picturehouse_uk 4.0.0 → 5.0.0
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- checksums.yaml +5 -5
- data/.github/workflows/ci.yml +26 -0
- data/.github/workflows/release.yml +26 -0
- data/.gitignore +1 -0
- data/.ruby-version +1 -0
- data/CHANGELOG.md +25 -0
- data/Rakefile +2 -2
- data/lib/picturehouse_uk/cinema.rb +30 -14
- data/lib/picturehouse_uk/internal/api.rb +42 -0
- data/lib/picturehouse_uk/internal/parser/address.rb +21 -6
- data/lib/picturehouse_uk/internal/parser/screenings.rb +85 -133
- data/lib/picturehouse_uk/internal/website.rb +10 -12
- data/lib/picturehouse_uk/version.rb +2 -2
- data/lib/picturehouse_uk.rb +1 -0
- data/picturehouse_uk.gemspec +2 -3
- data/rake/fixture_creator.rb +21 -1
- data/test/fixtures/cinemas.html +4262 -0
- data/test/fixtures/duke-of-york-s-picturehouse/cinema.html +6187 -0
- data/test/fixtures/duke-of-york-s-picturehouse/get_movies.json +120552 -0
- data/test/fixtures/duke-of-york-s-picturehouse/information.html +3725 -0
- data/test/fixtures/duke-s-at-komedia/cinema.html +6138 -0
- data/test/fixtures/duke-s-at-komedia/get_movies.json +112 -0
- data/test/fixtures/duke-s-at-komedia/information.html +3690 -0
- data/test/fixtures/home.html +6235 -555
- data/test/fixtures/phoenix-picturehouse/cinema.html +6089 -0
- data/test/fixtures/phoenix-picturehouse/get_movies.json +120552 -0
- data/test/fixtures/phoenix-picturehouse/information.html +3630 -0
- data/test/lib/picturehouse_uk/cinema_test.rb +34 -34
- data/test/lib/picturehouse_uk/internal/api_test.rb +92 -0
- data/test/lib/picturehouse_uk/internal/parser/address_test.rb +8 -8
- data/test/lib/picturehouse_uk/internal/parser/screenings_test.rb +99 -45
- data/test/lib/picturehouse_uk/internal/title_sanitizer_test.rb +48 -48
- data/test/lib/picturehouse_uk/internal/website_test.rb +12 -31
- data/test/lib/picturehouse_uk/performance_test.rb +63 -23
- data/test/lib/picturehouse_uk/version_test.rb +1 -1
- data/test/live/integration_test.rb +8 -8
- data/test/support/fake_api.rb +16 -0
- data/test/support/fake_website.rb +6 -6
- data/test/test_helper.rb +3 -2
- metadata +34 -50
- data/.travis.yml +0 -8
- data/test/fixtures/Duke_Of_Yorks/cinema.html +0 -3408
- data/test/fixtures/Duke_Of_Yorks/info.html +0 -556
- data/test/fixtures/Duke_Of_Yorks/whats_on.html +0 -3159
- data/test/fixtures/Dukes_At_Komedia/cinema.html +0 -4764
- data/test/fixtures/Dukes_At_Komedia/info.html +0 -526
- data/test/fixtures/Dukes_At_Komedia/whats_on.html +0 -4429
- data/test/fixtures/National_Media_Museum/cinema.html +0 -9200
- data/test/fixtures/National_Media_Museum/info.html +0 -606
- data/test/fixtures/National_Media_Museum/whats_on.html +0 -8850
- data/test/fixtures/Phoenix_Picturehouse/cinema.html +0 -8274
- data/test/fixtures/Phoenix_Picturehouse/info.html +0 -542
- data/test/fixtures/Phoenix_Picturehouse/whats_on.html +0 -7986
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<meta name="description" content="Picturehouse Cinemas are located in city centres and are architecturally unique venues that provide café bars, restaurants and live events alongside the traditional movie-going experience.">
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<title>Picturehouses - Cinema listings for Dukes At Komedia</title>
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<link href="/css/picturehouse.min.css?v=1.7.8" rel="stylesheet">
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(function(){
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var useSSL = 'https:' == document.location.protocol;
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var src = (useSSL ? 'https:' : 'http:') + '//www.googletagservices.com/tag/js/gpt.js';
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document.write('<scr' + 'ipt src="' + src + '"></scr' + 'ipt>');
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gptadslots[1]= googletag.defineSlot('/70228659/PictureHouses', [[300,250]],'div-gpt-ad-996397954946313344-1').addService(googletag.pubads());
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})(window,document,'script','//www.google-analytics.com/analytics.js','ga');
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ga('create', 'UA-7911463-11', 'auto');
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<form method="post" action="/dismiss/cookies">
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We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
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<label class="sr-only" for="search-site">Search</label>
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<input type="text" class="form-control form-control-sm search-site top-mg-xs" id="search-site" placeholder="Film search">
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<li><a href="#" data-icon="W" class="icon"><span class="sr-only">Bookmark page</span></a></li>
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<li><a href="#" data-icon="}" class="icon"><span class="sr-only">Email us</span></a></li>
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<li><a href="https://www.facebook.com/dukesatkomedia" data-icon="@" class="icon" target="_blank"><span class="sr-only">Picturehouse on Facebook</span></a></li>
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<li><a href="https://twitter.com/dukesatkomedia" data-icon=":" class="icon" target="_blank"><span class="sr-only">Picturehouse on Twitter</span></a></li>
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<li><a href="/">Home</a></li>
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<li><a href="/cinemas/">Cinemas</a></li>
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<li><a href="/Picturehouse_Recommends">Recommends</a></li>
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<li><a href="http://picturehouseblog.co.uk/" target="_blank">Blog</a></li>
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<li><a href="http://www.picturehouseeducation.blogspot.co.uk/#!http://picturehouseeducation.blogspot.com/p/about-us.html" target="_blank">Education</a></li>
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<li><a href="http://www.picturehouseentertainment.co.uk/" target="_blank">Picturehouse Entertainment</a></li>
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<a href="/cinema/Dukes_At_Komedia">
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<img class="img-responsive no-left-mg" src="/images/logos/Dukes_At_Komedia.png" alt="Cinema homepage">
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<li><a href="/cinema/Dukes_At_Komedia">Cinema Home</a></li>
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<li><a href="/cinema/Dukes_At_Komedia/Whats_On">Full listings</a></li>
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<li><a href="/cinema/Dukes_At_Komedia/buy-membership">Membership</a></li>
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<li><a href="/cinema/info/Dukes_At_Komedia#ticket-prices">Ticket Prices</a></li>
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<li><a href="/cinema/info/Dukes_At_Komedia#disabled-access">Access</a></li>
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<li><a href="/cinema/info/Dukes_At_Komedia">Cinema Information</a></li>
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<li class="nav-darker"><a href="/">Home</a></li>
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<li class="nav-darker"><a href="/cinemas">Cinemas</a></li>
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<li class="nav-darker"><a href="/Picturehouse_Recommends">Recommends</a></li>
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<li class="nav-darker"><a href="http://picturehouseblog.co.uk/" target="_blank">Blog</a></li>
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<li class="nav-darker"><a href="http://www.picturehouseeducation.blogspot.co.uk/#!http://picturehouseeducation.blogspot.com/p/about-us.html" target="_blank">Education</a></li>
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<li class="nav-darker"><a href="http://www.picturehouseentertainment.co.uk/" target="_blank">Picturehouse Entertainment</a></li>
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<ul class="spaced-list spaced-list-inverse">
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<li><a href="/cinema/Dukes_At_Komedia">Cinema Home</a></li>
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<li><a href="/cinema/Dukes_At_Komedia/Whats_On">Full listings</a></li>
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<li><a href="/cinema/Dukes_At_Komedia/buy-membership">Membership</a></li>
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<li><a href="/cinema/info/Dukes_At_Komedia#ticket-prices">Ticket Prices</a></li>
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<li><a href="/cinema/info/Dukes_At_Komedia">Cinema Information</a></li>
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<!-- Main content -->
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<h1 class="col-md-offset-2 h1 txt-primary hidden-xs hidden-sm">What's on <span class="sr-only">at Dukes At Komedia</span></h1>
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<h2 class="h3 txt-serif text-center">Filter Events</h2>
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<a href="?" class="btn btn-block btn-default-light btn-primary txt-md">All</a>
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
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The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
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Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
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The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
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Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-revenant">The Revenant [15]</a></h2>
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<dd><p><b>Director: Alejandro González Iñárritu.<br/>
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Starring: Leonardo DiCaprio, Tom Hardy. USA 2015. TBC mins.</b>
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Oscar-winning director Alejandro González Iñárritu (Amores Perros, Birdman) takes us into the American wilderness for a story of betrayal, survival and vengeance, inspired by real events.
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In the early 19th century, fur trapper Hugh Glass (DiCaprio, giving a powerhouse performance) is attacked by a bear. The injured man is then robbed and left for dead by his companions, including his friend John Fitzgerald (Hardy), who also murders Glass’s young son. Sustained by sheer force of will, Glass battles the winter elements, the vicious wildlife and his own injuries in relentless pursuit of life and justice.
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Filmed in extended takes using only natural light – and already hotly Oscar-tipped for its acting, directing and technical achievements – The Revenant delivers gritty battle scenes, stunning locations, and a compelling story of one man’s determination to take revenge on those who abandoned him.
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/gueros">Gueros [15]</a></h2>
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<dd><p><b>Director: Alonso Ruiz Palacios. <br/>
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Starring: Sebastián Aguirre, Tenoch Huerta, Ilse Salas. Mexico 2014. 108 mins. Spanish with English subtitles.</b>
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Heaving with awards including Berlin 2014’s Best First Feature gong, writer-director Alonso Ruiz Palacios’s debut is a wry Mexican slacker movie with political knobs on, and delightfully so.
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<br/><br/>
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The winsome Sebastián Aguirre is Tomás, feckless adolescent son of an exasperated mother who hopes that consigning him to stay with his older student brother, Sombra (Huerta), in Mexico City will straighten him out. Trouble is, Sombra is borderline dysfunctional, squatting a grungy apartment and sitting out a lengthy university strike with bemused inertia.
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<br/><br/>
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The brothers eventually muster enough energy to embark on a kind of urban road trip in search of a mythical folk hero, along the way picking up a student activist (Salas) and sparking incidents both sobering and humorous. An unexpected gem.
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>18.30</a>
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<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Discover T">Discover Tuesdays</a>: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
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<li class="heading dark">Wednesday 10th Feb</li>
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/pride-and-prejudice-and-zombies">Pride and Prejudice and Zombies [15]</a></h2>
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<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/PqjGlOwWbks"></div>
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<div><strong>2016, 108 mins</strong></div>
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400
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<dl class="dl-inline">
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<dd><p><b>Director: Burr Steers.<br/>
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Starring: Lily James, Lena Headey, Douglas Booth. USA 2016. 108 mins.</b>
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<br/><br/>
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Jane Austen's classic tale of the tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge -- an army of undead zombies.</p></dd>
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<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/pride-and-prejudice-and-zombies" class="btn btn-primary">More details</a></p>
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<button class="btn btn-xs btn-default disabled" data-toggle="tooltip" data-placement="right" title="" data-original-title="This screening has sold out">21.00</button>
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<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Slackers C">E4 Slackers Club</a>: Free screening exclusively for students. Visit facebook.com/SlackersClub to find out more.
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</small> </dd>
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<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
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430
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<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
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433
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434
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<div><strong>2016, mins</strong></div>
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435
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<dl class="dl-inline">
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<dt class="invisible">Description</dt>
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<dd><p><b>Director: Oliver Parker. <br/>
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439
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Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
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440
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<br/><br/>
|
|
441
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
442
|
-
<br/><br/>
|
|
443
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
444
|
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<br/><br/>
|
|
445
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
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</dl>
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448
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449
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<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
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450
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</div>
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451
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</div>
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452
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</div>
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455
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<dd class="col-xs-10">
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456
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457
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<a
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459
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href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3804"
|
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460
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class="btn btn-xs btn-default-dark"
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>18.30</a>
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462
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463
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</dd>
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<dt class="col-xs-2">Select:</dt>
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-
<dd class="col-xs-10">
|
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466
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-
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467
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<a
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href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3803"
|
|
470
|
-
class="btn btn-xs btn-default btn-special"
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471
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>16.00</a>
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472
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473
|
-
<small class="film-type-desc">
|
|
474
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
475
|
-
</small> </dd>
|
|
476
|
-
</dl>
|
|
477
|
-
</div>
|
|
478
|
-
</div>
|
|
479
|
-
</li>
|
|
480
|
-
<li>
|
|
481
|
-
<div class="row">
|
|
482
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
483
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160210-HO00003186" data-icon="Z"></button>
|
|
484
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
485
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160210-HO00003186">
|
|
486
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
487
|
-
|
|
488
|
-
<div class="row no-pd">
|
|
489
|
-
<div class="col-xs-12 col-md-8">
|
|
490
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
491
|
-
|
|
492
|
-
<dl class="dl-inline">
|
|
493
|
-
<dt class="invisible">Description</dt>
|
|
494
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
495
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
496
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
497
|
-
</p></dd>
|
|
498
|
-
</dl>
|
|
499
|
-
</div>
|
|
500
|
-
<div class="col-xs-12 col-md-4">
|
|
501
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
502
|
-
</div>
|
|
503
|
-
</div>
|
|
504
|
-
</div>
|
|
505
|
-
<dl class="row film-times clear">
|
|
506
|
-
<dt class="col-xs-2">Select:</dt>
|
|
507
|
-
<dd class="col-xs-10">
|
|
508
|
-
|
|
509
|
-
|
|
510
|
-
<a
|
|
511
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/3941"
|
|
512
|
-
class="btn btn-xs btn-default-dark"
|
|
513
|
-
>20.45</a>
|
|
514
|
-
|
|
515
|
-
</dd>
|
|
516
|
-
<dt class="col-xs-2">Select:</dt>
|
|
517
|
-
<dd class="col-xs-10">
|
|
518
|
-
|
|
519
|
-
|
|
520
|
-
<a
|
|
521
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/3944"
|
|
522
|
-
class="btn btn-xs btn-default btn-special"
|
|
523
|
-
>15.15</a>
|
|
524
|
-
|
|
525
|
-
<small class="film-type-desc">
|
|
526
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
527
|
-
</small> </dd>
|
|
528
|
-
</dl>
|
|
529
|
-
</div>
|
|
530
|
-
</div>
|
|
531
|
-
</li>
|
|
532
|
-
<li>
|
|
533
|
-
<div class="row">
|
|
534
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
535
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160210-HO00002607" data-icon="Z"></button>
|
|
536
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/youth">Youth [15]</a></h2>
|
|
537
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160210-HO00002607">
|
|
538
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/RxwqrRmRbYk"></div>
|
|
539
|
-
|
|
540
|
-
<div class="row no-pd">
|
|
541
|
-
<div class="col-xs-12 col-md-8">
|
|
542
|
-
<div><strong>2016, mins</strong></div>
|
|
543
|
-
|
|
544
|
-
<dl class="dl-inline">
|
|
545
|
-
<dt class="invisible">Description</dt>
|
|
546
|
-
<dd><p><b>Director: Paolo Sorrentino. <br/>
|
|
547
|
-
Starring: Michael Caine, Harvey Keitel, Rachel Weisz, Jane Fonda. Italy/France/Switzerland 2015. 124 mins.</b>
|
|
548
|
-
<br/><br/>
|
|
549
|
-
Maestro Sorrentino follows his Oscar-winning The Great Beauty with an equally lush meditation on life, love and loss. Youth stars Caine as Fred Ballinger, a retired composer and international conductor, whom we encounter at a tranquil Swiss spa.
|
|
550
|
-
<br/><br/>
|
|
551
|
-
There he receives a visit from a Buckingham Palace emissary with a request from the Queen to perform his most famous piece, but he refuses “for personal reasons” that only become clearer later. In the meantime, Sorrentino lets us observe this ageing curmudgeon in his natural habitat among his fellow residents. Ever the stylist, Sorrentino crafts his own visual symphony using the characters as his instruments.
|
|
552
|
-
<br/><br/>
|
|
553
|
-
Notes of surreal humour abound, and the cast all give first-rate performances. Sorrentino has yet again outdone himself with this beguiling film for both young and old.
|
|
554
|
-
</p></dd>
|
|
555
|
-
</dl>
|
|
556
|
-
</div>
|
|
557
|
-
<div class="col-xs-12 col-md-4">
|
|
558
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/youth" class="btn btn-primary">More details</a></p>
|
|
559
|
-
</div>
|
|
560
|
-
</div>
|
|
561
|
-
</div>
|
|
562
|
-
<dl class="row film-times clear">
|
|
563
|
-
<dt class="col-xs-2">Select:</dt>
|
|
564
|
-
<dd class="col-xs-10">
|
|
565
|
-
</dd>
|
|
566
|
-
<dt class="col-xs-2">Select:</dt>
|
|
567
|
-
<dd class="col-xs-10">
|
|
568
|
-
|
|
569
|
-
|
|
570
|
-
<a
|
|
571
|
-
href="/cinema/Dukes_At_Komedia/film/youth/tickets/3972"
|
|
572
|
-
class="btn btn-xs btn-default btn-special"
|
|
573
|
-
>13.20</a>
|
|
574
|
-
|
|
575
|
-
<small class="film-type-desc">
|
|
576
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
577
|
-
</small> </dd>
|
|
578
|
-
</dl>
|
|
579
|
-
</div>
|
|
580
|
-
</div>
|
|
581
|
-
</li>
|
|
582
|
-
<li>
|
|
583
|
-
<div class="row">
|
|
584
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
585
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160210-HO00003284" data-icon="Z"></button>
|
|
586
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
587
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160210-HO00003284">
|
|
588
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
589
|
-
|
|
590
|
-
<div class="row no-pd">
|
|
591
|
-
<div class="col-xs-12 col-md-8">
|
|
592
|
-
<div><strong>2016, mins</strong></div>
|
|
593
|
-
|
|
594
|
-
<dl class="dl-inline">
|
|
595
|
-
<dt class="invisible">Description</dt>
|
|
596
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
597
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
598
|
-
<br/><br/>
|
|
599
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
600
|
-
<br/><br/>
|
|
601
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
602
|
-
<br/><br/>
|
|
603
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
604
|
-
</dl>
|
|
605
|
-
</div>
|
|
606
|
-
<div class="col-xs-12 col-md-4">
|
|
607
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
608
|
-
</div>
|
|
609
|
-
</div>
|
|
610
|
-
</div>
|
|
611
|
-
<dl class="row film-times clear">
|
|
612
|
-
<dt class="col-xs-2">Select:</dt>
|
|
613
|
-
<dd class="col-xs-10">
|
|
614
|
-
|
|
615
|
-
|
|
616
|
-
<a
|
|
617
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/3961"
|
|
618
|
-
class="btn btn-xs btn-default-dark"
|
|
619
|
-
>18.00</a>
|
|
620
|
-
|
|
621
|
-
</dd>
|
|
622
|
-
</dl>
|
|
623
|
-
</div>
|
|
624
|
-
</div>
|
|
625
|
-
</li>
|
|
626
|
-
<li>
|
|
627
|
-
<div class="row">
|
|
628
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
629
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160210-HO00003177" data-icon="Z"></button>
|
|
630
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-revenant">The Revenant [15]</a></h2>
|
|
631
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160210-HO00003177">
|
|
632
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/9OfPMJQ3Bpo"></div>
|
|
633
|
-
|
|
634
|
-
<div class="row no-pd">
|
|
635
|
-
<div class="col-xs-12 col-md-8">
|
|
636
|
-
<div><strong>2016, mins</strong></div>
|
|
637
|
-
|
|
638
|
-
<dl class="dl-inline">
|
|
639
|
-
<dt class="invisible">Description</dt>
|
|
640
|
-
<dd><p><b>Director: Alejandro González Iñárritu.<br/>
|
|
641
|
-
Starring: Leonardo DiCaprio, Tom Hardy. USA 2015. TBC mins.</b>
|
|
642
|
-
<br/><br/>
|
|
643
|
-
Oscar-winning director Alejandro González Iñárritu (Amores Perros, Birdman) takes us into the American wilderness for a story of betrayal, survival and vengeance, inspired by real events.
|
|
644
|
-
<br/><br/>
|
|
645
|
-
In the early 19th century, fur trapper Hugh Glass (DiCaprio, giving a powerhouse performance) is attacked by a bear. The injured man is then robbed and left for dead by his companions, including his friend John Fitzgerald (Hardy), who also murders Glass’s young son. Sustained by sheer force of will, Glass battles the winter elements, the vicious wildlife and his own injuries in relentless pursuit of life and justice.
|
|
646
|
-
<br/><br/>
|
|
647
|
-
Filmed in extended takes using only natural light – and already hotly Oscar-tipped for its acting, directing and technical achievements – The Revenant delivers gritty battle scenes, stunning locations, and a compelling story of one man’s determination to take revenge on those who abandoned him.
|
|
648
|
-
</p></dd>
|
|
649
|
-
</dl>
|
|
650
|
-
</div>
|
|
651
|
-
<div class="col-xs-12 col-md-4">
|
|
652
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-revenant" class="btn btn-primary">More details</a></p>
|
|
653
|
-
</div>
|
|
654
|
-
</div>
|
|
655
|
-
</div>
|
|
656
|
-
<dl class="row film-times clear">
|
|
657
|
-
<dt class="col-xs-2">Select:</dt>
|
|
658
|
-
<dd class="col-xs-10">
|
|
659
|
-
</dd>
|
|
660
|
-
<dt class="col-xs-2">Select:</dt>
|
|
661
|
-
<dd class="col-xs-10">
|
|
662
|
-
|
|
663
|
-
|
|
664
|
-
<a
|
|
665
|
-
href="/cinema/Dukes_At_Komedia/film/the-revenant/tickets/3945"
|
|
666
|
-
class="btn btn-xs btn-default btn-special"
|
|
667
|
-
>12.00</a>
|
|
668
|
-
|
|
669
|
-
<small class="film-type-desc">
|
|
670
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
671
|
-
</small> </dd>
|
|
672
|
-
</dl>
|
|
673
|
-
</div>
|
|
674
|
-
</div>
|
|
675
|
-
</li>
|
|
676
|
-
<li>
|
|
677
|
-
<div class="row">
|
|
678
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
679
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160210-HO00003302" data-icon="Z"></button>
|
|
680
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/gueros">Gueros [15]</a></h2>
|
|
681
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160210-HO00003302">
|
|
682
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/odc3wlc37bY"></div>
|
|
683
|
-
|
|
684
|
-
<div class="row no-pd">
|
|
685
|
-
<div class="col-xs-12 col-md-8">
|
|
686
|
-
<div><strong>2016, 106 mins</strong></div>
|
|
687
|
-
|
|
688
|
-
<dl class="dl-inline">
|
|
689
|
-
<dt class="invisible">Description</dt>
|
|
690
|
-
<dd><p><b>Director: Alonso Ruiz Palacios. <br/>
|
|
691
|
-
Starring: Sebastián Aguirre, Tenoch Huerta, Ilse Salas. Mexico 2014. 108 mins. Spanish with English subtitles.</b>
|
|
692
|
-
<br/><br/>
|
|
693
|
-
Heaving with awards including Berlin 2014’s Best First Feature gong, writer-director Alonso Ruiz Palacios’s debut is a wry Mexican slacker movie with political knobs on, and delightfully so.
|
|
694
|
-
<br/><br/>
|
|
695
|
-
The winsome Sebastián Aguirre is Tomás, feckless adolescent son of an exasperated mother who hopes that consigning him to stay with his older student brother, Sombra (Huerta), in Mexico City will straighten him out. Trouble is, Sombra is borderline dysfunctional, squatting a grungy apartment and sitting out a lengthy university strike with bemused inertia.
|
|
696
|
-
<br/><br/>
|
|
697
|
-
The brothers eventually muster enough energy to embark on a kind of urban road trip in search of a mythical folk hero, along the way picking up a student activist (Salas) and sparking incidents both sobering and humorous. An unexpected gem.
|
|
698
|
-
</p></dd>
|
|
699
|
-
</dl>
|
|
700
|
-
</div>
|
|
701
|
-
<div class="col-xs-12 col-md-4">
|
|
702
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/gueros" class="btn btn-primary">More details</a></p>
|
|
703
|
-
</div>
|
|
704
|
-
</div>
|
|
705
|
-
</div>
|
|
706
|
-
<dl class="row film-times clear">
|
|
707
|
-
<dt class="col-xs-2">Select:</dt>
|
|
708
|
-
<dd class="col-xs-10">
|
|
709
|
-
|
|
710
|
-
|
|
711
|
-
<a
|
|
712
|
-
href="/cinema/Dukes_At_Komedia/film/gueros/tickets/3892"
|
|
713
|
-
class="btn btn-xs btn-default btn-special"
|
|
714
|
-
>11.00</a>
|
|
715
|
-
|
|
716
|
-
<small class="film-type-desc">
|
|
717
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
718
|
-
</small> </dd>
|
|
719
|
-
</dl>
|
|
720
|
-
</div>
|
|
721
|
-
</div>
|
|
722
|
-
</li>
|
|
723
|
-
<li class="heading dark">Thursday 11th Feb</li>
|
|
724
|
-
<li>
|
|
725
|
-
<div class="row">
|
|
726
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
727
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00002861" data-icon="Z"></button>
|
|
728
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
|
|
729
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00002861">
|
|
730
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
|
|
731
|
-
|
|
732
|
-
<div class="row no-pd">
|
|
733
|
-
<div class="col-xs-12 col-md-8">
|
|
734
|
-
<div><strong>2016, mins</strong></div>
|
|
735
|
-
|
|
736
|
-
<dl class="dl-inline">
|
|
737
|
-
<dt class="invisible">Description</dt>
|
|
738
|
-
<dd><p><b>Director: Oliver Parker. <br/>
|
|
739
|
-
Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
|
740
|
-
<br/><br/>
|
|
741
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
742
|
-
<br/><br/>
|
|
743
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
744
|
-
<br/><br/>
|
|
745
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
|
|
746
|
-
</dl>
|
|
747
|
-
</div>
|
|
748
|
-
<div class="col-xs-12 col-md-4">
|
|
749
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
|
|
750
|
-
</div>
|
|
751
|
-
</div>
|
|
752
|
-
</div>
|
|
753
|
-
<dl class="row film-times clear">
|
|
754
|
-
<dt class="col-xs-2">Select:</dt>
|
|
755
|
-
<dd class="col-xs-10">
|
|
756
|
-
|
|
757
|
-
|
|
758
|
-
<a
|
|
759
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3805"
|
|
760
|
-
class="btn btn-xs btn-default-dark"
|
|
761
|
-
>16.30</a>
|
|
762
|
-
|
|
763
|
-
|
|
764
|
-
|
|
765
|
-
<a
|
|
766
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3806"
|
|
767
|
-
class="btn btn-xs btn-default-dark"
|
|
768
|
-
>18.45</a>
|
|
769
|
-
|
|
770
|
-
</dd>
|
|
771
|
-
</dl>
|
|
772
|
-
</div>
|
|
773
|
-
</div>
|
|
774
|
-
</li>
|
|
775
|
-
<li>
|
|
776
|
-
<div class="row">
|
|
777
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
778
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00003192" data-icon="Z"></button>
|
|
779
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/jonas-kaufmann-an-evening-with-puccini">Jonas Kaufmann: An Evening With Puccini [12A]</a></h2>
|
|
780
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00003192">
|
|
781
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/4Xfh84kaFa8"></div>
|
|
782
|
-
|
|
783
|
-
<div class="row no-pd">
|
|
784
|
-
<div class="col-xs-12 col-md-8">
|
|
785
|
-
<div><strong>2016, mins</strong></div>
|
|
786
|
-
|
|
787
|
-
<dl class="dl-inline">
|
|
788
|
-
<dt class="invisible">Description</dt>
|
|
789
|
-
<dd><p>On 14th June, German tenor Jonas Kaufmann walked onto the stage of La Scala Milan, the home of Italian opera, for one of the most highly anticipated performances of 2015. The concert made national news in Italy and following five encores and 40mins of applause audiences were still left wanting more. This legendary performance is now the focus of a new concert film directed by Brian Large and produced by Arts Alliance. Cinema audiences worldwide will experience this unforgettable event, and be treated to a revealing introduction to Puccini – the man, the musician, the superstar – narrated by Jonas and featuring rare archive footage.</p></dd>
|
|
790
|
-
</dl>
|
|
791
|
-
</div>
|
|
792
|
-
<div class="col-xs-12 col-md-4">
|
|
793
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/jonas-kaufmann-an-evening-with-puccini" class="btn btn-primary">More details</a></p>
|
|
794
|
-
</div>
|
|
795
|
-
</div>
|
|
796
|
-
</div>
|
|
797
|
-
<dl class="row film-times clear">
|
|
798
|
-
<dt class="col-xs-2">Select:</dt>
|
|
799
|
-
<dd class="col-xs-10">
|
|
800
|
-
<button class="btn btn-xs btn-default disabled" data-toggle="tooltip" data-placement="right" title="" data-original-title="This screening has sold out">18.15</button>
|
|
801
|
-
<small class="film-type-desc">
|
|
802
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
803
|
-
</small> </dd>
|
|
804
|
-
</dl>
|
|
805
|
-
</div>
|
|
806
|
-
</div>
|
|
807
|
-
</li>
|
|
808
|
-
<li>
|
|
809
|
-
<div class="row">
|
|
810
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
811
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00003186" data-icon="Z"></button>
|
|
812
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
813
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00003186">
|
|
814
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
815
|
-
|
|
816
|
-
<div class="row no-pd">
|
|
817
|
-
<div class="col-xs-12 col-md-8">
|
|
818
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
819
|
-
|
|
820
|
-
<dl class="dl-inline">
|
|
821
|
-
<dt class="invisible">Description</dt>
|
|
822
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
823
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
824
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
825
|
-
</p></dd>
|
|
826
|
-
</dl>
|
|
827
|
-
</div>
|
|
828
|
-
<div class="col-xs-12 col-md-4">
|
|
829
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
830
|
-
</div>
|
|
831
|
-
</div>
|
|
832
|
-
</div>
|
|
833
|
-
<dl class="row film-times clear">
|
|
834
|
-
<dt class="col-xs-2">Select:</dt>
|
|
835
|
-
<dd class="col-xs-10">
|
|
836
|
-
|
|
837
|
-
|
|
838
|
-
<a
|
|
839
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/3950"
|
|
840
|
-
class="btn btn-xs btn-default-dark"
|
|
841
|
-
>21.00</a>
|
|
842
|
-
|
|
843
|
-
</dd>
|
|
844
|
-
<dt class="col-xs-2">Select:</dt>
|
|
845
|
-
<dd class="col-xs-10">
|
|
846
|
-
|
|
847
|
-
|
|
848
|
-
<a
|
|
849
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/3947"
|
|
850
|
-
class="btn btn-xs btn-default btn-special"
|
|
851
|
-
>11.00</a>
|
|
852
|
-
|
|
853
|
-
<small class="film-type-desc">
|
|
854
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Big Scream">Big Scream</a>: Exclusively for parents or carers with babies under the age of one.
|
|
855
|
-
</small> </dd>
|
|
856
|
-
</dl>
|
|
857
|
-
</div>
|
|
858
|
-
</div>
|
|
859
|
-
</li>
|
|
860
|
-
<li>
|
|
861
|
-
<div class="row">
|
|
862
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
863
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00002607" data-icon="Z"></button>
|
|
864
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/youth">Youth [15]</a></h2>
|
|
865
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00002607">
|
|
866
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/RxwqrRmRbYk"></div>
|
|
867
|
-
|
|
868
|
-
<div class="row no-pd">
|
|
869
|
-
<div class="col-xs-12 col-md-8">
|
|
870
|
-
<div><strong>2016, mins</strong></div>
|
|
871
|
-
|
|
872
|
-
<dl class="dl-inline">
|
|
873
|
-
<dt class="invisible">Description</dt>
|
|
874
|
-
<dd><p><b>Director: Paolo Sorrentino. <br/>
|
|
875
|
-
Starring: Michael Caine, Harvey Keitel, Rachel Weisz, Jane Fonda. Italy/France/Switzerland 2015. 124 mins.</b>
|
|
876
|
-
<br/><br/>
|
|
877
|
-
Maestro Sorrentino follows his Oscar-winning The Great Beauty with an equally lush meditation on life, love and loss. Youth stars Caine as Fred Ballinger, a retired composer and international conductor, whom we encounter at a tranquil Swiss spa.
|
|
878
|
-
<br/><br/>
|
|
879
|
-
There he receives a visit from a Buckingham Palace emissary with a request from the Queen to perform his most famous piece, but he refuses “for personal reasons” that only become clearer later. In the meantime, Sorrentino lets us observe this ageing curmudgeon in his natural habitat among his fellow residents. Ever the stylist, Sorrentino crafts his own visual symphony using the characters as his instruments.
|
|
880
|
-
<br/><br/>
|
|
881
|
-
Notes of surreal humour abound, and the cast all give first-rate performances. Sorrentino has yet again outdone himself with this beguiling film for both young and old.
|
|
882
|
-
</p></dd>
|
|
883
|
-
</dl>
|
|
884
|
-
</div>
|
|
885
|
-
<div class="col-xs-12 col-md-4">
|
|
886
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/youth" class="btn btn-primary">More details</a></p>
|
|
887
|
-
</div>
|
|
888
|
-
</div>
|
|
889
|
-
</div>
|
|
890
|
-
<dl class="row film-times clear">
|
|
891
|
-
<dt class="col-xs-2">Select:</dt>
|
|
892
|
-
<dd class="col-xs-10">
|
|
893
|
-
|
|
894
|
-
|
|
895
|
-
<a
|
|
896
|
-
href="/cinema/Dukes_At_Komedia/film/youth/tickets/3970"
|
|
897
|
-
class="btn btn-xs btn-default-dark"
|
|
898
|
-
>13.45</a>
|
|
899
|
-
|
|
900
|
-
</dd>
|
|
901
|
-
</dl>
|
|
902
|
-
</div>
|
|
903
|
-
</div>
|
|
904
|
-
</li>
|
|
905
|
-
<li>
|
|
906
|
-
<div class="row">
|
|
907
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
908
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00003284" data-icon="Z"></button>
|
|
909
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
910
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00003284">
|
|
911
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
912
|
-
|
|
913
|
-
<div class="row no-pd">
|
|
914
|
-
<div class="col-xs-12 col-md-8">
|
|
915
|
-
<div><strong>2016, mins</strong></div>
|
|
916
|
-
|
|
917
|
-
<dl class="dl-inline">
|
|
918
|
-
<dt class="invisible">Description</dt>
|
|
919
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
920
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
921
|
-
<br/><br/>
|
|
922
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
923
|
-
<br/><br/>
|
|
924
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
925
|
-
<br/><br/>
|
|
926
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
927
|
-
</dl>
|
|
928
|
-
</div>
|
|
929
|
-
<div class="col-xs-12 col-md-4">
|
|
930
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
931
|
-
</div>
|
|
932
|
-
</div>
|
|
933
|
-
</div>
|
|
934
|
-
<dl class="row film-times clear">
|
|
935
|
-
<dt class="col-xs-2">Select:</dt>
|
|
936
|
-
<dd class="col-xs-10">
|
|
937
|
-
|
|
938
|
-
|
|
939
|
-
<a
|
|
940
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/3963"
|
|
941
|
-
class="btn btn-xs btn-default-dark"
|
|
942
|
-
>21.15</a>
|
|
943
|
-
|
|
944
|
-
</dd>
|
|
945
|
-
</dl>
|
|
946
|
-
</div>
|
|
947
|
-
</div>
|
|
948
|
-
</li>
|
|
949
|
-
<li>
|
|
950
|
-
<div class="row">
|
|
951
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
952
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00003185" data-icon="Z"></button>
|
|
953
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/room">Room [15]</a></h2>
|
|
954
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00003185">
|
|
955
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/yfBdUPAjiVQ"></div>
|
|
956
|
-
|
|
957
|
-
<div class="row no-pd">
|
|
958
|
-
<div class="col-xs-12 col-md-8">
|
|
959
|
-
<div><strong>2016, mins</strong></div>
|
|
960
|
-
|
|
961
|
-
<dl class="dl-inline">
|
|
962
|
-
<dt class="invisible">Description</dt>
|
|
963
|
-
<dd><p><b>Director: Lenny Abrahamson.<br/>
|
|
964
|
-
Starring: Brie Larson, Jacob Tremblay, Sean Bridgers. Ireland/Canada 2015. 118 mins.</b>
|
|
965
|
-
<br/><br/>
|
|
966
|
-
Based on the Man Booker Prize-shortlisted novel by Emma Donoghue, who also wrote the screenplay, Lenny Abrahamson’s (Frank, What Richard Did) latest tells the story of Ma (Larson) and her son Jack (Tremblay, giving an astonishing performance). They live in a single room that is their entire world – a skylight is their only contact with the outside – for a reason that is one of the film’s many surprises. Then, on Jack’s fifth birthday, Ma reveals her plan for him to get away.
|
|
967
|
-
<br/><br/>
|
|
968
|
-
Although Room’s premise is distinctly adult, this is a film that brims with innocence, using Jack’s guileless perspective and poignant optimism to steer us through the darkness. We might think Ma is protecting him, but really Jack is protecting Ma, a shining beacon of hope that gives her the strength to believe in her dreams of freedom.
|
|
969
|
-
</p></dd>
|
|
970
|
-
</dl>
|
|
971
|
-
</div>
|
|
972
|
-
<div class="col-xs-12 col-md-4">
|
|
973
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/room" class="btn btn-primary">More details</a></p>
|
|
974
|
-
</div>
|
|
975
|
-
</div>
|
|
976
|
-
</div>
|
|
977
|
-
<dl class="row film-times clear">
|
|
978
|
-
<dt class="col-xs-2">Select:</dt>
|
|
979
|
-
<dd class="col-xs-10">
|
|
980
|
-
|
|
981
|
-
|
|
982
|
-
<a
|
|
983
|
-
href="/cinema/Dukes_At_Komedia/film/room/tickets/3965"
|
|
984
|
-
class="btn btn-xs btn-default-dark"
|
|
985
|
-
>15.00</a>
|
|
986
|
-
|
|
987
|
-
</dd>
|
|
988
|
-
</dl>
|
|
989
|
-
</div>
|
|
990
|
-
</div>
|
|
991
|
-
</li>
|
|
992
|
-
<li>
|
|
993
|
-
<div class="row">
|
|
994
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
995
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160211-HO00003177" data-icon="Z"></button>
|
|
996
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-revenant">The Revenant [15]</a></h2>
|
|
997
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160211-HO00003177">
|
|
998
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/9OfPMJQ3Bpo"></div>
|
|
999
|
-
|
|
1000
|
-
<div class="row no-pd">
|
|
1001
|
-
<div class="col-xs-12 col-md-8">
|
|
1002
|
-
<div><strong>2016, mins</strong></div>
|
|
1003
|
-
|
|
1004
|
-
<dl class="dl-inline">
|
|
1005
|
-
<dt class="invisible">Description</dt>
|
|
1006
|
-
<dd><p><b>Director: Alejandro González Iñárritu.<br/>
|
|
1007
|
-
Starring: Leonardo DiCaprio, Tom Hardy. USA 2015. TBC mins.</b>
|
|
1008
|
-
<br/><br/>
|
|
1009
|
-
Oscar-winning director Alejandro González Iñárritu (Amores Perros, Birdman) takes us into the American wilderness for a story of betrayal, survival and vengeance, inspired by real events.
|
|
1010
|
-
<br/><br/>
|
|
1011
|
-
In the early 19th century, fur trapper Hugh Glass (DiCaprio, giving a powerhouse performance) is attacked by a bear. The injured man is then robbed and left for dead by his companions, including his friend John Fitzgerald (Hardy), who also murders Glass’s young son. Sustained by sheer force of will, Glass battles the winter elements, the vicious wildlife and his own injuries in relentless pursuit of life and justice.
|
|
1012
|
-
<br/><br/>
|
|
1013
|
-
Filmed in extended takes using only natural light – and already hotly Oscar-tipped for its acting, directing and technical achievements – The Revenant delivers gritty battle scenes, stunning locations, and a compelling story of one man’s determination to take revenge on those who abandoned him.
|
|
1014
|
-
</p></dd>
|
|
1015
|
-
</dl>
|
|
1016
|
-
</div>
|
|
1017
|
-
<div class="col-xs-12 col-md-4">
|
|
1018
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-revenant" class="btn btn-primary">More details</a></p>
|
|
1019
|
-
</div>
|
|
1020
|
-
</div>
|
|
1021
|
-
</div>
|
|
1022
|
-
<dl class="row film-times clear">
|
|
1023
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1024
|
-
<dd class="col-xs-10">
|
|
1025
|
-
|
|
1026
|
-
|
|
1027
|
-
<a
|
|
1028
|
-
href="/cinema/Dukes_At_Komedia/film/the-revenant/tickets/3946"
|
|
1029
|
-
class="btn btn-xs btn-default-dark"
|
|
1030
|
-
>11.45</a>
|
|
1031
|
-
|
|
1032
|
-
</dd>
|
|
1033
|
-
</dl>
|
|
1034
|
-
</div>
|
|
1035
|
-
</div>
|
|
1036
|
-
</li>
|
|
1037
|
-
<li class="heading dark">Friday 12th Feb</li>
|
|
1038
|
-
<li>
|
|
1039
|
-
<div class="row">
|
|
1040
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1041
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00002861" data-icon="Z"></button>
|
|
1042
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
|
|
1043
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00002861">
|
|
1044
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
|
|
1045
|
-
|
|
1046
|
-
<div class="row no-pd">
|
|
1047
|
-
<div class="col-xs-12 col-md-8">
|
|
1048
|
-
<div><strong>2016, mins</strong></div>
|
|
1049
|
-
|
|
1050
|
-
<dl class="dl-inline">
|
|
1051
|
-
<dt class="invisible">Description</dt>
|
|
1052
|
-
<dd><p><b>Director: Oliver Parker. <br/>
|
|
1053
|
-
Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
|
1054
|
-
<br/><br/>
|
|
1055
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
1056
|
-
<br/><br/>
|
|
1057
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
1058
|
-
<br/><br/>
|
|
1059
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
|
|
1060
|
-
</dl>
|
|
1061
|
-
</div>
|
|
1062
|
-
<div class="col-xs-12 col-md-4">
|
|
1063
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
|
|
1064
|
-
</div>
|
|
1065
|
-
</div>
|
|
1066
|
-
</div>
|
|
1067
|
-
<dl class="row film-times clear">
|
|
1068
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1069
|
-
<dd class="col-xs-10">
|
|
1070
|
-
|
|
1071
|
-
|
|
1072
|
-
<a
|
|
1073
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3991"
|
|
1074
|
-
class="btn btn-xs btn-default-dark"
|
|
1075
|
-
>15.00</a>
|
|
1076
|
-
|
|
1077
|
-
|
|
1078
|
-
|
|
1079
|
-
<a
|
|
1080
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3992"
|
|
1081
|
-
class="btn btn-xs btn-default-dark"
|
|
1082
|
-
>17.30</a>
|
|
1083
|
-
|
|
1084
|
-
</dd>
|
|
1085
|
-
</dl>
|
|
1086
|
-
</div>
|
|
1087
|
-
</div>
|
|
1088
|
-
</li>
|
|
1089
|
-
<li>
|
|
1090
|
-
<div class="row">
|
|
1091
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1092
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00003229" data-icon="Z"></button>
|
|
1093
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue">Janis: Little Girl Blue [15]</a></h2>
|
|
1094
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00003229">
|
|
1095
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/uO9Z5Kew9zs"></div>
|
|
1096
|
-
|
|
1097
|
-
<div class="row no-pd">
|
|
1098
|
-
<div class="col-xs-12 col-md-8">
|
|
1099
|
-
<div><strong>2016, mins</strong></div>
|
|
1100
|
-
|
|
1101
|
-
<dl class="dl-inline">
|
|
1102
|
-
<dt class="invisible">Description</dt>
|
|
1103
|
-
<dd><p><b/>Director: Amy Berg. <br/>
|
|
1104
|
-
Featuring: Janis Joplin. USA 2015. 104 mins.</b><br/><br/>
|
|
1105
|
-
|
|
1106
|
-
Following 2015’s hit Amy Winehouse film Amy, Oscar-nominated documentarian Amy Berg (West Of Memphis) delivers an equally heart-rending account of the original bad-girl rock singer, Janis Joplin. Like Winehouse (and Kurt Cobain and Jim Morrison), Joplin died aged 27 – of a heroin overdose, before she could fully realise her wonderful potential. <br/><br/>
|
|
1107
|
-
Although a seasoned performer with Texas bar bands, Joplin became a star fronting San Francisco’s powerful Big Brother And The Holding Company. Berg has resuscitated rare footage of Joplin’s early days as a feisty child, her self-discovery as a folk/blues singer and her increasingly pressurised stardom. Along the way Joplin made many romantic mistakes before finally descending into hard drugs. Poignant interviews and stunning performances, including her knockout rendition of Ball And Chain at 1967’s Monterey Pop Festival, affirm her legendary status.
|
|
1108
|
-
</p></dd>
|
|
1109
|
-
</dl>
|
|
1110
|
-
</div>
|
|
1111
|
-
<div class="col-xs-12 col-md-4">
|
|
1112
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue" class="btn btn-primary">More details</a></p>
|
|
1113
|
-
</div>
|
|
1114
|
-
</div>
|
|
1115
|
-
</div>
|
|
1116
|
-
<dl class="row film-times clear">
|
|
1117
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1118
|
-
<dd class="col-xs-10">
|
|
1119
|
-
|
|
1120
|
-
|
|
1121
|
-
<a
|
|
1122
|
-
href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue/tickets/4062"
|
|
1123
|
-
class="btn btn-xs btn-default-dark"
|
|
1124
|
-
>13.00</a>
|
|
1125
|
-
|
|
1126
|
-
</dd>
|
|
1127
|
-
</dl>
|
|
1128
|
-
</div>
|
|
1129
|
-
</div>
|
|
1130
|
-
</li>
|
|
1131
|
-
<li>
|
|
1132
|
-
<div class="row">
|
|
1133
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1134
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00003517" data-icon="Z"></button>
|
|
1135
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero">Rams + Artists film short El helicóptero [15]</a></h2>
|
|
1136
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00003517">
|
|
1137
|
-
|
|
1138
|
-
<div class="row no-pd">
|
|
1139
|
-
<div class="col-xs-12 col-md-8">
|
|
1140
|
-
<div><strong>2016, 98 mins</strong></div>
|
|
1141
|
-
|
|
1142
|
-
<dl class="dl-inline">
|
|
1143
|
-
<dt class="invisible">Description</dt>
|
|
1144
|
-
<dd><p>In 1966 Argentinian author, critic and psychoanalyst Oscar Masotta organised three happenings (or anti-happenings). El helicóptero is the film footage of the re-enactment of Masotta's "The Helicopter" happening and, the first chapter of a longer film by Garcia titled Segunda Vez
|
|
1145
|
-
<br><br/>
|
|
1146
|
-
<b>Director: Grímur Hákonarson.<br/>
|
|
1147
|
-
Starring: Sigur∂ur Sigurjónsson, Theodór Júlíusson. Iceland/Denmark/Norway/Poland 2015. 93 mins. Icelandic with English subtitles.</b>
|
|
1148
|
-
<br/><br/>
|
|
1149
|
-
Brothers Gummi (Sigurjónsson) and Kiddi (Júlíusson) are sheep farmers living on neighbouring farms in remote rural Iceland. They haven’t spoken to each other for 40 years. Following an outbreak of a potentially lethal disease among the country’s sheep, the government insist that all existing flocks must be slaughtered. The brothers – who care about their animals more than they do the few humans they come into contact with – deal with this in decidedly different, but equally dramatic ways, and must reunite to save their way of life.
|
|
1150
|
-
<br/><br/>
|
|
1151
|
-
Writer-director Grímur Hákonarson balances charming wry comedy with poignant realist drama. The two central performances by the raggedy, heavily
|
|
1152
|
-
bearded actors are full of subtle warmth, conveying a deeply felt connection to the land and all who live off it – sheep included.</p></dd>
|
|
1153
|
-
</dl>
|
|
1154
|
-
</div>
|
|
1155
|
-
<div class="col-xs-12 col-md-4">
|
|
1156
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero" class="btn btn-primary">More details</a></p>
|
|
1157
|
-
</div>
|
|
1158
|
-
</div>
|
|
1159
|
-
</div>
|
|
1160
|
-
<dl class="row film-times clear">
|
|
1161
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1162
|
-
<dd class="col-xs-10">
|
|
1163
|
-
|
|
1164
|
-
|
|
1165
|
-
<a
|
|
1166
|
-
href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero/tickets/4051"
|
|
1167
|
-
class="btn btn-xs btn-default-dark"
|
|
1168
|
-
>18.15</a>
|
|
1169
|
-
|
|
1170
|
-
</dd>
|
|
1171
|
-
</dl>
|
|
1172
|
-
</div>
|
|
1173
|
-
</div>
|
|
1174
|
-
</li>
|
|
1175
|
-
<li>
|
|
1176
|
-
<div class="row">
|
|
1177
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1178
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00003186" data-icon="Z"></button>
|
|
1179
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
1180
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00003186">
|
|
1181
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
1182
|
-
|
|
1183
|
-
<div class="row no-pd">
|
|
1184
|
-
<div class="col-xs-12 col-md-8">
|
|
1185
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
1186
|
-
|
|
1187
|
-
<dl class="dl-inline">
|
|
1188
|
-
<dt class="invisible">Description</dt>
|
|
1189
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
1190
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
1191
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
1192
|
-
</p></dd>
|
|
1193
|
-
</dl>
|
|
1194
|
-
</div>
|
|
1195
|
-
<div class="col-xs-12 col-md-4">
|
|
1196
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
1197
|
-
</div>
|
|
1198
|
-
</div>
|
|
1199
|
-
</div>
|
|
1200
|
-
<dl class="row film-times clear">
|
|
1201
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1202
|
-
<dd class="col-xs-10">
|
|
1203
|
-
|
|
1204
|
-
|
|
1205
|
-
<a
|
|
1206
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/4080"
|
|
1207
|
-
class="btn btn-xs btn-default-dark"
|
|
1208
|
-
>15.30</a>
|
|
1209
|
-
|
|
1210
|
-
|
|
1211
|
-
|
|
1212
|
-
<a
|
|
1213
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/4026"
|
|
1214
|
-
class="btn btn-xs btn-default-dark"
|
|
1215
|
-
>20.30</a>
|
|
1216
|
-
|
|
1217
|
-
</dd>
|
|
1218
|
-
</dl>
|
|
1219
|
-
</div>
|
|
1220
|
-
</div>
|
|
1221
|
-
</li>
|
|
1222
|
-
<li>
|
|
1223
|
-
<div class="row">
|
|
1224
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1225
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00003284" data-icon="Z"></button>
|
|
1226
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
1227
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00003284">
|
|
1228
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
1229
|
-
|
|
1230
|
-
<div class="row no-pd">
|
|
1231
|
-
<div class="col-xs-12 col-md-8">
|
|
1232
|
-
<div><strong>2016, mins</strong></div>
|
|
1233
|
-
|
|
1234
|
-
<dl class="dl-inline">
|
|
1235
|
-
<dt class="invisible">Description</dt>
|
|
1236
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
1237
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
1238
|
-
<br/><br/>
|
|
1239
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
1240
|
-
<br/><br/>
|
|
1241
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
1242
|
-
<br/><br/>
|
|
1243
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
1244
|
-
</dl>
|
|
1245
|
-
</div>
|
|
1246
|
-
<div class="col-xs-12 col-md-4">
|
|
1247
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
1248
|
-
</div>
|
|
1249
|
-
</div>
|
|
1250
|
-
</div>
|
|
1251
|
-
<dl class="row film-times clear">
|
|
1252
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1253
|
-
<dd class="col-xs-10">
|
|
1254
|
-
|
|
1255
|
-
|
|
1256
|
-
<a
|
|
1257
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/4065"
|
|
1258
|
-
class="btn btn-xs btn-default-dark"
|
|
1259
|
-
>20.00</a>
|
|
1260
|
-
|
|
1261
|
-
</dd>
|
|
1262
|
-
</dl>
|
|
1263
|
-
</div>
|
|
1264
|
-
</div>
|
|
1265
|
-
</li>
|
|
1266
|
-
<li>
|
|
1267
|
-
<div class="row">
|
|
1268
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1269
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160212-HO00002497" data-icon="Z"></button>
|
|
1270
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird">The Iron Giant + Artist short film: Bird [U]</a></h2>
|
|
1271
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160212-HO00002497">
|
|
1272
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/obLtyj8hfFk"></div>
|
|
1273
|
-
|
|
1274
|
-
<div class="row no-pd">
|
|
1275
|
-
<div class="col-xs-12 col-md-8">
|
|
1276
|
-
<div><strong>2016, mins</strong></div>
|
|
1277
|
-
|
|
1278
|
-
<dl class="dl-inline">
|
|
1279
|
-
<dt class="invisible">Description</dt>
|
|
1280
|
-
<dd><p>A visual and aural riff on the pioneering films of the Children’s Film Fund producer / director Mary Field and her early work for the Secrets of Nature series, with a score by the influential electronic music composer Matthew Herbert. Bird is aimed at general audiences with a particular focus on children.
|
|
1281
|
-
<br><br/>
|
|
1282
|
-
In this animated adaptation of Ted Hughes' Cold War fable, a giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.</p></dd>
|
|
1283
|
-
</dl>
|
|
1284
|
-
</div>
|
|
1285
|
-
<div class="col-xs-12 col-md-4">
|
|
1286
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird" class="btn btn-primary">More details</a></p>
|
|
1287
|
-
</div>
|
|
1288
|
-
</div>
|
|
1289
|
-
</div>
|
|
1290
|
-
<dl class="row film-times clear">
|
|
1291
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1292
|
-
<dd class="col-xs-10">
|
|
1293
|
-
|
|
1294
|
-
|
|
1295
|
-
<a
|
|
1296
|
-
href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird/tickets/4045"
|
|
1297
|
-
class="btn btn-xs btn-default-dark"
|
|
1298
|
-
>12.30</a>
|
|
1299
|
-
|
|
1300
|
-
</dd>
|
|
1301
|
-
</dl>
|
|
1302
|
-
</div>
|
|
1303
|
-
</div>
|
|
1304
|
-
</li>
|
|
1305
|
-
<li class="heading dark">Saturday 13th Feb</li>
|
|
1306
|
-
<li>
|
|
1307
|
-
<div class="row">
|
|
1308
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1309
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00003391" data-icon="Z"></button>
|
|
1310
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams">I'll See You in my Dreams [12A]</a></h2>
|
|
1311
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00003391">
|
|
1312
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Oj3mBvdiHrs"></div>
|
|
1313
|
-
|
|
1314
|
-
<div class="row no-pd">
|
|
1315
|
-
<div class="col-xs-12 col-md-8">
|
|
1316
|
-
<div><strong>2016, 96 mins</strong></div>
|
|
1317
|
-
|
|
1318
|
-
<dl class="dl-inline">
|
|
1319
|
-
<dt class="invisible">Description</dt>
|
|
1320
|
-
<dd><p><b/>Director: Brett Haley.<br/>
|
|
1321
|
-
Starring: Blythe Danner, Sam Elliott, June Squibb. USA 2015. 93 mins.</b><br/><br/>
|
|
1322
|
-
|
|
1323
|
-
Widowed two decades earlier, sprightly Californian ex-teacher Carol (Danner) becomes more acutely aware of her solitary, unvaried routine when her beloved Labrador is put down. She is encouraged to seek fresh challenges by her three best friends, played with mischievous gusto by Rhea Perlman (Cheers’s acerbic Carla), June Squibb (Nebraska) and Mary Kay Place (It’s Complicated). <br/><br/>
|
|
1324
|
-
Carol’s exploits, including experimenting with speed dating and marijuana, are played for both laughs and poignancy in director/co-writer Brett Haley’s touching but never mushy meditation on the realities of later life for the cautiously optimistic. Carol also forges heartfelt new connections, firstly with a geeky young odd-job man (Martin Starr) and then with a handsome retired businessman (Elliott, Grandma). The subtle relish that Carol brings to all her discoveries testifies to Danner’s consummate artistry.<br/><br/>
|
|
1325
|
-
<i/>Contains infrequent strong language, moderate sex references and drug use.</i></p></dd>
|
|
1326
|
-
</dl>
|
|
1327
|
-
</div>
|
|
1328
|
-
<div class="col-xs-12 col-md-4">
|
|
1329
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams" class="btn btn-primary">More details</a></p>
|
|
1330
|
-
</div>
|
|
1331
|
-
</div>
|
|
1332
|
-
</div>
|
|
1333
|
-
<dl class="row film-times clear">
|
|
1334
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1335
|
-
<dd class="col-xs-10">
|
|
1336
|
-
|
|
1337
|
-
|
|
1338
|
-
<a
|
|
1339
|
-
href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams/tickets/3984"
|
|
1340
|
-
class="btn btn-xs btn-default-dark"
|
|
1341
|
-
>13.00</a>
|
|
1342
|
-
|
|
1343
|
-
</dd>
|
|
1344
|
-
</dl>
|
|
1345
|
-
</div>
|
|
1346
|
-
</div>
|
|
1347
|
-
</li>
|
|
1348
|
-
<li>
|
|
1349
|
-
<div class="row">
|
|
1350
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1351
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00002861" data-icon="Z"></button>
|
|
1352
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
|
|
1353
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00002861">
|
|
1354
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
|
|
1355
|
-
|
|
1356
|
-
<div class="row no-pd">
|
|
1357
|
-
<div class="col-xs-12 col-md-8">
|
|
1358
|
-
<div><strong>2016, mins</strong></div>
|
|
1359
|
-
|
|
1360
|
-
<dl class="dl-inline">
|
|
1361
|
-
<dt class="invisible">Description</dt>
|
|
1362
|
-
<dd><p><b>Director: Oliver Parker. <br/>
|
|
1363
|
-
Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
|
1364
|
-
<br/><br/>
|
|
1365
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
1366
|
-
<br/><br/>
|
|
1367
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
1368
|
-
<br/><br/>
|
|
1369
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
|
|
1370
|
-
</dl>
|
|
1371
|
-
</div>
|
|
1372
|
-
<div class="col-xs-12 col-md-4">
|
|
1373
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
|
|
1374
|
-
</div>
|
|
1375
|
-
</div>
|
|
1376
|
-
</div>
|
|
1377
|
-
<dl class="row film-times clear">
|
|
1378
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1379
|
-
<dd class="col-xs-10">
|
|
1380
|
-
|
|
1381
|
-
|
|
1382
|
-
<a
|
|
1383
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3994"
|
|
1384
|
-
class="btn btn-xs btn-default-dark"
|
|
1385
|
-
>15.00</a>
|
|
1386
|
-
|
|
1387
|
-
|
|
1388
|
-
|
|
1389
|
-
<a
|
|
1390
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3995"
|
|
1391
|
-
class="btn btn-xs btn-default-dark"
|
|
1392
|
-
>17.30</a>
|
|
1393
|
-
|
|
1394
|
-
</dd>
|
|
1395
|
-
</dl>
|
|
1396
|
-
</div>
|
|
1397
|
-
</div>
|
|
1398
|
-
</li>
|
|
1399
|
-
<li>
|
|
1400
|
-
<div class="row">
|
|
1401
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1402
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00003517" data-icon="Z"></button>
|
|
1403
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero">Rams + Artists film short El helicóptero [15]</a></h2>
|
|
1404
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00003517">
|
|
1405
|
-
|
|
1406
|
-
<div class="row no-pd">
|
|
1407
|
-
<div class="col-xs-12 col-md-8">
|
|
1408
|
-
<div><strong>2016, 98 mins</strong></div>
|
|
1409
|
-
|
|
1410
|
-
<dl class="dl-inline">
|
|
1411
|
-
<dt class="invisible">Description</dt>
|
|
1412
|
-
<dd><p>In 1966 Argentinian author, critic and psychoanalyst Oscar Masotta organised three happenings (or anti-happenings). El helicóptero is the film footage of the re-enactment of Masotta's "The Helicopter" happening and, the first chapter of a longer film by Garcia titled Segunda Vez
|
|
1413
|
-
<br><br/>
|
|
1414
|
-
<b>Director: Grímur Hákonarson.<br/>
|
|
1415
|
-
Starring: Sigur∂ur Sigurjónsson, Theodór Júlíusson. Iceland/Denmark/Norway/Poland 2015. 93 mins. Icelandic with English subtitles.</b>
|
|
1416
|
-
<br/><br/>
|
|
1417
|
-
Brothers Gummi (Sigurjónsson) and Kiddi (Júlíusson) are sheep farmers living on neighbouring farms in remote rural Iceland. They haven’t spoken to each other for 40 years. Following an outbreak of a potentially lethal disease among the country’s sheep, the government insist that all existing flocks must be slaughtered. The brothers – who care about their animals more than they do the few humans they come into contact with – deal with this in decidedly different, but equally dramatic ways, and must reunite to save their way of life.
|
|
1418
|
-
<br/><br/>
|
|
1419
|
-
Writer-director Grímur Hákonarson balances charming wry comedy with poignant realist drama. The two central performances by the raggedy, heavily
|
|
1420
|
-
bearded actors are full of subtle warmth, conveying a deeply felt connection to the land and all who live off it – sheep included.</p></dd>
|
|
1421
|
-
</dl>
|
|
1422
|
-
</div>
|
|
1423
|
-
<div class="col-xs-12 col-md-4">
|
|
1424
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero" class="btn btn-primary">More details</a></p>
|
|
1425
|
-
</div>
|
|
1426
|
-
</div>
|
|
1427
|
-
</div>
|
|
1428
|
-
<dl class="row film-times clear">
|
|
1429
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1430
|
-
<dd class="col-xs-10">
|
|
1431
|
-
|
|
1432
|
-
|
|
1433
|
-
<a
|
|
1434
|
-
href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero/tickets/4054"
|
|
1435
|
-
class="btn btn-xs btn-default-dark"
|
|
1436
|
-
>18.30</a>
|
|
1437
|
-
|
|
1438
|
-
</dd>
|
|
1439
|
-
</dl>
|
|
1440
|
-
</div>
|
|
1441
|
-
</div>
|
|
1442
|
-
</li>
|
|
1443
|
-
<li>
|
|
1444
|
-
<div class="row">
|
|
1445
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1446
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00003186" data-icon="Z"></button>
|
|
1447
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
1448
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00003186">
|
|
1449
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
1450
|
-
|
|
1451
|
-
<div class="row no-pd">
|
|
1452
|
-
<div class="col-xs-12 col-md-8">
|
|
1453
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
1454
|
-
|
|
1455
|
-
<dl class="dl-inline">
|
|
1456
|
-
<dt class="invisible">Description</dt>
|
|
1457
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
1458
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
1459
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
1460
|
-
</p></dd>
|
|
1461
|
-
</dl>
|
|
1462
|
-
</div>
|
|
1463
|
-
<div class="col-xs-12 col-md-4">
|
|
1464
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
1465
|
-
</div>
|
|
1466
|
-
</div>
|
|
1467
|
-
</div>
|
|
1468
|
-
<dl class="row film-times clear">
|
|
1469
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1470
|
-
<dd class="col-xs-10">
|
|
1471
|
-
|
|
1472
|
-
|
|
1473
|
-
<a
|
|
1474
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/4028"
|
|
1475
|
-
class="btn btn-xs btn-default-dark"
|
|
1476
|
-
>21.00</a>
|
|
1477
|
-
|
|
1478
|
-
</dd>
|
|
1479
|
-
</dl>
|
|
1480
|
-
</div>
|
|
1481
|
-
</div>
|
|
1482
|
-
</li>
|
|
1483
|
-
<li>
|
|
1484
|
-
<div class="row">
|
|
1485
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1486
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00003284" data-icon="Z"></button>
|
|
1487
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
1488
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00003284">
|
|
1489
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
1490
|
-
|
|
1491
|
-
<div class="row no-pd">
|
|
1492
|
-
<div class="col-xs-12 col-md-8">
|
|
1493
|
-
<div><strong>2016, mins</strong></div>
|
|
1494
|
-
|
|
1495
|
-
<dl class="dl-inline">
|
|
1496
|
-
<dt class="invisible">Description</dt>
|
|
1497
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
1498
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
1499
|
-
<br/><br/>
|
|
1500
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
1501
|
-
<br/><br/>
|
|
1502
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
1503
|
-
<br/><br/>
|
|
1504
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
1505
|
-
</dl>
|
|
1506
|
-
</div>
|
|
1507
|
-
<div class="col-xs-12 col-md-4">
|
|
1508
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
1509
|
-
</div>
|
|
1510
|
-
</div>
|
|
1511
|
-
</div>
|
|
1512
|
-
<dl class="row film-times clear">
|
|
1513
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1514
|
-
<dd class="col-xs-10">
|
|
1515
|
-
|
|
1516
|
-
|
|
1517
|
-
<a
|
|
1518
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/4081"
|
|
1519
|
-
class="btn btn-xs btn-default-dark"
|
|
1520
|
-
>15.30</a>
|
|
1521
|
-
|
|
1522
|
-
</dd>
|
|
1523
|
-
</dl>
|
|
1524
|
-
</div>
|
|
1525
|
-
</div>
|
|
1526
|
-
</li>
|
|
1527
|
-
<li>
|
|
1528
|
-
<div class="row">
|
|
1529
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1530
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00003177" data-icon="Z"></button>
|
|
1531
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-revenant">The Revenant [15]</a></h2>
|
|
1532
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00003177">
|
|
1533
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/9OfPMJQ3Bpo"></div>
|
|
1534
|
-
|
|
1535
|
-
<div class="row no-pd">
|
|
1536
|
-
<div class="col-xs-12 col-md-8">
|
|
1537
|
-
<div><strong>2016, mins</strong></div>
|
|
1538
|
-
|
|
1539
|
-
<dl class="dl-inline">
|
|
1540
|
-
<dt class="invisible">Description</dt>
|
|
1541
|
-
<dd><p><b>Director: Alejandro González Iñárritu.<br/>
|
|
1542
|
-
Starring: Leonardo DiCaprio, Tom Hardy. USA 2015. TBC mins.</b>
|
|
1543
|
-
<br/><br/>
|
|
1544
|
-
Oscar-winning director Alejandro González Iñárritu (Amores Perros, Birdman) takes us into the American wilderness for a story of betrayal, survival and vengeance, inspired by real events.
|
|
1545
|
-
<br/><br/>
|
|
1546
|
-
In the early 19th century, fur trapper Hugh Glass (DiCaprio, giving a powerhouse performance) is attacked by a bear. The injured man is then robbed and left for dead by his companions, including his friend John Fitzgerald (Hardy), who also murders Glass’s young son. Sustained by sheer force of will, Glass battles the winter elements, the vicious wildlife and his own injuries in relentless pursuit of life and justice.
|
|
1547
|
-
<br/><br/>
|
|
1548
|
-
Filmed in extended takes using only natural light – and already hotly Oscar-tipped for its acting, directing and technical achievements – The Revenant delivers gritty battle scenes, stunning locations, and a compelling story of one man’s determination to take revenge on those who abandoned him.
|
|
1549
|
-
</p></dd>
|
|
1550
|
-
</dl>
|
|
1551
|
-
</div>
|
|
1552
|
-
<div class="col-xs-12 col-md-4">
|
|
1553
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-revenant" class="btn btn-primary">More details</a></p>
|
|
1554
|
-
</div>
|
|
1555
|
-
</div>
|
|
1556
|
-
</div>
|
|
1557
|
-
<dl class="row film-times clear">
|
|
1558
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1559
|
-
<dd class="col-xs-10">
|
|
1560
|
-
|
|
1561
|
-
|
|
1562
|
-
<a
|
|
1563
|
-
href="/cinema/Dukes_At_Komedia/film/the-revenant/tickets/3996"
|
|
1564
|
-
class="btn btn-xs btn-default-dark"
|
|
1565
|
-
>20.00</a>
|
|
1566
|
-
|
|
1567
|
-
</dd>
|
|
1568
|
-
</dl>
|
|
1569
|
-
</div>
|
|
1570
|
-
</div>
|
|
1571
|
-
</li>
|
|
1572
|
-
<li>
|
|
1573
|
-
<div class="row">
|
|
1574
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1575
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160213-HO00002497" data-icon="Z"></button>
|
|
1576
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird">The Iron Giant + Artist short film: Bird [U]</a></h2>
|
|
1577
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160213-HO00002497">
|
|
1578
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/obLtyj8hfFk"></div>
|
|
1579
|
-
|
|
1580
|
-
<div class="row no-pd">
|
|
1581
|
-
<div class="col-xs-12 col-md-8">
|
|
1582
|
-
<div><strong>2016, mins</strong></div>
|
|
1583
|
-
|
|
1584
|
-
<dl class="dl-inline">
|
|
1585
|
-
<dt class="invisible">Description</dt>
|
|
1586
|
-
<dd><p>A visual and aural riff on the pioneering films of the Children’s Film Fund producer / director Mary Field and her early work for the Secrets of Nature series, with a score by the influential electronic music composer Matthew Herbert. Bird is aimed at general audiences with a particular focus on children.
|
|
1587
|
-
<br><br/>
|
|
1588
|
-
In this animated adaptation of Ted Hughes' Cold War fable, a giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.</p></dd>
|
|
1589
|
-
</dl>
|
|
1590
|
-
</div>
|
|
1591
|
-
<div class="col-xs-12 col-md-4">
|
|
1592
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird" class="btn btn-primary">More details</a></p>
|
|
1593
|
-
</div>
|
|
1594
|
-
</div>
|
|
1595
|
-
</div>
|
|
1596
|
-
<dl class="row film-times clear">
|
|
1597
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1598
|
-
<dd class="col-xs-10">
|
|
1599
|
-
|
|
1600
|
-
|
|
1601
|
-
<a
|
|
1602
|
-
href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird/tickets/4046"
|
|
1603
|
-
class="btn btn-xs btn-default-dark"
|
|
1604
|
-
>12.30</a>
|
|
1605
|
-
|
|
1606
|
-
</dd>
|
|
1607
|
-
</dl>
|
|
1608
|
-
</div>
|
|
1609
|
-
</div>
|
|
1610
|
-
</li>
|
|
1611
|
-
<li class="heading dark">Sunday 14th Feb</li>
|
|
1612
|
-
<li>
|
|
1613
|
-
<div class="row">
|
|
1614
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1615
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00002861" data-icon="Z"></button>
|
|
1616
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
|
|
1617
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00002861">
|
|
1618
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
|
|
1619
|
-
|
|
1620
|
-
<div class="row no-pd">
|
|
1621
|
-
<div class="col-xs-12 col-md-8">
|
|
1622
|
-
<div><strong>2016, mins</strong></div>
|
|
1623
|
-
|
|
1624
|
-
<dl class="dl-inline">
|
|
1625
|
-
<dt class="invisible">Description</dt>
|
|
1626
|
-
<dd><p><b>Director: Oliver Parker. <br/>
|
|
1627
|
-
Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
|
1628
|
-
<br/><br/>
|
|
1629
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
1630
|
-
<br/><br/>
|
|
1631
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
1632
|
-
<br/><br/>
|
|
1633
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
|
|
1634
|
-
</dl>
|
|
1635
|
-
</div>
|
|
1636
|
-
<div class="col-xs-12 col-md-4">
|
|
1637
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
|
|
1638
|
-
</div>
|
|
1639
|
-
</div>
|
|
1640
|
-
</div>
|
|
1641
|
-
<dl class="row film-times clear">
|
|
1642
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1643
|
-
<dd class="col-xs-10">
|
|
1644
|
-
|
|
1645
|
-
|
|
1646
|
-
<a
|
|
1647
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3997"
|
|
1648
|
-
class="btn btn-xs btn-default-dark"
|
|
1649
|
-
>17.30</a>
|
|
1650
|
-
|
|
1651
|
-
</dd>
|
|
1652
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1653
|
-
<dd class="col-xs-10">
|
|
1654
|
-
|
|
1655
|
-
|
|
1656
|
-
<a
|
|
1657
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/3999"
|
|
1658
|
-
class="btn btn-xs btn-default btn-special"
|
|
1659
|
-
>15.30</a>
|
|
1660
|
-
|
|
1661
|
-
<small class="film-type-desc">
|
|
1662
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Subtitled">HOH Subtitled</a>: This screening has subtitles for people with hearing loss
|
|
1663
|
-
</small> </dd>
|
|
1664
|
-
</dl>
|
|
1665
|
-
</div>
|
|
1666
|
-
</div>
|
|
1667
|
-
</li>
|
|
1668
|
-
<li>
|
|
1669
|
-
<div class="row">
|
|
1670
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1671
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00003229" data-icon="Z"></button>
|
|
1672
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue">Janis: Little Girl Blue [15]</a></h2>
|
|
1673
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00003229">
|
|
1674
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/uO9Z5Kew9zs"></div>
|
|
1675
|
-
|
|
1676
|
-
<div class="row no-pd">
|
|
1677
|
-
<div class="col-xs-12 col-md-8">
|
|
1678
|
-
<div><strong>2016, mins</strong></div>
|
|
1679
|
-
|
|
1680
|
-
<dl class="dl-inline">
|
|
1681
|
-
<dt class="invisible">Description</dt>
|
|
1682
|
-
<dd><p><b/>Director: Amy Berg. <br/>
|
|
1683
|
-
Featuring: Janis Joplin. USA 2015. 104 mins.</b><br/><br/>
|
|
1684
|
-
|
|
1685
|
-
Following 2015’s hit Amy Winehouse film Amy, Oscar-nominated documentarian Amy Berg (West Of Memphis) delivers an equally heart-rending account of the original bad-girl rock singer, Janis Joplin. Like Winehouse (and Kurt Cobain and Jim Morrison), Joplin died aged 27 – of a heroin overdose, before she could fully realise her wonderful potential. <br/><br/>
|
|
1686
|
-
Although a seasoned performer with Texas bar bands, Joplin became a star fronting San Francisco’s powerful Big Brother And The Holding Company. Berg has resuscitated rare footage of Joplin’s early days as a feisty child, her self-discovery as a folk/blues singer and her increasingly pressurised stardom. Along the way Joplin made many romantic mistakes before finally descending into hard drugs. Poignant interviews and stunning performances, including her knockout rendition of Ball And Chain at 1967’s Monterey Pop Festival, affirm her legendary status.
|
|
1687
|
-
</p></dd>
|
|
1688
|
-
</dl>
|
|
1689
|
-
</div>
|
|
1690
|
-
<div class="col-xs-12 col-md-4">
|
|
1691
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue" class="btn btn-primary">More details</a></p>
|
|
1692
|
-
</div>
|
|
1693
|
-
</div>
|
|
1694
|
-
</div>
|
|
1695
|
-
<dl class="row film-times clear">
|
|
1696
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1697
|
-
<dd class="col-xs-10">
|
|
1698
|
-
|
|
1699
|
-
|
|
1700
|
-
<a
|
|
1701
|
-
href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue/tickets/4020"
|
|
1702
|
-
class="btn btn-xs btn-default-dark"
|
|
1703
|
-
>13.00</a>
|
|
1704
|
-
|
|
1705
|
-
</dd>
|
|
1706
|
-
</dl>
|
|
1707
|
-
</div>
|
|
1708
|
-
</div>
|
|
1709
|
-
</li>
|
|
1710
|
-
<li>
|
|
1711
|
-
<div class="row">
|
|
1712
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1713
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00003517" data-icon="Z"></button>
|
|
1714
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero">Rams + Artists film short El helicóptero [15]</a></h2>
|
|
1715
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00003517">
|
|
1716
|
-
|
|
1717
|
-
<div class="row no-pd">
|
|
1718
|
-
<div class="col-xs-12 col-md-8">
|
|
1719
|
-
<div><strong>2016, 98 mins</strong></div>
|
|
1720
|
-
|
|
1721
|
-
<dl class="dl-inline">
|
|
1722
|
-
<dt class="invisible">Description</dt>
|
|
1723
|
-
<dd><p>In 1966 Argentinian author, critic and psychoanalyst Oscar Masotta organised three happenings (or anti-happenings). El helicóptero is the film footage of the re-enactment of Masotta's "The Helicopter" happening and, the first chapter of a longer film by Garcia titled Segunda Vez
|
|
1724
|
-
<br><br/>
|
|
1725
|
-
<b>Director: Grímur Hákonarson.<br/>
|
|
1726
|
-
Starring: Sigur∂ur Sigurjónsson, Theodór Júlíusson. Iceland/Denmark/Norway/Poland 2015. 93 mins. Icelandic with English subtitles.</b>
|
|
1727
|
-
<br/><br/>
|
|
1728
|
-
Brothers Gummi (Sigurjónsson) and Kiddi (Júlíusson) are sheep farmers living on neighbouring farms in remote rural Iceland. They haven’t spoken to each other for 40 years. Following an outbreak of a potentially lethal disease among the country’s sheep, the government insist that all existing flocks must be slaughtered. The brothers – who care about their animals more than they do the few humans they come into contact with – deal with this in decidedly different, but equally dramatic ways, and must reunite to save their way of life.
|
|
1729
|
-
<br/><br/>
|
|
1730
|
-
Writer-director Grímur Hákonarson balances charming wry comedy with poignant realist drama. The two central performances by the raggedy, heavily
|
|
1731
|
-
bearded actors are full of subtle warmth, conveying a deeply felt connection to the land and all who live off it – sheep included.</p></dd>
|
|
1732
|
-
</dl>
|
|
1733
|
-
</div>
|
|
1734
|
-
<div class="col-xs-12 col-md-4">
|
|
1735
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero" class="btn btn-primary">More details</a></p>
|
|
1736
|
-
</div>
|
|
1737
|
-
</div>
|
|
1738
|
-
</div>
|
|
1739
|
-
<dl class="row film-times clear">
|
|
1740
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1741
|
-
<dd class="col-xs-10">
|
|
1742
|
-
|
|
1743
|
-
|
|
1744
|
-
<a
|
|
1745
|
-
href="/cinema/Dukes_At_Komedia/film/rams-artists-film-short-el-helicoptero/tickets/4055"
|
|
1746
|
-
class="btn btn-xs btn-default-dark"
|
|
1747
|
-
>18.00</a>
|
|
1748
|
-
|
|
1749
|
-
</dd>
|
|
1750
|
-
</dl>
|
|
1751
|
-
</div>
|
|
1752
|
-
</div>
|
|
1753
|
-
</li>
|
|
1754
|
-
<li>
|
|
1755
|
-
<div class="row">
|
|
1756
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1757
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00003186" data-icon="Z"></button>
|
|
1758
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
1759
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00003186">
|
|
1760
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
1761
|
-
|
|
1762
|
-
<div class="row no-pd">
|
|
1763
|
-
<div class="col-xs-12 col-md-8">
|
|
1764
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
1765
|
-
|
|
1766
|
-
<dl class="dl-inline">
|
|
1767
|
-
<dt class="invisible">Description</dt>
|
|
1768
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
1769
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
1770
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
1771
|
-
</p></dd>
|
|
1772
|
-
</dl>
|
|
1773
|
-
</div>
|
|
1774
|
-
<div class="col-xs-12 col-md-4">
|
|
1775
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
1776
|
-
</div>
|
|
1777
|
-
</div>
|
|
1778
|
-
</div>
|
|
1779
|
-
<dl class="row film-times clear">
|
|
1780
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1781
|
-
<dd class="col-xs-10">
|
|
1782
|
-
|
|
1783
|
-
|
|
1784
|
-
<a
|
|
1785
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/4029"
|
|
1786
|
-
class="btn btn-xs btn-default-dark"
|
|
1787
|
-
>20.30</a>
|
|
1788
|
-
|
|
1789
|
-
</dd>
|
|
1790
|
-
</dl>
|
|
1791
|
-
</div>
|
|
1792
|
-
</div>
|
|
1793
|
-
</li>
|
|
1794
|
-
<li>
|
|
1795
|
-
<div class="row">
|
|
1796
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1797
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00003284" data-icon="Z"></button>
|
|
1798
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
1799
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00003284">
|
|
1800
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
1801
|
-
|
|
1802
|
-
<div class="row no-pd">
|
|
1803
|
-
<div class="col-xs-12 col-md-8">
|
|
1804
|
-
<div><strong>2016, mins</strong></div>
|
|
1805
|
-
|
|
1806
|
-
<dl class="dl-inline">
|
|
1807
|
-
<dt class="invisible">Description</dt>
|
|
1808
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
1809
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
1810
|
-
<br/><br/>
|
|
1811
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
1812
|
-
<br/><br/>
|
|
1813
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
1814
|
-
<br/><br/>
|
|
1815
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
1816
|
-
</dl>
|
|
1817
|
-
</div>
|
|
1818
|
-
<div class="col-xs-12 col-md-4">
|
|
1819
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
1820
|
-
</div>
|
|
1821
|
-
</div>
|
|
1822
|
-
</div>
|
|
1823
|
-
<dl class="row film-times clear">
|
|
1824
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1825
|
-
<dd class="col-xs-10">
|
|
1826
|
-
|
|
1827
|
-
|
|
1828
|
-
<a
|
|
1829
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/4066"
|
|
1830
|
-
class="btn btn-xs btn-default-dark"
|
|
1831
|
-
>20.00</a>
|
|
1832
|
-
|
|
1833
|
-
</dd>
|
|
1834
|
-
</dl>
|
|
1835
|
-
</div>
|
|
1836
|
-
</div>
|
|
1837
|
-
</li>
|
|
1838
|
-
<li>
|
|
1839
|
-
<div class="row">
|
|
1840
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1841
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00002497" data-icon="Z"></button>
|
|
1842
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird">The Iron Giant + Artist short film: Bird [U]</a></h2>
|
|
1843
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00002497">
|
|
1844
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/obLtyj8hfFk"></div>
|
|
1845
|
-
|
|
1846
|
-
<div class="row no-pd">
|
|
1847
|
-
<div class="col-xs-12 col-md-8">
|
|
1848
|
-
<div><strong>2016, mins</strong></div>
|
|
1849
|
-
|
|
1850
|
-
<dl class="dl-inline">
|
|
1851
|
-
<dt class="invisible">Description</dt>
|
|
1852
|
-
<dd><p>A visual and aural riff on the pioneering films of the Children’s Film Fund producer / director Mary Field and her early work for the Secrets of Nature series, with a score by the influential electronic music composer Matthew Herbert. Bird is aimed at general audiences with a particular focus on children.
|
|
1853
|
-
<br><br/>
|
|
1854
|
-
In this animated adaptation of Ted Hughes' Cold War fable, a giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.</p></dd>
|
|
1855
|
-
</dl>
|
|
1856
|
-
</div>
|
|
1857
|
-
<div class="col-xs-12 col-md-4">
|
|
1858
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird" class="btn btn-primary">More details</a></p>
|
|
1859
|
-
</div>
|
|
1860
|
-
</div>
|
|
1861
|
-
</div>
|
|
1862
|
-
<dl class="row film-times clear">
|
|
1863
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1864
|
-
<dd class="col-xs-10">
|
|
1865
|
-
|
|
1866
|
-
|
|
1867
|
-
<a
|
|
1868
|
-
href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird/tickets/4047"
|
|
1869
|
-
class="btn btn-xs btn-default-dark"
|
|
1870
|
-
>12.30</a>
|
|
1871
|
-
|
|
1872
|
-
</dd>
|
|
1873
|
-
</dl>
|
|
1874
|
-
</div>
|
|
1875
|
-
</div>
|
|
1876
|
-
</li>
|
|
1877
|
-
<li>
|
|
1878
|
-
<div class="row">
|
|
1879
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1880
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160214-HO00001610" data-icon="Z"></button>
|
|
1881
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/inside-out-2d">Inside Out 2D [U]</a></h2>
|
|
1882
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160214-HO00001610">
|
|
1883
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Yr3tv1hW1gg"></div>
|
|
1884
|
-
|
|
1885
|
-
<div class="row no-pd">
|
|
1886
|
-
<div class="col-xs-12 col-md-8">
|
|
1887
|
-
<div><strong>2016, mins</strong></div>
|
|
1888
|
-
|
|
1889
|
-
<dl class="dl-inline">
|
|
1890
|
-
<dt class="invisible">Description</dt>
|
|
1891
|
-
<dd><p><b>Director: Pete Docter.<br/>
|
|
1892
|
-
Voices: Amy Poehler, Bill Hader, Diane Lane. USA 2015. 102 mins.</b>
|
|
1893
|
-
<br/><br/>
|
|
1894
|
-
Disney Pixar’s entrancing animated fable follows eleven-year-old Riley (talented newcomer Kaitlyn Dias), who is reluctantly uprooted from rural Minnesota to San Francisco. We see her experiences mostly through the emotions inside her head, colourful little characters who organise memories and generate ideas.
|
|
1895
|
-
<br/><br/>
|
|
1896
|
-
Five of them – Joy (Poehler), Fear (Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) – compete over how best to help her deal with the challenges of a new life. When Sadness and Joy get lost in Riley’s mind, they must trek through Imagination Land, Subconscious and Dream Productions to find their way back and stop the other emotions taking over. This magical and heartfelt film from director and co-writer Pete Docter (Up, Monsters Inc.) will intrigue and entertain audiences of all ages with its psychedelic visioning, sharp script and abundant sight gags.</p></dd>
|
|
1897
|
-
</dl>
|
|
1898
|
-
</div>
|
|
1899
|
-
<div class="col-xs-12 col-md-4">
|
|
1900
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/inside-out-2d" class="btn btn-primary">More details</a></p>
|
|
1901
|
-
</div>
|
|
1902
|
-
</div>
|
|
1903
|
-
</div>
|
|
1904
|
-
<dl class="row film-times clear">
|
|
1905
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1906
|
-
<dd class="col-xs-10">
|
|
1907
|
-
|
|
1908
|
-
|
|
1909
|
-
<a
|
|
1910
|
-
href="/cinema/Dukes_At_Komedia/film/inside-out-2d/tickets/3889"
|
|
1911
|
-
class="btn btn-xs btn-default-dark"
|
|
1912
|
-
>15.00</a>
|
|
1913
|
-
|
|
1914
|
-
</dd>
|
|
1915
|
-
</dl>
|
|
1916
|
-
</div>
|
|
1917
|
-
</div>
|
|
1918
|
-
</li>
|
|
1919
|
-
<li class="heading dark">Monday 15th Feb</li>
|
|
1920
|
-
<li>
|
|
1921
|
-
<div class="row">
|
|
1922
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1923
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160215-HO00003391" data-icon="Z"></button>
|
|
1924
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams">I'll See You in my Dreams [12A]</a></h2>
|
|
1925
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160215-HO00003391">
|
|
1926
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Oj3mBvdiHrs"></div>
|
|
1927
|
-
|
|
1928
|
-
<div class="row no-pd">
|
|
1929
|
-
<div class="col-xs-12 col-md-8">
|
|
1930
|
-
<div><strong>2016, 96 mins</strong></div>
|
|
1931
|
-
|
|
1932
|
-
<dl class="dl-inline">
|
|
1933
|
-
<dt class="invisible">Description</dt>
|
|
1934
|
-
<dd><p><b/>Director: Brett Haley.<br/>
|
|
1935
|
-
Starring: Blythe Danner, Sam Elliott, June Squibb. USA 2015. 93 mins.</b><br/><br/>
|
|
1936
|
-
|
|
1937
|
-
Widowed two decades earlier, sprightly Californian ex-teacher Carol (Danner) becomes more acutely aware of her solitary, unvaried routine when her beloved Labrador is put down. She is encouraged to seek fresh challenges by her three best friends, played with mischievous gusto by Rhea Perlman (Cheers’s acerbic Carla), June Squibb (Nebraska) and Mary Kay Place (It’s Complicated). <br/><br/>
|
|
1938
|
-
Carol’s exploits, including experimenting with speed dating and marijuana, are played for both laughs and poignancy in director/co-writer Brett Haley’s touching but never mushy meditation on the realities of later life for the cautiously optimistic. Carol also forges heartfelt new connections, firstly with a geeky young odd-job man (Martin Starr) and then with a handsome retired businessman (Elliott, Grandma). The subtle relish that Carol brings to all her discoveries testifies to Danner’s consummate artistry.<br/><br/>
|
|
1939
|
-
<i/>Contains infrequent strong language, moderate sex references and drug use.</i></p></dd>
|
|
1940
|
-
</dl>
|
|
1941
|
-
</div>
|
|
1942
|
-
<div class="col-xs-12 col-md-4">
|
|
1943
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams" class="btn btn-primary">More details</a></p>
|
|
1944
|
-
</div>
|
|
1945
|
-
</div>
|
|
1946
|
-
</div>
|
|
1947
|
-
<dl class="row film-times clear">
|
|
1948
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1949
|
-
<dd class="col-xs-10">
|
|
1950
|
-
</dd>
|
|
1951
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1952
|
-
<dd class="col-xs-10">
|
|
1953
|
-
|
|
1954
|
-
|
|
1955
|
-
<a
|
|
1956
|
-
href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams/tickets/3985"
|
|
1957
|
-
class="btn btn-xs btn-default btn-special"
|
|
1958
|
-
>13.00</a>
|
|
1959
|
-
|
|
1960
|
-
<small class="film-type-desc">
|
|
1961
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
1962
|
-
</small> </dd>
|
|
1963
|
-
</dl>
|
|
1964
|
-
</div>
|
|
1965
|
-
</div>
|
|
1966
|
-
</li>
|
|
1967
|
-
<li>
|
|
1968
|
-
<div class="row">
|
|
1969
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
1970
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160215-HO00003468" data-icon="Z"></button>
|
|
1971
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ourscreen-daisy">ourscreen: Daisy [18]</a></h2>
|
|
1972
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160215-HO00003468">
|
|
1973
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/7FKvcfI-muc"></div>
|
|
1974
|
-
|
|
1975
|
-
<div class="row no-pd">
|
|
1976
|
-
<div class="col-xs-12 col-md-8">
|
|
1977
|
-
<div><strong>2016, mins</strong></div>
|
|
1978
|
-
|
|
1979
|
-
<dl class="dl-inline">
|
|
1980
|
-
<dt class="invisible">Description</dt>
|
|
1981
|
-
<dd><p>Dukes at Komedia proudly presents, in association with Ourscreen our very own Film Club. Come join us every month for a special presentation and Q&A, which will be recorded and released as a podcast. We’re pleased to announced that the critically acclaimed Duke’s at Komedia proudly presents our very own Film Club, in association with ourscreen. Come and join us every month for a special presentation and Q&A, which will be recorded and released as a podcast.
|
|
1982
|
-
<br/><br/>
|
|
1983
|
-
The critically acclaimed Daisy will launch the Film Club on Monday 15 February. Described by Emily Dubberley as “the greatest film ever about the adult film industry”, Daisy tells the story of real-life porn star Daisy Rock and her involvement in the multibillion-dollar industry, telling her story as she shoots a film in Ibiza and delivering a deep insight into her life.
|
|
1984
|
-
<br/><br/>
|
|
1985
|
-
Director Jamie Patterson will join us, along with the leading lady herself, Daisy Rock. Tickets are also available through ourscreen.com. Let's talk films!</p></dd>
|
|
1986
|
-
</dl>
|
|
1987
|
-
</div>
|
|
1988
|
-
<div class="col-xs-12 col-md-4">
|
|
1989
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ourscreen-daisy" class="btn btn-primary">More details</a></p>
|
|
1990
|
-
</div>
|
|
1991
|
-
</div>
|
|
1992
|
-
</div>
|
|
1993
|
-
<dl class="row film-times clear">
|
|
1994
|
-
<dt class="col-xs-2">Select:</dt>
|
|
1995
|
-
<dd class="col-xs-10">
|
|
1996
|
-
<button class="btn btn-xs btn-default disabled" data-toggle="tooltip" data-placement="right" title="" data-original-title="This screening has sold out">21.00</button>
|
|
1997
|
-
<small class="film-type-desc">
|
|
1998
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=ourscreen">ourscreen</a>: Organised with ourscreen.com, the website for people-powered cinema. Create your own film screening at your local cinema in three easy steps.
|
|
1999
|
-
</small> </dd>
|
|
2000
|
-
</dl>
|
|
2001
|
-
</div>
|
|
2002
|
-
</div>
|
|
2003
|
-
</li>
|
|
2004
|
-
<li class="heading dark">Tuesday 16th Feb</li>
|
|
2005
|
-
<li>
|
|
2006
|
-
<div class="row">
|
|
2007
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2008
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160216-HO00003136" data-icon="Z"></button>
|
|
2009
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ted-16-dream-opening-night">TED 16: DREAM Opening Night [12A]</a></h2>
|
|
2010
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160216-HO00003136">
|
|
2011
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/dOFNuXQA5II"></div>
|
|
2012
|
-
|
|
2013
|
-
<div class="row no-pd">
|
|
2014
|
-
<div class="col-xs-12 col-md-8">
|
|
2015
|
-
<div><strong>2016, mins</strong></div>
|
|
2016
|
-
|
|
2017
|
-
<dl class="dl-inline">
|
|
2018
|
-
<dt class="invisible">Description</dt>
|
|
2019
|
-
<dd><p>Hosted by TED curator Chris Anderson, the roughly two-hour theatrical screening of this event will present the first evening of TED 2016: Dream (held in Vancouver, Canada, on 15–22 February). World-renowned thinkers, artists and storytellers share their 'ideas worth spreading' about the greatest dreams we are capable of dreaming. What emerges is a spirit of wonder and optimism that represents the world at its best.
|
|
2020
|
-
<br/><br/>
|
|
2021
|
-
The confirmed speakers are Astro Teller (entrepreneur, inventor, author), Riccardo Sabatini (scientist, entrepreneur), A. R. Rahman (composer, musician), Shonda Rhimes (writer, producer), Tshering Tobgay (Prime Minister of Bhutan) and Bill T. Jones (director/choreographer, dancer) .</p></dd>
|
|
2022
|
-
</dl>
|
|
2023
|
-
</div>
|
|
2024
|
-
<div class="col-xs-12 col-md-4">
|
|
2025
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ted-16-dream-opening-night" class="btn btn-primary">More details</a></p>
|
|
2026
|
-
</div>
|
|
2027
|
-
</div>
|
|
2028
|
-
</div>
|
|
2029
|
-
<dl class="row film-times clear">
|
|
2030
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2031
|
-
<dd class="col-xs-10">
|
|
2032
|
-
|
|
2033
|
-
|
|
2034
|
-
<a
|
|
2035
|
-
href="/cinema/Dukes_At_Komedia/film/ted-16-dream-opening-night/tickets/3456"
|
|
2036
|
-
class="btn btn-xs btn-default btn-special"
|
|
2037
|
-
>19.00</a>
|
|
2038
|
-
|
|
2039
|
-
<small class="film-type-desc">
|
|
2040
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Featured">Featured Event</a>.
|
|
2041
|
-
</small> </dd>
|
|
2042
|
-
</dl>
|
|
2043
|
-
</div>
|
|
2044
|
-
</div>
|
|
2045
|
-
</li>
|
|
2046
|
-
<li>
|
|
2047
|
-
<div class="row">
|
|
2048
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2049
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160216-HO00003247" data-icon="Z"></button>
|
|
2050
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-hive-programme-7">The Hive Programme 7 [U]</a></h2>
|
|
2051
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160216-HO00003247">
|
|
2052
|
-
|
|
2053
|
-
<div class="row no-pd">
|
|
2054
|
-
<div class="col-xs-12 col-md-8">
|
|
2055
|
-
<div><strong>2016, mins</strong></div>
|
|
2056
|
-
|
|
2057
|
-
<dl class="dl-inline">
|
|
2058
|
-
<dt class="invisible">Description</dt>
|
|
2059
|
-
<dd><p>Join Buzzbee and friends in their fun-packed adventures in The Hive!<br/><br/>
|
|
2060
|
-
|
|
2061
|
-
Every day brings something new for the little bee as he explores the world around him with best friends Barnabee, Debee, Jasper the wasp and his sister, Rubee. <br/><br/>
|
|
2062
|
-
|
|
2063
|
-
Whether they’re on a treasure hunt or camping out under the stars, building a den or training Grandpa and Grandma Bee’s pet flea, Jump, to do tricks, there’s always something to learn and share. <br/><br/>
|
|
2064
|
-
|
|
2065
|
-
And with a host of other colourful characters including Mamma and Pappa Bee, Mr Millipede, Miss Ladybird and Postman Spider, the Hive is a place you’ll want to keep coming back to visit!</p></dd>
|
|
2066
|
-
</dl>
|
|
2067
|
-
</div>
|
|
2068
|
-
<div class="col-xs-12 col-md-4">
|
|
2069
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-hive-programme-7" class="btn btn-primary">More details</a></p>
|
|
2070
|
-
</div>
|
|
2071
|
-
</div>
|
|
2072
|
-
</div>
|
|
2073
|
-
<dl class="row film-times clear">
|
|
2074
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2075
|
-
<dd class="col-xs-10">
|
|
2076
|
-
|
|
2077
|
-
|
|
2078
|
-
<a
|
|
2079
|
-
href="/cinema/Dukes_At_Komedia/film/the-hive-programme-7/tickets/3646"
|
|
2080
|
-
class="btn btn-xs btn-default btn-special"
|
|
2081
|
-
>11.00</a>
|
|
2082
|
-
|
|
2083
|
-
<small class="film-type-desc">
|
|
2084
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Toddler Ti">Toddler Time</a>: Exclusively for preschool children and their parents or carers.
|
|
2085
|
-
</small> </dd>
|
|
2086
|
-
</dl>
|
|
2087
|
-
</div>
|
|
2088
|
-
</div>
|
|
2089
|
-
</li>
|
|
2090
|
-
<li>
|
|
2091
|
-
<div class="row">
|
|
2092
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2093
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160216-HO00003388" data-icon="Z"></button>
|
|
2094
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-signature-edition">The Iron Giant: Signature Edition [TBC]</a></h2>
|
|
2095
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160216-HO00003388">
|
|
2096
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/obLtyj8hfFk"></div>
|
|
2097
|
-
|
|
2098
|
-
<div class="row no-pd">
|
|
2099
|
-
<div class="col-xs-12 col-md-8">
|
|
2100
|
-
<div><strong>2016, mins</strong></div>
|
|
2101
|
-
|
|
2102
|
-
<dl class="dl-inline">
|
|
2103
|
-
<dt class="invisible">Description</dt>
|
|
2104
|
-
<dd><p><b/>Director: Brad Bird.<br/>
|
|
2105
|
-
Voices: Vin Diesel, Eli Marienthal, Jennifer Aniston, Harry Connick Jnr. USA 2015. 90 mins.</b><br/><br/>
|
|
2106
|
-
Based on Ted Hughes's 1968 novel The Iron Man, this feature-length animated adventure tells of a giant metal machine that falls to Earth in 1957, frightening the residents of a small town in Maine and sparking paranoid rumours about Martian invasions and Russian secret weapons. But the iron giant befriends a nine-year-old boy named Hogarth and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices. <br/><br/>
|
|
2107
|
-
When The Iron Giant was first released in 1999, it was hailed as an instant classic. It launched the career of director Brad Bird, who went on to win Best Animated Feature Oscars for Ratatouille and The Incredibles. This ‘signature edition’ of The Iron Giant has been remastered and includes two all-new scenes – it’s not to be missed.
|
|
2108
|
-
</p></dd>
|
|
2109
|
-
</dl>
|
|
2110
|
-
</div>
|
|
2111
|
-
<div class="col-xs-12 col-md-4">
|
|
2112
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-signature-edition" class="btn btn-primary">More details</a></p>
|
|
2113
|
-
</div>
|
|
2114
|
-
</div>
|
|
2115
|
-
</div>
|
|
2116
|
-
<dl class="row film-times clear">
|
|
2117
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2118
|
-
<dd class="col-xs-10">
|
|
2119
|
-
|
|
2120
|
-
|
|
2121
|
-
<a
|
|
2122
|
-
href="/cinema/Dukes_At_Komedia/film/the-iron-giant-signature-edition/tickets/3978"
|
|
2123
|
-
class="btn btn-xs btn-default-dark"
|
|
2124
|
-
>12.30</a>
|
|
2125
|
-
|
|
2126
|
-
</dd>
|
|
2127
|
-
</dl>
|
|
2128
|
-
</div>
|
|
2129
|
-
</div>
|
|
2130
|
-
</li>
|
|
2131
|
-
<li class="heading dark">Wednesday 17th Feb</li>
|
|
2132
|
-
<li>
|
|
2133
|
-
<div class="row">
|
|
2134
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2135
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160217-HO00003391" data-icon="Z"></button>
|
|
2136
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams">I'll See You in my Dreams [12A]</a></h2>
|
|
2137
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160217-HO00003391">
|
|
2138
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Oj3mBvdiHrs"></div>
|
|
2139
|
-
|
|
2140
|
-
<div class="row no-pd">
|
|
2141
|
-
<div class="col-xs-12 col-md-8">
|
|
2142
|
-
<div><strong>2016, 96 mins</strong></div>
|
|
2143
|
-
|
|
2144
|
-
<dl class="dl-inline">
|
|
2145
|
-
<dt class="invisible">Description</dt>
|
|
2146
|
-
<dd><p><b/>Director: Brett Haley.<br/>
|
|
2147
|
-
Starring: Blythe Danner, Sam Elliott, June Squibb. USA 2015. 93 mins.</b><br/><br/>
|
|
2148
|
-
|
|
2149
|
-
Widowed two decades earlier, sprightly Californian ex-teacher Carol (Danner) becomes more acutely aware of her solitary, unvaried routine when her beloved Labrador is put down. She is encouraged to seek fresh challenges by her three best friends, played with mischievous gusto by Rhea Perlman (Cheers’s acerbic Carla), June Squibb (Nebraska) and Mary Kay Place (It’s Complicated). <br/><br/>
|
|
2150
|
-
Carol’s exploits, including experimenting with speed dating and marijuana, are played for both laughs and poignancy in director/co-writer Brett Haley’s touching but never mushy meditation on the realities of later life for the cautiously optimistic. Carol also forges heartfelt new connections, firstly with a geeky young odd-job man (Martin Starr) and then with a handsome retired businessman (Elliott, Grandma). The subtle relish that Carol brings to all her discoveries testifies to Danner’s consummate artistry.<br/><br/>
|
|
2151
|
-
<i/>Contains infrequent strong language, moderate sex references and drug use.</i></p></dd>
|
|
2152
|
-
</dl>
|
|
2153
|
-
</div>
|
|
2154
|
-
<div class="col-xs-12 col-md-4">
|
|
2155
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams" class="btn btn-primary">More details</a></p>
|
|
2156
|
-
</div>
|
|
2157
|
-
</div>
|
|
2158
|
-
</div>
|
|
2159
|
-
<dl class="row film-times clear">
|
|
2160
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2161
|
-
<dd class="col-xs-10">
|
|
2162
|
-
</dd>
|
|
2163
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2164
|
-
<dd class="col-xs-10">
|
|
2165
|
-
|
|
2166
|
-
|
|
2167
|
-
<a
|
|
2168
|
-
href="/cinema/Dukes_At_Komedia/film/ill-see-you-in-my-dreams/tickets/3986"
|
|
2169
|
-
class="btn btn-xs btn-default btn-special"
|
|
2170
|
-
>13.30</a>
|
|
2171
|
-
|
|
2172
|
-
<small class="film-type-desc">
|
|
2173
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
2174
|
-
</small> </dd>
|
|
2175
|
-
</dl>
|
|
2176
|
-
</div>
|
|
2177
|
-
</div>
|
|
2178
|
-
</li>
|
|
2179
|
-
<li>
|
|
2180
|
-
<div class="row">
|
|
2181
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2182
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160217-HO00001860" data-icon="Z"></button>
|
|
2183
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/brooklyn">Brooklyn [12A]</a></h2>
|
|
2184
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160217-HO00001860">
|
|
2185
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5PYJO_jCht8"></div>
|
|
2186
|
-
|
|
2187
|
-
<div class="row no-pd">
|
|
2188
|
-
<div class="col-xs-12 col-md-8">
|
|
2189
|
-
<div><strong>2016, mins</strong></div>
|
|
2190
|
-
|
|
2191
|
-
<dl class="dl-inline">
|
|
2192
|
-
<dt class="invisible">Description</dt>
|
|
2193
|
-
<dd><p><b>Director: John Crowley. <br/>
|
|
2194
|
-
Starring: Saoirse Ronan, Domhnall Gleeson, Julie Walters. Ireland/UK 2015. 112 mins.</b><br/><br/>
|
|
2195
|
-
|
|
2196
|
-
Set in the 1950s, when Irish economic migration was at its height, this good-hearted adaptation of Colm Tóibín’s bestseller stars Saoirse Ronan (HANNA) as Eilis Lacey, who leaves rural Wexford for a menial job and a rackety boarding house in the eponymous Brooklyn. Run by the sharp-tongued Mrs Kehoe (Walters, hilarious), her new digs lead to a mutually supportive relationship with a local priest (an avuncular Jim Broadbent), chaste church socials, and eventually a romance with Tony, an Irish-American boy (Emory Cohen).
|
|
2197
|
-
<br/><br/>
|
|
2198
|
-
Ultimately Eilis has to choose between her new love and a beau back home (Gleeson), and between the life she left in Ireland and the one unfolding in the New World. Nick Hornby’s sensitive but never syrupy screenplay is perceptively implemented by director John Crowley (BOY A).
|
|
2199
|
-
</p></dd>
|
|
2200
|
-
</dl>
|
|
2201
|
-
</div>
|
|
2202
|
-
<div class="col-xs-12 col-md-4">
|
|
2203
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/brooklyn" class="btn btn-primary">More details</a></p>
|
|
2204
|
-
</div>
|
|
2205
|
-
</div>
|
|
2206
|
-
</div>
|
|
2207
|
-
<dl class="row film-times clear">
|
|
2208
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2209
|
-
<dd class="col-xs-10">
|
|
2210
|
-
|
|
2211
|
-
|
|
2212
|
-
<a
|
|
2213
|
-
href="/cinema/Dukes_At_Komedia/film/brooklyn/tickets/3908"
|
|
2214
|
-
class="btn btn-xs btn-default btn-special"
|
|
2215
|
-
>11.00</a>
|
|
2216
|
-
|
|
2217
|
-
<small class="film-type-desc">
|
|
2218
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
2219
|
-
</small> </dd>
|
|
2220
|
-
</dl>
|
|
2221
|
-
</div>
|
|
2222
|
-
</div>
|
|
2223
|
-
</li>
|
|
2224
|
-
<li class="heading dark">Thursday 18th Feb</li>
|
|
2225
|
-
<li>
|
|
2226
|
-
<div class="row">
|
|
2227
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2228
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160218-HO00002861" data-icon="Z"></button>
|
|
2229
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/dads-army">Dad's Army [PG]</a></h2>
|
|
2230
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160218-HO00002861">
|
|
2231
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/Nig2SQk6jx4"></div>
|
|
2232
|
-
|
|
2233
|
-
<div class="row no-pd">
|
|
2234
|
-
<div class="col-xs-12 col-md-8">
|
|
2235
|
-
<div><strong>2016, mins</strong></div>
|
|
2236
|
-
|
|
2237
|
-
<dl class="dl-inline">
|
|
2238
|
-
<dt class="invisible">Description</dt>
|
|
2239
|
-
<dd><p><b>Director: Oliver Parker. <br/>
|
|
2240
|
-
Starring: Bill Nighy, Michael Gambon, Toby Jones. UK 2015. TBC mins.</b>
|
|
2241
|
-
<br/><br/>
|
|
2242
|
-
The narrator announces, “The year is 1944. On the brink of defeat our nation has a secret weapon. These heroes are Britain's last line of defence…” and we’re off and running with a fond recreation of the BBC sitcom which at its peak commanded up to 18 million viewers.
|
|
2243
|
-
<br/><br/>
|
|
2244
|
-
Johnny English Reborn and St Trinian’s director Oliver Parker works with regular screenwriter Hamish McColl to fashion a period-perfect tale of the somewhat picaresque, pratfall-prone Walmington-On-Sea Home Guard. Their story is picked up in 1944, just after the original series ended.
|
|
2245
|
-
<br/><br/>
|
|
2246
|
-
The iconic roles are taken on by a great cast of British character actors including Bill Nighy as Sergeant Wilson, Toby Jones as Captain Mainwaring, Michael Gambon as Private Godfrey, a moustachioed Tom Courtenay as Lance Corporal Jones, and Catherine Zeta-Jones as visiting journalist Rose Winters.</p></dd>
|
|
2247
|
-
</dl>
|
|
2248
|
-
</div>
|
|
2249
|
-
<div class="col-xs-12 col-md-4">
|
|
2250
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/dads-army" class="btn btn-primary">More details</a></p>
|
|
2251
|
-
</div>
|
|
2252
|
-
</div>
|
|
2253
|
-
</div>
|
|
2254
|
-
<dl class="row film-times clear">
|
|
2255
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2256
|
-
<dd class="col-xs-10">
|
|
2257
|
-
|
|
2258
|
-
|
|
2259
|
-
<a
|
|
2260
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/4010"
|
|
2261
|
-
class="btn btn-xs btn-default-dark"
|
|
2262
|
-
>13.30</a>
|
|
2263
|
-
|
|
2264
|
-
|
|
2265
|
-
|
|
2266
|
-
<a
|
|
2267
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/4043"
|
|
2268
|
-
class="btn btn-xs btn-default-dark"
|
|
2269
|
-
>16.00</a>
|
|
2270
|
-
|
|
2271
|
-
</dd>
|
|
2272
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2273
|
-
<dd class="col-xs-10">
|
|
2274
|
-
|
|
2275
|
-
|
|
2276
|
-
<a
|
|
2277
|
-
href="/cinema/Dukes_At_Komedia/film/dads-army/tickets/4009"
|
|
2278
|
-
class="btn btn-xs btn-default btn-special"
|
|
2279
|
-
>11.00</a>
|
|
2280
|
-
|
|
2281
|
-
<small class="film-type-desc">
|
|
2282
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Big Scream">Big Scream</a>: Exclusively for parents or carers with babies under the age of one.
|
|
2283
|
-
</small> </dd>
|
|
2284
|
-
</dl>
|
|
2285
|
-
</div>
|
|
2286
|
-
</div>
|
|
2287
|
-
</li>
|
|
2288
|
-
<li>
|
|
2289
|
-
<div class="row">
|
|
2290
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2291
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160218-HO00003186" data-icon="Z"></button>
|
|
2292
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/trumbo">Trumbo [15]</a></h2>
|
|
2293
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160218-HO00003186">
|
|
2294
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/jLuxQhdUqLY"></div>
|
|
2295
|
-
|
|
2296
|
-
<div class="row no-pd">
|
|
2297
|
-
<div class="col-xs-12 col-md-8">
|
|
2298
|
-
<div><strong>2016, 124 mins</strong></div>
|
|
2299
|
-
|
|
2300
|
-
<dl class="dl-inline">
|
|
2301
|
-
<dt class="invisible">Description</dt>
|
|
2302
|
-
<dd><p><b/>Director: Jay Roach.<br/>
|
|
2303
|
-
Starring: Bryan Cranston, Diane Lane, Helen Mirren. USA 2015. 124 mins.</b><br/><br/>
|
|
2304
|
-
Bryan Cranston continues his brilliant recent run, this time as a blacklisted screenwriter in Trumbo, one of Hollywood’s most intriguing untold stories. The author of Oscar-winning screenplays for The Brave One and Roman Holiday, Dalton Trumbo was one of the highest-paid screenwriters of the 1940s. But in an age of paranoia about ‘reds under the bed’, his left-wing beliefs made him a target of the American government’s anti-Communist witch-hunt, ultimately landing him in jail and destroying his career. Frozen out of Tinsel Town, Trumbo was forced to write in the shadows and watch others collect the Oscars he was due – until finally Kirk Douglas used his A-list credentials to redeem him by naming him on the script for Spartacus. This account of Trumbo’s life and times is a richly gripping drama about the dark side of Hollywood’s golden age.
|
|
2305
|
-
</p></dd>
|
|
2306
|
-
</dl>
|
|
2307
|
-
</div>
|
|
2308
|
-
<div class="col-xs-12 col-md-4">
|
|
2309
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/trumbo" class="btn btn-primary">More details</a></p>
|
|
2310
|
-
</div>
|
|
2311
|
-
</div>
|
|
2312
|
-
</div>
|
|
2313
|
-
<dl class="row film-times clear">
|
|
2314
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2315
|
-
<dd class="col-xs-10">
|
|
2316
|
-
|
|
2317
|
-
|
|
2318
|
-
<a
|
|
2319
|
-
href="/cinema/Dukes_At_Komedia/film/trumbo/tickets/4044"
|
|
2320
|
-
class="btn btn-xs btn-default-dark"
|
|
2321
|
-
>17.30</a>
|
|
2322
|
-
|
|
2323
|
-
</dd>
|
|
2324
|
-
</dl>
|
|
2325
|
-
</div>
|
|
2326
|
-
</div>
|
|
2327
|
-
</li>
|
|
2328
|
-
<li>
|
|
2329
|
-
<div class="row">
|
|
2330
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2331
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160218-HO00003284" data-icon="Z"></button>
|
|
2332
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-big-short">The Big Short [15]</a></h2>
|
|
2333
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160218-HO00003284">
|
|
2334
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/5HkbSbwEPNc"></div>
|
|
2335
|
-
|
|
2336
|
-
<div class="row no-pd">
|
|
2337
|
-
<div class="col-xs-12 col-md-8">
|
|
2338
|
-
<div><strong>2016, mins</strong></div>
|
|
2339
|
-
|
|
2340
|
-
<dl class="dl-inline">
|
|
2341
|
-
<dt class="invisible">Description</dt>
|
|
2342
|
-
<dd><p><b>Director: Adam McKay. <br/>
|
|
2343
|
-
Starring: Brad Pitt, Ryan Gosling, Steve Carell. USA 2015. 130 mins.</b>
|
|
2344
|
-
<br/><br/>
|
|
2345
|
-
Sitting neatly between the claustrophobic boiler-room drama of Margin Call and The Wolf Of Wall Street’s Grand Guignol theatrics, this latest entry into the financial-disaster subgenre boasts an all-star cast. Narrated by potty-mouthed banker Jared Vennett (Gosling), the film follows various unsavoury high rollers betting against the inevitable crash of 2008 – and actually winning.
|
|
2346
|
-
<br/><br/>
|
|
2347
|
-
Vennett dives into the credit-default-swop swamp, along with the self-loathing Mark Baum (Carell, in fine form), the apparently deranged Michael Burry (Christian Bale) and, a little later, a dishevelled Brad Pitt as a discredited banker gone rogue.
|
|
2348
|
-
<br/><br/>
|
|
2349
|
-
Most of us now have a handle on what caused the global economic collapse and even on some of its tortured jargon, but writer-director Adam McKay (Anchorman) has crafted a nifty comedy drama that even the fiscally illiterate will find both hilarious and suspenseful.</p></dd>
|
|
2350
|
-
</dl>
|
|
2351
|
-
</div>
|
|
2352
|
-
<div class="col-xs-12 col-md-4">
|
|
2353
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-big-short" class="btn btn-primary">More details</a></p>
|
|
2354
|
-
</div>
|
|
2355
|
-
</div>
|
|
2356
|
-
</div>
|
|
2357
|
-
<dl class="row film-times clear">
|
|
2358
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2359
|
-
<dd class="col-xs-10">
|
|
2360
|
-
|
|
2361
|
-
|
|
2362
|
-
<a
|
|
2363
|
-
href="/cinema/Dukes_At_Komedia/film/the-big-short/tickets/4085"
|
|
2364
|
-
class="btn btn-xs btn-default-dark"
|
|
2365
|
-
>14.30</a>
|
|
2366
|
-
|
|
2367
|
-
</dd>
|
|
2368
|
-
</dl>
|
|
2369
|
-
</div>
|
|
2370
|
-
</div>
|
|
2371
|
-
</li>
|
|
2372
|
-
<li>
|
|
2373
|
-
<div class="row">
|
|
2374
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2375
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160218-HO00003177" data-icon="Z"></button>
|
|
2376
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-revenant">The Revenant [15]</a></h2>
|
|
2377
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160218-HO00003177">
|
|
2378
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/9OfPMJQ3Bpo"></div>
|
|
2379
|
-
|
|
2380
|
-
<div class="row no-pd">
|
|
2381
|
-
<div class="col-xs-12 col-md-8">
|
|
2382
|
-
<div><strong>2016, mins</strong></div>
|
|
2383
|
-
|
|
2384
|
-
<dl class="dl-inline">
|
|
2385
|
-
<dt class="invisible">Description</dt>
|
|
2386
|
-
<dd><p><b>Director: Alejandro González Iñárritu.<br/>
|
|
2387
|
-
Starring: Leonardo DiCaprio, Tom Hardy. USA 2015. TBC mins.</b>
|
|
2388
|
-
<br/><br/>
|
|
2389
|
-
Oscar-winning director Alejandro González Iñárritu (Amores Perros, Birdman) takes us into the American wilderness for a story of betrayal, survival and vengeance, inspired by real events.
|
|
2390
|
-
<br/><br/>
|
|
2391
|
-
In the early 19th century, fur trapper Hugh Glass (DiCaprio, giving a powerhouse performance) is attacked by a bear. The injured man is then robbed and left for dead by his companions, including his friend John Fitzgerald (Hardy), who also murders Glass’s young son. Sustained by sheer force of will, Glass battles the winter elements, the vicious wildlife and his own injuries in relentless pursuit of life and justice.
|
|
2392
|
-
<br/><br/>
|
|
2393
|
-
Filmed in extended takes using only natural light – and already hotly Oscar-tipped for its acting, directing and technical achievements – The Revenant delivers gritty battle scenes, stunning locations, and a compelling story of one man’s determination to take revenge on those who abandoned him.
|
|
2394
|
-
</p></dd>
|
|
2395
|
-
</dl>
|
|
2396
|
-
</div>
|
|
2397
|
-
<div class="col-xs-12 col-md-4">
|
|
2398
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-revenant" class="btn btn-primary">More details</a></p>
|
|
2399
|
-
</div>
|
|
2400
|
-
</div>
|
|
2401
|
-
</div>
|
|
2402
|
-
<dl class="row film-times clear">
|
|
2403
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2404
|
-
<dd class="col-xs-10">
|
|
2405
|
-
|
|
2406
|
-
|
|
2407
|
-
<a
|
|
2408
|
-
href="/cinema/Dukes_At_Komedia/film/the-revenant/tickets/4086"
|
|
2409
|
-
class="btn btn-xs btn-default-dark"
|
|
2410
|
-
>20.30</a>
|
|
2411
|
-
|
|
2412
|
-
</dd>
|
|
2413
|
-
</dl>
|
|
2414
|
-
</div>
|
|
2415
|
-
</div>
|
|
2416
|
-
</li>
|
|
2417
|
-
<li>
|
|
2418
|
-
<div class="row">
|
|
2419
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2420
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160218-HO00002497" data-icon="Z"></button>
|
|
2421
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird">The Iron Giant + Artist short film: Bird [U]</a></h2>
|
|
2422
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160218-HO00002497">
|
|
2423
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/obLtyj8hfFk"></div>
|
|
2424
|
-
|
|
2425
|
-
<div class="row no-pd">
|
|
2426
|
-
<div class="col-xs-12 col-md-8">
|
|
2427
|
-
<div><strong>2016, mins</strong></div>
|
|
2428
|
-
|
|
2429
|
-
<dl class="dl-inline">
|
|
2430
|
-
<dt class="invisible">Description</dt>
|
|
2431
|
-
<dd><p>A visual and aural riff on the pioneering films of the Children’s Film Fund producer / director Mary Field and her early work for the Secrets of Nature series, with a score by the influential electronic music composer Matthew Herbert. Bird is aimed at general audiences with a particular focus on children.
|
|
2432
|
-
<br><br/>
|
|
2433
|
-
In this animated adaptation of Ted Hughes' Cold War fable, a giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.</p></dd>
|
|
2434
|
-
</dl>
|
|
2435
|
-
</div>
|
|
2436
|
-
<div class="col-xs-12 col-md-4">
|
|
2437
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird" class="btn btn-primary">More details</a></p>
|
|
2438
|
-
</div>
|
|
2439
|
-
</div>
|
|
2440
|
-
</div>
|
|
2441
|
-
<dl class="row film-times clear">
|
|
2442
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2443
|
-
<dd class="col-xs-10">
|
|
2444
|
-
|
|
2445
|
-
|
|
2446
|
-
<a
|
|
2447
|
-
href="/cinema/Dukes_At_Komedia/film/the-iron-giant-artist-short-film-bird/tickets/4050"
|
|
2448
|
-
class="btn btn-xs btn-default-dark"
|
|
2449
|
-
>12.00</a>
|
|
2450
|
-
|
|
2451
|
-
</dd>
|
|
2452
|
-
</dl>
|
|
2453
|
-
</div>
|
|
2454
|
-
</div>
|
|
2455
|
-
</li>
|
|
2456
|
-
<li class="heading dark">Monday 22nd Feb</li>
|
|
2457
|
-
<li>
|
|
2458
|
-
<div class="row">
|
|
2459
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2460
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160222-HO00002969" data-icon="Z"></button>
|
|
2461
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-goya">Exhibition On Screen: Goya [12A]</a></h2>
|
|
2462
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160222-HO00002969">
|
|
2463
|
-
|
|
2464
|
-
<div class="row no-pd">
|
|
2465
|
-
<div class="col-xs-12 col-md-8">
|
|
2466
|
-
<div><strong>2016, mins</strong></div>
|
|
2467
|
-
|
|
2468
|
-
<dl class="dl-inline">
|
|
2469
|
-
<dt class="invisible">Description</dt>
|
|
2470
|
-
<dd><p><b><i>Goya: Visions of Flesh And Blood</i>
|
|
2471
|
-
<br/><br/>
|
|
2472
|
-
From the National Gallery, London</b>
|
|
2473
|
-
<br/><br/>
|
|
2474
|
-
Francisco Goya is Spain’s most celebrated artist and considered the father of modern art. Not only a brilliant observer of everyday life and Spain’s troubled past, he is a gifted portrait painter and social commentator par excellence.
|
|
2475
|
-
<br/><br/>
|
|
2476
|
-
Goya takes the genre of portraiture to new heights and his genius is reappraised in a landmark exhibition at The National Gallery, London. Through a great collection of unique works and Goya’s letters, we reflect upon the man himself and the world he painted. Goya is an artist whose powerful vision and technical prowess makes him one of the most admired icons of the artistic world.
|
|
2477
|
-
<br/><br/>
|
|
2478
|
-
<i>Running time: 90 minutes</i>
|
|
2479
|
-
</p></dd>
|
|
2480
|
-
</dl>
|
|
2481
|
-
</div>
|
|
2482
|
-
<div class="col-xs-12 col-md-4">
|
|
2483
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-goya" class="btn btn-primary">More details</a></p>
|
|
2484
|
-
</div>
|
|
2485
|
-
</div>
|
|
2486
|
-
</div>
|
|
2487
|
-
<dl class="row film-times clear">
|
|
2488
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2489
|
-
<dd class="col-xs-10">
|
|
2490
|
-
|
|
2491
|
-
|
|
2492
|
-
<a
|
|
2493
|
-
href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-goya/tickets/3180"
|
|
2494
|
-
class="btn btn-xs btn-default-dark"
|
|
2495
|
-
>18.30</a>
|
|
2496
|
-
|
|
2497
|
-
</dd>
|
|
2498
|
-
</dl>
|
|
2499
|
-
</div>
|
|
2500
|
-
</div>
|
|
2501
|
-
</li>
|
|
2502
|
-
<li class="heading dark">Tuesday 23rd Feb</li>
|
|
2503
|
-
<li>
|
|
2504
|
-
<div class="row">
|
|
2505
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2506
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160223-HO00003351" data-icon="Z"></button>
|
|
2507
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/orthodox">Orthodox [18]</a></h2>
|
|
2508
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160223-HO00003351">
|
|
2509
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/cnGLNUMP27A"></div>
|
|
2510
|
-
|
|
2511
|
-
<div class="row no-pd">
|
|
2512
|
-
<div class="col-xs-12 col-md-8">
|
|
2513
|
-
<div><strong>2016, 98 mins</strong></div>
|
|
2514
|
-
|
|
2515
|
-
<dl class="dl-inline">
|
|
2516
|
-
<dt class="invisible">Description</dt>
|
|
2517
|
-
<dd><p><b>Director: David Leon. <br/>
|
|
2518
|
-
Starring: Stephen Graham, Michael Smiley, Rebecca Callard. UK 2015. 98 mins.</b><br/><br/>
|
|
2519
|
-
|
|
2520
|
-
Two of Britain’s finest character actors – Stephen Graham (Snatch, This Is England) and Michael Smiley (Kill List) – star respectively as Benjamin, a down-on-his-luck bare-knuckle fighter, and Shannon, a gangster who is his shady manager, in this gritty, affecting thriller. The story follows Benjamin’s journey from his days as a schoolboy bullied for his Jewish faith. After receiving stern parental advice to fight back, he takes up boxing. He later becomes embroiled in illegal matches, and is drawn by Shannon into a life of fraud and racketeering. The film also charts Benjamin’s troubled marriage to the careworn Alice (Callard, Ordinary Lies). He is eventually determined to seek redemption, but secrets from the past threaten to obstruct his path forever. Orthodox neatly avoids crime drama clichés yet is never short of heart-stopping surprises.
|
|
2521
|
-
</p></dd>
|
|
2522
|
-
</dl>
|
|
2523
|
-
</div>
|
|
2524
|
-
<div class="col-xs-12 col-md-4">
|
|
2525
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/orthodox" class="btn btn-primary">More details</a></p>
|
|
2526
|
-
</div>
|
|
2527
|
-
</div>
|
|
2528
|
-
</div>
|
|
2529
|
-
<dl class="row film-times clear">
|
|
2530
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2531
|
-
<dd class="col-xs-10">
|
|
2532
|
-
|
|
2533
|
-
|
|
2534
|
-
<a
|
|
2535
|
-
href="/cinema/Dukes_At_Komedia/film/orthodox/tickets/3893"
|
|
2536
|
-
class="btn btn-xs btn-default btn-special"
|
|
2537
|
-
>18.30</a>
|
|
2538
|
-
|
|
2539
|
-
<small class="film-type-desc">
|
|
2540
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Discover T">Discover Tuesdays</a>: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
|
|
2541
|
-
</small> </dd>
|
|
2542
|
-
</dl>
|
|
2543
|
-
</div>
|
|
2544
|
-
</div>
|
|
2545
|
-
</li>
|
|
2546
|
-
<li class="heading dark">Wednesday 24th Feb</li>
|
|
2547
|
-
<li>
|
|
2548
|
-
<div class="row">
|
|
2549
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2550
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160224-HO00003351" data-icon="Z"></button>
|
|
2551
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/orthodox">Orthodox [18]</a></h2>
|
|
2552
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160224-HO00003351">
|
|
2553
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/cnGLNUMP27A"></div>
|
|
2554
|
-
|
|
2555
|
-
<div class="row no-pd">
|
|
2556
|
-
<div class="col-xs-12 col-md-8">
|
|
2557
|
-
<div><strong>2016, 98 mins</strong></div>
|
|
2558
|
-
|
|
2559
|
-
<dl class="dl-inline">
|
|
2560
|
-
<dt class="invisible">Description</dt>
|
|
2561
|
-
<dd><p><b>Director: David Leon. <br/>
|
|
2562
|
-
Starring: Stephen Graham, Michael Smiley, Rebecca Callard. UK 2015. 98 mins.</b><br/><br/>
|
|
2563
|
-
|
|
2564
|
-
Two of Britain’s finest character actors – Stephen Graham (Snatch, This Is England) and Michael Smiley (Kill List) – star respectively as Benjamin, a down-on-his-luck bare-knuckle fighter, and Shannon, a gangster who is his shady manager, in this gritty, affecting thriller. The story follows Benjamin’s journey from his days as a schoolboy bullied for his Jewish faith. After receiving stern parental advice to fight back, he takes up boxing. He later becomes embroiled in illegal matches, and is drawn by Shannon into a life of fraud and racketeering. The film also charts Benjamin’s troubled marriage to the careworn Alice (Callard, Ordinary Lies). He is eventually determined to seek redemption, but secrets from the past threaten to obstruct his path forever. Orthodox neatly avoids crime drama clichés yet is never short of heart-stopping surprises.
|
|
2565
|
-
</p></dd>
|
|
2566
|
-
</dl>
|
|
2567
|
-
</div>
|
|
2568
|
-
<div class="col-xs-12 col-md-4">
|
|
2569
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/orthodox" class="btn btn-primary">More details</a></p>
|
|
2570
|
-
</div>
|
|
2571
|
-
</div>
|
|
2572
|
-
</div>
|
|
2573
|
-
<dl class="row film-times clear">
|
|
2574
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2575
|
-
<dd class="col-xs-10">
|
|
2576
|
-
|
|
2577
|
-
|
|
2578
|
-
<a
|
|
2579
|
-
href="/cinema/Dukes_At_Komedia/film/orthodox/tickets/3894"
|
|
2580
|
-
class="btn btn-xs btn-default btn-special"
|
|
2581
|
-
>11.00</a>
|
|
2582
|
-
|
|
2583
|
-
<small class="film-type-desc">
|
|
2584
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
2585
|
-
</small> </dd>
|
|
2586
|
-
</dl>
|
|
2587
|
-
</div>
|
|
2588
|
-
</div>
|
|
2589
|
-
</li>
|
|
2590
|
-
<li class="heading dark">Sunday 28th Feb</li>
|
|
2591
|
-
<li>
|
|
2592
|
-
<div class="row">
|
|
2593
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2594
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160228-HO00003345" data-icon="Z"></button>
|
|
2595
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/hail-caesar">Hail, Caesar! [12A]</a></h2>
|
|
2596
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160228-HO00003345">
|
|
2597
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/GYnW1-_aKGA"></div>
|
|
2598
|
-
|
|
2599
|
-
<div class="row no-pd">
|
|
2600
|
-
<div class="col-xs-12 col-md-8">
|
|
2601
|
-
<div><strong>2016, mins</strong></div>
|
|
2602
|
-
|
|
2603
|
-
<dl class="dl-inline">
|
|
2604
|
-
<dt class="invisible">Description</dt>
|
|
2605
|
-
<dd><p><b>Directors: Ethan Coen, Joel Coen. <br/>
|
|
2606
|
-
Starring: George Clooney, Josh Brolin, Scarlett Johansson. USA/UK 2016. TBC mins.</b>
|
|
2607
|
-
<br/><br/>
|
|
2608
|
-
In their first flat-out comedy since 2008’s Burn After Reading, Ethan and Joel Coen depict the glamorous Hollywood fakery of the 1950s, when an uptight British film director (Ralph Fiennes) is having trouble trying to eradicate the Southern drawl of an inept young thesp (Alden Aldrich). The studio’s problems escalate wildly when the star of their unfinished swords ’n’ sandals epic, Baird Whitlock (Clooney), is kidnapped after a night of debauchery by a shadowy group calling themselves The Future.
|
|
2609
|
-
<br/><br/>
|
|
2610
|
-
The studio asks industry fixer Eddie Mannix (Brolin) to retrieve their valuable property. Fast-moving interwoven plot lines, the Coens’ trademark dry humour and a star-studded ensemble cast – which includes Frances McDormand, Scarlett Johansson, Channing Tatutm, Tilda Swinton and Dolph Lundgren – make this a joy to behold.
|
|
2611
|
-
</p></dd>
|
|
2612
|
-
</dl>
|
|
2613
|
-
</div>
|
|
2614
|
-
<div class="col-xs-12 col-md-4">
|
|
2615
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/hail-caesar" class="btn btn-primary">More details</a></p>
|
|
2616
|
-
</div>
|
|
2617
|
-
</div>
|
|
2618
|
-
</div>
|
|
2619
|
-
<dl class="row film-times clear">
|
|
2620
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2621
|
-
<dd class="col-xs-10">
|
|
2622
|
-
|
|
2623
|
-
|
|
2624
|
-
<a
|
|
2625
|
-
href="/cinema/Dukes_At_Komedia/film/hail-caesar/tickets/4079"
|
|
2626
|
-
class="btn btn-xs btn-default btn-special"
|
|
2627
|
-
>21.00</a>
|
|
2628
|
-
|
|
2629
|
-
<small class="film-type-desc">
|
|
2630
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=preview">Preview</a>.
|
|
2631
|
-
</small> </dd>
|
|
2632
|
-
</dl>
|
|
2633
|
-
</div>
|
|
2634
|
-
</div>
|
|
2635
|
-
</li>
|
|
2636
|
-
<li class="heading dark">Tuesday 1st Mar</li>
|
|
2637
|
-
<li>
|
|
2638
|
-
<div class="row">
|
|
2639
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2640
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160301-HO00003229" data-icon="Z"></button>
|
|
2641
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue">Janis: Little Girl Blue [15]</a></h2>
|
|
2642
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160301-HO00003229">
|
|
2643
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/uO9Z5Kew9zs"></div>
|
|
2644
|
-
|
|
2645
|
-
<div class="row no-pd">
|
|
2646
|
-
<div class="col-xs-12 col-md-8">
|
|
2647
|
-
<div><strong>2016, mins</strong></div>
|
|
2648
|
-
|
|
2649
|
-
<dl class="dl-inline">
|
|
2650
|
-
<dt class="invisible">Description</dt>
|
|
2651
|
-
<dd><p><b/>Director: Amy Berg. <br/>
|
|
2652
|
-
Featuring: Janis Joplin. USA 2015. 104 mins.</b><br/><br/>
|
|
2653
|
-
|
|
2654
|
-
Following 2015’s hit Amy Winehouse film Amy, Oscar-nominated documentarian Amy Berg (West Of Memphis) delivers an equally heart-rending account of the original bad-girl rock singer, Janis Joplin. Like Winehouse (and Kurt Cobain and Jim Morrison), Joplin died aged 27 – of a heroin overdose, before she could fully realise her wonderful potential. <br/><br/>
|
|
2655
|
-
Although a seasoned performer with Texas bar bands, Joplin became a star fronting San Francisco’s powerful Big Brother And The Holding Company. Berg has resuscitated rare footage of Joplin’s early days as a feisty child, her self-discovery as a folk/blues singer and her increasingly pressurised stardom. Along the way Joplin made many romantic mistakes before finally descending into hard drugs. Poignant interviews and stunning performances, including her knockout rendition of Ball And Chain at 1967’s Monterey Pop Festival, affirm her legendary status.
|
|
2656
|
-
</p></dd>
|
|
2657
|
-
</dl>
|
|
2658
|
-
</div>
|
|
2659
|
-
<div class="col-xs-12 col-md-4">
|
|
2660
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue" class="btn btn-primary">More details</a></p>
|
|
2661
|
-
</div>
|
|
2662
|
-
</div>
|
|
2663
|
-
</div>
|
|
2664
|
-
<dl class="row film-times clear">
|
|
2665
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2666
|
-
<dd class="col-xs-10">
|
|
2667
|
-
</dd>
|
|
2668
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2669
|
-
<dd class="col-xs-10">
|
|
2670
|
-
|
|
2671
|
-
|
|
2672
|
-
<a
|
|
2673
|
-
href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue/tickets/3895"
|
|
2674
|
-
class="btn btn-xs btn-default btn-special"
|
|
2675
|
-
>18.30</a>
|
|
2676
|
-
|
|
2677
|
-
<small class="film-type-desc">
|
|
2678
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Discover T">Discover Tuesdays</a>: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
|
|
2679
|
-
</small> </dd>
|
|
2680
|
-
</dl>
|
|
2681
|
-
</div>
|
|
2682
|
-
</div>
|
|
2683
|
-
</li>
|
|
2684
|
-
<li class="heading dark">Wednesday 2nd Mar</li>
|
|
2685
|
-
<li>
|
|
2686
|
-
<div class="row">
|
|
2687
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2688
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160302-HO00003229" data-icon="Z"></button>
|
|
2689
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue">Janis: Little Girl Blue [15]</a></h2>
|
|
2690
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160302-HO00003229">
|
|
2691
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/uO9Z5Kew9zs"></div>
|
|
2692
|
-
|
|
2693
|
-
<div class="row no-pd">
|
|
2694
|
-
<div class="col-xs-12 col-md-8">
|
|
2695
|
-
<div><strong>2016, mins</strong></div>
|
|
2696
|
-
|
|
2697
|
-
<dl class="dl-inline">
|
|
2698
|
-
<dt class="invisible">Description</dt>
|
|
2699
|
-
<dd><p><b/>Director: Amy Berg. <br/>
|
|
2700
|
-
Featuring: Janis Joplin. USA 2015. 104 mins.</b><br/><br/>
|
|
2701
|
-
|
|
2702
|
-
Following 2015’s hit Amy Winehouse film Amy, Oscar-nominated documentarian Amy Berg (West Of Memphis) delivers an equally heart-rending account of the original bad-girl rock singer, Janis Joplin. Like Winehouse (and Kurt Cobain and Jim Morrison), Joplin died aged 27 – of a heroin overdose, before she could fully realise her wonderful potential. <br/><br/>
|
|
2703
|
-
Although a seasoned performer with Texas bar bands, Joplin became a star fronting San Francisco’s powerful Big Brother And The Holding Company. Berg has resuscitated rare footage of Joplin’s early days as a feisty child, her self-discovery as a folk/blues singer and her increasingly pressurised stardom. Along the way Joplin made many romantic mistakes before finally descending into hard drugs. Poignant interviews and stunning performances, including her knockout rendition of Ball And Chain at 1967’s Monterey Pop Festival, affirm her legendary status.
|
|
2704
|
-
</p></dd>
|
|
2705
|
-
</dl>
|
|
2706
|
-
</div>
|
|
2707
|
-
<div class="col-xs-12 col-md-4">
|
|
2708
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue" class="btn btn-primary">More details</a></p>
|
|
2709
|
-
</div>
|
|
2710
|
-
</div>
|
|
2711
|
-
</div>
|
|
2712
|
-
<dl class="row film-times clear">
|
|
2713
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2714
|
-
<dd class="col-xs-10">
|
|
2715
|
-
</dd>
|
|
2716
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2717
|
-
<dd class="col-xs-10">
|
|
2718
|
-
|
|
2719
|
-
|
|
2720
|
-
<a
|
|
2721
|
-
href="/cinema/Dukes_At_Komedia/film/janis-little-girl-blue/tickets/3896"
|
|
2722
|
-
class="btn btn-xs btn-default btn-special"
|
|
2723
|
-
>11.00</a>
|
|
2724
|
-
|
|
2725
|
-
<small class="film-type-desc">
|
|
2726
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
2727
|
-
</small> </dd>
|
|
2728
|
-
</dl>
|
|
2729
|
-
</div>
|
|
2730
|
-
</div>
|
|
2731
|
-
</li>
|
|
2732
|
-
<li>
|
|
2733
|
-
<div class="row">
|
|
2734
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2735
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160302-HO00003392" data-icon="Z"></button>
|
|
2736
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/lee-scratch-perrys-visions-of-paradise">Lee Scratch Perry's Visions of Paradise [15]</a></h2>
|
|
2737
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160302-HO00003392">
|
|
2738
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/xqBPhJdzPnU"></div>
|
|
2739
|
-
|
|
2740
|
-
<div class="row no-pd">
|
|
2741
|
-
<div class="col-xs-12 col-md-8">
|
|
2742
|
-
<div><strong>2016, 140 mins</strong></div>
|
|
2743
|
-
|
|
2744
|
-
<dl class="dl-inline">
|
|
2745
|
-
<dt class="invisible">Description</dt>
|
|
2746
|
-
<dd><p><b/>Director: Volker Schnaer. <br/>
|
|
2747
|
-
Featuring: Lee ‘Scratch’ Perry, Adrian Sherwood, Dennis Bovell. Germany/UK/Switzerland/Ethiopia 2015. TBC mins.</b><br/><br/>
|
|
2748
|
-
Filmed over a period of 15 years by German music documentarian Volker Schnaer (Feathered Fan And Silken Ribbon), this very singular portrait of Lee ‘Scratch’ Perry, one of dub’s genuine superstars, travels from his impoverished roots in Jamaica to his current home high in the Swiss Alps. Along the way, Perry – who produced Bob Marley And The Wailers amongst many others, and remains a legendary performer at 79 years old – affirms his reputation as a great and endearing musical eccentric. Schnaer’s film also uses animation and state-of-the-art digital effects to chronicle Perry’s quest for spiritual liberation. Contributions from dub heroes such as Adrian Sherwood and Dennis Bovell add considerable depth to this fascinating picture of a musical icon.
|
|
2749
|
-
</p></dd>
|
|
2750
|
-
</dl>
|
|
2751
|
-
</div>
|
|
2752
|
-
<div class="col-xs-12 col-md-4">
|
|
2753
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/lee-scratch-perrys-visions-of-paradise" class="btn btn-primary">More details</a></p>
|
|
2754
|
-
</div>
|
|
2755
|
-
</div>
|
|
2756
|
-
</div>
|
|
2757
|
-
<dl class="row film-times clear">
|
|
2758
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2759
|
-
<dd class="col-xs-10">
|
|
2760
|
-
|
|
2761
|
-
|
|
2762
|
-
<a
|
|
2763
|
-
href="/cinema/Dukes_At_Komedia/film/lee-scratch-perrys-visions-of-paradise/tickets/3890"
|
|
2764
|
-
class="btn btn-xs btn-default-dark"
|
|
2765
|
-
>21.00</a>
|
|
2766
|
-
|
|
2767
|
-
</dd>
|
|
2768
|
-
</dl>
|
|
2769
|
-
</div>
|
|
2770
|
-
</div>
|
|
2771
|
-
</li>
|
|
2772
|
-
<li class="heading dark">Thursday 3rd Mar</li>
|
|
2773
|
-
<li>
|
|
2774
|
-
<div class="row">
|
|
2775
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2776
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160303-HO00003295" data-icon="Z"></button>
|
|
2777
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/nt-live-hangmen">NT Live: Hangmen [12A]</a></h2>
|
|
2778
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160303-HO00003295">
|
|
2779
|
-
|
|
2780
|
-
<div class="row no-pd">
|
|
2781
|
-
<div class="col-xs-12 col-md-8">
|
|
2782
|
-
<div><strong>2016, mins</strong></div>
|
|
2783
|
-
|
|
2784
|
-
<dl class="dl-inline">
|
|
2785
|
-
<dt class="invisible">Description</dt>
|
|
2786
|
-
<dd><p>Following a sell-out run at London’s Royal Court Theatre, Olivier and Academy Award® winner Martin McDonagh (The Pillowman, The Cripple of Inishmaan, In Bruges) returns to the West End with Matthew Dunster’s award-winning production of his deeply funny new play Hangmen, broadcast live to cinemas by National Theatre Live.
|
|
2787
|
-
<br/><br/>
|
|
2788
|
-
In his small pub in the northern English town of Oldham, Harry (David Morrissey – The Walking Dead, State of Play) is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging?
|
|
2789
|
-
<br/><br/>
|
|
2790
|
-
Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman – Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn – Clouds of Sils Maria) lurk with very different motives for their visit.
|
|
2791
|
-
</p></dd>
|
|
2792
|
-
</dl>
|
|
2793
|
-
</div>
|
|
2794
|
-
<div class="col-xs-12 col-md-4">
|
|
2795
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/nt-live-hangmen" class="btn btn-primary">More details</a></p>
|
|
2796
|
-
</div>
|
|
2797
|
-
</div>
|
|
2798
|
-
</div>
|
|
2799
|
-
<dl class="row film-times clear">
|
|
2800
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2801
|
-
<dd class="col-xs-10">
|
|
2802
|
-
|
|
2803
|
-
|
|
2804
|
-
<a
|
|
2805
|
-
href="/cinema/Dukes_At_Komedia/film/nt-live-hangmen/tickets/3983"
|
|
2806
|
-
class="btn btn-xs btn-default btn-special"
|
|
2807
|
-
>19.00</a>
|
|
2808
|
-
|
|
2809
|
-
<small class="film-type-desc">
|
|
2810
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
2811
|
-
|
|
2812
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=NT Live">NT Live</a>.
|
|
2813
|
-
</small> </dd>
|
|
2814
|
-
</dl>
|
|
2815
|
-
</div>
|
|
2816
|
-
</div>
|
|
2817
|
-
</li>
|
|
2818
|
-
<li class="heading dark">Saturday 5th Mar</li>
|
|
2819
|
-
<li>
|
|
2820
|
-
<div class="row">
|
|
2821
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2822
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160305-HO00001682" data-icon="Z"></button>
|
|
2823
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-opera-manon-lescaut">Met. Opera: Manon Lescaut [12A]</a></h2>
|
|
2824
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160305-HO00001682">
|
|
2825
|
-
|
|
2826
|
-
<div class="row no-pd">
|
|
2827
|
-
<div class="col-xs-12 col-md-8">
|
|
2828
|
-
<div><strong>2016, mins</strong></div>
|
|
2829
|
-
|
|
2830
|
-
<dl class="dl-inline">
|
|
2831
|
-
<dt class="invisible">Description</dt>
|
|
2832
|
-
<dd><p><b>Giacomo Puccini's Manon Lescaut</b>
|
|
2833
|
-
<br/><br/>
|
|
2834
|
-
The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.
|
|
2835
|
-
<br/><br/>
|
|
2836
|
-
<i>Estimated run time 215 mins</i></p></dd>
|
|
2837
|
-
</dl>
|
|
2838
|
-
</div>
|
|
2839
|
-
<div class="col-xs-12 col-md-4">
|
|
2840
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-opera-manon-lescaut" class="btn btn-primary">More details</a></p>
|
|
2841
|
-
</div>
|
|
2842
|
-
</div>
|
|
2843
|
-
</div>
|
|
2844
|
-
<dl class="row film-times clear">
|
|
2845
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2846
|
-
<dd class="col-xs-10">
|
|
2847
|
-
|
|
2848
|
-
|
|
2849
|
-
<a
|
|
2850
|
-
href="/cinema/Dukes_At_Komedia/film/met-opera-manon-lescaut/tickets/1924"
|
|
2851
|
-
class="btn btn-xs btn-default btn-special"
|
|
2852
|
-
>17.55</a>
|
|
2853
|
-
|
|
2854
|
-
<small class="film-type-desc">
|
|
2855
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
2856
|
-
</small> </dd>
|
|
2857
|
-
</dl>
|
|
2858
|
-
</div>
|
|
2859
|
-
</div>
|
|
2860
|
-
</li>
|
|
2861
|
-
<li>
|
|
2862
|
-
<div class="row">
|
|
2863
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2864
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160305-HO00003440" data-icon="Z"></button>
|
|
2865
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/havana-club-rumba-sessions-la-clave-intro">Havana Club Rumba Sessions: La Clave + Intro [TBC]</a></h2>
|
|
2866
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160305-HO00003440">
|
|
2867
|
-
|
|
2868
|
-
<div class="row no-pd">
|
|
2869
|
-
<div class="col-xs-12 col-md-8">
|
|
2870
|
-
<div><strong>2016, mins</strong></div>
|
|
2871
|
-
|
|
2872
|
-
<dl class="dl-inline">
|
|
2873
|
-
<dt class="invisible">Description</dt>
|
|
2874
|
-
<dd><p><b>Director: Charlie Inman. UK/Cuba, 2016. 73 mins.</b>
|
|
2875
|
-
<br><br>
|
|
2876
|
-
<i>We're delighted to welcome Gilles Peterson to introduce this screening</i>
|
|
2877
|
-
<br><br>
|
|
2878
|
-
A feature-length documentary directed by Charlie Inman, Havana Club Rumba Sessions: La Clave sees Gilles Peterson, along with his old friend Ade Egun Crispin Robinson, guide the audience through rumba's continued significance in a country where a carefully preserved past has long sat side-by-side with innovation. Highly respected both in the island's spiritual drumming community and as a session musician in the UK, Robinson connects Gilles to key figures across Cuba’s musical generations.
|
|
2879
|
-
|
|
2880
|
-
Accompanied on their journey into rumba by one of the shining lights of Cuba’s current music scene, Daymé Arocena, the film traces the through lines running from slave communities' spiritual drumming practices and the dancers and musicians who preserved them, to the younger generation who have plucked out and recontextualised the elements most exciting to them.
|
|
2881
|
-
|
|
2882
|
-
The history of rumba, inextricably tied up with the slave trade, uniquely intertwines West African and Iberian musical styles. With roots in the Congo, Nigeria, Benin and Cameroon, different African religious institutions such as Ifa, Ekpe and Nkisi were remade in Cuba as Lukumi (Santeria), Palo, Abakua and Arara. The film draws together how the religious and social realities instituted by the African diaspora have a distinct, if complex, connection to the rhythms foundational to contemporary club music.
|
|
2883
|
-
</p></dd>
|
|
2884
|
-
</dl>
|
|
2885
|
-
</div>
|
|
2886
|
-
<div class="col-xs-12 col-md-4">
|
|
2887
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/havana-club-rumba-sessions-la-clave-intro" class="btn btn-primary">More details</a></p>
|
|
2888
|
-
</div>
|
|
2889
|
-
</div>
|
|
2890
|
-
</div>
|
|
2891
|
-
<dl class="row film-times clear">
|
|
2892
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2893
|
-
<dd class="col-xs-10">
|
|
2894
|
-
|
|
2895
|
-
|
|
2896
|
-
<a
|
|
2897
|
-
href="/cinema/Dukes_At_Komedia/film/havana-club-rumba-sessions-la-clave-intro/tickets/3909"
|
|
2898
|
-
class="btn btn-xs btn-default-dark"
|
|
2899
|
-
>22.00</a>
|
|
2900
|
-
|
|
2901
|
-
</dd>
|
|
2902
|
-
</dl>
|
|
2903
|
-
</div>
|
|
2904
|
-
</div>
|
|
2905
|
-
</li>
|
|
2906
|
-
<li class="heading dark">Sunday 6th Mar</li>
|
|
2907
|
-
<li>
|
|
2908
|
-
<div class="row">
|
|
2909
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2910
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160306-HO00002931" data-icon="Z"></button>
|
|
2911
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/snoopy-and-charlie-brown-a-peanuts-movie-2d">Snoopy & Charlie Brown A Peanuts Movie 2D [U]</a></h2>
|
|
2912
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160306-HO00002931">
|
|
2913
|
-
|
|
2914
|
-
<div class="row no-pd">
|
|
2915
|
-
<div class="col-xs-12 col-md-8">
|
|
2916
|
-
<div><strong>2016, mins</strong></div>
|
|
2917
|
-
|
|
2918
|
-
<dl class="dl-inline">
|
|
2919
|
-
<dt class="invisible">Description</dt>
|
|
2920
|
-
<dd><p><b>Director: Steve Martino. <br/>
|
|
2921
|
-
Voices: Bill Melendez, Noah Schnapp, Hadley Belle Miller. USA 2015. 93 mins.</b>
|
|
2922
|
-
<br/><br/>
|
|
2923
|
-
Lovingly co-scripted by his son Craig and grandson Bryan, Charles M. Schulz’s endearing cartoon characters’ adventures are brought to the big screen in a well-balanced blend of nostalgia and state-of-the-art 3D animation by director Steve Martino (Ice Age: Continental Drift).
|
|
2924
|
-
<br/><br/>
|
|
2925
|
-
The voice cast is pitch-perfect, with Noah Schnapp as Charlie Brown, Hadley Belle Miller as his sometime girlfriend and five-cent shrink Lucy, and archive recordings of the late Bill Melendez as both Charlie’s faithful hound and his ever-corrective feathered friend, Woodstock. Besides kite-flying, Charlie’s ambitions are, as always, directed at his arch-enemy the Red Baron, but he is now considerably distracted by his romantic yearning for the new girl at school, Frieda (Francesca Capaldi).
|
|
2926
|
-
<br/><br/>
|
|
2927
|
-
The whole enterprise will delight both wide-eyed youngsters and adults weaned on the 65-year-old comic strip’s knowing wit.
|
|
2928
|
-
</p></dd>
|
|
2929
|
-
</dl>
|
|
2930
|
-
</div>
|
|
2931
|
-
<div class="col-xs-12 col-md-4">
|
|
2932
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/snoopy-and-charlie-brown-a-peanuts-movie-2d" class="btn btn-primary">More details</a></p>
|
|
2933
|
-
</div>
|
|
2934
|
-
</div>
|
|
2935
|
-
</div>
|
|
2936
|
-
<dl class="row film-times clear">
|
|
2937
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2938
|
-
<dd class="col-xs-10">
|
|
2939
|
-
|
|
2940
|
-
|
|
2941
|
-
<a
|
|
2942
|
-
href="/cinema/Dukes_At_Komedia/film/snoopy-and-charlie-brown-a-peanuts-movie-2d/tickets/3900"
|
|
2943
|
-
class="btn btn-xs btn-default btn-special"
|
|
2944
|
-
>11.00</a>
|
|
2945
|
-
|
|
2946
|
-
<small class="film-type-desc">
|
|
2947
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Autism Fri">Autism-Friendly</a>: Especially for people on the autism spectrum or with other special needs and their families, friends and carers. Adults without disabilities are only admitted if they are accompanying a child or a person on the autism spectrum/with special needs.
|
|
2948
|
-
</small> </dd>
|
|
2949
|
-
</dl>
|
|
2950
|
-
</div>
|
|
2951
|
-
</div>
|
|
2952
|
-
</li>
|
|
2953
|
-
<li class="heading dark">Monday 7th Mar</li>
|
|
2954
|
-
<li>
|
|
2955
|
-
<div class="row">
|
|
2956
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
2957
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160307-HO00001683" data-icon="Z"></button>
|
|
2958
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-encore-manon-lescaut">Met. Encore: Manon Lescaut [12A]</a></h2>
|
|
2959
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160307-HO00001683">
|
|
2960
|
-
|
|
2961
|
-
<div class="row no-pd">
|
|
2962
|
-
<div class="col-xs-12 col-md-8">
|
|
2963
|
-
<div><strong>2016, mins</strong></div>
|
|
2964
|
-
|
|
2965
|
-
<dl class="dl-inline">
|
|
2966
|
-
<dt class="invisible">Description</dt>
|
|
2967
|
-
<dd><p><b>Giacomo Puccini's Manon Lescaut</b>
|
|
2968
|
-
<br/><br/>
|
|
2969
|
-
The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.
|
|
2970
|
-
<br/><br/>
|
|
2971
|
-
<i>Estimated run time 215 mins</i></p></dd>
|
|
2972
|
-
</dl>
|
|
2973
|
-
</div>
|
|
2974
|
-
<div class="col-xs-12 col-md-4">
|
|
2975
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-encore-manon-lescaut" class="btn btn-primary">More details</a></p>
|
|
2976
|
-
</div>
|
|
2977
|
-
</div>
|
|
2978
|
-
</div>
|
|
2979
|
-
<dl class="row film-times clear">
|
|
2980
|
-
<dt class="col-xs-2">Select:</dt>
|
|
2981
|
-
<dd class="col-xs-10">
|
|
2982
|
-
|
|
2983
|
-
|
|
2984
|
-
<a
|
|
2985
|
-
href="/cinema/Dukes_At_Komedia/film/met-encore-manon-lescaut/tickets/1925"
|
|
2986
|
-
class="btn btn-xs btn-default btn-special"
|
|
2987
|
-
>12.30</a>
|
|
2988
|
-
|
|
2989
|
-
<small class="film-type-desc">
|
|
2990
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
2991
|
-
</small> </dd>
|
|
2992
|
-
</dl>
|
|
2993
|
-
</div>
|
|
2994
|
-
</div>
|
|
2995
|
-
</li>
|
|
2996
|
-
<li class="heading dark">Tuesday 8th Mar</li>
|
|
2997
|
-
<li>
|
|
2998
|
-
<div class="row">
|
|
2999
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3000
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160308-HO00002929" data-icon="Z"></button>
|
|
3001
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-forbidden-room">The Forbidden Room [12A]</a></h2>
|
|
3002
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160308-HO00002929">
|
|
3003
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/7okBeqKSXMk"></div>
|
|
3004
|
-
|
|
3005
|
-
<div class="row no-pd">
|
|
3006
|
-
<div class="col-xs-12 col-md-8">
|
|
3007
|
-
<div><strong>2016, 119 mins</strong></div>
|
|
3008
|
-
|
|
3009
|
-
<dl class="dl-inline">
|
|
3010
|
-
<dt class="invisible">Description</dt>
|
|
3011
|
-
<dd><p><b>Directors: Guy Maddin, Evan Johnson.<br/>
|
|
3012
|
-
Starring: Roy Dupuis, Louis Negin, Clara Furey. Canada 2015. 119 mins.</b>
|
|
3013
|
-
<br/><br/>
|
|
3014
|
-
Venerated Canadian art-house director Guy Maddin (The Saddest Music In The World, My Winnipeg) takes further his stylistic affinity for the look and feel of silent and early-sound-era films with this wonderfully absurd, phantasmagoric and enthralling homage to one of the golden ages of cinema.
|
|
3015
|
-
<br/><br/>
|
|
3016
|
-
A submarine crew, a feared pack of forest bandits, a famous surgeon and a battalion of child soldiers all get more than they bargained for as they wend their way towards progressive ideas on life and love. Some of the stories are linked, others not, some shot in black and white, others in early two-strip Technicolor.
|
|
3017
|
-
<br/><br/>
|
|
3018
|
-
This surreal assemblage manages to be funny, silly and awesome in equal measure, gamely abetted by a cast that includes Charlotte Rampling, Mathieu Amalric and Udo Kier.
|
|
3019
|
-
<br/><br/>
|
|
3020
|
-
<i>Contains moderate violence, injury detail, sex references and nudity. </i>
|
|
3021
|
-
</p></dd>
|
|
3022
|
-
</dl>
|
|
3023
|
-
</div>
|
|
3024
|
-
<div class="col-xs-12 col-md-4">
|
|
3025
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-forbidden-room" class="btn btn-primary">More details</a></p>
|
|
3026
|
-
</div>
|
|
3027
|
-
</div>
|
|
3028
|
-
</div>
|
|
3029
|
-
<dl class="row film-times clear">
|
|
3030
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3031
|
-
<dd class="col-xs-10">
|
|
3032
|
-
|
|
3033
|
-
|
|
3034
|
-
<a
|
|
3035
|
-
href="/cinema/Dukes_At_Komedia/film/the-forbidden-room/tickets/3897"
|
|
3036
|
-
class="btn btn-xs btn-default btn-special"
|
|
3037
|
-
>18.30</a>
|
|
3038
|
-
|
|
3039
|
-
<small class="film-type-desc">
|
|
3040
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Discover T">Discover Tuesdays</a>: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
|
|
3041
|
-
</small> </dd>
|
|
3042
|
-
</dl>
|
|
3043
|
-
</div>
|
|
3044
|
-
</div>
|
|
3045
|
-
</li>
|
|
3046
|
-
<li class="heading dark">Wednesday 9th Mar</li>
|
|
3047
|
-
<li>
|
|
3048
|
-
<div class="row">
|
|
3049
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3050
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160309-HO00002929" data-icon="Z"></button>
|
|
3051
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/the-forbidden-room">The Forbidden Room [12A]</a></h2>
|
|
3052
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160309-HO00002929">
|
|
3053
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/7okBeqKSXMk"></div>
|
|
3054
|
-
|
|
3055
|
-
<div class="row no-pd">
|
|
3056
|
-
<div class="col-xs-12 col-md-8">
|
|
3057
|
-
<div><strong>2016, 119 mins</strong></div>
|
|
3058
|
-
|
|
3059
|
-
<dl class="dl-inline">
|
|
3060
|
-
<dt class="invisible">Description</dt>
|
|
3061
|
-
<dd><p><b>Directors: Guy Maddin, Evan Johnson.<br/>
|
|
3062
|
-
Starring: Roy Dupuis, Louis Negin, Clara Furey. Canada 2015. 119 mins.</b>
|
|
3063
|
-
<br/><br/>
|
|
3064
|
-
Venerated Canadian art-house director Guy Maddin (The Saddest Music In The World, My Winnipeg) takes further his stylistic affinity for the look and feel of silent and early-sound-era films with this wonderfully absurd, phantasmagoric and enthralling homage to one of the golden ages of cinema.
|
|
3065
|
-
<br/><br/>
|
|
3066
|
-
A submarine crew, a feared pack of forest bandits, a famous surgeon and a battalion of child soldiers all get more than they bargained for as they wend their way towards progressive ideas on life and love. Some of the stories are linked, others not, some shot in black and white, others in early two-strip Technicolor.
|
|
3067
|
-
<br/><br/>
|
|
3068
|
-
This surreal assemblage manages to be funny, silly and awesome in equal measure, gamely abetted by a cast that includes Charlotte Rampling, Mathieu Amalric and Udo Kier.
|
|
3069
|
-
<br/><br/>
|
|
3070
|
-
<i>Contains moderate violence, injury detail, sex references and nudity. </i>
|
|
3071
|
-
</p></dd>
|
|
3072
|
-
</dl>
|
|
3073
|
-
</div>
|
|
3074
|
-
<div class="col-xs-12 col-md-4">
|
|
3075
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/the-forbidden-room" class="btn btn-primary">More details</a></p>
|
|
3076
|
-
</div>
|
|
3077
|
-
</div>
|
|
3078
|
-
</div>
|
|
3079
|
-
<dl class="row film-times clear">
|
|
3080
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3081
|
-
<dd class="col-xs-10">
|
|
3082
|
-
|
|
3083
|
-
|
|
3084
|
-
<a
|
|
3085
|
-
href="/cinema/Dukes_At_Komedia/film/the-forbidden-room/tickets/3898"
|
|
3086
|
-
class="btn btn-xs btn-default btn-special"
|
|
3087
|
-
>11.00</a>
|
|
3088
|
-
|
|
3089
|
-
<small class="film-type-desc">
|
|
3090
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Silver Scr">Silver Screen</a>: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-members.
|
|
3091
|
-
</small> </dd>
|
|
3092
|
-
</dl>
|
|
3093
|
-
</div>
|
|
3094
|
-
</div>
|
|
3095
|
-
</li>
|
|
3096
|
-
<li class="heading dark">Sunday 13th Mar</li>
|
|
3097
|
-
<li>
|
|
3098
|
-
<div class="row">
|
|
3099
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3100
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160313-HO00001007" data-icon="Z"></button>
|
|
3101
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-spartacus">Bolshoi Ballet: Spartacus [12A]</a></h2>
|
|
3102
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160313-HO00001007">
|
|
3103
|
-
|
|
3104
|
-
<div class="row no-pd">
|
|
3105
|
-
<div class="col-xs-12 col-md-8">
|
|
3106
|
-
<div><strong>2016, mins</strong></div>
|
|
3107
|
-
|
|
3108
|
-
<dl class="dl-inline">
|
|
3109
|
-
<dt class="invisible">Description</dt>
|
|
3110
|
-
<dd><p>In ancient Rome, Spartacus, a Thracian soldier, is captured by Crassus with his wife Phrygia. Forced to fight as a gladiator and kill one of his friends, Spartacus plots an unprecedented uprising.
|
|
3111
|
-
<br/><br/>
|
|
3112
|
-
Grigorovich’s Spartacus was created at the Bolshoi in 1968, and has since remained the Russian company’s signature ballet. This most spectacular production is an epic tour de force, giving full expression to the strength for which the Bolshoi’s male dancers are renowned. Principal dancer Mikhail Lobukhin is stunning in the role of the legendary gladiator, alongside Svetlana Zakharova as Aegina.</p></dd>
|
|
3113
|
-
</dl>
|
|
3114
|
-
</div>
|
|
3115
|
-
<div class="col-xs-12 col-md-4">
|
|
3116
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-spartacus" class="btn btn-primary">More details</a></p>
|
|
3117
|
-
</div>
|
|
3118
|
-
</div>
|
|
3119
|
-
</div>
|
|
3120
|
-
<dl class="row film-times clear">
|
|
3121
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3122
|
-
<dd class="col-xs-10">
|
|
3123
|
-
|
|
3124
|
-
|
|
3125
|
-
<a
|
|
3126
|
-
href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-spartacus/tickets/1078"
|
|
3127
|
-
class="btn btn-xs btn-default btn-special"
|
|
3128
|
-
>15.00</a>
|
|
3129
|
-
|
|
3130
|
-
<small class="film-type-desc">
|
|
3131
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3132
|
-
</small> </dd>
|
|
3133
|
-
</dl>
|
|
3134
|
-
</div>
|
|
3135
|
-
</div>
|
|
3136
|
-
</li>
|
|
3137
|
-
<li>
|
|
3138
|
-
<div class="row">
|
|
3139
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3140
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160313-HO00003324" data-icon="Z"></button>
|
|
3141
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/jules-and-jim">Jules & Jim [PG]</a></h2>
|
|
3142
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160313-HO00003324">
|
|
3143
|
-
|
|
3144
|
-
<div class="row no-pd">
|
|
3145
|
-
<div class="col-xs-12 col-md-8">
|
|
3146
|
-
<div><strong>2016, mins</strong></div>
|
|
3147
|
-
|
|
3148
|
-
<dl class="dl-inline">
|
|
3149
|
-
<dt class="invisible">Description</dt>
|
|
3150
|
-
<dd><p><b/>Director: Francois Truffaut. <br/><br/>
|
|
3151
|
-
Starring: Jeanne Moreau, Oskar Werner, Henri Serre, Marie Dubois. France 1961. 105 mins. Subtitles.</b><br/><br/>
|
|
3152
|
-
At its premiere in 1962 JULES ET JIM received a 15 minute standing ovation; its theme song ‘Le Tourbillon’ became a hit around the world and and its costumes initiated a minor revolution in fashion. In terms of inspiration to future film-makers and public affection, Truffaut’s third feature might be considered as the high-point of the entire <i/>nouvelle vague</i>, fleshing its story of a menage a trois in Paris and Germany around the time of the First World War with a dazzling weave of filmic allusion, virtuosity and bitter sweet celebration of life. A recent release confirms that JULES ET JIM remains undimmed in critical and popular appeal.
|
|
3153
|
-
</p></dd>
|
|
3154
|
-
</dl>
|
|
3155
|
-
</div>
|
|
3156
|
-
<div class="col-xs-12 col-md-4">
|
|
3157
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/jules-and-jim" class="btn btn-primary">More details</a></p>
|
|
3158
|
-
</div>
|
|
3159
|
-
</div>
|
|
3160
|
-
</div>
|
|
3161
|
-
<dl class="row film-times clear">
|
|
3162
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3163
|
-
<dd class="col-xs-10">
|
|
3164
|
-
|
|
3165
|
-
|
|
3166
|
-
<a
|
|
3167
|
-
href="/cinema/Dukes_At_Komedia/film/jules-and-jim/tickets/3987"
|
|
3168
|
-
class="btn btn-xs btn-default btn-special"
|
|
3169
|
-
>13.00</a>
|
|
3170
|
-
|
|
3171
|
-
<small class="film-type-desc">
|
|
3172
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Vintage Su">Vintage Sundays</a>: Classic films back on the big screen where they belong.
|
|
3173
|
-
</small> </dd>
|
|
3174
|
-
</dl>
|
|
3175
|
-
</div>
|
|
3176
|
-
</div>
|
|
3177
|
-
</li>
|
|
3178
|
-
<li class="heading dark">Monday 14th Mar</li>
|
|
3179
|
-
<li>
|
|
3180
|
-
<div class="row">
|
|
3181
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3182
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160314-HO00002970" data-icon="Z"></button>
|
|
3183
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-renoir-reviled-and-revered">Exhibition On Screen: Renoir - Reviled And Revered [12A]</a></h2>
|
|
3184
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160314-HO00002970">
|
|
3185
|
-
|
|
3186
|
-
<div class="row no-pd">
|
|
3187
|
-
<div class="col-xs-12 col-md-8">
|
|
3188
|
-
<div><strong>2016, 90 mins</strong></div>
|
|
3189
|
-
|
|
3190
|
-
<dl class="dl-inline">
|
|
3191
|
-
<dt class="invisible">Description</dt>
|
|
3192
|
-
<dd><p><b><i>Renoir: Reviled And Revered</i>
|
|
3193
|
-
<br/><br/>
|
|
3194
|
-
From the Barnes Foundation, Philadelphia</b>
|
|
3195
|
-
<br/><br/>
|
|
3196
|
-
He is one of the most fiercely debated artists and yet one of the most influential. Picasso collected more Renoirs than any other artist. Matisse revered him. Monet too. He was an artist that was instrumental in creating the Impressionist movement and then totally rejected it and went in a completely new direction - with extraordinary results.
|
|
3197
|
-
<br/><br/>
|
|
3198
|
-
The Barnes Collection in Philadelphia has more Renoirs than any other gallery in the world and it's there that the search begins to tell the remarkable story of this remarkable artist.
|
|
3199
|
-
<br/><br/>
|
|
3200
|
-
<i>Running Time: 90 minutes</i></p></dd>
|
|
3201
|
-
</dl>
|
|
3202
|
-
</div>
|
|
3203
|
-
<div class="col-xs-12 col-md-4">
|
|
3204
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-renoir-reviled-and-revered" class="btn btn-primary">More details</a></p>
|
|
3205
|
-
</div>
|
|
3206
|
-
</div>
|
|
3207
|
-
</div>
|
|
3208
|
-
<dl class="row film-times clear">
|
|
3209
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3210
|
-
<dd class="col-xs-10">
|
|
3211
|
-
|
|
3212
|
-
|
|
3213
|
-
<a
|
|
3214
|
-
href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-renoir-reviled-and-revered/tickets/3181"
|
|
3215
|
-
class="btn btn-xs btn-default-dark"
|
|
3216
|
-
>18.30</a>
|
|
3217
|
-
|
|
3218
|
-
</dd>
|
|
3219
|
-
</dl>
|
|
3220
|
-
</div>
|
|
3221
|
-
</div>
|
|
3222
|
-
</li>
|
|
3223
|
-
<li class="heading dark">Thursday 17th Mar</li>
|
|
3224
|
-
<li>
|
|
3225
|
-
<div class="row">
|
|
3226
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3227
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160317-HO00003192" data-icon="Z"></button>
|
|
3228
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/jonas-kaufmann-an-evening-with-puccini">Jonas Kaufmann: An Evening With Puccini [12A]</a></h2>
|
|
3229
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160317-HO00003192">
|
|
3230
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/4Xfh84kaFa8"></div>
|
|
3231
|
-
|
|
3232
|
-
<div class="row no-pd">
|
|
3233
|
-
<div class="col-xs-12 col-md-8">
|
|
3234
|
-
<div><strong>2016, mins</strong></div>
|
|
3235
|
-
|
|
3236
|
-
<dl class="dl-inline">
|
|
3237
|
-
<dt class="invisible">Description</dt>
|
|
3238
|
-
<dd><p>On 14th June, German tenor Jonas Kaufmann walked onto the stage of La Scala Milan, the home of Italian opera, for one of the most highly anticipated performances of 2015. The concert made national news in Italy and following five encores and 40mins of applause audiences were still left wanting more. This legendary performance is now the focus of a new concert film directed by Brian Large and produced by Arts Alliance. Cinema audiences worldwide will experience this unforgettable event, and be treated to a revealing introduction to Puccini – the man, the musician, the superstar – narrated by Jonas and featuring rare archive footage.</p></dd>
|
|
3239
|
-
</dl>
|
|
3240
|
-
</div>
|
|
3241
|
-
<div class="col-xs-12 col-md-4">
|
|
3242
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/jonas-kaufmann-an-evening-with-puccini" class="btn btn-primary">More details</a></p>
|
|
3243
|
-
</div>
|
|
3244
|
-
</div>
|
|
3245
|
-
</div>
|
|
3246
|
-
<dl class="row film-times clear">
|
|
3247
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3248
|
-
<dd class="col-xs-10">
|
|
3249
|
-
|
|
3250
|
-
|
|
3251
|
-
<a
|
|
3252
|
-
href="/cinema/Dukes_At_Komedia/film/jonas-kaufmann-an-evening-with-puccini/tickets/3966"
|
|
3253
|
-
class="btn btn-xs btn-default btn-special"
|
|
3254
|
-
>20.40</a>
|
|
3255
|
-
|
|
3256
|
-
<small class="film-type-desc">
|
|
3257
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3258
|
-
</small> </dd>
|
|
3259
|
-
</dl>
|
|
3260
|
-
</div>
|
|
3261
|
-
</div>
|
|
3262
|
-
</li>
|
|
3263
|
-
<li class="heading dark">Sunday 20th Mar</li>
|
|
3264
|
-
<li>
|
|
3265
|
-
<div class="row">
|
|
3266
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3267
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160320-HO00003325" data-icon="Z"></button>
|
|
3268
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rear-window">Rear Window [PG]</a></h2>
|
|
3269
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160320-HO00003325">
|
|
3270
|
-
|
|
3271
|
-
<div class="row no-pd">
|
|
3272
|
-
<div class="col-xs-12 col-md-8">
|
|
3273
|
-
<div><strong>2016, mins</strong></div>
|
|
3274
|
-
|
|
3275
|
-
<dl class="dl-inline">
|
|
3276
|
-
<dt class="invisible">Description</dt>
|
|
3277
|
-
<dd><p><b/>Director: Alfred Hitchock. <br/>
|
|
3278
|
-
Starring: James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr. USA 1954. 112 mins. </b><br/><br/>
|
|
3279
|
-
When James Stewart’s photojournalist is confined to his apartment with a broken leg in a sweltering summer in New York, he begins to observe constantly the lives of those around him. Passive activity evolves into voyeuristic obsession, until he thinks he has witnessed a murder… One of Hitchcock’s most celebrated and morally complex films, with the camera restrained as tightly as the incapacitated protagonist and aligned to his privileged and restricted point of view. Mordant wit, nail-biting suspense and a gallery of superb performances, not least from Raymond Burr as the victimised murderer across the way. </p></dd>
|
|
3280
|
-
</dl>
|
|
3281
|
-
</div>
|
|
3282
|
-
<div class="col-xs-12 col-md-4">
|
|
3283
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rear-window" class="btn btn-primary">More details</a></p>
|
|
3284
|
-
</div>
|
|
3285
|
-
</div>
|
|
3286
|
-
</div>
|
|
3287
|
-
<dl class="row film-times clear">
|
|
3288
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3289
|
-
<dd class="col-xs-10">
|
|
3290
|
-
|
|
3291
|
-
|
|
3292
|
-
<a
|
|
3293
|
-
href="/cinema/Dukes_At_Komedia/film/rear-window/tickets/3988"
|
|
3294
|
-
class="btn btn-xs btn-default btn-special"
|
|
3295
|
-
>13.00</a>
|
|
3296
|
-
|
|
3297
|
-
<small class="film-type-desc">
|
|
3298
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Vintage Su">Vintage Sundays</a>: Classic films back on the big screen where they belong.
|
|
3299
|
-
</small> </dd>
|
|
3300
|
-
</dl>
|
|
3301
|
-
</div>
|
|
3302
|
-
</div>
|
|
3303
|
-
</li>
|
|
3304
|
-
<li class="heading dark">Monday 21st Mar</li>
|
|
3305
|
-
<li>
|
|
3306
|
-
<div class="row">
|
|
3307
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3308
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160321-HO00000981" data-icon="Z"></button>
|
|
3309
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/roh-live-boris-godunov-2015">ROH Live: Boris Godunov (2015) [12A]</a></h2>
|
|
3310
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160321-HO00000981">
|
|
3311
|
-
|
|
3312
|
-
<div class="row no-pd">
|
|
3313
|
-
<div class="col-xs-12 col-md-8">
|
|
3314
|
-
<div><strong>2016, mins</strong></div>
|
|
3315
|
-
|
|
3316
|
-
<dl class="dl-inline">
|
|
3317
|
-
<dt class="invisible">Description</dt>
|
|
3318
|
-
<dd><p>Richard Jones and Antonio Pappano renew their creative collaboration with this new production of Musorgsky’s historical masterpiece, here seen in its compact 1869 first version in seven scenes. The originality of the composer’s vision of Pushkin’s play about Tsar Boris Godunov – who reigned over Russia between 1598 and 1605 – was too much for the management of the Imperial Theatres, who demanded changes that were incorporated in the second version of the opera, in which Boris finally had its premiere in 1874. Many commentators, nevertheless, prefer the integrity of the original, which makes few concessions to operatic conventions. Keenly awaited will be Bryn Terfel’s assumption of the title role – one of the most complex characters in opera – while John Graham-Hall appears as the crafty Prince Shuisky and John Tomlinson as the vagabond monk Varlaam.</p></dd>
|
|
3319
|
-
</dl>
|
|
3320
|
-
</div>
|
|
3321
|
-
<div class="col-xs-12 col-md-4">
|
|
3322
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/roh-live-boris-godunov-2015" class="btn btn-primary">More details</a></p>
|
|
3323
|
-
</div>
|
|
3324
|
-
</div>
|
|
3325
|
-
</div>
|
|
3326
|
-
<dl class="row film-times clear">
|
|
3327
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3328
|
-
<dd class="col-xs-10">
|
|
3329
|
-
|
|
3330
|
-
|
|
3331
|
-
<a
|
|
3332
|
-
href="/cinema/Dukes_At_Komedia/film/roh-live-boris-godunov-2015/tickets/1067"
|
|
3333
|
-
class="btn btn-xs btn-default btn-special"
|
|
3334
|
-
>19.15</a>
|
|
3335
|
-
|
|
3336
|
-
<small class="film-type-desc">
|
|
3337
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3338
|
-
</small> </dd>
|
|
3339
|
-
</dl>
|
|
3340
|
-
</div>
|
|
3341
|
-
</div>
|
|
3342
|
-
</li>
|
|
3343
|
-
<li class="heading dark">Sunday 27th Mar</li>
|
|
3344
|
-
<li>
|
|
3345
|
-
<div class="row">
|
|
3346
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3347
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160327-HO00003379" data-icon="Z"></button>
|
|
3348
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/day-for-night">Day for Night [12A]</a></h2>
|
|
3349
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160327-HO00003379">
|
|
3350
|
-
|
|
3351
|
-
<div class="row no-pd">
|
|
3352
|
-
<div class="col-xs-12 col-md-8">
|
|
3353
|
-
<div><strong>2016, mins</strong></div>
|
|
3354
|
-
|
|
3355
|
-
<dl class="dl-inline">
|
|
3356
|
-
<dt class="invisible">Description</dt>
|
|
3357
|
-
<dd><p><b/>Director: Francois Truffaut. <br/>
|
|
3358
|
-
Starring: Jacqueline Bisset, Jean-Pierre Leaud, Jean-Pierre Aumant, Francois Truffaut, Nathalie Baye. France/Italy 1973. 116 mins.</b><br/><br/>
|
|
3359
|
-
Truffaut’s enjoyable comedy about the everday crises - emotional and practical - as director, cast and crew set about the filming of a soapy love story in the Victorine Studios in Nice. Rampant and unstable egos, unco-operative animals and an early appearance by Nathalie Baye in a homage to cinema and all its works that leans more to Hollywood than the methods or spirit of the nouvelle vague.</p></dd>
|
|
3360
|
-
</dl>
|
|
3361
|
-
</div>
|
|
3362
|
-
<div class="col-xs-12 col-md-4">
|
|
3363
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/day-for-night" class="btn btn-primary">More details</a></p>
|
|
3364
|
-
</div>
|
|
3365
|
-
</div>
|
|
3366
|
-
</div>
|
|
3367
|
-
<dl class="row film-times clear">
|
|
3368
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3369
|
-
<dd class="col-xs-10">
|
|
3370
|
-
|
|
3371
|
-
|
|
3372
|
-
<a
|
|
3373
|
-
href="/cinema/Dukes_At_Komedia/film/day-for-night/tickets/3989"
|
|
3374
|
-
class="btn btn-xs btn-default btn-special"
|
|
3375
|
-
>13.00</a>
|
|
3376
|
-
|
|
3377
|
-
<small class="film-type-desc">
|
|
3378
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Vintage Su">Vintage Sundays</a>: Classic films back on the big screen where they belong.
|
|
3379
|
-
</small> </dd>
|
|
3380
|
-
</dl>
|
|
3381
|
-
</div>
|
|
3382
|
-
</div>
|
|
3383
|
-
</li>
|
|
3384
|
-
<li class="heading dark">Saturday 2nd Apr</li>
|
|
3385
|
-
<li>
|
|
3386
|
-
<div class="row">
|
|
3387
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3388
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160402-HO00001684" data-icon="Z"></button>
|
|
3389
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-opera-madama-butterfly">Met. Opera: Madama Butterfly [12A]</a></h2>
|
|
3390
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160402-HO00001684">
|
|
3391
|
-
|
|
3392
|
-
<div class="row no-pd">
|
|
3393
|
-
<div class="col-xs-12 col-md-8">
|
|
3394
|
-
<div><strong>2016, mins</strong></div>
|
|
3395
|
-
|
|
3396
|
-
<dl class="dl-inline">
|
|
3397
|
-
<dt class="invisible">Description</dt>
|
|
3398
|
-
<dd><p><i>Giacomo Puccini's Madama Butterfly</i>
|
|
3399
|
-
<br/><br/>
|
|
3400
|
-
Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. Two of the world’s foremost Butterflys, sopranos Kristine Opolais and Patricia Racette, share the title role. Tenors Massimo Giordano and Roberto Alagna sing Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.
|
|
3401
|
-
<br/><br/>
|
|
3402
|
-
<i>Estimated run time 215 mins</i></p></dd>
|
|
3403
|
-
</dl>
|
|
3404
|
-
</div>
|
|
3405
|
-
<div class="col-xs-12 col-md-4">
|
|
3406
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-opera-madama-butterfly" class="btn btn-primary">More details</a></p>
|
|
3407
|
-
</div>
|
|
3408
|
-
</div>
|
|
3409
|
-
</div>
|
|
3410
|
-
<dl class="row film-times clear">
|
|
3411
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3412
|
-
<dd class="col-xs-10">
|
|
3413
|
-
|
|
3414
|
-
|
|
3415
|
-
<a
|
|
3416
|
-
href="/cinema/Dukes_At_Komedia/film/met-opera-madama-butterfly/tickets/1926"
|
|
3417
|
-
class="btn btn-xs btn-default btn-special"
|
|
3418
|
-
>17.55</a>
|
|
3419
|
-
|
|
3420
|
-
<small class="film-type-desc">
|
|
3421
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3422
|
-
</small> </dd>
|
|
3423
|
-
</dl>
|
|
3424
|
-
</div>
|
|
3425
|
-
</div>
|
|
3426
|
-
</li>
|
|
3427
|
-
<li class="heading dark">Sunday 3rd Apr</li>
|
|
3428
|
-
<li>
|
|
3429
|
-
<div class="row">
|
|
3430
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3431
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160403-HO00003327" data-icon="Z"></button>
|
|
3432
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/400-blows">400 Blows [PG]</a></h2>
|
|
3433
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160403-HO00003327">
|
|
3434
|
-
<div class="embed-responsive embed-responsive-16by9 btm-mg clear" data-iframe="//www.youtube.com/embed/i89oN8v7RdY"></div>
|
|
3435
|
-
|
|
3436
|
-
<div class="row no-pd">
|
|
3437
|
-
<div class="col-xs-12 col-md-8">
|
|
3438
|
-
<div><strong>2016, mins</strong></div>
|
|
3439
|
-
|
|
3440
|
-
<dl class="dl-inline">
|
|
3441
|
-
<dt class="invisible">Description</dt>
|
|
3442
|
-
<dd><p><b/>Director: François Truffaut. <br/>
|
|
3443
|
-
Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble, Georges Flamant. France 1959. 99 mins. French with English subtitles. </b><br/><br/>
|
|
3444
|
-
|
|
3445
|
-
Truffaut's first feature, about a 13 year old's bleak odyssey through family life and reform school, ending in an escape whose precarious permanence is questioned by the final frozen image of the boy's face as he reaches the sea. The central character of Antoine Doinel (Jean-Pierre Leaud) would reappear in many of Truffaut’s later films and would come to define Leaud’s onscreen persona. Of huge influence upon later films from many parts of the world, THE 400 BLOWS remains a fresh and vivid evocation of childhood as well as a love letter from the director to the world of movies. Much admired by established and new directors alike, the film retains its seminal importance in the history of cinema.
|
|
3446
|
-
</p></dd>
|
|
3447
|
-
</dl>
|
|
3448
|
-
</div>
|
|
3449
|
-
<div class="col-xs-12 col-md-4">
|
|
3450
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/400-blows" class="btn btn-primary">More details</a></p>
|
|
3451
|
-
</div>
|
|
3452
|
-
</div>
|
|
3453
|
-
</div>
|
|
3454
|
-
<dl class="row film-times clear">
|
|
3455
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3456
|
-
<dd class="col-xs-10">
|
|
3457
|
-
|
|
3458
|
-
|
|
3459
|
-
<a
|
|
3460
|
-
href="/cinema/Dukes_At_Komedia/film/400-blows/tickets/3990"
|
|
3461
|
-
class="btn btn-xs btn-default btn-special"
|
|
3462
|
-
>13.00</a>
|
|
3463
|
-
|
|
3464
|
-
<small class="film-type-desc">
|
|
3465
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Vintage Su">Vintage Sundays</a>: Classic films back on the big screen where they belong.
|
|
3466
|
-
</small> </dd>
|
|
3467
|
-
</dl>
|
|
3468
|
-
</div>
|
|
3469
|
-
</div>
|
|
3470
|
-
</li>
|
|
3471
|
-
<li class="heading dark">Monday 4th Apr</li>
|
|
3472
|
-
<li>
|
|
3473
|
-
<div class="row">
|
|
3474
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3475
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160404-HO00001685" data-icon="Z"></button>
|
|
3476
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-encore-madama-butterfly">Met. Encore: Madama Butterfly [12A]</a></h2>
|
|
3477
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160404-HO00001685">
|
|
3478
|
-
|
|
3479
|
-
<div class="row no-pd">
|
|
3480
|
-
<div class="col-xs-12 col-md-8">
|
|
3481
|
-
<div><strong>2016, mins</strong></div>
|
|
3482
|
-
|
|
3483
|
-
<dl class="dl-inline">
|
|
3484
|
-
<dt class="invisible">Description</dt>
|
|
3485
|
-
<dd><p><i>Giacomo Puccini's Madama Butterfly</i>
|
|
3486
|
-
<br/><br/>
|
|
3487
|
-
Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. Two of the world’s foremost Butterflys, sopranos Kristine Opolais and Patricia Racette, share the title role. Tenors Massimo Giordano and Roberto Alagna sing Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.
|
|
3488
|
-
<br/><br/>
|
|
3489
|
-
<i>Estimated run time 215 mins</i></p></dd>
|
|
3490
|
-
</dl>
|
|
3491
|
-
</div>
|
|
3492
|
-
<div class="col-xs-12 col-md-4">
|
|
3493
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-encore-madama-butterfly" class="btn btn-primary">More details</a></p>
|
|
3494
|
-
</div>
|
|
3495
|
-
</div>
|
|
3496
|
-
</div>
|
|
3497
|
-
<dl class="row film-times clear">
|
|
3498
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3499
|
-
<dd class="col-xs-10">
|
|
3500
|
-
|
|
3501
|
-
|
|
3502
|
-
<a
|
|
3503
|
-
href="/cinema/Dukes_At_Komedia/film/met-encore-madama-butterfly/tickets/1927"
|
|
3504
|
-
class="btn btn-xs btn-default btn-special"
|
|
3505
|
-
>12.30</a>
|
|
3506
|
-
|
|
3507
|
-
<small class="film-type-desc">
|
|
3508
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3509
|
-
</small> </dd>
|
|
3510
|
-
</dl>
|
|
3511
|
-
</div>
|
|
3512
|
-
</div>
|
|
3513
|
-
</li>
|
|
3514
|
-
<li class="heading dark">Wednesday 6th Apr</li>
|
|
3515
|
-
<li>
|
|
3516
|
-
<div class="row">
|
|
3517
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3518
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160406-HO00000996" data-icon="Z"></button>
|
|
3519
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/roh-live-giselle">ROH Live: Giselle [12A]</a></h2>
|
|
3520
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160406-HO00000996">
|
|
3521
|
-
|
|
3522
|
-
<div class="row no-pd">
|
|
3523
|
-
<div class="col-xs-12 col-md-8">
|
|
3524
|
-
<div><strong>2016, mins</strong></div>
|
|
3525
|
-
|
|
3526
|
-
<dl class="dl-inline">
|
|
3527
|
-
<dt class="invisible">Description</dt>
|
|
3528
|
-
<dd><p>Giselle is the quintessential Romantic classic, a love affair that begins in the real world and continues beyond the grave. The ballet’s title role also offers one of the great challenges of the ballet repertory, as Giselle transforms from an innocent peasant girl, duped into love, to a forgiving spirit who saves her lover from death. For the ballerina this is a role of two contrasting halves: in Act I she must appear naïve and artless, her dancing alive with an earthy enthusiasm; in Act II she transforms into light and air, her dancing so ethereal as to seem weightless. In Peter Wright’s production, the dual aspect of the ballet is perfectly achieved: the first act dramatized in rich, naturalistic detail and the second with a spectral, moonlit beauty.</p></dd>
|
|
3529
|
-
</dl>
|
|
3530
|
-
</div>
|
|
3531
|
-
<div class="col-xs-12 col-md-4">
|
|
3532
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/roh-live-giselle" class="btn btn-primary">More details</a></p>
|
|
3533
|
-
</div>
|
|
3534
|
-
</div>
|
|
3535
|
-
</div>
|
|
3536
|
-
<dl class="row film-times clear">
|
|
3537
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3538
|
-
<dd class="col-xs-10">
|
|
3539
|
-
|
|
3540
|
-
|
|
3541
|
-
<a
|
|
3542
|
-
href="/cinema/Dukes_At_Komedia/film/roh-live-giselle/tickets/1068"
|
|
3543
|
-
class="btn btn-xs btn-default btn-special"
|
|
3544
|
-
>19.15</a>
|
|
3545
|
-
|
|
3546
|
-
<small class="film-type-desc">
|
|
3547
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3548
|
-
</small> </dd>
|
|
3549
|
-
</dl>
|
|
3550
|
-
</div>
|
|
3551
|
-
</div>
|
|
3552
|
-
</li>
|
|
3553
|
-
<li class="heading dark">Sunday 10th Apr</li>
|
|
3554
|
-
<li>
|
|
3555
|
-
<div class="row">
|
|
3556
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3557
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160410-HO00001008" data-icon="Z"></button>
|
|
3558
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-don-quixote">Bolshoi Ballet: Don Quixote [12A]</a></h2>
|
|
3559
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160410-HO00001008">
|
|
3560
|
-
|
|
3561
|
-
<div class="row no-pd">
|
|
3562
|
-
<div class="col-xs-12 col-md-8">
|
|
3563
|
-
<div><strong>2016, mins</strong></div>
|
|
3564
|
-
|
|
3565
|
-
<dl class="dl-inline">
|
|
3566
|
-
<dt class="invisible">Description</dt>
|
|
3567
|
-
<dd><p>Cervantes’ eccentric hero Don Quixote sets off with his loyal squire Sancho Panza on journey full of adventures in search of his perfect woman. Along the way he meets Kitri, the dazzling daughter of an innkeeper, who he thinks might be his ideal love.
|
|
3568
|
-
<br/><br/>
|
|
3569
|
-
The Bolshoi’s panache and excellence are combined in Fadeyechev’s critically acclaimed staging of this exhilarating performance with Leon Minkus’ famous score. Featuring brand new sets and costumes to accompany this colourful and technically challenging production, Don Quixote is quintessential Bolshoi, abounding with life and not to be missed!</p></dd>
|
|
3570
|
-
</dl>
|
|
3571
|
-
</div>
|
|
3572
|
-
<div class="col-xs-12 col-md-4">
|
|
3573
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-don-quixote" class="btn btn-primary">More details</a></p>
|
|
3574
|
-
</div>
|
|
3575
|
-
</div>
|
|
3576
|
-
</div>
|
|
3577
|
-
<dl class="row film-times clear">
|
|
3578
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3579
|
-
<dd class="col-xs-10">
|
|
3580
|
-
|
|
3581
|
-
|
|
3582
|
-
<a
|
|
3583
|
-
href="/cinema/Dukes_At_Komedia/film/bolshoi-ballet-don-quixote/tickets/1079"
|
|
3584
|
-
class="btn btn-xs btn-default btn-special"
|
|
3585
|
-
>16.00</a>
|
|
3586
|
-
|
|
3587
|
-
<small class="film-type-desc">
|
|
3588
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3589
|
-
</small> </dd>
|
|
3590
|
-
</dl>
|
|
3591
|
-
</div>
|
|
3592
|
-
</div>
|
|
3593
|
-
</li>
|
|
3594
|
-
<li class="heading dark">Saturday 16th Apr</li>
|
|
3595
|
-
<li>
|
|
3596
|
-
<div class="row">
|
|
3597
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3598
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160416-HO00001686" data-icon="Z"></button>
|
|
3599
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-opera-roberto-devereux">Met. Opera: Roberto Devereux [12A]</a></h2>
|
|
3600
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160416-HO00001686">
|
|
3601
|
-
|
|
3602
|
-
<div class="row no-pd">
|
|
3603
|
-
<div class="col-xs-12 col-md-8">
|
|
3604
|
-
<div><strong>2016, mins</strong></div>
|
|
3605
|
-
|
|
3606
|
-
<dl class="dl-inline">
|
|
3607
|
-
<dt class="invisible">Description</dt>
|
|
3608
|
-
<dd><p><b>Gaetano Donizetti's Roberto Devereux</b>
|
|
3609
|
-
<br/><br/>
|
|
3610
|
-
Soprano Sondra Radvanovsky takes on the extraordinary challenge of singing all three of Donizetti’s Tudor queens in the course of a single season, a rare feat made famous by Beverly Sills—and not attempted on a New York stage since. In this climactic opera of the trilogy, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elīna Garanča and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, conducted by Donizetti specialist Maurizio Benini. As with the earlier Anna Bolena and Maria Stuarda, the production is by Sir David McVicar, who with this staging completes an enormously ambitious directorial accomplishment.
|
|
3611
|
-
<br/><br/>
|
|
3612
|
-
<i>Estimated run time 191 mins</i></p></dd>
|
|
3613
|
-
</dl>
|
|
3614
|
-
</div>
|
|
3615
|
-
<div class="col-xs-12 col-md-4">
|
|
3616
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-opera-roberto-devereux" class="btn btn-primary">More details</a></p>
|
|
3617
|
-
</div>
|
|
3618
|
-
</div>
|
|
3619
|
-
</div>
|
|
3620
|
-
<dl class="row film-times clear">
|
|
3621
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3622
|
-
<dd class="col-xs-10">
|
|
3623
|
-
|
|
3624
|
-
|
|
3625
|
-
<a
|
|
3626
|
-
href="/cinema/Dukes_At_Komedia/film/met-opera-roberto-devereux/tickets/1928"
|
|
3627
|
-
class="btn btn-xs btn-default btn-special"
|
|
3628
|
-
>17.55</a>
|
|
3629
|
-
|
|
3630
|
-
<small class="film-type-desc">
|
|
3631
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3632
|
-
</small> </dd>
|
|
3633
|
-
</dl>
|
|
3634
|
-
</div>
|
|
3635
|
-
</div>
|
|
3636
|
-
</li>
|
|
3637
|
-
<li class="heading dark">Monday 18th Apr</li>
|
|
3638
|
-
<li>
|
|
3639
|
-
<div class="row">
|
|
3640
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3641
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160418-HO00001687" data-icon="Z"></button>
|
|
3642
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-encore-roberto-devereux">Met. Encore: Roberto Devereux [12A]</a></h2>
|
|
3643
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160418-HO00001687">
|
|
3644
|
-
|
|
3645
|
-
<div class="row no-pd">
|
|
3646
|
-
<div class="col-xs-12 col-md-8">
|
|
3647
|
-
<div><strong>2016, mins</strong></div>
|
|
3648
|
-
|
|
3649
|
-
<dl class="dl-inline">
|
|
3650
|
-
<dt class="invisible">Description</dt>
|
|
3651
|
-
<dd><p><b>Gaetano Donizetti's Roberto Devereux</b>
|
|
3652
|
-
<br/><br/>
|
|
3653
|
-
Soprano Sondra Radvanovsky takes on the extraordinary challenge of singing all three of Donizetti’s Tudor queens in the course of a single season, a rare feat made famous by Beverly Sills—and not attempted on a New York stage since. In this climactic opera of the trilogy, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elīna Garanča and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, conducted by Donizetti specialist Maurizio Benini. As with the earlier Anna Bolena and Maria Stuarda, the production is by Sir David McVicar, who with this staging completes an enormously ambitious directorial accomplishment.
|
|
3654
|
-
<br/><br/>
|
|
3655
|
-
<i>Estimated run time 191 mins</i></p></dd>
|
|
3656
|
-
</dl>
|
|
3657
|
-
</div>
|
|
3658
|
-
<div class="col-xs-12 col-md-4">
|
|
3659
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-encore-roberto-devereux" class="btn btn-primary">More details</a></p>
|
|
3660
|
-
</div>
|
|
3661
|
-
</div>
|
|
3662
|
-
</div>
|
|
3663
|
-
<dl class="row film-times clear">
|
|
3664
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3665
|
-
<dd class="col-xs-10">
|
|
3666
|
-
|
|
3667
|
-
|
|
3668
|
-
<a
|
|
3669
|
-
href="/cinema/Dukes_At_Komedia/film/met-encore-roberto-devereux/tickets/1929"
|
|
3670
|
-
class="btn btn-xs btn-default btn-special"
|
|
3671
|
-
>12.30</a>
|
|
3672
|
-
|
|
3673
|
-
<small class="film-type-desc">
|
|
3674
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3675
|
-
</small> </dd>
|
|
3676
|
-
</dl>
|
|
3677
|
-
</div>
|
|
3678
|
-
</div>
|
|
3679
|
-
</li>
|
|
3680
|
-
<li>
|
|
3681
|
-
<div class="row">
|
|
3682
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3683
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160418-HO00002972" data-icon="Z"></button>
|
|
3684
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-painting-the-modern-garden">Exhibition On Screen: Painting The Modern Garden [12A]</a></h2>
|
|
3685
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160418-HO00002972">
|
|
3686
|
-
|
|
3687
|
-
<div class="row no-pd">
|
|
3688
|
-
<div class="col-xs-12 col-md-8">
|
|
3689
|
-
<div><strong>2016, mins</strong></div>
|
|
3690
|
-
|
|
3691
|
-
<dl class="dl-inline">
|
|
3692
|
-
<dt class="invisible">Description</dt>
|
|
3693
|
-
<dd><p><b><i>Painting the Modern Garden: Monet to Matisse</i>
|
|
3694
|
-
<br/><br/>
|
|
3695
|
-
From the Royal Academy of Arts, London & the Cleveland Museum of Art</b>
|
|
3696
|
-
<br/><br/>
|
|
3697
|
-
Monet was an avid horticulturist and arguably the most important painter of gardens in the history of art but he was not alone. Artists like Van Gogh, Bonnard, Pissarro and Matisse all saw the garden as a powerful subject for their art. These great artists, along with many other famous names, feature in an innovative exhibition from The Cleveland Museum of Art and The Royal Academy, London.
|
|
3698
|
-
<br/><br/>
|
|
3699
|
-
From the exhibition walls to the beauty of artist gardens like Monet’s Giverny, we take a magical journey to discover how artists used the modern garden to explore radical and wonderful new ideas.
|
|
3700
|
-
<br/><br/>
|
|
3701
|
-
<i>Running time: 90 minutes</i>
|
|
3702
|
-
</p></dd>
|
|
3703
|
-
</dl>
|
|
3704
|
-
</div>
|
|
3705
|
-
<div class="col-xs-12 col-md-4">
|
|
3706
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-painting-the-modern-garden" class="btn btn-primary">More details</a></p>
|
|
3707
|
-
</div>
|
|
3708
|
-
</div>
|
|
3709
|
-
</div>
|
|
3710
|
-
<dl class="row film-times clear">
|
|
3711
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3712
|
-
<dd class="col-xs-10">
|
|
3713
|
-
|
|
3714
|
-
|
|
3715
|
-
<a
|
|
3716
|
-
href="/cinema/Dukes_At_Komedia/film/exhibition-on-screen-painting-the-modern-garden/tickets/3182"
|
|
3717
|
-
class="btn btn-xs btn-default-dark"
|
|
3718
|
-
>18.30</a>
|
|
3719
|
-
|
|
3720
|
-
</dd>
|
|
3721
|
-
</dl>
|
|
3722
|
-
</div>
|
|
3723
|
-
</div>
|
|
3724
|
-
</li>
|
|
3725
|
-
<li class="heading dark">Monday 25th Apr</li>
|
|
3726
|
-
<li>
|
|
3727
|
-
<div class="row">
|
|
3728
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3729
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160425-HO00000997" data-icon="Z"></button>
|
|
3730
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/roh-live-lucia-di-lammermoor">ROH Live: Lucia di Lammermoor [12A]</a></h2>
|
|
3731
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160425-HO00000997">
|
|
3732
|
-
|
|
3733
|
-
<div class="row no-pd">
|
|
3734
|
-
<div class="col-xs-12 col-md-8">
|
|
3735
|
-
<div><strong>2016, mins</strong></div>
|
|
3736
|
-
|
|
3737
|
-
<dl class="dl-inline">
|
|
3738
|
-
<dt class="invisible">Description</dt>
|
|
3739
|
-
<dd><p>Lucia di Lammermoor tells the story of an ongoing feud between two families in 17thcentury Scotland that has terrible consequences for two young lovers.. It contains what is undoubtedly one of opera’s most poignant and gripping mad scenes, and is regarded as one of Donizetti’s finest works. The opera has not been seen at the Royal Opera House in more than a decade, so this new production by Katie Mitchell will be a particularly important and exciting event. The title role will be sung by Diana Damrau,, an expert in the coloratura repertory, while American tenor Charles Castronovo takes on that of her secret lover, the reckless and passionate Edgardo.</p></dd>
|
|
3740
|
-
</dl>
|
|
3741
|
-
</div>
|
|
3742
|
-
<div class="col-xs-12 col-md-4">
|
|
3743
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/roh-live-lucia-di-lammermoor" class="btn btn-primary">More details</a></p>
|
|
3744
|
-
</div>
|
|
3745
|
-
</div>
|
|
3746
|
-
</div>
|
|
3747
|
-
<dl class="row film-times clear">
|
|
3748
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3749
|
-
<dd class="col-xs-10">
|
|
3750
|
-
|
|
3751
|
-
|
|
3752
|
-
<a
|
|
3753
|
-
href="/cinema/Dukes_At_Komedia/film/roh-live-lucia-di-lammermoor/tickets/1069"
|
|
3754
|
-
class="btn btn-xs btn-default btn-special"
|
|
3755
|
-
>19.15</a>
|
|
3756
|
-
|
|
3757
|
-
<small class="film-type-desc">
|
|
3758
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3759
|
-
</small> </dd>
|
|
3760
|
-
</dl>
|
|
3761
|
-
</div>
|
|
3762
|
-
</div>
|
|
3763
|
-
</li>
|
|
3764
|
-
<li class="heading dark">Saturday 30th Apr</li>
|
|
3765
|
-
<li>
|
|
3766
|
-
<div class="row">
|
|
3767
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3768
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160430-HO00001689" data-icon="Z"></button>
|
|
3769
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-opera-elektra">Met. Opera: Elektra [12A]</a></h2>
|
|
3770
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160430-HO00001689">
|
|
3771
|
-
|
|
3772
|
-
<div class="row no-pd">
|
|
3773
|
-
<div class="col-xs-12 col-md-8">
|
|
3774
|
-
<div><strong>2016, mins</strong></div>
|
|
3775
|
-
|
|
3776
|
-
<dl class="dl-inline">
|
|
3777
|
-
<dt class="invisible">Description</dt>
|
|
3778
|
-
<dd><p><b>Richard Strauss' Electra</b>
|
|
3779
|
-
<br/><br/>
|
|
3780
|
-
The genius director Patrice Chéreau (From The House Of The Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme – unmatched today in the heroic female roles of Strauss and Wagner – who portrays Elektra’s primal quest for vengeance for the murder of her father, Agamemnon. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass-baritone Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator Esa-Pekka Salonen conducts Strauss’s mighty take on Greek myth.
|
|
3781
|
-
<br/><br/>
|
|
3782
|
-
<i>Estimated run time 130 mins</i></p></dd>
|
|
3783
|
-
</dl>
|
|
3784
|
-
</div>
|
|
3785
|
-
<div class="col-xs-12 col-md-4">
|
|
3786
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-opera-elektra" class="btn btn-primary">More details</a></p>
|
|
3787
|
-
</div>
|
|
3788
|
-
</div>
|
|
3789
|
-
</div>
|
|
3790
|
-
<dl class="row film-times clear">
|
|
3791
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3792
|
-
<dd class="col-xs-10">
|
|
3793
|
-
|
|
3794
|
-
|
|
3795
|
-
<a
|
|
3796
|
-
href="/cinema/Dukes_At_Komedia/film/met-opera-elektra/tickets/1930"
|
|
3797
|
-
class="btn btn-xs btn-default btn-special"
|
|
3798
|
-
>17.55</a>
|
|
3799
|
-
|
|
3800
|
-
<small class="film-type-desc">
|
|
3801
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3802
|
-
</small> </dd>
|
|
3803
|
-
</dl>
|
|
3804
|
-
</div>
|
|
3805
|
-
</div>
|
|
3806
|
-
</li>
|
|
3807
|
-
<li class="heading dark">Monday 2nd May</li>
|
|
3808
|
-
<li>
|
|
3809
|
-
<div class="row">
|
|
3810
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3811
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160502-HO00001688" data-icon="Z"></button>
|
|
3812
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/met-encore-elektra">Met. Encore: Elektra [12A]</a></h2>
|
|
3813
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160502-HO00001688">
|
|
3814
|
-
|
|
3815
|
-
<div class="row no-pd">
|
|
3816
|
-
<div class="col-xs-12 col-md-8">
|
|
3817
|
-
<div><strong>2016, mins</strong></div>
|
|
3818
|
-
|
|
3819
|
-
<dl class="dl-inline">
|
|
3820
|
-
<dt class="invisible">Description</dt>
|
|
3821
|
-
<dd><p><b>Richard Strauss' Electra</b>
|
|
3822
|
-
<br/><br/>
|
|
3823
|
-
The genius director Patrice Chéreau (From The House Of The Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme – unmatched today in the heroic female roles of Strauss and Wagner – who portrays Elektra’s primal quest for vengeance for the murder of her father, Agamemnon. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass-baritone Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator Esa-Pekka Salonen conducts Strauss’s mighty take on Greek myth.
|
|
3824
|
-
<br/><br/>
|
|
3825
|
-
<i>Estimated run time 130 mins</i></p></dd>
|
|
3826
|
-
</dl>
|
|
3827
|
-
</div>
|
|
3828
|
-
<div class="col-xs-12 col-md-4">
|
|
3829
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/met-encore-elektra" class="btn btn-primary">More details</a></p>
|
|
3830
|
-
</div>
|
|
3831
|
-
</div>
|
|
3832
|
-
</div>
|
|
3833
|
-
<dl class="row film-times clear">
|
|
3834
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3835
|
-
<dd class="col-xs-10">
|
|
3836
|
-
|
|
3837
|
-
|
|
3838
|
-
<a
|
|
3839
|
-
href="/cinema/Dukes_At_Komedia/film/met-encore-elektra/tickets/1931"
|
|
3840
|
-
class="btn btn-xs btn-default btn-special"
|
|
3841
|
-
>12.30</a>
|
|
3842
|
-
|
|
3843
|
-
<small class="film-type-desc">
|
|
3844
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Met Opera">Met Opera</a>.
|
|
3845
|
-
</small> </dd>
|
|
3846
|
-
</dl>
|
|
3847
|
-
</div>
|
|
3848
|
-
</div>
|
|
3849
|
-
</li>
|
|
3850
|
-
<li class="heading dark">Monday 9th May</li>
|
|
3851
|
-
<li>
|
|
3852
|
-
<div class="row">
|
|
3853
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3854
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160509-HO00003193" data-icon="Z"></button>
|
|
3855
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/matthew-bournes-the-car-man">Matthew Bourne's The Car Man [12A]</a></h2>
|
|
3856
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160509-HO00003193">
|
|
3857
|
-
|
|
3858
|
-
<div class="row no-pd">
|
|
3859
|
-
<div class="col-xs-12 col-md-8">
|
|
3860
|
-
<div><strong>2016, mins</strong></div>
|
|
3861
|
-
|
|
3862
|
-
<dl class="dl-inline">
|
|
3863
|
-
<dt class="invisible">Description</dt>
|
|
3864
|
-
<dd><p>A sensational new dance event for cinemas from the internationally acclaimed choreographer Matthew Bourne and his Dance Company New Adventures, The Car Man is loosely based on Bizet"s popular opera Carmen and has one of the most thrilling and instantly recognisable scores in classical music, brilliantly arranged by Terry Davies.
|
|
3865
|
-
<br/><br/>
|
|
3866
|
-
The familiar 19th Century Spanish cigarette factory becomes a greasy garage-diner in 1960’s America where the dreams and passions of a small-town are shattered by the arrival of a handsome stranger. Fuelled by heat and desire, the inhabitants are driven into an unstoppable spiral of greed, lust, betrayal and revenge. Lez Brotherston’s epic design, Chris Davey’s evocative lighting and Matthew Bourne’s vivid storytelling take in a wealth of cinematic references, creating a powerful and uncompromising vision of small-town America.</p></dd>
|
|
3867
|
-
</dl>
|
|
3868
|
-
</div>
|
|
3869
|
-
<div class="col-xs-12 col-md-4">
|
|
3870
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/matthew-bournes-the-car-man" class="btn btn-primary">More details</a></p>
|
|
3871
|
-
</div>
|
|
3872
|
-
</div>
|
|
3873
|
-
</div>
|
|
3874
|
-
<dl class="row film-times clear">
|
|
3875
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3876
|
-
<dd class="col-xs-10">
|
|
3877
|
-
|
|
3878
|
-
|
|
3879
|
-
<a
|
|
3880
|
-
href="/cinema/Dukes_At_Komedia/film/matthew-bournes-the-car-man/tickets/3639"
|
|
3881
|
-
class="btn btn-xs btn-default btn-special"
|
|
3882
|
-
>20.30</a>
|
|
3883
|
-
|
|
3884
|
-
<small class="film-type-desc">
|
|
3885
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3886
|
-
</small> </dd>
|
|
3887
|
-
</dl>
|
|
3888
|
-
</div>
|
|
3889
|
-
</div>
|
|
3890
|
-
</li>
|
|
3891
|
-
<li class="heading dark">Wednesday 18th May</li>
|
|
3892
|
-
<li>
|
|
3893
|
-
<div class="row">
|
|
3894
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3895
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160518-HO00000998" data-icon="Z"></button>
|
|
3896
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/roh-live-frankenstein">ROH Live: Frankenstein [12A]</a></h2>
|
|
3897
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160518-HO00000998">
|
|
3898
|
-
|
|
3899
|
-
<div class="row no-pd">
|
|
3900
|
-
<div class="col-xs-12 col-md-8">
|
|
3901
|
-
<div><strong>2016, mins</strong></div>
|
|
3902
|
-
|
|
3903
|
-
<dl class="dl-inline">
|
|
3904
|
-
<dt class="invisible">Description</dt>
|
|
3905
|
-
<dd><p>Royal Ballet Artist in Residence Liam Scarlett has chosen Mary Shelley’s gothic classic Frankenstein as the basis for his first full-length narrative ballet for the Covent Garden Main Stage. A story of betrayal, curiosity, life, death and, above all, love, it inspires Scarlett to explore the very depths of human nature and our need to find acceptance and a place in the world. For this exciting new ballet Scarlett returns to the music of Lowell Liebermann, from whom he has commissioned a brand new score.</p></dd>
|
|
3906
|
-
</dl>
|
|
3907
|
-
</div>
|
|
3908
|
-
<div class="col-xs-12 col-md-4">
|
|
3909
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/roh-live-frankenstein" class="btn btn-primary">More details</a></p>
|
|
3910
|
-
</div>
|
|
3911
|
-
</div>
|
|
3912
|
-
</div>
|
|
3913
|
-
<dl class="row film-times clear">
|
|
3914
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3915
|
-
<dd class="col-xs-10">
|
|
3916
|
-
|
|
3917
|
-
|
|
3918
|
-
<a
|
|
3919
|
-
href="/cinema/Dukes_At_Komedia/film/roh-live-frankenstein/tickets/1070"
|
|
3920
|
-
class="btn btn-xs btn-default btn-special"
|
|
3921
|
-
>19.15</a>
|
|
3922
|
-
|
|
3923
|
-
<small class="film-type-desc">
|
|
3924
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3925
|
-
</small> </dd>
|
|
3926
|
-
</dl>
|
|
3927
|
-
</div>
|
|
3928
|
-
</div>
|
|
3929
|
-
</li>
|
|
3930
|
-
<li class="heading dark">Monday 23rd May</li>
|
|
3931
|
-
<li>
|
|
3932
|
-
<div class="row">
|
|
3933
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3934
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160523-HO00003194" data-icon="Z"></button>
|
|
3935
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/alvin-ailey-american-dance-theater-mixed-programme">Alvin Ailey American Dance Theater Mixed Programme [12A]</a></h2>
|
|
3936
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160523-HO00003194">
|
|
3937
|
-
|
|
3938
|
-
<div class="row no-pd">
|
|
3939
|
-
<div class="col-xs-12 col-md-8">
|
|
3940
|
-
<div><strong>2016, mins</strong></div>
|
|
3941
|
-
|
|
3942
|
-
<dl class="dl-inline">
|
|
3943
|
-
<dt class="invisible">Description</dt>
|
|
3944
|
-
<dd><p>This is your chance to witness an iconic masterpiece of American dance, Alvin Ailey"s Revelations, described by The New York Times as "one of the great works of the human spirit." This stunning, soulful tour de force draws on African-American spirituals,</p></dd>
|
|
3945
|
-
</dl>
|
|
3946
|
-
</div>
|
|
3947
|
-
<div class="col-xs-12 col-md-4">
|
|
3948
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/alvin-ailey-american-dance-theater-mixed-programme" class="btn btn-primary">More details</a></p>
|
|
3949
|
-
</div>
|
|
3950
|
-
</div>
|
|
3951
|
-
</div>
|
|
3952
|
-
<dl class="row film-times clear">
|
|
3953
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3954
|
-
<dd class="col-xs-10">
|
|
3955
|
-
|
|
3956
|
-
|
|
3957
|
-
<a
|
|
3958
|
-
href="/cinema/Dukes_At_Komedia/film/alvin-ailey-american-dance-theater-mixed-programme/tickets/3640"
|
|
3959
|
-
class="btn btn-xs btn-default btn-special"
|
|
3960
|
-
>20.30</a>
|
|
3961
|
-
|
|
3962
|
-
<small class="film-type-desc">
|
|
3963
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
3964
|
-
</small> </dd>
|
|
3965
|
-
</dl>
|
|
3966
|
-
</div>
|
|
3967
|
-
</div>
|
|
3968
|
-
</li>
|
|
3969
|
-
<li class="heading dark">Wednesday 8th Jun</li>
|
|
3970
|
-
<li>
|
|
3971
|
-
<div class="row">
|
|
3972
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
3973
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160608-HO00002456" data-icon="Z"></button>
|
|
3974
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-hamlet">RSC Live: Hamlet [12A]</a></h2>
|
|
3975
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160608-HO00002456">
|
|
3976
|
-
|
|
3977
|
-
<div class="row no-pd">
|
|
3978
|
-
<div class="col-xs-12 col-md-8">
|
|
3979
|
-
<div><strong>2016, mins</strong></div>
|
|
3980
|
-
|
|
3981
|
-
<dl class="dl-inline">
|
|
3982
|
-
<dt class="invisible">Description</dt>
|
|
3983
|
-
<dd><p>Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead.
|
|
3984
|
-
<br/><br/>
|
|
3985
|
-
Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality.
|
|
3986
|
-
<br/><br/>
|
|
3987
|
-
Simon Godwin (The Two Gentlemen of Verona 2014) directs Paapa Essiedu as Hamlet in Shakespeare’s searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world.</p></dd>
|
|
3988
|
-
</dl>
|
|
3989
|
-
</div>
|
|
3990
|
-
<div class="col-xs-12 col-md-4">
|
|
3991
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-hamlet" class="btn btn-primary">More details</a></p>
|
|
3992
|
-
</div>
|
|
3993
|
-
</div>
|
|
3994
|
-
</div>
|
|
3995
|
-
<dl class="row film-times clear">
|
|
3996
|
-
<dt class="col-xs-2">Select:</dt>
|
|
3997
|
-
<dd class="col-xs-10">
|
|
3998
|
-
|
|
3999
|
-
|
|
4000
|
-
<a
|
|
4001
|
-
href="/cinema/Dukes_At_Komedia/film/rsc-live-hamlet/tickets/2625"
|
|
4002
|
-
class="btn btn-xs btn-default btn-special"
|
|
4003
|
-
>19.00</a>
|
|
4004
|
-
|
|
4005
|
-
<small class="film-type-desc">
|
|
4006
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=RSC Live">RSC Live</a>.
|
|
4007
|
-
</small> </dd>
|
|
4008
|
-
</dl>
|
|
4009
|
-
</div>
|
|
4010
|
-
</div>
|
|
4011
|
-
</li>
|
|
4012
|
-
<li class="heading dark">Monday 13th Jun</li>
|
|
4013
|
-
<li>
|
|
4014
|
-
<div class="row">
|
|
4015
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
4016
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160613-HO00003195" data-icon="Z"></button>
|
|
4017
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/ballet-hispanico-double-bill">Ballet Hispanico Double Bill [12A]</a></h2>
|
|
4018
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160613-HO00003195">
|
|
4019
|
-
|
|
4020
|
-
<div class="row no-pd">
|
|
4021
|
-
<div class="col-xs-12 col-md-8">
|
|
4022
|
-
<div><strong>2016, mins</strong></div>
|
|
4023
|
-
|
|
4024
|
-
<dl class="dl-inline">
|
|
4025
|
-
<dt class="invisible">Description</dt>
|
|
4026
|
-
<dd><p>Ballet Hispanico will "whisk us away to contemporary dance"s hottest spot" (Washington Post) in this imaginative and theatrical showcase of Latin-inspired dancing at its best. In Club Havana, the intoxicating rhythms of the conga, rumba, mambo, and cha cha are brought to life by choreographer Pedro Ruiz, himself a native of Cuba. Hailed as a "masterpiece" by the Chicago Sun-Times, Gustavo RamArez Sansano"s CARMEN.maquia is a Picasso-inspired, contemporary take on Bizet"s classic opera about a passionate gypsy. Riveting from start to finish, the physically charged and sensual choreography fuses contemporary dance with nods to the Spanish paso doble and flamenco. Lincoln Center at the Movies brings exceptional artistic performances to local movie theaters, with its first series, Great American Dance, offering a larger-than-life experience with some of America"s most inspiring dance companies.</p></dd>
|
|
4027
|
-
</dl>
|
|
4028
|
-
</div>
|
|
4029
|
-
<div class="col-xs-12 col-md-4">
|
|
4030
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/ballet-hispanico-double-bill" class="btn btn-primary">More details</a></p>
|
|
4031
|
-
</div>
|
|
4032
|
-
</div>
|
|
4033
|
-
</div>
|
|
4034
|
-
<dl class="row film-times clear">
|
|
4035
|
-
<dt class="col-xs-2">Select:</dt>
|
|
4036
|
-
<dd class="col-xs-10">
|
|
4037
|
-
|
|
4038
|
-
|
|
4039
|
-
<a
|
|
4040
|
-
href="/cinema/Dukes_At_Komedia/film/ballet-hispanico-double-bill/tickets/3641"
|
|
4041
|
-
class="btn btn-xs btn-default btn-special"
|
|
4042
|
-
>20.30</a>
|
|
4043
|
-
|
|
4044
|
-
<small class="film-type-desc">
|
|
4045
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
4046
|
-
</small> </dd>
|
|
4047
|
-
</dl>
|
|
4048
|
-
</div>
|
|
4049
|
-
</div>
|
|
4050
|
-
</li>
|
|
4051
|
-
<li class="heading dark">Monday 27th Jun</li>
|
|
4052
|
-
<li>
|
|
4053
|
-
<div class="row">
|
|
4054
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
4055
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160627-HO00000999" data-icon="Z"></button>
|
|
4056
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/roh-live-werther">ROH Live: Werther [12A]</a></h2>
|
|
4057
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160627-HO00000999">
|
|
4058
|
-
|
|
4059
|
-
<div class="row no-pd">
|
|
4060
|
-
<div class="col-xs-12 col-md-8">
|
|
4061
|
-
<div><strong>2016, mins</strong></div>
|
|
4062
|
-
|
|
4063
|
-
<dl class="dl-inline">
|
|
4064
|
-
<dt class="invisible">Description</dt>
|
|
4065
|
-
<dd><p>Based on Goethe’s novel The Sorrows of Young Werther,, Massenet’s opera tells the story of the poet Werther’s hopeless love for Charlotte, who is committed to another man.. The music is full of lyrical beauty, passion and emotional fervour, – small wonder that Werther is often considered to be the composer’s finest work. The Royal Opera’s Music Director Antonio Pappano returns to conduct film, theatre and opera director Benoît Jacquot’s classic production. Italian tenor Vittorio Grigolo stars as Werther, alongside Joyce DiDonato, who sings her first Charlotte (one of the great French mezzo roles) in this staging.</p></dd>
|
|
4066
|
-
</dl>
|
|
4067
|
-
</div>
|
|
4068
|
-
<div class="col-xs-12 col-md-4">
|
|
4069
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/roh-live-werther" class="btn btn-primary">More details</a></p>
|
|
4070
|
-
</div>
|
|
4071
|
-
</div>
|
|
4072
|
-
</div>
|
|
4073
|
-
<dl class="row film-times clear">
|
|
4074
|
-
<dt class="col-xs-2">Select:</dt>
|
|
4075
|
-
<dd class="col-xs-10">
|
|
4076
|
-
|
|
4077
|
-
|
|
4078
|
-
<a
|
|
4079
|
-
href="/cinema/Dukes_At_Komedia/film/roh-live-werther/tickets/1071"
|
|
4080
|
-
class="btn btn-xs btn-default btn-special"
|
|
4081
|
-
>19.00</a>
|
|
4082
|
-
|
|
4083
|
-
<small class="film-type-desc">
|
|
4084
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
4085
|
-
</small> </dd>
|
|
4086
|
-
</dl>
|
|
4087
|
-
</div>
|
|
4088
|
-
</div>
|
|
4089
|
-
</li>
|
|
4090
|
-
<li class="heading dark">Thursday 7th Jul</li>
|
|
4091
|
-
<li>
|
|
4092
|
-
<div class="row">
|
|
4093
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
4094
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160707-HO00003057" data-icon="Z"></button>
|
|
4095
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/branagh-theatre-live-romeo-and-juliet">Branagh Theatre Live: Romeo And Juliet [TBC]</a></h2>
|
|
4096
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160707-HO00003057">
|
|
4097
|
-
|
|
4098
|
-
<div class="row no-pd">
|
|
4099
|
-
<div class="col-xs-12 col-md-8">
|
|
4100
|
-
<div><strong>2016, 180 mins</strong></div>
|
|
4101
|
-
|
|
4102
|
-
<dl class="dl-inline">
|
|
4103
|
-
<dt class="invisible">Description</dt>
|
|
4104
|
-
<dd><p>The Kenneth Branagh Theatre Company Live cinema season continues with a new vision of Shakespeare’s heartbreaking tale of forbidden love. Branagh and his creative team present a modern passionate version of the classic tragedy.
|
|
4105
|
-
<br/><br/>
|
|
4106
|
-
A longstanding feud between Verona’s Montague and Capulet families brings about devastating consequences for two young lovers caught in the conflict.
|
|
4107
|
-
<br/><br/>
|
|
4108
|
-
Reuniting the stars of his celebrated film of Cinderella, Kenneth Branagh directs Richard Madden and Lily James as Romeo and Juliet and Sir Derek Jacobi as Mercutio.</p></dd>
|
|
4109
|
-
</dl>
|
|
4110
|
-
</div>
|
|
4111
|
-
<div class="col-xs-12 col-md-4">
|
|
4112
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/branagh-theatre-live-romeo-and-juliet" class="btn btn-primary">More details</a></p>
|
|
4113
|
-
</div>
|
|
4114
|
-
</div>
|
|
4115
|
-
</div>
|
|
4116
|
-
<dl class="row film-times clear">
|
|
4117
|
-
<dt class="col-xs-2">Select:</dt>
|
|
4118
|
-
<dd class="col-xs-10">
|
|
4119
|
-
|
|
4120
|
-
|
|
4121
|
-
<a
|
|
4122
|
-
href="/cinema/Dukes_At_Komedia/film/branagh-theatre-live-romeo-and-juliet/tickets/3326"
|
|
4123
|
-
class="btn btn-xs btn-default btn-special"
|
|
4124
|
-
>19.15</a>
|
|
4125
|
-
|
|
4126
|
-
<small class="film-type-desc">
|
|
4127
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Screen Art">Screen Arts</a>.
|
|
4128
|
-
</small> </dd>
|
|
4129
|
-
</dl>
|
|
4130
|
-
</div>
|
|
4131
|
-
</div>
|
|
4132
|
-
</li>
|
|
4133
|
-
<li class="heading dark">Wednesday 28th Sep</li>
|
|
4134
|
-
<li>
|
|
4135
|
-
<div class="row">
|
|
4136
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
4137
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20160928-HO00003435" data-icon="Z"></button>
|
|
4138
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-cymbeline">RSC Live: Cymbeline [12A]</a></h2>
|
|
4139
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20160928-HO00003435">
|
|
4140
|
-
|
|
4141
|
-
<div class="row no-pd">
|
|
4142
|
-
<div class="col-xs-12 col-md-8">
|
|
4143
|
-
<div><strong>2016, mins</strong></div>
|
|
4144
|
-
|
|
4145
|
-
<dl class="dl-inline">
|
|
4146
|
-
<dt class="invisible">Description</dt>
|
|
4147
|
-
<dd><p>Cymbeline is a ruler of a divided Britain. When Innogen, the only living heir, marries her sweetheart in secret, an enraged Cymbeline banishes him. But a powerful figure behind the throne is plotting to seize power and murder them both. Innogen embarks on a dangerous journey that will reunite Cymbeline with a lost heir and reconcile the young lovers. Melly Still directs Shakespeare’s rarely performed romance.
|
|
4148
|
-
<br/><br/>
|
|
4149
|
-
Join us for this live cinema screening on the 28 September, broadcast live from the Royal Shakespeare Theatre. Feel part of the action from your seat.</p></dd>
|
|
4150
|
-
</dl>
|
|
4151
|
-
</div>
|
|
4152
|
-
<div class="col-xs-12 col-md-4">
|
|
4153
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-cymbeline" class="btn btn-primary">More details</a></p>
|
|
4154
|
-
</div>
|
|
4155
|
-
</div>
|
|
4156
|
-
</div>
|
|
4157
|
-
<dl class="row film-times clear">
|
|
4158
|
-
<dt class="col-xs-2">Select:</dt>
|
|
4159
|
-
<dd class="col-xs-10">
|
|
4160
|
-
|
|
4161
|
-
<button data-toggle="modal" data-target="#member-priority-modal"
|
|
4162
|
-
data-tooltip="tooltip" data-original-title="You must be a member to purchase these tickets. Click to verify." style="cursor: pointer"
|
|
4163
|
-
class="btn btn-xs btn-default btn-special disabled"
|
|
4164
|
-
>
|
|
4165
|
-
19.00
|
|
4166
|
-
</button>
|
|
4167
|
-
|
|
4168
|
-
|
|
4169
|
-
<small class="film-type-desc">
|
|
4170
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Priority">Members’ Priority Booking</a>: Tickets for this show are currently available to Members only
|
|
4171
|
-
|
|
4172
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=RSC Live">RSC Live</a>.
|
|
4173
|
-
</small> </dd>
|
|
4174
|
-
</dl>
|
|
4175
|
-
</div>
|
|
4176
|
-
</div>
|
|
4177
|
-
</li>
|
|
4178
|
-
<li class="heading dark">Wednesday 12th Oct</li>
|
|
4179
|
-
<li>
|
|
4180
|
-
<div class="row">
|
|
4181
|
-
<div class="col-xs-12 btm-mg no-pd-x">
|
|
4182
|
-
<button type="button" class="btn-link icon pull-right collapsed" data-toggle="collapse" data-target="#listings-further-ahead-20161012-HO00003437" data-icon="Z"></button>
|
|
4183
|
-
<h2 class="h5 top-mg-sm"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-king-lear">RSC Live: King Lear [12A]</a></h2>
|
|
4184
|
-
<div class="nav-collapse collapse" id="listings-further-ahead-20161012-HO00003437">
|
|
4185
|
-
|
|
4186
|
-
<div class="row no-pd">
|
|
4187
|
-
<div class="col-xs-12 col-md-8">
|
|
4188
|
-
<div><strong>2016, mins</strong></div>
|
|
4189
|
-
|
|
4190
|
-
<dl class="dl-inline">
|
|
4191
|
-
<dt class="invisible">Description</dt>
|
|
4192
|
-
<dd><p>King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point.
|
|
4193
|
-
<br/><br/>
|
|
4194
|
-
Antony Sher returns to the RSC to play King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.
|
|
4195
|
-
<br/><br/>
|
|
4196
|
-
Join us for this live cinema screening of one of Shakespeare’s most epic plays on 12 October, broadcast live from the Royal Shakespeare Theatre. Feel part of the action from your seat.
|
|
4197
|
-
</p></dd>
|
|
4198
|
-
</dl>
|
|
4199
|
-
</div>
|
|
4200
|
-
<div class="col-xs-12 col-md-4">
|
|
4201
|
-
<p class="pull-right"><a href="/cinema/Dukes_At_Komedia/film/rsc-live-king-lear" class="btn btn-primary">More details</a></p>
|
|
4202
|
-
</div>
|
|
4203
|
-
</div>
|
|
4204
|
-
</div>
|
|
4205
|
-
<dl class="row film-times clear">
|
|
4206
|
-
<dt class="col-xs-2">Select:</dt>
|
|
4207
|
-
<dd class="col-xs-10">
|
|
4208
|
-
|
|
4209
|
-
<button data-toggle="modal" data-target="#member-priority-modal"
|
|
4210
|
-
data-tooltip="tooltip" data-original-title="You must be a member to purchase these tickets. Click to verify." style="cursor: pointer"
|
|
4211
|
-
class="btn btn-xs btn-default btn-special disabled"
|
|
4212
|
-
>
|
|
4213
|
-
19.00
|
|
4214
|
-
</button>
|
|
4215
|
-
|
|
4216
|
-
|
|
4217
|
-
<small class="film-type-desc">
|
|
4218
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=Priority">Members’ Priority Booking</a>: Tickets for this show are currently available to Members only
|
|
4219
|
-
|
|
4220
|
-
<a href="/cinema/Dukes_At_Komedia/Whats_On?filter=RSC Live">RSC Live</a>.
|
|
4221
|
-
</small> </dd>
|
|
4222
|
-
</dl>
|
|
4223
|
-
</div>
|
|
4224
|
-
</div>
|
|
4225
|
-
</li>
|
|
4226
|
-
</ul> <hr class="hr-lg" />
|
|
4227
|
-
</div>
|
|
4228
|
-
|
|
4229
|
-
</div>
|
|
4230
|
-
|
|
4231
|
-
<div class="visible-xs">
|
|
4232
|
-
<div class="component visible-xs back-to-top hidden-print">
|
|
4233
|
-
<hr />
|
|
4234
|
-
<p>
|
|
4235
|
-
<a href="#top" class="text-center center-block link-reverse">
|
|
4236
|
-
<span class="icon" data-icon="Z"></span><br />
|
|
4237
|
-
Back to top
|
|
4238
|
-
</a>
|
|
4239
|
-
</p>
|
|
4240
|
-
</div> </div>
|
|
4241
|
-
|
|
4242
|
-
</div>
|
|
4243
|
-
|
|
4244
|
-
<div class="footer">
|
|
4245
|
-
<div class="navbar navbar-inverse">
|
|
4246
|
-
<div class="container">
|
|
4247
|
-
<div class="row">
|
|
4248
|
-
<div class="col-xs-12 col-sm-9">
|
|
4249
|
-
<ul class="spaced-list btm-mg-sm">
|
|
4250
|
-
<li><a href="/Privacy" target="_blank">Privacy & Data Protection</a></li>
|
|
4251
|
-
<li><a href="/Terms/Terms_And_Conditions" target="_blank">Competition T&Cs</a></li>
|
|
4252
|
-
<li><a href="/Terms" target="_blank">Terms of Admission</a></li>
|
|
4253
|
-
<li><a href="/Contact">Contact Us</a></li>
|
|
4254
|
-
<li><a href="/Contact#jobs" target="_blank">Jobs</a></li>
|
|
4255
|
-
<li><a href="/FAQs" target="_blank">FAQs</a></li>
|
|
4256
|
-
<li><a href="http://corporate.picturehouses.co.uk/venue-hire/" target="_blank">Venue Hire</a></li>
|
|
4257
|
-
<li><a href="http://corporate.picturehouses.co.uk/" target="_blank">Corporate</a></li>
|
|
4258
|
-
</ul>
|
|
4259
|
-
</div>
|
|
4260
|
-
<div class="col-xs-12 col-sm-3 pull-right">
|
|
4261
|
-
<select name="select-cinema" title="Select cinema" id="select-cinema" class="form-control btm-mg" data-auto-link="true">
|
|
4262
|
-
<option value="">Select a cinema</option>
|
|
4263
|
-
<option data-href="/cinema/Clapham_Picturehouse">London — Clapham Picturehouse</option>
|
|
4264
|
-
<option data-href="/cinema/Crouch_End_Picturehouse">London — Crouch End Picturehouse</option>
|
|
4265
|
-
<option data-href="/cinema/East_Dulwich_Picturehouse">London — East Dulwich</option>
|
|
4266
|
-
<option data-href="/cinema/Gate_Picturehouse">London — Gate Picturehouse</option>
|
|
4267
|
-
<option data-href="/cinema/Greenwich_Picturehouse">London — Greenwich Picturehouse</option>
|
|
4268
|
-
<option data-href="/cinema/Hackney_Picturehouse">London — Hackney Picturehouse</option>
|
|
4269
|
-
<option data-href="/cinema/Picturehouse_Central">London — Picturehouse Central</option>
|
|
4270
|
-
<option data-href="/cinema/Ritzy_Picturehouse">London — The Ritzy</option>
|
|
4271
|
-
<option data-href="/cinema/Stratford_London">Stratford, London — Stratford Picturehouse</option>
|
|
4272
|
-
<option data-href="/cinema/The_Little">Bath — Little Theatre Cinema</option>
|
|
4273
|
-
<option data-href="/cinema/National_Media_Museum">Bradford — Bradford at National Media Museum</option>
|
|
4274
|
-
<option data-href="/cinema/Duke_Of_Yorks">Brighton — Duke of York's Picturehouse</option>
|
|
4275
|
-
<option data-href="/cinema/Dukes_At_Komedia" selected>Brighton — Duke's at Komedia</option>
|
|
4276
|
-
<option data-href="/cinema/Arts_Picturehouse_Cambridge">Cambridge — Arts Picturehouse Cambridge</option>
|
|
4277
|
-
<option data-href="/cinema/Cameo_Picturehouse">Edinburgh — The Cameo</option>
|
|
4278
|
-
<option data-href="/cinema/Exeter_Picturehouse">Exeter — Exeter Picturehouse</option>
|
|
4279
|
-
<option data-href="/cinema/Regal_Picturehouse">Henley — Regal Picturehouse</option>
|
|
4280
|
-
<option data-href="/cinema/Cinema_City">Norwich — Cinema City</option>
|
|
4281
|
-
<option data-href="/cinema/Picturehouse_At_Fact">Liverpool — Picturehouse at FACT</option>
|
|
4282
|
-
<option data-href="/cinema/Phoenix_Picturehouse">Oxford — Phoenix Picturehouse</option>
|
|
4283
|
-
<option data-href="/cinema/Harbour_Lights">Southampton — Harbour Lights</option>
|
|
4284
|
-
<option data-href="/cinema/Stratford_Upon_Avon">Stratford Upon Avon — Stratford Upon Avon</option>
|
|
4285
|
-
<option data-href="/cinema/York_Picturehouse">York — City Screen Picturehouse</option>
|
|
4286
|
-
</select>
|
|
4287
|
-
|
|
4288
|
-
</div>
|
|
4289
|
-
<div class="col-xs-12 col-sm-9">
|
|
4290
|
-
<p>Picturehouse Cinemas Limited is a limited company registered in England as company number 2310403 and its registered office is Power Road Studios, 114 Power Road, Chiswick, London, W4 5PY.</p>
|
|
4291
|
-
<p>© 2015 Picturehouse Cinemas Ltd.</p>
|
|
4292
|
-
</div>
|
|
4293
|
-
|
|
4294
|
-
</div>
|
|
4295
|
-
</div>
|
|
4296
|
-
</div>
|
|
4297
|
-
</div>
|
|
4298
|
-
|
|
4299
|
-
<!-- TODO: Server side include modal window if needed -->
|
|
4300
|
-
|
|
4301
|
-
<!-- CDN links -->
|
|
4302
|
-
<script src="//cdnjs.cloudflare.com/ajax/libs/jquery/1.11.1/jquery.min.js"></script>
|
|
4303
|
-
<script src="//cdnjs.cloudflare.com/ajax/libs/twitter-bootstrap/3.2.0/js/bootstrap.min.js"></script>
|
|
4304
|
-
<script src="//cdnjs.cloudflare.com/ajax/libs/knockout/3.3.0/knockout-min.js"></script>
|
|
4305
|
-
<script src="//cdnjs.cloudflare.com/ajax/libs/jquery.cycle2/20140415/jquery.cycle2.min.js"></script>
|
|
4306
|
-
<script src="/js/vendor/jquery.cycle2.carousel.min.js"></script>
|
|
4307
|
-
<script>$.fn.cycle.defaults.autoSelector = '.slideshow';</script>
|
|
4308
|
-
|
|
4309
|
-
<script src="/js/vendor/jquery.rateit.min.js"></script>
|
|
4310
|
-
<script src="/js/vendor/jquery-ui.min.js"></script>
|
|
4311
|
-
<script src="/js/vendor/bind.js"></script>
|
|
4312
|
-
<script>
|
|
4313
|
-
var cinemaId = parseInt("019", 10);
|
|
4314
|
-
</script>
|
|
4315
|
-
|
|
4316
|
-
<script src="/js/picturehouse.min.js?v=1.7.8"></script>
|
|
4317
|
-
|
|
4318
|
-
|
|
4319
|
-
<!-- KnockoutJS ViewModels -->
|
|
4320
|
-
<script src="/js/viewmodels/basket.js?v=1.7.8"></script>
|
|
4321
|
-
<script src="/js/viewmodels/seating.js?v=1.7.8"></script>
|
|
4322
|
-
|
|
4323
|
-
<script type="text/javascript">
|
|
4324
|
-
// Create closure.
|
|
4325
|
-
(function( $ ) {
|
|
4326
|
-
'user strict';
|
|
4327
|
-
|
|
4328
|
-
if ($( '#cinema-search' ).length) {
|
|
4329
|
-
// TODO: Will this be dynamically pulled from db?
|
|
4330
|
-
var availableTags = [
|
|
4331
|
-
{ id: "Clapham_Picturehouse", label: "London - Clapham Picturehouse" },
|
|
4332
|
-
{ id: "Crouch_End_Picturehouse", label: "London - Crouch End Picturehouse" },
|
|
4333
|
-
{ id: "East_Dulwich_Picturehouse", label: "London - East Dulwich" },
|
|
4334
|
-
{ id: "Gate_Picturehouse", label: "London - Gate Picturehouse" },
|
|
4335
|
-
{ id: "Greenwich_Picturehouse", label: "London - Greenwich Picturehouse" },
|
|
4336
|
-
{ id: "Hackney_Picturehouse", label: "London - Hackney Picturehouse" },
|
|
4337
|
-
{ id: "Picturehouse_Central", label: "London - Picturehouse Central" },
|
|
4338
|
-
{ id: "Ritzy_Picturehouse", label: "London - The Ritzy" },
|
|
4339
|
-
{ id: "Stratford_London", label: "Stratford, London - Stratford Picturehouse" },
|
|
4340
|
-
{ id: "The_Little", label: "Bath - Little Theatre Cinema" },
|
|
4341
|
-
{ id: "National_Media_Museum", label: "Bradford - Bradford at National Media Museum" },
|
|
4342
|
-
{ id: "Duke_Of_Yorks", label: "Brighton - Duke of York's Picturehouse" },
|
|
4343
|
-
{ id: "Dukes_At_Komedia", label: "Brighton - Duke's at Komedia" },
|
|
4344
|
-
{ id: "Arts_Picturehouse_Cambridge", label: "Cambridge - Arts Picturehouse Cambridge" },
|
|
4345
|
-
{ id: "Cameo_Picturehouse", label: "Edinburgh - The Cameo" },
|
|
4346
|
-
{ id: "Exeter_Picturehouse", label: "Exeter - Exeter Picturehouse" },
|
|
4347
|
-
{ id: "Regal_Picturehouse", label: "Henley - Regal Picturehouse" },
|
|
4348
|
-
{ id: "Cinema_City", label: "Norwich - Cinema City" },
|
|
4349
|
-
{ id: "Picturehouse_At_Fact", label: "Liverpool - Picturehouse at FACT" },
|
|
4350
|
-
{ id: "Phoenix_Picturehouse", label: "Oxford - Phoenix Picturehouse" },
|
|
4351
|
-
{ id: "Harbour_Lights", label: "Southampton - Harbour Lights" },
|
|
4352
|
-
{ id: "Stratford_Upon_Avon", label: "Stratford Upon Avon - Stratford Upon Avon" },
|
|
4353
|
-
{ id: "York_Picturehouse", label: "York - City Screen Picturehouse" },
|
|
4354
|
-
];
|
|
4355
|
-
$( "#cinema-search" ).autocomplete({
|
|
4356
|
-
source: availableTags,
|
|
4357
|
-
select: function( event, ui ) {
|
|
4358
|
-
window.location = "/cinema/" + ui.item.id;
|
|
4359
|
-
}
|
|
4360
|
-
});
|
|
4361
|
-
}
|
|
4362
|
-
|
|
4363
|
-
})( jQuery );
|
|
4364
|
-
</script>
|
|
4365
|
-
|
|
4366
|
-
<div class="modal fade in" id="sign-in-modal" aria-hidden="false">
|
|
4367
|
-
<div class="modal-dialog">
|
|
4368
|
-
<div class="modal-content">
|
|
4369
|
-
<div class="modal-header">
|
|
4370
|
-
<p class="h2 display-inline">Sign in to your Picturehouse account</p>
|
|
4371
|
-
<a href="#" data-icon="V" class="icon pull-right" data-dismiss="modal"><span class="sr-only">Close</span></a>
|
|
4372
|
-
</div>
|
|
4373
|
-
<div class="modal-body">
|
|
4374
|
-
<form method="post" action="/sign-in">
|
|
4375
|
-
<div class="form-group">
|
|
4376
|
-
<label for="number">Email:</label>
|
|
4377
|
-
<input type="text" name="number" id="number" class="form-control" value="" required />
|
|
4378
|
-
</div>
|
|
4379
|
-
<div class="form-group">
|
|
4380
|
-
<label for="membership-password">
|
|
4381
|
-
Password:<br />
|
|
4382
|
-
<small>This may be your surname if you have not set a password before.</small>
|
|
4383
|
-
</label>
|
|
4384
|
-
<input type="password" name="membership-password" id="membership-password" class="form-control" required />
|
|
4385
|
-
</div>
|
|
4386
|
-
<p class="text-right"><a target="_blank" href="http://ticketing.picturehouses.com/Browsing/Loyalty/ForgotPassword">Forgotten password?</a></p>
|
|
4387
|
-
<!-- <div class="form-group">
|
|
4388
|
-
<div class="checkbox">
|
|
4389
|
-
<label for="account-remember">
|
|
4390
|
-
<input type="checkbox" name="account-remember" id="account-remember"> Remember me
|
|
4391
|
-
</label>
|
|
4392
|
-
</div>
|
|
4393
|
-
</div> -->
|
|
4394
|
-
|
|
4395
|
-
<div class="clearfix top-mg-lg">
|
|
4396
|
-
<button type="submit" class="btn btn-primary pull-right">Sign in</button>
|
|
4397
|
-
</div>
|
|
4398
|
-
</form>
|
|
4399
|
-
</div>
|
|
4400
|
-
</div>
|
|
4401
|
-
</div>
|
|
4402
|
-
</div>
|
|
4403
|
-
|
|
4404
|
-
<div class="modal fade in" id="member-priority-modal" aria-hidden="false">
|
|
4405
|
-
<div class="modal-dialog">
|
|
4406
|
-
<div class="modal-content">
|
|
4407
|
-
<div class="modal-header">
|
|
4408
|
-
<p class="h2 display-inline">Verify membership number</p>
|
|
4409
|
-
<a href="#" data-icon="V" class="icon pull-right" data-dismiss="modal"><span class="sr-only">Close</span></a>
|
|
4410
|
-
</div>
|
|
4411
|
-
<div class="modal-body">
|
|
4412
|
-
<form method="post" action="/verify-member">
|
|
4413
|
-
<div class="form-group">
|
|
4414
|
-
<label for="number">Membership number:</label>
|
|
4415
|
-
<input type="text" name="number" id="number" class="form-control" value="" required />
|
|
4416
|
-
</div>
|
|
4417
|
-
|
|
4418
|
-
<div class="clearfix top-mg-lg">
|
|
4419
|
-
<button type="submit" class="btn btn-primary pull-right">Verify</button>
|
|
4420
|
-
</div>
|
|
4421
|
-
</form>
|
|
4422
|
-
</div>
|
|
4423
|
-
</div>
|
|
4424
|
-
</div>
|
|
4425
|
-
</div>
|
|
4426
|
-
|
|
4427
|
-
|
|
4428
|
-
</body>
|
|
4429
|
-
</html>
|