
|
-
Takes as agent the arranger, and produces a score \(informational object, not the actually published score\).
|
59
|
-
).freeze,
|
970
|
+
comment: "\n An arrangement event.\n Takes as agent the arranger, and produces a score (informational object, not the actually published score).\n ".freeze,
|
60
971
|
isDefinedBy: "mo:".freeze,
|
61
972
|
label: "arrangement".freeze,
|
62
973
|
"mo:level": "2".freeze,
|
@@ -75,7 +986,7 @@ module RDF::Vocab
|
|
75
986
|
type: "owl:Class".freeze,
|
76
987
|
"vs:term_status": "unstable".freeze
|
77
988
|
term :AudioFile,
|
78
|
-
comment:
|
989
|
+
comment: "An audio file, which may be available on a local file system or through http, ftp, etc.".freeze,
|
79
990
|
isDefinedBy: "mo:".freeze,
|
80
991
|
label: "audio file".freeze,
|
81
992
|
"mo:level": "1".freeze,
|
@@ -83,7 +994,7 @@ module RDF::Vocab
|
|
83
994
|
type: "owl:Class".freeze,
|
84
995
|
"vs:term_status": "unstable".freeze
|
85
996
|
term :CD,
|
86
|
-
comment:
|
997
|
+
comment: "Compact Disc used as medium to record a musical manifestation.".freeze,
|
87
998
|
isDefinedBy: "mo:".freeze,
|
88
999
|
label: "CD".freeze,
|
89
1000
|
"mo:level": "1".freeze,
|
@@ -102,11 +1013,7 @@ module RDF::Vocab
|
|
102
1013
|
type: "owl:Class".freeze,
|
103
1014
|
"vs:term_status": "unstable".freeze
|
104
1015
|
term :Composition,
|
105
|
-
comment:
|
106
|
-
A composition event.
|
107
|
-
Takes as agent the composer himself.
|
108
|
-
It produces a MusicalWork, or a MusicalExpression \(when the initial "product" is a score, for example\), or both...
|
109
|
-
).freeze,
|
1016
|
+
comment: "\n A composition event.\n Takes as agent the composer himself.\n It produces a MusicalWork, or a MusicalExpression (when the initial \"product\" is a score, for example), or both...\n ".freeze,
|
110
1017
|
isDefinedBy: "mo:".freeze,
|
111
1018
|
label: "composition".freeze,
|
112
1019
|
"mo:level": "2".freeze,
|
@@ -125,7 +1032,7 @@ module RDF::Vocab
|
|
125
1032
|
type: "owl:Class".freeze,
|
126
1033
|
"vs:term_status": "unstable".freeze
|
127
1034
|
term :CorporateBody,
|
128
|
-
comment:
|
1035
|
+
comment: "Organization or group of individuals and/or other organizations involved in the music market.".freeze,
|
129
1036
|
isDefinedBy: "mo:".freeze,
|
130
1037
|
label: "corporate body".freeze,
|
131
1038
|
"mo:level": "1".freeze,
|
@@ -133,7 +1040,7 @@ module RDF::Vocab
|
|
133
1040
|
type: "owl:Class".freeze,
|
134
1041
|
"vs:term_status": "stable".freeze
|
135
1042
|
term :DAT,
|
136
|
-
comment:
|
1043
|
+
comment: "Digital Audio Tape used as medium to record a musical manifestation.".freeze,
|
137
1044
|
isDefinedBy: "mo:".freeze,
|
138
1045
|
label: "DAT".freeze,
|
139
1046
|
"mo:level": "1".freeze,
|
@@ -141,7 +1048,7 @@ module RDF::Vocab
|
|
141
1048
|
type: "owl:Class".freeze,
|
142
1049
|
"vs:term_status": "unstable".freeze
|
143
1050
|
term :DCC,
|
144
|
-
comment:
|
1051
|
+
comment: "Digital Compact Cassette used as medium to record a musical manifestation.".freeze,
|
145
1052
|
isDefinedBy: "mo:".freeze,
|
146
1053
|
label: "DCC".freeze,
|
147
1054
|
"mo:level": "1".freeze,
|
@@ -149,7 +1056,7 @@ module RDF::Vocab
|
|
149
1056
|
type: "owl:Class".freeze,
|
150
1057
|
"vs:term_status": "unstable".freeze
|
151
1058
|
term :DVDA,
|
152
|
-
comment:
|
1059
|
+
comment: "DVD-Audio used as medium to record a musical manifestation.".freeze,
|
153
1060
|
isDefinedBy: "mo:".freeze,
|
154
1061
|
label: "DVDA".freeze,
|
155
1062
|
"mo:level": "1".freeze,
|
@@ -157,9 +1064,7 @@ module RDF::Vocab
|
|
157
1064
|
type: "owl:Class".freeze,
|
158
1065
|
"vs:term_status": "unstable".freeze
|
159
1066
|
term :DigitalSignal,
|
160
|
-
comment:
|
161
|
-
A digital signal
|
162
|
-
).freeze,
|
1067
|
+
comment: "\n A digital signal\n ".freeze,
|
163
1068
|
isDefinedBy: "mo:".freeze,
|
164
1069
|
label: "digital signal".freeze,
|
165
1070
|
"mo:level": "2".freeze,
|
@@ -168,7 +1073,7 @@ module RDF::Vocab
|
|
168
1073
|
type: "owl:Class".freeze,
|
169
1074
|
"vs:term_status": "stable".freeze
|
170
1075
|
term :ED2K,
|
171
|
-
comment:
|
1076
|
+
comment: "Something available on the E-Donkey peer-2-peer filesharing network".freeze,
|
172
1077
|
isDefinedBy: "mo:".freeze,
|
173
1078
|
label: "ED2K".freeze,
|
174
1079
|
"mo:level": "1".freeze,
|
@@ -176,11 +1081,7 @@ module RDF::Vocab
|
|
176
1081
|
type: "owl:Class".freeze,
|
177
1082
|
"vs:term_status": "unstable".freeze
|
178
1083
|
term :Festival,
|
179
|
-
comment:
|
180
|
-
A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring...
|
181
|
-
We migth decompose this event \(which is in fact just a classification of the space/time region related to
|
182
|
-
a particular festival\) using hasSubEvent in several performances at different space/time.
|
183
|
-
).freeze,
|
1084
|
+
comment: "\n A festival - musical/artistic event lasting several days, like Glastonbury, Rock Am Ring...\n We migth decompose this event (which is in fact just a classification of the space/time region related to \n a particular festival) using hasSubEvent in several performances at different space/time.\n ".freeze,
|
184
1085
|
isDefinedBy: "mo:".freeze,
|
185
1086
|
label: "Festival".freeze,
|
186
1087
|
"mo:level": "2".freeze,
|
@@ -188,29 +1089,14 @@ module RDF::Vocab
|
|
188
1089
|
type: "owl:Class".freeze,
|
189
1090
|
"vs:term_status": "stable".freeze
|
190
1091
|
term :Genre,
|
191
|
-
comment:
|
192
|
-
An expressive style of music.
|
193
|
-
|
194
|
-
Any taxonomy can be plug-in here. You can either define a genre by yourself, like this:
|
195
|
-
|
196
|
-
:mygenre a mo:Genre; dc:title "electro rock".
|
197
|
-
|
198
|
-
Or you can refer to a DBPedia genre \(such as http://dbpedia.org/resource/Baroque_music\), allowing semantic web
|
199
|
-
clients to access easily really detailed structured information about the genre you are refering to.
|
200
|
-
).freeze,
|
1092
|
+
comment: "\n An expressive style of music.\n \n Any taxonomy can be plug-in here. You can either define a genre by yourself, like this:\n\n :mygenre a mo:Genre; dc:title \"electro rock\".\n\n Or you can refer to a DBPedia genre (such as http://dbpedia.org/resource/Baroque_music), allowing semantic web\n clients to access easily really detailed structured information about the genre you are refering to.\n ".freeze,
|
201
1093
|
isDefinedBy: "mo:".freeze,
|
202
1094
|
label: "Genre".freeze,
|
203
1095
|
"mo:level": "2".freeze,
|
204
1096
|
type: "owl:Class".freeze,
|
205
1097
|
"vs:term_status": "stable".freeze
|
206
1098
|
term :Instrument,
|
207
|
-
comment:
|
208
|
-
Any of various devices or contrivances that can be used to produce musical tones or sound.
|
209
|
-
|
210
|
-
Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman
|
211
|
-
from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link
|
212
|
-
towards this taxonomy.
|
213
|
-
).freeze,
|
1099
|
+
comment: "\n Any of various devices or contrivances that can be used to produce musical tones or sound.\n \n Any taxonomy can be used to subsume this concept. The default one is one extracted by Ivan Herman\n from the Musicbrainz instrument taxonomy, conforming to SKOS. This concept holds a seeAlso link \n towards this taxonomy.\n ".freeze,
|
214
1100
|
isDefinedBy: "mo:".freeze,
|
215
1101
|
label: "Instrument".freeze,
|
216
1102
|
"mo:level": "2".freeze,
|
@@ -218,10 +1104,7 @@ module RDF::Vocab
|
|
218
1104
|
type: "owl:Class".freeze,
|
219
1105
|
"vs:term_status": "stable".freeze
|
220
1106
|
term :Instrumentation,
|
221
|
-
comment:
|
222
|
-
Instrumentation deals with the techniques of writing music for a specific instrument,
|
223
|
-
including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.
|
224
|
-
).freeze,
|
1107
|
+
comment: "\n Instrumentation deals with the techniques of writing music for a specific instrument, \n including the limitations of the instrument, playing techniques and idiomatic handling of the instrument.\n ".freeze,
|
225
1108
|
isDefinedBy: "mo:".freeze,
|
226
1109
|
label: "instrumentation".freeze,
|
227
1110
|
"mo:level": "2".freeze,
|
@@ -229,7 +1112,7 @@ module RDF::Vocab
|
|
229
1112
|
type: "owl:Class".freeze,
|
230
1113
|
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comment: "A movement is a self-contained part of a musical work. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession.\n\nOften a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual\nmovements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a\npause between them.\n ".freeze,
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comment: "\n A person or a group of people (or a computer :-) ), whose musical \n creative work shows sensitivity and imagination \n ".freeze,
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comment: "Group of musicians, or musical ensemble, usually popular or folk, playing parts of or improvising off of a musical arrangement. ".freeze,
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term :MusicalExpression,
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The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms.
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* Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano
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* Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello
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* . . . .
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The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score \(the
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result of an arrangement\), Sound \(produced during a performance\), Signal. However, it is possible to stick to FRBR and bypass the worflow
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mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such
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expressions \(allowing to go deeply into the production process - `this performer was playing this particular instrument at that
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particular time'\).
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comment: "\nThe intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. \n\n\nFor example:\n\nWork #1 Franz Schubert's Trout quintet\n\n * Expression #1 the composer's score\n * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano\n * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello\n * . . . . \n\nThe Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the\nresult of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow\nmechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such \nexpressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that\nparticular time').\n \n ".freeze,
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term :MusicalItem,
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comment:
|
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|
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For example, it could be a single exemplar of a CD. This is normally an single object \(a CD\) possessed by somebody.
|
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From the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object \(e.g., a copy of a one-volume monograph, a single audio cassette, etc.\). There are instances, however, where the entity defined as item comprises more than one physical object \(e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.\).
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In terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation \(e.g., damage occurring after the item was produced, binding performed by a library, etc.\).
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).freeze,
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comment: "A single exemplar of a musical expression.\n \nFor example, it could be a single exemplar of a CD. This is normally an single object (a CD) possessed by somebody.\n\nFrom the FRBR final report: The entity defined as item is a concrete entity. It is in many instances a single physical object (e.g., a copy of a one-volume monograph, a single audio cassette, etc.). There are instances, however, where the entity defined as item comprises more than one physical object (e.g., a monograph issued as two separately bound volumes, a recording issued on three separate compact discs, etc.).\n\nIn terms of intellectual content and physical form, an item exemplifying a manifestation is normally the same as the manifestation itself. However, variations may occur from one item to another, even when the items exemplify the same manifestation, where those variations are the result of actions external to the intent of the producer of the manifestation (e.g., damage occurring after the item was produced, binding performed by a library, etc.). \n ".freeze,
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label: "MusicalItem".freeze,
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type: "owl:Class".freeze,
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|
term :MusicalManifestation,
|
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|
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comment:
|
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|
-
|
378
|
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This entity is related to the edition/production/publication of a musical expression \(musical manifestation are closely related with the music industry \(their terms, concepts, definitions, methods \(production, publication, etc.\), etc.\)
|
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|
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|
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From the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form.
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|
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|
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|
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|
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Work #1 J. S. Bach's Six suites for unaccompanied cello
|
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|
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|
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|
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* Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965
|
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|
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o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury
|
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|
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o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury
|
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|
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* Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983
|
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|
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o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records
|
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|
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o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records
|
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|
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|
392
|
-
|
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|
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Changes that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular "state" or "issue" of the publication.
|
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|
-
|
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|
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Changes that occur to an individual copy after the production process is complete \(e.g., the loss of a page, rebinding, etc.\) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar \(or item\) of the manifestation that deviates from the copy as produced.
|
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|
-
|
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|
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With the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation.
|
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|
-
|
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|
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Defining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction.
|
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|
-
|
401
|
-
).freeze,
|
1221
|
+
comment: "\n\nThis entity is related to the edition/production/publication of a musical expression (musical manifestation are closely related with the music industry (their terms, concepts, definitions, methods (production, publication, etc.), etc.)\n \nFrom the FRBR final report: The entity defined as manifestation encompasses a wide range of materials, including manuscripts, books, periodicals, maps, posters, sound recordings, films, video recordings, CD-ROMs, multimedia kits, etc. As an entity, manifestation represents all the physical objects that bear the same characteristics, in respect to both intellectual content and physical form.\n\n\nWork #1 J. S. Bach's Six suites for unaccompanied cello\n\n * Expression #1 sound issued during the performance by Janos Starker recorded in 1963 and 1965\n o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1965 by Mercury\n o Manifestation #2 recordings re-released on compact disc in 1991 by Mercury \n * Expression #2 sound issued during the performances by Yo-Yo Ma recorded in 1983\n o Manifestation #1 recordings released on 33 1/3 rpm sound discs in 1983 by CBS Records\n o Manifestation #2 recordings re-released on compact disc in 1992 by CBS Records \n\n \nChanges that occur deliberately or even inadvertently in the production process that affect the copies result, strictly speaking, in a new manifestation. A manifestation resulting from such a change may be identified as a particular \"state\" or \"issue\" of the publication.\n\nChanges that occur to an individual copy after the production process is complete (e.g., the loss of a page, rebinding, etc.) are not considered to result in a new manifestation. That copy is simply considered to be an exemplar (or item) of the manifestation that deviates from the copy as produced.\n\nWith the entity defined as manifestation we can describe the physical characteristics of a set of items and the characteristics associated with the production and distribution of that set of items that may be important factors in enabling users to choose a manifestation appropriate to their physical needs and constraints, and to identify and acquire a copy of that manifestation.\n\nDefining manifestation as an entity also enables us to draw relationships between specific manifestations of a work. We can use the relationships between manifestations to identify, for example, the specific publication that was used to create a microreproduction. \n\n".freeze,
|
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|
isDefinedBy: "mo:".freeze,
|
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|
label: "musical manifestation".freeze,
|
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|
"mo:level": "1".freeze,
|
@@ -406,18 +1226,7 @@ Defining manifestation as an entity also enables us to draw relationships betwee
|
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|
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|
"vs:term_status": "stable".freeze
|
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|
term :MusicalWork,
|
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|
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comment:
|
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|
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Distinct intellectual or artistic musical creation.
|
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|
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|
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|
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From the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of
|
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|
-
content between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work.
|
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|
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|
415
|
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For example:
|
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|
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|
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|
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work #1 J. S. Bach's The art of the fugue
|
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|
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|
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|
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|
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).freeze,
|
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|
+
comment: "\n Distinct intellectual or artistic musical creation.\n \nFrom the FRBR final report: A work is an abstract entity; there is no single material object one can point to as the work. We recognize the work through individual realizations or expressions of the work, but the work itself exists only in the commonality of\ncontent between and among the various expressions of the work. When we speak of Homer's Iliad as a work, our point of reference is not a particular recitation or text of the work, but the intellectual creation that lies behind all the various expressions of the work. \n\nFor example:\n\nwork #1 J. S. Bach's The art of the fugue\n\n \n ".freeze,
|
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isDefinedBy: "mo:".freeze,
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label: "musical work".freeze,
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"mo:level": "2".freeze,
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term :Orchestration,
|
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comment:
|
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Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.
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comment: "\n Orchestration includes, in addition to instrumentation, the handling of groups of instruments and their balance and interaction.\n ".freeze,
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isDefinedBy: "mo:".freeze,
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label: "orchestration".freeze,
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"mo:level": "2".freeze,
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term :Performance,
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comment:
|
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A performance event.
|
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It might include as agents performers, engineers, conductors, or even listeners.
|
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It might include as factors a score, a MusicalWork, musical instruments.
|
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It might produce a sound:-\)
|
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).freeze,
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comment: "\n A performance event. \n It might include as agents performers, engineers, conductors, or even listeners.\n It might include as factors a score, a MusicalWork, musical instruments. \n It might produce a sound:-)\n ".freeze,
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isDefinedBy: "mo:".freeze,
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term :PublishedLibretto,
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comment:
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comment: "A published libretto".freeze,
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isDefinedBy: "mo:".freeze,
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label: "published libretto".freeze,
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|
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|
term :PublishedLyrics,
|
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comment:
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comment: "Published lyrics, as a book or as a text file, for example".freeze,
|
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isDefinedBy: "mo:".freeze,
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label: "published lyrics".freeze,
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|
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term :PublishedScore,
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comment:
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comment: "A published score (subclass of MusicalManifestation)".freeze,
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isDefinedBy: "mo:".freeze,
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label: "published score".freeze,
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term :Record,
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comment:
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comment: "A published record (manifestation which first aim is to render the product of a recording)".freeze,
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|
isDefinedBy: "mo:".freeze,
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label: "record".freeze,
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@@ -491,12 +1293,7 @@ work #1 J. S. Bach's The art of the fugue
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term :Recording,
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|
-
comment:
|
495
|
-
A recording event.
|
496
|
-
Takes a sound as a factor to produce a signal \(analog or digital\).
|
497
|
-
The location of such events \(if any\) is the actual location of the corresponding
|
498
|
-
microphone or the "recording device".
|
499
|
-
).freeze,
|
1296
|
+
comment: "\n A recording event.\n Takes a sound as a factor to produce a signal (analog or digital).\n The location of such events (if any) is the actual location of the corresponding\n microphone or the \"recording device\".\n ".freeze,
|
500
1297
|
isDefinedBy: "mo:".freeze,
|
501
1298
|
label: "recording".freeze,
|
502
1299
|
"mo:level": "2".freeze,
|
@@ -504,7 +1301,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
504
1301
|
type: "owl:Class".freeze,
|
505
1302
|
"vs:term_status": "stable".freeze
|
506
1303
|
term :RecordingSession,
|
507
|
-
comment:
|
1304
|
+
comment: "A set of performances/recordings/mastering events. This event can be decomposed in its constituent events using event:sub_event".freeze,
|
508
1305
|
isDefinedBy: "mo:".freeze,
|
509
1306
|
label: "recording session".freeze,
|
510
1307
|
"mo:level": "2".freeze,
|
@@ -512,7 +1309,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
512
1309
|
type: "owl:Class".freeze,
|
513
1310
|
"vs:term_status": "testing".freeze
|
514
1311
|
term :Release,
|
515
|
-
comment:
|
1312
|
+
comment: "A specific release, with barcode, box, liner notes, cover art, and a number of records".freeze,
|
516
1313
|
isDefinedBy: "mo:".freeze,
|
517
1314
|
label: "release".freeze,
|
518
1315
|
"mo:level": "1".freeze,
|
@@ -520,7 +1317,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
520
1317
|
type: "owl:Class".freeze,
|
521
1318
|
"vs:term_status": "testing".freeze
|
522
1319
|
term :ReleaseEvent,
|
523
|
-
comment:
|
1320
|
+
comment: "A release event, in a particular place (e.g. a country) at a particular time. Other factors of this event might include cover art, liner notes, box, etc. or a release grouping all these.".freeze,
|
524
1321
|
isDefinedBy: "mo:".freeze,
|
525
1322
|
label: "release event".freeze,
|
526
1323
|
"mo:level": "1".freeze,
|
@@ -528,23 +1325,21 @@ work #1 J. S. Bach's The art of the fugue
|
|
528
1325
|
type: "owl:Class".freeze,
|
529
1326
|
"vs:term_status": "testing".freeze
|
530
1327
|
term :ReleaseStatus,
|
531
|
-
comment:
|
1328
|
+
comment: "Musical manifestation release status.".freeze,
|
532
1329
|
isDefinedBy: "mo:".freeze,
|
533
1330
|
label: "release status".freeze,
|
534
1331
|
"mo:level": "1".freeze,
|
535
1332
|
type: "owl:Class".freeze,
|
536
1333
|
"vs:term_status": "stable".freeze
|
537
1334
|
term :ReleaseType,
|
538
|
-
comment:
|
539
|
-
Release type of a particular manifestation, such as "album" or "interview"...
|
540
|
-
).freeze,
|
1335
|
+
comment: "\n Release type of a particular manifestation, such as \"album\" or \"interview\"...\n ".freeze,
|
541
1336
|
isDefinedBy: "mo:".freeze,
|
542
1337
|
label: "Release type".freeze,
|
543
1338
|
"mo:level": "1".freeze,
|
544
1339
|
type: "owl:Class".freeze,
|
545
1340
|
"vs:term_status": "stable".freeze
|
546
1341
|
term :SACD,
|
547
|
-
comment:
|
1342
|
+
comment: "Super Audio Compact Disc used as medium to record a musical manifestation.".freeze,
|
548
1343
|
isDefinedBy: "mo:".freeze,
|
549
1344
|
label: "SACD".freeze,
|
550
1345
|
"mo:level": "1".freeze,
|
@@ -552,10 +1347,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
552
1347
|
type: "owl:Class".freeze,
|
553
1348
|
"vs:term_status": "unstable".freeze
|
554
1349
|
term :Score,
|
555
|
-
comment:
|
556
|
-
Here, we are dealing with the informational object \(the MusicalExpression\), not the actually "published" score.
|
557
|
-
This may be, for example, the product of an arrangement process.
|
558
|
-
).freeze,
|
1350
|
+
comment: "\n Here, we are dealing with the informational object (the MusicalExpression), not the actually \"published\" score.\n This may be, for example, the product of an arrangement process.\n ".freeze,
|
559
1351
|
isDefinedBy: "mo:".freeze,
|
560
1352
|
label: "score".freeze,
|
561
1353
|
"mo:level": "2".freeze,
|
@@ -563,10 +1355,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
563
1355
|
type: "owl:Class".freeze,
|
564
1356
|
"vs:term_status": "stable".freeze
|
565
1357
|
term :Show,
|
566
|
-
comment:
|
567
|
-
A show - a musical event lasting several days, in a particular venue. Examples can be
|
568
|
-
"The Magic Flute" at the Opera Bastille, August 2005, or a musical in the west end...
|
569
|
-
).freeze,
|
1358
|
+
comment: "\n A show - a musical event lasting several days, in a particular venue. Examples can be\n \"The Magic Flute\" at the Opera Bastille, August 2005, or a musical in the west end...\n ".freeze,
|
570
1359
|
isDefinedBy: "mo:".freeze,
|
571
1360
|
label: "Show".freeze,
|
572
1361
|
"mo:level": "2".freeze,
|
@@ -574,9 +1363,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
574
1363
|
type: "owl:Class".freeze,
|
575
1364
|
"vs:term_status": "stable".freeze
|
576
1365
|
term :Signal,
|
577
|
-
comment:
|
578
|
-
A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.
|
579
|
-
).freeze,
|
1366
|
+
comment: "\n A subclass of MusicalExpression, representing a signal, for example a master signal produced by a performance and a recording.\n ".freeze,
|
580
1367
|
isDefinedBy: "mo:".freeze,
|
581
1368
|
label: "signal".freeze,
|
582
1369
|
"mo:level": "1".freeze,
|
@@ -584,9 +1371,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
584
1371
|
type: "owl:Class".freeze,
|
585
1372
|
"vs:term_status": "stable".freeze
|
586
1373
|
term :SignalGroup,
|
587
|
-
comment:
|
588
|
-
A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.
|
589
|
-
).freeze,
|
1374
|
+
comment: "\n A musical expression representing a group of signals, for example a set of masters resulting from a whole recording/mastering session.\n ".freeze,
|
590
1375
|
isDefinedBy: "mo:".freeze,
|
591
1376
|
label: "signal group".freeze,
|
592
1377
|
"mo:level": "1".freeze,
|
@@ -594,7 +1379,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
594
1379
|
type: "owl:Class".freeze,
|
595
1380
|
"vs:term_status": "testing".freeze
|
596
1381
|
term :SoloMusicArtist,
|
597
|
-
comment:
|
1382
|
+
comment: "Single person whose musical creative work shows sensitivity and imagination.".freeze,
|
598
1383
|
isDefinedBy: "mo:".freeze,
|
599
1384
|
label: "solo music artist".freeze,
|
600
1385
|
"mo:level": "1".freeze,
|
@@ -602,9 +1387,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
602
1387
|
type: "owl:Class".freeze,
|
603
1388
|
"vs:term_status": "stable".freeze
|
604
1389
|
term :Sound,
|
605
|
-
comment:
|
606
|
-
A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.
|
607
|
-
).freeze,
|
1390
|
+
comment: "\n A subclass of MusicalExpression, representing a sound. Realisation of a MusicalWork during a musical Performance.\n ".freeze,
|
608
1391
|
isDefinedBy: "mo:".freeze,
|
609
1392
|
label: "sound".freeze,
|
610
1393
|
"mo:level": "2".freeze,
|
@@ -623,7 +1406,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
623
1406
|
type: "owl:Class".freeze,
|
624
1407
|
"vs:term_status": "unstable".freeze
|
625
1408
|
term :Stream,
|
626
|
-
comment:
|
1409
|
+
comment: "Transmission over a network used as medium to broadcast a musical manifestation".freeze,
|
627
1410
|
isDefinedBy: "mo:".freeze,
|
628
1411
|
label: "Stream".freeze,
|
629
1412
|
"mo:level": "1".freeze,
|
@@ -631,7 +1414,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
631
1414
|
type: "owl:Class".freeze,
|
632
1415
|
"vs:term_status": "unstable".freeze
|
633
1416
|
term :Torrent,
|
634
|
-
comment:
|
1417
|
+
comment: "Something available on the Bittorrent peer-2-peer filesharing network".freeze,
|
635
1418
|
isDefinedBy: "mo:".freeze,
|
636
1419
|
label: "Torrent".freeze,
|
637
1420
|
"mo:level": "1".freeze,
|
@@ -639,7 +1422,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
639
1422
|
type: "owl:Class".freeze,
|
640
1423
|
"vs:term_status": "unstable".freeze
|
641
1424
|
term :Track,
|
642
|
-
comment:
|
1425
|
+
comment: "A track on a particular record".freeze,
|
643
1426
|
isDefinedBy: "mo:".freeze,
|
644
1427
|
label: "track".freeze,
|
645
1428
|
"mo:level": "1".freeze,
|
@@ -647,7 +1430,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
647
1430
|
type: "owl:Class".freeze,
|
648
1431
|
"vs:term_status": "stable".freeze
|
649
1432
|
term :Transcription,
|
650
|
-
comment:
|
1433
|
+
comment: "Transcription event".freeze,
|
651
1434
|
isDefinedBy: "mo:".freeze,
|
652
1435
|
label: "transcription".freeze,
|
653
1436
|
"mo:level": "2".freeze,
|
@@ -655,7 +1438,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
655
1438
|
type: "owl:Class".freeze,
|
656
1439
|
"vs:term_status": "testing".freeze
|
657
1440
|
term :Vinyl,
|
658
|
-
comment:
|
1441
|
+
comment: "Vinyl used as medium to record a musical manifestation".freeze,
|
659
1442
|
isDefinedBy: "mo:".freeze,
|
660
1443
|
label: "Vinyl".freeze,
|
661
1444
|
"mo:level": "1".freeze,
|
@@ -665,7 +1448,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
665
1448
|
|
666
1449
|
# Property definitions
|
667
1450
|
property :activity,
|
668
|
-
comment:
|
1451
|
+
comment: "Relates an artist to an activity period".freeze,
|
669
1452
|
domain: "mo:MusicArtist".freeze,
|
670
1453
|
isDefinedBy: "mo:".freeze,
|
671
1454
|
label: "activity".freeze,
|
@@ -674,7 +1457,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
674
1457
|
type: "owl:ObjectProperty".freeze,
|
675
1458
|
"vs:term_status": "testing".freeze
|
676
1459
|
property :activity_end,
|
677
|
-
comment:
|
1460
|
+
comment: "Relates an artist to a date at which its activity ended".freeze,
|
678
1461
|
domain: "mo:MusicArtist".freeze,
|
679
1462
|
isDefinedBy: "mo:".freeze,
|
680
1463
|
label: "activity end".freeze,
|
@@ -683,7 +1466,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
683
1466
|
type: "owl:DatatypeProperty".freeze,
|
684
1467
|
"vs:term_status": "testing".freeze
|
685
1468
|
property :activity_start,
|
686
|
-
comment:
|
1469
|
+
comment: "Relates an artist to a date at which its activity started".freeze,
|
687
1470
|
domain: "mo:MusicArtist".freeze,
|
688
1471
|
isDefinedBy: "mo:".freeze,
|
689
1472
|
label: "activity start".freeze,
|
@@ -692,7 +1475,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
692
1475
|
type: "owl:DatatypeProperty".freeze,
|
693
1476
|
"vs:term_status": "testing".freeze
|
694
1477
|
property :amazon_asin,
|
695
|
-
comment:
|
1478
|
+
comment: "Used to link a work or the expression of a work to its corresponding Amazon ASINs page.".freeze,
|
696
1479
|
domain: term(
|
697
1480
|
type: "owl:Class".freeze,
|
698
1481
|
unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze, "http://purl.org/vocab/frbr/core#Item".freeze)
|
@@ -705,9 +1488,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
705
1488
|
type: "owl:ObjectProperty".freeze,
|
706
1489
|
"vs:term_status": "stable".freeze
|
707
1490
|
property :arranged_in,
|
708
|
-
comment:
|
709
|
-
Associates a work to an arrangement event where it was arranged
|
710
|
-
).freeze,
|
1491
|
+
comment: "\n Associates a work to an arrangement event where it was arranged\n ".freeze,
|
711
1492
|
domain: "mo:MusicalWork".freeze,
|
712
1493
|
inverseOf: "mo:arrangement_of".freeze,
|
713
1494
|
isDefinedBy: "mo:".freeze,
|
@@ -718,9 +1499,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
718
1499
|
type: "owl:ObjectProperty".freeze,
|
719
1500
|
"vs:term_status": "unstable".freeze
|
720
1501
|
property :arrangement_of,
|
721
|
-
comment:
|
722
|
-
Associates an arrangement event to a work
|
723
|
-
).freeze,
|
1502
|
+
comment: "\n Associates an arrangement event to a work\n ".freeze,
|
724
1503
|
domain: "mo:Arrangement".freeze,
|
725
1504
|
inverseOf: "mo:arranged_in".freeze,
|
726
1505
|
isDefinedBy: "mo:".freeze,
|
@@ -731,7 +1510,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
731
1510
|
type: "owl:ObjectProperty".freeze,
|
732
1511
|
"vs:term_status": "unstable".freeze
|
733
1512
|
property :artist,
|
734
|
-
comment:
|
1513
|
+
comment: "Relates a membership event with the corresponding artist".freeze,
|
735
1514
|
domain: "mo:Membership".freeze,
|
736
1515
|
isDefinedBy: "mo:".freeze,
|
737
1516
|
label: "artist".freeze,
|
@@ -744,15 +1523,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
744
1523
|
type: "owl:ObjectProperty".freeze,
|
745
1524
|
"vs:term_status": "deprecated".freeze
|
746
1525
|
property :available_as,
|
747
|
-
comment:
|
748
|
-
Relates a musical manifestation to a musical item \(this album, and my particular cd\). By using
|
749
|
-
this property, there is no assumption on wether the full content is available on the linked item.
|
750
|
-
To be explicit about this, you can use a sub-property, such as mo:item \(the full manifestation
|
751
|
-
is available on that item\) or mo:preview \(only a part of the manifestation is available on
|
752
|
-
that item\).
|
753
|
-
|
754
|
-
This is a subproperty of frbr:examplar.
|
755
|
-
).freeze,
|
1526
|
+
comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd). By using\n this property, there is no assumption on wether the full content is available on the linked item.\n To be explicit about this, you can use a sub-property, such as mo:item (the full manifestation\n is available on that item) or mo:preview (only a part of the manifestation is available on\n that item).\n\n This is a subproperty of frbr:examplar.\n ".freeze,
|
756
1527
|
domain: "mo:MusicalManifestation".freeze,
|
757
1528
|
isDefinedBy: "mo:".freeze,
|
758
1529
|
"mo:level": "1".freeze,
|
@@ -761,7 +1532,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
761
1532
|
type: "owl:ObjectProperty".freeze,
|
762
1533
|
"vs:term_status": "stable".freeze
|
763
1534
|
property :biography,
|
764
|
-
comment:
|
1535
|
+
comment: "Used to link an artist to their online biography.".freeze,
|
765
1536
|
domain: "mo:MusicArtist".freeze,
|
766
1537
|
isDefinedBy: "mo:".freeze,
|
767
1538
|
label: "biography".freeze,
|
@@ -771,9 +1542,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
771
1542
|
type: "owl:ObjectProperty".freeze,
|
772
1543
|
"vs:term_status": "stable".freeze
|
773
1544
|
property :bitsPerSample,
|
774
|
-
comment:
|
775
|
-
Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.
|
776
|
-
).freeze,
|
1545
|
+
comment: "\n Associates a digital signal to the number a bits used to encode one sample. Range is xsd:int.\n ".freeze,
|
777
1546
|
domain: "mo:DigitalSignal".freeze,
|
778
1547
|
isDefinedBy: "mo:".freeze,
|
779
1548
|
"mo:level": "1".freeze,
|
@@ -781,10 +1550,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
781
1550
|
type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
|
782
1551
|
"vs:term_status": "stable".freeze
|
783
1552
|
property :bpm,
|
784
|
-
comment:
|
785
|
-
Indicates the BPM of a MusicalWork or a particular Performance
|
786
|
-
Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.
|
787
|
-
).freeze,
|
1553
|
+
comment: "\n Indicates the BPM of a MusicalWork or a particular Performance \n Beats per minute: the pace of music measured by the number of beats occurring in 60 seconds.\n ".freeze,
|
788
1554
|
domain: term(
|
789
1555
|
type: "owl:Class".freeze,
|
790
1556
|
unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
|
@@ -796,7 +1562,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
796
1562
|
type: "owl:DatatypeProperty".freeze,
|
797
1563
|
"vs:term_status": "stable".freeze
|
798
1564
|
property :catalogue_number,
|
799
|
-
comment:
|
1565
|
+
comment: "Links a release with the corresponding catalogue number".freeze,
|
800
1566
|
domain: "mo:Release".freeze,
|
801
1567
|
isDefinedBy: "mo:".freeze,
|
802
1568
|
label: "catalogue number".freeze,
|
@@ -806,9 +1572,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
806
1572
|
type: "owl:DatatypeProperty".freeze,
|
807
1573
|
"vs:term_status": "testing".freeze
|
808
1574
|
property :channels,
|
809
|
-
comment:
|
810
|
-
Associates a signal to the number of channels it holds \(mono --> 1, stereo --> 2\). Range is xsd:int.
|
811
|
-
).freeze,
|
1575
|
+
comment: "\n Associates a signal to the number of channels it holds (mono --> 1, stereo --> 2). Range is xsd:int.\n ".freeze,
|
812
1576
|
domain: "mo:Signal".freeze,
|
813
1577
|
isDefinedBy: "mo:".freeze,
|
814
1578
|
"mo:level": "1".freeze,
|
@@ -816,7 +1580,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
816
1580
|
type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
|
817
1581
|
"vs:term_status": "stable".freeze
|
818
1582
|
property :collaborated_with,
|
819
|
-
comment:
|
1583
|
+
comment: "Used to relate two collaborating people on a work.".freeze,
|
820
1584
|
domain: "foaf:Agent".freeze,
|
821
1585
|
isDefinedBy: "mo:".freeze,
|
822
1586
|
label: "collaborated_with".freeze,
|
@@ -825,7 +1589,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
825
1589
|
type: ["owl:ObjectProperty".freeze, "owl:SymmetricProperty".freeze],
|
826
1590
|
"vs:term_status": "unstable".freeze
|
827
1591
|
property :compilation_of,
|
828
|
-
comment:
|
1592
|
+
comment: "Indicates that a musical manifestation is a compilation of several Signals.".freeze,
|
829
1593
|
domain: "mo:MusicalManifestation".freeze,
|
830
1594
|
isDefinedBy: "mo:".freeze,
|
831
1595
|
label: "compilation_of".freeze,
|
@@ -834,7 +1598,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
834
1598
|
type: "owl:ObjectProperty".freeze,
|
835
1599
|
"vs:term_status": "unstable".freeze
|
836
1600
|
property :compiled,
|
837
|
-
comment:
|
1601
|
+
comment: "Used to relate an person or a group of person who compiled the manifestation of a musical work.".freeze,
|
838
1602
|
domain: "mo:MusicArtist".freeze,
|
839
1603
|
inverseOf: "mo:compiler".freeze,
|
840
1604
|
isDefinedBy: "mo:".freeze,
|
@@ -844,7 +1608,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
844
1608
|
type: "owl:ObjectProperty".freeze,
|
845
1609
|
"vs:term_status": "unstable".freeze
|
846
1610
|
property :compiler,
|
847
|
-
comment:
|
1611
|
+
comment: "Used to relate the manifestation of a musical work to a person or a group of person who compiled it.".freeze,
|
848
1612
|
domain: "mo:MusicalManifestation".freeze,
|
849
1613
|
inverseOf: "mo:compiled".freeze,
|
850
1614
|
isDefinedBy: "mo:".freeze,
|
@@ -854,12 +1618,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
854
1618
|
type: "owl:ObjectProperty".freeze,
|
855
1619
|
"vs:term_status": "unstable".freeze
|
856
1620
|
property :composed_in,
|
857
|
-
comment:
|
858
|
-
Associates a MusicalWork to the Composition event pertaining
|
859
|
-
to its creation. For example, I might use this property to associate
|
860
|
-
the Magic Flute to its composition event, occuring during 1782 and having as
|
861
|
-
a mo:composer Mozart.
|
862
|
-
).freeze,
|
1621
|
+
comment: "\n Associates a MusicalWork to the Composition event pertaining\n to its creation. For example, I might use this property to associate\n the Magic Flute to its composition event, occuring during 1782 and having as\n a mo:composer Mozart.\n ".freeze,
|
863
1622
|
domain: "mo:MusicalWork".freeze,
|
864
1623
|
inverseOf: "mo:produced_work".freeze,
|
865
1624
|
isDefinedBy: "mo:".freeze,
|
@@ -870,11 +1629,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
870
1629
|
type: "owl:ObjectProperty".freeze,
|
871
1630
|
"vs:term_status": "unstable".freeze
|
872
1631
|
property :composer,
|
873
|
-
comment:
|
874
|
-
Associates a composition event to the actual composer. For example,
|
875
|
-
this property could link the event corresponding to the composition of the
|
876
|
-
Magic Flute in 1782 to Mozart himself \(who obviously has a FOAF profile:-\) \).
|
877
|
-
).freeze,
|
1632
|
+
comment: "\n Associates a composition event to the actual composer. For example,\n this property could link the event corresponding to the composition of the\n Magic Flute in 1782 to Mozart himself (who obviously has a FOAF profile:-) ).\n ".freeze,
|
878
1633
|
domain: "mo:Composition".freeze,
|
879
1634
|
isDefinedBy: "mo:".freeze,
|
880
1635
|
label: "composer".freeze,
|
@@ -884,7 +1639,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
884
1639
|
type: "owl:ObjectProperty".freeze,
|
885
1640
|
"vs:term_status": "stable".freeze
|
886
1641
|
property :conducted,
|
887
|
-
comment:
|
1642
|
+
comment: "Relates agents to the performances they were conducting".freeze,
|
888
1643
|
domain: "foaf:Agent".freeze,
|
889
1644
|
inverseOf: "mo:conductor".freeze,
|
890
1645
|
isDefinedBy: "mo:".freeze,
|
@@ -895,7 +1650,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
895
1650
|
type: "owl:ObjectProperty".freeze,
|
896
1651
|
"vs:term_status": "unstable".freeze
|
897
1652
|
property :conductor,
|
898
|
-
comment:
|
1653
|
+
comment: "Relates a performance to the conductor involved".freeze,
|
899
1654
|
domain: "mo:Performance".freeze,
|
900
1655
|
inverseOf: "mo:conducted".freeze,
|
901
1656
|
isDefinedBy: "mo:".freeze,
|
@@ -905,9 +1660,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
905
1660
|
type: "owl:ObjectProperty".freeze,
|
906
1661
|
"vs:term_status": "stable".freeze
|
907
1662
|
property :contains_sample_from,
|
908
|
-
comment:
|
909
|
-
Relates a signal to another signal, which has been sampled.
|
910
|
-
).freeze,
|
1663
|
+
comment: "\n Relates a signal to another signal, which has been sampled.\n ".freeze,
|
911
1664
|
isDefinedBy: "mo:".freeze,
|
912
1665
|
label: "contains_sample_from".freeze,
|
913
1666
|
"mo:level": "1".freeze,
|
@@ -915,7 +1668,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
915
1668
|
type: "owl:ObjectProperty".freeze,
|
916
1669
|
"vs:term_status": "unstable".freeze
|
917
1670
|
property :derived_from,
|
918
|
-
comment:
|
1671
|
+
comment: "A related signal from which the described signal is derived.".freeze,
|
919
1672
|
domain: "mo:Signal".freeze,
|
920
1673
|
isDefinedBy: "mo:".freeze,
|
921
1674
|
label: "derived from".freeze,
|
@@ -925,7 +1678,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
925
1678
|
type: "owl:ObjectProperty".freeze,
|
926
1679
|
"vs:term_status": "testing".freeze
|
927
1680
|
property :discography,
|
928
|
-
comment:
|
1681
|
+
comment: "Used to links an artist to an online discography of their musical works. The discography should provide a summary of each released musical work of the artist.".freeze,
|
929
1682
|
domain: "mo:MusicArtist".freeze,
|
930
1683
|
isDefinedBy: "mo:".freeze,
|
931
1684
|
label: "discography".freeze,
|
@@ -935,7 +1688,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
935
1688
|
type: "owl:ObjectProperty".freeze,
|
936
1689
|
"vs:term_status": "stable".freeze
|
937
1690
|
property :discogs,
|
938
|
-
comment:
|
1691
|
+
comment: "Used to link a musical work or the expression of a musical work, an artist or a corporate body to to its corresponding Discogs page.".freeze,
|
939
1692
|
domain: term(
|
940
1693
|
type: "owl:Class".freeze,
|
941
1694
|
unionOf: list("mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
|
@@ -948,9 +1701,7 @@ work #1 J. S. Bach's The art of the fugue
|
|
948
1701
|
type: "owl:ObjectProperty".freeze,
|
949
1702
|
"vs:term_status": "stable".freeze
|
950
1703
|
property :djmix_of,
|
951
|
-
comment:
|
952
|
-
|
953
|
-
The tracks might have been altered by pitching \(so that the tempo of one track matches the tempo of the following track\) and fading \(so that one track blends in smoothly with the other\). If the tracks have been more substantially altered, the "mo:remix" relationship type is more appropriate. ).freeze,
|
1704
|
+
comment: "Indicates that all (or most of) the tracks of a musical work or the expression of a musical work were mixed together from all (or most of) the tracks from another musical work or the expression of a musical work to form a so called DJ-Mix. \n \nThe tracks might have been altered by pitching (so that the tempo of one track matches the tempo of the following track) and fading (so that one track blends in smoothly with the other). If the tracks have been more substantially altered, the \"mo:remix\" relationship type is more appropriate. ".freeze,
|
954
1705
|
isDefinedBy: "mo:".freeze,
|
955
1706
|
label: "djmix_of".freeze,
|
956
1707
|
"mo:level": "1".freeze,
|
@@ -958,9 +1709,7 @@ The tracks might have been altered by pitching \(so that the tempo of one track
|
|
958
1709
|
type: "owl:ObjectProperty".freeze,
|
959
1710
|
"vs:term_status": "unstable".freeze
|
960
1711
|
property :djmixed,
|
961
|
-
comment:
|
962
|
-
|
963
|
-
The artist usually selected the tracks, chose their sequence, and slightly changed them by fading \(so that one track blends in smoothly with the other\) or pitching \(so that the tempo of one track matches the tempo of the following track\). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ).freeze,
|
1712
|
+
comment: "Used to relate an artist who djmixed a musical work or the expression of a musical work. \n \nThe artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ".freeze,
|
964
1713
|
domain: "mo:MusicArtist".freeze,
|
965
1714
|
inverseOf: "mo:djmixed_by".freeze,
|
966
1715
|
isDefinedBy: "mo:".freeze,
|
@@ -970,9 +1719,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
970
1719
|
type: "owl:ObjectProperty".freeze,
|
971
1720
|
"vs:term_status": "unstable".freeze
|
972
1721
|
property :djmixed_by,
|
973
|
-
comment:
|
974
|
-
|
975
|
-
The artist usually selected the tracks, chose their sequence, and slightly changed them by fading \(so that one track blends in smoothly with the other\) or pitching \(so that the tempo of one track matches the tempo of the following track\). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ).freeze,
|
1722
|
+
comment: "Used to relate a work or the expression of a work to an artist who djmixed it. \n \nThe artist usually selected the tracks, chose their sequence, and slightly changed them by fading (so that one track blends in smoothly with the other) or pitching (so that the tempo of one track matches the tempo of the following track). This applies to a 'Mixtape' in which all tracks were DJ-mixed together into one single long track. ".freeze,
|
976
1723
|
domain: "mo:Signal".freeze,
|
977
1724
|
inverseOf: "mo:djmixed".freeze,
|
978
1725
|
isDefinedBy: "mo:".freeze,
|
@@ -982,20 +1729,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
982
1729
|
type: "owl:ObjectProperty".freeze,
|
983
1730
|
"vs:term_status": "unstable".freeze
|
984
1731
|
property :download,
|
985
|
-
comment:
|
986
|
-
This property can be used to link from a person to the website where they make their works available, or from
|
987
|
-
a manifestation \(a track or an album, for example\) to a web page where it is available for
|
988
|
-
download.
|
989
|
-
|
990
|
-
It is better to use one of the three sub-properties instead of this one in order to specify wether the
|
991
|
-
content can be accessed for free \(mo:freedownload\), if it is just free preview material \(mo:previewdownload\), or
|
992
|
-
if it can be accessed for some money \(mo:paiddownload\) \(this includes links to the Amazon store, for example\).
|
993
|
-
|
994
|
-
This property MUST be used only if the content is just available through a web page \(holding, for example
|
995
|
-
a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
|
996
|
-
mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
|
997
|
-
less to rip streams from Flash applications can still access the audio content.
|
998
|
-
).freeze,
|
1732
|
+
comment: "\n This property can be used to link from a person to the website where they make their works available, or from\n a manifestation (a track or an album, for example) to a web page where it is available for\n download.\n \n It is better to use one of the three sub-properties instead of this one in order to specify wether the\n content can be accessed for free (mo:freedownload), if it is just free preview material (mo:previewdownload), or\n if it can be accessed for some money (mo:paiddownload) (this includes links to the Amazon store, for example).\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and\n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
|
999
1733
|
domain: term(
|
1000
1734
|
type: "owl:Class".freeze,
|
1001
1735
|
unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
|
@@ -1008,7 +1742,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1008
1742
|
type: "owl:ObjectProperty".freeze,
|
1009
1743
|
"vs:term_status": "stable".freeze
|
1010
1744
|
property :duration,
|
1011
|
-
comment:
|
1745
|
+
comment: "The duration of a track or a signal in ms".freeze,
|
1012
1746
|
domain: term(
|
1013
1747
|
type: "owl:Class".freeze,
|
1014
1748
|
unionOf: list("mo:Track".freeze, "mo:Signal".freeze)
|
@@ -1019,7 +1753,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1019
1753
|
type: "owl:DatatypeProperty".freeze,
|
1020
1754
|
"vs:term_status": "testing".freeze
|
1021
1755
|
property :ean,
|
1022
|
-
comment:
|
1756
|
+
comment: "The European Article Number (EAN) is a universal identifier for products, commonly printed in form of barcodes on them. The numbers represented by those codes can either be 8 or 13 digits long, with the 13-digit-version being most common. EANs form a superset of the North American Universal Product Code (UPC) as every UPC can be made an EAN by adding a leading zero to it. Additionally every EAN is also a Japanese Article Number (JAN). The identifiers were formerly assigned by EAN International which merged with Uniform Code Council (UCC, the guys behind the UPCs) and Electronic Commerce Council of Canada (ECCC) to become GS1. ".freeze,
|
1023
1757
|
domain: "mo:Release".freeze,
|
1024
1758
|
isDefinedBy: "mo:".freeze,
|
1025
1759
|
label: "ean".freeze,
|
@@ -1029,11 +1763,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1029
1763
|
type: "owl:DatatypeProperty".freeze,
|
1030
1764
|
"vs:term_status": "testing".freeze
|
1031
1765
|
property :encodes,
|
1032
|
-
comment:
|
1033
|
-
Relates a MusicalItem \(a track on a particular CD, an audio file, a stream somewhere\) to the signal it encodes.
|
1034
|
-
|
1035
|
-
This is usually a lower-resolution version of the master signal \(issued from a Recording event\).
|
1036
|
-
).freeze,
|
1766
|
+
comment: "\n Relates a MusicalItem (a track on a particular CD, an audio file, a stream somewhere) to the signal it encodes.\n\n This is usually a lower-resolution version of the master signal (issued from a Recording event).\n ".freeze,
|
1037
1767
|
domain: "mo:MusicalItem".freeze,
|
1038
1768
|
isDefinedBy: "mo:".freeze,
|
1039
1769
|
label: "encodes".freeze,
|
@@ -1042,7 +1772,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1042
1772
|
type: "owl:ObjectProperty".freeze,
|
1043
1773
|
"vs:term_status": "unstable".freeze
|
1044
1774
|
property :encoding,
|
1045
|
-
comment:
|
1775
|
+
comment: "Method used to convert analog electronic signals into digital format such as \"MP3 CBR @ 128kbps\", \"OGG @ 160kbps\", \"FLAC\", etc.".freeze,
|
1046
1776
|
domain: "mo:AudioFile".freeze,
|
1047
1777
|
isDefinedBy: "mo:".freeze,
|
1048
1778
|
label: "encoding".freeze,
|
@@ -1051,7 +1781,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1051
1781
|
type: "owl:DatatypeProperty".freeze,
|
1052
1782
|
"vs:term_status": "unstable".freeze
|
1053
1783
|
property :engineer,
|
1054
|
-
comment:
|
1784
|
+
comment: "Relates a performance or a recording to the engineer involved".freeze,
|
1055
1785
|
domain: term(
|
1056
1786
|
type: "owl:Class".freeze,
|
1057
1787
|
unionOf: list("mo:Performance".freeze, "mo:Recording".freeze, "mo:RecordingSession".freeze)
|
@@ -1064,7 +1794,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1064
1794
|
type: "owl:ObjectProperty".freeze,
|
1065
1795
|
"vs:term_status": "stable".freeze
|
1066
1796
|
property :engineered,
|
1067
|
-
comment:
|
1797
|
+
comment: "Relates agents to the performances/recordings they were engineering in".freeze,
|
1068
1798
|
domain: "foaf:Agent".freeze,
|
1069
1799
|
inverseOf: "mo:engineer".freeze,
|
1070
1800
|
isDefinedBy: "mo:".freeze,
|
@@ -1082,7 +1812,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1082
1812
|
type: "owl:ObjectProperty".freeze,
|
1083
1813
|
"vs:term_status": "deprecated".freeze
|
1084
1814
|
property :event_homepage,
|
1085
|
-
comment:
|
1815
|
+
comment: "Links a particular event to a web page".freeze,
|
1086
1816
|
domain: "http://purl.org/NET/c4dm/event.owl#Event".freeze,
|
1087
1817
|
isDefinedBy: "mo:".freeze,
|
1088
1818
|
label: "event homepage".freeze,
|
@@ -1092,7 +1822,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1092
1822
|
type: "owl:ObjectProperty".freeze,
|
1093
1823
|
"vs:term_status": "stable".freeze
|
1094
1824
|
property :exchange_item,
|
1095
|
-
comment:
|
1825
|
+
comment: "A person, a group of person or an organization exchanging an exemplar of a single manifestation.".freeze,
|
1096
1826
|
domain: "foaf:Agent".freeze,
|
1097
1827
|
isDefinedBy: "mo:".freeze,
|
1098
1828
|
label: "exchange_item".freeze,
|
@@ -1101,7 +1831,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1101
1831
|
type: "owl:ObjectProperty".freeze,
|
1102
1832
|
"vs:term_status": "stable".freeze
|
1103
1833
|
property :fanpage,
|
1104
|
-
comment:
|
1834
|
+
comment: "Used to link an artist to a fan-created webpage devoted to that artist.".freeze,
|
1105
1835
|
domain: "mo:MusicArtist".freeze,
|
1106
1836
|
isDefinedBy: "mo:".freeze,
|
1107
1837
|
label: "fanpage".freeze,
|
@@ -1111,16 +1841,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1111
1841
|
type: "owl:ObjectProperty".freeze,
|
1112
1842
|
"vs:term_status": "stable".freeze
|
1113
1843
|
property :free_download,
|
1114
|
-
comment:
|
1115
|
-
This property can be used to link from a person to the website where they make their works available, or from
|
1116
|
-
a manifestation \(a track or an album, for example\) to a web page where it is available for free
|
1117
|
-
download.
|
1118
|
-
|
1119
|
-
This property MUST be used only if the content is just available through a web page \(holding, for example
|
1120
|
-
a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
|
1121
|
-
mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
|
1122
|
-
less to rip streams from Flash applications can still access the audio content.
|
1123
|
-
).freeze,
|
1844
|
+
comment: "\n This property can be used to link from a person to the website where they make their works available, or from\n a manifestation (a track or an album, for example) to a web page where it is available for free \n download.\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and \n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
|
1124
1845
|
domain: term(
|
1125
1846
|
type: "owl:Class".freeze,
|
1126
1847
|
unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
|
@@ -1138,10 +1859,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1138
1859
|
type: "owl:ObjectProperty".freeze,
|
1139
1860
|
"vs:term_status": "deprecated".freeze
|
1140
1861
|
property :genre,
|
1141
|
-
comment:
|
1142
|
-
Associates an event \(like a performance or a recording\) to a particular musical genre.
|
1143
|
-
Further version of this property may also include works and scores in the domain.
|
1144
|
-
).freeze,
|
1862
|
+
comment: "\n Associates an event (like a performance or a recording) to a particular musical genre.\n Further version of this property may also include works and scores in the domain.\n ".freeze,
|
1145
1863
|
domain: term(
|
1146
1864
|
type: "owl:Class".freeze,
|
1147
1865
|
unionOf: list("foaf:Agent".freeze, "mo:Performance".freeze, "mo:Arrangement".freeze, "mo:Composition".freeze, "mo:Recording".freeze, "mo:RecordingSession".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
|
@@ -1154,7 +1872,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1154
1872
|
type: "owl:ObjectProperty".freeze,
|
1155
1873
|
"vs:term_status": "stable".freeze
|
1156
1874
|
property :grid,
|
1157
|
-
comment:
|
1875
|
+
comment: "The Global Release Identifier (GRid) is a system for uniquely identifying Releases of music over electronic networks (that is, online stores where you can buy music as digital files). As that it can be seen as the equivalent of the BarCode (or more correctly the GTIN) as found on physical releases of music. Like the ISRC (a code for identifying single recordings as found on releases) it was developed by the IFPI but it does not appear to be a standard of the ISO.".freeze,
|
1158
1876
|
domain: "mo:Release".freeze,
|
1159
1877
|
isDefinedBy: "mo:".freeze,
|
1160
1878
|
label: "GRid".freeze,
|
@@ -1164,7 +1882,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1164
1882
|
type: "owl:DatatypeProperty".freeze,
|
1165
1883
|
"vs:term_status": "testing".freeze
|
1166
1884
|
property :group,
|
1167
|
-
comment:
|
1885
|
+
comment: "Relates a membership event with the corresponding group".freeze,
|
1168
1886
|
domain: "mo:Membership".freeze,
|
1169
1887
|
isDefinedBy: "mo:".freeze,
|
1170
1888
|
label: "group".freeze,
|
@@ -1173,7 +1891,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1173
1891
|
type: "owl:ObjectProperty".freeze,
|
1174
1892
|
"vs:term_status": "testing".freeze
|
1175
1893
|
property :gtin,
|
1176
|
-
comment:
|
1894
|
+
comment: "GTIN is a grouping term for EANs and UPCs. In common speech those are called barcodes although the barcodes are just a representation of those identifying numbers.".freeze,
|
1177
1895
|
domain: "mo:Release".freeze,
|
1178
1896
|
isDefinedBy: "mo:".freeze,
|
1179
1897
|
label: "gtin".freeze,
|
@@ -1187,7 +1905,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1187
1905
|
type: "owl:ObjectProperty".freeze,
|
1188
1906
|
"vs:term_status": "deprecated".freeze
|
1189
1907
|
property :headliner,
|
1190
|
-
comment:
|
1908
|
+
comment: "Relates a performance to the headliner(s) involved".freeze,
|
1191
1909
|
isDefinedBy: "mo:".freeze,
|
1192
1910
|
label: "headliner".freeze,
|
1193
1911
|
"mo:level": "2".freeze,
|
@@ -1195,7 +1913,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1195
1913
|
type: "owl:ObjectProperty".freeze,
|
1196
1914
|
"vs:term_status": "testing".freeze
|
1197
1915
|
property :homepage,
|
1198
|
-
comment:
|
1916
|
+
comment: "Links an artist, a record, etc. to a corresponding web page".freeze,
|
1199
1917
|
domain: term(
|
1200
1918
|
type: "owl:Class".freeze,
|
1201
1919
|
unionOf: list("mo:MusicalWork".freeze, "mo:MusicArtist".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
|
@@ -1208,7 +1926,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1208
1926
|
type: "owl:ObjectProperty".freeze,
|
1209
1927
|
"vs:term_status": "stable".freeze
|
1210
1928
|
property :image,
|
1211
|
-
comment:
|
1929
|
+
comment: "Indicates a pictorial image (JPEG, GIF, PNG, Etc.) of a musical work, the expression of a musical work, the manifestation of a work or the examplar of a manifestation.".freeze,
|
1212
1930
|
domain: term(
|
1213
1931
|
type: "owl:Class".freeze,
|
1214
1932
|
unionOf: list("mo:MusicalWork".freeze, "mo:MusicArtist".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze)
|
@@ -1221,7 +1939,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1221
1939
|
type: "owl:ObjectProperty".freeze,
|
1222
1940
|
"vs:term_status": "stable".freeze
|
1223
1941
|
property :imdb,
|
1224
|
-
comment:
|
1942
|
+
comment: "Used to link an artist, a musical work or the expression of a musical work to their equivalent page on IMDb, the InternetMovieDatabase.".freeze,
|
1225
1943
|
domain: term(
|
1226
1944
|
type: "owl:Class".freeze,
|
1227
1945
|
unionOf: list("mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
|
@@ -1234,7 +1952,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1234
1952
|
type: "owl:ObjectProperty".freeze,
|
1235
1953
|
"vs:term_status": "stable".freeze
|
1236
1954
|
property :instrument,
|
1237
|
-
comment:
|
1955
|
+
comment: "Relates a performance to a musical instrument involved".freeze,
|
1238
1956
|
domain: "mo:Performance".freeze,
|
1239
1957
|
isDefinedBy: "mo:".freeze,
|
1240
1958
|
"mo:level": "2".freeze,
|
@@ -1243,7 +1961,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1243
1961
|
type: "owl:ObjectProperty".freeze,
|
1244
1962
|
"vs:term_status": "stable".freeze
|
1245
1963
|
property :interpreter,
|
1246
|
-
comment:
|
1964
|
+
comment: "Adds an involved music artist, who interpreted, remixed, or otherwise modified an existing signal, which resulted in the signal that is here the subject of this relation.".freeze,
|
1247
1965
|
domain: "mo:Signal".freeze,
|
1248
1966
|
isDefinedBy: "mo:".freeze,
|
1249
1967
|
label: "has interpeter".freeze,
|
@@ -1252,7 +1970,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1252
1970
|
type: "owl:ObjectProperty".freeze,
|
1253
1971
|
"vs:term_status": "testing".freeze
|
1254
1972
|
property :ipi,
|
1255
|
-
comment:
|
1973
|
+
comment: "The Interested Parties Information Code (IPI) is an ISO standard similar to ISBNs for identifying the people or groups with some involvement with a particular musical work / compositions.".freeze,
|
1256
1974
|
domain: "mo:MusicArtist".freeze,
|
1257
1975
|
isDefinedBy: "mo:".freeze,
|
1258
1976
|
label: "ipi".freeze,
|
@@ -1262,7 +1980,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1262
1980
|
type: "owl:DatatypeProperty".freeze,
|
1263
1981
|
"vs:term_status": "testing".freeze
|
1264
1982
|
property :ismn,
|
1265
|
-
comment:
|
1983
|
+
comment: "The International Standard Music Number (ISMN) is an ISO standard similar to ISBNs for identifying printed music publications".freeze,
|
1266
1984
|
domain: term(
|
1267
1985
|
type: "owl:Class".freeze,
|
1268
1986
|
unionOf: list("mo:PublishedLyrics".freeze, "mo:PublishedLibretto".freeze, "mo:PublishedScore".freeze)
|
@@ -1275,11 +1993,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1275
1993
|
type: "owl:DatatypeProperty".freeze,
|
1276
1994
|
"vs:term_status": "testing".freeze
|
1277
1995
|
property :isrc,
|
1278
|
-
comment:
|
1279
|
-
The ISRC \(International Standard Recording Code\) is the international identification system for sound recordings and music videorecordings.
|
1280
|
-
Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint.
|
1281
|
-
Encoded ISRC provide the means to automatically identify recordings for royalty payments.
|
1282
|
-
).freeze,
|
1996
|
+
comment: "\n The ISRC (International Standard Recording Code) is the international identification system for sound recordings and music videorecordings. \n Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint. \n Encoded ISRC provide the means to automatically identify recordings for royalty payments.\n ".freeze,
|
1283
1997
|
domain: "mo:Signal".freeze,
|
1284
1998
|
isDefinedBy: "mo:".freeze,
|
1285
1999
|
label: "isrc".freeze,
|
@@ -1289,7 +2003,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1289
2003
|
type: "owl:DatatypeProperty".freeze,
|
1290
2004
|
"vs:term_status": "stable".freeze
|
1291
2005
|
property :iswc,
|
1292
|
-
comment:
|
2006
|
+
comment: "Links a musical work to the corresponding ISWC number".freeze,
|
1293
2007
|
domain: "mo:MusicalWork".freeze,
|
1294
2008
|
isDefinedBy: "mo:".freeze,
|
1295
2009
|
label: "iswc".freeze,
|
@@ -1299,10 +2013,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1299
2013
|
type: "owl:DatatypeProperty".freeze,
|
1300
2014
|
"vs:term_status": "testing".freeze
|
1301
2015
|
property :item,
|
1302
|
-
comment:
|
1303
|
-
Relates a musical manifestation to a musical item \(this album, and my particular cd\) holding the
|
1304
|
-
entire manifestation, and not just a part of it.
|
1305
|
-
).freeze,
|
2016
|
+
comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd) holding the\n entire manifestation, and not just a part of it.\n ".freeze,
|
1306
2017
|
domain: "mo:MusicalManifestation".freeze,
|
1307
2018
|
isDefinedBy: "mo:".freeze,
|
1308
2019
|
"mo:level": "1".freeze,
|
@@ -1311,9 +2022,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1311
2022
|
type: "owl:ObjectProperty".freeze,
|
1312
2023
|
"vs:term_status": "testing".freeze
|
1313
2024
|
property :key,
|
1314
|
-
comment:
|
1315
|
-
Indicated the key used by the musicians during a performance, or the key of a MusicalWork.
|
1316
|
-
Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.).freeze,
|
2025
|
+
comment: "\n Indicated the key used by the musicians during a performance, or the key of a MusicalWork.\n Any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music.".freeze,
|
1317
2026
|
domain: term(
|
1318
2027
|
type: "owl:Class".freeze,
|
1319
2028
|
unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
|
@@ -1325,7 +2034,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1325
2034
|
type: "owl:ObjectProperty".freeze,
|
1326
2035
|
"vs:term_status": "stable".freeze
|
1327
2036
|
property :label,
|
1328
|
-
comment:
|
2037
|
+
comment: "Associates a release event with the label releasing the record".freeze,
|
1329
2038
|
domain: term(
|
1330
2039
|
type: "owl:Class".freeze,
|
1331
2040
|
unionOf: list("mo:Release".freeze, "mo:MusicArtist".freeze)
|
@@ -1337,7 +2046,7 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1337
2046
|
type: "owl:ObjectProperty".freeze,
|
1338
2047
|
"vs:term_status": "testing".freeze
|
1339
2048
|
property :lc,
|
1340
|
-
comment:
|
2049
|
+
comment: "The Label Code (LC) was introduced in 1977 by the IFPI (International Federation of Phonogram and Videogram Industries) in order to unmistakably identify the different record labels (see Introduction, Record labels) for rights purposes. The Label Code consists historically of 4 figures, presently being extended to 5 figures, preceded by LC and a dash (e.g. LC-0193 = Electrola; LC-0233 = His Master's Voice). Note that the number of countries using the LC is limited, and that the code given on the item is not always accurate.".freeze,
|
1341
2050
|
domain: "mo:Label".freeze,
|
1342
2051
|
isDefinedBy: "mo:".freeze,
|
1343
2052
|
label: "lc".freeze,
|
@@ -1347,23 +2056,12 @@ The artist usually selected the tracks, chose their sequence, and slightly chang
|
|
1347
2056
|
type: "owl:DatatypeProperty".freeze,
|
1348
2057
|
"vs:term_status": "testing".freeze
|
1349
2058
|
property :level,
|
1350
|
-
comment:
|
1351
|
-
This annotation property associates to a particular Music Ontology term the corresponding
|
1352
|
-
expressiveness level. These levels can be:
|
1353
|
-
|
1354
|
-
- 1: Only editorial/Musicbrainz type information
|
1355
|
-
- 2: Workflow information
|
1356
|
-
- 3: Even decomposition
|
1357
|
-
|
1358
|
-
This property is mainly used for specification generation.
|
1359
|
-
).freeze,
|
2059
|
+
comment: "\n This annotation property associates to a particular Music Ontology term the corresponding\n expressiveness level. These levels can be:\n\n - 1: Only editorial/Musicbrainz type information\n - 2: Workflow information\n - 3: Even decomposition\n \n This property is mainly used for specification generation.\n ".freeze,
|
1360
2060
|
isDefinedBy: "mo:".freeze,
|
1361
2061
|
label: "level".freeze,
|
1362
2062
|
type: "owl:AnnotationProperty".freeze
|
1363
2063
|
property :licence,
|
1364
|
-
comment:
|
1365
|
-
|
1366
|
-
This is usually used to link to a Creative Commons licence.).freeze,
|
2064
|
+
comment: "Used to link a work or the expression of a work to the license under which they can be manipulated (downloaded, modified, etc). \n \nThis is usually used to link to a Creative Commons licence.".freeze,
|
1367
2065
|
domain: term(
|
1368
2066
|
type: "owl:Class".freeze,
|
1369
2067
|
unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze)
|
@@ -1375,7 +2073,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
|
|
1375
2073
|
type: "owl:ObjectProperty".freeze,
|
1376
2074
|
"vs:term_status": "stable".freeze
|
1377
2075
|
property :listened,
|
1378
|
-
comment:
|
2076
|
+
comment: "Relates agents to the performances they were listening in".freeze,
|
1379
2077
|
domain: "foaf:Agent".freeze,
|
1380
2078
|
inverseOf: "mo:listener".freeze,
|
1381
2079
|
isDefinedBy: "mo:".freeze,
|
@@ -1386,7 +2084,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
|
|
1386
2084
|
type: "owl:ObjectProperty".freeze,
|
1387
2085
|
"vs:term_status": "unstable".freeze
|
1388
2086
|
property :listener,
|
1389
|
-
comment:
|
2087
|
+
comment: "Relates a performance to the listener involved".freeze,
|
1390
2088
|
domain: "mo:Performance".freeze,
|
1391
2089
|
inverseOf: "mo:listened".freeze,
|
1392
2090
|
isDefinedBy: "mo:".freeze,
|
@@ -1396,7 +2094,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
|
|
1396
2094
|
type: "owl:ObjectProperty".freeze,
|
1397
2095
|
"vs:term_status": "stable".freeze
|
1398
2096
|
property :lyrics,
|
1399
|
-
comment:
|
2097
|
+
comment: "Associates lyrics with a musical work".freeze,
|
1400
2098
|
domain: "mo:MusicalWork".freeze,
|
1401
2099
|
isDefinedBy: "mo:".freeze,
|
1402
2100
|
label: "lyrics".freeze,
|
@@ -1405,7 +2103,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
|
|
1405
2103
|
type: "owl:ObjectProperty".freeze,
|
1406
2104
|
"vs:term_status": "testing".freeze
|
1407
2105
|
property :mailorder,
|
1408
|
-
comment:
|
2106
|
+
comment: "Used to link a musical work or the expression of a musical work to a website where people can buy a copy of the musical manifestation.".freeze,
|
1409
2107
|
domain: term(
|
1410
2108
|
type: "owl:Class".freeze,
|
1411
2109
|
unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
|
@@ -1418,9 +2116,7 @@ This is usually used to link to a Creative Commons licence.).freeze,
|
|
1418
2116
|
type: "owl:ObjectProperty".freeze,
|
1419
2117
|
"vs:term_status": "stable".freeze
|
1420
2118
|
property :mashup_of,
|
1421
|
-
comment:
|
1422
|
-
|
1423
|
-
This means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work \(usually by a third artist, the remixer\).).freeze,
|
2119
|
+
comment: "Indicates that musical works or the expressions of a musical work were mashed up on this album or track. \n \nThis means that two musical works or the expressions of a musical work by different artists are mixed together, over each other, or otherwise combined into a single musical work (usually by a third artist, the remixer).".freeze,
|
1424
2120
|
isDefinedBy: "mo:".freeze,
|
1425
2121
|
label: "mashup_of".freeze,
|
1426
2122
|
"mo:level": "1".freeze,
|
@@ -1428,7 +2124,7 @@ This means that two musical works or the expressions of a musical work by differ
|
|
1428
2124
|
type: "owl:ObjectProperty".freeze,
|
1429
2125
|
"vs:term_status": "unstable".freeze
|
1430
2126
|
property :media_type,
|
1431
|
-
comment:
|
2127
|
+
comment: "The mediatype (file format or MIME type, or physical medium) of a musical manifestation, e.g. a MP3, CD or vinyl.".freeze,
|
1432
2128
|
domain: "mo:MusicalManifestation".freeze,
|
1433
2129
|
isDefinedBy: "mo:".freeze,
|
1434
2130
|
label: "has media type".freeze,
|
@@ -1438,9 +2134,7 @@ This means that two musical works or the expressions of a musical work by differ
|
|
1438
2134
|
type: "owl:ObjectProperty".freeze,
|
1439
2135
|
"vs:term_status": "testing".freeze
|
1440
2136
|
property :medley_of,
|
1441
|
-
comment:
|
1442
|
-
|
1443
|
-
This means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley. ).freeze,
|
2137
|
+
comment: "Indicates that a musical expression is a medley of several other musical expressions. \n \nThis means that the orignial musical expression were rearranged to create a new musical expression in the form of a medley. ".freeze,
|
1444
2138
|
isDefinedBy: "mo:".freeze,
|
1445
2139
|
label: "medley_of".freeze,
|
1446
2140
|
"mo:level": "1".freeze,
|
@@ -1448,9 +2142,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1448
2142
|
type: "owl:ObjectProperty".freeze,
|
1449
2143
|
"vs:term_status": "unstable".freeze
|
1450
2144
|
property :member,
|
1451
|
-
comment:
|
1452
|
-
Indicates a member of a musical group
|
1453
|
-
).freeze,
|
2145
|
+
comment: "\n Indicates a member of a musical group\n ".freeze,
|
1454
2146
|
domain: "mo:MusicGroup".freeze,
|
1455
2147
|
isDefinedBy: "mo:".freeze,
|
1456
2148
|
label: "member".freeze,
|
@@ -1460,7 +2152,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1460
2152
|
type: "owl:ObjectProperty".freeze,
|
1461
2153
|
"vs:term_status": "stable".freeze
|
1462
2154
|
property :member_of,
|
1463
|
-
comment:
|
2155
|
+
comment: "Inverse of the foaf:member property".freeze,
|
1464
2156
|
domain: "foaf:Agent".freeze,
|
1465
2157
|
inverseOf: "foaf:member".freeze,
|
1466
2158
|
isDefinedBy: "mo:".freeze,
|
@@ -1470,7 +2162,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1470
2162
|
type: "owl:ObjectProperty".freeze,
|
1471
2163
|
"vs:term_status": "unstable".freeze
|
1472
2164
|
property :membership,
|
1473
|
-
comment:
|
2165
|
+
comment: "Relates an agent with related membership events".freeze,
|
1474
2166
|
domain: "foaf:Agent".freeze,
|
1475
2167
|
isDefinedBy: "mo:".freeze,
|
1476
2168
|
label: "membership".freeze,
|
@@ -1479,7 +2171,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1479
2171
|
type: "owl:ObjectProperty".freeze,
|
1480
2172
|
"vs:term_status": "testing".freeze
|
1481
2173
|
property :meter,
|
1482
|
-
comment:
|
2174
|
+
comment: "Associates a musical work or a score with its meter".freeze,
|
1483
2175
|
domain: term(
|
1484
2176
|
type: "owl:Class".freeze,
|
1485
2177
|
unionOf: list("mo:MusicalWork".freeze, "mo:Score".freeze)
|
@@ -1490,7 +2182,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1490
2182
|
type: "owl:DatatypeProperty".freeze,
|
1491
2183
|
"vs:term_status": "testing".freeze
|
1492
2184
|
property :movement,
|
1493
|
-
comment:
|
2185
|
+
comment: "Indicates that a musical work has movements".freeze,
|
1494
2186
|
domain: "mo:MusicalWork".freeze,
|
1495
2187
|
isDefinedBy: "mo:".freeze,
|
1496
2188
|
label: "has_movement".freeze,
|
@@ -1502,7 +2194,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1502
2194
|
equivalentProperty: "mo:movement_number".freeze,
|
1503
2195
|
type: "owl:DatatypeProperty".freeze
|
1504
2196
|
property :movement_number,
|
1505
|
-
comment:
|
2197
|
+
comment: "Indicates the position of a movement in a musical work.".freeze,
|
1506
2198
|
domain: "mo:Movement".freeze,
|
1507
2199
|
isDefinedBy: "mo:".freeze,
|
1508
2200
|
label: "movement number".freeze,
|
@@ -1511,9 +2203,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1511
2203
|
type: "owl:DatatypeProperty".freeze,
|
1512
2204
|
"vs:term_status": "unstable".freeze
|
1513
2205
|
property :musicbrainz,
|
1514
|
-
comment:
|
1515
|
-
Linking an agent, a track or a record to its corresponding Musicbrainz page.
|
1516
|
-
).freeze,
|
2206
|
+
comment: "\n Linking an agent, a track or a record to its corresponding Musicbrainz page.\n ".freeze,
|
1517
2207
|
domain: term(
|
1518
2208
|
type: "owl:Class".freeze,
|
1519
2209
|
unionOf: list("mo:MusicalWork".freeze, "mo:MusicalManifestation".freeze, "foaf:Agent".freeze, "mo:Signal".freeze)
|
@@ -1526,7 +2216,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1526
2216
|
type: "owl:ObjectProperty".freeze,
|
1527
2217
|
"vs:term_status": "stable".freeze
|
1528
2218
|
property :musicbrainz_guid,
|
1529
|
-
comment:
|
2219
|
+
comment: "Links an object to the corresponding Musicbrainz identifier".freeze,
|
1530
2220
|
domain: term(
|
1531
2221
|
type: "owl:Class".freeze,
|
1532
2222
|
unionOf: list("mo:MusicArtist".freeze, "mo:Track".freeze, "mo:Record".freeze, "mo:SignalGroup".freeze, "mo:Signal".freeze, "mo:ReleaseEvent".freeze, "mo:Label".freeze)
|
@@ -1538,7 +2228,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1538
2228
|
type: "owl:DatatypeProperty".freeze,
|
1539
2229
|
"vs:term_status": "testing".freeze
|
1540
2230
|
property :musicmoz,
|
1541
|
-
comment:
|
2231
|
+
comment: "Used to link an artist, a musical work or the expression of a musical work to its corresponding MusicMoz page.".freeze,
|
1542
2232
|
domain: term(
|
1543
2233
|
type: "owl:Class".freeze,
|
1544
2234
|
unionOf: list("mo:MusicArtist".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze)
|
@@ -1551,7 +2241,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1551
2241
|
type: "owl:ObjectProperty".freeze,
|
1552
2242
|
"vs:term_status": "stable".freeze
|
1553
2243
|
property :myspace,
|
1554
|
-
comment:
|
2244
|
+
comment: "Used to link a person to its corresponding MySpace page.".freeze,
|
1555
2245
|
domain: "foaf:Agent".freeze,
|
1556
2246
|
isDefinedBy: "mo:".freeze,
|
1557
2247
|
label: "myspace".freeze,
|
@@ -1561,7 +2251,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1561
2251
|
type: "owl:ObjectProperty".freeze,
|
1562
2252
|
"vs:term_status": "stable".freeze
|
1563
2253
|
property :olga,
|
1564
|
-
comment:
|
2254
|
+
comment: "Used to link a track to a tabulature file for track in the On-Line Guitar Archive.".freeze,
|
1565
2255
|
domain: "mo:Track".freeze,
|
1566
2256
|
isDefinedBy: "mo:".freeze,
|
1567
2257
|
label: "olga".freeze,
|
@@ -1571,7 +2261,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1571
2261
|
type: "owl:ObjectProperty".freeze,
|
1572
2262
|
"vs:term_status": "stable".freeze
|
1573
2263
|
property :onlinecommunity,
|
1574
|
-
comment:
|
2264
|
+
comment: "Used to link a person with an online community web page like a blog, a wiki, a forum, a livejournal page, Etc.".freeze,
|
1575
2265
|
domain: "foaf:Agent".freeze,
|
1576
2266
|
isDefinedBy: "mo:".freeze,
|
1577
2267
|
label: "onlinecommunity".freeze,
|
@@ -1581,9 +2271,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1581
2271
|
type: "owl:ObjectProperty".freeze,
|
1582
2272
|
"vs:term_status": "stable".freeze
|
1583
2273
|
property :opus,
|
1584
|
-
comment:
|
1585
|
-
Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.
|
1586
|
-
).freeze,
|
2274
|
+
comment: "\n Used to define a creative work, especially a musical composition numbered to designate the order of a composer's works.\n ".freeze,
|
1587
2275
|
domain: "mo:MusicalWork".freeze,
|
1588
2276
|
isDefinedBy: "mo:".freeze,
|
1589
2277
|
label: "opus".freeze,
|
@@ -1592,7 +2280,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1592
2280
|
type: "owl:DatatypeProperty".freeze,
|
1593
2281
|
"vs:term_status": "stable".freeze
|
1594
2282
|
property :origin,
|
1595
|
-
comment:
|
2283
|
+
comment: "Relates an artist to its geographic origin".freeze,
|
1596
2284
|
domain: "mo:MusicArtist".freeze,
|
1597
2285
|
isDefinedBy: "mo:".freeze,
|
1598
2286
|
label: "origin".freeze,
|
@@ -1601,7 +2289,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1601
2289
|
type: "owl:ObjectProperty".freeze,
|
1602
2290
|
"vs:term_status": "testing".freeze
|
1603
2291
|
property :other_release_of,
|
1604
|
-
comment:
|
2292
|
+
comment: "Indicates that two musical manifestations are essentially the same.".freeze,
|
1605
2293
|
domain: "mo:MusicalManifestation".freeze,
|
1606
2294
|
isDefinedBy: "mo:".freeze,
|
1607
2295
|
label: "other_release_of".freeze,
|
@@ -1610,10 +2298,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1610
2298
|
type: ["owl:ObjectProperty".freeze, "owl:SymmetricProperty".freeze],
|
1611
2299
|
"vs:term_status": "unstable".freeze
|
1612
2300
|
property :paid_download,
|
1613
|
-
comment:
|
1614
|
-
Provide a link from an artist to a web page where all of that artist's musical work is available for some money,
|
1615
|
-
or a link from a manifestation \(record/track, for example\) to a web page providing a paid access to this manifestation.
|
1616
|
-
).freeze,
|
2301
|
+
comment: "\n Provide a link from an artist to a web page where all of that artist's musical work is available for some money,\n or a link from a manifestation (record/track, for example) to a web page providing a paid access to this manifestation.\n ".freeze,
|
1617
2302
|
domain: term(
|
1618
2303
|
type: "owl:Class".freeze,
|
1619
2304
|
unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "mo:MusicArtist".freeze, "mo:CorporateBody".freeze)
|
@@ -1631,11 +2316,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1631
2316
|
type: "owl:ObjectProperty".freeze,
|
1632
2317
|
"vs:term_status": "deprecated".freeze
|
1633
2318
|
property :performance_of,
|
1634
|
-
comment:
|
1635
|
-
Associates a Performance to a musical work or an arrangement that is being used as a factor in it.
|
1636
|
-
For example, I might use this property to attach the Magic Flute musical work to
|
1637
|
-
a particular Performance.
|
1638
|
-
).freeze,
|
2319
|
+
comment: "\n Associates a Performance to a musical work or an arrangement that is being used as a factor in it.\n For example, I might use this property to attach the Magic Flute musical work to \n a particular Performance.\n ".freeze,
|
1639
2320
|
domain: "mo:Performance".freeze,
|
1640
2321
|
inverseOf: "mo:performed_in".freeze,
|
1641
2322
|
isDefinedBy: "mo:".freeze,
|
@@ -1649,7 +2330,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1649
2330
|
type: "owl:ObjectProperty".freeze,
|
1650
2331
|
"vs:term_status": "unstable".freeze
|
1651
2332
|
property :performed,
|
1652
|
-
comment:
|
2333
|
+
comment: "Relates agents to the performances they were performing in".freeze,
|
1653
2334
|
domain: "foaf:Agent".freeze,
|
1654
2335
|
inverseOf: "mo:performer".freeze,
|
1655
2336
|
isDefinedBy: "mo:".freeze,
|
@@ -1660,11 +2341,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1660
2341
|
type: "owl:ObjectProperty".freeze,
|
1661
2342
|
"vs:term_status": "unstable".freeze
|
1662
2343
|
property :performed_in,
|
1663
|
-
comment:
|
1664
|
-
Associates a Musical Work or an Score to Performances in which they were
|
1665
|
-
a factor. For example, I might use this property in order to
|
1666
|
-
associate the Magic Flute to a particular performance at the Opera
|
1667
|
-
Bastille last year.).freeze,
|
2344
|
+
comment: "\n Associates a Musical Work or an Score to Performances in which they were\n a factor. For example, I might use this property in order to \n associate the Magic Flute to a particular performance at the Opera\n Bastille last year.".freeze,
|
1668
2345
|
domain: term(
|
1669
2346
|
type: "owl:Class".freeze,
|
1670
2347
|
unionOf: list("mo:Score".freeze, "mo:MusicalWork".freeze)
|
@@ -1678,7 +2355,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1678
2355
|
type: "owl:ObjectProperty".freeze,
|
1679
2356
|
"vs:term_status": "unstable".freeze
|
1680
2357
|
property :performer,
|
1681
|
-
comment:
|
2358
|
+
comment: "Relates a performance to the performers involved".freeze,
|
1682
2359
|
domain: "mo:Performance".freeze,
|
1683
2360
|
inverseOf: "mo:performed".freeze,
|
1684
2361
|
isDefinedBy: "mo:".freeze,
|
@@ -1688,7 +2365,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1688
2365
|
type: "owl:ObjectProperty".freeze,
|
1689
2366
|
"vs:term_status": "stable".freeze
|
1690
2367
|
property :possess_item,
|
1691
|
-
comment:
|
2368
|
+
comment: "A person, a group of person or an organization possessing an exemplar of a single manifestation.".freeze,
|
1692
2369
|
domain: "foaf:Agent".freeze,
|
1693
2370
|
isDefinedBy: "mo:".freeze,
|
1694
2371
|
label: "possess_item".freeze,
|
@@ -1697,10 +2374,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1697
2374
|
type: "owl:ObjectProperty".freeze,
|
1698
2375
|
"vs:term_status": "stable".freeze
|
1699
2376
|
property :preview,
|
1700
|
-
comment:
|
1701
|
-
Relates a musical manifestation to a musical item \(this album, and my particular cd\), which holds
|
1702
|
-
a preview of the manifestation \(eg. one track for an album, or a snippet for a track\)
|
1703
|
-
).freeze,
|
2377
|
+
comment: "\n Relates a musical manifestation to a musical item (this album, and my particular cd), which holds\n a preview of the manifestation (eg. one track for an album, or a snippet for a track)\n ".freeze,
|
1704
2378
|
domain: "mo:MusicalManifestation".freeze,
|
1705
2379
|
isDefinedBy: "mo:".freeze,
|
1706
2380
|
"mo:level": "1".freeze,
|
@@ -1709,15 +2383,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1709
2383
|
type: "owl:ObjectProperty".freeze,
|
1710
2384
|
"vs:term_status": "testing".freeze
|
1711
2385
|
property :preview_download,
|
1712
|
-
comment:
|
1713
|
-
This property can be used to link from a person to the website where they make previews of their works available, or from
|
1714
|
-
a manifestation \(a track or an album, for example\) to a web page where a preview download is available.
|
1715
|
-
|
1716
|
-
This property MUST be used only if the content is just available through a web page \(holding, for example
|
1717
|
-
a Flash application\) - it is better to link to actual content directly through the use of mo:available_as and
|
1718
|
-
mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even
|
1719
|
-
less to rip streams from Flash applications can still access the audio content.
|
1720
|
-
).freeze,
|
2386
|
+
comment: "\n This property can be used to link from a person to the website where they make previews of their works available, or from\n a manifestation (a track or an album, for example) to a web page where a preview download is available.\n\n This property MUST be used only if the content is just available through a web page (holding, for example\n a Flash application) - it is better to link to actual content directly through the use of mo:available_as and\n mo:Stream, mo:Torrent or mo:ED2K, etc. Therefore, Semantic Web user agents that don't know how to read HTML and even\n less to rip streams from Flash applications can still access the audio content.\n ".freeze,
|
1721
2387
|
domain: term(
|
1722
2388
|
type: "owl:Class".freeze,
|
1723
2389
|
unionOf: list("http://purl.org/vocab/frbr/core#Manifestation".freeze, "foaf:Agent".freeze, "mo:CorporateBody".freeze)
|
@@ -1730,7 +2396,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1730
2396
|
type: "owl:ObjectProperty".freeze,
|
1731
2397
|
"vs:term_status": "stable".freeze
|
1732
2398
|
property :primary_instrument,
|
1733
|
-
comment:
|
2399
|
+
comment: "Indicates that an artist primarily plays an instrument, or that a member was primarily playing a particular instrument during his membership".freeze,
|
1734
2400
|
domain: term(
|
1735
2401
|
type: "owl:Class".freeze,
|
1736
2402
|
unionOf: list("mo:Membership".freeze, "foaf:Agent".freeze)
|
@@ -1742,7 +2408,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1742
2408
|
type: "owl:ObjectProperty".freeze,
|
1743
2409
|
"vs:term_status": "testing".freeze
|
1744
2410
|
property :produced,
|
1745
|
-
comment:
|
2411
|
+
comment: "Used to relate an person or a group of person who produced the manifestation of a work.".freeze,
|
1746
2412
|
domain: "foaf:Agent".freeze,
|
1747
2413
|
inverseOf: "mo:producer".freeze,
|
1748
2414
|
isDefinedBy: "mo:".freeze,
|
@@ -1752,10 +2418,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1752
2418
|
type: "owl:ObjectProperty".freeze,
|
1753
2419
|
"vs:term_status": "stable".freeze
|
1754
2420
|
property :produced_score,
|
1755
|
-
comment:
|
1756
|
-
Associates an arrangement or a composition event to a score product \(score here does not refer to a published score, but more
|
1757
|
-
an abstract arrangement of a particular work\).
|
1758
|
-
).freeze,
|
2421
|
+
comment: "\n Associates an arrangement or a composition event to a score product (score here does not refer to a published score, but more\n an abstract arrangement of a particular work).\n ".freeze,
|
1759
2422
|
domain: term(
|
1760
2423
|
type: "owl:Class".freeze,
|
1761
2424
|
unionOf: list("mo:Composition".freeze, "mo:Arrangement".freeze)
|
@@ -1768,9 +2431,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1768
2431
|
type: "owl:ObjectProperty".freeze,
|
1769
2432
|
"vs:term_status": "unstable".freeze
|
1770
2433
|
property :produced_signal,
|
1771
|
-
comment:
|
1772
|
-
Associates a Recording to the outputted signal.
|
1773
|
-
).freeze,
|
2434
|
+
comment: "\n Associates a Recording to the outputted signal.\n ".freeze,
|
1774
2435
|
domain: "mo:Recording".freeze,
|
1775
2436
|
isDefinedBy: "mo:".freeze,
|
1776
2437
|
label: "produced signal".freeze,
|
@@ -1780,7 +2441,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1780
2441
|
type: "owl:ObjectProperty".freeze,
|
1781
2442
|
"vs:term_status": "stable".freeze
|
1782
2443
|
property :produced_signal_group,
|
1783
|
-
comment:
|
2444
|
+
comment: "Associates a recording session with a group of master signals produced by it.".freeze,
|
1784
2445
|
domain: "mo:RecordingSession".freeze,
|
1785
2446
|
isDefinedBy: "mo:".freeze,
|
1786
2447
|
label: "produced signal group".freeze,
|
@@ -1790,9 +2451,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1790
2451
|
type: "owl:ObjectProperty".freeze,
|
1791
2452
|
"vs:term_status": "testing".freeze
|
1792
2453
|
property :produced_sound,
|
1793
|
-
comment:
|
1794
|
-
Associates a Performance to a physical Sound that is being produced by it.
|
1795
|
-
).freeze,
|
2454
|
+
comment: "\n Associates a Performance to a physical Sound that is being produced by it.\n ".freeze,
|
1796
2455
|
domain: "mo:Performance".freeze,
|
1797
2456
|
isDefinedBy: "mo:".freeze,
|
1798
2457
|
label: "produced sound".freeze,
|
@@ -1802,12 +2461,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1802
2461
|
type: "owl:ObjectProperty".freeze,
|
1803
2462
|
"vs:term_status": "stable".freeze
|
1804
2463
|
property :produced_work,
|
1805
|
-
comment:
|
1806
|
-
Associates a composition event to the produced MusicalWork. For example,
|
1807
|
-
this property could link the event corresponding to the composition of the
|
1808
|
-
Magic Flute in 1782 to the Magic Flute musical work itself. This musical work
|
1809
|
-
can then be used in particular performances.
|
1810
|
-
).freeze,
|
2464
|
+
comment: "\n Associates a composition event to the produced MusicalWork. For example,\n this property could link the event corresponding to the composition of the\n Magic Flute in 1782 to the Magic Flute musical work itself. This musical work\n can then be used in particular performances.\n ".freeze,
|
1811
2465
|
domain: "mo:Composition".freeze,
|
1812
2466
|
inverseOf: "mo:composed_in".freeze,
|
1813
2467
|
isDefinedBy: "mo:".freeze,
|
@@ -1818,7 +2472,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1818
2472
|
type: "owl:ObjectProperty".freeze,
|
1819
2473
|
"vs:term_status": "stable".freeze
|
1820
2474
|
property :producer,
|
1821
|
-
comment:
|
2475
|
+
comment: "Used to relate the manifestation of a work to a person or a group of person who produced it.".freeze,
|
1822
2476
|
domain: "mo:MusicalManifestation".freeze,
|
1823
2477
|
inverseOf: "mo:produced".freeze,
|
1824
2478
|
isDefinedBy: "mo:".freeze,
|
@@ -1850,7 +2504,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1850
2504
|
type: "owl:ObjectProperty".freeze,
|
1851
2505
|
"vs:term_status": "deprecated".freeze
|
1852
2506
|
property :publication_of,
|
1853
|
-
comment:
|
2507
|
+
comment: "Link a particular manifestation to the related signal, score, libretto, or lyrics".freeze,
|
1854
2508
|
domain: "mo:MusicalManifestation".freeze,
|
1855
2509
|
inverseOf: "mo:published_as".freeze,
|
1856
2510
|
isDefinedBy: "mo:".freeze,
|
@@ -1860,7 +2514,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1860
2514
|
type: "owl:ObjectProperty".freeze,
|
1861
2515
|
"vs:term_status": "unstable".freeze
|
1862
2516
|
property :published,
|
1863
|
-
comment:
|
2517
|
+
comment: "Used to relate an person or a group of person who published the manifestation of a work.".freeze,
|
1864
2518
|
domain: "foaf:Agent".freeze,
|
1865
2519
|
inverseOf: "mo:publisher".freeze,
|
1866
2520
|
isDefinedBy: "mo:".freeze,
|
@@ -1874,9 +2528,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1874
2528
|
type: "owl:ObjectProperty".freeze,
|
1875
2529
|
"vs:term_status": "deprecated".freeze
|
1876
2530
|
property :published_as,
|
1877
|
-
comment:
|
1878
|
-
Links a musical expression \(e.g. a signal or a score\) to one of its manifestations \(e.g. a track on a particular record or a published score\).
|
1879
|
-
).freeze,
|
2531
|
+
comment: "\n Links a musical expression (e.g. a signal or a score) to one of its manifestations (e.g. a track on a particular record or a published score).\n ".freeze,
|
1880
2532
|
domain: "mo:MusicalExpression".freeze,
|
1881
2533
|
inverseOf: "mo:publication_of".freeze,
|
1882
2534
|
isDefinedBy: "mo:".freeze,
|
@@ -1887,7 +2539,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1887
2539
|
type: "owl:ObjectProperty".freeze,
|
1888
2540
|
"vs:term_status": "stable".freeze
|
1889
2541
|
property :publisher,
|
1890
|
-
comment:
|
2542
|
+
comment: "Used to relate a musical manifestation to a person or a group of person who published it.".freeze,
|
1891
2543
|
domain: "mo:MusicalManifestation".freeze,
|
1892
2544
|
inverseOf: "mo:published".freeze,
|
1893
2545
|
isDefinedBy: "mo:".freeze,
|
@@ -1901,9 +2553,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1901
2553
|
type: "owl:ObjectProperty".freeze,
|
1902
2554
|
"vs:term_status": "deprecated".freeze
|
1903
2555
|
property :publishing_location,
|
1904
|
-
comment:
|
1905
|
-
Relates a musical manifestation to its publication location.
|
1906
|
-
).freeze,
|
2556
|
+
comment: "\n Relates a musical manifestation to its publication location.\n ".freeze,
|
1907
2557
|
domain: "mo:MusicalManifestation".freeze,
|
1908
2558
|
isDefinedBy: "mo:".freeze,
|
1909
2559
|
label: "publishingLocation".freeze,
|
@@ -1912,15 +2562,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1912
2562
|
type: "owl:ObjectProperty".freeze,
|
1913
2563
|
"vs:term_status": "stable".freeze
|
1914
2564
|
property :puid,
|
1915
|
-
comment:
|
1916
|
-
Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems \(mo:AudioFile\)
|
1917
|
-
derived from this signal.
|
1918
|
-
PUIDs \(Portable Unique IDentifier\) are the IDs used in the
|
1919
|
-
proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP.
|
1920
|
-
|
1921
|
-
Using PUIDs, one \(with some luck\) can identify the Signal object associated with a particular audio file, therefore allowing
|
1922
|
-
to access further information \(on which release this track is featured? etc.\). Using some more metadata one can identify
|
1923
|
-
the particular Track corresponding to the audio file \(a track on a particular release\).).freeze,
|
2565
|
+
comment: "\n Link a signal to the PUIDs associated with it, that is, PUID computed from MusicalItems (mo:AudioFile) \n derived from this signal.\n PUIDs (Portable Unique IDentifier) are the IDs used in the \n proprietary MusicDNS AudioFingerprinting system which is operated by MusicIP.\n\n Using PUIDs, one (with some luck) can identify the Signal object associated with a particular audio file, therefore allowing\n to access further information (on which release this track is featured? etc.). Using some more metadata one can identify\n the particular Track corresponding to the audio file (a track on a particular release).".freeze,
|
1924
2566
|
domain: "mo:Signal".freeze,
|
1925
2567
|
isDefinedBy: "mo:".freeze,
|
1926
2568
|
label: "puid".freeze,
|
@@ -1929,7 +2571,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1929
2571
|
type: "owl:DatatypeProperty".freeze,
|
1930
2572
|
"vs:term_status": "stable".freeze
|
1931
2573
|
property :record,
|
1932
|
-
comment:
|
2574
|
+
comment: "Associates a release with the records it contains. A single release can be associated with multiple records, for example for a multi-disc release.".freeze,
|
1933
2575
|
domain: "mo:Release".freeze,
|
1934
2576
|
isDefinedBy: "mo:".freeze,
|
1935
2577
|
label: "released record".freeze,
|
@@ -1938,7 +2580,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1938
2580
|
type: "owl:ObjectProperty".freeze,
|
1939
2581
|
"vs:term_status": "testing".freeze
|
1940
2582
|
property :record_count,
|
1941
|
-
comment:
|
2583
|
+
comment: "Associates a release with the number of records it contains, e.g. the number of discs it contains in the case of a multi-disc release.".freeze,
|
1942
2584
|
domain: "mo:Release".freeze,
|
1943
2585
|
isDefinedBy: "mo:".freeze,
|
1944
2586
|
label: "record count".freeze,
|
@@ -1947,7 +2589,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1947
2589
|
type: "owl:DatatypeProperty".freeze,
|
1948
2590
|
"vs:term_status": "testing".freeze
|
1949
2591
|
property :record_number,
|
1950
|
-
comment:
|
2592
|
+
comment: "Indicates the position of a record in a release (e.g. a 2xLP, etc.).".freeze,
|
1951
2593
|
domain: "mo:Record".freeze,
|
1952
2594
|
isDefinedBy: "mo:".freeze,
|
1953
2595
|
label: "has record number".freeze,
|
@@ -1956,8 +2598,7 @@ This means that the orignial musical expression were rearranged to create a new
|
|
1956
2598
|
type: "owl:DatatypeProperty".freeze,
|
1957
2599
|
"vs:term_status": "testing".freeze
|
1958
2600
|
property :record_side,
|
1959
|
-
comment:
|
1960
|
-
in conjunction with mo:track_number, so that one can infer e.g. "A1", that means, track number 1 on side A.).freeze,
|
2601
|
+
comment: "Associates the side on a vinyl record, where a track is located, e.g. A, B, C, etc. This property can then also be used \nin conjunction with mo:track_number, so that one can infer e.g. \"A1\", that means, track number 1 on side A.".freeze,
|
1961
2602
|
domain: "mo:Track".freeze,
|
1962
2603
|
isDefinedBy: "mo:".freeze,
|
1963
2604
|
label: "has record side".freeze,
|
@@ -1969,13 +2610,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
1969
2610
|
equivalentProperty: "mo:recorded_as".freeze,
|
1970
2611
|
type: "owl:ObjectProperty".freeze
|
1971
2612
|
property :recorded_as,
|
1972
|
-
comment:
|
1973
|
-
This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property
|
1974
|
-
allows to directly link a Performance to the recorded Signal. This is recommended for "normal"
|
1975
|
-
users. However, advanced users wanting to express things such as the location of the microphone will
|
1976
|
-
have to create this shortcut as well as the whole workflow, in order to let the "normal" users access
|
1977
|
-
simply the, well, simple information:-\) .
|
1978
|
-
).freeze,
|
2613
|
+
comment: "\n This is a shortcut property, allowing to bypass all the Sound/Recording steps. This property\n allows to directly link a Performance to the recorded Signal. This is recommended for \"normal\"\n users. However, advanced users wanting to express things such as the location of the microphone will\n have to create this shortcut as well as the whole workflow, in order to let the \"normal\" users access\n simply the, well, simple information:-) .\n ".freeze,
|
1979
2614
|
domain: "mo:Performance".freeze,
|
1980
2615
|
inverseOf: "mo:records".freeze,
|
1981
2616
|
isDefinedBy: "mo:".freeze,
|
@@ -1985,12 +2620,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
1985
2620
|
type: "owl:ObjectProperty".freeze,
|
1986
2621
|
"vs:term_status": "stable".freeze
|
1987
2622
|
property :recorded_in,
|
1988
|
-
comment:
|
1989
|
-
Associates a physical Sound to a Recording event where it is being used
|
1990
|
-
in order to produce a signal. For example, I might use this property to
|
1991
|
-
associate the sound produced by a particular performance of the magic flute
|
1992
|
-
to a given recording, done using my cell-phone.
|
1993
|
-
).freeze,
|
2623
|
+
comment: "\n Associates a physical Sound to a Recording event where it is being used \n in order to produce a signal. For example, I might use this property to \n associate the sound produced by a particular performance of the magic flute\n to a given recording, done using my cell-phone.\n ".freeze,
|
1994
2624
|
domain: "mo:Sound".freeze,
|
1995
2625
|
inverseOf: "mo:recording_of".freeze,
|
1996
2626
|
isDefinedBy: "mo:".freeze,
|
@@ -2001,12 +2631,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2001
2631
|
type: "owl:ObjectProperty".freeze,
|
2002
2632
|
"vs:term_status": "unstable".freeze
|
2003
2633
|
property :recording_of,
|
2004
|
-
comment:
|
2005
|
-
Associates a Recording event to a physical Sound being recorded.
|
2006
|
-
For example, I might use this property to
|
2007
|
-
associate a given recording, done using my cell phone, to the
|
2008
|
-
sound produced by a particular performance of the magic flute.
|
2009
|
-
).freeze,
|
2634
|
+
comment: "\n Associates a Recording event to a physical Sound being recorded.\n For example, I might use this property to\n associate a given recording, done using my cell phone, to the \n sound produced by a particular performance of the magic flute.\n ".freeze,
|
2010
2635
|
domain: "mo:Recording".freeze,
|
2011
2636
|
inverseOf: "mo:recorded_in".freeze,
|
2012
2637
|
isDefinedBy: "mo:".freeze,
|
@@ -2017,10 +2642,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2017
2642
|
type: "owl:ObjectProperty".freeze,
|
2018
2643
|
"vs:term_status": "stable".freeze
|
2019
2644
|
property :records,
|
2020
|
-
comment:
|
2021
|
-
This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance
|
2022
|
-
to a signal.
|
2023
|
-
).freeze,
|
2645
|
+
comment: "\n This is the inverse of the shortcut property recordedAs, allowing to relate directly a performance\n to a signal.\n ".freeze,
|
2024
2646
|
domain: "mo:Signal".freeze,
|
2025
2647
|
inverseOf: "mo:recordedAs".freeze,
|
2026
2648
|
isDefinedBy: "mo:".freeze,
|
@@ -2030,7 +2652,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2030
2652
|
type: "owl:ObjectProperty".freeze,
|
2031
2653
|
"vs:term_status": "unstable".freeze
|
2032
2654
|
property :release,
|
2033
|
-
comment:
|
2655
|
+
comment: "Associates a release with the corresponding release event".freeze,
|
2034
2656
|
domain: "mo:ReleaseEvent".freeze,
|
2035
2657
|
isDefinedBy: "mo:".freeze,
|
2036
2658
|
label: "release".freeze,
|
@@ -2048,9 +2670,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2048
2670
|
type: "owl:ObjectProperty".freeze,
|
2049
2671
|
"vs:term_status": "deprecated".freeze
|
2050
2672
|
property :release_status,
|
2051
|
-
comment:
|
2052
|
-
Relates a musical manifestation to its release status \(bootleg, ...\)
|
2053
|
-
).freeze,
|
2673
|
+
comment: "\n Relates a musical manifestation to its release status (bootleg, ...)\n ".freeze,
|
2054
2674
|
domain: "mo:MusicalManifestation".freeze,
|
2055
2675
|
isDefinedBy: "mo:".freeze,
|
2056
2676
|
"mo:level": "1".freeze,
|
@@ -2058,9 +2678,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2058
2678
|
type: "owl:ObjectProperty".freeze,
|
2059
2679
|
"vs:term_status": "stable".freeze
|
2060
2680
|
property :release_type,
|
2061
|
-
comment:
|
2062
|
-
Relates a musical manifestation to its release type \(interview, spoken word, album, ...\)
|
2063
|
-
).freeze,
|
2681
|
+
comment: "\n Relates a musical manifestation to its release type (interview, spoken word, album, ...)\n ".freeze,
|
2064
2682
|
domain: "mo:MusicalManifestation".freeze,
|
2065
2683
|
isDefinedBy: "mo:".freeze,
|
2066
2684
|
"mo:level": "1".freeze,
|
@@ -2068,9 +2686,7 @@ in conjunction with mo:track_number, so that one can infer e.g. "A1", that means
|
|
2068
2686
|
type: "owl:ObjectProperty".freeze,
|
2069
2687
|
"vs:term_status": "stable".freeze
|
2070
2688
|
property :remaster_of,
|
2071
|
-
comment:
|
2072
|
-
|
2073
|
-
A remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.).freeze,
|
2689
|
+
comment: "This relates two musical work or the expression of a musical work, where one is a remaster of the other. \n \nA remaster is a new version made for release from source recordings that were earlier released separately. This is usually done to improve the audio quality or adjust for more modern playback equipment. The process generally doesn't involve changing the music in any artistically important way. It may, however, result in tracks that are a few seconds longer or shorter.".freeze,
|
2074
2690
|
isDefinedBy: "mo:".freeze,
|
2075
2691
|
label: "remaster_of".freeze,
|
2076
2692
|
"mo:level": "1".freeze,
|
@@ -2078,7 +2694,7 @@ A remaster is a new version made for release from source recordings that were ea
|
|
2078
2694
|
type: "owl:ObjectProperty".freeze,
|
2079
2695
|
"vs:term_status": "unstable".freeze
|
2080
2696
|
property :remix_of,
|
2081
|
-
comment:
|
2697
|
+
comment: "Used to relate the remix of a musical work in a substantially altered version produced by mixing together individual tracks or segments of an original musical source work.".freeze,
|
2082
2698
|
isDefinedBy: "mo:".freeze,
|
2083
2699
|
label: "remix_of".freeze,
|
2084
2700
|
"mo:level": "1".freeze,
|
@@ -2086,9 +2702,7 @@ A remaster is a new version made for release from source recordings that were ea
|
|
2086
2702
|
type: "owl:ObjectProperty".freeze,
|
2087
2703
|
"vs:term_status": "unstable".freeze
|
2088
2704
|
property :remixed,
|
2089
|
-
comment:
|
2090
|
-
|
2091
|
-
This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.).freeze,
|
2705
|
+
comment: "Used to relate an artist who remixed a musical work or the expression of a musical work. \n \nThis involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.".freeze,
|
2092
2706
|
domain: "mo:MusicArtist".freeze,
|
2093
2707
|
inverseOf: "mo:remixer".freeze,
|
2094
2708
|
isDefinedBy: "mo:".freeze,
|
@@ -2098,9 +2712,7 @@ This involves taking just one other musical work and using audio editing to make
|
|
2098
2712
|
type: "owl:ObjectProperty".freeze,
|
2099
2713
|
"vs:term_status": "unstable".freeze
|
2100
2714
|
property :remixer,
|
2101
|
-
comment:
|
2102
|
-
|
2103
|
-
This involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.).freeze,
|
2715
|
+
comment: "Used to relate a musical work or the expression of a musical work to an artist who remixed it. \n \nThis involves taking just one other musical work and using audio editing to make it sound like a significantly different, but usually still recognisable, song. It can be used to link an artist to a single song that they remixed, or, if they remixed an entire musical work.".freeze,
|
2104
2716
|
inverseOf: "mo:remixed".freeze,
|
2105
2717
|
isDefinedBy: "mo:".freeze,
|
2106
2718
|
label: "remixer".freeze,
|
@@ -2109,9 +2721,7 @@ This involves taking just one other musical work and using audio editing to make
|
|
2109
2721
|
type: "owl:ObjectProperty".freeze,
|
2110
2722
|
"vs:term_status": "unstable".freeze
|
2111
2723
|
property :review,
|
2112
|
-
comment:
|
2113
|
-
|
2114
|
-
The review does not have to be open content, as long as it is accessible to the general internet population.).freeze,
|
2724
|
+
comment: "Used to link a work or the expression of a work to a review. \n \nThe review does not have to be open content, as long as it is accessible to the general internet population.".freeze,
|
2115
2725
|
domain: term(
|
2116
2726
|
type: "owl:Class".freeze,
|
2117
2727
|
unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze)
|
@@ -2128,10 +2738,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2128
2738
|
type: "owl:DatatypeProperty".freeze,
|
2129
2739
|
"vs:term_status": "deprecated".freeze
|
2130
2740
|
property :sample_rate,
|
2131
|
-
comment:
|
2132
|
-
Associates a digital signal to its sample rate. It might be easier to express it this way instead of
|
2133
|
-
defining a timeline map:-\) Range is xsd:float.
|
2134
|
-
).freeze,
|
2741
|
+
comment: "\n Associates a digital signal to its sample rate. It might be easier to express it this way instead of\n defining a timeline map:-) Range is xsd:float.\n ".freeze,
|
2135
2742
|
domain: "mo:DigitalSignal".freeze,
|
2136
2743
|
isDefinedBy: "mo:".freeze,
|
2137
2744
|
"mo:level": "1".freeze,
|
@@ -2139,7 +2746,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2139
2746
|
type: ["owl:DatatypeProperty".freeze, "owl:FunctionalProperty".freeze],
|
2140
2747
|
"vs:term_status": "stable".freeze
|
2141
2748
|
property :sampled,
|
2142
|
-
comment:
|
2749
|
+
comment: "Used to relate an artist who sampled a Signal.".freeze,
|
2143
2750
|
domain: "mo:MusicArtist".freeze,
|
2144
2751
|
inverseOf: "mo:sampler".freeze,
|
2145
2752
|
isDefinedBy: "mo:".freeze,
|
@@ -2154,9 +2761,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2154
2761
|
type: "owl:ObjectProperty".freeze,
|
2155
2762
|
"vs:term_status": "deprecated".freeze
|
2156
2763
|
property :sampled_version,
|
2157
|
-
comment:
|
2158
|
-
Associates an analog signal with a sampled version of it
|
2159
|
-
).freeze,
|
2764
|
+
comment: "\n Associates an analog signal with a sampled version of it\n ".freeze,
|
2160
2765
|
domain: "mo:AnalogSignal".freeze,
|
2161
2766
|
inverseOf: "mo:sampled_version_of".freeze,
|
2162
2767
|
isDefinedBy: "mo:".freeze,
|
@@ -2166,9 +2771,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2166
2771
|
type: "owl:ObjectProperty".freeze,
|
2167
2772
|
"vs:term_status": "stable".freeze
|
2168
2773
|
property :sampled_version_of,
|
2169
|
-
comment:
|
2170
|
-
Associates a digital signal with the analog version of it
|
2171
|
-
).freeze,
|
2774
|
+
comment: "\n Associates a digital signal with the analog version of it\n ".freeze,
|
2172
2775
|
domain: "mo:DigitalSignal".freeze,
|
2173
2776
|
inverseOf: "mo:sampled_version".freeze,
|
2174
2777
|
isDefinedBy: "mo:".freeze,
|
@@ -2179,7 +2782,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2179
2782
|
type: ["owl:FunctionalProperty".freeze, "owl:ObjectProperty".freeze],
|
2180
2783
|
"vs:term_status": "stable".freeze
|
2181
2784
|
property :sampler,
|
2182
|
-
comment:
|
2785
|
+
comment: "Used to relate the signal of a musical work to an artist who sampled it.".freeze,
|
2183
2786
|
inverseOf: "mo:sampled".freeze,
|
2184
2787
|
isDefinedBy: "mo:".freeze,
|
2185
2788
|
label: "sampler".freeze,
|
@@ -2188,7 +2791,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2188
2791
|
type: "owl:ObjectProperty".freeze,
|
2189
2792
|
"vs:term_status": "unstable".freeze
|
2190
2793
|
property :sell_item,
|
2191
|
-
comment:
|
2794
|
+
comment: "A person, a group of person or an organization selling an exemplar of a single manifestation.".freeze,
|
2192
2795
|
domain: "foaf:Agent".freeze,
|
2193
2796
|
isDefinedBy: "mo:".freeze,
|
2194
2797
|
label: "sell_item".freeze,
|
@@ -2197,7 +2800,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2197
2800
|
type: "owl:ObjectProperty".freeze,
|
2198
2801
|
"vs:term_status": "stable".freeze
|
2199
2802
|
property :signal,
|
2200
|
-
comment:
|
2803
|
+
comment: "Associates a group of signals with one of the signals it contains".freeze,
|
2201
2804
|
domain: "mo:SignalGroup".freeze,
|
2202
2805
|
isDefinedBy: "mo:".freeze,
|
2203
2806
|
label: "signal".freeze,
|
@@ -2211,16 +2814,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2211
2814
|
type: "owl:ObjectProperty".freeze,
|
2212
2815
|
"vs:term_status": "deprecated".freeze
|
2213
2816
|
property :similar_to,
|
2214
|
-
comment:
|
2215
|
-
A similarity relationships between two objects \(so far, either an agent, a signal or a genre, but
|
2216
|
-
this could grow\).
|
2217
|
-
This relationship is pretty general and doesn't make any assumptions on how the similarity claim
|
2218
|
-
was derived.
|
2219
|
-
Such similarity statements can come from a range of different sources \(Musicbrainz similarities between
|
2220
|
-
artists, or coming from some automatic content analysis\).
|
2221
|
-
However, the origin of such statements should be kept using a named graph approach - and ultimately, the
|
2222
|
-
documents providing such statements should attach some metadata to themselves \(confidence of the claim, etc.\).
|
2223
|
-
).freeze,
|
2817
|
+
comment: "\n A similarity relationships between two objects (so far, either an agent, a signal or a genre, but\n this could grow).\n This relationship is pretty general and doesn't make any assumptions on how the similarity claim\n was derived.\n Such similarity statements can come from a range of different sources (Musicbrainz similarities between\n artists, or coming from some automatic content analysis).\n However, the origin of such statements should be kept using a named graph approach - and ultimately, the \n documents providing such statements should attach some metadata to themselves (confidence of the claim, etc.).\n ".freeze,
|
2224
2818
|
domain: term(
|
2225
2819
|
type: "owl:Class".freeze,
|
2226
2820
|
unionOf: list("foaf:Agent".freeze, "mo:MusicalWork".freeze, "mo:MusicalExpression".freeze, "mo:MusicalManifestation".freeze, "mo:MusicalItem".freeze, "mo:Genre".freeze)
|
@@ -2235,7 +2829,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2235
2829
|
type: "owl:ObjectProperty".freeze,
|
2236
2830
|
"vs:term_status": "unstable".freeze
|
2237
2831
|
property :singer,
|
2238
|
-
comment:
|
2832
|
+
comment: "Relates a performance to an involved singer".freeze,
|
2239
2833
|
domain: "mo:Performance".freeze,
|
2240
2834
|
isDefinedBy: "mo:".freeze,
|
2241
2835
|
"mo:level": "2".freeze,
|
@@ -2244,7 +2838,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2244
2838
|
type: "owl:ObjectProperty".freeze,
|
2245
2839
|
"vs:term_status": "stable".freeze
|
2246
2840
|
property :supporting_musician,
|
2247
|
-
comment:
|
2841
|
+
comment: "Used to relate an artist doing long-time instrumental or vocal support for another artist.".freeze,
|
2248
2842
|
domain: "mo:MusicArtist".freeze,
|
2249
2843
|
isDefinedBy: "mo:".freeze,
|
2250
2844
|
label: "supporting_musician".freeze,
|
@@ -2253,13 +2847,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2253
2847
|
type: "owl:ObjectProperty".freeze,
|
2254
2848
|
"vs:term_status": "unstable".freeze
|
2255
2849
|
property :tempo,
|
2256
|
-
comment:
|
2257
|
-
Rate of speed or pace of music. Tempo markings are traditionally given in Italian;
|
2258
|
-
common markings include: grave \(solemn; very, very slow\); largo \(broad; very slow\);
|
2259
|
-
adagio \(quite slow\); andante \(a walking pace\); moderato \(moderate\); allegro \(fast; cheerful\);
|
2260
|
-
vivace \(lively\); presto \(very fast\); accelerando \(getting faster\); ritardando \(getting slower\);
|
2261
|
-
and a tempo \(in time; returning to the original pace\).
|
2262
|
-
).freeze,
|
2850
|
+
comment: "\n Rate of speed or pace of music. Tempo markings are traditionally given in Italian; \n common markings include: grave (solemn; very, very slow); largo (broad; very slow); \n adagio (quite slow); andante (a walking pace); moderato (moderate); allegro (fast; cheerful); \n vivace (lively); presto (very fast); accelerando (getting faster); ritardando (getting slower); \n and a tempo (in time; returning to the original pace).\n ".freeze,
|
2263
2851
|
domain: term(
|
2264
2852
|
type: "owl:Class".freeze,
|
2265
2853
|
unionOf: list("mo:MusicalWork".freeze, "mo:Performance".freeze, "mo:Signal".freeze)
|
@@ -2271,7 +2859,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2271
2859
|
type: "owl:DatatypeProperty".freeze,
|
2272
2860
|
"vs:term_status": "stable".freeze
|
2273
2861
|
property :text,
|
2274
|
-
comment:
|
2862
|
+
comment: "Associates lyrics with their text.".freeze,
|
2275
2863
|
domain: "mo:Lyrics".freeze,
|
2276
2864
|
isDefinedBy: "mo:".freeze,
|
2277
2865
|
label: "text".freeze,
|
@@ -2279,9 +2867,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2279
2867
|
type: "owl:DatatypeProperty".freeze,
|
2280
2868
|
"vs:term_status": "testing".freeze
|
2281
2869
|
property :time,
|
2282
|
-
comment:
|
2283
|
-
Associates a Signal to a time object - its actual domain
|
2284
|
-
).freeze,
|
2870
|
+
comment: "\n Associates a Signal to a time object - its actual domain\n ".freeze,
|
2285
2871
|
domain: "mo:Signal".freeze,
|
2286
2872
|
isDefinedBy: "mo:".freeze,
|
2287
2873
|
label: "time".freeze,
|
@@ -2290,7 +2876,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2290
2876
|
type: ["owl:FunctionalProperty".freeze, "owl:ObjectProperty".freeze],
|
2291
2877
|
"vs:term_status": "stable".freeze
|
2292
2878
|
property :track,
|
2293
|
-
comment:
|
2879
|
+
comment: "Indicates a part of a musical manifestation - in this particular case, a track.".freeze,
|
2294
2880
|
domain: "mo:Record".freeze,
|
2295
2881
|
isDefinedBy: "mo:".freeze,
|
2296
2882
|
label: "track".freeze,
|
@@ -2304,7 +2890,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2304
2890
|
type: "owl:DatatypeProperty".freeze,
|
2305
2891
|
"vs:term_status": "deprecated".freeze
|
2306
2892
|
property :track_count,
|
2307
|
-
comment:
|
2893
|
+
comment: "The track count of a record".freeze,
|
2308
2894
|
domain: "mo:Record".freeze,
|
2309
2895
|
isDefinedBy: "mo:".freeze,
|
2310
2896
|
label: "track count".freeze,
|
@@ -2313,7 +2899,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2313
2899
|
type: "owl:DatatypeProperty".freeze,
|
2314
2900
|
"vs:term_status": "testing".freeze
|
2315
2901
|
property :track_number,
|
2316
|
-
comment:
|
2902
|
+
comment: "Indicates the position of a track on a record medium (a CD, etc.).".freeze,
|
2317
2903
|
domain: "mo:Track".freeze,
|
2318
2904
|
isDefinedBy: "mo:".freeze,
|
2319
2905
|
label: "track number".freeze,
|
@@ -2322,7 +2908,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2322
2908
|
type: "owl:DatatypeProperty".freeze,
|
2323
2909
|
"vs:term_status": "stable".freeze
|
2324
2910
|
property :translation_of,
|
2325
|
-
comment:
|
2911
|
+
comment: "Indicates that a work or the expression of a work has translated or transliterated into another expression of a work.".freeze,
|
2326
2912
|
domain: "http://purl.org/vocab/frbr/core#Expression".freeze,
|
2327
2913
|
isDefinedBy: "mo:".freeze,
|
2328
2914
|
label: "translation_of".freeze,
|
@@ -2331,7 +2917,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2331
2917
|
type: "owl:ObjectProperty".freeze,
|
2332
2918
|
"vs:term_status": "unstable".freeze
|
2333
2919
|
property :tribute_to,
|
2334
|
-
comment:
|
2920
|
+
comment: "Indicates a musical work or the expression of a musical work that is a tribute to an artist - normally consisting of music being composed by the artist but performed by other artists. ".freeze,
|
2335
2921
|
domain: "mo:MusicalManifestation".freeze,
|
2336
2922
|
isDefinedBy: "mo:".freeze,
|
2337
2923
|
label: "tribute_to".freeze,
|
@@ -2340,12 +2926,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2340
2926
|
type: "owl:ObjectProperty".freeze,
|
2341
2927
|
"vs:term_status": "unstable".freeze
|
2342
2928
|
property :trmid,
|
2343
|
-
comment:
|
2344
|
-
Indicates the TRMID of a track.
|
2345
|
-
TRM IDs are MusicBrainz' old AudioFingerprinting system.
|
2346
|
-
TRM \(TRM Recognizes Music\) IDs are \(somewhat\) unique ids that represent
|
2347
|
-
the audio signature of a musical piece \(see AudioFingerprint\).
|
2348
|
-
).freeze,
|
2929
|
+
comment: "\n Indicates the TRMID of a track.\n TRM IDs are MusicBrainz' old AudioFingerprinting system. \n TRM (TRM Recognizes Music) IDs are (somewhat) unique ids that represent \n the audio signature of a musical piece (see AudioFingerprint).\n ".freeze,
|
2349
2930
|
domain: "mo:Signal".freeze,
|
2350
2931
|
isDefinedBy: "mo:".freeze,
|
2351
2932
|
label: "trmid".freeze,
|
@@ -2354,7 +2935,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2354
2935
|
type: "owl:DatatypeProperty".freeze,
|
2355
2936
|
"vs:term_status": "stable".freeze
|
2356
2937
|
property :upc,
|
2357
|
-
comment:
|
2938
|
+
comment: "UPC stands for \"Universal Product Code\", which was the original barcode used in the United States and Canada. The UPC (now officially EAN.UCC-12 is a numerical method of identifying products without redundancy worldwide for all types of products in the retail sector. The EAN is a superset of the original UPC increasing the digits to 13 with the prefix 0 reserved for UPC. As of 2005, manufacturers are only allowed to use the new 13-digit codes on their items, rather than having two separate numbers.".freeze,
|
2358
2939
|
domain: "mo:Release".freeze,
|
2359
2940
|
isDefinedBy: "mo:".freeze,
|
2360
2941
|
label: "upc".freeze,
|
@@ -2384,9 +2965,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2384
2965
|
type: "owl:ObjectProperty".freeze,
|
2385
2966
|
"vs:term_status": "deprecated".freeze
|
2386
2967
|
property :uuid,
|
2387
|
-
comment:
|
2388
|
-
Links an object to an universally unique identifier for it.
|
2389
|
-
).freeze,
|
2968
|
+
comment: "\n Links an object to an universally unique identifier for it.\n ".freeze,
|
2390
2969
|
domain: "owl:Thing".freeze,
|
2391
2970
|
label: "universally unique identifier".freeze,
|
2392
2971
|
"mo:level": "1".freeze,
|
@@ -2394,7 +2973,7 @@ The review does not have to be open content, as long as it is accessible to the
|
|
2394
2973
|
type: "owl:DatatypeProperty".freeze,
|
2395
2974
|
"vs:term_status": "testing".freeze
|
2396
2975
|
property :want_item,
|
2397
|
-
comment:
|
2976
|
+
comment: "A person, a group of person or an organization wanting an exemplar of a single manifestation.".freeze,
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2398
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domain: "foaf:Agent".freeze,
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isDefinedBy: "mo:".freeze,
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2400
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label: "want_item".freeze,
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@@ -2403,11 +2982,7 @@ The review does not have to be open content, as long as it is accessible to the
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type: "owl:ObjectProperty".freeze,
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"vs:term_status": "stable".freeze
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2405
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property :wikipedia,
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2406
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-
comment:
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2407
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-
Used to link an work, an expression of a work, a manifestation of a work,
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2408
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a person, an instrument or a musical genre to its corresponding WikiPedia page.
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2409
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-
The full URL should be used, not just the WikiName.
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2410
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-
).freeze,
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2985
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+
comment: "\n Used to link an work, an expression of a work, a manifestation of a work, \n a person, an instrument or a musical genre to its corresponding WikiPedia page. \n The full URL should be used, not just the WikiName.\n ".freeze,
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2411
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domain: term(
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2412
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type: "owl:Class".freeze,
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unionOf: list("http://purl.org/vocab/frbr/core#Work".freeze, "http://purl.org/vocab/frbr/core#Expression".freeze, "http://purl.org/vocab/frbr/core#Manifestation".freeze, "http://purl.org/vocab/frbr/core#Item".freeze, "foaf:Agent".freeze, "mo:Instrument".freeze, "mo:Genre".freeze)
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